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68 Sentences With "more haunting"

How to use more haunting in a sentence? Find typical usage patterns (collocations)/phrases/context for "more haunting" and check conjugation/comparative form for "more haunting". Mastering all the usages of "more haunting" from sentence examples published by news publications.

It's more haunting, I think, doing it this way …
Which is the more haunting, the imagined or the real?
For more haunting teaching and learning ideas, visit our Halloween page.
"Can't Get Out of Bed" is darker and more haunting than Hello.
FEW things are more haunting than the prospect of losing one's mind.
And their modern followers, like Mackenzie's, are even more haunting and complicated.
The second and more haunting fear is that the Beatles might never have existed.
Even more haunting, their talent and gender made them most vulnerable to the abuse.
His transformation will only become more haunting to watch as the temperature continues to rise.
The song's lyrics take on a newer, more haunting quality in light of Kesha's legal troubles.
The episode's final image of Shalhoub was one of the more haunting in the show's history.
Though the sound is cleaner and fuller-bodied, it's somehow more haunting for the legibility of its vision.
Would a silent dystopia, with its heightened sounds and visceral squirms, have made for a more haunting effect?
The band's ambitious new album, Mirror Reaper, is a more haunting story than the kind often told around campfires.
In 2010, he not only shared a program with Mikhail Baryshnikov but emerged as the more haunting of the two.
And if the first season doesn't end on a positive note, that only makes the show all the more haunting.
Nowhere is that return more haunting than in "Atlantics," a poetic ghost story about trauma, loss and the persistence of love.
The location triggers more haunting flashbacks for Anne, while Matthew is broke and, thanks to being knocked out by a carriage, battered.
Supernatural Visitors While most stop to snap a photo in front of the facade, some visitors have a more haunting interest in the property.
Sped up vocals from R&B artists like NAO and more haunting melodies from underground artists like AH MER AU SU anchor the chaos.
There is nothing in life more haunting than the idea of your parents having sex with each other—or, even worse, with other people.
The piano accompaniment is a shade more haunting, invoking something closer to a demon lover than a terrestrial being who has done her wrong.
A more haunting case was some 15 years ago when a sexual assault victim revealed that she was selling her nieces for drugs, she said.
The most important thing about any mirror is your reflection, and in Jenny Nordberg's new works, you may find yourself even more haunting than usual.
Surely there is no more haunting image in the pantheon of grainy Berghain videos, than that of the lone ranger's silhouette, gyrating into the dry ice.
The more haunting violence is seen in the way a mother cuts down her own daughter, eviscerating her with words spoken in nothing louder than a whisper.
Click here to view original GIFBeing inside a sex doll factory and watching all that plastic nakedness get shaped is much more haunting than it is titillating.
Even more haunting than the trial, though, is the miniseries' final image: happy, smiling, living photos of Nicole Brown Simpson and Ron Goldman, the two murder victims.
We walked past a music school, where through the window you could see a teacher and a group of students trading sung choruses, each more haunting than the last.
Even more haunting is "Still Life with Hope" (1901), a painting of dying sunflowers — Gauguin had in fact been an early champion of Van Gogh's great cycle of sunflower paintings.
The slightly quirky, fragmented version is a result of information being absorbed by the moon's shadows or lost in its craters—and is all the more haunting as a result.
"Come play with us..." Out of the pairs of childlike creatures on this list, Haakon and Kristin are definitely the most realistic, which honestly makes them all the more haunting.
Wellick finally found out his family has been decimated, his wife dead and his son in foster care, his collapse all the more haunting for being depicted mostly in silence.
Naufus Ramírez-Figueroa's "Void Ratio of a Bunk Bed," a two-tiered aluminum bed frame nearly hidden among a clutch of leafy sassafras trees, is more fugitive, and more haunting.
Another more haunting prospect is that analyzing a person's brain activity could reveal information about their past experiences that they may not want to divulge, says Byron Yu, a Carnegie Mellon professor.
The subjects of LCU — often struggling against poverty and unstable home lives — are even more haunting because they aren't just characters that represent worldly truths, but real individuals, living in rural Mississippi.
One of the more haunting side quests in Nier is called "The Wise Machines," where you track down a series of robots spouting vague lines about the meaning of life and contemplating birth.
Revisiting Wilde's claim that real riches cannot be taken away becomes more haunting after considering how much he lost, and how his courage paved the way for the gay rights movement to come.
In one of the novel's more haunting scenes, Zamani, in order to learn more of his surrogate father's life, pours glass after glass down the recovering alcoholic's throat, nearly drowning him in Scotch.
The realistic Star Trek knock-off costumes and lookalike Enterprise deck all create a 1960s sci-fi throwback vibe that feels even more haunting when it becomes clear what kind of story it's servicing.
There's a more haunting possible interpretation to this line too, though, that I'm only realizing now as I think about it paired with the "wasn't alive" line: all of these artists were killed prematurely.
That film seems to me more likely to last — it is deeper journalism and more haunting cinema — but Mr. Stone has made an honorable and absorbing contribution to the imaginative record of our confusing times.
