555 Sentences With "moderns" | Random Sentence Generator

The moderns, too, felt they had to justify what they were doing.

We moderns are no more free of our historical moment than they were.

Rothko ranks, in this, with Picasso, Matisse, Mondrian, Pollock, de Kooning, and few other moderns.

We moderns have achieved the ultimate "triumph" and "survival" of the "Messiah" and Handel himself.

The cars range from classic collectibles to exotic moderns, an unusual combination for any automotive exhibition.

For frantic moderns, silence also seems part of the comfort offered by primitive or eternal things.

We moderns build institutions, and establish tacit norms, to guarantee the security of such private pleasures.

I had the hardest time with the moderns, misspelling both RIHANNA and David OYELOWO at first.

Moderns mobilized artificial light to conquer the dark, disenchant the night, and create new media and art.

In June 2015, Sotheby's grossed £178.6 million for its 50-lot evening sale of Impressionists and moderns.

The idea that we're buttoned-up moderns with atavistic needs does not become more persuasive through repetition alone.

It's possible that the Ghost Moderns were hunter-gatherers who lived across the southern edge of the Sahara.

But where the young moderns of Paris relished their rejections from the official Salons, Velázquez was no outsider.

Pepe's transformed use is an implicit rebuke to post-moderns placing subjective feelings as the highest value in selecting a candidate.

But as with the last wave of Catholic revolution, there is little evidence that the modernizing project makes moderns into Catholics.

But it's all weirdly compelling, and a reminder of the hunger even we alleged moderns nurse for worlds beyond this one.

The All Star Moderns come in your choice of five different colors accented with black toe caps, black laces, and black eyelets.

His repertoire eventually expanded past the early moderns to encompass Beethoven, Schubert, Schumann and 20th-century British composers like Britten and Elgar.

But it's all weirdly compelling, and a reminder of the hunger even we alleged moderns still nurse for worlds beyond this one.

As Kugel and Friedman demonstrate, if we learn new ways to ask, even doubting moderns can trust the power of that tale.

Always the showman, Cole ably combined the high drama of the moderns with the busy patterns and razzle-dazzle of his Hollywood numbers.

Of the eight painters considered, the moderns stand out: the passion of Degas and Matisse for the works they acquired is especially palpable.

The act introduced free education up to the age of 15, and set up three kinds of schools: grammar, technical and secondary moderns.

We moderns tend to forget that we stand on the shoulders of giants — giants who made possible all that we take for granted.

A vast majority of children in grammar schools were from middle-class backgrounds; a vast majority of poor children were condemned to secondary moderns.

As part of this series, the theater will also show Ms. Bujold's seldom-screened collaborations with the director Alan Rudolph, including "The Moderns" (Sunday).

He meant it ironically — but that expectation for artists to transport us from the everyday to the infinite has a pesky hold on us alleged moderns.

So true originalism — genuinely following the founders' intent — requires us moderns to interpret constitutional language in light of our own, not their, moral and linguistic norms.

As part of this series, continuing through Wednesday, the theater will also show Ms. Bujold's seldom-screened collaborations with the director Alan Rudolph, including "The Moderns" (Sunday).

Where ancients worried about poor harvests or the death of the sun god, moderns will worry about car-parking spaces and whether any cheap hotel rooms are left.

Opening May 22 in Taos, New Mexico, Mabel Dodge Luhan & Company: American Moderns and the West is a major traveling exhibition curated by MaLin Wilson-Powell and Lois Rudnick.

His conducting covered an enormous range, from his own compositions and those of other moderns such as Stravinsky and Stockhausen to older favorites such as Mahler, Beethoven and Bach.

And of course, we moderns have variations in our racial subjectivity because of the individual context of our racial socialization, friendship patterns, type of educational experiences and other factors.

Between the authority that the texts sought (and, for us moderns, can no longer claim) and the anarchy that their refutation supposedly invites lies the practice of literary argument.

In 1965, the Labour government began replacing grammar schools and secondary moderns with a nonselective "comprehensive" system, under which all children went to a single type of state school.

" By contrast, Constant wrote, "the aim of the moderns is the enjoyment of security in private pleasures, and they call liberty the guarantees accorded by institutions to those pleasures.

One of my hobbies is collecting what you might call nonconversion stories — stories about secular moderns who have supernatural-seeming experiences without being propelled into any specific religious faith.

But if too many moderns decided that having children is not worth it and human extinction really loomed, we might have to outlaw contraceptives and welcome back the bedroom police.

Critics argue this system enshrined class divisions as large amounts of kids from more affluent backgrounds ended up in grammars, while secondary moderns were heavily populated by working class children.

These were the Neanderthals and Denisovans, archaic humans who interbred with those early moderns, leaving bits of their DNA behind today in the genomes of people of non-African descent.

Jaffa's life work was to show that the U.S. transcended the divisions between the ancients and the moderns because beneath its Lockean system was a deep commitment to ancient truths.

The All Star Moderns will be available starting on June 16; the hi-tops will set you back a hefty $140 per pair, while the lo-tops will cost $130.

But the uninitiated could try "The Moderns" (on Saturday and Thursday), from 1988, whose Lost Generation milieu gives shape and even some verisimilitude to Mr. Rudolph's verbal flights of fancy.

With her husband, George Avakian, a celebrated record producer whom she married in 1948, Ms. Ajemian inaugurated Music for Moderns, a critically esteemed contemporary concert series at Town Hall, in 1957.

The book recounts a moment during her first solo exhibition at the Grand Central Moderns Gallery in January 1955 that illustrates how connected her work was to this realm beyond time and place.

You can make a solid case that the king most of us have never heard of rivaled David: He carried out reforms that cemented the ideas of the religion we moderns now call Judaism.

Indeed. And the use of those muscles by digital moderns gets even more complicated when we encounter our x's not on paper—carbon-black ink, like liquid soot, inscribed on bleached pulpwood—but on screens.

Now, nearly a century after Mabel Dodge Luhan came to Taos, a new exhibition, American Moderns and the West, will explore the impact she had on the art, writings, and activism of 20th-century American Modernism.

Traylor is one of three dazzling moderns in America—with Martín Ramírez (1895-1963), a Mexican-born inmate of a California mental hospital, and Henry Darger (1892-1973), a Chicago janitor—who especially swamp the designations.

What You'll Find There are roughly 1,930 single-family houses in Pound Ridge, according to Diane Briganti, the town assessor — a mix of colonials, Cape Cods, ranches, 393th- and 19th-century antiques, midcentury moderns and sprawling contemporaries.

The reasons for the neglect of Crawford Seeger's ever-challenging music have little to do with her gender: like her fellow-"ultra-moderns" Ives, Varèse, and Ruggles, she has never been part of the American classical hit parade.

But the massive successes of properties like "The Lord of the Rings" and "Game of Thrones" in the intervening years have primed moderns audiences to be better prepared, and eager, for its deeper meanings, epic scale and darker corners.

The current show will stay in place through September, after which the museum will present other collection mash-ups, such as a February 2019 show, "Frans Hals and the Moderns," that will present Hals works alongside Impressionist and Post-Impressionist paintings.

Much of the village is in a district on the National Register of Historic Places, with architecture including Italian Renaissance-style mansions, Queen Annes, midcentury moderns and several houses by Frank Lloyd Wright, who also designed throughout neighboring Oak Park.

Few technical schools were ever built, so children came to be divided between grammar schools, which focused on academic studies, and whose pupils were destined for universities and better professions, and secondary moderns, which were intended for children deemed suitable only for less skilled jobs.

That means that, as modern humans expanded from their African origins into the Near East between 2000,000 and 100,000 years ago, they met and occasionally had sex with Neanderthals: perhaps mainly when a lonely modern human found few other moderns with whom to mate.

Less a grand theorist than a scholar, he was a wizard of "esoteric" reading who extracted rich ore from a spectrum of thinkers—the ancient Greeks but also Jewish and Islamic scholars, and secular moderns such as Thomas Hobbes, John Locke, and Max Weber.

While no one can be surprised that Clinton has run a race that we would have seen anyone else run, Trump's focus on merchandise and travel reveals a candidate who doesn't believe in one of the tenets of moderns campaigns -- TV ads -- and instead prefers an older-school campaign.

Available in both hi-top and low-cut styles, the Converse All Star Moderns are reminiscent of the originals from way back in 1920, but also feature Nike technology, including the breathable "Hyperfuse" fabric the sneaker giant uses in its running shoes, and a lightweight "Phylon" foam sole.

We moderns prefer sympathy as social glue, modesty as a virtue, and sensual pleasure as a value, and so we search the sacred texts for their rare moments of compassion, as in Lamentations, or avowals of failure, as in Job, or salutes to sex, as in the Song of Songs.

Principled pragmatism says that judges should consider not only the constitutional language as the ratifiers interpreted it but also the constitutional language as we moderns interpret it, the structure of the Constitution as a whole, the overall purposes of the Constitution as stated in its preamble and — yes — the public policy consequences of each possible decision.

Among the moderns, avid collectors of folk or "primitive" art such as Elie Nadelman and Yasuo Kuniyoshi created works that were indebted to the untutored artists they cherished; Louis Eilshemius and Florine Stettheimer renounced their formal training and embraced a naive idiom, though to a mixed reception (Stettheimer was devastated by the response to her lone gallery exhibition during her lifetime).

Depending on your after-hours curriculum in Mongolia (cooking, talking, playing the fiddle), you might rarely even need to do what digital moderns never stop doing: recruit the eye's ciliary muscle and contract it, releasing tension in the ligaments that suspend the eye to acutely curve the lens and train it to a pixelated 1.4-milimeter letter x on, for instance, a mobile news app.

Pretty much what the Pittsburgh Public Theater provides: classics, moderns, musicals, Shakespeare and one-person shows; a certain intimacy (not too big); an annual Shakespeare monologue contest for middle through high school students; periodic mailings and emails with information on what's coming, casting notes and behind-the-scenes tidbits; easy, reasonably-priced parking right next door; Sunday night showtimes that get you home just a little earlier than on other nights.

Ferrers and pothering, the head of Claremont's, were for the moderns.

In 2008, the Art Gallery of South Australia debuted Misty Moderns, the first major exhibition to cover Australian tonalism since the 1960s. Apart from Meldrum, Misty Moderns featured works by 17 of Meldrum's pupils, as well as artists who experimented with his tonalist system, including Lloyd Rees, Roland Wakelin, Roy de Maistre and Elioth Gruner.Edwards, David. Misty Moderns - Layer upon layer , The Blurb Magazine.

We here detect a person quite unnoticed hitherto by the moderns, Magnus the arithmetician.

The Freemasonry of the Moderns Grand Lodge and its daughter lodges in Pennsylvania was eclipsed during the latter half of the 18th century by the rise of the Ancients Grand Lodge and its subordinate lodges. The American Revolutionary War took a great toll on Pennsylvania Freemasonry, and especially the Moderns' lodges. Beginning before the War some of the Modern Lodges had switched allegiance to the Ancients, e.g. Lodge No. 4 of the Moderns.

The pious wish of the ancients was sanctity, the pious wish of the moderns is corporeity.

Month of Moderns 2012 was centered on Modern Vespers, works fashioned after the ancient evening prayer service, cast in modern themes and musical languages. A much larger project, The Gulf (Between You and Me), based on a three-part commissioned poem by Pierre Joris inspired by the Deep Water Horizon disaster in the Gulf of Mexico, dominated Month of Moderns 2013. Month of Moderns 2014 included five major commissioned world premieres loosely based around Novalis's poem Astralis questioning our existence and eternity. After 2014, the ensemble moved away from a theme solely surrounding the Month of Moderns alone and more towards a theme for each season.

Jean Donneau de Visé (1638 – 8 July 1710) was a French journalist, royal historian ("historiographe du roi"), playwright and publicist. He was founder of the literary, arts and society gazette "le Mercure galant" (founded in 1672) and was associated with the "Moderns" in the "Quarrel of the Ancients and the Moderns".

Moods for Moderns was a power pop band from Detroit, Michigan, featuring Nathan Beale (guitar, vox), Ben Force (bass, vocals), and Dave Shettler (percussion, synthesizers, vocals). Named after an Elvis Costello song from Armed Forces, Moods for Moderns were a Detroit area band with a mix of psychedelic, mod, bubblegum, and power pop influences.

That satire introduced an ancients/moderns division that would serve as a handy distinction between the old and new conception of value. The "moderns" sought trade, empirical science, the individual's reason above the society's, and the rapid dissemination of knowledge, while the "ancients" believed in inherent and immanent value of birth, the society over the individual's determinations of the good, and rigorous education. In Swift's satire, the moderns come out looking insane and proud of their insanity, dismissive of the value of history, and incapable of understanding figurative language because unschooled.

Byron was initiated to the Scottish Rite Masonry and become Grand Master of the Grand Lodge of England (Moderns) form 1747 to 1751.

The Quarrel of the Ancients and Moderns was a cover, often a witty one, for deeper opposed views. The very idea of Progress was under attack on the one side, and Authority on the other. The new antiquarian interests led to critical reassessment of the products of Antiquity that would eventually bring Scripture itself under the magnifying glass of some Moderns. The attack on authority in literary criticism had analogues in the rise of scientific inquiry, and the Moderns' challenge to authority in literature foreshadowed a later extension of challenging inquiry in systems of politics and religion.

In 2009, the ensemble established an annual festival, held in the early summer, consisting of several new-music concerts in one month, with commissioned works based on a central theme tying the entire festival together. The theme for Month of Moderns 2009 was The Celan Project, works based on the poetry of Paul Celan. Month of Moderns 2010 featured The Levine Project, works based on or inspired by the words of Pulitzer-Prize winner and U.S. Poet Laureate Philip Levine. "Seneca Sounds" was the focus for Month of Moderns 2011, with works based on the words and philosophy of Seneca the Younger.

The Premier Grand Lodge of England (the "Moderns") remained ambivalent about the new rite, perhaps because a secret password was taken from their own third degree.Mackey's article on Jehovah retrieved 14 September 2012 The Moderns' supporters of the new rite formed their own Grand Chapter, probably in 1765. There is evidence that the official date of 1767 is the result of the alteration of the foundation document, to save Lord Blayney the embarrassment of founding a controversial organisation while he was still the Moderns' Grand Master.John Hamill, The Lord Blayney Mystery, Freemasonry Today, No 17, Spring 2012, p.

His successor was the Duke of Sussex, who became Grand Master the next January on the resignation of his brother, the Prince of Wales. On 1 December 1813, the Duke of Atholl ceded the leadership of the Ancients to the Duke of Kent, the older brother of Sussex and the father of Queen Victoria. Kent had already presided over the union of the Ancients and Moderns in Canada, accomplished by the brutally simple expedient of merging the lodges of the Moderns with the nearest lodge of the Ancients. The Moderns in Canada had simply ceased to exist.

Founded by Erwin S. Barrie, it was directed from 1951 through 1965 by Colette Roberts.Archives of American Art, retrieved June 1, 2009 After the gallery "wandered about for several years" it settled at 130 East 56th Street in 1950. Artists represented by Grand Central Moderns included Byron Browne, Lamar Dodd, Jennett Lam, and Louise Nevelson. Grand Central Moderns closed in 1967.

Immensely successful in his lifetime, Goya is often referred to as both the last of the Old Masters and the first of the moderns.

Many moderns are uncomfortable with death, "the giving up of everything." (p. 725) "Our age is very far from settling into a comfortable unbelief." (p.

Parnassus figures earlier in Jonathan Swift's The Battle of the Books (1697) as the site of an ideological war between the ancients and the moderns.

He was 71. His wife donated his archives to Yale University in 2010 Glancey, Jonathan, and Richard Bryant. The New Moderns. New York: Crown, 1990. Print.

Louis Leon Ribak (3 December 1902 - 1979) was an American social realist and abstract painter who was a member of the "Taos Moderns" group of artists.

Douglas Knoop, The Genesis of Freemasonry, Manchester University Press, 1947 In the ensuing competition for authenticity and historical accuracy of ritual, the newer English grand lodge became known for short as the "Antients", while the older English grand lodge was referred to as the "Moderns". In 1799, the Grand Lodge of Scotland supported the Duke of Atholl (Grand Master of the "Antients") and the Earl of Moira (Acting Grand Master of the "Moderns") to keep Freemasonry in the British Isles from being outlawed by British government legislation against secret societies. In 1809 the "Moderns" started revising their ritual to a point where it was in step with the Antients, the Scots and the Irish.Pietre-Stones Lodges of Instruction, Yasha Beresiner, retrieved 17 July 2012 It was not until 1813 that the "Antients" and "Moderns" agreed on an Act of Union and formed the United Grand Lodge of England.

After Alceste (1674) was denounced by traditionalists who rejected it for deviating from classical theater, Perrault wrote in response Critique de l'Opéra (1674) in which he praised the merits of Alceste over the tragedy of the same name by Euripides. This treatise on Alceste initiated the Quarrel of the Ancients and the Moderns (Querelle des Anciens et des Modernes), which pitted supporters of the literature of Antiquity (the "Ancients") against supporters of the literature from the century of Louis XIV (the "Moderns"). He was on the side of the Moderns and wrote Le Siècle de Louis le Grand (The Century of Louis the Great, 1687) and Parallèle des Anciens et des Modernes (Parallel between Ancients and Moderns, 1688–1692) where he attempted to prove the superiority of the literature of his century. Le Siècle de Louis le Grand was written in celebration of Louis XIV's recovery from a life-threatening operation.

Chicago Cultural Center, and Renaissance Society.Lubeznik Center for the Arts. The New Moderns: In Search of Form, Catalogue, Michigan City, IN: Lubeznik Center for the Arts., 2010.

Jean Terrasson, born in Lyon, was elected a member of the Académie française in 1707. His 1715 Dissertation on Homer's Iliad took the side of the 'moderns' in the quarrel of the Ancients and the Moderns. In 1721 he became Professor of Greek at the College de France. His best-known work is probably the fantasy novel Life of Sethos, Taken from Private Memoirs of the Ancient Egyptians (1731).

Here Are the Young Moderns, released on January 9, 1998, was Kill Hannah's debut album under their current name, and has been out of print for some time.

Two pictures from IMMA's permanent collection, Forget-me-[K]nots on a Cane Table & London Self-Portrait, were exhibited in "The Moderns" exhibition (IMMA, October 2010-February 2011).

At the beginning of the 19th century, when the "Antients" and the "Moderns" moved from rivalry towards union, the role and purpose of the Royal Arch became a sticking point. The "Antients" viewed the Royal Arch as a fourth degree of Craft Freemasonry and worked it as part of the Craft ceremonies, while the "Moderns" almost totally ignored it. The latter held the opinion that Craft Freemasonry consisted of three degrees only and that the Royal Arch was at the most an extension of the third (Master Mason's) degree which was to be administered separately. In addition, the "Moderns" embedded certain teachings in their third degree ritual that the "Antients" only revealed to those joining the Royal Arch.

Swift's works would pretend to speak in the voice of an opponent and imitate the style of the opponent and have the parodic work itself be the satire. Swift's first major satire was A Tale of a Tub (1703-1705), which introduced an ancients/moderns division that would serve as a distinction between the old and new conception of value. The "moderns" sought trade, empirical science, the individual's reason above the society's, while the "ancients" believed in inherent and immanent value of birth, and the society over the individual's determinations of the good. In Swift's satire, the moderns come out looking insane and proud of their insanity, and dismissive of the value of history.

The quarrel of the Ancients and the Moderns () began overtly as a literary and artistic debate that heated up in the early 17th century and shook the Académie française.

The Month of Moderns festival continues to be a signature part of the organization's season, regardless of theme, with each concert featuring at least one or more world premiere.

"The Modern Conception of Sovereignty", pp. 21–23 the Occidental Quarterly,de Benoist, Alain (Summer 2003). "Democracy Revisited: The Ancients and the Moderns". The Occidental Quarterly. pp. 47–58.

The staging of the reported sea fights and barge scene in Antony and Cleopatra was one spectacular example.Halpern (1997). Shakespeare Among the Moderns. New York: Cornell University Press, 64. .

L'Europe galante (1697), and tragedies, one of which, Inès de Castro (1723), was an immense success at the Theâtre Français. He was a champion of the moderns in the revived controversy of the ancients and moderns. His Fables nouvelles (1719) was regarded as a modernist manifesto. Anne Dacier had published (1699) a translation of the Iliad, and La Motte, who knew no Greek, made a translation (1714) in verse founded on her work.

The debate became known as 'a quarrel' after the frequently made pun on Charles Perrault's title Parallel of the Ancients and the Moderns, the French word 'querelle' being substituted for 'parallele'.

Olvera, Crystal. "Moderns to play SPI", Valley Morning Star, 2008-03-13, p. RL. In 2008, they toured the U.S. including playing the South by Southwest music festival.Horn, Jillian (August 2008).

Iosipos Moisiodax was a critic of Greek society and culture during the Modern Greek Enlightenment. His philosophies on Greek society and culture focused on educational reform as framed by his engagement in the conflict between the Ancients and the Moderns. Moisiodax argued for the Moderns in this debate. He believed that Greek society, in relation to Europe, overemphasized the importance of maintaining ancient philosophical theories over the incorporation of modern philosophical theories created during the Enlightenment.

In 1978 a street in the Canberra suburb of Chisholm was named Hurry Place in her honour. In 2009 Hurry was included in the retrospective exhibition Misty moderns: Australian Tonalists 1915–1950.

Critics largely reviewed The First Moderns favorably, appreciating Everdell's interdisciplinary approach, in publications including the New York Review of Books, the New York Times, the Los Angeles Times, and the Washington Post.Jim Holt, "Infinitesimally Yours", review of William R. Everdell, The First Moderns: Profiles in the Origins of Twentieth Century Thought, New York Review of Books, May 20, 1999. "Drawing together such disparate manifestations as Seurat's pointillism, Muybridge's stop-motion photography, the poetry of Whitman, Rimbaud, and Laforgue, the tone rows of Schoenberg, and the novels of Joyce, the author [Everdell] makes an engrossing and persuasive case for his claim that 'the heart of Modernism is the postulate of ontological discontinuity'"Hugh Kenner, "A Change of Mind, review of William R. Everdell, The First Moderns: Profiles in the Origins of Twentieth Century Thought, The New York Times, June 29, 1997. "The change started to happen in the 1870s, and not, as William R. Everdell arrestingly demonstrates in The First Moderns, in painting or in literature but in number theory.

Gould cites George Hakewill, Archdeacon of Surrey's 1628 essay in defense of Modernist convictions. There Hakewill argues against both the common belief that the Universe was in constant decay and the Renaissance portrayal of Ancients as superior to Moderns. Moderns were traditionally depicted in architecture and other arts even prior to the seventeenth century as dwarfs on the shoulders of Ancient giants. Hakewill stated "we are all of one stature, save that we are lifted up somewhat higher by their means".

Strauss constantly stressed the importance of two dichotomies in political philosophy, namely Athens and Jerusalem (reason and revelation) and Ancient versus Modern. The "Ancients" were the Socratic philosophers and their intellectual heirs; the "Moderns" start with Niccolò Machiavelli. The contrast between Ancients and Moderns was understood to be related to the unresolvable tension between Reason and Revelation. The Socratics, reacting to the first Greek philosophers, brought philosophy back to earth, and hence back to the marketplace, making it more political.

It was at Richelieu's request that he began to write for the theatre. In this genre he produced a comedy long regarded as a masterpiece, Les Visionnaires (1637); a prose-tragedy, Erigone (1638); and Scipion (1639), a tragedy in verse. His long epic Clovis (1657) is noteworthy because Desmarets rejected the traditional pagan background, and maintained that Christian imagery should supplant it. With this standpoint he contributed several works in defence of the moderns in the famous quarrel between the Ancients and Moderns.

"The Battle of the Books" spoofed the famous seventeenth-century Quarrel of the Ancients and the Moderns, a controversy that had raged first in France and then, less intensely, in England, about which was better the Ancient or Modern learning. Should people still model their writings and artistic productions on Greek and Latin authors? Or should they study the (moderns from the Renaissance on), who used living vernacular languages (not dead ones) and produced practical inventions, and new artistic genres that could be read by everyone. In On Ancient and Modern Learning (1697), Swift's patron, the urbane Sir William Temple, had weighed in on the losing side, that of the Ancients, repeating the famous paradox used by Newton that we moderns see further only because we are dwarves standing on the shoulders of giants.

Rocky Mattioli (born Rocco Mattioli, 20 September 1953) an Italian-Australian former boxer at junior middleweight, and former world champion. Rocky was the 2004 Inductee for the Australian National Boxing Hall of Fame Moderns category.

The First Moderns: Profiles in the Origins of Twentieth-Century Thought is a book on Modernism by historian William Everdell, published in 1997 by the University of Chicago Press. A New York Times Notable Book of 1997, and included by the New York Public Library on its list of "25 Books to Remember from 1997," The First Moderns suggests that "the heart of Modernism is the postulate of ontological discontinuity.""Notable Books of the Year 1997", The New York Times, December 7, 1997. Accessed July 11, 2017.

As the unaffiliated lodges increasingly saw the sense of belonging to a larger organisation, they usually found that the Antients practice was closer to their own, although it was known for lodges to change allegiance from the Antients to the Moderns. The fact that the practices eventually adopted by the United Grand Lodge largely reflect those of the Antients is attributable to Dermott's industry. While the emergence of the Antients simply consolidated a division in English Freemasonry, a schism occurred within the Moderns in 1777/78.

NgomNgom, Gilbert. (1993), "La parenté génétique entre l'egyptien pharaonique et des langues négro-africaines moderns: L’exemple du duala", pp. 49–54. and ObengaObenga, Théophile (1992), "Le 'chamito-sémitique' n'existe pas", Ankh, N° 1, pp. 51–8.

The moderns can be broken down into Didone, Mechanistic, and Lineal categories, and are characterized by a simple, functional feel that gained momentum during the industrial period of the late 19th century and early 20th century.

It was an essential feature of the European Renaissance to praise recent discoveries and achievements as a means to assert the independence of modern culture from the institutions and wisdom inherited from Classical (Greek and Roman) authorities. From the first years of the sixteenth century, one of the major reasonings used to this end by the most eminent humanists (François Rabelais, Girolamo Cardano, Jean Bodin, , Tommaso Campanella, Francis Bacon, etc.) was that of the "Three Greatest Inventions of Modern Times" – the printing press, firearms, and the nautical compass – which together allowed the Moderns to communicate, exert power, and travel at distances never imagined by the Ancients.Boruchoff, 2012. When the quarrel of the Ancients and the Moderns later arose in France, the "Three Greatest Inventions of Modern Times" would almost invariably be adduced as evidence of the Moderns' superiority.

Retrieved on 5 December 2010. The movement has been identified as "arguably the first important advance in Australian landscape painting since Australian Impressionism of the 1880s."Misty Moderns - Essay, National Gallery of Australia. Retrieved 22 November 2012.

This happened just after he died, and only twenty years before the union of the Ancients and Moderns. The Moderns, on the other hand, had created a separate Grand Chapter in 1765 to deal with the degree, and wished to keep it separate from pure craft masonry. This would be a point of contention as the two jurisdictions moved towards union. The second of the articles of union stated that there were but three degrees in "pure Ancient Masonry", but included the Royal Arch in the third degree.

Native Moderns: American Indian Painting, 1940–1960. Durham: Duke University Press. . p 99. Her clothes were changed to match specific Ojibwe styles, and the background became a specific location in the Ojibwe territory, the Red Lake in Minnesota.

When he observed what was happening to the Japanese people in America, he was reminded of what had happened to his own people.Anthes, Bill (2006). Native Moderns: American Indian Painting, 1940–1960. Durham: Duke University Press. . p. 93-94.

Biddle recorded LPs with Milt Sealey, Ted Curson, and Oliver Jones. He also performed on the big-screen in the feature films The Whole Nine Yards, 2000; The Moderns, 1988; and the French-Canadian film Les Portes Tournantes, 1988.

The next year, they assisted in setting up a Royal Arch Chapter admitting masons from other Craft lodges which were attached to the "Moderns". In 1766, with the exaltation of Lord Blayney, the Grand Master of the "Moderns", this organisation became known as the "Excellent Grand and Royal Arch Chapter", taking on administrative responsibilities and thus becoming the first Grand Chapter in England.Pietre-Stones The Fourth Degree in the Craft, Yasha Beringer, retrieved 19 July 2012Camberley Lodge A.D. Matthews, An Historical Perspective on The Holy Royal Arch, Lecture July 2009, retrieved 18 September 2012 At the same time, James Heseltine, the Grand Secretary of the "Moderns", stated about Royal Arch Masonry that "It is part of Masonry but has no connection with Grand Lodge" in a letter to a senior German mason. He was also one of the signatories on the charter establishing the first Grand Chapter.

"Misty moderns: Australian Tonalists 1915–1950", National Gallery of Australia. Retrieved 13 May 2020. followed by the Angry Penguins, a group of avant-garde painters who stayed at a dairy farm in Bulleen, now the Heide Museum of Modern Art.

The church we see today, like so many Italian churches, was forced later to adhere to a taste for Baroque with what many moderns see as "excessive decoration". Other churches in the city include, Santo Stefano and Santa Maria della Pietà.

Decidedly nonconformist, they publish with small-press publishers and denounce conventional literature. They make efforts to distinguish themselves from what they call "the commercial or late moderns", who cling on to the classical genres and write within conventional modes of literature.

Mario Fenech Inducted his brother into the International Boxing Hall of Fame in 2002, Jeff was the 2003 Inductee for the Australian National Boxing Hall of Fame Moderns category and the 4th person to be elevated to Legend status in 2013.

A 10th century Arabic cookbook describes two types of kashk, one made of wheat and leaven and another of sour milk. Kashk is the origin of tarhana found in the moderns cuisines of Turkey and Greece, where it is called trachanas ().

"The Crash Moderns – Good Night Glamour, Good Morning Disaster", PerformerMag.com. Retrieved on 2008-11-11. Influences cited by the band include The Beatles, The Cars, The Descendents, Weezer, Jimmy Eat World, Elvis Costello, Motion City Soundtrack, and Cheap Trick.Petrick, John.

The Moderns is a 1988 film by Alan Rudolph, which takes place in 1926 Paris during the period of the Lost Generation and at the height of modernist literature. The film stars Keith Carradine, Linda Fiorentino and John Lone among others.

He articulated his discussion most notably in his satire A Tale of a Tub, composed between 1694 and 1697 and published in 1704 with the famous prolegomenon The Battle of the Books, long after the initial salvoes were over in France. Swift's polarizing satire provided a framework for other satirists in his circle of the Scriblerians. Two other distinguished 18th-century philosophers who wrote at length concerning the distinction between moderns and ancients are Giambattista Vico (cf. e.g. his De nostri temporis studiorum ratione) and Gotthold Ephraim Lessing (for whom the moderns see 'more,' but the ancients see 'better').

The 2016 event included speeches from Shadow Secretary of State for Education Lucy Powell, Tim Leunig from the Department for Education, National Schools Commissioner Sir David Carter, Steve Besley from Pearson, and Mike Treadaway from FFT. The 2017 conference was held in May. Ofsted continues to judge secondary moderns in the same way it judges grammar schools, expecting them to show the same academic achievement as schools that have had the top ability quartile removed. Ofsted admits it does not have a record of the number of secondary moderns and that its inspectors have received no training on how to assess them.

When he was 19, Tylecote set the then record for the highest score ever made in a cricket match when playing in a school match at Clifton College; he was playing for the Classicals against the Moderns. The Moderns batted first, scoring 100, with Tylecote taking three wickets. He then opened for the Classicals, and although this was a one-innings match, the game was continued until all the Classical players had an innings. Tylecote's innings covered three afternoons and six hours as he amassed 404 not out: the first quadruple century in a cricket match.

