34 Sentences With "Montagues and Capulets"

She was Sunni and ethnically Tajik; he was Shiite and ethnically Hazara -- the Montagues and Capulets.

The Montagues and Capulets are still fighting, and the stakes have been raised for love to prevail.

Will the camps of Kanye West and Taylor Swift become the Montagues and Capulets of the music world?

Shondaland imagines what happens after Romeo and Juliet meet their demise and a monumental feud erupts between the Montagues and Capulets.

Shakespeare never mentions why the Montagues and Capulets are embroiled in a bloody family feud, yet it is central to the play's tragedy.

The Montagues and Capulets are just two wealthy families battling it out over the things that wealthy families go to war over: money and power.

Two star-crossed lovers—Romeo (Leonardo DiCaprio) and Juliet (Claire Danes)—from two warring families (Montagues and Capulets), fall in love... in a Verona Beach setting.

There's still some tension betweens the Lodges and Andrews over unsigned paperwork so they can separate their businesses, and Veronica compares them to the Montagues and Capulets.

Handsomely shot, mounted and cast, the premiere chronicles the romance of Romeo and Juliet's tragic end, then continues into the ongoing feud between the Montagues and Capulets.

Blood feuds were cycles of violence where families were pitted against other families and eventually established cultural divisions—like mob families or the Montagues and Capulets in "Romeo and Juliet".

Based on Melinda Taub's 2013 book of the same name, the show focuses on Benvolio, Romeo's cousin; Rosaline, Juliet's cousin; and Prince Escalus, who attempts to end the feud between the Montagues and Capulets.

The heirs of the company founder, Domenico Melegatti, who patented the "golden bread" in 1894, seemed to be running the place into the ground and feuding so bitterly that workers compared them to fair Verona's Montagues and Capulets.

Named for the city where the fighting Montagues and Capulets caused the deaths of Romeo and Juliet, Verona is a Tinder-esque app originally conceived of to pair Palestinians with Israelis, which it has been doing for a year now, to great success.

The series, based on Melinda Taub's young-adult novel, intends to fashion its plotlines from the continuing blood feud between the Montagues and Capulets (who did not, it turns out, bury the hatchet in honor of the deceased young lovers), outside threats to Verona, class divisions and various romances.

He then went on to show how similar it is to "Montagues and Capulets" – "Dance of the Knights" – from Romeo and Juliet by Sergei Prokofiev, claiming that this was a result of Russian spies going through the BBC's rubbish bins looking for the scripts.

All tracks written by Johnny Marr and Morrissey except "His Latest Flame" (Doc Pomus, Mort Shuman), "The Draize Train" (Marr) and the very beginning of "The Queen Is Dead" where an audio recording of Sergei Prokofiev's classical piece "Montagues and Capulets" was played to introduce the band.

Montagues and Capulets (), also known as Dance of the Knights, is a work of classical music written by Russian composer Sergei Prokofiev. The piece is the first one in the Suite No. 2 from Romeo and Juliet, Op. 64ter, which consists of two parts from his 1935 ballet Romeo and Juliet. He wrote versions for both orchestra and piano.

"Party Like a Russian" is a song by British singer-songwriter Robbie Williams, released as the lead single from his eleventh studio album The Heavy Entertainment Show (2016). The single was released in the United Kingdom on 30 September 2016. The song was written by Robbie Williams, Guy Chambers and Chris Heath. The chorus of the song samples Sergei Prokofiev's Montagues and Capulets.

"Taken for Granted" is the debut single of Australian singer Sia. It was the first single released from Sia's second studio album, Healing Is Difficult (2001), and was written by Sia and produced by Nigel Corsbie. It heavily samples from Sergei Prokofiev's Montagues and Capulets. "Taken for Granted" was released in 2000 and, in May of that year, debuted at number 10 on the UK Singles Chart.

156–160 but he hears a noise from outside and then flees from the tomb. Juliet then kills herself with Romeo's dagger, completing the tragedy. The Friar is forced to return to the tomb, where he recounts the entire story to Prince Escalus, and all the Montagues and Capulets. As he finishes, the prince proclaims, "We have still known thee for a holy man".