Mr. Paxton's uncompromising and unpretty toughness, his stark objectivity about showing basic qualities and facts of movement in new lights, were fully as momentous as — and more haunting than — anything Mr. Baryshnikov showed that evening.
Worst of all, and ever more haunting in the #MeToo era now, we became bystanders, if not enablers, to the boys who harassed girls by making rude remarks, groping them, pushing them up against the schoolyard fence.
Such is the zone that Johansson patrols, and nothing is more haunting, in "Ghost in the Shell," than the scene in which she picks up a woman—tall, black, and stately—on the street, and takes her home.
His death is even more haunting because the love he showed took place against the backdrop of unsettling violence, both real and imagined, both in structural forces and intimate spaces, often conjured or measured by his own pen.
To Jaime, the atrocious sight of his army on fire is a case of "like mad father, like mad daughter" — making the similarities between his last encounter with King Aerys and his first with Queen Daenerys all the more haunting.
Type: Hair static Signature Move: Thunder boop The only sight more haunting than the world's most unchill insect is one with the face of an alien toddler that cannot stop smiling, even as it spins up its drill arm and prepares to tear through your epidermis.
In one of North of Dixie's more haunting photographs (shown at the top of this post), a line of activists are picketing for housing equality near Los Angeles in 1963, and, just to the left, are members of the American Nazi Party marching up with their own signs blaring racist epithets.
Now, after an action-packed, bloody and surprising season 6 premiere, here are the eight biggest moments: Jon Snow is dead The episode opens with a long panning shot of Snow's now-frozen body and one of the more haunting things about it is the relentless, mournful howls in the background from Snow's Direwolf Ghost.
In 1989, the band released their second album, Consuming Impulse, a turn toward death metal. Musically, things became heavier and more haunting. Vocally, Martin van Drunen moved away from cleaner vocals in favour of a more acidic growl. With its release, Pestilence gained international attention, and became highly regarded worldwide by death metal fans .
The tune deals with the loss of lead vocalist Leigh Kakaty's father. Per a social media initiative started by the band, fans were asked to submit photos representing what the tune meant to them. Regarding the song, lead vocalist Leigh Kakaty states "There’s nothing more haunting & torturous to the human soul than the feeling of losing someone close to you without saying goodbye".
The song underwent a series of edits and changes since winning the national selection in December 2013. The original version was met with mixed to mostly negative reviews. Yaremchuk then premiered a new version of the song during the Maltese national final. The new version had a darker and more haunting tone and was met with mixed to positive reviews.
Between series 1–9, it was only used during emotional endings, for example when Duffy was raped and Sandra Mute being killed off. Between series 9–12, it was mainly used to close every episode. In September 1998, the closing theme was moved up a semitone, making the tune even more haunting. The end theme was reduced further in 2000 to go with BBC guidelines.
Felix axes the entire song sequence, turning it from a dream to a hallucination "... caused by a powerful aphrodisiac put into her Bosco" and replacing the regular version of "Polly Wolly Doodle" with a more haunting version. He has the "toys" dress in more erotic outfits, and includes a carnival barker-type muscle man (portrayed by S.O.B.'s choreographer, Paddy Stone), who tempts Andrews' character before she rejects him by flashing her breasts.
He added that "Madonna appropriately measured the safety of silence against the urge to unburden herself." Sexton also complimented the production, saying that the "music itself suggests a threatened annihilation, a fact that makes it more haunting." Allen Metz and Carol Benson, authors of The Madonna Companion: Two Decades of Commentary, felt that the track expanded Madonna's musical horizons. According to them "Live to Tell" was a compelling track which Madonna sang with moving conviction.
The tone of the finished instruments is described as "piercing" and they have a limited range. One member of the development team referred to the tone as being "broadly like a trumpet" but more "haunting". The reconstructed lituus has also been described as difficult to play. SCB musicians used the reconstructed lituus in a performance of O Jesu Christ, Meins Lebens Licht, believing they are the first to do so since Bach's time.
One more track, "Side To Side" carries the same melody and many of the same lyrics as "257 Weeks" but is not completely the same song. While the tracks that remained nearly unaltered, the increased production is very evident on the official release of the album, especially on the tracks "Absolutely" and "Wanna Be." "Wanna Be" particularly is a faster track on the demo version, whereas the produced version is slower and more haunting.
Some post offices were converted into bunkers by the army. In the poem, Shahid writes about "the land of doomed addresses", referring to letters and packages that piled up in post offices and went undelivered. He further goes on to talk about more haunting experiences during the conflict; he writes about longing and "the struggle to understand what is happening in his home and his heart". Ali also compares the misfortunes of exiled Hindus and oppressed Muslims.
Musically, it is darker than the band's debut album The Scream: it sounds more claustrophobic and more haunting. It was the last album with the band's first recorded line-up, as guitarist John McKay and drummer Kenny Morris quit the group after a disagreement at the beginning of the British Join Hands tour, on the day of the album's release. The record peaked at No. 13 on the UK Albums Chart. "Playground Twist" was the only single released from the album.
