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37 Sentences With "more consonant"

How to use more consonant in a sentence? Find typical usage patterns (collocations)/phrases/context for "more consonant" and check conjugation/comparative form for "more consonant". Mastering all the usages of "more consonant" from sentence examples published by news publications.

Preference towards more consonant intervals varied widely between the five groups.
And during the work's final turn toward more consonant harmony, the players retained a crucial sense of gravity.
LARAAJI'S SLEEP CONCERT Laraaji favors soothing, tinkly sounds — zithers, thumb piano, little bells — and melodies hinting at ancient folk tunes, all growing more consonant with loops and echoes.
To have seen their art side-by-side uptown at Hauser & Wirth (in the building that once housed the Martha Jackson Gallery, where Doyle and Chamberlain both showed their work) would have felt like a more consonant interchange between toughness and delicacy, surety and doubt — a continuum shaped by the movement of the hand through the flicker of thought and the pulse of the heart.
It is characterized by more consonant harmonies, a less polyphonic texture and a waltz rhythm.
Familiarity also contributes to the perceived harmony of an interval. Chords that have often been heard in musical contexts tend to sound more consonant. This principle explains the gradual historical increase in harmonic complexity of Western music. For example, around 1600 unprepared seventh chords gradually became familiar and were therefore gradually perceived as more consonant.
In Kensiu, the consonant clusters are symbolized in the same manner as Thai clusters. Kensiu has a few more consonant clusters ending in /w/ than Thai does, (i.e. /pw/, /bw/, /tw/, /gw/, /hw/, /mw/, and /lw/).
Of course these comparisons depend on style. The third reason is familiarity. Chords that have often been heard in musical contexts tend to sound more consonant. This principle explains the gradual historical increase in harmonic complexity of Western music.
For example, around 1600 unprepared seventh chords gradually became familiar and were therefore gradually perceived as more consonant. Western music is based on major and minor triads. The reason why these chords are so central is that they are consonant in terms of both fusion and lack of roughness. They fuse because they include the perfect fourth/fifth interval.
The Polar Inuit were the last to cross from Canada into Greenland and they may have arrived as late as in the eighteenth century.Fortescue 1991. page 1 The language differs from Kalaallisut by substituting Kalaallisut with an h-sound often pronounced like a palatal fricative as in German ich. Inuktun also allows more consonant combinations than Kalaallisut and has some minor grammatical and lexical differences.
The whole-tone scale and the soft dynamics give the A and A' sections a mysterious and eerie mood. In the B section, the louder dynamics, the faster passage, and the more consonant and familiar pentatonic scale give the listener a break from the eerie tone, allowing a brief moment of clarity.Pentatonic scale in Debussy's Voiles, Preludes, Book I, no. 2, mm.43-45.
An Analysis of the Concept Albums of Roger Waters and Pink Floyd. Collector's Guide Publishing Inc. [US ] There is no percussion, and the tempo is very slow. In the second section, drums, bass, and guitar enter, and the music becomes more consonant, resolving to the key of A minor through the use of D and A suspended second chords, as David Gilmour sings a refrain of "Ooh, babe".
This also compares with the lush red locks of Millais's earlier picture The Bridesmaid and with some contemporary works by Dante Gabriel Rossetti. Millais's biographer Marion Spielmann wrote that the painting was "the most modernly treated of Millais's early works...more consonant in its strong harmony with the audacious brilliancy of the present day [1898] than the more solid strength of forty years ago."Speilmann, M, Millais and his Works, Blackwoods, 1898, p. 70.
Catholics are not free to merely dismiss such teachings. The Church demands a "submission of the intellect and will" to them, even if not supernatural faith. However, this is to varying degrees depending on a variety of things, especially when teachers disagree. Catholics must respectfully hear all opinions from equal authorities and judge which is best, makes more sense, and is more consonant with the tradition of the whole history of the Church.
Skytte was a confidant of Gustavus' father Charles IX of Sweden and served as a tutor to the king prior to his coronation. He was the leader of one of the two political interest groups during Gustavus' reign. The king was wary of some of his domestic policy positions, as they were more consonant with the internally troubled times of his father's reign, and inconsistent with the type of state he was attempting to establish. However, deemed his stances on foreign policy to be above reproach.
