102 Sentences With "minimalist music" | Random Sentence Generator

Culture Editor Gilbert Cruz wonders why "Shutter Island" is the only minimalist music outlier.

The strongest drive in the largely minimalist music comes, strangely, before the curtain rises.

I've been thinking about that so much lately, because I'm super into minimalist music right now.

But if you have grown up listening to noise and electronic minimalist music it probably seems pretty boring.

It is dialogue-free; breathing, minimalist music, lapping waves and a single gunshot are the single-hour drama's soundtrack.

Mr. Glass, a world-renowned composer and pioneer of minimalist music, said he was "completely thrilled" by the honor.

Hailing from Iceland, Jóhannsson has made a name for himself in the experimental and minimalist music scene in the country.

Click tracks became common in performances, especially of Minimalist music, with musicians fitted with an earpiece that delivered a steady beat.

I think David Mahler is a really interesting guy who doesn't get enough recognition in terms of the legacy of American practical experimental minimalist music.

Michael Nyman's poundingly minimalist music is appealingly terrible; as so often with this composer, it builds the kind of rabble-rousing crescendo that makes Rossini's sound demure.

Attracted to approaches from the United States, Mr. Abrahamsen became fascinated with the Minimalist music of Terry Riley and Steve Reich and with the Pop Art of Andy Warhol.

I love that record so much, and a lot of the contemporaneous Italian minimalist music, but it seems kinda the opposite of the stuff you do in your own productions.

The Sounds That Changed America offers a new perspective on minimalist music in America, one that unites the sounds of its greats through investigation into their histories, influences, and reflections.

Despite composing in one of the world's most austere climates, there's a warmth to her minimalist music, reminiscent of similar-minded outsiders including Hype Williams, Laurel Halo, and pre-Art Angels Grimes.

Mr. Gann performed a tag-team version of the piece with the pianist Sarah Cahill at the Second International Conference on Minimalist Music, at the University of Missouri, Kansas City, in 2009.

The combination of the extraordinary visuals and the minimalist music of Eastman — an avant-garde, black, gay composer of music that sounds otherwordly — keeps me in my seat with no sense of time passing.

Sony PS-LX21200USB Fully Automatic USB Stereo Turntable Music Hall MMF-27 Stereo Turntable If you're looking for something a little sleeker, this minimalist Music Hall turntable comes recommended by both Davis and Steinberg.

Related: Minimalist Music Video Takes You Down the Long Hallway of Miscommunication This Hand-Drawn Music Video is a Visual Palindrome Timelapse Meets Animation in This Nature-Loving Short Film GIF Artists Imagine Souvenirs From Imaginary Places

Out of the hundreds of potential hours you can pour into the game, most of it will be spent alone, with no companions except Link's mute horses and the beautifully minimalist music that plucks along the way.

When Schweitzer turns to contemporary opera, she welcomes not only what one critic called the "needle-stuck-in-the-groove quality" of Philip Glass's minimalist music but also the bizarre productions of well-loved operas from the past.

Unfortunately, this was the show that inaugurated the That Which is Fundamental program, a series of performances to celebrate the life and work of Julius Eastman, a composer who made truly astonishing minimalist music and who died before he should have.

Along with a cast that included the countertenor Anthony Roth Costanzo, Gandini was about to engage in a complex ritual: resurrecting the titular pharaoh (a sun-worshipping iconoclast best known as Tutankhamun's father) through several hours of minimalist music and high-intensity juggling.

Though rock and roll is often hailed as the quintessentially American sound and contribution to the global soundscape, this new exhibition argues that minimalist music is equally as American in its style, and fundamentally as groundbreaking in its effect on world music at large.

Calder's fascination with alternative experiences included the element of sound, as seen in "Red Disc and Gong", a mobile in which shifting air currents cause a mallet to strike a gong at unpredictable intervals, creating a minimalist music that anticipates the chance-driven compositions of John Cage.

While the intro is a nod to that icon of minimalist music, those long buildups, gradually teasing fragments of a recognizable melody or vocal into the mix before unleashing it in full, are Sasha through and through—something many other DJs imitate but no one does quite like him.