Victorio C. Edades (December 23, 1895 - March 7, 1985) was a Filipino painter. He led the revolutionary Thirteen Moderns, who engaged their classical compatriots in heated debate over the nature and function of art. He was named a National Artist in 1976.

His number system did not permit him to express it as a decimal but the tangent is about 2.87. It is unlikely that any of the geographers could compute the arctangent, or angle of that tangent. Moderns look it up in a table.

Indeed, the variation in the social groupings in school intake, and the differences in academic performance, are enormous, and there are wider variations between supposedly mixed-ability comprehensive schools at the higher and lower end of this scale, than between some grammars and secondary moderns.

The stories continue to be printed and have been adapted to opera, ballet, theatre, and film. Perrault was an influential figure in the 17th-century French literary scene, and was the leader of the Modern faction during the Quarrel of the Ancients and the Moderns.

Johnny Famechon (born Jean-Pierre Famechon 28 March 1945 in Paris, France) is a former Australian featherweight boxer. Johnny was the 2003 Inductee for the Australian National Boxing Hall of Fame Moderns category and was the 3rd to be elevated to Legend status in 2012.

Shakespeare Among the Moderns. New York: Cornell University Press, 64. . Such elaborate scenery for the frequently changing locations in Shakespeare's plays often led to a loss of pace. Towards the end of the 19th century, William Poel led a reaction against this heavy style.

Witham Matthew Bywater, Notes on Laurence Dermott G.S. and his Work, London, 1884, p23 & p30 When the Antients and the Moderns (the Premier Grand Lodge) eventually came together in the United Grand Lodge of England, it was on the Feast of the Evangelist in 1813..

The works of Aristotle are typically considered foundational to Western science and philosophy. (Emphasis in original). The citations below are not given as any sort of final modern judgement on the interpretation and significance of Aristotle, but are only the notable views of some moderns.

Robert Bevan. The Weigh House, Cumberland Market, c. 1914. The Cumberland Market Group was a short-lived artistic grouping in early twentieth century London. The group met in the studio of Robert Bevan in Cumberland Market, Perfect Moderns: A History of the Camden Town Group.

Accordingly, the entire rationale for Tripartite streaming of students based upon the 11-plus examination was called into question. Secondary modern schools continued in existence into the 1970s, and as time progressed more attention was given to the need to provide more challenging examinations, and to adopting the same approach to mixed abilities as the modern comprehensive system which existed at the same time. Although the Butler Act offered further education for all, including students from secondary moderns, only children who went to grammar schools had a realistic chance of getting into university. Most secondary moderns did not offer A-levels, though many in Northern Ireland in the 1970s did.

Narmad has been called Arvachino Ma Adya (Earliest Among the Moderns). His house, Saraswati Mandir, has been restored and converted into museum. Several places in Gujarat were named after him, such as Central Library in Surat. Busts of him have been erected in Ahmedabad, Vadodara and Surat.

They considered that they practiced a more ancient and therefore purer form of Masonry, and called their Grand Lodge The Ancients' Grand Lodge. They called those affiliated to the Premier Grand Lodge, by the pejorative epithet The Moderns. These two unofficial names stuck.Batham, Cyril N. (1981).

William Campbell explains the weakness of constitutional economics in its assumption that the goal of a regime must be efficiency, individual liberty, and libertarian rights, not morality or super-individual good.Campbell, William (1988). “Constitutional Economics: Ancients vs. Moderns,” The Heritage Foundation, Speech given July 27, 1988.

As quoted by Pulham, Art and Transitional Object, p. 59, and Anne Hermann, Queering the Moderns: Poses/Portraits/Performances (St. Martin's Press, 2000), p. 148. Symonds studied classics under Benjamin Jowett at Balliol College, Oxford, and later worked with Jowett on an English translation of Plato's Symposium.

"Tilting at the Moderns: W.H. Mallock's Criticism of the Positivist Spirit," Renaissance and Modern Studies, Vol. X, No. 1, pp. 88–143.Christensen, John M. (1978). "New Atlantis Revisited: Science and the Victorian Tale of the Future," Science Fiction Studies, Vol. V, No. 3, pp. 243–249.

It is not known when the first Freemason set foot in the American colony of New York, but the first documented presence dates from the mid-1730s, when Daniel Coxe, Jr. (1673–1739), was appointed by the Duke of Norfolk, the Grand Master of the Premier Grand Lodge of England (known to historians as the "Moderns"), to act as a Provincial Grand Master for the provinces of New York, New Jersey, and Pennsylvania. As no authenticated records exist of his tenure as Provincial Grand Master, it seems doubtful that he exercised any authority in Masonic endeavors as he died a few years after his appointment. From 1738 to the 1780s, additional Warrants were issued by GLE (Moderns) to Francis Goelet (1738–1753), to George Harrison (1753–1771) and to Sir John Johnson (1771–?). As Johnson was a supporter of the British during the American Revolution, he is believed to have taken his warrant with him when he fled to Canada, thus leaving the Moderns Lodges without a Provincial Grand Master.

While the conflict between the "Antients" and "Moderns" was to have a profound impact on Freemasonry as practised in England and Wales, it had comparatively little influence on Freemasonry in Ireland and Scotland. At the same time, Freemasonry in Scotland was able to maintain its distinct and unique character.

While painting the sea off Beaumaris during a storm in 1935, Beckett developed pneumonia and died four days later, aged 48, in a hospital at Sandringham."Beckett art joins Misty Moderns in Langwarrin" by Teresa Murphy, Hastings Leader, 12 November 2009 She was buried in the Cheltenham Memorial Park.

On one side of the debate were the Ancients (Anciens), led by Boileau. The Ancients supported the merits of the ancient authors, and contended that a writer could do no better than imitate them. On the other side were the Moderns (Modernes), who opened fire first with Perrault's Le siècle de Louis le Grand ("The Century of Louis the Great," 1687), in which he supported the merits of the authors of the century of Louis XIV and expressed the Moderns' stance in a nutshell: ::La docte Antiquité dans toute sa durée ::A l'égal de nos jours ne fut point éclairée. Learned Antiquity, through all its extent, Was never enlightened to equal our times.

In 1813, upon the union of Antients and Moderns, the UGLE had created a new Constitution, based on the Constitutions of Anderson of the Moderns and the Ahiman Rezon of the Antients, which required acceptance of the Great Architect of the Universe. The Grand Orient de France (GOdF) initially adapted its Constitution in order to comply. In 1877, however, on a proposal of the Protestant priest Frédéric Desmons at the convention of the GOdF, the members of the convention removed references to the Great Architect of the Universe (GAOTU) from their Constitution.Address to the 2002 California Masonic Symposium They saw their decision as a way to return to the original Constitution of James Anderson of 1723.

Mackey's article on Jehovah retrieved 14 September 2012 In 1813, the "Antients" and "Moderns" agreed on an Act of Union and formed the United Grand Lodge of England. This was possible only after reaching a compromise on the role and purpose of Royal Arch Masonry. The compromise was that after the union, the Royal Arch degree would be fully recognised by the United Grand Lodge (to placate the "Antients"), but become a separate order (to placate the "Moderns") while all Craft Lodges would be given sanction to work the ceremony (to placate the "Antients"). At the same time, no compromise could be reached on the role and purpose of the Mark degree.

The 1936 Governor General's Awards for Literary Merit inaugurated Canada's annual program of Governor General's Awards, late in 1937 recognizing 1936 publications."Late T. B. Roberton Awarded Literary Achievement Prize; Tweedsmuir Raps 'Moderns'". Winnipeg Tribune, November 26, 1937. There were only two categories, fiction and non-fiction, English language only.

In 1766, the Moderns who worked the Royal Arch degree formed a Grand Chapter with Lord Blayney at its head. He made Dunckerley his Grand Superintendent, in which capacity he authorised chapters, and toured his provinces creating new chapters and Royal Arch masons, frequently (according to some historians) exceeding his authority.

Marcel Maas (7 May 1897 – 11 June 1950) was a Dutch-Belgian pianist. He died at his home in Sint-Genesius-Rode, on 11 June 1950. His repertoire includes Bach and Scarlatti to the moderns; he was an appreciated interpreter of the solo piano music of Franck, Debussy and Ravel.

The details of the Santa Maria's end were given in Columbus' journal, and his son Ferdinand's Life of Columbus. The two often differ. Ferdinand had access to the original journal, while moderns can access only the summary of Las Casas. Only hypothetical reconstructions of the sequence of events are available.

Page has contributed to the music of at least 29 films including The Moderns in 1988, Little Man Tate in 1991, and Cold Creek Manor in 2003. He has also been concertmaster of at least eight films, including Passed Away in 1992, Son in Law in 1993, and Duma in 2005.

House at Big hill is based on a singular form. The design includes "an interest in the use of the platonic form amongst the Victorian moderns." It depicts a single storey unit housing, but in fact the second storey is located below. The program is unrestricted by the triangular geometry.

Masonic Temple, Philadelphia, Pennsylvania (1873), James H. Windrim, architect. By 1785, Pennsylvania Freemasonry was entirely Ancient, the Moderns having been fully absorbed into the Ancient Provincial Grand Lodge of Pennsylvania.Barrat, Norris S. & Julius Sachse. Freemasonry in Pennsylvania, 1727-1907, As Shown by the Records of Lodge No. 2 F. & A.M. of Philadelphia.

The Spens Report was an important 1938 British government report on secondary schools in the UK which led to much-wider expansion of grammar schools in the UK, and the introduction of technical schools and "modern" schools (also known as secondary moderns). From this report, all people would go to a secondary school.

Anthes, Bill. "Becoming Indian: The Self-Invention of Yeffe Kimball." Native Moderns: American Indian Painting, 1940–1960. Durham, NC: Duke University Press, 2006: 117–141. . To try to protect Native American artists from the claims of non-Native impersonators, the Indian Arts and Crafts Act of 1990 was passed in the United States.

Although Dunckerley belonged to the Moderns Grand Lodge, he leaned towards the Antients in ritual, making him a natural ambassador for Royal Arch Masonry in his own Grand Lodge. He was one of the signatories on the original charter of the Moderns Grand Chapter.Phoenix Masonry Bernard E. Jones, Freemason's Book of the Royal Arch, revised Carr, 1966, retrieved 1 November 2012 The first evidence of Mark Masonry is in 1769, when Dunckerley, at a Royal Arch Chapter, made several brethren Mark Masons and Mark Masters. It is possible that Dunckerley created the degree.Pietre Stones The Mark Degree, Craig Gavin, The Square Magazine Vol 25, September 1999 In 1790 and 1791, Dunckerley projected the centralization of the rather scattered Templar groups in England.

Freemasons' Hall, London is the headquarters of the United Grand Lodge of England In 1809 the Moderns appointed a "Lodge of Promulgation" to return their own ritual to regularity with Scotland, Ireland and especially the Ancients. In 1811 both Grand Lodges appointed Commissioners; and over the next two years, articles of Union were negotiated and agreed upon. In January 1813 the Duke of Sussex became Grand Master of the Moderns on the resignation of his brother, the Prince Regent; and in December 1813 another brother, Duke of Kent became Grand Master of the Antients. On 27 December 1813 the United Grand Lodge of England ("UGLE") was constituted at Freemasons' Hall, London with the Duke of Sussex (younger son of King George III) as Grand Master.

The gazette played an important role in the "Quarrel of the Ancients and the Moderns", a debate on whether the arts and literature of the 17th century had achieved more than the illustrious writers and artists of antiquity, which would last until the beginning of the eighteenth century. Bernard le Bovier de Fontenelle and the Mercure galant joined the "Moderns". Nicolas Boileau-Despréaux was pushed into the role of champion of the "Anciens", and Jean Racine, Jean de La Fontaine and Jean de La Bruyère (who is famous for a jibe against the gazette: "le Mercure... est immédiatement au dessous de rien" ["the Mercure... is immediately below nothing"]) took his defense. The periodical eventually became a financial success and it brought Donneau de Visé comfortable revenues.

The Lodge of Melrose No 1 bis P. J. Titley, retrieved 18 July 2012 In the wake of the French Revolution, the British Government became uneasy about possible revolutionary conspiracies. Amongst other repressive measures, Pitt's government proposed to introduce the Unlawful Societies Act in 1799, which declared that any body which administered a secret oath was illegal. Acting quickly, a delegation representing the Ancients, Moderns and the Grand Lodge of Scotland arranged a meeting with the Prime Minister. The delegation included the Duke of Atholl, Grand Master of the Ancients, and Past Grand Master Mason of the Grand Lodge of Scotland, and the Earl of Moira, Acting Grand Master of the Moderns (the Grand Master being the Prince of Wales).

The French scholar R. J. Lebarbenchon, in a 1988 tribute, described Corbet as "philanthrope, pacifiste, partisan du progrès, apôtre de l'instruction publique, il se classe aussi parmi les modernes et a foi en l'avenir" (philanthropist, pacifist, supporter of progress, apostle of public education, he ranks also among the moderns and has faith in the future).

Tracts of the American Revolution 1763-1776, ed. Merrill Jensen In addition to his enterprises and legal positions, Leigh was a Freemason of the Moderns Lodges, and was elected and then re-elected as Provincial Grand Master of South Carolina in 1772, with a rather large celebration in Charleston for his election.Albert G. Mackey.

59, and Anne Hermann, Queering the Moderns: Poses/Portraits/Performances (St. Martin's Press, 2000), p. 148. Symonds studied classics under Benjamin Jowett at Balliol College, Oxford, and later worked with Jowett on an English translation of Plato's Symposium.Aldrich, Robert (1993) The Seduction of the Mediterranean: Writing, Art, and Homosexual Fantasy. Routledge. 0415093120. p. 78.

Leibniz does not sound sure and is unsure of himself when he writes his premises. He says they do not work together without making Leibniz sound unsure of himself. Another philosopher who weighs into Leibniz's philosophy is Kant. Although Leibniz influenced Kant a great deal, Kant found that Leibnizian philosophy “misleading.” (Kant and Early Moderns).

He had a considerable influence on 18th-century architectural theory, especially Antoine Desgodetz, Marc-Antoine Laugier, de la Hire and Boffrand. He also participated in an acrimonious debate with the engineer Amédée-François Frézier regarding sacred architecture in the Jesuit periodical Mémoires de Trévoux, a skirmish in the Quarrel of the Ancients and the Moderns.

In the 1980s, Chaplin starred in several French-language roles, including Claude Lelouch's Les Uns et les Autres (1981), Alain Resnais' Life Is a Bed of Roses (1983), Jacques Rivette's experimental Love on the Ground (1984), and then the American film, I Want to Go Home (1989). Chaplin also starred in Rudolph's 1920s-set film, The Moderns (1988).

Bujold starred in Choose Me (1984), directed and written by Alan Rudolph. She promptly made two more films for Rudolph:Trouble in Mind (1985) and The Moderns (1988). Bujold starred in David Cronenberg's Dead Ringers (1988) opposite Jeremy Irons, then made a TV movie Red Earth, White Earth (1989). She did False Identity (1990) with Stacy Keach.

Anderson, Bill. "Mythology for Moderns," The Independent Santa Barbara, March 26, 1987. she also appeared in group exhibitions at the San Francisco Art Institute, Newport Harbor Museum, The New Museum and Fashion Moda (New York), de Saisset Museum, Long Beach Museum of Art, SFMOMA, and Artists Space (1988), among others.Fish, Mary. "Market Street Artists," Artweek, July 7, 1973.

She signed a five-year contract with First National Pictures in September 1925. Seastrom was called the "Candy Kid" at First National due to her taffy colored hair. She appeared in The Perfect Flapper with Colleen Moore and Classified with Corinne Griffith. Seastrom barely avoided a potentially disfiguring accident during the filming of We Moderns (1925).

Most moderns sails are "crosscut", which is an unbalanced technique where the heavier yarns is in the fill. This allows greater loads to radiate up from the clew (back lower corner) along the leech (back edge). This is especially true of mainsails and high aspect jibs. Woven sail cloths have an inherent problem with stretch resistance.

Bruno Latour: Documenting Human and Nonhuman Associations Critical Theory for Library and Information Science. Libraries Unlimited, 2010, p. 192. He rendered the object/subject distinction as simply unusable and charted a new approach towards knowledge, work, and circulating reference. Latour considered nonmoderns to be playing on a different field, one vastly different than that of post-moderns.

In 1917, Wright helped found the Empire Poetry League and edited the League's journal, Poetry. Wright used Poetry to publish his translations of Dante's Inferno and Purgatorio. Wright began writing science fiction in the 1920s. The book Science-Fiction: The Early Years describes Wright as "the major British writer of genre science fiction between Wells and the moderns".

No explanation at all is to be found in ancient sources. The moderns almost universally retrieve one explanation, that Neleus was the intended heir of the archonship, although that, strangely, is nowhere suggested. The law still required an archon with property rights over the school.The argument is to be found in most books on the topic.

William R. Everdell, The First Moderns: Profiles in the Origins of Twentieth-century Thought, University of Chicago Press, 1997, p. 4. These critics are currently in the minority. Hilton Kramer describes postmodernism as "a creation of modernism at the end of its tether".Quoted in Oliver Bennett, Cultural Pessimism: Narratives of Decline in the Postmodern World, Edinburgh University Press, 2001, p. 131.

No reports were sent from the Provincial Grand Lodge of Moderns to the Grand Lodge of England, nor were any requested; being independent it apparently had no need to do so. Yet, the Provincial Grand Lodge of Pennsylvania affiliated itself with the Grand Lodge of England in that it approved and adopted those Ritual changes made by the GLE after 1730.

In December 1917 Metzinger exhibited at the Exhibition of Paintings by the Moderns, held at Vassar College (located in the heart of the Hudson Valley in New York), with Pach, Derain, Edward Hopper, Diego Rivera and Max Weber. Duchamp, Picabia, Gleizes and his wife (via Hamilton Bermuda) would soon leave for New York where they would stay an extended period of time.

The Harwood Museum of Art in Taos has a permanent collection of over 1,700 works of art and 17,000 photographic images. The collection of works from the 19th century to the present reflect the multicultural heritages and influences of the Taos artistic community. The categories of works include: Hispanic, Taos Society of Artists, Taos Moderns, Contemporary, and Prints, Drawings and Photographs.

The key selling point for the Wizard, the self-proclaimed "Car of the Moderns", was that it had been tested for international conditions, not just those found in Great Britain. The car was reportedly subjected to every conceivable and practical test. Photos exist to this date of the Wizard being test-driven in France, Spain, Italy, Austria, Algeria, Egypt and Morocco.

His most popular work was Art Masterpieces of the 1933 Worlds Fair Exhibited at the Art Institute of Chicago (1934). His last published book was The Significant Moderns and Their Pictures (1936). He was married to southern Indiana artist Katherine Adams Bulliet; they had one son, Leander Jackson. After the death of his first wife in 1947 he married Catherine Girdler Bulliet.

James D. Cox left the Grand Central Art Galleries in December 1989. After his departure they were managed by John Evans, a longtime salesman, until they closed in 1994. The Galleries' archives as well as those of Edmund Greacen are at the Smithsonian Archives of American Art. The archives of the Grand Central Moderns are at Syracuse University and the Smithsonian.

Pisa was built also in the Villanovan period on the delta of the Arno River and was a port during the floruit of Etruscan civilization. Spina also had been placed at the edge of the Po River. It has been termed by moderns the Etruscan Venice. As far as minor settlements are concerned, Pyrgi and Gravisca were Etruscan ports as early as any.

However, some grammar schools were closed, and many were amalgamated with nearby secondary moderns. Opposition developed, mainly on a local level in protest of the treatment of a particular grammar school. Particularly strong opposition was noted in Bristol, after the LEA ended all grammar school education in 1964. However, there was little nationwide organisation among the defenders of the Tripartite System.

The band was started in 1979 and disbanded in 1983. Band members Margery Meadow and Karen Gickas, along with Thalia Zedek and Lori Green, went on to form the well-regarded, all-woman band Dangerous Birds, while David Drucker and Seven Coursen, along with Ramona Herboldsheimer (Wild Stares) and Andrew Joslin (Noise Pencil), formed the all-instrumental band the Post-Moderns.

The Harwood Museum of Art in Taos has a permanent collection of over 1,700 works of art and 17,000 photographic images. The collection dates from the 19th century to the present and reflects the multicultural heritages and influences of the Taos artistic community. The categories of works include: Hispanic, Taos Society of Artists, Taos Moderns, Contemporary, and Prints, Drawings and Photographs.

Initiation Paris 1745 Retinted to resemble Moderns Lodge 1805 Even in London, there were many lodges that never affiliated with the new Grand Lodge. These unaffiliated Masons and their Lodges were referred to as "Old Masons," or "St John Masons", and "St John Lodges".Coil, Henry W. (1961). Two articles: "England, Grand Lodge of, According to the Old Institutions," pp.

Moderns forms of Tazia can be more elaborate. Tazia processions in Punjab are historic and were observed during the Sikh and British period when the Tazia would be divided into many storeys, but not ordinarily more than three.Latif, Syad Muhammad (1892) Lahore: Its History, Architectural Remains and Antiquities: With an Account of its Modern Institutions, Inhabitants, Their, Customs. New Imperial Press.

He translated the Rhetorica (then thought to be by Cicero) and Sallust's Histories from Latin into French - Chapelain stated that Cassagne wrote "[in a] more natural than acquired [style], especially in the field of human lettersCited on the Académie française ". Also a renowned preacher, he was cruelly mocked by Boileau in the latter's third Satire, referring to people squashed in to listen to the "sermons of Cassaigne" and those of Charles Cotin. As a poet, Cassagne took the side of the moderns in the Quarrel of the Ancients and the Moderns. In 1668, he published a poem Sur la conqueste de la Franche-Comté (On the conquest of the Franche-Comté, during the War of Devolution) and in 1672 a Poëme sur la guerre de Hollande (Poem on the war with Holland, referring to the Franco-Dutch War).

A. Harris, Romantic Moderns (London 2010) p. 240-1 County Herb Committees were established to collect medicinal herbs when German blockades created shortages, for instance in Digitalis purpurea (Foxglove) which was used to regulate heartbeat. Victory gardens were planted in backyards and on apartment-building rooftops, with the occasional vacant lot "commandeered for the war effort!" and put to use as a cornfield or a squash patch. During World War II, sections of lawn were publicly plowed for plots in Hyde Park, London to promote the movement, while allotments growing onions in the shadow of the Albert Memorial also pointed to everybody, high and low, chipping in to the national struggle.A. Harris, Romantic Moderns (London 2010) p. 241 Both Buckingham Palace and Windsor Castle had vegetable gardens planted at the instigation of King George VI to assist with food production.

The technologies that developed in Europe during the second half of the 15th century were commonly associated by authorities of the time with a key theme in Renaissance thought: the rivalry of the Moderns and the Ancients. Three inventions in particular — the printing press, firearms, and the nautical compass — were indeed seen as evidence that the Moderns could not only compete with the Ancients, but had surpassed them, for these three inventions allowed modern people to communicate, exercise power, and finally travel at distances unimaginable in earlier times.Boruchoff 2012, 133-163. Water-raising pump powered by crank and connecting rod mechanism (Georg Andreas Böckler, 1661) Crank and connecting rod The crank and connecting rod mechanism which converts circular into reciprocal motion is of utmost importance for the mechanization of work processes; it is first attested for Roman water-powered sawmills.

Leo Strauss, the Straussians, and the American Regime by Kenneth Deutch (1999), p. 104 The Moderns reacted to the dominance of revelation in medieval society by promoting the possibilities of Reason. They objected to Aquinas's merger of natural right and natural theology, for it made natural right vulnerable to sideshow theological disputes.Strauss, Leo, Natural Right and History (Chicago: University of Chicago Press, 1953) p.

Rilke, Rainer Maria, in Killy Literaturlexikon, vol. 9, . Twenty years later, he recalled that the country had revealed to him at this time "the brotherhood and the darkness of God". In this dark remoteness would Rilke continue to "build" on this ancient and eternal God: According to Wolfgang Braungart the sentimental journeys brought Rilke closer to the supposed social success of primordial pre-moderns.

"A meticulous scholar and a mine of factual information," he authored over ten books on French dramatic literature.Gerald Kamber, From the Ancients to the Moderns, Johns Hopkins Magazine, June 2008. Accessed 13 January 2013. Johns Hopkins Magazine, June 2008 issue, chose two professors who epitomized the most excellent, distinguished and well-loved, throughout the history of Johns Hopkins: one in recent times, and one past.

16 June - 8 September 2007 'Pre-Raphaelite Drawings'Review by Sophie Allen for BBC South Yorkshire Retrieved on 2010-11-25. 31 March - 16 June 2007 'We the Moderns'We The Moderns on Culture24 Retrieved on 2010-11-25. 10 March - 3 June 2007 'Lady Mary Wortley Montagu: an Extraordinary 18th Century Woman'Lady Mary Wortley Montagu - National Portrait Gallery partnership exhibitions Retrieved on 2010-11-25.

Although Fielding is in debt to Molière, he made the play his own. In terms of characters, the power of the husband figure is shifted to the wife figure, and there is a connection between Gregory and the real life John Misaubin, of whom Fielding dedicates The Mock Doctor.Pagliaro 1998 p. 89 However, the wife and husband also resemble Fielding's previous characters, the Moderns.

The third floor has a smaller number of classrooms, as there are a few offices - the Moderns Office, Social Sciences Office, and Math Office. In addition to the visual art classroom in the basement, there was also one on the third floor which has since been converted into two classrooms. The other classrooms are often used for math, social science and co-operative studies.

MeTalkPretty formed in 2006 by Uliana Preotu (lead vocals), Leon Lyazidi (guitar/keyboards) and James Kluz (drums). Nate Meng (bass) joined in 2008. Guerin Blask (drums) joined in 2010, and Kevin Coffrin (bass) joined in 2011. In 2008, the band gained their first invite to the Vans Warped Tour thanks to winning Sabian's "dream spot" competition, defeating bands such as Stereo Skyline and The Crash Moderns.

Lionel Edmund Rose MBE (21 June 1948 – 8 May 2011) was an Australian bantamweight boxer, the first Indigenous Australian to win a world title. He later became the first Indigenous Australian to be named Australian of the Year. Rose was the 2003 inductee for the Australian National Boxing Hall of Fame "moderns" category and was the second person to be elevated to "legend" status in 2010.

The group has released three albums of original music on independent record label LoveCat Music. Their songs have been included on various compilation CDs including Latin Travels Volume 2 and Latin Moderns. narcotrafico is the soundtrack of the game scarface. Their songs "Vato Loco" featured in the film The Devil Wears Prada (2006) and "El Gitano del Amor" in The Ugly Truth (2009) film.

Three years later, on Christmas Day 1787 he received his commission as lieutenant in the 77th Regiment, where he saw service with the army in India and Egypt. Macquarie became a Freemason in January 1793 at Bombay, in Lodge No. 1 (No. 139 on the register of the English "Moderns" Grand Lodge).Freemasonry Australia He was promoted Captain on 9 November 1789, Major on 12 March 1801.

An Essay on the Inventions and Customs of Both Ancients and Moderns in the Use of Inebriating Liquors, p. 136. Titsingh's published compilation of a preliminary Japanese lexiconTitsingh, Isaac. (1781). "Eenige Japansche Woorden" ("Some Japanese Words"), Verhandelingen van het Bataviaasch Genootschap (Transactions of the Batabian Academy), Vol. III. was only the early evidence of a project which continued for the rest of his life.

According to the opinion of W. Jordan, the divine right of kings was dealt a blow from which it never completely recovered, yet unfettered authority and Caesaropapism was not something the later Mediaevals and Early Moderns understood by the phrase "by the grace of God" (which many of them ardently defended). If anything, a blow was dealt to subconsciously remaining pre-Christian Germanic feelings of "royal hail".

The site of Masada was identified in 1838 by Americans Edward Robinson and Eli Smith, and in 1842, American missionary Samuel W. Wolcott and the English painter W. Tipping were the first moderns to climb it.My Promised Land, Ari Shavit, 2013, p. 80. After visiting the site several times in the 1930s and 1940s, Shmarya Guttman conducted an initial probe excavation of the site in 1959.

Rosenberg was a certified translator of both Italian and French and she doted on vintage and contemporary European pop (including Luigi Tenco, Serge Gainsbourg, Françoise Hardy, Jacques Brel, Georges Brassens, Jacques Dutronc, Lucio Battisti, Gianmaria Testa, Ivano Fossati, and Carla Bruni). Among the moderns, her great musical love was Rufus Wainwright. She spoke English, Italian and French fluently and she was eager to learn Spanish and Portuguese.

In The First Moderns: The Architects of the Eighteenth Century (1980), Rykwert traced the origins of many modern ideas that are commonly assumed to be recent inventions (such as optics and perspective). The book is not a conventional history of style, but rather one of ideas and culture. Frances Yates explained this novelty of approach in The Times Literary Supplement: ‘The range of Rykwert's learning is enormous.

Once it's out there, it belongs to everyone else. This was a nice way to hear what the people we toured with, our peers, what it meant to them". In August 2020, Biffy Clyro released a Record Store Day 7" entitled Moderns, which included their versions of "The Modern Leper" and David Bowie's "Modern Love", with proceeds going to the mental health charity Tiny Changes.

He continued his scholarly work after retirement, and his new book, Ambivalent Moderns: Portraits of Japanese Cultural Identity, was published in the month he died. Olson wrote many pieces on the social, political, and economic issues that faced Japan in that era. His work was important reading for U.S. government officials and others concerned with making policy towards Japan. He also lectured extensively on Japan.

The OJAC's permanent collection includes over 2,200 drawings, paintings, prints, and sculptures. Its collection strengths include modern British art, the Fort Worth Circle, the Taos Moderns, Asian art, pre-Columbian art, and the contemporary art of Texas. The OJAC also actively preserves regional history and is home to the Green Art Research Library, the Robert E. Nail Jr. Archives, and an oral history project.

St. John's Lodge No. 1 A.Y.M. in New York City, United States, is the oldest operating Masonic Lodge under the jurisdiction of the Grand Lodge of New York Free and Accepted Masons. The lodge was originally warranted as St. John's Lodge No. 2 on December 7, 1757 by George Harison, Esq. of the Provincial Grand Lodge of New York under the Grand Lodge of England (Moderns).

Vendryes (2008) During the next two decades, he built his reputation as a sculptor. He was awarded several awards and has experienced success after success and was considered by writers and critics as one of the leading "moderns" of his time. Among his African-American friends were Wallace Thurman, Claude McKay, Langston Hughes, Jimmie Daniels, Countee Cullen, and Harold Jackman. Ralph Ellison was his first student.

Arrhidaeus had not been proposed because he too needed a guardian. He had a nervous condition, which the ancients only knew under names considered inappropriate today, nor, in the absence of any additional information, can the moderns diagnose it. Diodorus Siculus, Book 18.2, is perhaps kindest with "mental illness" (psychikon pathos). It was said that the condition was caused by Olympias, Alexander's mother, trying to poison him.

The book also became the most popular children's book, given to boys, in eighteenth-century England. See: Ruth B. Bottigheimer, "Fairy Tales, Telemachus, and Young Misses Magazine: Moderns, Ancients, Gender, and Eighteenth-Century Children's Book Publishing", Children's Literature Association Quarterly:28: 3 (2003): 171–175. The French literary historian Jean-Claude Bonnet calls Télémaque "the true key to the museum of the eighteenth-century imagination".

