How to use more atonal in a sentence? Find typical usage patterns (collocations)/phrases/context for "more atonal" and check conjugation/comparative form for "more atonal". Mastering all the usages of "more atonal" from sentence examples published by news publications.
In point of fact, when we saw the data, the features are flatter, more atonal speech.
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The male advertisement call is a "clack" that is deeper and more atonal than the calls of other West African Leptopelis.
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Nations to Flames has been described as amongst the most aggressive and fast-paced albums in A Storm of Light's discography. Guitarist and vocalist Josh Graham acknowledged that this has been part of a larger shift for the band: Graham's approach to vocals on Nations to Flames drew comparisons to Killing Joke's Jaz Coleman and departed from the clean singing characteristic of his past approach. Graham confirmed that his approach was developed when the band played songs off of Nations to Flames durings its tour with Converge prior to entering the recording studio. During that tour, Graham said that he "realized that what we needed was more aggression and somewhat more atonal vocals," which he described as "more akin to Motörhead than Killing Joke".
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Tyner at Keystone Korner, San Francisco, California, March 1981 Tyner's involvement with Coltrane came to an end in 1965. Coltrane's music was becoming much more atonal and free; he had also augmented his quartet with percussion players who threatened to drown out both Tyner and Jones: "I didn't see myself making any contribution to that music... All I could hear was a lot of noise. I didn't have any feeling for the music, and when I don't have feelings, I don't play".Lewis Porter, John Coltrane: His Life and Music, p. 266. In 1966, Tyner rehearsed with a new trio and embarked on a career as a bandleader.Lewis Porter, John Coltrane: His Life and Music, p. 268. After leaving Coltrane's group, Tyner produced a series of post-bop albums released by Blue Note from 1967 to 1970. These included The Real McCoy (1967), Tender Moments (1967), Time for Tyner (1968), Expansions (1968) and Extensions (1970). He signed with Milestone and recorded such albums as Sahara and Echoes of a Friend (1972), Enlightenment (1973), and Fly with the Wind (1976), which included flautist Hubert Laws, drummer Billy Cobham, and a string orchestra.
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