There's a distinguished import as well, from the gifted Irish team of the composer Donnacha Dennehy, whose vibrantly post-minimalist music has a kinship with Little's, and the playwright Enda Walsh ("Once"): "The Last Hotel," a grim parable about assisted suicide, in its U.S. première (at St. Ann's Warehouse).

He has a love for certain free-spirited aspects of American culture—Hawaiian chant, the poetry of Whitman and Ginsberg (used in the vocal compositions "Seadrift" and "Plutonian Ode," respectively), the minimalist music of Glass and Riley—and an enthusiasm for the work of the Swiss outsider artist Adolf Wölfli.

In 2015, he became one of the main exponents of the LIFEM 2015 festival, specializing in minimalist music.

Irritable Hedgehog Music is a Kansas City-based record label, focused primarily on minimalist music and electroacoustic music.

Midori Takada () (born December 21, 1951) is a Japanese composer and percussionist. She has been described as a pioneer of ambient and minimalist music.

The ballet was the first New York City Ballet (NYCB) work set to minimalist music and premiered shortly after the company's co-founder George Balanchine's death.

Spanning many genres of music, they have played jazz with Andrea Keller, ambient music with Stars of the Lid, post-punk with JG Thirlwell, and minimalist music with Icelandic composer Jóhann Jóhannsson.

When the result is a video, appropriate minimalist music is added. Fluxus poetry is published by the Fluxus Heidelberg Center that is run by Litsa Spathi and Ruud Janssen and is located in Heidelberg, Germany.

Jon Gibson (March 11, 1940October 11, 2020) was an American flautist, saxophonist, composer, and visual artist, known as one of the founding members of the Philip Glass Ensemble and as a key player on several seminal minimalist music compositions.

Much of the Los Angeles Electric 8's repertoire consists of new works including microtonal and minimalist music. They have performed music by Frank J. Oteri, Wayne Siegel, Randall Kohl, Cornelius Boots, Peter Yates, Derrick Spiva, and Nathaniel Braddock.

2004-5 List of Radcliffe Fellows O'Regan's compositions incorporate the influence of Renaissance vocal writing, the music of North Africa, British rock bands of the 1960s and 1970s, jazz and Minimalist music. His music is often rhythmically complex and employs varying approaches to tonality.

Rhys Chatham (born September 19, 1952) is an American composer, guitarist, trumpet player, multi-instrumentalist (flutes in C, alto and bass, keyboard), primarily active in avant-garde and minimalist music. He is best known for his "guitar orchestra" compositions. He has lived in France since 1987.

Their performances have more in common with avant garde happenings from the late 1950s and early 1960s than traditional rock concerts.Open Lot Archives Their music is heavily influenced by Minimalist music, such as La Monte Young and Terry Riley, and electronic composers, such as Hugh Le Caine and Karlheinz Stockhausen.

SAH tends to fit into industrial music, both in the literal sense, as they use industrial hardware, and in the figurative sense. Japanese Taiko drumming with its big arm movements and disciplined musical tightness is a major inspiration. Another influence is modern minimalist music, with frequent exploration of mathematical rhythm generating ideas.

The distinction between classical and popular music has sometimes been blurred in marginal areasArnold, Denis (1983): "Art Music, Art Song", in The New Oxford Companion to Music, Volume 1: A-J, Oxford University Press, p. 111, . such as minimalist music and light classics. Background music for films/movies often draws on both traditions.

Songs are often very long and lack beat or rhythm in the traditional sense. Drone metal is generally influenced by drone music, noise music, and minimalist music. The style emerged in the early 1990s and was pioneered by Earth,Jason Jackowiak, "Earth: Hex: Or Printing in the Infernal Method" , Splendid, September 14, 2005. Access date: August 23, 2008.

The Middle East in 2006 Drone metal was first established by Earth,Jason Jackowiak, Splendid, September 14, 2005. Access date: August 23, 2008. a group from Olympia, Washington, formed in 1989, which has been described as "minimalist post- grunge". Earth took inspiration from the sludge metal of Melvins and the minimalist music of La Monte Young, among other sources.