United Grand Lodge of England Constitutions 2001, p 1See the 'Preliminary Declaration' of the combined-volume "Grand Lodge Constitutions & Grand Chapter Regulations" for England and Wales. In 1817, four years after the "Antients" and "Moderns" had united their Craft grand lodges, the new United Grand Lodge oversaw the formation of a "Supreme Grand Chapter of Royal Arch Masons of England" to govern the Holy Royal Arch in England and Wales. By that time, the Grand Chapter of the "Antients" had effectively ceased to exist (only a few meetings are recorded for the time after 1813), so their remaining members were simply absorbed into what had previously been the Grand Chapter of the "Moderns". Another significant constitutional development in English Royal Arch Masonry occurred in 1823, when Master Masons were allowed to join Holy Royal Arch Chapters without having previously passed through the chair of a Craft lodge.

In its early years the club were based in Wilford village at Nottingham Moderns RUFC. They moved to the newly created Midlands Division in 2001. As the Conference expanded further, new Divisions were added and in 2003, the Outlaws joined the East Midlands Division. After twice winning the East Midlands division in both 2003 and 2004 they accepted an invitation to join the new Central Premier Division in 2005.

The wealth coming from the gold mines of Dacia funded these lavish public events and the construction of Trajan's Column, which was designed and constructed by Apollodorus of Damascus; it was tall and had 23 spiral bands filled with 2,500 figures, giving a full depiction of the Dacian war. Ancient sources say 500,000 slaves were taken in the war but moderns sources believe it was probably closer to 100,000 slaves.

Mecca for Moderns is the sixth studio album by The Manhattan Transfer. It was released in 1981 by Atlantic Records. This album was the highest charting album to date for the group, peaking on Billboard magazine's Top Pop Catalog Albums chart at No. 22. With this album, the Manhattan Transfer became the first group to win Grammy Awards in both the pop and jazz categories in the same year.

Moisiodax faced criticism and threats of violence for propagating his ideas. For example, many people who were loyal to the traditional system of education disavowed Moisiodax's teachings. Additionally, Moisiodax believed that he was criticized by some philosophers who supported the Ancients in the debate between the Ancients and the Moderns. He believed that these philosophers feared that their theories would become irrelevant if Greek society adopted modern philosophical theories.

"But it is now evident that Sharganisharri was 'not confused with Shargani or Sargon' in the 'tradition' (p. 133), but only by the moderns who insisted on connecting the Sharganisharri of contemporary documents with the Sargon of the Legend" D. D. Luckenbill, Review of: The Civilization of Babylonia and Assyria by Morris Jastrow, Jr., The American Journal of Semitic Languages and Literatures Vol. 33, No. 3 (Apr. 1917), pp. 252-254.

Lessing's philosophical views were influenced by Nietzsche and Afrikan Spir. According to Theodore Ziolkowski in Lessing's Geschichte als Sinngebung des Sinnlosen (History as Giving Meaning to the Meaningless), "writing in the tradition of Nietzsche, argued that history, having no objective validity, amounts to a mythic construct imposed on an unknowable reality, in order to give its some semblance of meaning."Theodore Ziolkowski, Virgil and the Moderns, p. 9.

He became a Freemason, instituting a system of lectures of instruction, and publishing Illustrations of Masonry, which ran to several editions. It was under Preston that the Lodge of Antiquity seceded from the Moderns Grand Lodge to become "The Grand Lodge of All England South of the River Trent" for ten years. He died on 1 April 1818, after a long illness, and was buried in St Paul's Cathedral.

Originally published by Sydney Ure Smith under the imprint Art in Australia Ltd, the magazine was taken over by John Fairfax & Sons Ltd, publishers of The Sydney Morning Herald, in 1934, and Ure Smith severed his connection with the magazine in 1938. Issues of The Home were included in a 2013 exhibition at the Art Gallery of New South Wales entitled "Sydney Moderns - Art for a New World".

Forces related to gravity are invoked as secondary phenomena within the framework of a more general driving mechanism such as the various forms of mantle dynamics described above. In moderns views, gravity is invoked as the major driving force, through slab pull along subduction zones. Gravitational sliding away from a spreading ridge: According to many authors, plate motion is driven by the higher elevation of plates at ocean ridges., .

By 1970, 115 LEAs had had their reorganisation plans approved. Thirteen had had theirs rejected, and a further ten had defied the Labour government and refused to submit any plans at all. Initially the move generated little opposition. It was portrayed foremost as an effort to raise standards in secondary moderns, and Prime Minister Harold Wilson had promised that grammar schools would only be closed "over my dead body".

In his Parzival, Wolfram states that he is illiterate; while the claim is treated with scepticism by some scholars, the truth of the assertion, difficult for some moderns to believe,In the foreword to his translation of Wolfram's Parzival, A. T. Hatto opines that ". . . his claim not to know his A B C must be discounted as one of his tactical jokes." Parzival, p. vi. is impossible to ascertain.

These "moderns" were discarding the old laws of composition and experimenting with new forms, harmonies and rhythms, and including the use of jazz and quarter-tone music. Milhaud was Copland's inspiration for some of his earlier "jazzy" works. He was also exposed to Schoenberg and admired his earlier atonal pieces, thinking Schoenberg's Pierrot Lunaire. Above all others, Copland named Igor Stravinsky as his "hero" and his favorite 20th-century composer.

Many more archaeological sites are not identifiable with ancient settlements. Aydin also collected information on 870 Turkish settlements over the same region.. The moderns, certainly, populate the region much more densely than the ancients. Some of the modern place names are given in Turkish. For the most part, the equivalent English, French or German pronunciations are good approximations, but Turkish has some letters not present in those languages.

The Harwood Museum of Art displays works from their permanent collection of prints, drawings and photographs and works on loan. The Museum collection includes works of early artists, such as Howard Cook, Joseph Imhoff, Gene Kloss, Nicolai Fechin, and Walter Ufer. Imhoff first brought a lithography press to Taos. The works of the works of Tom Benrimo, Andrew Dasburg, Earl Stroh, and Louis Leon Ribak represent the Taos Moderns.

Misty Moderns: Australian Tonalists 1915-1950 , Art Gallery of South Australia. Retrieved on 5 December 2010. Meldrum proposed: Meldrum returned to Melbourne in 1912, established an art school at Elizabeth Street and began publishing his theories of art, which created a storm in the Australian art world. His school of painting attracted equally passionate followers and critics, and artists who adopted Meldrum's methods became derisively known as "Meldrumites".

Further, other "battles of the books" appeared after Swift's. Often, these were merely political attacks, as in the later Battel of the Poets (1729, by Edward Cooke), which was an attack on Alexander Pope. As a set piece or topos of 18th-century satire, the "Battle of the Books" was a standard shorthand for both the Quarrel of the Ancients and Moderns and the era of Swift's battle with William Wotton.

Vicente López Portaña, . Museo del Prado, Madrid Francisco José de Goya y Lucientes was a Spanish romantic painter and printmaker, and the most important Spanish artist of the late 18th and early 19th centuries. Immensely successful in his lifetime, he is often referred to as both the last of the Old Masters and the first of the moderns. He was also one of the great portraitists of his time.

He dreamed of a conversation with Ahimon, one of four sojourners from Jerusalem, about the futility of masonic histories, after which an ancient in a shining breastplate perused his first volume and pronounced, "Thou hast div'd deep into the water, and hast brought up a potsherd". He was woken by his neighbour's puppy eating his manuscript. Dermott then proceeded to a reasoned explanation of why a new Mason should not join a "Moderns" lodge, since their amended passwords would not be recognised by any of the other Grand Lodges which at that time existed. There follows a humorous account of their "unconstitutional fopperies", including Dermott's belief that their greatest masonic symbols were the knife and fork.Google books Ahiman Rezon (pdf) retrieved 30 June 2012 Under Dermott's influence, penmanship, and oratory, the new Grand Lodge grew to be a serious challenge to the original. The Antient's lodges were warranted from 1752, a practice not taken up by the Moderns for another two decades.

Marfilmes is a Portuguese distributor specialized in Portuguese-speaking cinema from classics to moderns, dealing particularly with Portuguese-African speaking films. The company collaborated with the African Film Library and increased the scope of its titles to classical African films of different origins and languages. Marfilmes has a large experience within Portuguese cinema, contributing to that the years of exclusive collaboration with Rádio e Televisão de Portugal (RTP), the state Portuguese television.

Anonymous, "Pulitzer Prize Winners", The Washington Post (May 2, 1967): A3.Henry Raymont, "Moderns Crowd Marlboro Scene: Listeners Show Enthusiasm for Newer Composers", The New York Times (August 21, 1967): 39.Peter Kihss, "Albee Play Wins Pulitzer; Malamud Novel Is Chosen", The New York Times (May 2, 1967): 1.Nicolas Slonimsky, Laura Kuhn, and Dennis McIntire, "Kirchner, Leon", Baker's Biographical Dictionary of Musicians, enlarged 8th edition, edited by Nicolas Slonimsky and Laura Kuhn. Vol.

Stirner's analysis is opposed to the belief that modern individuals are progressively more free than their predecessors. Stirner sees moderns as being possessed by ideological forces such as Christianity and the ideologies of the modern nation state. Stirner's critique of modernity is centred on the Protestant Reformation. According to Stirner, Reformation theology extended religious domination over individuals by blurring the distinction between the sensual and the spiritual (thus allowing priests to marry for example).

Ken Salisbury (born 22 August 1953 in Liverpool) is an English/Australian professional light middle/middle/light heavyweight boxer of the 1970s and '80s who won the New South Wales (Australia) State light middleweight title, Australian light middleweight title, and Commonwealth light middleweight title, his professional fighting weight varied from , i.e. light middleweight to , i.e. light heavyweight. Ken was the 2016 Inductee for the Australian National Boxing Hall of Fame Moderns category.

In 1963 he had a solo exhibition at the M. H. de Young Memorial Museum. During the 1960s, he showed regularly at galleries and museums both in the Bay Area (Hansen Gallery) and New York (Bertha Schaefer Gallery and Grand Central Moderns). In the mid 1960s, his collages began to include polyester resin which he applied in a painterly fashion to the canvas. Soon he began to cast the resin into large, textured bas-reliefs.

Also in 1881 his sister left him alone in Paris to tend to their father who was seriously ill in Tarbes. Around that time, he also began to frequent Le Chat Noir and adopted the style of fumisterie (smoke screening). The origins of this can be found in Willette's panel cartoon, launched in the Parisian cabaret, which centered on a clown called "Pierrot fumiste" and exerted significant influence on Laforgue.Everdell, The First Moderns, 87.

To make money, Mr Modern decides to trade his wife for money from Captain Bellamant. The money was not enough to satisfy Mr Modern, so he sues Lord Richly for damages by adultery. A witness is found to reveal that Mr Modern originally sold his wife to Lord Richly, which undermines his case and he is unable to gain the extra money. During this time, another couple, the Bellamants, are paralleled to the Moderns.

Vico was writing in the context of the celebrated contemporary debate, known as the great Quarrel of the Ancients and the Moderns. This included debates over the merits of the poetry of Homer and the Bible as against modern vernacular literature. In the 18th century, the German scholar Friedrich August Wolf identified the distinctive character of oral literature and located Homer and the Bible as examples of folk or oral tradition (Prolegomena to Homer, 1795).

It is considered to be the first work published in the United States in which Modern Art was presented and explained sympathetically. Additionally it was the first adequate account of Kandinsky in America; the artist had been represented by only one painting in the Armory Show the year before. In his last years of life Eddy shifted the focus of his collecting to the American moderns, including some paintings by artists such as Arthur Dove.

In 1957 Northrop Frye published the influential Anatomy of Criticism. In his works Frye noted that some critics tend to embrace an ideology, and to judge literary pieces on the basis of their adherence to such ideology. This has been a highly influential viewpoint among modern conservative thinkers. E. Michael Jones, for example, argues in his Degenerate Moderns that Stanley Fish was influenced by his own adulterous affairs to reject classic literature that condemned adultery.

The history, moderns (French and other language studies), geography, arts (dramatic, visual, digital, culinary and cosmetic) departments are in the South Building. However, there are exceptions, such as certain biology classes that are taught in the South Hall. Administrative offices are split between the two buildings, with certain vice principals and guidance counsellors located specifically in the South Hall. Each building also has a cafeteria, the North Hall cafeteria being the larger of the two.

In 1674 Boileau published his translation of Longinus' On the Sublime, making Longinus' ideas available to a wider audience, and influencing Edmund Burke's work on the same subject. In 1693 he added some critical reflections to the translation, chiefly directed against the theory of the superiority of the moderns over the ancients as advanced by Charles Perrault. Boileau was made historiographer to the king in 1677. From this time the amount of his production diminished.

Always favoring female subjects, he was also one of the few moderns to undertake nudes for which he became known. With a strong technique and great capability as a draughtsman, Speicher’s compositions are analytical and methodical in their design and execution. He was nominated an associate of the National Academy of Design in 1912 and a full academician in 1925. Speicher was appointed director of the American Academy of Arts and Letters in 1945.

"For three unknown bands, a huge gig", The Record, 2005-12-19, p. F1. Music writers have compared their sound to that of Marvelous 3, Cheap Trick, Green Day, and Elvis Costello. Before The Crash Moderns, frontman Danny Roselle (born Daniel William Roselle on August 19, 1981) was in the band No Soap Radio, known for their music on The Sopranos. He is also an occasional fill in member of the band Dramarama.

Alexandra Harris (born 1981) is a British writer and academic. From 2007 to 2017, Harris was a professor in English at the University of Liverpool. In autumn 2017 Harris took up the post of Professorial Fellow at the University of Birmingham.University of Birmingham staff page Harris was born in Sussex and has written the books Romantic Moderns, on modernism in inter-war Britain, and Weatherland on weather in English art and literature.

These metaphors, of the dwarf/giant and the reflecting/emanative light, would show up in Swift's satire and others. Temple's essay was answered by Richard Bentley, the classicist and William Wotton, the critic. Temple's friends/clients, sometimes known as the "Christ Church Wits," referring to their association with Christ Church, Oxford and the guidance of Francis Atterbury, then attacked the "moderns" (and Wotton in particular). The debate in England lasted only for a few years.

We Moderns (1925) is an American silent comedy film directed by John Francis Dillon and starring Colleen Moore. The film was produced by Moore's husband John McCormick (1893-1961), was released through First National Pictures. It was based on the play and novel by Israel Zangwill. The play ran for 22 performances in 1924 at the Gaiety Theatre (New York), produced and directed by Harrison Grey Fiske and starring Helen Hayes and Isabel Irving.

Vidal states that "the younger of two sons commissioned David's Death of Socrates in 1786",Vidal, "David among the Moderns", 598. but Bordes says that "the drawing for Socrates…bears the unexpected date of 1782." However, it is possible that the commission in 1786 was for a painting that David had already conceived as early as 1782, and Bordes does acknowledge that the date is an addition to the drawing.Bordes, "David", 154.

The same method was applied by four of Diop's collaborators to Mbosi,Obenga, Théophile. Égyptien ancien et négro- africain, Cahiers Ferdinand de Saussure, No. 27 (1970–1972), pp. 65–92. Duala,Ngom, Gilbert (1993), "La parenté génétique entre l'egyptien pharaonique et des langues négro-africaines moderns: L'exemple du duala", Ankh, N° 2, pp. 29–83. Basa,Ndigi, Oum (1997–1998), "Les Basa du Cameroun et l'antiquité pharaonique égypto-nubienne", Ankh, N° 6–7, pp. 280–3.

In 2009, Fun Fun Fun released CDs by Sex 4 Moderns, Hobo, and Stiff Richards, all produced by Kaufman. In 2009, Kaufman commissioned the construction of a Ska Shrine devoted to skanking. Musashi "Moose" Lethridge and Eric Din of the Uptones built the shrine which now resides virtually at the Ska4u website. The shrine traveled with The Uptones for four dates in June, 2010, for The Warped Tour and is available to the public for dancing.

Mary Beard and Michael Crawford, Rome in the Late Republic (Cornell University 1985) at 68–71, 85–87. An aristocrat's libertas meant very little to the population: the people, the armies, or even the equestrians; his assassins "failed to grasp the real pulse of the respublica."David Shotter, The Fall of the Roman Republic (London: Routledge 1994) at 86–87. Moderns may be able to see both sides of the issue, however, as an historian might.

Rasterisation is one of the typical techniques of rendering 3D models. Compared with other rendering techniques such as ray tracing, rasterisation is extremely fast and therefore used in most realtime 3D engines. However, rasterisation is simply the process of computing the mapping from scene geometry to pixels and does not prescribe a particular way to compute the color of those pixels. The specific color of each pixel is assigned by shading (which in moderns GPUs is completely programmable).

Further, the failure of secondary modern schools generally to equip the ‘submerged three quarters’ of British schoolchildren to realise their full potential led to calls for reform. Experiments with comprehensive schools began in the 1950s, hoping to provide an education that would offer greater opportunities for those who did not enter grammar schools. Several counties, such as Leicestershire, eliminated their secondary moderns altogether. In 1965, the Labour government issued Circular 10/65, implementing the Comprehensive System.

Born into a prosperous Jewish family, he converted to Catholicism while still in Russia. An admirer of van Gogh, from whom he derived the name 'Vincent', Lourié was partly self- taught, but also studied piano with Barinova and composition with Glazunov at the Saint Petersburg Conservatory, graduating in 1913. He became friendly with the Futurist poets and particularly Anna Akhmatova,Everdell, William R. The First Moderns: Profiles in the Origins of Twentieth-Century Thought. University of Chicago Press, 1998.

There the circle of the summer tropic is the same as the Arctic Circle (see below on Arctic Circle). Moreover, said Strabo, none of the other authors mention Thule, a fact which he used to discredit Pytheas, but which to moderns indicates Pytheas was the first explorer to arrive there and tell of it. Thule was described as an island six days' sailing north of Britain, near the frozen sea (pepēguia thalatta, "solidified sea").Geographica I.4.2.

The pole rises over the horizon by an angle of the same amount. The elevation at the terrestrial North Pole is 90° (straight up) and the celestial pole has a declination of the same value. The latitude also is 90. Moderns have Polaris to mark the approximate location of the North celestial pole, which it does nearly exactly, but this position of Polaris was not available in Pytheas' time, due to changes in the positions of the stars.

Hangul, however, only reached a dominant position in Korean literature in the second half of the 19th century, resulting in a major growth in Korean literature. Sinsoseol, for instance, are novels written in hangul. In modern poetry, there were attempts at introducing imagist and modern poetry methods particularly in translations of early American moderns such as Ezra Pound and T. S. Eliot in the early 20th century. In the early Republic period, patriotic works were very successful.

In 1977, Carradine starred opposite Harvey Keitel in Ridley Scott's The Duellists. Pretty Baby followed in 1978. He has acted in several offbeat films of Altman's protege Alan Rudolph, playing a disarmingly candid madman in Choose Me (1984), an incompetent petty criminal in Trouble in Mind (1985), and an American artist in 1930s Paris in The Moderns (1988). He appeared with brothers David and Robert as the Younger brothers in Walter Hill's film The Long Riders (1980).

Long Island Moderns: Art and Architecture on the North Shore and Beyond. New York: Heckscher Museum, 2009. pg. 76 The William Landsberg House is situated in a residential area on the north shore of Long Island, built on a hill in a wooded area. The rectangular house with a flat roof features vertical cypress panels which cover the garage and second story, which cantilevers over the first story by 3 feet on the north and south sides.

The First Moderns, pg. 161. The rediscovery of Mendel's work is generally considered to have taken place in the first years of the 20th century, however in Die Pflanzen-Mischlinge, Mendel is mentioned about 18 times - although Focke did not apparently take Mendel's work all that seriously. Along with hybridization, Focke analyzed the non-Mendelian phenomena of graft hybrids, pseudogamy, and xenia. In 1889 Focke conducted an inquiry into the former occurrence of malaria in Northern Germany.

Harwood Museum of Art, Ledoux Street, Taos, New MexicoSpanish colonial bulto, Harwood Museum of Art, Taos The Harwood Museum of Art is located in Taos, New Mexico. Founded in 1923 by the Harwood Foundation, it is the second oldest art museum in New Mexico. Its collections include a wide range of Hispanic works and visual arts from the Taos Society of Artists, Taos Moderns, and contemporary artists. In 1935 the museum was purchased by the University of New Mexico.

Stein became an Axelman client and friend. While deals at HBO and ABC did not lead to production of a film, Axelman introduced Stein to Keith Carradine and Alan Rudolph, director of the movie "The Moderns" with ultimately starred John Lone, Géraldine Chaplin, Keith Carradine and Linda Fiorentino. The film was set in the Paris of the '20s although filmed in Montreal. Stein appeared in the film as an art critic and provided all of the art.

Woodcut from the Battle. Jonathan Swift worked for William Temple during the time of the controversy, and Swift's A Tale of a Tub (1703/1705) takes part in the debate. From its first publication, Swift added a short satire entitled "The Battle of the Books" to the Tale of a Tub. In this piece, there is an epic battle fought in a library when various books come alive and attempt to settle the arguments between moderns and ancients.

He pursued graduate work in philosophy with Robert Denoon Cumming and Albert Hofstadter and studied extensively with art historian Meyer Schapiro. After leaving Columbia, Golfinopoulos remained in contact with Schapiro, and their conversations were influential to his development. After earning his MFA, in 1958, Golfinopoulos had his first one- man show at Collette Roberts’ Grand Central Moderns Gallery, Archives of American Art, retrieved June 1, 2009 and began teaching part-time at Columbia’s School of Fine Arts.

Moderns do not have the luxury of re-writing history under the aegis of non- fiction. Scipio went ahead to Messina with 17 ships. A deputation arrived from Lipari offering to change sides from Carthaginian to Roman (whether true or pretended). Arriving in its harbor first with his 17 ships Scipio was subsequently blockaded by a Carthaginian squadron of 20 ships commanded by Boodes, sent by Hannibal Gisco, who demanded Roman surrender (Battle of the Lipari Islands).

Freemasonry in Massachusetts dates to the early 18th century, and the foundation of its Grand Lodge is wound through with the threads of the (then) ongoing disputes between the Moderns and the Antients. After the formation of the Premier Grand Lodge of England (later referred to as the Moderns) in 1717, and the amalgamation of individual Lodges into that body, Lodges and Masons in the Boston area asked one Brother Henry Price to go to London, and petition the Grand Lodge for a Warrant in order to be considered regular, in accordance with a regulation dated in 1721. Price did so, and returned in the spring of 1733 with more than just a Warrant for an individual Lodge - he was made the "Provincial Grand Master of New England and Dominions and Territories thereunto belonging" by the Grand Master, The Right Honorable and Right Worshipful Anthony Browne, 6th Viscount Montague. This Provincial Grand Lodge was historically known as St. John's Grand Lodge, and chartered numerous Lodges in the Colonies.

Before the American occupation, Nueva Ecija was already a hub of trade and commerce. Since Nueva Ecija in the 19th century had neither excellent roads nor the ideal land transport system, trading activities were done mainly through the waterways. While we moderns consider rivers as obstacles that need to be crossed, people in the 19th century valued rivers not just as sources of food and water but as passages for trading barges and boats. Thus, Nueva Ecijas early trading settlements sprouted along riverbanks.

Having strong, relatively liberated personalities, they were often writers and diarists themselves. This social mixing was particularly prominent in 18th- century France, in the "" ("General States of Human Spirit") where the Lumières philosophy flourished. Some cultured women were treated as equal to the men on questions of religion, politics and science, and could bring a certain stylishness to debate, for example the contributions of Anne Dacier to the Quarrel of the Ancients and the Moderns, and the works of Émilie du Châtelet.

Back as Co-Chair of Alive Films and continuing her long partnership with Gordon, Pfeiffer produced a series of films for the company: Alan Rudolph's Trouble in Mind and The Moderns, Gregory Nava's A Time of Destiny, Lindsay Anderson's The Whales of August, Mary Lambert's Grand Isle and Sam Shepard's Far North and Silent Tongue. They also released a number of films including the French sensation, Betty Blue, an Academy Award nominee and Maximilian Schell's record-breaking Marlene, also an Academy Award nominee.

So bringt er Leben in die Darstellung... Man könnte Zwiebel einen verspäteten Pissarro nennen, jedoch mit dem Beding, daß er ein Pissarro für heutige Augen ist. Chri." "Zwiebel, whose models have always been the great Impressionists, has intentionally remained apart from the 'Moderns'... He stayed with Impressionism. But he has achieved, as the paintings exhibited here prove, mastery in this style. His landscapes are imbued with life; his flower still lifes have an almost tropical opulence of colors and forms.

While in Taos he was considered a part of a group of modern artists known as the Taos Moderns. Because of the scale and subject matter of his paintings there wasn't a strong market for them in New Mexico in the 1950s and 1960s, but he was gaining attention in New York. In 1965 The Museum of Modern Art acquired one of his Ellipse paintings for the exhibition "The Responsive Eye." He moved to back to New York in 1967.

55 In regard to Ancient Egypt, Massey first published The Book of the Beginnings, followed by The Natural Genesis. His most important work is Ancient Egypt: The Light of the World, published shortly before his death. Like Godfrey Higgins a half-century earlier, Massey believed that Western religions had Egyptian roots. Massey wrote, > The human mind has long suffered an eclipse and been darkened and dwarfed in > the shadow of ideas the real meaning of which has been lost to moderns.

In 1943, Spanier enlisted in the Air Force, but was honorably discharged the same year. He continued working as a diamond cutter through the remaining years of the war. In 1949, Spanier traveled to Taos, New Mexico, where he studied for several months with the artist Louis Ribak (1902-1979), founder of the Taos Valley Art School (in 1947). Ribak and his wife, Beatrice Mandelman, were members of the “Taos Moderns” group, and introduced Spanier to both Mabel Dodge Luhan and Freida Lawrence.

William Edward Mead, The English Medieval Feast, 1931 notes "the advice to avoid peaches, apples, pears and cheese, etc., as injurious to health" as unintelligible to moderns. A traditional thatched buron, or cheese-making barn, in the Mont-Dore, Puy-de-Dôme, France A disused stone cheese-press at the farm Auchabrack, in Aberdeenshire, Scotland In 1546, The Proverbs of John Heywood claimed "the moon is made of a greene cheese" (Greene is referred to being new or unaged).Cecil Adams (1999).

The educational opportunities for secondary modern pupils were limited compared to those at grammar schools, prompting criticism of the selection system; grammar schools and the eleven plus were also criticised for alienating working-class families."Comprehensive schools: the history", Times Higher Education, 15 January 1996. Retrieved 29 March 2015. A reluctance to improve secondary moderns or expand grammar schools under the Conservatives prompted the Labour Government to issue Circular 10/65 in 1965 which requested local education authorities convert to a comprehensive system.

In addition 5-year lustrations ("purgation", a ceremony cleaning the city of sin) and the censors conducting them are stated, which list is sometimes called the fasti censorii by moderns and stated as a third fasti capitolini.Greswell (1854), p. 4. Feeney argues that the multiple scheme is evidence that the fasti were Augustan rather than republican. The kings are given precedence at the top and the AUC at the left as though they were superimposed on a formerly republican fasti.

At the start of WWII, Backhouse joined the Women's Auxiliary Australian Air Force and was stationed near Melbourne. There, she wrote her first three novels while off-duty. In Our Hands (1942), set in Perth, concerned "a group of interesting young moderns ... brought sharply up against the war"; it was considered to be "a forerunner of good things to come", "the characterisation in some cases excellent and the dialogue bright". It was so popular that it went into a second edition.

Unfortunately the hat trick against Thorne in the play-offs was just a step too far for the team and they lost 28 – 16. Derby City moved up to the Midlands Premier division for season 2006 Nottingham were the team to beat in that season and Derby lost at home but gained a handsome win at Moderns. The season ended in mid table respectability with five wins out of 12. City finished the 2007 season with six wins from 14.

Strabo, based on theory alone, states that Ierne is so cold that any lands north of it must be uninhabited. In the hindsight given to moderns Pytheas, in relying on observation in the field, appears more scientific than Strabo, who discounted the findings of others merely because of their strangeness to him. The ultimate cause of his skepticism is simply that he did not believe Scandinavia could exist. This disbelief may also be the cause of alteration of Pytheas' data.

Although explicitly not presented as such, the secondary modern was widely perceived as the bottom tier of the tripartite system. They suffered from underinvestment and poor reputations, in spite of educating around 70% of the UK's school children. The Newsom Report of 1963, looking at the education of average and below average children, found that secondary moderns in slum areas of London left fifteen-year-olds sitting on primary school furniture and faced teachers changing as often as once a term.Newsom, John.

Paradoxically, at the same time as Labour was attacking the Tripartite System for its inequalities, some in the middle class were increasingly upset at the social mobility it fostered. As educational testing became more exact and subject to less class bias, an increasing proportion of middle class children were being sent to secondary moderns. The Tripartite System fell victim to its own elitism, as the traditional supporters of the grammar schools began to worry about their own children's educational future.

He acted as head of the group from 1662–1667, and again in 1668, when he left Caen again for Paris. He also ended his financial support of the academy at this time, as it began to receive royal funding and direction from the royal representative in Normandy, Guy Chamillart. In Paris he entered into close relations with Jean Chapelain. During the famous "dispute of Ancients and Moderns", Huet took the side of the Ancients against Charles Perrault and Jean Desmarets.

He said of his own work: "I have taken the liberty to change what I thought disagreeable in it." He defended the moderns in the Discours sur Homère prefixed to his translation, and in his Réflexions sur la critique (1716). Apart from the merits of the controversy, it was conducted on La Motte's side with a wit and politeness which compared very favourably with his opponents' methods. He was elected to the Académie française in 1710, but soon afterwards went blind.

The "moderns" (epitomised by Bernard le Bovier de Fontenelle) took the position that the modern age of science and reason was superior to the superstitious and limited world of Greece and Rome. In his opinion, modern man saw farther than the ancients ever could. The "ancients," for their part, argued that all that is necessary to be known was to be found in Virgil, Cicero, Homer, and especially Aristotle. The dispute was satirized by Jonathan Swift in The Battle of the Books.

The tradition best known to moderns is the Corpus Aristotelicum, New Latin for "Aristotelic body," a term not used by Bekker. The Prussian Academy published his 1831 edition under the name Aristoteles Graece, "Aristotle in Greek," where Aristoteles is the nominative case. In most Latin and New Latin book titles the author is in the genitive case, such as Aristotelis Opera, "the works of Aristotle." Individual works are so named by Bekker, but none of this is any sort of corpus.

While this only involved one lodge, it was the oldest and most prestigious in the constitution, and its Master the Moderns' most respected author and historian. William Preston was already in dispute with the Grand Secretary over the royalties to the new Book of Constitutions he had just written. Some members of his Lodge of Antiquity (formerly the Goose and Gridiron, or the Old Lodge of St Paul's), having attended church as masons, walked back to the lodge in their regalia.

West Bridgford is home to two major Rugby clubs: Nottingham Moderns RFC in Wilford village and West Bridgford Rugby Club. Nottingham RFC moved its training base and reserve team ground to Lady Bay after the 2005/2006 season in Ireland Road, Beeston. It currently play first-team fixtures at Meadow Lane, just over Trent Bridge from West Bridgford. West Bridgford Hockey Club in Loughborough Road was the childhood hockey club of Olympic Gold medallist and former West Bridge resident Helen Richardson-Walsh.