Tonal fusion contributes to the perceived consonance of a chord, describing the degree to which multiple pitches are heard as a single, unitary tone. Chords which have more coinciding partials (frequency components) are perceived as more consonant, such as the octave and perfect fifth. The spectra of these intervals resemble that of a uniform tone. According to this definition, a major triad fuses better than a minor triad and a major-minor seventh chord fuses better than a major-major seventh or minor-minor seventh.
However, the Almoravid emir Abu Bakr ibn Umar soon decided Aghmat was overcrowded and unsuitable as their capital. Being originally Sanhaja Lamtuna tribesmen from the Sahara Desert, the Almoravids searched for a new location in the region that was more consonant with their customary lifestyle. After consultation with allied local Masmuda tribes, it was finally decided that the Almoravids would set up their new base on neutral territory, between the Bani Haylana and the Bani Hazmira tribes.Ibn Idhari, Bayan al-Mughrib, quoted in Levtzion and Hopkins (1981:p.226-27); Messier (2010: p.
The perfect fifth (often abbreviated P5) spans seven semitones, while the diminished fifth spans six and the augmented fifth spans eight semitones. For example, the interval from C to G is a perfect fifth, as the note G lies seven semitones above C. The perfect fifth may be derived from the harmonic series as the interval between the second and third harmonics. In a diatonic scale, the dominant note is a perfect fifth above the tonic note. The perfect fifth is more consonant, or stable, than any other interval except the unison and the octave.
Two or more consonant sounds may appear sequentially linked or clustered as either identical consonants or homorganic consonants that differ slightly in the manner of articulation, as when the first consonant is a fricative and the second is a stop.Ravid, Dorit diskin et al. (2005). Perspectives on Language and Language Development, p. 55. In some languages, a syllable-initial homorganic sequence of a stop and a nasal is quite uncontroversially treated as a sequence of two separate segments; and the separate status of the stop and the nasal is quite clear.
Furthermore, each tine is bent at a certain angle to produce harmonics (most notably the 6th harmonic, or two octaves plus a fifth) that are more consonant than other mbiras and kalimbas. Two types of Array mbiras are available, a hollow body and a solid body. Both models have dual piezoelectric pickups that produce two separate channels, one for the left side of the instrument and one for the right side. The hollow body is an acoustic instrument that utilizes a sound box, which can be made from a variety of domestic and exotic hardwoods.
Though Partch presents otonality and utonality as being equal and symmetric concepts, when played on most physical instruments an otonality sounds much more consonant than a similar utonality, due to the presence of the missing fundamental phenomenon. In an otonality, all of the notes are elements of the same harmonic series, so they tend to partially activate the presence of a "virtual" fundamental as though they were harmonics of a single complex pitch. Utonal chords, while containing the same dyads and roughness as otonal chords, do not tend to activate this phenomenon as strongly. There are more details in Partch's work.
Front page Art historian Daniel Robbins writes of the Barcelona works of Gleizes: > His work was always directly engaged with environment, especially an > unfamiliar one. Thus, his 1916 voyage to Spain resulted in a number of > obviously Spanish paintings, (Spanish Dancer) hot and exuberant (as well as > in a lost Sailboat painting, more consonant with the general course of his > development in synthetic abstraction) and few of his paintings are as > sensual and immediate as those of Bermuda in which a Cezannesque concern for > light-modified forms and his consistent diagonal brushwork overcome any > conceptual efforts.
64 An ascendancy of Whig and Latitudinarian principles came in with the Georgian era. The times were characterized by controversies with the Deists and the official church adopted a position more consonant with appeals to reason and the natural order. However, an official church preoccupied with great minds and leading families was ill-equipped to retain the loyalty of illiterate miners and labourers such as formed most of the population of Cornwall. Local law and administration were in the hands of the vestry and churchwardens; but the clergy's interests were remote from the cares of the lowly.
Next, researchers can not clearly isolate what causes what given the very dynamic combination of people and institutions and individuals' development. Finally, researchers can not agree on the definition of neighborhood, which makes it hard to compare across study. These methodological challenges lead to variable empirical findings thus may offer “scant guidance for policy makers"Ellen & Turner, 854 who lack clarity on the specific causal relationships between particular neighborhood characteristics and individual outcomes over time. Five potential strategies for addressing these challenges include: "1. redefining neighborhood boundaries in ways that are more consonant with social interactions and children’s experiences, 2\.
