As time went on, the machines got more complex and the content more erotic.
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Sometimes, focusing on non-erogenous zones can be more erotic than engaging in overtly sexual activities.
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"Not because it's necessarily healthier for you, but because it's actually more pleasurable, more erotic, and more fun."
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Because this trilogy was unpublished, he decided to begin a second trilogy, which he promised would be more erotic.
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What will you do the next time you search your boyfriend's phone and find more erotic exchanges with men?
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"While large mirrors are perfect tools, small hand mirrors can be used effectively to make sex more erotic," says Riel.
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A tattoo on a man's upper arm is generally not considered more erotic than one on his elbow or leg.
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Cue an even more erotic sequence that cinephiles like to describe as one of the longest kisses that never was.
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"Í blóma (In bloom)," in the gallery's front room, takes things in a different direction: more erotic, homoerotic, botanical, and overtly sculptural.
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As technology gradually improved, one would think that more and more erotic games would pour into the world and they would get better and better.
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The last couple galleries toward the end of the exhibition highlight his more erotic and spiritual work that continue the artist's proclivity for dreamlike compositions.
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Spiegel says her audio-only format is "actually more pleasurable, more erotic, and more fun" than something like PornHub, which attracted 33.5 billion visits in 2018.
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I'm not sure what's more erotic than a luxury New York department store lesbian romance, but if there's anyone who can direct it, it's Todd Haynes.
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But while the app — and most ASMR proponents — are quick to point out that the phenomenon itself isn't a sexual one, there are indeed "more erotic channels," according to Mlakar.
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Making porn accessible to the blind isn't simply about tacking on a few descriptions of what is happening; it's about making the whole audio descriptive experience of porn more erotic.
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What they're doing is much more erotic in nature; though it's billed as therapy, sensuality is the selling point—be it eating fruit or something as simple as applying lotion.
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It turns out saying "I love you" or talking about love or whatever in bed is actually more erotic in the long term than wearing fancy lingerie or engaging in straight-up foreplay.
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In Cecily Brown's "Raspberry Beret" (2015-16), the image of a nude reclining man nearly dissolved into a busy allover welter of painterly gestures, there's more erotic sensuality in the paint than in the figure.
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And where there are people making anything, there will be people making hornier, more erotic versions of that thing—like drawing a pair of breasts and a giant dick using only the characters available on a keyboard.
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There is a tendency among critics to remark on Swift's more erotic lines with surprise, as if they were signs of maturity, indicating progress from an imagined youthful prudishness that's still being held up as her benchmark.
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I found less provocative but more erotic Françoise Vergier's heads of women in the image of Neolithic fertility goddesses and Guido Geelen's "Anatomy Lesson 1" (2006), a laid out St. Sebastian figure pierced not by arrows, but by red roses.
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One woman recounted that while she was attempting to fact-check a column Mr. Wieseltier wrote, he forced her to look at a photograph of a nude sculpture in an art book, asking her if she had ever seen a more erotic picture.
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" The Swimming-Pool Library " (1988), Hollinghurst's first novel, was largely confined to one debauched summer in London (though its narrator, the sexually voracious aristocrat Will Beckwith, collects more erotic experience in those two months than other people might hope to come by in two lifetimes).
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But for the 1532 edition the poet introduced elsewhere an entirely new scene in which Olimpia, a beautiful and misfortune-prone damsel, is described at much greater length and in a markedly more erotic fashion, inescapably bringing to mind the great nudes of the early 16th-century Venetian masters.
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300px Rape of Europa, 1615 version The Rape of Europa is a 1643 painting by Jacob Jordaens (1593–1678), now in the palais des Beaux-Arts de Lille. He also produced a more erotic earlier (1615–1616) version, now in the Gemäldegalerie, Berlin.
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In an interview with the Italian film magazine Nocturno, Gemser stated that although this was a comedy, her role was more erotic than funny since she was nude most of the time, even though the situations were comedic - or at least were supposed to be.