Contemporary classical music is classical music relative to the present day. At the beginning of the 21st century, it commonly referred to the post-1945 modern forms of post-tonal music after the death of Anton Webern, and included serial music, electronic music, experimental music, and minimalist music. Newer forms of music include spectral music, and post-minimalism.

Estampie (after the medieval dance estampie) is a German music group, founded in 1985 by Sigrid Hausen (aka Syrah), Michael Popp and Ernst Schwindl. The band plays primarily medieval music, with some modern influences from world and minimalist music. :The group is not connected to the Leeds-based British ensemble Estampie which recorded Under the Greenwood Tree for Naxos.

Inside the Dream Syndicate, Vol. I: Day of Niagara or simply Day of Niagara is a bootleg recording of a 1965 performance by the minimalist music group the Theatre of Eternal Music, a.k.a. the Dream Syndicate. Contributors include future Velvet Underground members John Cale and Angus Maclise, composers La Monte Young and Tony Conrad, and artist Marian Zazeela.

The idea was then proposed by Iannis Xenakis in the early seventies and more recently by Italian born composer Valerio Camporini Faggioni Valerio Camporini F., Multitemporal Designs, (Line)using synthetic and software devices. A similar technique, with the tempi similar to each other is rhythm phasing – a technique introduced by Steve Reich and used especially in minimalist and post-minimalist music.

Evan Ziporyn. Evan Ziporyn (b. Chicago, Illinois, December 14, 1959) is an American composer of post-minimalist music with a cross-cultural orientation, drawing equally from classical music, avant-garde, various world music traditions, and jazz. Ziporyn has composed for a wide range of ensembles, including symphony orchestras, wind ensembles, many types of chamber groups, and solo works, sometimes involving electronics.

Jacob Kassay (born 1984 in Lewiston, New York) is a post-conceptual artist best known for his work in painting, filmmaking, and sculpture. Critics have noted the influence of minimalist music and composition on his work, which applies a structural approach to the biological mechanisms of sight and spatial recognition. Kassay currently lives in New York City and is represented by 303 Gallery.

Some music features a relatively high degree of repetition in its creation or reception. Examples include minimalist music, krautrock, disco (and its later derivatives such as house music), some techno, some of Igor Stravinsky's compositions, barococo and the Suzuki method. (Fink 2005, p. 5) Other important genres with repetitive songwriting are post rock, ambient/dark ambientAphex Twin:Selected Ambient Works Volume II and black metal.

Arthur "Art" Bixler Murphy (January 25, 1942 - November 19, 2006) was a classical and jazz musician, pianist and composer. He was born in Princeton, New Jersey. He grew up in Oberlin, OH, where his father was a member of the Oberlin College faculty. Murphy was a founding member of the Philip Glass and Steve Reich Ensembles, and played a key role in the development of minimalist music.

Minimal techno focuses on "rhythm and repetition instead of melody and linear progression", much like classical minimalist music and the polyrhythmic African musical tradition that helped to inspire it.Sherburne, P., "Digital Discipline: Minimalism in House and Techno," inAudio Culture, New York: Continuum, 2006, (pp. 321–322). By 1994, according to Sherburne, the term "minimal" was in use to describe "any stripped-down, Acidic derivative of classic Detroit style".Sherburne, Philip.

In 1974 he took a one way plane to in India, learning rudimentary classical Indian music and developing an interest in meditative and drone music. He was also influenced by American minimalist music. In 1975, he recorded and self-released an album, Le Temps des Moissons while working at the GRM studio of INA Pierre Henry in Paris. His 1978 album Osmose features Borneo rainforest nature sounds recorded by Richard Tinti.

Warp Works & Twentieth Century Masters is a 2-CD set consisting of live performances by the London Sinfonietta, released by Warp Records in 2006. It contains a mix of contemporary classical and minimalist music by John Cage, György Ligeti, Conlon Nancarrow, Steve Reich, Karlheinz Stockhausen, and Edgard Varèse, as well as instrumental versions of songs by Warp Records members Aphex Twin and Squarepusher. They were recorded live between 2003 and 2005.