Industrialist and philanthropist Milan Vapa (1875-1939) established his cardboard and paper business in 1905 but decided to build a new, proper factory as the business expanded. He built a modern factory between the Senjak neighborhood and the Sava river from 1921 to 1924. Designed by Karl Hanisch, the was located next to the Old Railway Bridge, had its own pier, water pump, power plant and railway branch, electric crane, ambulance, chapel. The paper mill was equipped with the moderns German machines.

The school first opened in 1959 as three schools on one site, a Grammar School and two Secondary Moderns. These later merged to become the single Walbottle Campus Technology College. The vast majority of the school's students come from feeder Primary Schools which are members of the Outer West Learning Trust, of which Walbottle Campus is an Associate Member. In 2008, Walbottle Campus received a brand new state of the art building as part of the governments 'Building Schools for the Future' PFI scheme.

The earliest minute book of any Masonic lodge on the North American continent is that for Tun Tavern Lodge No. 3 (of the Moderns) in Philadelphia.Barrat, Norris S. & Julius Sachse. Freemasonry in Pennsylvania, 1727-1907, As Shown by the Records of Lodge No. 2, F. & A.M. of Philadelphia. Philadelphia: New Era Printing Company, 1908. p. 3. The Tun Tavern was the first "brew house" in the city, being built in 1685, and was located on the waterfront at the corner of Water Street and Tun Alley.

The eight chairs around it were a set of George II-style red-Japanned and parcel-gilted moderns. Also, a mahogany three-tier server, which Williams had found in poor condition in the countryside around the island of Grenada, where it is known as a "cupping table" – referring to its use to hold cups and dishes beside the dining table. It is estimated at $4,000. Williams used the carriage house, which fronts onto Whitaker Street to the west, as a guest house for visitors.

But until 1956 he was mainly self-taught, using his father's library of scores and recordings. His interest in classical and romantic music was short-lived; very quickly it turned to the moderns of the day, like Milhaud, Hindemith, Bartók and especially Stravinsky; later also Britten. As a young teenager he already substituted for his father, away on concert tours, at the organ of the Basilica of Our Lady of Hanswijk. His father also drafted him as an accompanist at rehearsals of a choir he conducted.

Jeff Harding (born 5 February 1965 in Sydney) is a retired world champion boxer from Australia, known as "Hit Man". Harding lived in South Grafton N.S.W. Australia and was a student at South Grafton High School. He trained with Steve Cansdell in Grafton before relocating to Sydney where he was first trained by John Lewis at the Newtown Police Boys' Club from where he won his first amateur title (NSW State). Harding was the 2004 Inductee for the Australian National Boxing Hall of Fame Moderns category.

About the time of his re-admission to the Moderns, he founded the Order (or Grand Chapter) of Harodim, which was a vehicle for his own ideas about masonry as expressed in his lectures. This died out in about 1800. Preston took no part, and passed no public comment, in the long process of unification of the two Grand Lodges. His major masonic legacy must be considered to be his Illustrations of Masonry, which continued to new editions after his death, after a long illness, in 1818.

The first people from present-day Senegal arrived in the modern United States arrived as slaves from several slave ports of Senegal. The Senegambia area (moderns Senegal, Gambia and Bissau-Guinea) was an important slave trade during the seventeenth, eighteenth and nineteenth centuries, both for the United States and Latin America, exporting many slaves to the Americas.De Senegal a Talcahuano: los esclavos de un alzamiento en la costa pacífica (1804). - (in Spanish: From Senegal to Talcahuano: an uprising of slaves on the Pacific coast (1804)).

The latter exam was taken after four years at secondary school. Such examinations were comparable with the Certificate of Secondary Education (CSE) which was introduced in 1965. Less demanding than GCE O-level, results in the GCE and CSE exams were graded on the same scale, with the top CSE grade, grade 1, being equivalent to a simple pass at GCE O-level. Secondary moderns did develop O-level courses for brighter students, but in 1963 only 41,056 pupils sat them, roughly one in ten.

Articles on Ahmadi musicians would be published across popular publications. In 1953, Ebony published articles, such as "Moslem Musicians" and "Ancient religion attracts Moderns," although the magazine attempted to downplay the influence of Islam. Despite the fact that the role of music in Islam was a subject of debate among the South Asian Ahmadis, the musicians, whilst donning Islamic attire, combined Islamic themes and their struggle for civil rights in their recordings. At times sounds from the Middle East and Asia would be assimilated into the songs.

The degree to which fifth-century Hellenes self-identified as "Ionian" or "Dorian" has itself been disputed. At one extreme Édouard Will concludes that there was no true ethnic component in fifth-century Greek culture, in spite of anti-Dorian elements in Athenian propaganda. At the other extreme John Alty reinterprets the sources to conclude that ethnicity did motivate fifth-century actions. Moderns viewing these ethnic identifications through the 5th and 4th century BCE literary tradition have been profoundly influenced by their own social politics.

A street gang named the "Panther Moderns" is hired to create a simulated terrorist attack on Sense/Net. The diversion allows Molly to penetrate the building and steal Dixie's ROM with Case unlocking the computer safeguards on the way in and out from within the matrix. Case and Molly continue to investigate Armitage, discovering his former identity of Colonel Willis Corto. Corto was a member of "Operation Screaming Fist," which planned on infiltrating and disrupting Soviet computer systems from ultralight aircraft dropped over Russia.

The song is sung by Constance Bennett on a film set in What Price Hollywood? (1932). It is heard in one of the early scenes of Casablanca (1942), played on Sam's piano when Ingrid Bergman first appears in Rick's Cafe. "Speak to Me of Love" was recorded by Barbra Streisand on her 1966 "Je M'Appelle Barbra" LP, using both French and English lyrics. A modern arrangement by Mark Isham is featured in the Alan Rudolph film, The Moderns (1988); it is sung by CharlElie Couture.

The only things close to this would be the Christian heresiographical use of referring to these varied groups as "gnostics". As well as the varied set of interruptions of the creator of the material world (Yahweh or demiurge) by these early groups. Finally Williams clarifies that the ancient "gnosticism" of the Nag Hammadi groups and the misused "gnosticism" of moderns groups and academia have little if anything in common. Williams suggests a better and more adequate term for these heretical groups would be "biblical demiurgical traditions".

Ancient Buddhists as well as some moderns cite the reports of the Buddha and his disciples of having gained direct knowledge into their own past lives as well as those of other beings through a kind of parapsychological ability or extrasensory perception (termed abhiñña).Bhikkhu Analayo, Rebirth in Early Buddhism and Current Research, Foreword by Bhante Gunaratna.Narada Thera, Buddhism in a nutshell, p. 17. Likewise, Buddhist philosophers have defended the concept of special yogic perception (yogipratyakṣa) which is able to empirically verify the truth of rebirth.

Richard Foster Jones, Ancients and Moderns: a study of the rise of the scientific movement in seventeenth-century England (1982), pp. 172–3; Google Books. In 1666, Skytte quarrelled with the Swedish court, and he travelled to see Frederick William, Elector of Brandenburg. With the help of the physician Nicholas Bonnet, he presented to the Elector a plan for a Brandenburg University, which would have a "universal" quality.Helmar Schramm, Ludger Schwarte, Jan Lazardzig, Collection, Laboratory, Theater: scenes of knowledge in the 17th century (2005), p.

It surveyed the major modern art movements from Manet to Cubism, praised the work of Cézanne (at the time relatively unknown in the United States), denigrated "lesser Moderns" such as Kandinsky and the Futurists (and, of course, the Orphists), and predicted a coming age in which color abstraction would supplant representational art. Synchromism is presented in the book as the culminating point in the evolution of modernism. Willard Huntington Wright never acknowledged that he was writing about his own brother's work.Loughery, pp. 94–97.

The permanent collection of the OJAC includes over 2,200 drawings, paintings, prints, and sculptures. Among the more prominent artists whose works are included are Alexander Calder, Francisco Goya, Paul Klee, John Marin, Amedeo Modigliani, Henry Moore, Pablo Picasso, Rembrandt, Pierre-Auguste Renoir, and Grant Wood. The OJAC's collection strengths include modern British art, the Fort Worth Circle, the Taos Moderns, and the William O. Gross Pre-Columbian Collection. Other areas of focus include Asian art, pre-Columbian art, and the contemporary art of Texas.

He won a scholarship to Hertford College, Oxford where he read Classics and obtained a second in Honours Moderns and a second in Greats. The Trustee of his father’s will was the bursar at Hertford. At Oxford, he was one of the founding members of the Hypocrites' Club and kept friends with Evelyn and Alec Waugh and introducing them to the club. In the summer of 1924, Terence Greenidge, his brother John Greenidge, Evelyn Waugh, and John Sutro, the film producer whom Terence knew at Rugby School,.

He was then appointed music director of the Forces Broadcasting Service in Cairo, where he conducted a weekly radio program called Music For Moderns. Among the friends and local Cairo artists he worked with was the singer, Delores El Greco. From there he was assigned to a double role of music entertainment and intelligence work in Palestine. It is in Palestine while music entertaining that he met his first wife Magda, who was a Hungarian refugee working for the British in translating intercepted wireless signals.

In some areas, notably that of the London County Council, comprehensive schools had been introduced. They had no entrance test and were open to all children living in the school catchment area. However, despite tentative support for 'multilateralism' in secondaries, and a desire to raise the standard of secondary moderns to that of private institutions, from Minister for Education Ellen Wilkinson, the majority of Labour MPs were more concerned with implementing the 1944 Act; her successor George Tomlinson saw this through, although the secondary technicals remained underdeveloped.

Masonic initiation, Paris, 1745 English Freemasonry spread to France in the 1720s, first as lodges of expatriates and exiled Jacobites, and then as distinctively French lodges which still follow the ritual of the Moderns. From France and England, Freemasonry spread to most of Continental Europe during the course of the 18th century. The Grande Loge de France formed under the Grand Mastership of the Duke of Clermont, who exercised only nominal authority. His successor, the Duke of Orléans, reconstituted the central body as the Grand Orient de France in 1773.

French salon culture culminated in the Enlightenment's most influential publication, the great Encyclopédie (1751–1772), edited by Denis Diderot (1713–1784) with contributions by hundreds of leading philosophes (intellectuals) such as Voltaire (1694–1778) and Montesquieu (1689–1755). The Quarrel of the Ancients and the Moderns shook up the French Academy in the 1690s, elevating new discoveries over Greek and Roman wisdom. The French Enlightenment was received in Germany, notably fostered by Frederick the Great, the king of Prussia, and gave rise to a flowering of German philosophy, represented foremost by Immanuel Kant.

Moulmein, where Dilworth was a missionary Arthur Dilworth (22 July 1899 – 1989) was a scholar of Worcester College, Oxford, gaining a 2nd class classics and moderns qualification in 1921 with a BA in 1922, a 2nd class literature and humanities degree in 1923, and an MA in 1933. He was also at Wycliffe Hall, Oxford in 1923.Possible marriage: June 1924, Dilworth Arthur and Ada Chadwick, Holbeck, 9b/1357 He was ordained deacon in 1924, and ordained priest in 1925 by Rodney Eden, Bishop of Wakefield. He was curate of Birstall 1924–1927.

On one hand Holland Park School had a reputation among wary conservatives in the Swinging Sixties as a progressive hotbed of perceived dubious morals, and on the other the institution Clarke moulded was run on traditional lines. Its pupils wore a uniform, whose jacket sported the school crest, and the school was run on a house system. Yet Clarke's previous experience had included the headships of two London secondary moderns. That, combined with teaching in a direct grant grammar school, had shown him what equal opportunity could do when combined with the encouragement of excellence.

4 of Hegel on Sovereignty and Monarchy, Philip J. Kain, 2015 Also significant was that the power of the rational monarch in Hegel's thought was absolute.p.17 of Hegel on Sovereignty and Mon archy Philip J. Kain, 2015 On the other hand, irrational governments are naturally weak and can be subverted, and in time history will show which party was right.Hegel: "Where there is no judge on earth, the appeal lies to God in Heaven." quoted in Hegel and the Freedom of Moderns By Domenico Losurdo, Duke University Press, 2004.

The creek which used to flow through the neighborhood has been conducted underground into the sewage system. It was named Slavujev potok or Bulbulderski potok (Slavuj or Bulbulder Creek) and originated near the clinical center Zvezdara. It flew down in the direction of the moderns streets of Dimitrija Tucovića, Ruzveltova and Mije Kovačevića, before emptying into the Danube east of the present location of the Pančevo Bridge. At the modern corner of the Cvijićeva and Zdravka Čelara, there was a widening, where the creek would overspill and the pond would form.

Toyomichi Kurita (栗田豊道 Kurita Toyomichi; born 1950) is a Japanese cinematographer who has worked in both Japan and the United States. Kurita won the Independent Spirit Award for Best Cinematography for Trouble in Mind (1985) with two additional nominations for The Moderns (1988) and Powwow Highway (1989), and was nominated for a Japanese Academy Award for his work on Nagisa Oshima's 1999 film Taboo. He has collaborated with directors like Oshima, Alan Rudolph, Paul Schrader, Tyler Perry, Robert Altman and Takashi Miike. He is an alumnus of the American Film Institute Conservatory.

Sleep Warm is an album recorded by Dean Martin for Capitol Records in three sessions between October 13, 1958 and October 15, 1958 with arrangements by Pete King and orchestra conducted by Frank Sinatra. Described in the liner notes as a "beguiling set of lullabies for moderns," the selections follow a "bedtime" concept with several of the song titles containing the words "dream" and/or "sleep." The completed album was released March 2, 1959. In 1965 Capitol Records re-released an 11-track version of Sleep Warm under the title Dean Martin Sings/Sinatra Conducts.

Mommsen, too, recognized and reported "Caesar the rake, Caesar the conspirator, and Caesar the groundbreaker for later centuries of absolutism."Saunder & Collins, "Introduction" 1–17, at 8, to their short edition of Mommsen, A History of Rome (New Haven CN: Meridian 1957). Some moderns follow the optimate view that it was a nefarious role that Caesar played in the fall of the Republic, whose ruling array of institutions had not yet outlived their usefulness.Cf., Erich S. Gruen, The Last Generation of the Roman Republic (University of California 1974, 1995) at 498–507.

Slavujev Venac got its name after nightingales, which apparently were abundant in the area as the two nearby neighborhoods (Bulbuder and Slavujev Potok) are also named after them (Serbian slavuj, Turkish bülbül). The creek which used to flow through the neighborhood has been conducted underground into the sewage system. It was named Slavujev potok or Bulbulderski potok and originated near the clinical center Zvezdara. It flew down in the direction of the moderns streets of Dimitrija Tucovića, Ruzveltova and Mije Kovačevića, before emptying into the Danube east of the present location of the Pančevo Bridge.

Their watchword was that no care should be taken of hands or voice, there should be no interest in publicity, and musical values should prevail. Their repertoire ranged from Bach to the moderns, and they never repeated a song in ten years of London recitals. Specializing in lieder of Franz Schubert, Schumann and Brahms, but performing songs of all kinds, they were pioneering the themed recital (usually about 90 minutes). On 11 January 1895 Borwick and Plunket Greene gave the first complete performance of Schumann's Dichterliebe ever heard in England, at St James' Hall.

The film was entered into the 36th Berlin International Film Festival. The Moderns (1988) was a love story, set in 1926 Paris, about an expatriate American artist (Carradine) re-igniting his love for his wife (Linda Fiorentino), despite her marriage with a sinister, philistine art collector played by John Lone. In 1990, Rudolph wrote and directed the private eye love story Love at Large, which was filmed in Portland, Oregon. After the thriller Mortal Thoughts (1991) starring Demi Moore, Equinox (1992) starred Matthew Modine as a pair of separated twins, and Mrs.

For the Hindi version of the soundtrack, the songs, "Alaipayuthey" and "Evano Oruvan" were not re-composed. Instead, Rahman composed a Sufi track "Mere Yaar Mila De" and "Naina Milaike", a classical number. Lyricist Gulzar, who wrote all the Hindi version songs, stated, "In Saathiya I wrote 'Mere Yaar Mila De', which isn't a typical romantic number though it's essentially a love song." Unlike previous soundtracks recorded by Rahman for Ratnam, the former composed majority of the songs by fusing the classical carnatic music genres into moderns rhythms.

This was a reworking of the trope of Le Lutrin that had been used by Jonathan Swift in The Battle of the Books. Where Swift had had classical authors and Tory authors sweeping the field of their whig and modern commentators, Cooke had "moderns" and whig authors defeating Alexander Pope and other "tory" authors. That same year, he published an essay in the Daily Journal examining the Thersites section of Pope's Iliad which showed many faults of translation. In 1726, he wrote The Bath, or, The Knights of the Bath.

Watts' last performed work (Time Coded Woman), was written for Lukas Foss and the Brooklyn Philharmonic’s “Meet the Moderns” series. It featured video footage by Laura Foreman, with electronic music tracks and orchestra. A test premiere at Cooper Union (2 April 1982) was well-received, but the actual premiere at the Brooklyn Academy of Music (3 April 1982) was not. This setback apparently combined with his loss of the teaching post from the New School, which occurred at about that same time, to drive Watts into a depressed state, and he died three months later.

Stanley is the last of the metaphysical poets; born into a later generation than that of Edmund Waller and John Denham, he rejected their influence in prosody and forms of fancy. He admired Moschus, Ausonius, and the Pervigilium Veneris; among the moderns, Joannes Secundus, Gongora and Giambattista Marino. Stanley's major work was The History of Philosophy, a series of critical biographies of philosophers, beginning with Thales; the life of Socrates included a blank verse translation of The Clouds of Aristophanes. It appeared in three volumes between 1655 and 1661.

Mander and Mitchenson (1975), pp. 14–15 In July 1925 Robert Atkins took over management of the New, presenting Israel Zangwill's We Moderns. The following year and for most of 1927 the New was home to a dramatisation of Margaret Kennedy's The Constant Nymph, which ran for 587 performances, starring first Coward and then the young John Gielgud as Lewis Dodd. Towards the end of the decade, two comedies by P. G. Wodehouse and Ian Hay – A Damsel in Distress (1928), and Baa Baa Black Sheep (1929) ran for 234 and 115 performances respectively.

In 1997, he produced performances and a recording of them by trumpeter Randy Sandke and other musicians (The Re-Discovered Louis and Bix, on Nagel-Heyer Records, 2000). Avakian and Anahid Ajemian donated their extensive collection of Jazz recordings and memorabilia to the New York Public Library for the Performing Arts at Lincoln Center in 2014. A major exhibit was held there in 2016 entitled Music for Moderns: The Partnership of George Avakian and Anahid Ajemian. Once semi-retired, he became involved in harness racing, owning and breeding several race horses.

Moderns speculate on whether this Geat is any eponym of the people known as Geats, or whether it may be the name of a god, or whether it is both. The apparent Old Norse cognate form Gautr is a very common byname for Odin. The Icelandic Herrauðssaga speaks of King Hring who ruled East Götaland and was son of Gauti son of Odin. Jordanes in his The origin and deeds of the Goths traces the line of the Amelungs up to Hulmul son of Gapt, purportedly the first Gothic hero of record.

There is a small open-air Handcrafts Market just outside the archeological zone. Most of crafts made and sold here are textiles, including hand-woven and hand- embroidered traditional clothing, hammocks, sarapes, rugs, handbags, tablecloths and other items. Necklaces and bracelets are braided from fibers and decorated with beads, seeds, small stones and/or ceramic figures. Many of the designs found on the textiles here come from pre-Hispanic codices and based on Zapotec mythological figures, but more moderns images such as those from modern Mexican painters can be found as well.

Many medieval copies of ancient texts end with short notes that contain numerals. In 1873, Charles Graux correctly interpreted these as measures of the length of each work.Charles Graux (classicist) Just as moderns measure the size of their books in pages, ancient Greeks and Romans counted the number of 'standard lines' in their books (each as long as a line in Homer's poems). Before his premature death, Graux together with Martin Schanz and other scholars launched the modern study of the spatial organization of ancient books, which is now called stichometry.

The Archdiocese of Westminster took over the buildings in 1946 for redevelopment. St Charles Primary opened in 1954, followed by secondary moderns Cardinal Manning Boys School in 1955 and Cardinal Manning Girls School in 1958. During the 1960s, Cardinal Manning Girls merged with a convent school founded by the Sisters of Sion at Chepstow Villas, Bayswater to form the present-day Sion-Manning School. Following a reorganisation of the Catholic education system within the Archdiocese in 1990, Cardinal Manning Boys became St Charles Catholic Sixth Form College but remained on its site.

Panizza's first collection of fiction, Dämmrungsstücke, appeared in 1890, received a modest amount of critical acclaim in the press and brought him to the attention of Germany's leading literary figures.Brown 2010, p. 84. By the end of 1890, the obscure psychiatrist had gotten to know most of the Munich "Moderns," as the young naturalists called themselves, including Frank Wedekind, Otto Julius Bierbaum and Max Halbe.Bauer 1984, pp. 107–111. The most significant of these was Michael Georg Conrad, editor of the influential journal Die Gesellschaft since 1885.Bauer 1984, pp. 112–116.

Different types of schools entered their pupils for different examinations at age 16. Grammar school students would take General Certificate of Education (GCE) O-levels, while children at secondary moderns initially took no examinations at all. Instead, they worked for a Schools Certificate, which simply indicated they had remained at school until age 15. Then some of the secondary modern schools offered qualifications that were set, for example, by regional examination boards, such as the Union of Lancashire and Cheshire Institutes and the Northern Counties Technical Examinations Council.

This show combined with exhibitions over following years in both Auckland and Wellington established her reputation as a modern artist of note. Henderson's Canterbury paintings of hills, gorges and architectural forms blend observation with the visual language and aesthetic theories of the European moderns – Manet, Cézanne, Picasso and Braque. Her movement away from the topographical view of the landscape was shared by other local artists such as Alfred Cook, Rita Angus, Roland Hipkins and Christopher Perkins. In 1956 Henderson accompanied her husband to the Middle East when he was appointed a United Nations advisor.

The report found that the young people whose education it had considered should receive a greater share of the national resources devoted to education. The report uncovered serious examples of neglect. For example it found that some secondary moderns in slum areas of London had fifteen-year-olds sitting on primary school furniture and had teachers changing as often as once a term. The report was however overshadowed by the Robbins Report on higher education which was published one week later and given more time for public debate.

His influences include the "ancients" such as Plato, as well as "moderns" like Georg Wilhelm Friedrich Hegel, Friedrich Nietzsche, Martin Heidegger, Leo Strauss, James Doull, Simone Weil, and Jacques Ellul. Although he is considered the main theoretician of red Toryism, he expressed dislike of the term when applied to his deeper philosophical interests, which he saw as his primary work as a thinker. Recent research on Grant uncovers his debt to a neo-Hegelian idealist tradition, Canadian idealism, that had a major influence on many Canadian scholars and Canadian political culture more broadly.

Before the unification of the Grand Lodges to form the United Grand Lodge of England in 1813, Phoenix Lodge was a member of the Premier Grand Lodge (the Moderns) which pre-dated the Antient Grand Lodge (the Antients) by 34 years. In keeping with these traditional roots, the Lodge works Old Working of the Craft ritual, as opposed to the more modern Emulation Working, which has become common in Craft lodges throughout the English-speaking world. A unique feature of the Lodge's ritual is that the ceremonial contains singing and music accompaniment throughout.

Over the span of 50 years, this family moved to thirty different houses after living in Manila together for fourteen years. Wherever she lived, Anita had access to a studio, where she spent most of her time painting. In 1958, the Manila Chronicle formed a panel of experts who decided that Magsaysay-Ho is one of the most significant painters to go down in the history of the Philippines. She was soon named one of the "Thirteen Moderns," a group of Filipino modernist artists, and the only woman of the group.

In 18th century England, the role and purpose of Royal Arch Masonry was the subject of a long debate between the two rival umbrella organisations of Freemasonry. In 1717, four Craft lodges had formed the original Premier Grand Lodge of England to govern Freemasonry as practiced in England. From 1751, this claim was contested by another group of Craft lodges which formed the Antient Grand Lodge of England. In the ensuing debate, the newer grand lodge became known for short as the "Antients", while the older grand lodge was referred to as the "Moderns".

Hoff came to Australia as a young man of 28. He soon adapted himself to Australian conditions, and his quiet, slightly whimsical personality made him generally liked. He was a quick worker and an artist of great originality, although his work, originally based on the Greeks, shows he had paid attention to tradition. He had studied much that was best in Italian work of the Renaissance, the Assyrian friezes, the attempt to retain only the essentials, characteristic of some of the moderns, and the simple sincerity of the Chinese.

An historical event is associated with the overthrow, called anciently the Return of the Heracleidai and by moderns the Dorian Invasion. This theory of a return or invasion presupposes that West Greek speakers resided in northwest Greece but overran the Peloponnesus replacing the East Greek there with their own dialect. No records other than Mycenaean ones are known to have existed in the Bronze Age so a West Greek of that time and place can be neither proved nor disproved. West Greek speakers were in western Greece in classical times.

They appeared as soloists under the batons of Dimitri Mitropoulos, Leopold Stokowski and Izler Solomon, and recorded with the latter two. Also during the 1940s, Ajemian co-founded the New York City-based organization Friends of Armenian Music Committee, which did much to launch the career of fellow Armenian-American composer Alan Hovhaness, via a series of well-received New York concerts of his music. These concerts were repeated in Boston, San Francisco and Los Angeles. Ajemian and her husband, George Avakian, started Music for Moderns, a Town Hall, in 1957.

His chief work is his Cours de littérature dramatique (1843–1863), a series of lectures better described by its second title De l'usage des passions dans le drame. The author examined dramatic passions, discussing the mode in which they are treated in ancient and modern drama, poetry and romance. The book, a defence of the ancients against the moderns, "did not", according to the Encyclopædia Britannica Eleventh Edition, "take into account the fact that only the best of ancient literature has come down to us." Girardin's oeuvre was, overall, very hostile toward Romanticism.

More than two hundred authors appeared on Caribbean Voices, including V. S. Naipaul, Samuel Selvon, George Lamming and Derek Walcott. Through this show, Marson met people such as J. E. Clare McFarlane, Vic Reid, Andrew Salkey, Langston Hughes, James Weldon Johnson, Jomo Kenyatta, Haile Selassie, Marcus Garvey, Amy Garvey, Nancy Cunard, Sylvia Pankhurst, Winifred Holtby, Paul Robeson, John Masefield, Louis MacNeice, T. S. Eliot, Tambimuttu and George Orwell.De Caires, Brendan, "Windrush moderns", Archive, Caribbean Review of Books, November 2015. The latter helped Marson edit the programme before she turned it into Caribbean Voices.

The consideration of separating Timmy from his companion Kate, was met with much protest by animal rights activists and was the subject of a federal court case. Cleveland Metroparks Zoo Director Emeritus Steve H. Taylor cites the lawsuit surrounding the breeding loan as one of the most significant in the history of moderns zoos. However, Timmy went on to sire more than 13 offspring in New York, many of whom were conceived in the Bronx Zoo's state-of-the-art Congo Gorilla Forest exhibit, which opened after his arrival in New York City.

Instead, the voters would elect representatives, who would deliberate in Parliament on behalf of the people and would save citizens from daily political involvement. The importance of Constant's writings on the liberty of the ancients and that of the "moderns" has informed understanding of liberalism, as has his critique of the French Revolution. The British philosopher and historian of ideas, Sir Isaiah Berlin has pointed to the debt owed to Constant. According to Berlin, the most eloquent of all defenders of freedom and privacy [was] Benjamin Constant, who had not forgotten the Jacobin dictatorship.

The Crash Moderns are an American power pop band based in New York City, consisting of Danny Roselle on Vox/ Guitar/ Synth, akaTRENT on Bass/Vox, Mikey Vranek on Guitar, Vox, Keys and Paolo Dell'Olio on Drums. In 2008 they released their debut album Good Night Glamour, Good Morning Disaster' and are currently working on material for a followup. They have opened for such bands as The Goo Goo Dolls, Bowling for Soup, American Hi-Fi, The Spill Canvas The Pink Spiders, Eve 6, Live, and Lifehouse . Their biggest gig was opening for Bon Jovi.

December 2008, the band found themselves back in the studio recording a cover of The Monroes single What Do All The People Know? as well as re-recording several songs off of Good Night Glamour, Good Morning Disaster. This time, they recorded and mixed with Kenny Gioia in Queens, New York. In August 2010, The Crash Moderns, while still on tour supporting Good Night Glamour, Good Morning Disaster were asked by the US military to travel to Japan to play for the troops stationed on the island of Okinawa.

Ingamells, John The Davies Collection of French Art. Cardiff: National Museum of Wales, 1967 Theirs was one of the most important British collections of French Impressionist and Post-Impressionist painting acquired before 1920.Sumner, Ann Colour and Light: 50 Impressionist Paintings in the National Museum of Wales Cardiff: National Museum of Wales, 2005 Their advisor Hugh Blaker was the younger brother of their governess Jane Blaker.Meyrick, Robert 'Hugh Blaker: Doing his bit for the Moderns’, Journal of the History of Collections, Vol. 16, No. 2, Oxford University Press, 2004, pp.

In her article Puritanism and the New Philosophy in 17th Century England (1935), Dorothy Stimson argued that the primary ingredient in the philosophical changes started by Francis Bacon was Puritanism. This argument was supported in Ancients and Moderns (1936) by Richard Foster Jones and ‘Puritanism, Pietism and Science’ (1938) by Robert K. Merton. Merton noted that there was a disproportional number of Puritan Fellows in the Royal Society compared to the English population. He also summoned the thesis of Max Weber connecting "the Protestant work ethic" with the rise of capitalism.

In his writings Wemyss gave prominence to Hebrew and to Jewish writings, from the Midrash through the medievals to the early moderns, which made him one of the pioneers in Scotland of the study of Jewish life and learning. John Wemyss is seen as one of the first Christian writers who presented a positive argument in favor of Jews being allowed to settle in a Christian country. His writings provided a positive view in favor of the resettlement of the Jews in England. In addition to readmission, Wemyss believed in the conversion of the Jews.

His Mathematical Magic (1648) was divided into two sections, one on traditional mechanical devices such as the lever, and the other, more speculative, on machines. It drew on many authors, both classical writers and moderns such as Guidobaldo del Monte and Marin Mersenne. It alludes to Godwin's The Man in the Moone, for bird-powered flight. These were light if learned works and admitted both blue-sky thinking, such as the possibility of the Moon being inhabitable, and references to figures on the "occult" side: Trithemius, John Dee, the Rosicrucians, Robert Fludd.

At the beginning, instead of Anderson's history, is an extended introduction attacking the original Grand Lodge, now calling itself the Grand Lodge of England, but saddled by Dermott with "the Moderns" in contrast to the "Ancient" usages of the new Grand Lodge. This name remains in use to the present day. His main weapon was satire. He started with an account of how he attempted to write a history which would better the others by describing masonry before Adam, but towards the end of the first volume, he fell asleep.

These 15 men formed African Lodge No 1, as the British departed, leaving them a permit to do almost everything but admit new masons. Two of the members were seafarers, and obtained entrance to a lodge in London, being recognised as regularly initiated Masons. This enabled their master, Prince Hall, to apply to the Moderns for a charter, which was duly granted on 29 September 1784, now as African Lodge No. 459. Such was the success of the lodge that it became a Provincial Grand Lodge, and Prince Hall the Provincial Grand Master.

