Just when you thought Prince Harry couldn't get more lovable!
|
|
Just when you thought Lin-Manuel Miranda couldn't get more lovable.
|
|
You have to be more lovable than the Big Announcements Person!
|
|
It just makes you even more lovable because you've been hurt.
|
|
One of whom is missing an eye, making him, I'm sorry, even more lovable.
|
|
At the very least, I can say the rest of 2018 is looking significantly more lovable.
|
|
When a celebrity has a soft spot for pups, it just makes them all the more lovable.
|
|
Everyone may love a man in uniform, but a dad in uniform is somehow even more lovable. 6.
|
|
Only other thing I'd ask for might be a USB-C charging connection and a slightly more lovable name.
|
|
Some writers "pretend to be more lovable than they are and some pretend to be less," he told Ms. Lee.
|
|
The wonderful simplicity of the Morris dancers' stage manners tends to be more lovable than the schematic material they've been given.
|
|
Premiere Date: June 17, 2000 The show that introduced us to a more lovable Shia Labeouf than the one we know today.
|
|
He was also a very dear person, very loving, and was becoming more lovable and loving and funny and wonderful every day.
|
|
The good guys are softer and rounder to make them appear more lovable and huggable—think Mickey Mouse or Baloo from The Jungle Book.
|
|
"Disney took Mickey and made him more lovable and adorable by giving him a bigger head, pudgy limbs and a clumsy appearance," he says.
|
|
The move to a more powerful console let the developers revamp the game's graphics and give the world of Pokémon even more lovable personality.
|
|
Lo and behold, though, the ghost behind the triple haunting of Scrooge that turns him, er, a bit more lovable is Scrooge's business partner Jacob Marley.
|
|
So many people believe that the pretty version of themselves makes them more lovable, so they do everything they can to put that version out there.
|
|
The supporting characters seem stranger, blunter, and more lovable, or hateable, than their doubles in "Decline and Fall" and "Vile Bodies"—in this case, life exceeded art.
|
|
Her poems early and late are slightly ungainly, impossible constructions (like a Louis XVI settee made from an Erector set), but her oddities turned more lovable as she aged.
|
|
Sometimes she exaggerated the details, but she did it believing the exaggerations, and this only made her more lovable, because it showed you what she could do with the raw material of the world.
|
|
Before the crosstown Cubs even took the field for the World Series, the South Side team's very existence had been obscured by media carrying water for Chicago's more lovable losers from the North Side.
|
|
If they do it right, the series will provide a backstory that will make the quirky, loving, and frivolous aunts of "Practical Magic" even more sketched out, more lovable to fans than ever before.
|
|
"Our motto is 'everybody is a fan of something' so our job is to take these characters that people are a fan of and make them even more lovable and available and affordable," O'Brien said.
|
|
"You're like a sister to me, Saga, but it would be better if you died than if he got out," Joona tells her, and the frankness of that somehow makes the detective more lovable than cruel.
|
|
In the case of the George London Foundation Awards Competition for young American and Canadian opera singers (one of the more lovable affairs), which held the final round of its 45th annual contest on Friday, at the Morgan Library & Museum, the odds were good that at least some of the choices would please everyone.
|
|
The writers rounded out Knight's character, pairing him with a love interest, Georgette, played by Georgia Engel, who brings out some of Ted's more lovable characteristics and whom Ted eventually marries.
|
|
He said: "young gorillas are more lovable and more intelligent than chimpanzees, but are more dangerous as they grow older". When World War II broke out in 1939, food was rationed and Sarll was no longer able to feed any of his animals and so was forced to put them down himself.
|
|
They slowly become friends. But one day she asks Vijay to leave her and go as she fears that if their relationship develops any further, separation would be painful. He then goes back to India and influences Manasa's brother to a large extent. In his conservative and ancestral village, Vijay changes everyone's viewpoint and makes them more lovable.
|
|
Jai then returns to India and changes the mind of Manasa's violent brother Poorna (Subbaraju), and when they give a vacation, he goes with him to his village. There, where everyone is violent and conservative in nature, Jai changes their nature and makes them more lovable. Manasa's family expresses their wish to marry her to Jai. When Manasa expresses her love for Jai, he tells his flashback.
