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20 Sentences With "more indelible"

How to use more indelible in a sentence? Find typical usage patterns (collocations)/phrases/context for "more indelible" and check conjugation/comparative form for "more indelible". Mastering all the usages of "more indelible" from sentence examples published by news publications.

But she arguably made a more indelible mark off court.
But some ads left a more indelible impression than others.
Some of it he can easily erase; other parts might prove more indelible.
Through it all, no character is more indelible than that of Scout's widower father, Atticus Finch.
I've wondered since what makes grandparenting feel so special, in some ways more indelible than parenting itself.
But more indelible was how fluidly they worked together, passing energy to whoever was in the spotlight.
Now, even more money is earmarked for her, along with a more indelible message: She can stick around at this level.
"One of the more indelible images from the 1964 film is of Mary Poppins blacking up," Pollack-Pelzner writes in The Times.
Morrison's language is always this precise and controlled in its effects, and it is always reaching for a bigger and more indelible story.
On July 20, 1969, men walked on the moon in what became the centerpiece of one of the more indelible years in American history.
On Baseball Credit Steve Pearce, the new cleanup hitter for the Boston Red Sox, with one of the more indelible moments in Yankees history.
That scene, and many more indelible moments — Snoopy's battle with the Red Baron, Pig-Pen's sooty ghost costume, Linus's resolute quest for sincerity — are what make this melancholy, bittersweet special so beloved.
It was an even more indelible party as Noah, a pop singer as well as a French Open champion, led a conga-line dance to "Saga Africa," a song from his recent album.
More indelible for me is the memory of how momentous it seemed when the magical stage performance I had been watching came to a halt so that the actors could join us in watching something unique and important.
Though Djokovic would leave the more indelible mark at home and abroad, becoming one of the greatest players of all time, Tipsarevic had major moments of his own: breaking into the top 220 and playing a big role in Serbia's run to its first and only Davis Cup title, in 215.
On stage we saw the host and his interviewee walking around in head-mounted displays; on the screen behind them, we saw their digital avatars exploring the virtual set of Chung's 2016 game Quadrilateral Cowboy, which the show had rebuilt in VR. Watching a game designer explore his creation from the inside was one of the year's more indelible moments.
Because, while it's possible to identify Bowie-isms on many a runway — sometimes overtly, as in Jean Paul Gaultier's spring 2013 women's wear collection, "Rock Stars," when the designer showed a Bowie-esque asymmetric star-spangled net cat suit; sometimes covertly, as last season, when Haider Ackermann sent out sharp-shouldered button-down shirts with contrast collars on mulleted models, and Alessandro Michele at Gucci challenged gender conventions by putting men in floral suits with matching shirts — his effect is, in fact, much deeper, and more indelible, than any single look or shoulder style.
Davis made a more indelible imprint as a minor league skipper, logging 27 years (1949–72; 1974–76) in the farm systems of the Giants, Cincinnati Reds, Cleveland Indians and Pittsburgh Pirates, and working at all levels of the minors. He managed at Triple-A with the Minneapolis Millers, Phoenix/Tacoma Giants, Buffalo Bisons, Portland Beavers, Charleston Charlies and Oklahoma City 89ers. His teams won 1,993 games, losing 1,927 (.508) with four league championships.
For the most part, he prefers to show the Gorgon as reflected in Perseus's shield. There are few images more indelible than the sight of young Alexei Kravchenko's fear-petrified expression." In the same publication in 2009, Elliott Stein described Come and See as "a startling mixture of lyrical poeticism and expressionist nightmare." In 2002, Scott Tobias of The A.V. Club wrote that Klimov's "impressions are unforgettable: the screaming cacophony of a bombing run broken up by the faint sound of a Mozart fugue, a dark, arid field suddenly lit up by eerily beautiful orange flares, German troops appearing like ghosts out of the heavy morning fog.
In a contemporary review for The Village Voice, Robert Christgau said the band had moved on from their past work's escapism and that "their discovery of the outside world has sharpened their sense of humor along with everything else", citing "It's the End of the World as We Know It (And I Feel Fine)" as an "inspirational title". Rolling Stone reviewer David Fricke felt that the album was R.E.M.'s "finest to date", and said that "Document is the sound of R.E.M. on the move". Stephen Thomas Erlewine of AllMusic said that "where Lifes Rich Pageant sounded a bit like a party record, Document is a fiery statement, and its memorable melodies and riffs are made all the more indelible by its righteous anger." Rolling Stone went on to include the album in their list of the 100 greatest albums of the 1980s (in 41st place), and then ranked it number 462 on 2012 list of the 500 Greatest Albums of All Time.

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