260; citing "Archeofuturism", a concept coined by Faye in 1998, refers to the reconciliation of technoscience with "archaic values". He argues that the term "archaic" should be understood in its original Ancient Greek meaning as the 'foundation' or the 'beginning', not as an attachment to the past. According to Faye, anti-moderns and counter-revolutionaries are actually mirror-constructs of modernity, sharing the same biased linear conception of time. Defining his theories as "non-modern", Faye was influenced by Friedrich Nietzsche's concept of eternal return and Michel Maffesoli's postmodern sociological works.

"The Battle of the Books" is the name of a short satire written by Jonathan Swift and published as part of the prolegomena to his A Tale of a Tub in 1704. It depicts a literal battle between books in the King's Library (housed in St James's Palace at the time of the writing), as ideas and authors struggle for supremacy. Because of the satire, "The Battle of the Books" has become a term for the Quarrel of the Ancients and the Moderns. It is one of his earliest well-known works.

Mahudel is careful not to take credit for the idea of a succession of usages in time but states: "it is Michel Mercatus, physician of Clement VIII who first had this idea".: "c'est a Michel Mercatus, Médecin de Clément VIII, que la première idée est duë..." He does not coin a term for ages, but speaks only of the times of usages. His use of l'industrie foreshadows the 20th century "industries," but where the moderns mean specific tool traditions, Mahudel meant only the art of working stone and metal in general.

How although we preferred the Works of the Ancients we have not condemned the Studies of the Moderns Antiquorum tamen examinatos labors securiori aviditate cupivimus perscrutari. In chapter 9, we see in de Bury the general trend of the Catholic Church during this time to recognize the wisdom of the Greek classical writers such as Plato, Ovid, Euclid and others. For de Bury and others like him, "we have always desired with more undoubting avidity to investigate the well-tested labours of the ancients".de Bury, p. 99 10\.

G. B. Doni mentions the barbiton, defining it in his index as Barbitos seu major chelys italice tiorba, and deriving it from lyre and cithara in common with testudines, tiorbas and all tortoiseshell instruments. Claude Perrault, writing in the 18th century, states that "les modernes appellent notre luth barbiton" (the moderns call our lute barbiton). Constantijn Huygens declares that he learnt to play the barbiton in a few weeks, but took two years to learn the cittern. The barbat was a variety of rebab, a bass instrument, differing only in size and number of strings.

330 and although there was a cave near the Deir ez-Zor for prisoners to store until they starved, no "camp" seems ever to have been planned for the Armenians.The First Moderns: Profiles in the Origins of Twentieth-century Thought, by William R. Everdell, University of Chicago Press, 1997, p. 124-125 According to Minority Rights Group, > Those who survived the long journey south were herded into huge open-air > concentration camps, the grimmest of which was Deir-ez-Zor... where they > were starved and killed by sadistic guards.

Speculative Realist, Graham Harman points out that Latour has been misrepresented by some as a post-modernist. Harmon cites We Have Never Been Modern as crucial to understanding Latour's conceptualisation of the "postmoderns as moderns a minus sign added" and therefore dismisses accusations of Latour as a postmodernist. Harmon goes on to be influenced by We Have Never Been Modern adding that postmodernism continues to be subject- centric/anthropocentric (as modernity did) in its distinction of the subject from the object. This forms the basis for Harmon's Object Oriented Ontology.

Solomon's Lodge No. 1 A.F.M. (Ancient Free Masons) in Charleston is the oldest Masonic Lodge in South Carolina.South Carolina's Solomon No. 1 Celebrates 275th Anniversary 10/29, Christopher Hodapp, Freemasons for Dummies blog It was established and organized in 1734, received a Warrant of Constitution from the Moderns' Grand Lodge at London in 1735S. Brent Morris's Complete Idiot's Guide to Freemasonry (page 31) and held its first meeting under this warrant on October 28th, 1736.Charleston, SC Masonic Timeline It has often been confused with Solomon's Lodge in Savannah, Georgia, also a founding lodge for that state, and founded in the same year.

On 30 April 1733, Henry Price of Boston was appointed Provincial Grand Master "of New England" by the Viscount Montagu, Grand Master of the Moderns' Grand Lodge in London. Clearly, this appointment would not have included Pennsylvania, except for Price's repeated, but disputed, claims that the Grand Master had "ordered him to extend Freemasonry over all North America." Price held this office until December 1736, when he was succeeded by Robert Tomlinson, also of Boston, who held the office until his death in 1740. Tomlinson was succeeded by Thomas Oxnard, who was deputized Provincial Grand Master "for North America" on 23 Sept. 1743.

Tensions aside, the friendship between Mandelman and Martin resumed in 1992, when Martin returned to Taos, where she lived until her death in 2004.Bea Remembered: Robert Ellis catalogue essay for Harwood Museum 2001 exhibition 'The Triumph of Beatrice Mandelman' Mandelman and Ribak's home served as the gathering place for an informal group of artists who began calling themselves the Taos Moderns. Key members of this group included Edward Corbett, Agnes Martin, Oli Sihvonen and Clay Spohn. Mandelman was included in a 1952 group exhibition "Taos Painting Yesterday and Today," organized by Ted Egri, at the Colorado Springs Fine Arts Center.

The pavilion of the Soviet Union at the 1925 Exposition of Industrial and Decorative Arts The International Exposition of Modern Industrial and Decorative Arts (L'Exposition internationale des arts décoratifs et industrials moderns) took place from April to October 1925, between the Esplanade of Les Invalides and the Grand and Petit Palais on the opposite bank. It was much more modest in scale than the pre-war expositions. It gave birth to the term "Art Deco", a shortened version of the words Arts Décoratifs in the title of the Exposition. One memorable feature was a crystal fountain made by glass designer René Lalique.

" Later scholars—beginning with Father Eusèbe Renaudot's remark in 1713 in his translation of the History of the Patriarchs of Alexandria that the tale "had something untrustworthy about it"—are skeptical of these stories, given the range of time that had passed before they were written down and the political motivations of the various writers.E. Gibbon, Decline and Fall, chapter 51: "It would be endless to enumerate the moderns who have wondered and believed, but I may distinguish with honour the rational scepticism of Renaudot, (Hist. Alex. Patriarch, p. 170: ) historia ... habet aliquid ut απιστον ut Arabibus familiare est.

He was elected to the Académie française in 1695, although he had previously produced no notable work; his election was an episode in the Quarrel of the Ancients and the Moderns, Saint-Pierre being a clear representative of the latter. The same year he gained a footing at court as chaplain to Madame, the king's sister-in-law. From 1703 to his death, he was abbot of Tiron. Contrary to a widely believed opinion, it is not while working as a negotiator of the Treaty of Utrecht (1712–13) that he developed his project of universal peace.

Brownstein, Bill. "Biddles springing up all over Montreal entertainment scene", Montreal Gazette, 1988-03-05, p. D4. With the help of a record producer in Paris, she recorded the hit single "Dis-moi" (1991) which peaked at No. 11 on the French pop chart. For the next few years she sang in Le Gosier, Guadeloupe.Perusse, B. "Stephanie Biddle carries the torch", Montreal Gazette, 2003-03-30, p. B1. Biddle appeared in the films Crunch (1979), The Moderns (1988), The Whole Nine Yards (2000), One Eyed King (2001), and in the television movie A Diva's Christmas Carol with Vanessa L. Williams.

He was employed at Le Corbusier’s architectural office in Paris, France, and the Howe and Lescaze firm in New York City. Upon his return to Montreal in 1931, he participated in the establishment of the Atelier school, which held art classes, lectures and exhibitions. The Atelier School's aim was to bring together artists interested in modern painting, while stressing the importance of classical principles in art, and the art of the European moderns. He wrote, 'The essential qualities of a work of art lie in the relationships of form to form, and of colour to colour.

There she became a member of both the Newlyn Society of Artists and the Penwith Society of Artists. She painted local landscapes often featuring derelict tin mining sites, small towns and harbours. Works by McClure were included in the exhibition, Some of the Moderns at the Belgrave Gallery in 1990 and in the Artists from Cornwall show at the Royal West of England Academy in 1992. A solo show of her work was held at the Penwith Gallery during 1996 and 1997 and she twice won awards at the Newlyn Contemporaries exhibition in the late 1980s.

In 1877 his mother died of pneumonia, three months after a miscarriage, and Jules, never a good student, failed his baccalaureate exams. (His classmate Henri Bergson passed, and went on to great intellectual achievement as a philosopher.)William R. Everdell, The First Moderns: Profiles in the Origins of Twentieth Century Thought, (Chicago: University of Chicago Press, 1997), 81. He failed again in 1878, and then a third time, but on his own began to read the great French authors and visit the museums of Paris. In 1879 his father became sick and returned to Tarbes, but Jules stayed behind in Paris.

Another lodge was formed in 1800 by the Dutch called "De Goede Trouw" Lodge, and in 1802 Jacob de Mist arrived from the Netherlands and was installed as the first Deputy Grand Master National in South Africa. The Napoleonic Wars brought a second British invasion of South Africa. With the beginning of British rule over the region, Dutch lodges saw an increase in members of English origin. Tensions arose between the British masons and their Dutch speaking counterparts, leading the English masons to form their own lodge in the Cape under the Moderns' Grand Lodge of England in 1811, "British" Lodge.

Rothenstein's directorship -- the longest to date -- was one of the most successful. The Tate's annual purchase fund could not compete with those of US institutions, so few works of modern foreign art were added to the collection. However, he wrote, "Picasso is a Proteus, the prodigiously gifted master of all styles and media".Rothenstein, John, The Moderns and their World (introduction), Phoenix House, London 1957, p. 16 According to Richard Cork, one of Rothenstein's errors was failing to purchase Henri Matisse's The Red Studio when it was offered to the Tate Gallery for a few hundred pounds in 1941.

Since 1984, Rancinan has also worked on a regular basis with Sports Illustrated. In his projects, he collaborates with writers, journalists, thinkers, sociologists, anthropologists and philosophers (Caroline Gaudriault, Virginie Luc, Paul Virilio, Francis Fukuyama etc.). In the 1990s, Pierre Cornette de Saint-Cyr produced Rancinan's exhibition Urban Jungle at the Espace Cardin in Paris in 2000. Rancinan’s work has been exhibited in galleries and museums (Barcelona Museum of Contemporary Art: "Portrait of Nathalie", Triennale di Milano: "Portraits of Cardinals", Palais de Tokyo Muséum, Paris: "Metamorphoses") "Trilogy of the Moderns", Triennale di Milano - Contemporary Art Museum, Italie.

For the most part, modern guns had to be smuggled to Wadai by the Senussi order, as European colonial powers and the Ottoman Empire generally forbade their sale in the Sahara region. As result, the import of guns remained extremely expensive for sub-Saharan states including Wadai. A traveller described in 1881 that the value of a modern Italian firearm would increase up to ten times by the time it arrived south of the desert. The supply of spare parts and ammunition for moderns guns remained problematic, and many Sub-Saharan warriors accordingly continued to prefer flintlocks which suffered from no supply shortages.

He presented and wrote most of the questions for all 520 episodes broadcast. He also presented Jazz For Moderns on radio and Jazz 625 on television for the BBC in the 1960s. Away from music, for two years from 1970 Race co-presented (with William Hardcastle) the BBC Radio 4 "drive-time" news magazine PM. Race coined the term Denham Concerto for short romantic film pieces inspired by the success of Richard Addinsell's Warsaw Concerto, such as Hubert Bath's Cornish Rhapsody, Nino Rota's Legend of the Glass Mountain and Charles Williams' The Dream of Olwen, after the Denham Film Studios.

The year before, Avakian and Ajemian produced a three-concert series at Town Hall titled Music For Moderns, featuring jazz musicians and modern composers on the same bill, a very unusual venture for its time. The concerts featured Anahid Ajemian, Dimitri Mitropoulos, the Duke Ellington Orchestra, the Modern Jazz Quartet, Mahalia Jackson, Chico Hamilton, the composers Virgil Thomson and Carlos Surinach, pianist William Masselos, violist Walter Trampler, and opera baritone Martial Singher, among others. In 1960, Avakian left Warners to sign on as manager of popular artists and repertoire for RCA, which gave him the opportunity to work once again with jazz musicians.

His title, however, continued to be used socially and in news reports. Cuevas and his wife sponsored an exhibition in 1940 at the New York World's Fair that included old masters and French moderns borrowed from private collections and valued at $30 million. He founded a new ballet company as the Ballet International in New York City in 1944, performing at a now-destroyed theater in Columbus Circle. The company was variously called the Grand Ballet de Monte Carlo or the Grand Ballet du Marquis de Cuevas, but was most commonly called The de Cuevas Ballet by theatergoers.

One of the first thinkers to go by the name of "liberal", Constant looked to Britain rather than to ancient Rome for a practical model of freedom in a large, commercial society. He drew a distinction between the "Liberty of the Ancients" and the "Liberty of the Moderns". The Liberty of the Ancients was a participatory republican liberty, which gave the citizens the right to directly influence politics through debates and votes in the public assembly. In order to support this degree of participation, citizenship was a burdensome moral obligation requiring a considerable investment of time and energy.

West referred to Allen as "the principal of my patrons."William Allen to David Barclay & Sons (March 10, 1760) and William Allen to David Barclay & Sons (August 19, 1761), William Allen Letterbook, 113, 137–38, in Shippen Family Papers 1749–1860, Historical Society of Pennsylvania, Philadelphia; Benjamin West to William Allen (September 1, 1763), quoted in E. P. Richardson, "West's Voyage to Italy, 1760, and William Allen," Pennsylvania Magazine of History and Biography 102, no. 1 (January 1978): 3–26 (quotation, 24). Allen was a Freemason, a member of St. John's Lodge No. 1, "Moderns," Philadelphia, known as the Tun Tavern Lodge.

Padel's non-fiction began with Princeton University Press studies of ancient Greek drama and the mind. In and Out of the Mind: Greek Images of the Tragic Self explores the way Greek ideas of inwardness shaped European notions of the self. She used anthropology and psychoanalysis to support her thesis that male Greek culture spoke of the mind as mainly "female" and receptive rather than "male" and active. Whom Gods Destroy: Elements of Madness in Greek and Other Tragedy investigates madness in tragedy from the Greeks to Shakespeare and the moderns, parsing different views of madness in different societies.

This reflected a growing dissatisfaction on the left with the results of the Tripartite System. Whereas the previous generation of Labour politicians had focused on the social mobility afforded to those who passed their eleven plus, now concern became focused upon those who were sent to secondary moderns. Once the Tripartite System had been implemented, the middle classes were found to be much more likely to win places at grammar schools. It was feared that society was being divided into a well-educated middle class elite and a working class trapped in the Modern schools, or "eggheads and serfs".

Alan Watts's autobiography, In My Own Way (1972), starts with the sentence: "Topophilia is a word invented by the British poet John Betjeman for a special love for peculiar places." But it was W. H. Auden who used the term in his 1948 introduction to John Betjeman's poetry book Slick but Not Streamlined, stressing that the term "has little in common with nature love" but depended upon a landscape infused with a sense of history.Quoted in A. Harris, Romantic Moderns (London 2010) p. 222 The term later appeared in the French philosopher Gaston Bachelard's highly influential The Poetics of Space (1958).

In 1746, Laurence Dermott, who would later become Grand Secretary of the "Antients", had been accepted into a Royal Arch Chapter in Dublin, which at that time was open only to those who had previously served as master of a Craft lodge. He regarded the Royal Arch as the fourth degree of Craft Masonry. Under his influence, the "Antients" championed the Royal Arch degree in England, while it was met with hostility in the Premier Grand Lodge of England. In 1764, a lodge of Scottish masons attached to the "Antients" switched sides and became the Caledonian Lodge attached to the "Moderns".

After the independence of the American Colonies in 1776, Freemasonry in the United States remained relatively little influenced by the rivalry between the "Antients" and "Moderns" in England. In 1797, a group of Royal Arch masons met in Hartford to try to establish some sort of governing body for degrees that were largely conferred in the New England states, which became the Grand Chapter of the Northern States, and later was broken down into the state-by-state Grand Chapter system.Denslow, Ray and Everett C. Turnbull. History of Royal Arch Masonry Part One. Kessinger. . p. 244.

Many ethnic Nahuas conserve much of their ancient knowledge, such as dances, music agricultural practices, and rituals, although most are mixed with Catholic and moderns beliefs and practices. Since Mexico's census only counts the indigenous by language spoken and not by ethnicity, it is not possible to be sure of the precise number of Nahua in Morelos. Between 32 and 35 communities in the state have been identified as being "indigenous" based on prevailing customs and tradition. However, this does not take into account migrant workers or who have immigrated to the state from other parts of Mexico.

In 2009, to celebrate the 20th ANDAM anniversary, the association co-publish a novel collection called Modernes (English: Moderns), a rare and detailed document showing the great phenomena of the style of the past twenty years based on the work of the winners of the ANDAM. Florence Müller, a French author and fashion historian, it delivers an accurate analysis of different aspects of fashion that is both modern and universal. The ANDAM says Pierre-François Letué, graphic artist, book design and gives carte blanche to fashion photographer Jean-François Lepage to create a photographic series on the creation of the 80 winners.

Edwards' descriptions changed the world's perspective on both moderns and ancient Egypt. This attracted the attention of both scholarly society and the rest of the world. It ended up becoming a bestseller due to this increased interest, which prompted Edwards to think about continuing her studies of Ancient Egypt. In 1882, Amelia Edwards and Reginald Stuart Poole, an employee from the Department of Coins and Medals at the British Museum, decided to create the Egypt Exploration Fund as a way to raise funds for more excavations in the Delta, which had been noted as being rarely visited.

The earliest documented link between Freemasonry and the Crusades is the 1737 oration of the Chevalier Ramsay. This claimed that European Freemasonry came about from an interaction between crusader masons and the Knights Hospitaller.Pietre-Stones Biography of Ramsay retrieved 22 June 2012 This is repeated in the earliest known "Moderns" ritual, the Berne manuscript, written in French between 1740 and 1744.Berne Manuscript(French text) In 1751 Baron Karl Gotthelf von Hund und Altengrotkau began the Order of Strict Observance, which ritual he claimed to have received from the reconstituted Templar Order in 1743 in Paris.

Alceste was received very negatively by some critics, and this inspired a debate of published opinions by the writers Jean Racine and Charles Perrault which constitutes one of the first exchanges in what would later become known as the Quarrel of the Ancients and Moderns. All these were classical in subject, and so was Proserpine (1680), which was superior to any of them. The Triumph of Love (1681) is a mere ballet, but in Persée (1682) and Phaëton (1683) Quinault returned to the classical opera. Then he finally deserted it for romantic subjects, in which he was even more successful.

Wilhelm Olbers Focke (5 April 1834, Bremen – 29 September 1922, Bremen) was a medical doctor and botanist who in 1881 published a significant work on plant breeding entitled Die Pflanzen-Mischlinge, Ein Beitrag zur Biologie der Gewächse (The plant hybrids, a contribution to the biology of plants)Scans of Die Pflanzen-Mischlinge which briefly mentioned Gregor Mendel's discoveries on hybridization. Everdell, W.R. (1997). The First Moderns: Profiles in the Origins of Twentieth-century Thought, University of Chicago Press, . Although Charles Darwin had a copy of Focke's book he passed it along to a colleague apparently without reading this particular section.

The Cocteau exhibition was followed by exhibitions of Wassily Kandinsky (his first one-man-show in England), Yves Tanguy, Wolfgang Paalen and several other well-known and some lesser-known artists. Peggy Guggenheim also held group exhibitions of sculpture and collage, with the participation of the now-classic moderns Antoine Pevsner, Henry Moore, Henri Laurens, Alexander Calder, Raymond Duchamp-Villon, Constantin Brâncuși, John Ferren, Jean Arp, Max Ernst, Pablo Picasso, Georges Braque and Kurt Schwitters. She also greatly admired the work of John Tunnard (1900–1971) and is credited with his discovery in mainstream international modernism.

Gade's paintings employ both the palette knife and the paintbrush and he has been referred to as a "painters' painter" on account his innate appreciation of the visual impact of colours. Gade was one of the six founding members of the Progressive Artists' Group and remained its part until its dissolution in 1956. His works have been exhibited at various venues both in India and abroad including at The Moderns, the inaugural exhibition at the National Gallery of Modern Art, Mumbai. Some of the venues abroad include the Stanford University exhibition (1948), Basel (1951, 1956) and the Venice Biennale (1954).

Antiquity became, for the period of separation, "the Grand Lodge of All England South of the River Trent", warranting at least two lodges in its own right. The dispute was not resolved until May 1789, when Preston and his brethren were received back into the Moderns with much feasting and fanfare.Pietre Stones Various Grand Lodges, H. L. Haywood retrieved 1 July 2012 A similar situation arose in Scotland. Seniority was assigned according to the dating of lodge minutes, and due to a fire, Kilwinning records started at 1642, somewhat later than the Lodge of St Mary's Chapel in Edinburgh.

Ray also maintains the distinction of being the only artist to exhibit in each of the "Taos Moderns" annual exhibitions held. In 1961, Ray was described locally as "one of the outstanding young artists in America today," and in 1964, Ray exhibited artwork in the Southwestern America presentation at the World's Fair in New York. Ray won further recognition in 1969 for sculpture (Wood & Glass), and 1972 in graphics. In 1961, Ray stated his view on art sales: > the best method [to determine art pricing] is through auction, except for a > living artist's works; the contemporaries must sell through supply and > demand.

Shahîd, Rome and the Arabs, 91–92. However, because Eusebius nowhere categorically asserts that he has read the letters (he only says that he has compiled themShahîd, Rome and the Arabs, 73.) and as moderns are disinclined to take him at his word, some, like Pohlsander, posit that Eusebius did not get the tale from the letters, and drew it instead from oral rumors. Whatever the case, the wording of the passage shows that Eusebius is unenthusiastic about his subject and skeptical of its significance. Jerome and the Latin Christian authors following him do not share his caution.

One of the first thinkers to go by the name of "liberal", Constant looked to Britain rather than to ancient Rome for a practical model of freedom in a large mercantile society. He drew a distinction between the "Liberty of the Ancients" and the "Liberty of the Moderns". The Liberty of the Ancients was a participatory republican liberty, which gave the citizens the right to influence politics directly through debates and votes in the public assembly. To support this degree of participation, citizenship was a burdensome moral obligation requiring a considerable investment of time and energy.

In France at the end of the seventeenth century, a minor furore arose over the question of whether contemporary learning had surpassed what was known by those in Classical Greece and Rome. The "moderns" (epitomised by Bernard le Bovier de Fontenelle) took the position that the modern age of science and reason was superior to the superstitious and limited world of Greece and Rome. In his opinion, modern man saw farther than the ancients ever could. The "ancients," for their part, argued that all that is necessary to be known was to be found in Virgil, Cicero, Homer, and especially Aristotle.

Hernando Ruiz Ocampo was a leading radical modernist artist in the Philippines. He was a member of the Saturday Group of artists (also known as the Taza de Oro Group), and was one of the pre-war Thirteen Moderns, a group of modernist artists founded by Victorio C. Edades in 1938. Famously known for his triumvirate of with neo-realists Vicente S. Manansala and Cesar Legaspi, his works reflected the harsh realities of his country after the Second World War. However, many of his works depicted lush sceneries and the beautiful Philippine landscapes through his skillful use of fierce and bold colors.

A main theme in the book is social exclusion, heralded by the title, again with the residents of Under River, and Titus himself. One possible theme is ancients versus moderns, a theme that has existed since the time of Swift. Titus only wants Cheeta because she is a modern girl surrounded by dazzling technology, and her father is an innovative scientist who runs a mass-production factory, and he has spent all his life in a moldy, antiquated castle run by tradition. But after having a long affair with Cheeta, he seems to realise she is self-centered and cruel, and rejects her.

Coombe Boys' School is a secondary school located in the New Malden area of the Royal Borough of Kingston, England. It was founded as Beverley Central School in 1931,The Beaver, Beverley School Magazine, 1965 a type of school ranked between a grammar and a secondary school, and changed its name to Beverley School for Boys following the 1944 Education Act which replaced central schools with secondary moderns. The name was derived from the nearby Beverley Brook. The school's name was later amended to Beverley Boys' School before becoming Coombe Boys' School when it federated with Coombe Girls' School in 2006.

Her first film upon her return to the States was We Moderns, set in England with location work done in London during the tour. It was a comedy, essentially a retelling of Flaming Youth from an English perspective. This was followed by Irene (another musical in the style of the very popular Sally) and Ella Cinders, a straight comedy that featured a cameo appearance by comedian Harry Langdon. It Must Be Love was a romantic comedy with dramatic undertones, and it was followed by Twinkletoes, a dramatic film that featured Moore as a young dancer in London's Limehouse district during the previous century.

Rothschild (2001) argues that Condorcet has been seen since the 1790s as the embodiment of the cold, rational Enlightenment. However she suggests his writings on economic policy, voting, and public instruction indicate different views both of Condorcet and of the Enlightenment. Condorcet was concerned with individual diversity; he was opposed to proto-utilitarian theories; he considered individual independence, which he described as the characteristic liberty of the moderns, to be of central political importance; and he opposed the imposition of universal and eternal principles. His efforts to reconcile the universality of some values with the diversity of individual opinions are of continuing interest.

One of his compositions, "Stardust", was inspired by Beiderbecke's improvisations, with a cornet phrase reworked by Carmichael into the song's central theme.Sudhalter, Stardust Melody, pp. 108–110. In his Carmichael biography, Sudhalter actually charts the similarities between recorded Beiderbecke solos in "Singin' the Blues", "Jazz Me Blues", and "Star Dust", writing: "The high spot of 'Star Dust's' first recorded performance is Hoagy's own full-chorus piano solo, its chordal devices clearly echoing Bix's fascination with the Impressionists and such 'moderns' as Igor Stravinsky—and his admiration for the now almost forgotten American composer Eastwood Lane." (p. 110).

Two short hymns to Artemis and Dionysus, consisting of eight and eleven lines respectively, stand first amongst his few undisputed remains, as printed by recent editors. But hymns, especially when addressed to such deities as Aphrodite, Eros and Dionysus, are not so very unlike what we call "Anacreontic" poetry as to make the contrast of style as great as the word might seem to imply. The tone of Anacreon's lyric effusions has probably led to an unjust estimate, by both ancients and moderns, of the poet's personal character. The "triple worship" of the Muses, Wine and Love, ascribed to him as his religion in an old Greek epigram,Greek Anthology. iii.

According to Heath, “The Methods of Apollonius” were not his and were not personal. Whatever influence he had on later theorists was that of geometry, not of his own innovation of technique. Heath says, > “As a preliminary to the consideration in detail of the methods employed in > the Conics, it may be stated generally that they follow steadily the > accepted principles of geometrical investigation which found their > definitive expression in the Elements of Euclid.” With regard to moderns speaking of golden age geometers, the term "method" means specifically the visual, reconstructive way in which the geometer unknowingly produces the same result as an algebraic method used today.

Philadelphia: New Era Printing Company, 1908. pp. 10-43. On 25 September 1786, the Ancient Provincial Grand Lodge of Pennsylvania declared itself to be independent of the mother Grand Lodge and closed itself permanently as a provincial grand lodge. The following day, 26 September, the representatives of 13 Ancient lodges met together and reformed the independent Grand Lodge of Pennsylvania, headquartered in Philadelphia. Though Pennsylvania Masonic ritual is entirely from the Ancients, and not an amalgamation of the two rituals, the Moderns did not simply cease to exist but were rather absorbed into Ancient Masonry and made to conform to their customs and usages.ibid.

II, p. 379. A near-contemporary English translation, of uneven quality but a fascinating read for anybody interested in 19th century musical life, has been re-published by the Travis & Emery Music Bookshop in Charing Cross Road, London) show a progress from the classical style of his predecessors to program music: his sixth symphony represents successive styles from "Bach–Handel" to the moderns; his seventh symphony represents the 'sacred and secular in human life' with a double orchestra; and his ninth symphony represents Die Jahreszeiten (The Seasons). (The autograph score of the tenth symphony, which bears the complete work, is held by the Staatsbibliothek Berlin.

Much of Bryant's photography falls under the categories of architecture, culture, London, lifestyle and luxury, as well as working with luxury brands. His work can be found in the Canadian Centre for Architecture, Architecture Museum in Frankfurt and Victoria and Albert Museum in London. Bryant has been awarded several times for his photography, had his images exhibited at the Royal Academy of Arts and has published a number of books that contain his photographs. These books include London Deluxe (2008); Carlo Scarpa, Gipsoteca Canoviana, Possagno (2002); A Garden & Three Houses (1999); Sir John Soane's Museum, London (1995); The New Moderns (1993); Living Museum (1993) and Stansted (1992).

Beatrice Mandelman (December 31, 1912 – June 24, 1998), known as Bea, was an American abstract artist associated with the group known as the Taos Moderns. She was born in Newark, New Jersey to Anna Lisker Mandelman and Louis Mandelman, Jewish immigrants who imbued their children with their social justice values and love of the arts. After studying art in New York City and being employed by the Works Progress Administration Federal Arts Project (WPA- FAP), Mandelman arrived in Taos, New Mexico, with her artist husband Louis Leon Ribak in 1944 at the age of 32. Mandelman's oeuvre consisted mainly of paintings, prints, and collages.

A generation earlier, during the 1920s, it was this same combination of factors that had attracted the New York socialite and arts patron Mabel Dodge Luhan to establish herself in Taos with a salon that attracted many of her day's most important Modernist artistic talents, writers, intellectuals, and activists. She took Mandelman and Ribak under her wing and included them in her book "Taos and Its Artists" (1947). Mandelman adapted well to life in the Taos art colony. She and Ribak connected with other modern artists settling in Taos in the 1940s and 1950s, such as Edward Corbett and Agnes Martin, and this group became known as the Taos Moderns.

In modern times, the rider's shoes clip to the pedal and are strapped as well. Zimmerman had metal hooks - toeclips - into which to push his feet but little else to help him turn the pedals that fast. Now this, if true, would be a phenomenal performance, seeing that our moderns, with gears in the high eighties or low nineties, on modern machines and tires, only rarely get below 13 sec. There is, unfortunately, no direct evidence of Zimmerman's performances over the 220 yards, for the very simple reason that in those days it was not customary to mark off the 220 yards mark nor to take times from it.

The Battle of the Books was part of a general quarrel of the ancients and the moderns, where the question was between ancient authors (Homer, Virgil, Horace, and Aristotle) and contemporary ones and whether contemporary philosophy and science had surpassed what could be gathered from the classics. Swift's version of the Battle has all contemporary authors, and he names several of them, swept away by the ancient authors that they glossed. The Battle was based on Le Lutrin by Boileau, and Ozell performed his own translation of Le Lutrin in 1708. In his version, the contemporaries being blasted away were Tory authors, and, in particular, William Wycherley.

It prefigured modern romans with sparse transaxial modeling joining the vertical stressing to hairline thins, and ball-ends. Fleischmann borrowed from the general mode of Phillipe Grandjean's and Louis Simonneau's "Romain du Roi," commissioned by Louis XIV in 1692 for the Imprimerie Royale, but did not imitate that face. Fleischmann's capitals were a new variety; an even-width scheme, compressed rounds, all-vertical stressing, and triangular beak ends of E F L T and Z, all characteristics prefiguring the "classical" moderns of Bodoni and Didot. Fleischmann's italic bore some resemblance to Granjean's but had longer ascenders and followed the established Dutch structures for h v and w.