Sergei Prokofiev ("Montagues and Capulets" from Romeo and Juliet in "Lords of Bedlam"). The album was promoted with a European tour together with Eisregen (GER) and Siebenbürgen (SWE). The live line up was completed with Mike's bandmates Mario Klausner (Collapse 7, Ex-Pungent Stench, Ex-Belphegor) and Werner Freinbichler (Collapse 7). The following years saw Martin concentrating on Pungent Stench although the writing of new material was never stopped.

Luhrmann studied Zeffirelli's heavily cut script, and retained Shakespeare's language; however, he brought the setting up to date, making the Montagues and Capulets mobsters in a modern Miami-like city (although actually filmed in Mexico City and Veracruz).Brode, pp.55–6 Luhrmann said of his film: Luhrmann was impressed with the verse-speaking of his Romeo, Leonardo DiCaprio, saying "the words just came out of his mouth as if it was the most natural language possible".

The Gospel of Inhumanity is the first album by Blood Axis. Conceived in the winter of 1994/95, it was performed, recorded and engineered at Absinthe Studios (Denver, Colorado) by Michael Jenkins Moynihan and Robert Ferbrache. The album incorporates music by Giuseppe Verdi, Johann Sebastian Bach and Sergei Prokofiev, such as "Montagues and Capulets"; lyrics by Friedrich Nietzsche and Henry Wadsworth Longfellow; the voices of Ezra Pound and Charles Manson; and samples from The Wicker Man and A Clockwork Orange.

During the late Middle Ages in Verona, two wealthy families, the Montagues and Capulets, have been feuding for centuries. One day at the market place, the feuding families start a brawl which infuriates the Prince and he threatens that if the peace of Verona is disturbed again, he shall take their lives. Meanwhile, Romeo, a young Montague, reveals that he is in love with Lord Capulet's niece, Rosaline. Romeo's cousin, Benvolio persuades him to forget Rosaline but Romeo rebuffs him.

Before he dies, Mercutio curses both the Montagues and Capulets, crying several times, "A plague o' both your houses!" (Act III, Sc. 1, often quoted as "A pox on both your houses"). He makes one final pun before he dies: "Ask for me to- morrow, and you shall find me a grave man." A grief-stricken and enraged Romeo kills Tybalt, resulting in his banishment from Verona and beginning the tragic turn of events that make up the rest of the play.

Frederic Leighton's 1854 watercolour The Reconciliation of the Montagues and Capulets Lord Capulet is the patriarch of the Capulet family, the father of Juliet, and uncle of Tybalt. He is very wealthy. He is sometimes commanding but also convivial, as at the ball: when Tybalt tries to duel with Romeo, Capulet tries to calm him and then threatens to throw him out of the family if he does not control his temper; he does the same to his daughter later in the play. Capulet believes he knows what is best for Juliet.

The first series began in February 2005, with the opening theme being "Montagues and Capulets". The viewer ratings climbed to almost 4 million viewers for the final episode on 4 May 2005. The winner of this series was Tim Campbell, who had previously worked as a Senior Planner within the Marketing and Planning Department of London Underground. After his victory he went on to become Project Director of Amstrad's new Health and Beauty division at the time, but left the company to pursue other interests the following year, starting up the Bright Ideas Trust in 2008 which offers funding and support for young people wishing to start their own business.

In a journal for Fangirl, Interrupted the two lead characters were named "the Montagues and Capulets of the olive oil world", and the movie itself was praised for its inclusion of the LGBT characters. A review for The Best Darn Girls was mostly favorable: "While the conclusion is anticlimactic, the love story still has promise." Albert Nowicki of We'll Always Have the Movies praised the movie for its "charming setting" and "the natural portrayal of a queer relationship". He also believed Roberts' character was a positive gay role model and went on to describe him as a "Bruce Willis type of a man", "with a musculature of a Superman".

Kenny Hotz Starting with the fourth season, Kenny and Spenny were both executive producers and received credit separate from five other executive producers. Matt Stone and Trey Parker, creators of the TV show South Park, joined the show for the fourth season and were given their own separate credit as executive producers for the ten episodes in which they were involved. Instrumental and electronic music is frequently used throughout episodes scored by Composer Richard Pell. Ride of the Valkyries, Ravel's Boléro, Sergei Prokofiev's Montagues and Capulets and Peter and the Wolf, Gioachino Rossini's La gazza ladra, Mozart's Symphony No. 40 in G minor – 4th Movement, and music by Toronto electronica band Holy Fuck are very frequently used.