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She also liked giving the side characters more personality. Ishibumi also agrees with the appeal of the characters' oppai (breasts) especially in later volumes of the light novels, and had planned to make the heroines more erotic, especially in the side story volumes that focus on comedy.
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Producer Keith Thompson said Davies had made Northanger Abbey a bit more erotic than the novel and thought the script had "a wonderful cheekiness to it." Davies chose to use a narrator to speak Austen's words and help set the scene at the beginning and end of the film.
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McSweeney died in 1988, although one source reports 1978. Sackville-West's 1931 love poems are addressed to Irons, though the "more erotic ones" were never published. Irons and Sackville-West remained lifelong friends who "corresponded warmly". In 1935, Irons won the Royal Humane Society's Stanhope Gold Medal "for the bravest deed of 1935".
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His workshops employed, on a temporary basis, many anonymous sculptors. Bruno Zach employed Bergmann to edit and cast some of his works, with some of the more erotic ones being signed as "Prof. Tuch", a pseudonym used by Zach. At the turn of the 19th century there were about fifty workshops producing Vienna bronzes.
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Ishibumi intended to make the shounen-style light novel series that teenagers would be embarrassed to buy, yet was concerned that it might get an age restriction. In each of his afterword sections in the light novels, he makes numerous references to Oppai (breasts) and notes when he tries to make his characters more erotic.
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In volume 6, he graduates and begins work at a medical device manufacturing company in Iidabashi as a salesman. Kugayama, though at first a seemingly mediocre artist, is actually quite talented. However, his talent only appears when he is properly motivated, i.e. when drawing more erotic imagery, particularly that of Yamada from Kujibiki Unbalance.
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I.P," contained a short sample of American group Fort Minor's song "Believe Me". "KO-SO-KO-SO" was the more erotic song on the single, in both lyrics and video. The track was a sensual song with elements both in R&B; and pop. The videos for the two songs intertwined with the end of "V.
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Category romances were always published originally in paperback; romances that did not fit into a category line debuted in hardcover. Like category romances, it was distributed in drug stores and other mass-market merchandising outlets. Paperback books generally were not reviewed by critics. The novel's more erotic content probably contributed to it being a better candidate for initial paperback release rather than hardcover.
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Felix axes the entire song sequence, turning it from a dream to a hallucination "... caused by a powerful aphrodisiac put into her Bosco" and replacing the regular version of "Polly Wolly Doodle" with a more haunting version. He has the "toys" dress in more erotic outfits, and includes a carnival barker-type muscle man (portrayed by S.O.B.'s choreographer, Paddy Stone), who tempts Andrews' character before she rejects him by flashing her breasts.
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The game was localized for the West by Interone Inc, with English dubbing handled by ZRO Limit Productions and Animaze. The localization process took over a year. While all blood, gore, religious references and adult language were retained in the Western release, one scene between the adult Albedo and the childlike MOMO had its more erotic elements toned down for the Western release. The game released in North America on February 25, 2003.
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Distinctions of this song are that it is based on a single note (F-natural) and that it gradually slows down to a complete stop, marked by the sound of female moans, and then gradually speeding up. This was an innovative feature for any dance track at that time. The song includes a more erotic vocal performance than the title implies. The American 12-inch single was never released commercially on compact disc.
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Shin Yun-bok, better known by his pen name Hyewon (1758–1813), was a Korean painter of the Joseon Dynasty. Like his contemporaries Danwon and Geungjae, he is known for his realistic depictions of daily life in his time. His genre paintings are distinctly more erotic than Danwon's, a fact which contributed to his expulsion from the royal painting institute, Dohwaseo.Choi Yongbeom (최용범), Reading Korean history in one night (하룻밤에 읽는 한국사) p299, Paper Road, Seoul, 2007. .