She is the author of the books From Pompeii: The Afterlife of a Roman Town (Cambridge, MA: Belknap Press, 2014); Giordano Bruno: Philosopher/Heretic (Farrar, Straus, and Giroux, 2008); The Place of the Antique in Early Modern Europe; The Culture of the High Renaissance: Ancients and Moderns in Sixteenth Century Rome; The Roman Garden of Agostino Chigi, Horst Gerson Memorial Lecture (University of Groningen, 2005); The Scarith of Scornello: a Tale of Renaissance Forgery (University of Chicago Press, 2004). Her essays in The New York Review of Books were collected in From Heaven to Arcadia: The Sacred and the Profane in the Renaissance (New York Review Books, 2005).

5–8 Though his style cannot be derived from any single influence, one can nevertheless identify particular affinities, especially with the 18th century Viennese composers whose clarity, plasticity and playful humour are basic constituents. His works combine romantic intensity with emotional restraint, and the chromatic harmonies and extended tonality of the pre-serial early moderns with a Schubert-like love of melody, integrated with a polyphonic texture that derives from his lifelong engagement with the works of J. S. Bach. His output was considerable: over 150 published works in virtually all genres, including, in addition to his four operas,de Souza, Christopher.: 'The Continentals – Second Phase'.

In the 17th century, Sir William Temple argued against the Modern position in his essay On Ancient and Modern Learning; therein he repeated the commonplace, originally from Bernard of Chartres, that we see more only because we are dwarves standing on the shoulders of giants. Temple's essay prompted a small flurry of responses. Among others, two men who took the side opposing Temple were classicist and editor Richard Bentley and critic William Wotton. The entire discussion in England was over by 1696, but it was revisited by Jonathan Swift, who saw in the opposing camps of Ancients and Moderns a shorthand of two general orientations or ways of life.

Several movies, such as Hardware (1990), Strange Days and Johnny Mnemonic (1995), feature music tracks by Ministry, KMFDM, Diatribe, Stabbing Westward and other bands associated with the rivethead culture.Internet Movie Database (IMDb): Hardware / M.A.R.K. 13, OSTInternet Movie Database (IMDb): Strange Days, OSTInternet Movie Database (IMDb): Johnny Mnemonic, OST Other influences include sci-fi archetypes such as Lupus Yonderboy of the Panther Moderns and Razorgirl from the cyberpunk literature (characters from the Sprawl trilogy by William Gibson). Sascha Konietzko, one of the most influential persons in the rivethead music scene since the 1990s, both musically and visually. Below some basic characteristics of the rivethead dress style.

The book also featured his renditions of poems by: Henri Auguste Barbier, Mellin de Saint- Gelais, Charles Baudelaire, Pierre de Ronsard, Alfred de Musset, Clément Marot, François Rabelais, Isaac de Benserade, Paul Scarron, Alexandre Soutzo, Ponce Lebrun, and Charles Rivière Dufresny.Teodorescu et al., p. 331 His work of the period also covered selections from other classics and moderns of French literature: Molière, Voltaire, Rodolphe Töpffer, Alexandre Dumas, Edgar Quinet, George Sand, Henri Murger, Paul Armand Silvestre, Théodore de Banville, and José-Maria de Heredia; more exotically, he also rendered into Romanian works by Walter Scott and Fernán Caballero, as well as samples of Malagasy and Indian poetry.

Avraham Danzig was born in Danzig (Gdańsk), Poland (hence his name), in 1747 or 1748 into a prominent Rabbinic family. When he was fourteen his father sent him to study at the Prague yeshivah, after exacting a promise from him "that he would not mingle with the Moderns" who were then gradually coming into prominence through the influence of Moses Mendelssohn. He studied in Prague for four years under Rabbi Yechezkel Landau and Rabbi Joseph Liebermann. He was then offered a position as rabbi in Vilna, but declined, earning his livelihood as a merchant (frequenting the fairs of Leipzig and Königsberg - which are referenced in his writings).

The 1944 Act (the Butler Act) replaced all previous education law, removed the Board of Education and replaced it with the Ministry of Education. It established that all maintained schooling was to be free. Secondary state schools were to be organised on a three-tier model: grammar (entrance based on ability with the option of an 11-plus), technical schools and secondary moderns, with further education delivered through county colleges for school- leavers up to 18 years of age. This reasoning had been based on the 1943 Norwood Report, the experiences gained in the 1930s and the skills shortages encountered during the ongoing war.

Director Alan Rudolph was fascinated with the Algonquin Round Table as a child when he discovered Gluyas Williams' illustrations in a collection of Robert Benchley's essays. Speaking in 1995, he said "the Algonquin Hotel round table, what it symbolised, and the ripple effect that went out from it, was probably up there in the 50 most significant events of the century". After making The Moderns, a film about American expatriates in 1920s Paris, Rudolph wanted to tackle a fact-based drama set in the same era. He began work on a screenplay with novelist and former Washington Star journalist Randy Sue Coburn about legendary writer Dorothy Parker.

Another, The First Moderns (1997) redefines "Modernism" as the abandonment of the continuous in favor of the discrete in the arts and sciences that began in the West in 1872–1913. He has also written on the teaching of history, and served on the Test Development Committee for the first Advanced Placement World History Exams. A member of the American Historical Association, he has also served as the president of the affiliated Organization of History Teachers, and of the East-Central American Society for Eighteenth-Century Studies. He lives in Brooklyn with his wife, Barbara, who was for many years an administrator at Saint Ann's.

LoveCat Music is an American independent record company and music publisher, founded in 1999 with a catalog of over 10,000 songs from a varied roster of songwriter-artists. It originally focused on indie rock -- notably Evan Olson and Los Straitjackets. Since then the label has grown and diversified into releasing Latin (Cesar Mora, Latin Soul Syndicate, the Latin Moderns compilation series), ethnic lounge (Angel Tears (duo), Zino & Tommy), jazz (Bill Anschell, Four Piece Suit) and eclectic records such as Lotus Lounge. One of LoveCat's most notable artists is Reagan Youth, the legendary 1980s New York punk band, whose songs have been covered by The Beastie Boys and D Generation.

Anne Bremer (May 21, 1868 – October 26, 1923) was a California painter, influenced by Post-Impressionism, who was called "the most 'advanced' artist in San Francisco" in 1912 after art studies in New York and Paris.Porter Garnett, “News Notes of the Artist Folk,” San Francisco Call, 15 September 1912, p. 70. She was described in 1916 as “one of the strong figures among the young moderns”Laura Bride Powers, “News of Artists, Art and Studios,” Oakland Tribune, 26 November 1916, p. 34. and later as “a crusader for the modern movement.” Beatrice Judd Ryan, “The Rise of Modern Art in the Bay Area,” in California Historical Society Quarterly, v.

What Brazilian art then became was a mix of some important achievements of the Moderns, meaning freedom from the strict academic agenda, with more conventional traits, giving birth in the following generation to a moderate Modernism, best exemplified by painter Cândido Portinari, who was something like the official painter of the Brazilian government in mid-century.Modernism in Brazil. Encyclopedia Itaú Cultural Oscar Niemeyer: Copan Building'' Within the group of Brazilian artists, Chico Niedzielski's artwork has been spread all over the country. His work is known to be inspired by Sacred Geometry, breaking the tendency to focus on Brazilian themes and searching for a more universal and atemporal form of Brazilian art.

A portion of the subtitle to Shamela was In which the many notorious Falsehoods and Misrepresentations of a Book called Pamela are exposed and refuted. Literary critic Michael LaPointe suggests that Fielding's Shamela in response to Richardson's Pamela represents an exemplary literary feud: "a serious argument about the nature of literature that takes place actually within the literary medium." A wider ranging literary quarrel became known as the Quarrel of the Ancients and the Moderns. In France at the end of the seventeenth century, a minor furor arose over the question of whether contemporary learning had surpassed what was known by those in Classical Greece and Rome.

The Tripartite System of education wound-up in Nottinghamshire during the 1970s. September 1973 saw the amalgamation of the Carlton le Willows grammar and technical schools, alongside two other secondary modern establishments, to form a co-educational comprehensive school. The building of one of these secondary moderns, located on Station Road, was annexed by its successor until 1988, when £200,000 of funding from the European Communities (EC) re-purposed the site as a business centre from 1989. Earlier, in 1975, £33,000 was designated as part of an A612 road safety improvement scheme for Carlton le Willows pupils and residents of the adjoining Stoke Lane.

""Seeing the Body: The Divergence of Ancient Chineseand Western Medical Illustration", Camillia Matuk, Journal of Biocommunication, Vol. 32, No. 1, 2006, Significantly, an empirical metaphysical system was developed by the Italian philosopher Bernardino Telesio which had an enormous impact on the development of later Italian thinkers, including Telesio's students Antonio Persio and Sertorio Quattromani, his contemporaries Thomas Campanella and Giordano Bruno, and later British philosophers such as Francis Bacon, who regarded Telesio as "the first of the moderns.” Boenke, Michaela, "Bernardino Telesio", The Stanford Encyclopedia of Philosophy (Winter 2018 Edition), Edward N. Zalta (ed.), URL = . Telesio's influence can also be seen on the French philosophers René Descartes and Pierre Gassendi.

Finely finished small-scale bronzes of antique subjects, suitable for collectors, occupied the sculptor and his studio assistants. A Mercury and Cupid is at the Louvre, a gracile Bacchus at the Hermitage Museum. A bronze Mercury was commissioned by the collector of antiquities Vincenzo Giustiniani as a pendant to a Hellenistic bronze Hercules in his collection, a compliment to Duquesnoy and implicitly a statement of the parity of the Ancients and the Moderns. Giustiniani commissioned a life-size Virgin and Child from Duquesnoy in 1622, at a moment when the sculptor was hard pressed to finish his Andrew, due to interruption of payments instigated by a cabal (Joachim von Sandrart).

Many lodges were attached British Army regiments. The Moderns may have been wary of warranting lodges without a permanent address, so there was only one Grand Lodge of England warrant in the continental army from 1775–1777. The Antients and the Grand Lodge of Scotland were slightly better represented, but the overwhelming majority of regimental lodges held warrants from the Grand Lodge of Ireland. Thus it was that a group of African Americans, having been rejected by the lodges in Boston, were initiated into Lodge No 441 on the register of the Grand Lodge of Ireland, which was attached to the 38th Foot (later the 1st Staffordshire).

Rollin wanted to do something a little more temperate than Le Viol, a traditional mystery film. Anyway, as he himself stated, it came to be the same kind of film as his first feature, it also has the same spirit. La vampire nue also became notable in that it introduced Catherine and Marie-Pierre Castel, twin sisters who frequently collaborated with Rollin during the early years of his career. Following La vampire nue, Rollin found himself in a financial crisis and having suffered an accident during production which left him traumatized, the circumstances took a positive turn when he met with producer Monique Nathan, owner of the Films Moderns company.

"The Boy from New York City", a cover of the 1965 success by The Ad Libs, reached the Top 10 on the Hot 100 and won them the award for Best Pop Performance by a Duo or Group with Vocal, and "Until I Met You (Corner Pocket)" earned them a Grammy Award for Best Jazz Vocal Performance, Duo or Group. Both of these songs appeared on the group's fifth album, Mecca for Moderns (Atlantic, 1981). In 1982, the group won another Grammy, for Best Jazz Vocal Performance, Duo or Group, for its rendition of "Route 66". The song was featured on the soundtrack to the Burt Reynolds film Sharky's Machine.

In 1770, the Provincial Grand Lodge of the Austrian Netherlands formed, dependent on the Grand Lodge of London (the "Moderns"), made up of 26 lodges and with the Marquis de Gage as its Grand Master. It was centred on de Gage's own lodge "la Vraie et Parfaite Harmonie" in Mons, the most brilliant of the 18th century Austrian Netherlands. It was in Brussels that Belgian Freemasonry was particularly important, with Masons frequently coming from its noble families. Also the ULB (Université Libre de Bruxelles) was also founded by several Masons, many of whom were also Catholics, following an appeal by the Lodges of Belgium.

The Glen Island casino was billed as "the mecca for music moderns" and fans from coast to coast knew that it was "just off Shore Road in New Rochelle, New York". Glen Island represented glamor and prestige, where only the best and most popular bands were featured. The casino was also considered the springboard to success for many big bands of 1930s, including those of Ozzie Nelson, Charlie Barnet, Claude Thornhill, Les Brown and the Dorsey Brothers.Glen Island Harbor Club - Casino History In March 1939, Glenn Miller and his orchestra got their big break when they were chosen to play a summer season at Glen Island.

' Said the Irish Press: 'An almost embarrassing candor... Here is a painter who seems to have gone back to the older tradition and to have given the most searching consideration to the composition of his painting.' Dublin, which likes authors who write with a shillelagh, understood an artist who painted with one. The Word Is Tension. By 1950, Paddy was in Paris... Nights, he went to the galleries, and there he found what he wanted to do. He liked such old French masters as the 17th century's Nicolas Poussin, the 19th century's Eugène Delacroix, such moderns as Switzerland's Alberto Giacometti and Britain's Francis Bacon.

Along with Mary Morton, the associate curator of paintings at the J. Paul Getty Museum, Eyerman coauthored the work published by the museum that accompanied the 2006 exhibition of a collection of curated works of Gustave Courbet's landscapes Courbet and the Modern Landscape (2006). The publication groups the art by topography and also "succeeds in presenting Courbet in a new light," according to Library Journal. The Art Book wrote "It is a handsome publication, a welcome addition to any library, public or private." The book, Old Masters, Impressionists, and Moderns (2002) collects the "big names" of French artists from the collection of the State Pushkin Museum in Moscow.

Bancel obtained his baccalaureate early and began to study Further Mathematics at the Lycée du Parc in Lyon, only to stop them at 17 when he decided to join the French resistance. After the war, his life in the resistance and his recent introduction to art history led him to drop the idea of a life as an engineer. After 3 years as an apprentice for the French sculptor Lucien Descombe in Lyon, he moved in Paris in 1948. Citing moderns like Picasso, Matisse and Laurens, but also the primitive sculptures from the Cyclades, Bancel's work on forms and design gradually evolved towards purity and simplicity.

Proctor was known for her interest in fashion, and designed her own clothing, expressing her individuality. On her return from London in the early 1920s, Proctor was unimpressed with the Australian women's fashion of the day, poor availability of the sort of luxury fabrics she had been used to seeing in London and Paris, and particularly the way Australian women wore what she considered shapeless hats. By 1922, she had set up a studio in the Grosvenor Building at 219 George Street where she taught classes. She regarded herself as one of the first 'moderns' to exhibit in Australia, regularly attending art openings, always impeccably dressed in lavender or violet.

Over that 10-year period many secondary modern schools and grammar schools were amalgamated to form large neighbourhood comprehensives, whilst a number of new schools were built to accommodate a growing school population. By 1968 around 20% of children had been in comprehensives, and by the mid-1970s the system had been almost fully implemented. Nearly all new schools were built as comprehensives, and existing grammar and modern schools had either been closed (see for example the Liverpool Institute) or amalgamated with neighbouring secondary moderns to produce comprehensive schools. A small number of local education authorities have held out against the trend, such as Kent.

The ritual to be used in United Grand Lodge of EnglandEmulation Ritual pub 1991, London. and in Lodges under that constitution were produced by the Lodge of Reconciliation, formed following the union of the Antients and Moderns Grand Lodges in 1813, approved and confirmed by Grand Lodge in June 1816. This has formed the basis of Emulation Working since its inception in 1823. It has been the policy of the committee of the Emulation Lodge of Improvement to preserve the ritual as nearly as possible in the form in which it was approved by Grand Lodge, allowing only those changes approved by Grand Lodge to become established practice.

However, the sons soon find that their coats have fallen out of current fashion, and begin to look for loopholes in their father's will that will let them make the needed alterations. As each finds his own means of getting around their father's admonition, they struggle with each other for power and dominance. Inserted into this story, in alternating chapters, the narrator includes a series of whimsical "digressions" on various subjects. In 1690, Sir William Temple, Swift's patron, published An Essay upon Ancient and Modern Learning a defence of classical writing (see Quarrel of the Ancients and the Moderns), holding up the Epistles of Phalaris as an example.

A general survey of abstractionism over two decades, the show contained more than 100 works by 65 artists, five of whom were women. Later that year her painting "Dawn" was selected for the 14th Annual Corcoran Biennial. The selection was significant in that the jurors chose paintings that were broadly representative of art in America, including works by traditionalists as well as moderns, artists with established reputations as well as lesser-known ones. In 1935 and again in 1937 Branson showed with the New York Society of Women Artists which was considered to provide a radical alternative for women who were dissatisfied with the relatively conservative National Association of Women Painters and Sculptors.

The military and political aim(s) of the campaign is uncertain, and is disputed by both ancient and moderns sources. According to Ammianus Marcellinus, Julian's aim was to enhance his fame as a general and to punish the Persians for their invasions of Rome's eastern provinces; for this reason, he refused Shapur's immediate offer of negotiations.Libanius, Orations 17.19, 18.164 Julian was a devout believer in the old Roman religion. Some modern authors note that he intended to accelerate and gain support for the pagan renovation of the Roman Empire and actions against the Christians after defeating the Sasanian Empire, since such victory would have been proof of the support of the Roman gods.

Yard with Lunatics, Francisco José de Goya y Lucientes (; ; 30 March 174616 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries and throughout his long career was a commentator and chronicler of his era. Immensely successful in his lifetime, Goya is often referred to as both the last of the Old Masters and the first of the moderns. He was also one of the great portraitists of his time.Historical Clinicopathological Conference (2017) University of Maryland School of Medicine, Retrieved 27 January 2017. Goya was born to a lower-middle-class family in 1746, in Fuendetodos in Aragon.

The first official act of the Moderns' Grand Lodge regarding the American colonies was the creation of a Provincial Grand Master for New York, New Jersey, and Pennsylvania, naming one Daniel Coxe, Esq., to that office. This deputation, issued on 5 June 1730, was made by the Grand Master, the Duke of Norfolk, and was to remain in effect for two years from 24 June 1731 to 24 June 1733, at which time, according to the deputation, the members were empowered to elect a Provincial Grand Master. From a letter in the possession of the New York Historical Society dated 31 July 1730 at Trenton we know that Daniel Coxe was already in the colonies.

Télémaque, ou Les fragments des modernes (Telemachus, or Excerpts from the Moderns) is an opera by the French composer André Campra, first performed at the Académie Royale de Musique (the Paris Opera) on 11 November 1704. It is a pastiche tragédie en musique in a prologue and five acts with a libretto by Antoine Danchet. The opera is made up from musical excerpts taken from Campra's previous works and those of other composers. The works used are Énée et Lavinie, Astrée and Canente by Pascal Collasse ; Aréthuse and Le carnaval de Venise by Campra; Médée by Marc-Antoine Charpentier ; Circé et Les fêtes galantes by Henri Desmarets; Ariane et Bacchus by Marin Marais; Ulysse by Jean-Féry Rebel.

Figurines and images of skeletons doing routine things are common in Mexico's Day of the Dead celebration, where skulls symbolize life and their familiar circumstances invite levity. Highly- decorated sugar-shaped candy has become one the most recognizable elements of the celebrations. The moderns association between skeleton iconography and the Day of the Dead was inspired by La Calavera Catrina, a zinc etching created by Mexican cartoonist José Guadalupe Posada in the 1910s and published posthumously in 1930. Initially a satire of Mexican women who were ashamed of their indigenous origins and dressed imitating the French style, wearing heavy makeup to make their skin look whiter, it later became a more general symbol of vanity.

Bellette and Haefliger returned to Australia just before the outbreak of World War II. Shortly after her arrival, Bellette held an exhibition at Sydney's Macquarie Galleries. The couple became influential members of the Sydney Art Group, a network of "fashionable" moderns whose membership included William Dobell and Russell Drysdale. Bellette painted and held regular shows – "a solo show every second year and a group show every year at the Macquarie Galleries". Her husband served as art critic for The Sydney Morning Herald for a decade and a half. In 1942, Bellette won the Sir John Sulman Prize with For Whom the Bell Tolls. She won it again in 1944 with her painting Iphigenia in Tauris, inspired by Euripides' play.

Kurzweil saw secular modernity (including secular Zionism) as representing a tragic, fundamental break from the premodern world. Where before the belief in God provided a fundamental absolute of human existence, in the modern world this pillar of human life has disappeared, leaving a "void" that moderns futilely attempt to fill by exalting the individual ego. This discontinuity is reflected in modern Hebrew literature, which lacks the religious foundation of traditional Jewish literature: “The secularism of modern Hebrew literature is a given in that it is for the most part the outgrowth of a spiritual world divested of the primordial certainty in a sacral foundation that envelops all the events of life and measures their value.”Crowsly, Marcus (2006).

Swift does the same, but the proposed solution (cannibalism) is immoral. There is very little logically wrong with the proposal, but it is unquestionably morally abhorrent, and it can only be acceptable if one regards the Irish as kine. The parody of an enemy is note-perfect, and the satire comes not from grotesque exaggerations of style, but in the extra-literary realm of morality and ethics. Illustration from Swift's Battle of the Books (1705), showing the ancient authors doing battle with the moderns, while a spider and a bee argue in a corner above the scene and fame blows her "posterior trumpet." Jonathan Swift's first major satire was A Tale of a Tub (1703–1705).

Mario Rossi Mario Rossi (29 March 1902, Bitetto– 29 June 1992, Rome) was an Italian conductor, noted for his solid and meticulous readings of a repertory ranging from Italian classics to Russian moderns such as Prokofiev, to the German operatic classicist Christoph Willibald Gluck. He studied composition in Rome with Respighi and conducting with Giacomo Setaccioli, graduating in 1925, and soon after graduation he took up the post of assistant conductor to Bernardino Molinari. Appointed resident conductor of the Maggio Musicale Fiorentino in Florence (1937–46), he made his debut on the podium there in 1937 with Mascagni's Iris. The following year he led the premiere of Gian Francesco Malipiero's opera Antonio e Cleopatra.

Dover Express (UK newspaper), 5 July 1935 The first secondary moderns were created by converting about three thousand senior elementary schools, as well as central schools, which previously had offered a continuation of primary education to the age of 14, into separate institutions. Many more were built between the end of World War II and 1965, in an effort to provide universal secondary education. Until the raising of statutory school leaving age in 1972, pupils could leave school at 15, at the end of the fourth form (year 10). This left a demotivated rump of 14–15-year-olds who did not want to be there, and had no intention of taking a school-leaving exam at 16.

He became editor of Wasmuths Monatshefte für Baukunst, published by Ernst Wasmuth Verlag, known for its international coverage of architecture and Hegemann's incisive critiques. With a literary-polemical style of criticism that stood out sharply from the manifesto style of the moderns, Hegemann opposed formal modernism and academic traditions and favored a moderate modernity. He encouraged people with different views to write to the journal, and facilitated debates among schools of architectural thought. Hegemann also wrote several historical books debunking German heroes and, in 1930, the work for which he is best remembered, Das steinerne Berlin: Geschichte der Grössten Mietkasernenstadt der Welt (Stony Berlin: History of the Largest Tenement City in the World), which combines historical and architectural criticism.

New York: Alfred A. Knopf. §7. > [I]n the role of protector of the miserable, it is a prime agent in the > promotion of décadence—pity persuades to extinction.... Of course, one > doesn't say "extinction": one says "the other world," or "God," or "the true > life," or Nirvana, salvation, blessedness.... This innocent rhetoric, from > the realm of religious-ethical balderdash, appears a good deal less innocent > when one reflects upon the tendency that it conceals beneath sublime words: > the tendency to destroy life. Schopenhauer was hostile to life: that is why > pity appeared to him as a virtue. He goes on further, mentioning that the moderns Leo Tolstoy and Richard Wagner adopted Schopenhauer's viewpoint.

Generally, this required a sub-society of slaves to do much of the productive work, leaving the citizens free to deliberate on public affairs. Ancient Liberty was also limited to relatively small and homogenous societies, in which the people could be conveniently gathered together in one place to transact public affairs. The Liberty of the Moderns, in contrast, was based on the possession of civil liberties, the rule of law, and freedom from excessive state interference. Direct participation would be limited: a necessary consequence of the size of modern states, and also the inevitable result of having created a commercial society in which there are no slaves but almost everybody must earn a living through work.

Gagnon has been described by theologian James V. Brownson as "the foremost traditionalist interpreter" on this topic, and has published several books and articles about the subject. Gagnon's work on homosexuality is derived from Old and New Testament texts dealing with sexuality. Gagnon's arguments are based on reproductive biology and gender complementarity, in which Gagnon presents and interprets moderns scholarship on the ancient texts. Gagnon's use of arguments based on "natural law" has been criticized by Jack Bartlett Rogers as applying a "nonbiblical standard" and claiming "that all people who are homosexual have willfully chosen that behavior and therefore can successfully change their sexual identity," although Gagnon responds that this is an "outrageous misrepresentation" of his views.

Appointed Provincial Grand Master of Pennsylvania, "Moderns" on June 24, 1731, he is recognized not only as the first Grand Master of the Grand Lodge of Pennsylvania, but also the youngest (only 26 years old when installed). Allen served two terms as Grand Master, the first from 1731–32, the second from 1747–61.The Past Grandmasters Gallery , Grand Lodge of Pennsylvania, accessed September 19, 2006. A Loyalist, Allen went in 1774 to England, where he published The American Crisis: A Letter, Addressed by Permission of the Earl Gower, Lord President of the Council, on the present alarming Disturbances in the Colonies, which proposed a plan for restoring the American colonies to Crown rule.

Anita Magsaysay-Ho (born Anita Corpus Magsaysay; May 25, 1914 - May 5, 2012) was a Filipina painter who specialized in Social Realism and post-Cubism in regard to women in Filipino culture. Magsaysay-Ho's work appeals to Modernism by utilizing more abstract designs and styles rather than realistic approaches. She was the only female member of the "Thirteen Moderns," a standing group of Filipino modernist artists, and in 1958 was chosen by a panel of experts as one of the six major painters of the country's history.Biografie van Anita Magsaysay-Ho, Geringer Art, geraadpleegd 6 mei 2012 The most famous work of Magsaysay-Ho are subject to the beauty of Filipino women dealing with everyday issues.

Its members were Grand Lodge officers who happened to hold the Royal Arch degree, its meetings were ordained by Grand Lodge, and its proceedings approved by that same body. By the end of the 18th century, both Craft grand lodges thus had developed a different organisational approach to the Royal Arch. While the Grand Chapter of the "Moderns" was independent from their Craft Grand Lodge out of necessity, the Grand Chapter of the "Antients" was closely tied to the corresponding Craft Grand Lodge. For the masons organised in the "Antients", the Royal Arch became recognised as the fourth degree, open to those who had served as a master of a Craft Lodge.

What is essential to the oratorical art (Gr. ῥητορική, rhētorikē) is the orderly link between common sense and an end commensurate with oratory; an end that is not imposed upon the imagination from above (in the manner of the moderns and dogmatic Christianity), but that is drawn from common sense, itself. In the tradition of Socrates and Cicero, Vico's true orator will be midwife to the birth of "the true" (as an idea) from "the certain", the ignorance in the mind of the student. Rediscovery of "the most ancient wisdom" of the senses, a wisdom that is humana stultitia ("human foolishness"), Vico's emphases on the importance of civic life and of professional obligations are in the humanist tradition.

The Pluralité des mondes was translated into modern Greek in 1794. Sainte-Beuve has an interesting essay on Fontenelle, with several useful references, in the Causeries du lundi, vol. iii. See also Villemain, Tableau de la littérature française au XVIIIe siècle; the abbé Trublet, Mémoires pour servir à l'histoire de la vie et des ouvrages de M. de Fontenelle (1759); A Laborde- Milaà, Fontenelle (1905), in the "Grands écrivains français" series; and L. Maigron, Fontenelle, l'homme, l'œuvre, l'influence (Paris, 1906). His Dialogues of the dead show both his erudition and wit, by presenting invented – but plausible – dialogues between dead ancients, dead moderns and a whole book devoted to dialogues between an ancient and a modern.

Generally, this required a sub-group of slaves to do much of the productive work, leaving citizens free to deliberate on public affairs. Ancient Liberty was also limited to relatively small and homogenous male societies, in which they could congregate in one place to transact public affairs. The Liberty of the Moderns, in contrast, was based on the possession of civil liberties, the rule of law, and freedom from excessive state interference. Direct participation would be limited: a necessary consequence of the size of modern states, and also the inevitable result of having created a mercantile society in which there were no slaves but almost everybody had to earn a living through work.

Ad Reinhardt paintingIn the 1940s a group of artists, some able to study under the G.I. bill, came to Taos and influenced by European and American modern art. Without knowing the history of the local art colony, artists came from New York City and San Francisco, centers for abstract painting that emerged after World War II. By the 1950s Taos had become one of the major centers for modern art in the country; The artists became known as the "Taos Moderns". Andrew Dasbug came to Taos and was a mentor to many of the new artists. Some of the emerging artists from this period include: Thomas Benrimo, Agnes Martin, Clay Spohn, and Edward Corbett.

Despite the flaws for which Krinsky's work has been criticized, Meḥōqeqē Yehudā remains to this day the only modern complete supercommentary on Ibn Ezra's Pentateuch commentary. Almost all the other attempts by moderns to produce a supercommentary on Ibn Ezra's Pentateuch commentary have either been woefully minimal (such as Asher Weiser's annotations to the Mosad Ha-Rav Kook edition of Ibn Ezra's commentary), or covered only a few chapters of Ibn Ezra's commentary (such as the works by Prijs and Linetsky, each of which covers only the first few chapters of Genesis.) Scheinfield, however has published a new version with Mossad Harav Kook, "Da'at Ezra", containing a comprehensive commentary on all five volumes of the Torah commentary.

Three brethren saw fit to report this to the Moderns Grand Lodge as an unauthorised masonic parade. Preston, the Master of Antiquity, sided with the accused, arguing that since the lodge was one of the original four, it had only subscribed to the original constitutions, and did not require any other authority to hold a parade. For this, he was promptly expelled. Antiquity responded by expelling the three who had complained. At least half of the lodge seceded to the Grand Lodge of All England at York, quoting Article 39 of Payne's regulations, that the Landmarks of the order must be preserved in any new regulations of Grand Lodge (alluding to their own rights and privileges).

Encyclopedia of Freemasonry retrieved 17 July 2012 These two men oversaw the union in 1813 to form the United Grand Lodge of England, with the Duke of Sussex appointed as Grand Master of the new body. The actual process of unification continued for some years, first with the Lodge of Reconciliation (1813–1816), made up of two lodges, one of each constitution, which ironed out some sort of ritual acceptable to the two parties. The work of this lodge was spread by the Stability Lodge of Instruction (1817) and fleshed out by the Emulation Lodge of Improvement (1823 onwards). The new Grand Lodge essentially ended up with the ritual of the Ancients and the infrastructure of the Moderns.

Torah Lishmah: Study of Torah for Torah's Sake in the Work of Rabbi Hayyim Volozhin and his Contemporaries Ktav pub. Philosophical difference summarised in "Monism for Moderns" in Faith & Doubt: Studies in Traditional Jewish Thought Ktav To Chaim Volozhin, the main theoretician of the Mitnagdim Rabbinic opposition to Hasidism, the illusionism of Creation, arising from a metaphorical tzimtzum is true, but does not lead to Panentheism, as Mitnagdic theology emphasised Divine transcendence, where Hasidism emphasised immanence. As it is, the initial general impression of Lurianic Kabbalah is one of transcendence, implied by the notion of tzimtzum. Rather, to Hasidic thought, especially in its Chabad systemisation, the Atzmus ultimate Divine essence is expressed only in finitude, emphasising Hasidic Immanence.