Unlike other songs on Breakout, "Fly on the Wall" has Cyrus' voice processed to sound different. The song's lyrics taunt "the listener for being on the outside of her inner sanctum". The target of the message has been interpreted differently by contemporary critics – an ex-boyfriend and the media have most commonly been referred to. "Bottom of the Ocean" is a contemporary ballad that contains a sound reflecting influences from minimalist music.

Amplitude modulation, frequency modulation, difference tones, harmonic fusion, residue pitch, Shepard-tone phenomena, and other psychoacoustic concepts are applied to music materials. Formal concepts important in spectral music include process and the stretching of time. Though development is "significantly different from those of minimalist music" in that all musical parameters may be affected, it similarly draws attention to very subtle aspects of the music. These processes most often achieve a smooth transition through interpolation.

21, No. 1, pp. 112–33. In the late 1980s and early 1990s, Adams started to add a new character to his music, which he called "the Trickster". The Trickster allowed Adams to use the repetitive style and rhythmic drive of minimalism, yet poke fun at it at the same time. When Adams commented on his own characterization of particular minimalist music, he stated that he went joyriding on "those Great Prairies of non-event".

John Tavener (b. 1944), known for his religious and minimalist music, set three of Donne's sonnets ("I Spit in my face," "Death be not proud," and "I am a little world made cunningly") for soloists and a small ensemble of two horns, trombone, bass trombone, timpani and strings in 1962. The third in the series he wrote as a schoolboy, and the first two settings were inspired by the death of his maternal grandmother.Stewart, Andrew.

"A Discography of Postminimal, Totalist, and Rare Minimalist Music", KyleGann.com. Accessed: July 6, 2017. The term totalist refers to the aims of the music, in trying to have enough surface rhythmic energy, but also to contain enough background complexity. There is also an echo in the term of serialism's "total organization," here drawn not from the 12-tone row, but from Henry Cowell's theories about using the same structuring devices for rhythm that have been traditionally used for pitch.

One designer was a fan of techno and minimalist music, and one programmer enjoyed classical music. Since players would often listen to game compositions more than once, Kageyama did not want the stage tracks to become grating and wanted the opening and ending compositions to sound dramatic, overall being "careful to make sure [he] was writing music that just felt good." His score was also influenced by the "perfect" control for Gimmick! that Sakai was fixated on designing.

Her debut album is titled Fragile Light. Not so recent performances include playing live at the First International Conference of Minimalist Music in Bangor, UK. Piano Suite VI: Theory of K was premiered at Music, Science and The Brain, an academic symposium in Plymouth, UK in September 2008. In April 2009 Lola premiered a new commission for the London Design Museum - Suite VII for Piano & Correspondent. This was performed live with the BBC Correspondent Mihir Bose live in the museum.

Torabi is reluctant to be pegged as a particular stylist, and his music has always drawn on a wide variety of influences. These have included indie and alternative rock (Pixies, Shudder to Think, XTC), British and American art/progressive rock (Cardiacs, Henry Cow, Yes, Hatfield and the North, Don Caballero), folk music, minimalist music, various forms of hard rock and heavy metal (Voivod, Melvins) and many others. His compositions are often typically dense, polyrhythmic and based in the lydian mode.

In 1963, he moved to Rome to pursue further studies in composition with Aldo Clementi, Franco Evangelisti, Boris Poorena and Giulio Rotoli. On concluding his studies in 1964, he returned to the U.S., settling in New York City. From 1964 to 1966, Gaber studied with William J. Sydeman, who was on the faculty of the Mannes College of Music. Gaber was influenced by the creative ferment among fellow composers in the minimalist music world of New York City, especially Morton Feldman.

Luciano Cilio (1950 – 21 May 1983) was an Italian composer and musician., Luciano Cilio mi disse..., Naples: ilmiolibro, 2011, Born in Naples, Cilio recorded and released an album of minimalist music, Dialoghi Del Presente, in 1977."Luciano Cilio, l'Assente" by Gianluca Veltri, ', 21 January 2009 An expanded version of the album, entitled Dell'Universo Assente was released in 2004. One of his pieces, "Della Conoscenza", is featured on No. 18 of The Wire magazine's long-running series of CD compilations The Wire Tapper.