|
|
Repentant for her harsh treatment of Bhikshatana and jealous of the glances of the women in the streets, who attracted are by his appearance, Parvati's icon rushes behind Bhikshatana and "dances" to win him back. Shiva relents and they travel together to the temple. Government Museum, Chennai, originally from Bhikshandarkoil, Tiruchirappalli district. About 10th century AD. Tamil works transform the terrible Kapali form of Shiva to a more lovable form.
|
|
Clute points out that Dickson, like Poul Anderson, with whom he collaborated in the Hoka series, "[tends] to infuse an austere Nordic pathos into wooded, rural midwestern American settings". His works often have mercenaries as their protagonists and deal with aliens that are "less deracinated and more lovable than humans" (Clute). They "are inclined to take on a heightened, sagalike complexion" (Clute), particularly through the insertion of lyric poetry that is sometimes rather inferior.
|
|
Catriona Wightman of Digital Spy felt that Finn's storyline with his father's ex-girlfriend Lisa is more "interesting - or at least more strange". She felt the storyline was worth it as it led to "the heartbreaking scene as Finn discovers that his dad is actually not his biological father - making him even more lovable. And the story also pushes forward the cute blossoming romance between Jess and Finn, making their feelings for each other more clear".
|
|
But one day she asks Abhi to leave her and go as she cannot stand the separation from him if their relationship develops any further. He then goes back to India and changes the mind of Kajol's brother and when they give a vacation he goes with him to his village. There, where everyone are conservative in nature, he changes their nature and makes them more lovable. When Kajol expresses her love for him, he tells his flashback.
|
|
Pitchfork also included it at number sixty-eight on its list of The Top 200 Albums of the 2000s and stated that "[n]obody [...] made a more lovable pop album this decade than Robyn", describing it as "an indie-as-fuck fairytale: Freed from proto-Mouseketeer teen-pop servitude and inspired by the Knife, Robyn experiments across genres, emotes from the heart, and gradually amasses a netroots fanbase." Aside from critics' lists, the album received a nomination for Best Electronic/Dance Album at the 2009 Grammy Awards, but lost out to Daft Punk's Alive 2007.
|
|
Gubler stated in an interview in the show's second season "[Reid]'s an eccentric genius, with hints of schizophrenia and minor autism, Asperger's syndrome." Writer Sharon Lee Watson stated in a Twitter chat that Reid's Asperger traits make the character more lovable. Gubler has commented on the differences between Reid and the similarly eccentric character Penelope Garcia: "She represents everything he's not, she's very tech oriented and I would like to imagine he is more like 1920s smart, books and reading etc". Kirsten Vangsness agreed, adding that Garcia is more extroverted and available emotionally, whereas Reid struggles with his emotions.
|
|
Tai Lang (Taro) is the smart, capable, and good at everything. He is popular with girls at school not just due to his qualities but also because of rumors that his family is the richest of the rich families at his school. But the truth is, Tai Lang lives in a poor one-room home with his mother and six siblings, scraping for every single cent and his skills come only from being the man and woman of the house. Unintentionally hiding his poverty, Taro is a kind person which makes him all the more lovable.
|
|
Some critics have said that Myers is too harsh and negative in his reviews, and he looks at the substandard rather than the good sections of a literary work. Myers refutes these criticisms by stating that he uses the same excerpts that were previously praised by other critics. He also explains that some good parts do not qualify a work of literary prose as being worth the money and time it costs to purchase and read. Myers claims that the writer has become more important than the writing and any failings "only makes them more lovable" in the eyes of the modern critic.
|
|
I never met him without being the better for > it, and his kindly greeting and genial smile were always to me like a > benison [blessing] from one I loved. A more gracious presence, and a more > lovable nature have seldom been combined. His goodness made itself > intuitively felt; and he had not even to speak, for his purity of heart and > sincerity of mind seemed fairly to beam from his eyes. There may have been > better men than Jacob Ezekiel, I presume he had his share of human > frailties; but, I have never yet met another who could so impress the > hallowing influence which true goodness inspires.