Generally, this required a sub-society of slaves to do much of the productive work, leaving the citizens free to deliberate on public affairs. Ancient Liberty was also limited to relatively small and homogenous male societies, in which they could be conveniently gathered together in one place to transact public affairs. The Liberty of the Moderns, in contrast, was based on the possession of civil liberties, the rule of law, and freedom from excessive state interference. Direct participation would be limited: a necessary consequence of the size of modern states, and also the inevitable result of having created a mercantile society in which there were no slaves but almost everybody had to earn a living through work.

Circular 10/65 was a government circular issued in 1965 by the Department of Education and Science (DES) requesting Local Education Authorities (LEAs) in England and Wales to begin converting their secondary schools to the Comprehensive System. For most of England and Wales, it marked the abolition of the old grammar schools and secondary moderns, and the 11-plus examination. Circular 10/65 was the initiative of recently appointed Education Secretary Anthony Crosland; it is sometimes called the Crosland Circular. It reflected the Labour government's view that the existing Tripartite System of education was flawed, and had to be replaced with comprehensive schools, which had been increasing in number over the previous sixteen years.

His next major part was quizzical newspaper reporter Taggerty Hayes in the HBO miniseries Tanner '88. He portrayed a young Ernest Hemingway in the 1988 film The Moderns, had a small role in 1989's Steel Magnolias and a featured role in 1994's erotic thriller Color of Night, which starred Bruce Willis and Jane March. O'Connor worked with writer/director Stephen Sommers on the 1998 science-fiction adventure Deep Rising. He subsequently appeared in Sommers' projects The Mummy, where he played the cowardly, materialistic, multilingual Beni, Van Helsing, in which he played Count Dracula's devious servant (and Dr. Frankenstein's former assistant) Igor and G.I. Joe: The Rise of Cobra portraying Doctor Mindbender.

Playbook for The Angel Intrudes (1917). In Chicago Dell became editor and book reviewer for of the Chicago Evening Post's nationally distributed Friday Literary Review, the "leading organ of literary modernism in America at the time."Stansell, Christine, American Moderns: Bohemian New York and the Creation of a New Century, Princeton University Press; 1 edition (December 6, 2009) Dell used his position as editor to introduce many Americans to modernist literature and promote the work of many Chicago writers, including Theodore Dreiser, Sherwood Anderson, and Carl Sandburg. Dell's further influence as a critic can be seen in the work of many major American writers from the first half of the 20th century.

The painting is polysemous, as are the images of the eight persons in it and even the statue of a classical god atop the column behind Jesus. This explains the difficulty it has presented to historians of art over 200 years. Some 50 different interpretations of the identities of the three moderns on the right of the painting have been proposed, and not a few of these have now been shown to be appropriate, even when they are mutually inconsistent. To understand the astrolabe and its Latin inscription and the nature and significance and potential of the acrostic and the letter combinations it contains is essential before one can begin to appreciate the persons portrayed in the painting.

In 1798, at the age of 21, he settled in Manchester, England and established a business in textile trading and finance, later moving to London, England, beginning to deal on the London Stock Exchange from 1804. He made fortune in trading bills of exchange through a banking enterprise begun in 1805, dealing with financial instruments such as foreign bills and government securities. Rothschild became a freemason of the Emulation Lodge, No. 12, of the Premier Grand Lodge of England on 24 October 1802, in London. Up until this point, the few Ashkenazi Jews that lived in England tended to belong to the "Antients" on account of their generally lower social class, while the more established Sephardim joined the Moderns.

The Grand Chapter of Pennsylvania claims to be the first Royal Arch Grand Chapter in North America and was formed on November 23, 1795 by the Grand Lodge of PennsylvaniaProceedings of the Grand Holy Royal Arch Chapter of Pennsylvania and Masonic Jurisdiction thereunto Belonging for the Year Ending December 27, 1910 Being Its One Hundred and Fifteenth Year Philadelphia: William & Marcus Co., 1911., while the first Chapter in the southern states was constituted in 1855 (like the State of the Indiana, since ten years before) and in 1876. After the independence of the American Colonies in 1776, Freemasonry in the United States remained relatively little influenced by the rivalry between the "Antients" and "Moderns" in England.

Stafford and Carew, Pacata Hibernia, vol. ?, p. ? According to Philip O'Sullivan Beare, he was one of the principal men of the relief army led by Donal Cam O'Sullivan Beare (slayer of his brother Diarmaid) to support Pedro de Zubiaur at Castlehaven in early December 1601, which led to what was according to O'Sullivan Beare a small but spectacular victory for the Spaniards and Irish:O'Sullivan Beare, Chapters, p. 143 Carbery in Tudor times However the English also claimed victory and moderns scholars are very divided on who should be considered the winners. Two months later, an apparently poorly informed or otherwise motivated Sir George Carew wrote to the English government on 15 February 1602:Calendar of State Papers, 1601–1603, p.

The Best Of The Manhattan Transfer was released in 1981 on the Atlantic Records label by The Manhattan Transfer for the holiday season. It contained the "best of" their hits from their early Atlantic years (1975–1981). All of the tracks had been previously released on four of their five Atlantic studio albums: The Manhattan Transfer (1975), Pastiche (1978), Extensions (1979), and Mecca for Moderns (1981). No songs from their second studio album, Coming Out (1976), were included on US or international releases, except on early Australian and New Zealand vinyl releases where a slightly different track order omitted "Nightingale" in favour of "Chanson D'Amour" and "Where Did Our Love Go." The album cover art is an adaptation of A.M. Cassandre's 1927 Nord Express poster.

At the Grand Academy of Lagado in Balnibarbi, great resources and manpower are employed on researching preposterous schemes such as extracting sunbeams from cucumbers, softening marble for use in pillows, learning how to mix paint by smell, and uncovering political conspiracies by examining the excrement of suspicious persons (see muckraking). Gulliver is then taken to Maldonada, the main port of Balnibarbi, to await a trader who can take him on to Japan. While waiting for a passage, Gulliver takes a short side-trip to the island of Glubbdubdrib which is southwest of Balnibarbi. On Glubbdubdrib, he visits a magician's dwelling and discusses history with the ghosts of historical figures, the most obvious restatement of the "ancients versus moderns" theme in the book.

He had become increasingly progressive while in public service, believing France and Church needed modernizing, which culminated in the Quarrel of the Ancients and the Moderns that started in 1687 and ended a decade later by Louis XIV's ruling in favor of the "ancients". At that point Perrault wrote his tales, that were based on the ancient but rewritten to be modern. Additionally, the tales may have been written as means for him to regain a place in society, particularly in the well-attended literary salons. The French literary style préciosité, characterized by witty conversations, literary salons, and telling fairy stories were fashionable ("all the rage") in the upper echelons of society and aristocratic circles, and most particularly, at court.

In 19th-century England, highlighting the distinction between Hellenism ("Athens"/reason or "sweetness and light") and Hebraism ("Jerusalem"/faith), Matthew Arnold defended the ancients (most notably Plato and Aristotle) against the dominant progressive intellectual trends of his times. Arnold drew attention to the fact that the great divide between ancients and modernists pertained to the understanding of the relation between liberty/reason and authority. Countering the thrust of much of 20th-century intellectual history and literary criticism, Leo Strauss has contended that the debate between ancients and moderns (or the defenders of either camp) is ill understood when reduced to questions of progress or regress. Strauss himself revived the old "querelle," siding with the ancients (against the modernist position advocated, e.g.

A secondary modern school is a type of secondary school that existed throughout England, Wales and Northern Ireland from 1944 until the 1970s under the Tripartite System. Schools of this type continue in Northern Ireland, where they are usually referred to as secondary schools, and in areas of England, such as Buckinghamshire (where they are referred to as community schools), Lincolnshire and Wirral, (where they are called high schools). Secondary modern schools were designed for the majority of pupils between 11 and 15; those who achieved the highest scores in the 11-plus were allowed to go to a selective grammar school which offered education beyond 15. From 1965 onwards, secondary moderns were replaced in most of the UK by the comprehensive school system.

Heyes began playing rugby at age 14, originally a football goalkeeper for Nottingham Forest he initially played outside centre for Nottingham Moderns RFC and then moved to Newark before joining Leicester Tigers academy at 16 and switching position to prop. Heyes made his debut for Leicester Tigers on 16 September 2018 against Wasps at the Ricoh Arena in a 35-41 defeat in round three of the 2018–19 Premiership Rugby season. After a seven-minute cameo in Leicester's 23-15 win against Northampton Saints at Twickenham Heyes was named in RUGBYPASS's team of the week. He was named in the England under 20s squad for the 2018 World Rugby Under 20 Championship and scored in the final as England finished runners up to hosts France.

To the château, he added one of the largest art collections in Europe and the largest collection of ancient Roman sculpture in France. The heavily resurfaced and restored Richelieu Bacchus continued to be admired by neoclassical artists.The young Jean-Auguste Dominique Ingres made a careful drawing of it. Among his 300 paintings by moderns, most notably, he owned Leonardo's Virgin and Child with Saint Anne, The Family of the Virgin by Andrea del Sarto, the two famous Bacchanales of Nicolas Poussin, as well as paintings by Veronese and Titian, and Diana at the Bath by Rubens, for which he was so glad to pay the artist's heirs 3,000 écus, that he made a gift to Rubens' widow of a diamond-encrusted watch.

After studying Theatre at Collège Lionel-Groulx, in Sainte-Thérèse, Quebec, Brathwaite started to participate in theatrical plays in 1977 and played in 1981 the musical comedy show La Cage aux folles. From 1979 to 1991, he participated in several television shows as actor including Chez Denise, L'Ingenieux Don Quichotte, Peau de banane and Le 101 Ouest Avenue des Pins as well as minor roles in a few movies such as The Moderns and If Only during the late 1980s. His first role as a television host was in 1988 when he hosted for nearly six year Beau et Chaud. Starting in 1993, he was the host of the satirical and humor show Piment Fort which aired on TVA until 2001 and was the show's only host.

Grundy Steiner of Northwestern University, in a 1955 judgement considered by Thomas R. Laehn to represent the collective opinion of Pliny's critics, wrote of Pliny that "He was not an original, creative thinker, nor a pioneer of research to be compared either with Aristotle and Theophrastus or with any of the great moderns. He was, rather, the compiler of a secondary sourcebook." The Italian author Italo Calvino, in his 1991 book Why Read the Classics?, wrote that while people often consult Pliny's Natural History for facts and curiosities, he is an author who "deserves an extended read, for the measured movement of his prose, which is enlivened by his admiration for everything that exists and his respect for the infinite diversity of all phenomena".

Nonetheless, one form of enduring organisational influence stemmed from Torr's circle, from the creation by Historians' Group members of two offshoots: the academic journal Past & Present, and, later, the Labour History Review. The former went on to create an associated society, more often associated with medieval and early modern studies. After her death, the "Moderns" (a sub-section of the group) reached out to others to form the Society of Labour History, which survives to the present day, and publishes a distinguished journal of its own. Indirectly, the Historians' Group which she helped to found, and its members, also led to the formation of History Workshop and to other leftist conferences and events to further the study of history in Britain.

It may have been at this meeting that Preston became their second initiate. Unhappy with the status of the relatively new Grand Lodge which they found themselves part of, Preston and some others began attending a lodge attached to the original Grand Lodge of England, and persuaded their brethren to change allegiance. Accordingly, on 15 November 1764, Lodge no 111 of the Antients became Caledonian Lodge no 325 (now 134), under a constitution which was just starting to be known as the "Moderns"; that lodge later held its meetings at the Great Eastern Hotel on Liverpool Street in London. Antient/ancient and Modern referred to the ritual used by the respective constitutions, not to the age of the Grand Lodges.

Colocci came to Rome in 1497"In 1497 he bought his way into papal service" according to Lowry 2003. as a young man. From 1511 he worked as one of the apostolic secretaries, a demanding position that curtailed his private literary abilitiesNotebooks for a treatise on Roman weights and measures, a lifelong obsession, never came to fruition: S. Lattès, "A proposito dell'opera incompiuta 'De ponderibus et mensuris' di Angelo Colocci" Atti 97-108. at the same time it placed him in the social center of the humanists at the court of Pope Julius II,This literary world is discussed by Ingrid D. Rowland's biographical and anecdotal The Culture of the High Renaissance: Ancients and Moderns in Sixteenth-Century Rome (Cambridge University Press) 1998; Colocci often appears.

Maxwell Geismar, American moderns, from rebellion to conformity (1958) Experimental in form, the U.S.A. trilogy weaves together various narrative strands, which alternate with contemporary news reports, snatches of the author's autobiography, and capsule biographies of public figures including Eugene Debs, Robert La Follette and Isadora Duncan. Ernest Hemingway (1899–1961) saw violence and death first-hand as an ambulance driver in World War I, and the carnage persuaded him that abstract language was mostly empty and misleading. He cut out unnecessary words from his writing, simplified the sentence structure, and concentrated on concrete objects and actions. He adhered to a moral code that emphasized grace under pressure, and his protagonists were strong, silent men who often dealt awkwardly with women.

Johnstone's paintings were of life in city, town or countryside, as well as scenes of Montreal's Chinatown and portraits. A self portrait in the collection of the Robert McLaughlin Gallery, shows him with a handsome, half-smiling visage looking up attentively at something over the viewer's shoulder but accounts of his fits of depression and a resulting habit of heavy drinking suggest a darker side to his personality. His particular gift was a subtle gloom in his paintings, and one writer suggests that he could not maintain the sense of compression he achieved in his small panels in his large canvases. He is considered one of the first true Moderns among Canadian artists at the beginning of the 20th century.

Benjamin Constant, a Franco-Swiss political activist and theorist Among them was also one of the first thinkers to go by the name of "liberal", the Edinburgh University educated Swiss Protestant, Benjamin Constant, who looked to the United Kingdom rather than to ancient Rome for a practical model of freedom in a large mercantile society. He drew a distinction between the "Liberty of the Ancients" and the "Liberty of the Moderns". The Liberty of the Ancients was a participatory republican liberty, which gave the citizens the right to influence politics directly through debates and votes in the public assembly. In order to support this degree of participation, citizenship was a burdensome moral obligation requiring a considerable investment of time and energy.

La Popelinière joined a number of his contemporaries in this conception: Guillaume Le Testu, Jean Alfonse, Guillaume Postel, André Thevet.Anne-Marie Beaulieu (ed.), Les Trois Mondes de La Popelinière, Geneve, Droz, c1997, p.460. According to him, if France discovered and colonized this third part of the world, the Terra Australis, an unknown and immense land, she would be able to efface the grave fault of not having set foot on the New World since the time of Christopher Columbus. Les Trois Mondes is an invitation to exploration, to adventure, and an appeal to those Frenchmen who would wish to go in the footsteps of Columbus, of Magellan, of Cortes and of Drake. La Popelinière said: “there remain more countries to know than we moderns have discovered”.

Dan Stephen, president of the museum's board, described Bacigalupi's tenure as "We wanted someone with fire in his belly, and we got someone like that—someone who could do some fence mending, someone who could help us take our place in the community of museums and as an educational resource." During Bacigalupi's tenure, exhibitions at the museum included High Societies, Axis Mexico, Idol of the Moderns: Pierre-Auguste Renoir and American Painting, and Power & Desire: South Asian Paintings from the Edwin Binney 3rd Collection. From 2003 to 2009, Bacigalupi served as director of the Toledo Museum of Art. During his tenure, Bacigalupi acquired numerous works for the collection including The Party by Marisol Escobar, Executive by Duane Hanson, and Chandelier Campiello del Remer #2 by Dale Chihuly.

Utilizing them with extraordinary skill, he negotiated some of the ocean's most difficult underwater passages, such as those beneath the Antarctic ice barrier, as well as a fictitious tunnel under the Isthmus of Suez. The main lounge of the Nautilus He has an exhaustive knowledge of marine biology, and it's his respect for Professor Aronnax's preeminence in the field that led to his befriending the professor once the latter was cast aboard the Nautilus. Further, Nemo seems to have been a genuine polyglot, able to read all the books in the Nautilus vast library, regardless of their language. The captain has an exquisite taste in the fine arts, possessing many masterpieces of both painting and sculpture, from old masters to moderns.

The cynical view described above reflects a difference in expectation between Herodotus and his target audiences, which by the accidents of time are multiple and various. He did not write for us moderns. Reading that he was the first historian whose work survived in anything more than scattered fragments, we expect him to have the proper concern of modern historians for continuity and causality, which other ancient historians, such as Thucydides, have. Herodotus is not one of those. With regard to causation, the Cambridge Ancient History article asserts: “...Herodotus does not seem to have innovated: he merely accepted the causation appropriate to his subject and period.” It would be convenient to attribute this unconcern to a sort of intermediate phase between mythology and history, as many do.

The epithet of Doeth (Welsh for wise) induced some writers to confound him with St. Sophias (Greek for wisdom), bishop of Beneventum in Italy. Hence he is said sometimes to have died at Bannaventa (Weedon, five kilometres east of Daventry in Northamptonshire),"Certain innocent moderns, anxious to extract the uttermost farthing of historical truth from this yarn, have tried to identify 'Beneventana civitas' with some place in Britain," Tatlock observed and pointed out that the circular Lombard church in Beneventum was dedicated to Saint Sophias, "a scarce name among saints. The inference is obvious that some Welsh visitor to Benevento had found there some name or anecdote to excuse the attractive invention that Cadoc had been there and was Sofia." (Tatlock 1939:346).

The bee is like the ancients and like authors: it gathers its materials from nature and sings its drone song in the fields. The spider is like the moderns and like critics: it kills the weak and then spins its web (books of criticism) from the taint of its own body digesting the viscera. In one sense, the Battle of the Books illustrates one of the great themes that Swift would explore in A Tale of a Tub: the madness of pride involved in believing one's own age to be supreme and the inferiority of derivative works. One of the attacks in the Tale was on those who believe that being readers of works makes them the equals of the creators of works.

The movement defined historically as Neoclassicism is specific to a historical period. Classical architecture, an ages old tradition that continues today, is distinct from this circumscribed attempt at a "scientific" study of Greece and Rome. There is Neoclassical Architecture, a specific style and moment in the late 18th and early 19th centuries that was specifically associated with the Enlightenment, empiricism, and the study of sites by early archaeologists.See, for instance, Joseph Rykwert, The First Moderns: the architects of the eighteenth century (Cambridge, MIT Press: 1980) and Alberto Perez Gomez, Architecture and the Crisis of Modern Science, (Cambridge, MIT Press: 1983) Classical architecture after about 1840 must be classified as one of a series of "revival" styles, such as Greek, Renaissance, or Italianate.

Considered in the light of inscriptions now catalogued and known to moderns, the rank of Lucullus appears to be a problem. There is a question whether he was Quaestor in 88 or Quaestor in 87; however, beyond that, in some years he appears to have been both Quaestor and Proquaestor. If it is assumed that magistrates can be either Quaestors or Proquaestors, but not both, then insoluble contradictions are seen generally solved by tossing out evidence contrary to a given proposition as exclusive choice. Thonemann, for example, after a review of the evidence as he sees it decides Lucullus must have been Quaestor in 87 and Proquaestor thereafter, discarding evidence to the contrary, but whichever view he were to take, he could not keep it without discards.

Ruined tower of Bordj Khadidja at Ras Kaboudia. The city of Chebba derives its name from the headland to the east, which was classically known as Caput Vada (headland above the shoals).Hannezo, G. (1905) "Chebba et Ras-Kapoudia: Notes Historique" Bulletin de la Société archéologique de Sousse 3(5): pp. 135-140; in FrenchThe shoals (Latin vada) refer to the shallows between the headland and the Kerkennah Islands, see Hannezo (1905)In a footnote Gibbons says The Caput Vada of Procopius (where Justinian afterwards founded a city - Da Ædific. l. vi. c.6) is the promontory of Ammon in Strabo, the Brachodes of Ptolemy, the Capaudia of the moderns, a long narrow slip that runs into the sea (Shaw's Travels, p. 111).

Some commentators define modernism as a mode of thinking—one or more philosophically defined characteristics, like self-consciousness or self-reference, that run across all the novelties in the arts and the disciplines.Everdell, William, The First Moderns: Profiles in the Origins of Twentieth Century Thought, University of Chicago Press, 1997, . More common, especially in the West, are those who see it as a socially progressive trend of thought that affirms the power of human beings to create, improve and reshape their environment with the aid of practical experimentation, scientific knowledge, or technology. From this perspective, modernism encouraged the re-examination of every aspect of existence, from commerce to philosophy, with the goal of finding that which was 'holding back' progress, and replacing it with new ways of reaching the same end.

116–34, Pietre-Stones website, retrieved 9 January 2014 The Grand Masters of both the Moderns and the Antients Grand Lodges called on Prime Minister William Pitt (who was not a Freemason) and explained to him that Freemasonry was a supporter of the law and lawfully constituted authority and was much involved in charitable work. As a result, Freemasonry was specifically exempted from the terms of the Act, provided that each private lodge's Secretary placed with the local "Clerk of the Peace" a list of the members of his lodge once a year. This continued until 1967, when the obligation of the provision was rescinded by Parliament. Freemasonry in the United States faced political pressure following the 1826 kidnapping of William Morgan by Freemasons and his subsequent disappearance.

Lesbia, 1878 painting by John Reinhard Weguelin inspired by the poems of Catullus Catullus's poetry was influenced by the innovative poetry of the Hellenistic Age, and especially by Callimachus and the Alexandrian school, which had propagated a new style of poetry that deliberately turned away from the classical epic poetry in the tradition of Homer. Cicero called these local innovators neoteroi (νεώτεροι) or 'moderns' (in Latin poetae novi or 'new poets'), in that they cast off the heroic model handed down from Ennius in order to strike new ground and ring a contemporary note. Catullus and Callimachus did not describe the feats of ancient heroes and gods (except perhaps in re-evaluating and predominantly artistic circumstances, e.g. poems 63 and 64), focusing instead on small-scale personal themes.

Their exactness in these things exceeds any thing of the kind found amongst the moderns, and is even beyond what any practical writer on agriculture has proposed. This is an evidence that tillage is not even in this age brought to that perfection of which it is capable: and that, notwithstanding all the improvements lately introduced, we may yet receive some instruction from a proper attention to the precepts and practices of the ancients. I am desirous to add that this attention may be useful by preventing improvers from running into every specious scheme of agriculture produced by a lively imagination and engaging them to study the great variety of soils and even climates in this island, and to be careful in adapting to these their several operations.Adam Dickson.

The historical footage "seem[s] to persist as an outsized influence on today's politics, stories, and even identities" while the Hollywood movies compel modern film characters to "live in the light of the history of cinema, of the great age of Hollywood and the classic European cinema that also overarches and overawes the moderns." One technique Godard uses is having narrative scenes suddenly cut to "a digression, a collage of found footage, intertitles, or other material that seems triggered by something mentioned in the scene." Bordwell has called this an "associational form" often used in essay films, similar to novelist John Dos Passos' use of newspaper stories in his USA trilogy. The film examines many historical events of the twentieth century, particularly the rise of Hitler, communism and technology.

In May 1940 he was elected president of the Harvard Teachers Union, an affiliate of the American Federation of Labor. The Harvard Crimson reported his inaugural address in which Matthiessen quoted the campus union's constitution: "In affiliating with the organized labor movement, we express our desire to contribute to and receive support from this powerful progressive force; to reduce the segregation of teachers from the rest of the workers ...and increase thereby the sense of common purpose among them; and in particular to cooperate in this field in the advancement of education and resistance to all reaction."Matthiessen Heads Union The Harvard Crimson, Retrieved March 22, 2013 Matthiessen seconded the nomination of the Progressive Party presidential candidate, Henry Wallace, at the party's convention in Philadelphia in 1948.Memories of the Moderns, pg.

A few years after the war he moved to the newly formed American Broadcasting Company (ABC) as a staff pianist, conductor and composer until 1968. He performed for the Peabody Mason Concert series in Boston in 1952,Boston Herald, 6-Mar-1952, Rudolph Elie, "Earl Wild" 1968,The Tech, 5-Nov-1968, Steven Shladover, "Earl Wild play a Russian program", Cambridge and 1971 and three concerts of Liszt in 1986.Christian Science Monitor, 18-Feb-1971, Louis Snyder, "Earl Wild's Liszt – Musica Viva's moderns", Boston Wild was renowned for his virtuoso recitals and master classes held around the world, from Seoul, Beijing, and Tokyo to Argentina, England and throughout the United States. WildJean-Pierre Thiollet, 88 notes pour piano solo, "Solo nec plus ultra", Neva Editions, 2015, p.51. .

Most such novels took the form of "chivalric romance", tales of adventure, devotion and honour. The founders of Romanticism, critics August Wilhelm Schlegel and Friedrich Schlegel, began to speak of romantische Poesie ("romantic poetry") in the 1790s, contrasting it with "classic" but in terms of spirit rather than merely dating. Friedrich Schlegel wrote in his 1800 essay Gespräch über die Poesie ("Dialogue on Poetry"): "I seek and find the romantic among the older moderns, in Shakespeare, in Cervantes, in Italian poetry, in that age of chivalry, love and fable, from which the phenomenon and the word itself are derived."Ferber, 6–7 The modern sense of the term spread more widely in France by its persistent use by Germaine de Staël in her De l'Allemagne (1813), recounting her travels in Germany.

Swift has the books come to life and step down from the library shelves to stage a mock- Homeric battle, while the goddess Criticism, a hideous hag, intervenes on the side of her beloved "Moderns" in the manner of the Olympians of yore. Midway through the story, Aesop, an ancient book, stumbles on a debate between a bee and a spider. The spider claims that the bee creates nothing of its own, whereas the spider is an original creator who "spins and spits wholly from himself, and scorns to own any obligation or assistance from without" and his web is a triumph of architecture and mathematics. The bee counters that the spider's web is spun from digested flies and other dirt and that all the spider really contributes is his poison.

In 1954, the Director of BAM, Julius Bloom, led the incorporation of another new orchestra also known as the "Brooklyn Philharmonia" in concert with noted conductor JM & Siegfried Landau and arts impresario Marks Levin. Landau gave the orchestra a focus on contemporary and infrequently performed classical music. In 1982, the Brooklyn Philharmonia changed its name to the "Brooklyn Philharmonic Orchestra" while under the direction of American composer Lukas Foss, who was well-noted for his "Meet the Moderns" series, having received permission to adopt the name from the then still extant but much diminished Philharmonic Society of Brooklyn. Although it sometimes claimed to be "one of the oldest living orchestras in the New World," it had no organizational connection to the earlier Philharmonic Society of Brooklyn, with which it existed concurrently for almost thirty years.

The Education Act 1944 made secondary education available to all children up to the age of 15 and abolished fees for state- schooling; a 'tripartite system' of secondary schools was established to provide curricula based on aptitude and ability: grammar schools for "academic" pupils, secondary moderns for practical studies, and technical schools for science and engineering. Pupils were allocated to them depending on their score in the eleven-plus examination. Carre's became a Voluntary Controlled Grammar School; from 1945 all entry was by the County Selection Examination. By 1955, the school had 330 pupils on roll and the need for new accommodation was met in the 1950s and 1960s by a major building programme at the Northgate site; completed in 1966, this added dedicated classroom blocks, a canteen and hall.

By the second half of the 18th century universities abandoned Aristotelian natural philosophy and Galenist medicine in favor of the mechanist and vitalist ideas of the moderns, so they placed a greater emphasis on learning by seeing. Everywhere in teaching science and medicine the monotonous diet of dictated lectures was supplemented and sometimes totally replaced by practical courses in experimental physics, astronomy, chemistry, anatomy, botany, materia medica, even geology and natural history. The new emphasis on practical learning meant that the university now offered a much more welcoming environment to the Republic of Letters. Although most professors and teachers were still uninterested in membership, the ideological and pedagogical changes across the century created the conditions in which the pursuit of curiosity in the university world became much more possible and even attractive.

Bar Kokhba Sextet brings together six core members of the Masada family under the leadership of John Zorn. The music act is an improvisational group from New York's best downtown artists, including Cyro Baptista on percussion, Marc Ribot on guitar, Greg Cohen on bass, Joey Baron on drums and Mark Feldman / Erik Friedlander on strings. According to Tzadik, John Zorn's music label, the band's music is "Sephardic exotica for young moderns". The Bar Kokhba album recorded between 1994 & 1996 together with the Masada musical project was the album that started John Zorn's 2nd evolution into Masada Book Two (II) or Book of Angels during the Winter of 2005 at Tonic (New York City) after performing a ravishing set of sessions of filmworks at the Anthology Film Archives in the same city during the Winter of 2004.

The first collection of lyrical poems, which Carducci collected and divided in six books under the title Juvenilia (1850-1860), is undoubtedly inspired by the classical tradition of the Amici pedanti group that was constituted at that time for the purpose of fighting the romanticism of the Florentines. In the verses of the collection we can immediately see his imitation of the ancient classics, of the stilnovo style, of Dante and Petrarch and, among the moderns, Vittorio Alfieri, Monti, Foscolo and Leopardi. But the Carduccian spirit is already visible; his love for the beauty of style, the purity of sentiments and the celebration of liberty, as well as the ability to appreciate all that is genuine, therefore also the language of the common people.G. Bertoni, La lingua poetica di Giosue Carducci, in Regia Università di Bologna, cit.

"Mary Oxlie of Morpet" is credited as the author of a commendatory poem of fifty-two lines, "To William Drummond of Hawthornden," which prefaced Edward Phillips' 1656 edition of his brother-in-law's poems. In 1675, in a section of his Theatrum poetarum called "Women among the moderns eminent for poetry," Phillips describes "Mary Morpeth" as a "Scotch Poetess" who wrote "many other things in Poetry" (259) apart from the dedication, though none of these other poems are now known and the 1656 ascription identifies her as Northumbrian. The original date of the poem is conjectural, though from internal evidence it would seem to have been 1616. There is a stronger indication that Oxlie, along with other women such as Anna Hume, was part of the Hawthornden literary circle: Phillips terms her "a friend of the Poet Drummond" (259).

Wetherby High School; a former secondary modern; now comprehensive school In counties still operating a selective system, there were 130 schools fulfilling the role of the secondary modern by taking those pupils who do not get into grammar schools. These schools may be known colloquially (though not officially) as high schools (Medway and Trafford), upper schools (Buckinghamshire), all-ability or non-selective schools. The term secondary modern has completely disappeared in the naming of schools, although in 2013 the National Association of Secondary Moderns was founded by Ian Widdows, Headteacher at the Giles Academy in Boston, Lincolnshire. The organisation represents non-selective schools in selective areas and has held annual conferences since it was founded, the first in Peterborough in 2014 followed by a second in London in 2015 and a third at the QEII Centre in London on 28 April 2016.

The literary criticism of Germán Gullón offers three different facets: the scholarly one, the author of literary studies, the text editor of Spanish literature of the 19th, 20th and 21st centuries, and the one as literary critic. As author of literary studies emphasizes his works about the 19th century and about the modernism (end of the century and Generation of '98). His contribution has been very important, within the line of formalistic works started by Ricardo Gullón, Fernando Lázaro Carreter, Francisco Rico and Darío Villanueva Prieto, because it is the one who has insisted on the importance of the way in which the works are narrated and his influence in the configuration of the meaning. Their editions have also supposed a landmark in the edition of classic Spanish moderns, for taking an original point of view.