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Lowell was said to be lesbian, and in 1912 she and actress Ada Dwyer Russell were reputed to be lovers. Russell is reputed to be the subject of Lowell's more erotic works, most notably the love poems contained in 'Two Speak Together', a subsection of Pictures of the Floating World. The two women traveled to England together, where Lowell met Ezra Pound, who at once became a major influence and a major critic of her work.
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The decision was criticized because the publisher at the same time kept more erotic heterosexual books in its inventory. Stores Drop Vancouver Publisher ”Publishers Weekly, June 24, 2013. Greene's This High School Has Closets was a longlisted nominee for the Lambda Literary Awards in the 2012 young adult novels category. In January 2014, Greene embarked on a lobbying campaign among ornithologists to get Merriam-Websters Dictionary to have a "Jabber of Jays" as an official term under bird groups.
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A Nude Boy on a Beach (1878) by John Singer Sargent In classical works, children were rarely shown except for babies and putti. Before the era of Freudian psychoanalysis, children were assumed to have no sexual feelings before puberty, so naked children were shown as symbols of pure innocence. Boys often swam nude, and were shown doing so in paintings by John Singer Sargent, George Bellows, and others. Other images were more erotic, either symbolically or explicitly.
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Deltoya is the third studio album by Spanish hard rock band Extremoduro. It was produced by Extremoduro, recorded and published by Dro Records in 1992. The album has a more erotic—and less social—theme than the previous discs, and most of the lyrics are adaptations of the poems by Kiko "Luna Creciente", Tomás Rodríguez (the band's manager) and Manolo Chinato. The album includes the voices and participation of other artists, such as Argentinian singer and guitarist Ariel Rot in "Volando solo".
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When the more erotic version of the movie is stolen and shown on local television, the characters must confront the knowledge that their most private moments are now essentially public property. Both Manley and Crusie's novels use gossip to demonstrate the fluidity between private actions and public perceptions. After other characters paint Sophie in a negative light, she uses the perceptions revealed in their gossip to reinvent herself. Familiarity with all of the local gossip helps one character solve the murder mystery.
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" Speaking about Quiet's design just days after her full reveal in September 2013, Kojima tweeted that he asked lead designer Yoji Shinkawa for a "more erotic" character; in fact, his original idea of her was her being naked. In response to the reaction to this statement, he clarified: "Maybe the phrase 'erotic' wasn't really [the correct word for] what I was trying to say. What I'm really trying to do is create unique characters. One of those is, of course, Quiet.
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Garbo in Flesh and the Devil (1926) with John Gilbert After her lightning ascent, Garbo made eight more silent films, and all were hits. She starred in three of them with the leading man John Gilbert. About their first movie, Flesh and the Devil (1926), silent film expert Kevin Brownlow states that "she gave a more erotic performance than Hollywood had ever seen". Their on-screen chemistry soon translated into an off-camera romance, and by the end of the production, they began living together.
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Ann Summers store in West Yorkshire Ann Summers store in London Hull Ann Summers is a British multinational retailer company specialising in sex toys and lingerie, with over 140 high street stores in the UK, Ireland, and the Channel Islands. In 2000, Ann Summers acquired the Knickerbox brand, a label with an emphasis on more comfortable and feminine underwear, while the Ann Summers-labelled products tend to be more erotic in style. The chain had an annual turnover of £117.3 million in 2007–2008.
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Some scholars judge his personal flamboyant and decorative style to be even more erotic than that of Hishikawa Moronobu. His subtle style and break away from his contemporary Moronobu’s bold, black lines influenced later ukiyo-e artists to place more emphasis on color. A distinguishing characteristic of his book illustrations are literary mitate-e, or allusions to literature, unlike Moronobu’s illustrations which usually featured purely artistic motifs instead. Also, it appears Sugimura preferred individual prints or album sheets as opposed to his mentor’s bound book illustrations.
