This time it featured some more guttural exhalations from Ms. Chase.
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"Chekhov," she repeated, making the "e" sound like "ee" and the "kh" more guttural.
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It's much more wild, much more guttural of a response than methodical or premeditated.
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This is different: deeper, more guttural, rooted as much in release and euphoria, caught somewhere between a roar and a howl.
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"LUH LUH-LUH-LUH-LUH LUH LUH LUH-LUH-LUH-LUH LUH LUHLUH LUHLUH LUHLUH" Even more guttural than the last one, thus more effective.
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Republican voters are now more "guttural," as Davis put it, more comfortable with Trump's boastful, violent rhetoric and less connected to the cosmopolitan, modulated language of suburbia.
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However, he later became recognized for introducing a more guttural approach to the vocals.
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Port Said's dialect (East Delta) is noted for a "heavier", more guttural sound, compared to other regions of the country.
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Living Bird. 12: 137–154. The calls of this species may carry exceptionally far in the thin air of Arctic, certainly over more than , and maybe even to as much away. The female has a similar call to male but can be higher-pitched and/or more guttural as well as single notes which are often disyllabic, khuso.
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Jaltomata Schlechtendal (Solanaceae), Thomas Mione, Central Connecticut State University There has been some discussion over the correct pronunciation of the name. Mexican botanists generally pronounce the "J" as the "J" in Mexican Spanish, i.e., similar to the English "H" but in fact more guttural, more like the German "ch." Many US botanists pronounce it as an "H" in imitation of the Mexican pronunciation.
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The Rhinos' football announcer was voiced by sportscaster Dick Enberg, who at the time was the voice of the Los Angeles Rams. Alan Reed had a recurring role as Mad Dog Maloney, the Rhinos' coach. The Huddles had a dog named Fumbles, voiced by Don Messick. Fumbles, much like Muttley, would often laugh at someone's misfortune, but whereas Muttley's laugh was wheezy in nature, Fumbles' laugh was more guttural.
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American gothic rock began with 45 Grave and Christian Death. This harder, more punk-influenced style became known as deathrock. European groups inspired by gothic rock also proliferated, including Clan of Xymox. Fields of the Nephilim at the Agra Hall, Leipzig, Germany 2008 "Moonchild", a late 1980s gothic song by Fields of the Nephilim with a more guttural baritone vocal style Southern Death Cult reformed as the Cult, a more conventional hard rock group.
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Their vocalist, Cristiano can scream in two voices: the first one high pitched, which is relative to black metal and the second is more guttural and monstrous, which is relative to death metal and often used for choruses. The band gained attention in late 2004 after the release of the "Under the Boards" music video, which featured large amounts of blood and gore. The clip was banned from most TV channels but gained popularity due to internet downloads.
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Belting comfortably, Stevens' voice has been compared to that of Terrence Man, the actor who originated the role of the Beast in the Broadway adaptation and recorded "If I Can't Love Her". Mumbling slightly, Stevens begin the song using a more "guttural" part of his voice in an effort to impersonate the sound of a beast before the song truly progresses into "a soaring love ballad". Some traces of Auto-Tune can be heard in Stevens' performance.
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In addition to drums, he shared lead vocals on the group's hit "Crazy Horses," a hard rock song that fit Jay's more guttural voice better than usual lead singers Merrill or Donny; he occasionally contributed lead vocals to other tracks, usually ones with a harder-driving sound, such as "One Way Ticket to Anywhere" and "Having a Party." Jay continued with Merrill and Wayne (later joined by Jimmy) as a member of the Osmond Brothers when the group shifted to country music in the 1980s.
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In comparison to the soaring, operatic vocals of his successor in Iron Maiden, Di'Anno is remembered for having a more guttural "punk" sound to his singing, in part because he began his singing career in punk band the Paedophiles. He usually sang with a raspy and rougher sound, although he was capable of singing with a purer voice as demonstrated by slower numbers like "Remember Tomorrow", "Strange World" and "Prodigal Son". Later in his career Di'Anno's style, along with his music, became darker and more aggressive as Iron Maiden evolved into a more progressive outfit.
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Mike Patton's vocal work is outstanding, with genuine singing emerging from his more guttural bursts. Also, the welcome return of a more involved Bottum restores the full dimension of the band's sound." The review goes on to state, "Faith No More's trademarks appear subtly all over Album of the Year: the little melodic flutter during the opening spaces of 'Stripsearch', the dramatic keyboard platforms in the first single, 'Ashes to Ashes', and the cheesiness of the smooth, soulful 'She Loves Me Not'. The band also returns to the bitter aggression of some of its previous material [and] even manage a severely twisted late-night cocktail of a song, 'Home Sick Home'.
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Today some speakers have a "heavier" more guttural way of speaking, e.g. rolling the tongue when pronouncing the "rr's", starting words with Ng rather than a single N and also heavier speakers sound out a "dj" sound rather than "ch" or "t". "Heavier" speakers tend to be the more western groups from along the Burnett River of Queensland. The more coastal families today seem to have a "lighter" way of speaking (less guttural & not rolling the tongue and using the single N at the start of words rather than the Ng & using "ch" & "t" rather than "dj" etc.) which is most likely the result of the influence of the English language in recent times.
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The Silent Enigma represents a turning point in Anathema's career (it is the first album to feature guitarist Vincent Cavanagh singing lead vocals, replacing Darren White) and sees the band incorporating more clean vocals and melodic elements, while still retaining the band's early death-doom style. The album was originally titled Rise Pantheon Dreams, a title later used by White for his post-Anathema project The Blood Divine. Where Darren's vocals were more guttural, Vincent's newer style pushed the possibilities for Anathema onwards and upwards, with a scope and breath beyond his years. Lauded by the metal press, the album has since been described by Terrorizer magazine as "one of Anathema's best".
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Since February 2013 Bjorn began collaboration with the Russian modern metal band The Polygon that released 2014 the debut EP "Stained anger". Recently he performed the choruses on The Moor's new single "The Castaway" which was released on 27 July 2014. He also provided vocals on Earthside's song, "Crater", from their critically acclaimed debut album A Dream in Static. Strid utilizes a varied vocal style, being able to quickly alternate between more guttural growls and higher screams and clean, harmonious vocals, and has gone on record as saying that Killing Machine, which was retitled as Hell Bent for Leather for US release by Judas Priest is his favorite album, but more recently has cited Iron Maiden's The Number of the Beast as his favourite.
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