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28 Sentences With "more florid"

How to use more florid in a sentence? Find typical usage patterns (collocations)/phrases/context for "more florid" and check conjugation/comparative form for "more florid". Mastering all the usages of "more florid" from sentence examples published by news publications.

I would love to be more florid, in a way that wasn't annoying.
In his later years, Signac evolved yet again, turning to a more florid and loose approach.
It is the "America: Love It or Leave It" bumper sticker, expressed in more florid prose.
This book is at its best when grounded; when it mixes fact with more florid expression.
Exclamation points, emoji, or slightly more florid vocabulary, can all help to communicate our meaning and avoid awkward misunderstandings.
Alongside was a "Kitchen Sink" social realism popular in the UK, as well as the more florid, lyrical neo-romanticism.
Whatever its accuracy, those interludes prove less interesting -- and more florid -- than the larger structural and societal hurdles that Walker overcame.
A humid, knocking beat slowly morphs into something more florid and tropical; after two minutes, you're shimmying in your chair and have no idea how you ended up there.
Ms. Westbroek's singing mirrored the gradual abandonment of domestic and moral constraints, chiseled and dark-limned at first while still under her husband's roof, then more florid, voluble and bright as Sieglinde gives in to passion.
Mutual snubs: In a decidedly chilly exchange, Mr. Trump declined to shake the hand of Speaker Nancy Pelosi, who then introduced him in a perfunctory way that eschewed the more florid language that she and other speakers have used in the past.
Fans of the tense, brittle original and the more florid, baroque American remake will probably be curious to see how the story has been adapted, a process that begins with the discovery of the body not on a bridge but in the Channel Tunnel.
The cogs don't actually mesh until over halfway through, which is a little late, but the question of who is going to do what to whom keeps you queasily engaged, especially after the Worker modifies his plan of rape and murder in favor of something more florid.
But then Mr. Shawn does not necessarily care for psychological logic, or logic of any kind, as indicated by what happens to Marie on her way to the shindig: She encounters a little dog, then enters a mysterious, otherworldly garden and temporarily falls asleep — echoes of Dorothy ending up in a poppy field in "The Wizard of Oz." At the party, alcohol makes Bruce drop his debonair mask; he tells Marie that they don't have enough sex (his actual words are rather more florid) and recounts in graphic detail a pleasurable encounter with another woman.
The music of this > second paragraph was often slightly more elaborate than that of the first. > There were more repeats of words and perhaps more florid vocalisations. The > key worked its way back to the tonic for the final vocal cadence after which > the orchestra rounded the section off with a final ritornello.Robinson > (1962) 34–5.
The sound of car horns is imitated by fanfares on the trumpets and trombones. As the curtain rises, the violas play a wide-leaping theme that will be associated both with the tramps and the girl. The 3 lockspiele are scored for the clarinet, each one longer and more florid than the last. The old rake is represented by trombone glissandi spanning a minor third, another very important interval.
Almost all of Saint-Victor's work consists of articles, the best known being the collection entitled Hommes et dieux (1867). His death interrupted the publication of Les Deux Masques, in which he intended to survey the whole of ancient and modern dramatic literature. Saint-Victor's critical faculty was considerable, though rather one-sided. He owed a good deal to Théophile Gautier, but his writing was more florid than Gautier's.
Davy is the second most represented composer in the Eton choirbook, with nine compositions including his most celebrated work, the Passio Domini in ramis palmarum or Passion according to St Matthew.Sacred music from the Lambeth choirbook By Robert Fayrfax, Margaret Lyon His work is considered more florid than that of his contemporaries Robert Fayrfax and William Cornish and may have had considerable impact on later figures such as John Taverner.
This style "seems to perch geographically and musically between the plainer and more uniform approach of North-East Ulster and the more florid ornamentation characteristic of counties Sligo and Leitrim." It is exemplified by the playing of the late Eddie Duffy, who was influenced by William Carroll and Laurence Nugent, from Lack, County Fermanagh. Cathal McConnell, flutist with Boys of the Lough, took the region's music to a world-wide audience. James McMahon (1893-1977) was a Fermanagh-born flutist and composer who settled in Belfast.
A short tutti interlude is followed by a more florid variant of the theme, in which the ornamental appoggiaturas, mordents, and auxiliary notes are especially striking . The onset of the central section, marked "Vivement", supplies the only sharp contrast of mood in the entire composition. The tempo abruptly doubles, and the key turns from the minor to major, with some passages in the even brighter Lydian mode. The key centre, however, remains firmly anchored on D. An initial double pedal point on D and A supports a playful, folklike tune, evoking the sound of bagpipes.
Love (2002), page 129. Years later an eyewitness, a local shepherd, was more florid in his description of the events: "The people of the island were carried off in one mass, for ever, from the sea-girt spot where they were born and bred... The wild outcries of the men and heart-breaking wails of the women and children filled all the air between the mountainous shore of the bay".Waugh, Edwin (1882) The Limping Pilgrim quoting an unknown shepherd. Recorded in Love, J.A. "Rhum's Human History" in Clutton-Brock and Ball (1987) page 40.