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Indeed, they have re-edited their two previous albums with DRO. In 1992, the third studio album came to be; the first within their contract with DRO, Deltoya. This had its origin in a spin-off project from the band, of Robe's: Extremozoide, although circumstances would cause this to be published as another album of Extremoduro's. The album has a more erotic—and less social—theme than the previous discs, and most of the lyrics are adaptations of the poems by Kiko "Luna Creciente", Tomás Rodríguez (the band's manager) and Manolo Chinato.
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Singing is extremely important to the Baatonu and they have repertoires covering all aspects of daily life in the Empire. Wuru songs retrace the life of hunters and daily scenes, but can sometimes branch out into more erotic subject matter. Teke songs celebrate the typical values of Baatonu humanism and often use opposites to illustrate their messages – generosity and rapacity, bravery and cowardice, fidelity and infidelity, etc. – to encourage virtuous behaviour; thus, some of the songs are aimed at in- stilling a responsible attitude towards sexuality in young people, especially girls.
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She saw the main heroine Rias was calm and stern and a character that she isn't used to playing. She also liked giving the side characters more personality. Marchi says that Rias is a straightforward character who is not as sassy as the redheaded anime girls she sees in other shows. Ishibumi also agrees with the appeal of the characters', including Rias' oppai (breasts) especially in later volumes of the light novels, and had planned to make the heroines more erotic, especially in the side story volumes that focus on comedy.
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Midnight Eye's review of A Woman Called Sada Abe compares it to In the Realm of the Senses, notes, "Aside from being less sexually explicit, it is also smaller scale, more intimate, more cinematically stylised and arguably more erotic." A Woman Called Sada Abe is generally considered one of Nikkatsu's five best Roman porno films. Many Japanese critics consider it to be superior to Oshima's film, and Junko Miyashita is called a more realistic Sada Abe than Eiko Matsuda. Miyashita's performance has been judged one of the best of her career, and the film has been called director Tanaka's masterpiece.
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His style matured and developed during this period. Surrealism began to attract him more strongly: his imagery became more erotic and his paintings, always vivid and striking, became larger, more complex and more textured. No longer believing in art schools, in early 1948 he co-signed Prism of Eyes, a manifesto written by Jacques de Tonnancour advocating freedom of expression in art, speaking for a group that called for art free of any ideology. Later that year, an even more radical group was formed, which produced the manifesto Refus global first set out by Borduas, which completely overshadowed the earlier manifesto.
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Farina noted that he had been disappointed by other works based on comics as "none of the filmmakers who embarked on that task had been able to deepen the relationship between the language of comics and that of film." Farina decided to explore the fantastical elements of Crepax's comics as opposed to the more erotic overtones. Baker played the role of Baba Yaga after Anne Heywood left the project during shooting. During pre- production Farina signed a deal with producer Turi Vasile, which led him to Franco Committeri who later took over for Vasile as the film's financial backer.
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Contemporary festival of the Weddings of Isabel de Segura. Many scholars have debated the authenticity of the Lovers of Teruel. As James Michener argued in his 1968 book Iberia: > ...especially since the Italian Boccaccio in 1353 told practically the same > tale under the name ‘Girolamo e Salvestra’, except that he introduced > considerable salacious and amusing material. (p.811) Therefore: > ...it is likely that the more erotic version came second; specifically, it > is difficult to find instances in which popular taste borrowed an erotic > tale from a professional writer and retold it with the erotic elements > missing. (p.
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Culver first appeared as Casey Donovan in Boys in the Sand, directed by Wakefield Poole, in 1971. The film was an instant success and is considered one of the great classics of male erotic cinema. With the success and celebrity he garnered from the film, Donovan believed that he would be able to cross over into mainstream film. While there were meetings with directors like John Schlesinger and Raymond St. Jacques and talk of casting him in mainstream projects including adaptations of novels by Mary Renault and Patricia Nell Warren, the only film opportunities opened for him were as the star of more erotic films.