Well-received, the album became the #1 Jazz Album for 1956, a position it attained, according to the retrospective book Gibson Electrics, as an "overnight best-seller capturing the essence of the cool jazz era". Critically regarded as one of the defining albums of cool jazz, it is listed in A Concise History of Electric Guitar among those few recordings which "firmly established" the electric guitar's "sound in popular culture, elevating it from the dark dissonance of bebop jazz to the more consonant textures of a rapidly developing style called western swing". Guitar World characterizes it as Smith's "classic album".
In a syllabary, a grapheme denotes a complete syllable, that is, either a lone vowel sound or a combination of a vowel sound with one or more consonant sounds. The antagonism of abjad versus alphabet, as it was formulated by Daniels, has been rejected by some other scholars because abjad is also used as a term not only for the Arabic numeral system but, which is most important in terms of historical grammatology, also as term for the alphabetic device (i.e. letter order) of ancient Northwest Semitic scripts in opposition to the 'south Arabian' order. This caused fatal effects on terminology in general and especially in (ancient) Semitic philology.
Voices of the angelic choir herald León, the last post remaining before Santiago, a stark contrast to the pleading prayers evoked in Burgos. Ostinatos, like previous movements, are the backdrop Talbot uses to set his melodies, like a psalm-tone in Gregorian chant. The harmonies are more consonant, and even the texts reflect a hopeful and aspiring love: Beate, qui habitant in domo tua, Domine; In saecula saeculorum laudabant te (Blessed are they that dwell in thy house: they will be still praising thee [Psalm 84:4]).Crouch, p. 12-13 Diatonic and step-wise in motion, the simplicity of melody is a chant, a song of wonder, for the graces of God’s gifts.
In the 2013 U.S. remake of the House of Cards trilogy, Urquhart's place is filled by Francis "Frank" Underwood (Kevin Spacey),BBC Breakfast News June 2013, interview with Michael Dobbs a Democratic representative from South Carolina's 5th district and House Majority Whip. Series producer Beau Willimon explained that the last name Urquhart had been replaced with Underwood, which was both "Dickensian and more legitimately American" but maintained the initials F.U. Unlike Urquhart, who is of aristocratic birth, Underwood is a self-made man, which Willimon thought "more consonant with the American mythology". Critical reaction to the reimagined Urquhart has been mixed. Andrew Davies, the producer of the original UK TV series, stated that Underwood lacks the "charm" of Urquhart.
For any pitch that is part of the BP scale, all pitches one or more tritaves higher or lower are part of the system as well, and are considered equivalent. The BP scale divides the tritave into 13 steps, either equal tempered (the most popular form), or in a justly tuned version. Compared with octave-repeating scales, the BP scale's intervals are more consonant with certain types of acoustic spectra. The scale was independently described by Heinz Bohlen, Kees van Prooijen and John R. Pierce. Pierce, who, with Max Mathews and others, published his discovery in 1984, renamed the Pierce 3579b scale and its chromatic variant the Bohlen–Pierce scale after learning of Bohlen's earlier publication.
The reason for this half scale is because the left half creates the same tones as the right half when played as a flageolet tone and therefore the extra dots on the left half are useless for how this instrument is played. The scale of harmonics was, together with the book of Helmholtz an inspiration for Harry Partch to switch to just intonation and alternate tuning systems to create more consonant music than possible with the equal temperament. Partch's tone selection otonality from his utonality and otonality concept are the complement pitches of the overtones. For instance: the frequency ratio 5:4 is equal to of the string length and is the complement of , the position of the fifth harmonic (and the fourth overtone).
In a letter to Cipriano de Rore dated from around 1563, Benedetti proposed a new theory of the cause of consonance, arguing that since sound consists of air waves or vibrations, in the more consonant intervals the shorter, more frequent waves concurred with the longer, less frequent waves at regular intervals. Isaac Beeckman and Marin Mersenne both adopted this theory in the next century. In the same letter, he proposed a measure of consonance by taking the product of the numerator and the denominator of a rational interval in lowest terms. James Tenney also used this method to develop his measure of "harmonic distance" (log2(ab) is the harmonic distance for the ratio b/a measured from an arbitrary tonal center 1/1).