With the growing popularity of minimalist music in the 1960s and 1970s, which often broke sharply with prevailing musical aesthetics of serialism and aleatoric music, many composers, building on the work of such minimalists as Terry Riley, Philip Glass and Steve Reich, began to work with more traditional notions of simple melody and harmony in a radically simplified framework."Is less more?Is minimalism a lazy rip-off, or beauty in its simplest form? Jonathan Freedland concludes our series on 'difficult' art forms".

The Philip Glass Ensemble is an American musical group founded by composer Philip Glass in 1968 to serve as a performance outlet for his experimental minimalist music. The ensemble continues to perform and record to this day, under the musical direction of keyboardist Michael Riesman. The Ensemble's instrumentation became a hallmark of Glass's early minimalist style. While the ensemble's instrumentation has varied over the years, it has generally consisted of amplified woodwinds (typically saxophones, flutes, and bass clarinet) keyboard synthesizers, and solo soprano voice (singing solfeggio).

"It has been applied...to diatonic music lacking harmonic consistency [or]...centricity" . Slonimsky himself, while making fun of the definition, quotes a professor saying pandiatonicism is, "C-major that sounds like hell" . Examples of pandiatonicism include the harmonies Aaron Copland used in his populist work, Appalachian Spring , and the minimalist music by Steve Reich, Philip Glass, and the later works of John Adams (; ). William Mann describes The Beatles "This Boy" as, "harmonically...one of their most intriguing, with its chains of pandiatonic clusters" ( cited in ).

As he learned to master his custom-made instruments, he applied the new sounds in his jazz-rock outfits the Microtones and Just Intonation. All the while he established a lasting musical relationship with seminal minimalist music figure LaMonte Young, playing on LaMonte Young and the Forever Bad Blues Band and touring Europe and the U.S. with the group. Throughout the 1980s and 1990s, Catler's activities have been divided between jazz-rock and contemporary music. He has appeared in many jazz festivals, including the Montreal Jazz Festival.

R. Andrew Lee received a BM in piano performance from Truman State University in 2004, where he studied under Dr. David McKamie. He continued his education in piano performance at the University of Missouri-Kansas City, where he met David McIntire, with whom he would eventually help launch Irritable Hedgehog Music. Lee cites McIntire as having introduced him to William Duckworth's The Time Curve Preludes, which sparked his interest in minimalist music. Lee received his MM in 2006 and his DMA in 2011 from UMKC.

It is perhaps best to view a figure as a motif when it has special importance in a piece. According to White, motives are, "significant in the structure of the work," while figures or figurations are not and, "may often occur in accompaniment passages or in transitional or connective material designed to link two sections together," with the former being more common. Minimalist music may be constructed entirely from figures. Scruton describes music by Philip Glass such as Akhnaten as "nothing but figures...endless daisy-chains".

Gazzy Garcia (born August 17, 2000), known professionally as Lil Pump, is an American rapper, singer, and songwriter. He is one of the most prominent members of the SoundCloud rap scene. Garcia is known for his minimalist music and hyperactive public persona, where he is often portrayed taking drugs such as marijuana, lean, and xanax, actions which have garnered much criticism. Lil Pump rose to popularity in 2017 with the single "Gucci Gang", which peaked at number 3 on the Billboard Hot 100 and was certified platinum by the Recording Industry Association of America.

Mother Mallard's Portable Masterpiece Company, formed in 1969 by David Borden, was an early synthesizer ensemble, predating groups like Tonto's Expanding Head Band and Tangerine Dream. David Borden was in contact with Robert Moog and was one of the first musicians to use his Minimoog. After recruiting Steve Drews and Linda Fisher to operate additional synthesizers, the group began playing concerts of minimalist music by Terry Riley, Steve Reich, and Philip Glass. They began recording their first self-titled album in 1970, but it would not be released until 1973 by Earthquack Records.