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Hellenistic art saw a turn from the idealistic, perfected, calm and composed figures of classical Greek art to a style dominated by realism and the depiction of emotion (pathos) and character (ethos). The motif of deceptively realistic naturalism in art (aletheia) is reflected in stories such as that of the painter Zeuxis, who was said to have painted grapes that seemed so real that birds came and pecked at them.Green, Peter; Alexander to Actium, the historical evolution of the Hellenistic age, page 92. The female nude also became more popular as epitomized by the Aphrodite of Cnidos of Praxiteles and art in general became more erotic (e.g.
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The main character designer added sunglasses to hide her eyes of different colors, while expanding on her sex appeal to make players notice she was older than in Devil May Cry 3. This sex appeal required adjusting cutscenes in the game. However, multiple ideas were rejected by staff on the grounds that they were too explicit, although her final model was still approved despite being more erotic. Although Lady only appeared in a few cutscenes in the game, the staff had multiple discussions about her redesign; one concept artist said he spent more time designing Lady than Kyrie, the main heroine of the game.
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The upper class, for comparison, were expected to be modest and fully clothed, with fine clothing in particular considered more erotic than nudity itself. After the Meiji Restoration, upper-class Japanese began adopting Western clothing, which included underwear, something not part of the traditional Japanese wardrobe except for loincloths worn by men. Underwear was, however, not commonly worn in Japan until after WWII despite the government's attempts to impose Western standards. The disastrous 1923 earthquake in Tokyo was widely used as a pretext to enforce them, as government propaganda claimed that many women perished because they were afraid to jump or climb out of ruined or burning buildings due to their kimonos flying open and exposing their privates.
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The animators were noted to prefer to draw the Queen over Snow White "because she was more real and complex as a woman, more erotic, and driven to desperate acts by her magic mirror."Jack Zipes, The Enchanted Screen: The Unknown History of Fairy-Tale Films, pages 115, 122. The character, however, turned out to be especially problematic for the animators, as she had to be "regally beautiful, with confined but graceful movements," and "the experiments on her lovely cruel mouth and eyes alone represent drawings enough to fill a paper house." The sequence of her transformation in particular was the film's toughest to visualise using trick effects, especially since Disney insisted on showing how the Queen felt as she changed.
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After publishing Pornography and the law, the Kronhausens began to acquire a collection of erotic art. This brought them to Europe, where they were active during the 1960s. As they reminisced in 1978: > It so happened that from 1960 on we came to spend more and more time in > Europe, first on psychological consultation and later because we felt that > we had both been spending too much time in the same cultural environment and > needed a change for our own personal development. In Europe we collected > more erotic art, our most notable discoveries from the beginning of that > period being the Dutch painter Melle in Amsterdam, the German painter Hans > Bellmer, the Trieste-born artist Leonor Fini, and the French surrealist > André Masson in Paris.
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Corazón de poeta was Jeanette's return to the soft and melodic sentimental ballad-led style she had been famous for during the 1970s. In a 1981 interview with Heraldo de Aragón, Jeanette explained: "... it can be said that [on the album] there is a bit of everything, although what predominates are the soft songs, which is my usual style and where I am most comfortable." Unlike her previous works, however, the album presented a more erotic tone and less naive lyrics, that corresponded to a more mature woman. The organizers of Festival Europa Sur stated in 2014 that with tracks like "Corazón de poeta" and "Frente a frente", Jeanette "demonstrated that a canción melódica song can be approached from a pop optic".
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In the late 19th and early 20th centuries, the can-can was viewed as much more erotic because the dancers made use of the extravagant underwear of the period, and the contrasting black stockings. They lifted and manipulated their skirts much more, and incorporated a move sometimes considered the most cheeky and provocative; bending over and throwing their skirts over their backs, presenting their bottoms to the audience (this gesture is often referred to as the "derrière"). The Moulin Rouge dancer La Goulue was well known for this gesture, and had a heart embroidered on the seat of her drawers. A can-can dancer would sometimes stand very close to a man, and bet that she could take off his hat without using her hands.