Sounds critic Helen Fitzgerald wrote, "The fact of the matter is that the album is bloody good. A fluid frieze of wispy images made all the more haunting by Elizabeth's distilled vocal maturity, fluctuating from a brittle fragility to a voluble dexterity with full range and power". Cocteau Twins' roadie Collin Wallace recalled, "Garlands was written off in the UK as another Siouxsie copy band, and Elisabeth [Fraser] was a huge Siouxsie fan. She had huge Siouxsie tattoos which she's had lasered off since".
It was believed that he was imprisoned in Castle Bran, but historians now conclude that Vlad III was actually imprisoned in a fortress in Budapest. It is said by historians that Castle Bran was chosen to be the colloquial location of Vlad III's imprisonment as it is a more haunting and dramatic looking structure than other castles of the region. Historians and scholars alike have concluded that Vlad III likely never set foot in the castle. However, as there is a lack of written historical accounts from the region at that time, the idea cannot be completely discredited.
It is commonly played in pairs: while the first player plays the melody, the second plays a steady drone called dum, and the sound of the two instruments together creates a richer, more haunting sound. The unflattened reed and cylindrical body produce a sound closer to the English horn than to more commonly known double reeds. Unlike other double reed instruments like the oboe or shawm, the duduk has a very large reed proportional to its size. UNESCO proclaimed the Armenian duduk and its music as a Masterpiece of the Intangible Heritage of Humanity in 2005 and inscribed it in 2008.
Carnes was nominated for Best Pop Female, and Mistaken Identity also earned a nomination for Album of the Year. Two follow-up singles were released from the album, the title track and "Draw of the Cards", which also charted in the UK and Australia. Carnes and her band rehearsed "Bette Davis Eyes" in the studio for three days to take the melody and overall sound of the record to a darker, more haunting place. Keyboard player Bill Cuomo came up with the signature instrumental lick and together with the band and producer Val Garay created a completely new arrangement of the song, recorded the next day with no overdubs.
The New York Times critic Marilyn Stasio called the novel "coolly terrifying" and the plot "killingly suspenseful." She compared the novel to Carolina Skeletons in the way Stout "expertly works the genre format on more than one level," reaching "into the psychology of grown-up children tortured by unresolved love-hate relationships" and developing the story into a thriller which is "even more haunting as a fathers-and-sons drama." Moreover, finds Stasio, the story can also be read as a "regional novel" about the fictional upstate New York town of Bessemer with its wealthy steel-and-coal past, which has now become "a symbol of stagnation for those who must decide whether to stay or leave."Marilyn Stasio (14 April 1991).
Mundo infierno was not a commercial success, and this period was a low point in the group's career. However, to anyone without partisan feelings about the linguistic and political landscape of Catalonia, the record is a fine one, with a darker and more haunting quality than its predecessors. Six more albums followed between 1994 and 2001, during which time Sopa’s popularity and success recovered completely. The live album La nit des anys, 1997 (‘The night of the year’) moved away somewhat from the group's rock’n’roll roots, with the inclusion of additional singers and a wider range of instrumentation than the classic guitars, bass, drums and keyboards (strings, saxophone, harmonica, etc.). The final CD before the formal dissolution of Sopa de Cabra was Plou i fa sol (2001) (‘It is raining and sunny’).
By the tail end of 1994, Dominion formed from the ashes of various local live bands that frequented the Manila Rock club scene, Songwriter/Drummer Doi Porras then of the band Psycho Candle, was seeking a much more atmospheric musical vehicle that could express his lyrics in a more haunting way. This led to the recruitment of the First Line-up responsible for the cult tracks "Margaux", "Within these Walls" & "The Hand of Cain" EP. Not long after, The Band found themselves back in the thick of Manila's Live Rock Circuit again but this time without a name. It is said that due to a Sisters of Mercy Track being looped endlessly for days, Singer Mike Strange Hesitantly responded to an Overbearing club patron that the Band's name was Dominion, This stuck and the Band retained it out of convenience. More shows, A well defined Image and a residency at the influential Manila Rock Club; Club Dredd, Finds the Band attracting and inspiring a growing audience that mostly emerges in black.
Semerci moves his camera skillfully, slowly and with confidence across the skies, naked mountains, and a few soldiers lost along the depressing landscape. Most of the time, the scenes of stillness are enough to give the sense of loneliness, despair, and meaninglessness of war, he continues, and when the movie moves into crafty and realistic scenes of military engagement, it refuses to stay a mix of detached action scenes but turn into tales of horror for everyone touched by war. Güller commends the cast by saying, Semerci’s selection of unknown names from acting schools around the country proves to be the right choice as no one character stands out, and it helps to amplify the sense of voyeurism into the lives of a real group of soldiers. He concedes that, For the Turkish audience, the experience of watching the everyday lives of these soldiers becomes more haunting as these border stations are the epitome of the lives of thousands claimed in the last two decades, and most people don’t have a clue what they look like or what it feels like to be on the edges of a country.

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