The population and economic theorist Thomas Malthus stated in a 1798 essay that people with health problems or disease are not suffering, and should not viewed as such. Malthus argued, "Nothing can appear more consonant to our reason than that those beings which come out of the creative process of the world in lovely and beautiful forms should be crowned with immortality, while those which come out misshapen, those whose minds are not suited to a purer and happier state of existence, should perish and be condemned to mix again with their original clay. Eternal condemnation of this kind may be considered as a species of eternal punishment, and it is not wonderful that it should be represented, sometimes, under images of suffering."Malthus T.R. 1798.
The death of General Johann de Kalb at the Battle of Camden. “Whenever the Rebel Army is said to have been cut to pieces it would be more consonant with truth to say that they have been dispersed, determined to join again... in the meantime they take oaths of allegiance, and live comfortably among us, to drain us of our monies, get acquainted with our numbers and learn our intentions.” —Brigadier General Charles O’Hara, March, 1781 The first major British operation in the Southern colonies occurred in 1776, when a force under General Henry Clinton unsuccessfully besieged the fort at Sullivan's Island. In 1778 a British army of 3,000 men under Lieutenant Colonel Archibald Campbell successfully captured Savannah, beginning a campaign to bring the colony of Georgia under British control.
371-372, Inner Traditions International, Jazz musicians typically consider the half-diminished chord (more commonly known as the minor seventh flat five chord- m7b5- amongst jazz musicians) as built from one of three scales: the seventh mode (the Locrian mode) of the major scale, the sixth mode of the melodic minor scale (the latter scale is nearly identical to the Locrian mode, except that it has a 9 rather than a 9, giving it a somewhat more consonant quality): or the "half-whole" diminished scale. See chord-scale system. The "Tristan chord" is sometimes described as a half-diminished seventh chord; however, the term "Tristan chord" is typically reserved for a very specific harmonic function, especially determined by the chord voicing and sometimes even the way the chord is spelled.
The novel concerns the relationship between two fictional Victorian poets, Randolph Henry Ash (whose life and work are loosely based on those of the English poet Robert Browning, or Alfred, Lord Tennyson, whose work is more consonant with the themes expressed by Ash, as well as Tennyson's having been poet-laureate to Queen Victoria) and Christabel LaMotte (based on Christina Rossetti), as uncovered by present-day academics Roland Michell and Maud Bailey. Following a trail of clues from letters and journals, they collaborate to uncover the truth about Ash and LaMotte's relationship, before it is discovered by rival colleagues. Byatt provides extensive letters, poetry and diaries by major characters in addition to the narrative, including poetry attributed to the fictional Ash and LaMotte. A. S. Byatt, in part, wrote Possession in response to John Fowles' novel The French Lieutenant's Woman (1969).
Sheridan considered Dimond's Joseph Surface in The School for Scandal: 'more consonant to his own ideas when he wrote the part, than anybody else'. However, Dimond also continued to play tragic roles including Romeo in 1790 and Hamlet in both Bath and Bristol. Just before his retirement from acting the Bristol Journal gave an appreciation of his skills in comic roles but added that his performances in tragedy were too orderly: 'nothing is irregular, nothing is left to chance. ... Hence it is, that if you have little to excite astonishment, you have a great deal to admire'.Bristol Journal, 28 June 1800 By now a resident of Bath in Somerset, on 2 December 1779 at Westminster in London (and claiming to be 22 years old) he married Matilda Martha Baker (1757-1823), a Norfolk woman of independent means,William Wyatt Dimond in the England, Select Marriages, 1538–1973 - Ancestry.
As against all who claim that progress is a vapid concept and that there is no continuous improvement along history, Peña's philosophy of history argues that progress is the necessary outcome of our cultural rationality—weak and partial though it is—thanks to which any human society will tend to ameliorate its welfare by blending the scattered wisdom of its members into a combined collective purposive intelligence, thus increasing, little by little, its social accumulation of material and intellectual assets, establishing more workable, reliable and socially acceptable laws and making distribution practices more consonant with the public interest. Human progress being continuous, no historic leaps are possible and so there is no objective ground for any periodization. Any delimitation of epochs is a matter of mere convenience. The law of human progress is not to be assimilated to grand schemes postulating a predetermined succession of ages, such as those of the Stoics, Vico, Hegel, A. Comte and K. Marx.

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