They show the existence of the more florid singing style, dating from about 1500, which was known only through the Fayrfax manuscript and the publication XX songes. In other words: the simpler style prevalent in the Henry VIII manuscript (from about 1515) did not replace the florid style, but the two existed simultaneously, demonstrated by the Drexel fragments. The second significant issue suggests that Oxford was a likely center of song production. Fallows concludes with the hope for editions of unpublished music which will move knowledge toward a clearer understanding of the history of English song.
Wagner (1813–1883) decried the Italian singing model, alleging that it was concerned merely with "whether that G or A will come out roundly". He advocated a new, Germanic school of singing that would draw "the spiritually energetic and profoundly passionate into the orbit of its matchless Expression." French musicians and composers never embraced the more florid extremes of the 18th-century Italian bel canto style. They disliked the castrato voice and because they placed a premium on the clear enunciation of the texts of their vocal music, they objected to the sung word being obscured by excessive fioritura.
Parts of this recension can be dated from linguistic evidence to the 8th century, and some of the verse passages may be even older. The second recension is found in the 12th- century manuscript known as the Book of Leinster. This appears to have been a syncretic exercise by a scribe who brought together the Lebor na hUidre materials and unknown sources for the Yellow Book of Lecan materials to create a coherent version of the epic. While the result is a satisfactory narrative whole, the language has been modernised into a much more florid style, with all of the spareness of expression of the earlier recension lost in the process.
Baroque architecture flowered for only a very brief period in Britain's architectural history, reaching its apex under the guidance of such architects as John Vanbrugh and Nicholas Hawksmoor who transformed the more florid European style of Baroque, as promoted by Christopher Wren, into a more severe form peculiar to Britain. There, Baroque tended to be favoured by the travelled upper classes, who had seen the genre in mainland Europe, however, even by this minority it was not universally admired. When John Vanbrugh persuaded the government and the saviour of England, John Churchill, 1st Duke of Marlborough, to permit him to design Blenheim Palace in the Baroque style, Marlborough's wife the formidable Sarah, Duchess of Marlborough was accompanied by a large group of intellectuals, who included Alexander Pope, in being strongly critical.Green, p4.
In December 2017, Niantic announced a thoroughly revamped version of the game, branded as Ingress Prime, would be released in 2018 using a completely rewritten new client and the lessons learned from the massive popularity of Pokémon Go. The new version features a subtly different back story akin to a superhero origin theme and a more florid graphic design. Technologically the new version uses Apple's ARKit and Google's ARCore, and the network layer transitioned from JSON to Protobuf in keeping with the engineering style of Pokémon Go. Prime launched on November 5, 2018 as an update to the existing Ingress game. Niantic also retained the older Ingress game and retroactively named the older app as Scanner [REDACTED]. The intention of the older Ingress app was to help aid the transition to Prime as feature parity was reached between both apps in 2019.
The following year, the Norfolk Arms was completely rebuilt, retaining nothing of its original form. Architect Horatio Nelson Goulty was commissioned for the job; an important figure in public life in Brighton, he was one of the founders of the Extra Mural Cemetery in 1850 and later in the 1860s designed Congregational churches in Newhaven and Hove. Goulty designed the building (now solely a hotel rather than an inn, and renamed the Norfolk Hotel accordingly) in a similar style to the Grand, albeit "slightly more florid". The author of Moorecroft's Guide (1866), a guidebook about the resort, called the rebuilt hotel "more beautiful than any other building in Brighton" despite offering mild criticism of the Grand's very similar architecture. As originally built, the Norfolk was much smaller than the Grand, with 64 bedrooms arranged over five floors compared to the latter's 150 bedrooms and eight storeys.
Poet, lapsed Catholic and conscientious objector Louis Sacchetti is sent to a secret military installation called Camp Archimedes, where military prisoners are injected with a form of syphilis intended to make them geniuses (hence the punning reference to "concentration" in the novel's title). By breaking down rigid categories in the mind (according to a definition of genius put forward by Arthur Koestler), the disease makes the thought process both faster and more flexible; it also causes physical breakdown and, within nine months, death. The book is told in the form of Sacchetti's diary, and includes literary references to the story of Faust (at one point the prisoners stage Christopher Marlowe's Doctor Faustus and Sacchetti's friendship with ringleader Mordecai Washington parallels Faust's with Mephistopheles). It only becomes clear that Sacchetti himself has syphilis as his diary entries refer to his increasingly poor health, and become progressively more florid, until almost descending into insanity.
The Flemish examples have the figures engraved in the centre of a large plate, the background filled in with diapered or scroll work, and the inscription placed round the edge of the plate. The English examples have the figures cut out to the outline and inserted in corresponding cavities in the slab, the darker colour of the stone serving as a background. This is not an invariable distinction, however, as figure-brasses of Flemish origin are found both at Bruges and in England. But the character of the engraving is constant, the Flemish work being more florid in design, the lines shallower, and the broad lines cut with a chisel-pointed tool instead of the lozenge-shaped burin. The brass of Robert Hallum, bishop of Salisbury, the envoy of King Henry V to the council of Constance, who died and was interred there in 1416, precisely resembles the brasses of England in the details which distinguish them from styles elsewhere in Europe. No surviving brasses in England can be dated earlier than the late 13th century.

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