" Gail Pennington of the St. Louis Post-Dispatch gave the series 2 of 4 stars signaling mixed reviews, saying "Star-Crossed doesn't aim as high as those, Lanter does get a few witty lines ("One of my hearts stopped beating for a few minutes. Luckily I had a backup)" but the tone is mostly dreary and the plot with few exceptions goes precisely where you expect. Only if the romance proves genuinely heart- stopping to young fans (maybe, the same ones who have embraced Reign) will this one be a hit." Robert Lloyd of the Los Angeles Times gave the series an mixed review, saying "It's the usual dance of insiders and outsiders, mean kids and weirdos, of Sharks and Jets, Montagues and Capulets biting their thumbs at one another in the school corridor while one special guy and girl fall in love.

Heap has appeared in a variety of television comedy roles, often playing eccentric and self-deluded characters and drama including struggling artist Brian Topp in Spaced, the pompous Dr. Alan Statham in Green Wing, and various roles in the sketch show Big Train, many scenes of which he improvised, most notably performing a barefoot gymnastics routine to Montagues and Capulets He has worked in a number of ventures with Chris Morris, appearing in Jam, its radio predecessor Blue Jam, and the documentary parody series Brass Eye. He voiced the lead character of Eric Feeble in the animated comedy Stressed Eric. Other recurring roles included Terry Roche in Paul Whitehouse's comedy-drama Happiness and Derek Few in How Do You Want Me?. He played Harry in the short-lived Rob Grant TV series The Strangerers, aired in 2000.

This work has been used in television as the theme of the British and Irish versions of the reality series The Apprentice, in the opening of BBC children's drama God's Wonderful Railway, in the Canadian comedy reality series Kenny vs. Spenny, and as the title theme for Channel 4's 1980s National Football League American Football coverage in the UK. It has also been used in film as the overture for Caligula, and during the ballet theatre sequences of Exotica. It was also featured in Adam Elliot's 2009 Australian film Mary and Max, in The Simpsons episode "The Falcon and the D'ohman" and as the closing piece for the Season 1 finale of Gotham. Montagues and Capulets has reached popular association in the UK as the theme to The Apprentice, with The Times reviewer Caitlin Moran writing that this sense of recognition went "round the room like a Mexican wave", after its inclusion in the 2008 Doctor Who Prom in the Royal Albert Hall.

Of the Doctor Who pieces, Dessau singled out soloist Melanie Pappenheim for her performance of Doomsday describing it as "haunting" and that it "hoisted the emotional level to a peak unsurpassed even when the team saved Earth, accompanied by the soaring Song Of Freedom." Dessau's sole complaint was that the concert gave insufficient attention to the work of the BBC Radiophonic Workshop, and that the programme's conclusion with the Doctor Who theme "felt more like an afterthought than a climax." In The Guardian, Nicholas Lezard praised the idea behind the concert: "One can imagine no better way to get children interested in classical music than by plonking them down in front of an orchestra belting out music from Doctor Who." Lezard noted that the non-Doctor Who music "was received with baffled tolerance"; he said that the BBC Philharmonic played "Montagues and Capulets" "crisply and excitingly", but felt that "Ride of the Valkyries" "tends to sound a little underpowered unless played by two orchestras at once".

Director David Winters, upset after being overruled on a casting decision for Thrashin, made the professional decision to control all aspects of future projects he worked on. Winters' first choice was a pre-21 Jump Street Johnny Depp who was cast in the film together with Depp's girlfriend at the time, Sherilyn Fenn, but after three attempts to get Depp approved by the producer, Winters had no choice but to recast, ultimately casting Josh Brolin, who would go on to win acting awards for his roles in the films W., No Country for Old Men, Milk and Wall Street: Money Never Sleeps. Brolin was first offered, and turned down, the role of Tom Hansen on 21 Jump Street - which ultimately went to Depp. Winters himself had been in the original cast of "West Side Story" (on Broadway) as well as appearing in the film, certainly making him an appropriate choice to direct, given the resemblance between that classic "competing gangs" story - inspired by Shakespeare's Montagues and Capulets - and the plot of this film.