The instrumentalist is more laconic than Maas, with a more pronounced Texan accent.
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Atlanta's Earn is way more laconic than Troy, but the characters share a deep vulnerability that makes it hard to dismiss either out of hand.
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They played "Captive of the Sun," one of the more laconic tracks off of Human Performance; halfway through, legendary Houston rapper Bun B walked onstage and laid down a solid verse.
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Things got distinctly funkier, and two shades more laconic, on "The Royal Scam," a record defined by Mr. Fagen's inky clavinet and the skintight drumming of Bernard Purdie and Rick Marotta.
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Relegated to composing each poem on an ephemeral cake of soap made her more laconic ("When I finished, I would memorize it, wash my hands and send it down the drain," she once said), and her response to protracted imprisonment arguably improved her poetry.
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Edward constantly showed his affection for Emily in his letters, whereas Emily was the much more laconic in her replies.Pollack, Vivian (1988). A Poet's Parents. Chapel Hill: University of North Carolina Press. pp. xviii.
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In 1995, Dudgeon remastered the album, adding only an uptempo, rock and roll version of "Slave" that was sidelined in favour of the steamier, more laconic version that made the LP's original line-up. This alternate version was originally due to be released as the B-Side to the ultimately unreleased "Hercules" single.
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They often reflect shades of sadness. His painting acquired greater generality, the drawing became more laconic. Composition of painting acquired more rigorous form and expressing the author's intent. All that was done by Dmitry Maevsky in landscape painting, it was extremely sincere and deeply felt, foreign to the slightest hint of external effects, the play, imitation.
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Ostrovsky has made numerous cuts and additions to this final draft, dealing mostly with the characters' language, to make it more laconic and expressive. He re-worked several episodes he considered vital either for the play's structure or for properly portraying its characters, as well as the finales of all the five acts. Completely re-worked by Ostrovsky was the central scene of the Act 3, depicting the emotionally charged dialogue between Rabachev and Olya.
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On the edge of the 21st century, 1990 The Great Martian God (fresco) A new turn signified the late period of Tomilovsky’s creative live. His art became more laconic and the themes of endless cosmic eternity and the momentary human life became more pronounced. One can find these reflections in the works like ‘The Great Martian God’, where Tomilovsky depicted the supernatural forces, the universal mind, and the planet of Earth at its origin. In the late works of the artist, one would not find admiration of the Soviet construction sites anymore.
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