The pieces included on the album were recorded between 1964 and 1966. Albums following in the anthology include the collaborative effort Day Of Niagara, and the Cale compilations Dream Interpretation and Stainless Gamelan. Each song in the trilogy is an exemplar of the burgeoning minimalist music genre, emphasizing atonality, drone, and noise. With some of the earliest recordings of this music being recorded ten years before Lou Reed's avant garde Metal Machine Music (which itself was credited as a huge influence on noise music and punk), Cale was ahead of his time in many respects.

Minimalist music, involving a simplification of materials and intensive repetition of motives began in the late 1950s with the composers Terry Riley, Steve Reich, and Philip Glass. Later, minimalism was adapted to a more traditional symphonic setting by composers including Reich, Glass, and John Adams. Minimalism was practiced heavily throughout the latter half of the century and has carried over into the 21st century, as well as composers like Arvo Pärt, Henryk Górecki and John Tavener working in the holy minimalism variant. For more examples see List of 20th-century classical composers.

Programs in OpenMusic are created by connecting together (a process known as 'patching') either pre-defined or user-defined modules, in a similar manner to graphical signal-processing environments such as Max/MSP or Pd. Unlike such environments, however, the result of an OpenMusic computation will typically be displayed in conventional music notation, which can then be directly manipulated, if so required, via an editor. A substantial body of specialized libraries has been contributed by users, which extends OpenMusic's functionality into such areas as constraint programming, aleatoric composition, spectral music, minimalist music, music theory, fractals, music information retrieval, sound synthesis etc.

Flynn's professional composition career began in the early 2000s with performances of his music by artists including Jane O'Leary's Concorde ensemble, Rolf Hind and the Dublin Guitar Quartet. He also premiered many of his own guitar works at this time. His works from this period are often influenced by the minimalist music of John Adams, Philip Glass and Steve Reich. Soon after graduating from the Guildhall School of Music and Drama in 2004, Flynn's string quartet piece Slip was selected for the Young Composers Workshop at the 2004 Huddersfield Contemporary Music Festival, which led to Flynn being awarded the 2004 Young Composers Award at the Festival.

These include a set of the six Bach cantata texts in Bach's structure (double choir plus four-part chorale), a reinterpretation of the text of Handel's Messiah commissioned and premiered by the Oregon Bach Festival in 2009 and also performed at the Rheingau Musik Festival that year, and works by Purcell. His work draws on ideas from modernist music, minimalist music, jazz, and popular music. Indeed, in Act II of Jeppe, the chorus sings the line "O Lord, Won't You Buy Me a Mercedes-Benz" in harmony based on the original Janis Joplin melody. He also incorporated elements of Tejano music in his work.

After 1985, with the restoration of democracy, after 11 years of dictatorship, Uruguayan rock was reborn. The new scene was perhaps best represented by Los Estómagos, whose 1985 debut album, Tango que me hiciste mal (1985) "is considered the kick-off of the new Uruguayan rock".111 Discos Uruguayos by Andres Torron (English - page 292) Although usually labelled a punk band, the dark tone and minimalist music of Los Estómagos mean they are closer to new wave bands such as Bauhaus and Joy Division, rather than Sex Pistols. The album's particular sound was also due to the use of outdated and poorly equipped Uruguayan recording studios.

In the 1980s and 1990s, he wrote in art press and Le Nouvel Observateur and participated in numerous collective publications. In the wake of his interest in research in electronic music, the repetitiveness of minimalist music and the obsessive nature of traditional trance music, he turned in the mid-1990s, into the defender of techno music on which he wrote in various publications, in particular in the special issue of Art Press: Techno, anatomie des cultures électroniques published in 1998. For France Culture, he directed in February 1999 "Hypnomixotechno", the first series of in-depth radio programs devoted in France to this musical phenomenon .

Richter's recomposed version of Vivaldi's The Four Seasons, Recomposed by Max Richter: Vivaldi – The Four Seasons, was premiered in the UK at the Barbican Centre on 31 October 2012, performed by the Britten Sinfonia, conducted by André de Ridder and with violinist Daniel Hope. Although Richter said that he had discarded 75% of Vivaldi's original material, the parts he does use are phased and looped, emphasising his grounding in postmodern and minimalist music. The album topped the iTunes classical chart in the UK, Germany and the US. The US launch concert in New York at Le Poisson Rouge was recorded by NPR and streamed.