|
|
In the role of the nefarious Tiny, Mitchell was cast against type, having played a more lovable version of himself as Scarlet O'Hara's father in Gone With The Wind. Soon after shooting began, director Fritz Lang left the project, rumored to be due to friction he had with Gabin regarding Marlene Dietrich, who had been involved with both men. It's not known which early footage is shot by Lang or replacement director Archie Mayo. There were problems regarding the film's location on San Pedro Bay, which had to be scrapped after the bombing of Pearl Harbor and the west coast was declared a security zone.
|
|
He called the script "very smart" and compared the story to the plot of Rashomon. He said "Yes, 'Bad Blood' can be goofy, but it's a good kind of goofy, the kind that pokes holes in characters in ways that just make them more lovable." Robert Shearman and Lars Pearson, in their book Wanting to Believe: A Critical Guide to The X-Files, Millennium & The Lone Gunmen, rated the episode five stars out of five and wrote "Now that's how you tell a vampire story!" The two praised Gilligan's use of humor as well as the episode's examination of both Mulder and Scully's differing points of views.
|
|
He designed several versions of Jill with different proportions and sent them to Anthropy so she could pick her favourite. He compared two of the designs to Nintendo characters Mario and Link; the Mario- like design he called a "standard video game design", while the Link-like design he called "slightly realistic". The Link-like design was the most realistic design that he did because he felt that making it too realistic could make it too difficult for players to identify with, and could diminish the humorous elements of the game. He also intended to design her as "dumpy and podgy" to make her more "lovable".
|
|
During its two- week run at the Cameo Theater in New York, reviews in the local newspapers were unanimous in praising the film. The Evening Sun called the film "a very effective picture version" of London's novel and noted the "settings are very well done". The Evening Post said it was "a stirring series of pictures of the bleak wastes of snow and ice of the frozen North...and has many sensational scenes". Joseph Mulvaney of The New York American alluded to the animal star of the movie, saying "Buck is natural and he acts more as a result of instinct than training, and he is all the more lovable for it".
|
|
This device was positioned inside the head unit; consequently, torsos and limbs appeared relatively small. The puppets' likenesses and mechanics are remembered favourably by puppeteer Wanda Brown, who preferred the Thunderbirds marionettes over the accurately- proportioned ones that first appeared in Captain Scarlet: "The puppets were easier to operate and more enjoyable because they had more character to them ... Even some of the more normal-looking faces, such as Scott and Jeff, for me had more character than the puppets in the series that came afterwards." Rimmer speaks positively of the puppets' still being "very much caricatures", since it made them "more lovable and appealing ... There was a naive quality about them and nothing too complex."Bentley 2005, p. 29.
|
|
His consecrated life made him a true Missionary > and he was much beloved by the natives of the South Pacific. So he bringeth > them into their desired heven. And on the other side of the headstone – > Also of Mary his beloved wife who died 12 February 1866 aged 64 years, and > their daughter Maria Clark who died 18 October 1843, aged 7 years. Precious > the sight of the Lord is the death of His Saints The Reverend A.W. Murray in his book, Forty Years Mission Work, said "I have known many eminent Christians during my not-short life, but I have never met a more lovable, a more Christian like man than was Captain Morgan"Forty Years Mission Work, Reverent A.W. Murray.
|
|
The musical premiered on Broadway at the Ethel Barrymore Theatre on October 19, 1938 and closed on March 11, 1939 after 168 performances. It was produced by the Playwrights' Company and directed by Joshua Logan. The original production starred Walter Huston (as Peter Stuyvesant), Richard Kollmar (as Brom Broeck), Jeanne Madden (as Tina), and Ray Middleton (as Washington Irving)."Internet Broadway Database" ibdb.com, accessed March 9, 2013 Burgess Meredith, a friend of Weill's, was originally set to play the romantic young lead Brom Broek, but he left when he saw the villainous Peter Stuyvesant character growing into a more and more lovable and important role, upstaging his. Burt Lancaster starred in a revival production of the Los Angeles Civic Light Opera at the Dorothy Chandler Pavilion at the Music Center, L.A in June, 1971.
|
|