But then Kline switched to being a critic of some of the changes. In 1958 he wrote "Ancients versus moderns: a new battle of the books". The article was accompanied with a rebuttal by Albert E. Meder Jr. of Rutgers University.Mathematics Teacher 51:428–33 He says, "I find objectionable: first, vague generalizations, entirely undocumented, concerning views held by ‘modernists’, and second, the inferences drawn from what has not been said by the ‘modernists’." By 1966 Kline proposed an eight-page high school plan.Mathematics Teacher 59:322-330 The rebuttal for this article was by James H. Zant; it asserted that Kline had "a general lack of knowledge of what was going on in schools with reference to textbooks, teaching, and curriculum." Zant criticized Kline’s writing for "vagueness, distortion of facts, undocumented statements and overgeneralization." In 1966M.

Heretics is a collection of 20 essays originally published by G. K. Chesterton in 1905. While the loci of the chapters of Heretics are personalities, the topics he debates are as universal to the "vague moderns" of the 21st century as they were to those of the 20th. He quotes at length and argues against atheist apologist and eugenicist Joseph McCabe extensively, delivers diatribes about his close personal friend and intellectual rival, George Bernard Shaw, as well as Friedrich Nietzsche, H. G. Wells, Rudyard Kipling and an array of other major intellectuals of his day, many of whom he knew personally. The topics he touches upon range from cosmology to anthropology to soteriology and he argues against French nihilism, German humanism, English utilitarianism, the syncretism of "the vague modern", Social Darwinism, eugenics and the arrogance and misanthropy of the European intelligentsia.

Third degree ceremony, Paris, 1745, retinted in 1812 to resemble a Moderns Lodge in London On 17 July 1751, representatives of six Lodges gathered at the Turk's Head Tavern, in Greek Street, Soho, London. Five were unaffiliated lodges of mainly Irish membership, and the sixth appears to have been formed shortly beforehand for the business of the evening. On that night, they established the "Most Ancient and Honourable Society of Free and Accepted Masons according to the Old Constitutions", now commonly known as the Grand Lodge of the Antients. The first Grand Secretary, John Morgan, obtained a position in the Navy, and resigned after seven months. His successor, Laurence Dermott, presided as Grand Secretary for almost twenty years, being deputy Grand Master on three occasions after that, and exercised considerable influence until his death in 1791.

I find that 'Broucolokas' > is an old legitimate Hellenic appellation—the moderns, however, use the word > I mention. The stories told in Hungary and Greece of these foul feeders are > singular, and some of them most incredibly attested. A vampire who returns to destroy his family is described in The Giaour, lines 757-768The Vampire Passage from Lord Byron's The Giaour (1813). ualr.edu.: :But first, on earth as vampire sent, :Thy corse shall from its tomb be rent: :Then ghastly haunt thy native place, :And suck the blood of all thy race; :There from thy daughter, sister, wife, :At midnight drain the stream of life; :Yet loathe the banquet which perforce :Must feed thy livid living corse: :Thy victims ere they yet expire :Shall know the demon for their sire, :As cursing thee, thou cursing them, :Thy flowers are withered on the stem.

Samuel L. Laciar, reviewing the work for the Public Ledger, gave a more positive assessment. He called the symphony "a most excellent work in musical conception, composition and orchestration," adding that Rachmaninoff "has given us another example in this work that it is not necessary to write dissonant music in order to get the originality which is the greatest—and usually the single—demand of the ultra-moderns."Bertensson and Leyda, 324. W. J. Henderson of the Sun was perhaps most accurate in summing up both the work and the situation the critics faced in assessing it: > It is the creation of a genial mind laboring in a field well known and loved > by it, but not seeking now to raise the fruit of heroic proportions.... The > first movement is orthodox in its initial statement of two contrasting chief > subjects.

The film Score was released during the Golden Age of Porn (inaugurated by the 1969 release of Andy Warhol Blue Movie) in the United States, at a time of "porno chic",Porno Chic (Jahsonic.com) in which adult erotic films were just beginning to be widely released, publicly discussed by celebrities (like Johnny Carson and Bob Hope) and taken seriously by film critics (like Roger Ebert). The Yardbirds-style theme song "Where is the Girl" was performed by the house band at the hotel where Metzger and the crew were staying.Mark Olsen, Porn for the Young Moderns, LA Weekly, November 18, 2010 According to one film reviewer, Radley Metzger's films, including those made during the Golden Age of Porn (1969–1984), are noted for their "lavish design, witty screenplays, and a penchant for the unusual camera angle".

The consequence of this world alienation for philosophy has been an intense focus on the self, the one remaining sphere of certainty and knowledge. The world described by science cannot be known, or not with certainty, but the self, Descartes and other moderns thought, could be known. Though his cogito ergo sum was anticipated by Augustine, his dubito ergo sum is original and a hallmark of modernity: beginning from doubt. The notion of common sense as a sense in which the other five were fitted to a common world ceded to a conception of common sense as an inner faculty with no relationship to the world, and the assumption that all humans had faculties like this in common became necessary to get theories going, but without the assumption of a common world, the assumption of faculties in common lost some warrant.

He was of Welsh descent, son of Edward Gwinne, grocer, and was born in London. On 28 April 1570 he entered Merchant Taylors' School. He was elected to a scholarship at St John's College, Oxford, in 1574, and afterwards became a fellow there. He proceeded B.A. 14 May 1578, and M.A. 4 May 1582. In 1582, as a regent master, he read lectures in music, but on 19 February 1583 he was allowed to discontinue the lecture. In 1588 he was junior proctor. Queen Elizabeth visited Oxford in September 1592, and he took part as replier in moral philosophy in an academic disputation held for her amusement, defending the Moderns against the Ancients and being cut short by the proctors,;Christopher Hill, Intellectual Origins of the English Revolution Revisited (1997), p. 47. and at the same time was appointed to provide for plays in Christ Church.

The Education Act 1944 made secondary education available to all children up to the age of 15; a 'tripartite system' of secondary schools was established to provide curricula based on aptitude and ability: grammar schools for "academic" pupils, secondary moderns for practical studies, and technical schools for science and engineering. Pupils were allocated to them depending on their score in the eleven-plus examination. The Senior department at the Sleaford Council School became its own school in March 1945 and was designated a secondary modern; the County Council announced in May 1947 that the Infants' School would close and the former Senior school would be allocated £50,000 for adaptions as part of its conversion into a secondary modern for boys. The school would use parkland at Westholme for playing fields, where a separate secondary modern for girls would be constructed and the High School rebuilt.

For instance, he gave the premiere of Pfitzner's Sechs Studien für das Pianoforte, Op. 51, of which he was the dedicatee,Williamson, John, The Music of Hans Pfitzner, Oxford: Oxford University Press, 1992 shortly after its composition in 1943Kater, Michael H., Composers of the Nazi Era: Eight Portraits, Oxford: Oxford University Press, 2000 and in the 1950s, he performed Kurt Hessenberg's Piano Concerto, Op. 21 (1939).Cassandra Artists, Hessenberg, Kurt, A Brief Autobiography Nonetheless, notwithstanding his pioneering work for music of the Second Viennese School and other moderns of his day, Wührer's principal focus as a performer, his posthumous reputation, and his recorded legacy came to rest on performances of music from the romantic era, particularly works in the German and Austrian traditions. Later in life, Wührer was a juror at the Second Van Cliburn International Piano Competition in 1966, which awarded first prize to Radu Lupu.

The > postmodern era is positioned to synthesize at a higher level—the level of > experience, where the being of things and the activity of the finite knower > compenetrate one another and provide the materials whence can be derived > knowledge of nature and knowledge of culture in their full symbiosis—the > achievements of the ancients and the moderns in a way that gives full credit > to the preoccupations of the two. The postmodern era has for its distinctive > task in philosophy the exploration of a new path, no longer the ancient way > of things nor the modern way of ideas, but the way of signs, whereby the > peaks and valleys of ancient and modern thought alike can be surveyed and > cultivated by a generation which has yet further peaks to climb and valleys > to find.John Deely, "Philosophy and Experience," American Catholic > Philosophical Quarterly LXVI.4 (Winter 1992), 299–319, esp. 314–15.

Phoenix Masonry Bernard E.Jones, Freemason's Book of the Royal Arch, revised Carr, 1966, retrieved 23 September 2012 The minutes of the first meeting of Grand Chapter show that it met in the Turks Head, in the London district of Soho, the same tavern that had shortly before hosted the birth of the Antient Grand Lodge of England.Grand Chapter of England The First Grand Chapter, retrieved 20 September 2012 On this occasion, Thomas Dunckerley was elected to hold the office of Z (head officer of the Chapter) in the absence of the Grand Master and Deputy Grand Master. He was later appointed Grand Superintendent and promoted Royal Arch Masonry in the provincial lodges of the "Moderns" with considerable energy and success.Thomas Dunckerley, his life, labours, and letters by Henry Sadler, Kenning, London, 1891 pp 244-255 In 1774, the "Antients" formed their own Royal Arch Grand Chapter upon Laurence Dermott's instigation.

The first record of Mark Masonry in England is in 1769, when Thomas Dunckerley, as Provincial Grand Superintendent, conferred the degrees of Mark Mason and Mark Master at a Royal Arch Chapter in Portsmouth.Phoenix Masonry Bernard E.Jones, Freemason's Book of the Royal Arch, revised Carr, 1966, retrieved 20 October 2012 Following the Union of the Antients and Moderns Grand Lodges and the formation of the United Grand Lodge of England in 1813, the articles of union stated that there would be three Craft degrees only, including the Royal Arch, excluding the Mark degree. For this reason, while in the rest of the world Mark Masonry became attached to Royal Arch chapters, in England it was actually proscribed from the Union until the 1850s. It was a group of Scottish masons who procured an illegal warrant from Bon Accord Chapter in Aberdeen to set up a Mark lodge in London.

Declaration prefaced to the Book of Constitutions of the United Grand Lodge of England. The degree of the Holy Royal Arch is of great antiquity, and has a special importance in many masonic systems, including those of all three of the oldest 'Constitutions' (masonic authorities), namely the Grand Lodges of England, Scotland, and Ireland, in all of which it is considered (by varying constitutional definitions) to be the completion of the mainstream masonic structure.In the United Kingdom, Article II of the 1813 Articles of Union between the "Antients" and "Moderns" declared that the Holy Royal Arch degree is the completion of the Master Mason degree. A number of other organisations, most of which are known as 'masonic' or have a title identifying themselves as masonic, require candidates for membership to be a Master Mason in "good standing" (subscriptions paid, and not under any form of discipline).

The conception of architecture as a product of inter-related disciplines and as a sister to other visual arts informs Rykwert's latest book, The Judicious Eye: Architecture Against the Other Arts, published in 2008. Joseph Rykwert married his second wife, Anne, during his time in Essex, and she has been a collaborator on notable works including the international Alberti exhibition and a book on the Adam brothers. Rykwert’s teaching has influenced several generations of architects and historians. Sir James Stirling commented on The First Moderns, for example, that it was: ‘An erudite lead into my favourite period (early nineteenth century) with amazing revelations on the architectural heroes of the time.’ Many of Rykwert’s former pupils have gone on to have significant careers in their own right, such as Daniel Libeskind, Shams Naga, Eric Parry, Alberto Pérez-Gómez, Mohsen Mostafavi, Robert Tavernor, Vaughan Hart and David Leatherbarrow.

Academic literary critics have examined Egan's work in a variety of contexts. David Cowart has read Egan's project in A Visit from the Goon Squad as indebted to modernist writing but as possessing a closer affinity to postmodernism, in which "she meets the parental postmoderns on their own ground; by the same token, she venerates the grandparental moderns even as she places their mythography under erasure and dismantles their supreme fictions", an aspect also touched upon by Adam Kelly. Baoyu Nie has focused, alternatively, on the ways in which "Egan draws the reader into the addressee role" through the use of second-person narrative technique in her Twitter fiction. Finally, Martin Paul Eve has argued that the university itself is given "quantifiably more space within Egan's work than would be merited under strict societal mimesis", leading him to classify Egan's novels within the history of metafiction.

Lodge in Palazzo Roffia, Florence, set out for French (Moderns) ritual The Masonic lodge is the basic organisational unit of Freemasonry. The Lodge meets regularly to conduct the usual formal business of any small organisation (pay bills, organise social and charitable events, elect new members, etc.). In addition to business, the meeting may perform a ceremony to confer a Masonic degree"Frequently Asked Questions" United Grand Lodge of England retrieved 30 October 2013 or receive a lecture, which is usually on some aspect of Masonic history or ritual."Materials: Papers and Speakers" Provincial Grand Lodge of East Lancashire, retrieved 30 October 2013 At the conclusion of the meeting, the Lodge might adjourn for a formal dinner, or festive board, sometimes involving toasting and song."Gentlemen, please be upstanding" Toasts for the festive board, Grand Lodge of British Columbia and Yukon retrieved 30 October 2013 The bulk of Masonic ritual consists of degree ceremonies.

With her assistance and advice, Phillips developed his collection "as a museum of modern art and its sources", believing strongly in the continuum of artists influencing their successors through the centuries. His focus on the continuous tradition of art was revolutionary at a time when America was largely critical of modernism, which was seen as a break with the past. Phillips collected works by masters such as El Greco, calling him the "first impassioned expressionist"; Jean-Baptiste- Siméon Chardin because he was "the first modern painter"; Francisco Goya because he was "the stepping stone between the Old Masters and the Great Moderns like Cézanne"; and Édouard Manet, a "significant link in a chain which began with Goya and which [led] to Gauguin and Matisse." Polly Fritchey, hostess and wife of columnist Clayton Fritchey, helped the Phillips Collection evolve from a small family museum into a public art gallery and was one of the first trustees appointed from outside the family.

In the 1930s, Feitelson taught at Stickney Memorial Art School, and it was at the school that he met pupil Helen Lundeberg, his future wife and artistic collaborator. According to Lundeberg, who authored the pair's mission statement in response to the European surrealist movement, Feitelson “wanted the utilization of association, the unconscious, to make a rational use of these subjective elements. Nothing of automatism about it. The name he had for this idea at first was ‘New Classicism ‘ or ‘Subjective Classicism.’Helen Lundeberg, interviewed by Jan Butterfield, Los Angeles, 1980, Archives of American Art, Smithsonian Institution. As Jules Langsner suggested in his catalogue for the 1935 Post Surrealists and Other Moderns show at the Stanley Rose Gallery in Los Angeles, post-surrealism “affirms all that Surrealism negates.”Jules Langsner, quoted in Joseph E. Young, “Helen Lundeberg: An American Independent,” Art International 15 (September) 1971. During this period, Feitelson was also assigned, with Stanton Macdonald-Wright, to oversee the WPA murals project on the West Coast.

Perrault's poem was published in 1687 in François de Callières's Histoire poetique de la guerre nouvellement declarée entre les anciens et les modernes ("Poetic history of the war recently declared between the ancients and the moderns"), which was not itself strictly partisan of one side or the other.. Fontenelle quickly followed with his Digression sur les anciens et les modernes (1688), in which he took the Modern side, pressing the argument that modern scholarship allowed modern man to surpass the ancients in knowledge. In the opening years of the next century, Marivaux was to show himself a Modern by establishing a new genre of theatre, unknown to the Ancients, the sentimental comedy (comédie larmoyante). In it the impending tragedy was resolved at the end, amid reconciliations and floods of tears. By constraining his choice of subjects to those drawn from the literature of Antiquity, Jean Racine showed himself one of the Ancients.

Besides editions with notes of Strabo, Juvenal, Quintilian, the Aphorisms of Hippocrates, Celsus, Apicius, Aurelian on Diseases, and Decker's Treatise on Supposititious Writings, he has left a work in Dutch on the anatomy of the muscles, several bibliographical treatises in Latin, among which are a work—De Vitis Stephanorum, a list of Plagiaries, and a list of books promised that never appeared. In his Inventa nov-antiqua (1684), he discusses in detail, with a strong bias towards antiquity, the question of how far the discoveries in contemporary medicine were anticipated by ancient physicians. In this particular field, therefore, he sustains the "ancients versus moderns" thesis taken up by others, and which, in its greatest amplitude, led to the serious debates of Sir William Temple and William Wotton, and to Jonathan Swift's satirical The Battle of the Books. In his Plagiariorum Syllabus (1694), he lists authors—including biblical, classical, and contemporary writers—who have plagiarized expressions from previous writers.

Aspekte einer politisierten Kultur, Dresden, Thelem, 2005, p. 3. He described the Conservative Revolution as a "German pre- fascism." Dupeux saw five lines of divisions that can be drawn inside the Conservative Revolutionaries: the small farmers were different from the cultural pessimists and the "pseudo-moderns", who belonged for the most part to the middle class; while the proponent of an "organic" society were opposed to those of an "organised" society. A third division split the supporters of political and cultural transformations and those of a concrete social revolution, as far as challenging economic freedom and private property; while the fourth rift resided in the question of the Drang nach Osten ("drive to the East") and the attitude to adopt towards Bolshevik Russia, escorted by the debate on the place of Germany between the so-called "senile" West and "young and barbaric" Orient; the last division being a deep opposition between the Völkischer and the pre-fascist thinkers.

With her assistance and advice, Phillips developed his collection "as a museum of modern art and its sources," believing strongly in the continuum of artists influencing their successors through the centuries. His focus on the continuous tradition of art was revolutionary at a time when America was largely critical of modernism, which was seen as a break with the past. Phillips collected works by masters such as El Greco, calling him the "first impassioned expressionist"; Jean-Baptiste-Siméon Chardin because he was "the first modern painter"; Francisco Goya because he was "the stepping stone between the Old Masters and the Great Moderns like Cézanne"; and Édouard Manet, a "significant link in a chain which began with Goya and which [led] to Gauguin and Matisse." From the 1920s to the 1960s, Phillips would re-hang his galleries in installations that were non-chronological and non-traditional, reflecting the relationships he saw between various artistic expressions.

The character was loosely based on the television cook Fanny Cradock. Described by Took and Feldman as "fashion reporter, TV cook, agony aunt, pain in the neck", Daphne Whitethigh (Marsden) is a hoarse-voiced pundit, "whose advice on the placing of the bosom or the way to prepare Hippo in its shell is an absolute must for all those trendy moderns who want to look and feel frightful". Among her helpful cooking tips are that although rhinoceros is not very appetising you do get marvellous crackling; her recipes for yak include yak à l'orange, yak in its jacket, and coupe yak. She advises followers of female fashion that bosoms are still out, but may be on the way back (Horne says he will keep a light burning in the window) and her other useful pointers include how to use cold cream to remove those baboon claw marks from one's hip, and how to avoid crow's feet round the eyes: refrain from sleeping in trees.

A critical but sympathetic reappraisal of the internationalist oeuvre, inspired by Scandinavian Moderns such as Alvar Aalto, Sigurd Lewerentz and Arne Jacobsen, and the late work of Le Corbusier himself, was reinterpreted by groups such as Team X, including structuralist architects such as Aldo van Eyck, Ralph Erskine, Denys Lasdun, Jørn Utzon and the movement known in the United Kingdom as New Brutalism. Pioneering builder and real estate developer Joseph Eichler was instrumental in bringing Mid-century modern architecture ("Eichler Homes") to subdivisions in the Los Angeles area and the San Francisco Bay region of California, and select housing developments on the east coast. George Fred Keck, his brother Willam Keck, Henry P. Glass, Mies van der Rohe, and Edward Humrich created Mid-century modern residences in the Chicago area. Mies van der Rohe's Farnsworth House is extremely difficult to heat or cool, while Keck and Keck were pioneers in the incorporation of passive solar features in their houses to compensate for their large glass windows.

In 1858 he published Martial and the Moderns, a translation into English prose of select epigrams of Martial arranged under heads with examples of the uses to which they had been applied. He published various introductory lectures on diverse parts of the laws of England,For example, ; ; ; ; and pamphlets on various subjects, such as the constitution of the new county courts, the expediency of admitting the testimony of parties to suits, and other measures of legal reform. Amos's political and philosophical convictions were those of an advanced liberalism qualified by a profound knowledge of the constitutional development of the country and of the sole conditions under which the public improvements for which he longed and lived could alone be hopefully attempted. Though he was in constant communication with the leading reformers of his day, and was a candidate for Kingston upon Hull on the passing of the Reform Bill in 1832, he concerned himself little at any time with strictly party politics.

After being a partner in Atelier A, a short lived venture where artists like Arman and Robert Malaval designed objects and artefacts, Boissiere was cooped in a small institution under the French ministry of industry to take part in a program promoting French design. He did attend and reported about international design congresses in Moscow, Kyoto, Vancouver, Aspen and Berlin. Soon he was appointed an editor of Architecture Intérieure Cree Magazine, where he introduced the young lionsOlivier Boissiere, Stanley Tigerman: une bilbiothèque pour handicapés, Chicago, Architecture intérieure créé, May–June 1979,171, page 108–112 challenging the International style who were at that time Archigram, Cedric Price, Renzo Piano, Norman Foster, the Radical architecture in Italy, the American “Post-moderns” after the provoking Learning from Las Vegas, the architectural theories of Aldo Rossi, Lucien Kroll, the works of Gordon Matta Clark. In the US Olivier Boissière did multiple coast to coast trips, documenting the works of Frank Lloyd Wright or following the steps of art historian Aby Warburg, who had visited the world of the Hopis in Arizona at beginning of the century.

Levitan had one-man shows at the Artists' Gallery, the Wayhe Gallery, the Barone Gallery and the Grand Central Moderns all in New York City; at the University of California, Berkeley, the Gallery in Memphis, Tennessee and the Santa Barbara Museum of Art. Levitan's work has been shown at numerous museums, including the Musee d’Art Moderne, the Museum of Modern Art, the Brooklyn Museum, the Riverside Museum, the Pennsylvania Academy of Fine Arts, the Tokyo National Museum of Modern Art, the San Francisco Museum of Fine Arts, the Detroit Art Institute, Galerie Claude Bernard, the Guild Hall Museum, the Phillips Andover Academy, the Philadelphia Museum of Art, the Ohio State University, the Trica Kalis Gallery, the Tanager Gallery, the Stable Gallery and many others in New York City. Levitan's bird flight-themed sculpture "Enrapture" was featured at the Whitney Museum of American Art's 'sculpture annual' in 1952. Additionally, upon New York City's Barone Gallery reopening at a new Madison Avenue location in 1957 it featured an exhibition of Giuseppe Guerreschi paintings and Levitan's sculptures.

Since the mid-1960s he has integrated structured improvisation aspects into his compositions, exploring the rich sound textures of new performance techniques within a variety of instrumental and vocal frameworks. Numerous ensembles such as Essential Music, Relâche, Musical Elements, The New Performance Group of Cornish Institute, L'Art pour l'art, Quatuor Bozzini and Klangforum Wien have performed his music, as well as the Ensemble for New Music/Hessischer Rundfunk, Frankfurt, of which he was the director in the 1990s. His music has been performed at several New Music America festivals, Meet the Moderns/Brooklyn Philharmonic, Pro Musica Nova Bremen, Acustica International/WDR Cologne, Invention '89 Berlin, wittener Tage für neue Kammermusik, De Ijsbreker Amsterdam, Maerz Music Berlin, Cologne Triennale, Sound Culture Tokyo, Neue Horizonte and Ton Art Bern, and Musique Action Nancy. He has been awarded grants from the National Endowment for the Arts/Inter-Arts (USA), the Massachusetts Council on the Arts, the Canada Council for the Arts, and Conseil des arts et lettres du Québec, as well as numerous commissions from Studio Akustische Kunst/WDR Cologne.

Ian Wallace and John Shea have devised a methodology for examining the various Middle paleolithic core assemblages present at the Levant site in order to test whether the different hominid populations had distinct mobility patterns. They use a ratio of "formal" and "expedient" cores within assemblages to demonstrate either early Homo sapiens or Neanderthal mobility patterns, and thus categorize site occupations. In 2005, a set of 7 teeth from Tabun Cave in Israel were studied and found to most likely belong to a Neanderthal that may have lived around 90,000 years ago, Alfredo Coppa, Rainer Grün, Chris Stringer, Stephen Eggins, and Rita Vargiu Journal of Human Evolution Volume 49, Issue 3, September 2005, Pages 301-315 and another Neanderthal (C1) from Tabun was estimated to be ~122,000 years old. If the dates are correct for these individuals, then it is possible that Neanderthals and early moderns did make contact in the region and it may be possible that the Skhul and Qafzeh hominids are partially of Neanderthal descent.

Mainline American Protestant denominations, including the United Methodist Church, Presbyterian Church USA, The Episcopal Church, and Evangelical Lutheran Church in America, do not teach the doctrine of inerrancy as set forth in the Chicago Statement. All of these churches have more ancient doctrinal statements asserting the authority of scripture, but may interpret these statements in such a way as to allow for a very broad range of teaching—from evangelicalism to skepticism. It is not an impediment to ordination in these denominations to teach that the scriptures contain errors, or that the authors follow a more or less unenlightened ethics that, however appropriate it may have seemed in the authors' time, moderns would be very wrong to follow blindly. For example, ordination of women is universally accepted in the mainline churches, abortion is condemned as a grievous social tragedy but not always a personal sin or a crime against an unborn person, and homosexuality is sometimes recognized as a genetic propensity or morally neutral preference that should be neither encouraged nor condemned.

The Most Worshipful Grand Lodge of Ancient Free and Accepted Masons of the Commonwealth of Massachusetts, commonly referred to as the Grand Lodge of Massachusetts and abbreviated GLMA, is the main governing body of Freemasonry within Massachusetts, and maintains Lodges in other jurisdictions overseas, namely Panama, Chile, the People's Republic of China (meeting in Tokyo, Japan), and Guantanamo Bay Naval Base, Cuba. It claims to be the third oldest Masonic Grand Lodge in existence (after the United Grand Lodge of England, which dates its own existence from the formation of the Grand Lodge of England in 1717, and the Grand Lodge of Ireland founded in 1725), interpreting the 1733 warrant, creating Henry Price the Provincial Grand Master of New England, as the creation of the Grand Lodge of Massachusetts. Both the Grand Lodge of Pennsylvania and the Grand Lodge of Virginia dispute this claim to be the third oldest Grand Lodge in the world. Price's successors as Provincial Grand Master, Robert Tomlinson, Thomas Oxnard, Jeremy Gridley and John Rowe, were all appointed (in 1736, 1743, 1755 and 1768 respectively) by the Moderns' Grand Master in London.

Groote's On four Kinds of Matter for Meditation included mental imagery, as well as methodical approaches as an element of meditation.Between Saint James and Erasmus: studies in late-medieval religious life by J. van Herwaarden 2003 page 3 Centuries earlier, Hugh of Saint Victor and Guigo II had produced structured methods for Christian meditation, but their approaches were less systematic.Christian Spirituality: Origins to the twelfth century, Vol 1 by Bernard McGinn 1986 pages 415-424Christian spirituality: themes from the tradition by Lawrence S. Cunningham, Keith J. Egan 1996 page 88-94 The methodical approach of Devotio Moderns towards prayer and meditation found significant following within the Catholic Church, as well as later Reformed communities.Blessed are the peacemakers: a Christian spirituality of nonviolence by Michael Battle 2004 pages 67-71 The manuals for methodical prayer and meditation by Florens Radewyns and Zutphen had significant influence within Europe for over a century.A brief history of spirituality by Philip Sheldrake 2007 pages 107-108 The concept of immersing and projecting oneself into a Biblical scene about the life of Jesus was developed by Ludolph of Saxony in his Vita Christi in 1374 and became popular among the Devotio Moderna community.

The Grand Lodge of Ohio was formed on January 4–8, 1808 by a convention of five of the six Masonic lodges then meeting in Ohio. The convention was held in the statehouse at ChillicotheProceedings of the Grand Lodge of Ohio, 1808-1847 and, on January 7, Rufus Putnam was elected Grand Master. Prior to formation of the Grand Lodge of Ohio, six lodges operated under authority of charters issued by their individual parent grand lodges in the eastern United States: # American Union Lodge No. 1 – chartered in 1776 by the Provincial Grand Lodge of New England (Moderns), one of the predecessors of the current Grand Lodge of Massachusetts. Originally a military traveling lodge, it settled permanently in Marietta in June 1790.Gould's History of Freemasonry Throughout the World, Volume 6, Charles Scribner's Sons, New York: 1936, p. 86 # Cincinnati Lodge No. 13 – chartered in 1806 by the Grand Lodge of Kentucky and located in Cincinnati. Its members had originally formed Nova Caesarea Lodge No. 10, chartered by the Grand Lodge of New Jersey in 1791, which charter they returned to that Grand Lodge previous to requesting a new one from the Grand Lodge of Kentucky.Gould, supra, pp.

Smith has appeared in numerous films, including The Moderns (1988), The Silence of the Lambs (1991), The Night We Never Met (1993), Mr. Wonderful (1993), Vanya on 42nd Street (1994), Last Summer in the Hamptons (1995), Trees Lounge (1996), Kansas City (1996), The Broken Giant (1998), Random Hearts (1999), Series 7: The Contenders (2001), Bad Company (2002), Melinda and Melinda (2004), Iron Jawed Angels (2004), Shooting Vegetarians (2005), In Her Shoes (2005), The Namesake (2006), and Interstellar (2014). She appeared as a guest star on the sixth season of Crossing Jordan as Dr. Kate Switzer, as one of Claire Fisher's art teachers on Six Feet Under, and on Weeds as the ex-wife of Peter Scottson, the late husband of main character Nancy Botwin. Smith originated the role of Andrea in the pilot of the ABC drama series Dirty Sexy Money, but was replaced by Sheryl Lee after becoming a series regular on Grey's Anatomy. On November 3, 2008, Smith told Entertainment Weekly that her character was being written out of Grey's Anatomy, stating that she was "really, really shocked," and suggested that network executives' discomfort with her character's lesbian relationship might be the reason for her ousting.

Tony Daroy, the painter who did ethnic-primitive flat patterned paintings, joined their group in Paris and together they took the Euro-Rail to Mainz, Germany. In Toronto, Canada, Roy Veneracion and Lito Carating met and exchanged views with local artists and did some paintings, many of which, however, were destroyed when they met a near fatal car accident on their way to Washington DC. The event jolted Roy to re-think his position: were they making this pilgrimage to these great art centers of the west motivated by a need to re-trace the footsteps of the historical Filipino art icons: Juan Luna and Felix Ressurecion Hidalgo, Edades and the rest? While in the US, Eva Florentino, organized Art Exhibitions for the group in various alternative venues. Victor Oteyza, one of the original 13 Moderns, based in Washington DC, and Lamberto Hechanova, the sculptor, based in New York, joined the visiting young Filipino artists in a major exhibition at the Catholic University of America in Washington DC. But things were also brewing in the art scene back home and his family was expecting his return, so after visiting his mother and brother in L.A., Roy headed back for home.

For example, 2/15 = 1/10 + 1/30 . The decomposition of 2/n into unit fractions is never more than 4 terms long as in for example 2/101 = 1/101 + 1/202 + 1/303 + 1/606. This table is followed by a much smaller, tiny table of fractional expressions for the numbers 1 through 9 divided by 10. For instance the division of 7 by 10 is recorded as: : 7 divided by 10 yields 2/3 + 1/30 After these two tables, the papyrus records 91 problems altogether, which have been designated by moderns as problems (or numbers) 1–87, including four other items which have been designated as problems 7B, 59B, 61B and 82B. Problems 1–7, 7B and 8–40 are concerned with arithmetic and elementary algebra. Problems 1–6 compute divisions of a certain number of loaves of bread by 10 men and record the outcome in unit fractions. Problems 7–20 show how to multiply the expressions 1 + 1/2 + 1/4 = 7/4 and 1 + 2/3 + 1/3 = 2 by different fractions. Problems 21–23 are problems in completion, which in modern notation are simply subtraction problems. Problems 24–34 are ‘‘aha’’ problems; these are linear equations.