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The anime's ending is different from that of the manga; the manga ending was never animated but was dramatized with the anime's voice actors on a drama LP. Following the end of the Wing-Man anime, it would be three months before the next Toei anime television series, Konpora Kid, would premiere, marking the first time since Toei's debut TV series, 1963's Ken the Wolf Boy, that the studio had not had an animated TV series airing on TV Asahi (formerly NET). Both the anime and manga have been released in France; the anime, slightly edited and censored to tone down some of the story's more erotic elements, aired on TF1 in 1989, and the first six volumes of the manga reached the French market in the late 1990s.
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In discussion of the miniature replicas created by María Lionza's followers, Canals said that these idols are less detailed but also more erotic, which he explained is part of a process of goddess sexualization (done by exaggerating typically feminine features) seen in many religious cults. Clothes are also put on them in some instances out of respect for the divine, though Canals writes that this explicitly acknowledges the sexual nature by shrouding it. In popular culture, the statue has been the inspiration for works of literature. In the 1990s, the statue was used as the cover for a series of poetry collections called The Goddess, with each edition containing a dedication to María Lionza and "her metaphor – a queen, naked, exuberant, who roams the countryside mounted on a tapir".
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A large stream of family comedies ("Lystspil") and class-conscious folk comedies ("folkekomedier") were produced from the 1950s to late 1970s/early 1980s. Here a lot of Danish stars were born, such as Dirch Passer, Ove Sprogøe and director Erik Balling. Important films of this period include De røde heste (1950), Far til fire (1953), Kispus (1956, first Danish film in colourIMDb-trivia), Støv på hjernen (1961), Sommer i Tyrol (1964), Passer passer piger (1965), the Olsen-banden-series (1968-1981) and Erik Balling's classic TV-sitcom Huset på Christianshavn (1970-1977). In the sixties, Danish cinema became gradually more erotic, with films such as ' (Erik Balling, 1965), Sytten (Annelise Meinecke, 1965), Jeg - en kvinde (Mac Ahlberg, 1965) and Uden en trævl (Annelise Meinecke, 1968), several of which made a huge international impression. As a natural progression, in 1969 Denmark became the first country to completely legalize pornography.
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Deb Aoki found the fanservice in the manga to be a bit unwholesome and cheesy, but underneath were teen themes about friendship, loyalty, and courage. Reception on the characters' fanservice has been acknowledged by Ikeda. In the bonus comics at the end of Season II, Volume 6, Ikeda responds to a fan letter that criticizes that the Newspaper Club girls artwork in the manga is not as moe as in the anime by having them go over aspects of moe that has already incorporated such as cat ears, knee socks, large breasts, twin tails, long bangs, as well as what the girls would look like when drawn with large eyes, distinguishing accessories and speech inflections. When asked in an interview about the fewer panty shots compared to other shōnen manga; Ikeda replied that he favors showing less as it would be more erotic and intriguing.
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Farber's first book Images of Woman, published in 1976, was a series of delicate, painterly, and sensual female nudes in naturally-lit interiors and impressionistic landscapes that outlined an aesthetic vision that evolved in parallel with his fashion/commercial career. The book caught the eyes of publishers, advertising art directors and gallerists that led to new commercial assignments and fine art exhibitions. When working with more erotic publications, such as Playboy and Penthouse, Farber often chose to publish under different names to not to affect his growing reputation as a fine art photographer. In the late 1970s and throughout the 1980s he was shooting with major fashion clients such as Bloomingdales, Saks Fifth Avenue, Macy's, Bill Blass, Anne Taylor, Christian Dior, Geoffrey Beene, Loden Frey, L'Oreal, Gillette, Revlon, Wrangler, ABC, Paramount Pictures, amongst others; with magazines GQ, Vogue, Elle, Esquire, Playboy, Viva, Cosmopolitan, and Vanity Fair; and with top supermodels Beverly Johnson, Gia Carangi, Linda Evangelista, Carol Alt, Christie Brinkley, Janice Dickinson, and Iman.
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