"Justice Thomas' footnote ... displays more heat than light," Ginsburg wrote.
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" Thomas' view, she wrote pointedly, "displays more heat than light.
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These last few days have been, frankly, more heat than light.
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Washington appears to be moving beyond holding hearings, which tend to generate more heat than light.
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Yet as a symbol and messenger for his own ideas, Zuckerberg draws more heat than light.
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But experience suggests that mixing and matching readings during a religious service will generate more heat than light.
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Indeed, the briefing routinely sheds more heat than light, and rarely produces new insight into our government's inner workings.
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When it comes to the development and regulation of cryptocurrencies, many in Washington have been producing more heat than light.
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Edison's bulb was inefficient, producing more heat than light, but it stands up much better than LEDs to high temperatures.
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The latest Democratic debates shed more heat than light on what policies the party will fight the next election on.
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More heat than light has been generated over the past several months in the national discussion about the U.S.-Korea trade relationship.
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Thus far, there is more heat than light in both the coverage and the charges when it comes to either obstruction or collusion.
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It's intrinsically hard to successfully produce a debate with 10 candidates onstage; it's even harder when the network pushes for more heat than light.
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He eventually issued an apology: I regret my use of Henry Ford as an example and my reference to anti-Semitism brought more heat than light.
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Few doubt he is a player of rare, exquisite gifts, of course, but there has long been a suspicion that he generated much more heat than light.
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Shedding more heat than light, the word often distracts the author from telling his important story as he digresses to dwell on the 1948 definition of genocide by a United Nations convention.
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FROM the transgender bathroom debate in America to the argument in Britain over who can stand for election on women-only shortlists, a row about transgender identities is generating more heat than light.
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" 'More heat than light' Thomas, who wrote a 20-page opinion concurring in the majority's decision yet warning that abortion could lead to eugenics, asserted in a footnote that Ginsburg's dissent "makes little sense.
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When Trump first said some people who illegally cross the border "aren't people — these are animals," his words ignited a more-heat-than-light debate over whether he was referring to all undocumented immigrants or just violent gang members.
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Even so, he's delivered a film that, after an arduous process of tepid festival reviews and securing a distribution deal, finally throws off more heat than light -- evidence that even in what's strictly an ideological war, one's perspective can get a little foggy.
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Few complexes have cast a greater spell on later generations and even fewer boast such a strange afterlife, its component parts dismembered and divided between Athens and London, its heritage contested and the source of debates that seem to generate more heat than light.
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Research can sometimes be confusing instead of clarifying; for instance, early childhood education programs have been studied to death, but often the research sheds more heat than light, serving as ammunition for partisans for and against the programs without telling us much about how to run them more effectively.
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The Capital Punishment one was heating up too much, more heat than light, as my father would have said, so I amscrayed.
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Philip J. Mirowski, (1991). More Heat Than Light: Economics As Social Physics: Physics As Nature's Economics 462 pages. Page 15. Mark Anthony Zimara, a 16th-century Italian scholar, proposed a self-blowing windmill.
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In his widely-read book More Heat than Light: Economics as Social Physics, Physics as Nature's Economics, Philip Mirowski examined in greater detail the theoretical conflicts between "substance" theories of value and "field" theories of value.Philip Mirowski, More Heat than Light: Economics as Social Physics, Physics as Nature's Economics. Cambridge: Cambridge University Press, 1989. He claims that "Marx vacillated between two mutually exclusive labor theories of value", which according to him explains "the incoherence of his attempt to solve the transformation problem".
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The Runaway Found is The Veils debut album, released on 16 February 2004. The record was preceded by several singles, from "More Heat Than Light" (November 2002) to "The Wild Son" (January 2004). The last single "Lavinia" was released in November 2003, alongside a first promotional version of the album which featured a different running order and track list. In fact "...& One of Us Must Go" and "Wires to Flying Birds" did not make the final version and were later replaced by "The Wild Son" and "The Valleys of New Orleans".
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In his 1989 book More Heat than Light, Mirowski reveals a history of how physics has drawn inspiration from economics and how economics has sought to emulate physics, especially with regard to the theory of value. He traces the development of the energy concept in Western physics and its subsequent effect on the invention and promulgation of neoclassical economics, the modern orthodox theory. Machine Dreams explores the historical influences of the military and the cyborg sciences on neoclassical economics. The neglected influence of John von Neumann and his theory of automata are key themes throughout the book.
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Because of its long gestation (the recording sessions started straight after the band's first deal with Blanco Y Negro in 2001) the record has three different producers: Matthew Ollivier (tracks 3, 4, 6, 9, 10), Bernard Butler (tracks 1, 2, 5, 8) and Ken Nelson (track 7). The fourth song on the set, "More Heat Than Light", gives credits to Finn's father Barry Andrews as co-author. According to the booklet notes the last song of the set, "The Nowhere Man", is taken from the 1954 novel by C.S. Lewis "The Horse and His Boy". The song "Vicious Traditions" was featured during the end credits of the 2007 film Mr. Brooks.
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Fred Siegel, the author of The Future Once Happened Here, praised it as "the single best essay written in the wake of 9/11." In 2010, Avlon published Wingnuts: How the Lunatic Fringe is Hijacking America about the evolution of fringe political movements and their inroads into mainstream American politics. Bill Clinton commented: > Wingnuts offers a clear and comprehensive review of the forces on the outer > edges of the political spectrum that shape and distort our political debate. > Shedding more heat than light they drive frustrated alienated citizens away > from the reasoned discourse that can produce real solutions to our problems. In 2011, Avlon co-edited the anthology Deadline Artists: America's Greatest Newspaper Columns with Jesse Angelo and Errol Louis.
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In 2015, Rick Anderson, associate dean in the J. Willard Marriott Library, University of Utah, challenged the term itself: "what do we mean when we say 'predatory,' and is that term even still useful?... This question has become relevant because of that common refrain heard among Beall's critics: that he only examines one kind of predation—the kind that naturally crops up in the context of author-pays OA." Anderson suggests that the term "predatory" be retired in the context of scholarly publishing. "It's a nice, attention-grabbing word, but I'm not sure it's helpfully descriptive... it generates more heat than light." A 2017 article in The New York Times suggests that a significant number of academics are "eager" to publish their work in these journals, making the relationship more a "new and ugly symbiosis" than a case of scholars being exploited by "predators".
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Finn Andrews was born in London but spent his teenage years at high school in Auckland, New Zealand. Largely disinterested in school, Finn was also playing in many bands (one of which met and played regularly in a folk club on Mt Victoria in Devonport, Auckland) and writing the songs that would later comprise The Veils debut album The Runaway Found. When he was 16, a set of demos he sent to record companies created a stir and led to invitations for him to return to London and make a record. The Veils were signed almost immediately to Blanco y Negro, an indie/major hybrid imprint led by Rough Trade's boss Geoff Travis. On 19 August 2002 the band released a promo only single "Death & Co.", while a proper commercial single release came three months later, on 18 November, for "More Heat Than Light" followed by "The Leavers Dance" (24 February 2003), which was distributed exclusively at gigs.
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