Vula Viel is a jazz group from London, playing music based on the sound of the gyil, a wooden xylophone from West Africa, fused with elements of electronica and minimal music. The group was formed by Bex Burch, a musician from Yorkshire. Burch trained in percussion at the Guildhall School of Music and Drama, where she was introduced to the minimalist music of Steve Reich, and then spent three years with the Dagaaba people of the Upper West Region of Ghana. There she learned music and xylophone making as the apprentice of a master xylophonist, before returning to the United Kingdom and forming Vula Viel.

The label explored a surprisingly large panel of genres at the time, going through garage rock, hardcore, stoner rock, grunge, noise music, no wave, jazz-core and industrial music. The label soon stands out from other French labels and the alternative music stage by looking for on unusual artists, taking a particular interest in grunge music, American noise rock, experimental and minimalist music such as the work of the very controversial Patrick Dorobisz, Moodie Black, Dookoom, Genghis Khan or Schlaasss. In 1992, the label signs a licensing agreement for Monster Magnet’s first album Spine Of GodSpine Of God - Monster Magnet (album) - Volumeet with Primo Scree. In 1993, the label changes its name and becomes Agony (Agony and the Ecstasy).

The band Pärson Sound was formed during the summer of 1967 by members of progg band Mecki Mark Men. Then original line up consisted of Bo Anders Persson (guitar), Thomas Tidholm (vocals, saxophone, flute), Arne Ericsson (cello), Urban Yman (violin), Torbjörn Abelli (bass) and Thomas Mera Gartz (drums). Inspired by the minimalist music of Terry Riley, the plan explored drones, heavy repetition and use of tape loops. This constellation, which were playing an experimental style of psychedelic rock never released any official records, although a collection of recordings from 1967-1968 were released as the double CD Pärson Sound (1967-68) in 2001 and as a 3 LP deluxe box set on the record label,Subliminal Sounds in 2010.

In general, the music continues Sigur Rós' departure from their generally ethereal and minimalist music, being (as the title and cover suggest) more playful and fanciful than their early work, featuring more traditional guitar melodies, acoustic instrumentation, and folk-oriented compositions following in the vein of their later albums. The album was available for pre-order from 3 June on the band's official media site, and on 5 June, the band performed "Gobbledigook", "Inní mér syngur vitleysingur ", "Festival", "Fljótavík", "Við spilum endalaust" and "All Alright" live in Guadalajara, Mexico. On 8 June, the full album streamed early on the Sigur Rós dót widget. On 19 June, pre-ordered albums began arriving in the mail.

Michael Nyman at Odessa International Film Festival in July 2015 Michael Laurence Nyman, CBE (born 23 March 1944) is an English composer of minimalist music, pianist, librettist and musicologist, known for numerous film scores (many written during his lengthy collaboration with the filmmaker Peter Greenaway), and his multi-platinum soundtrack album to Jane Campion's The Piano. He has written a number of operas, including The Man Who Mistook His Wife for a Hat; Letters, Riddles and Writs; Noises, Sounds & Sweet Airs; Facing Goya; Man and Boy: Dada; Love Counts; and Sparkie: Cage and Beyond. He has written six concerti, five string quartets, and many other chamber works, many for his Michael Nyman Band. He is also a performing pianist.

Gough first came to prominence on the British music scene in the early 1980s as a co-founder of minimalist music ensemble The Lost Jockey. It was initially set up to perform the works of 'systems music' composers such as Steve Reich and Philip Glass. However, before long it switched to compositions by the group's own composers, of whom Gough was one of the most active. In live concerts (as well as on a BBC Radio broadcast) he performed on piano, keyboards and tuned percussion. Around 1984 the ever-growing (and increasingly unmanageable) ensemble slimmed down to a septet called Man Jumping, again featuring Gough – who contributed several compositions to their two critically acclaimed albums.

Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units. It may include features such as phase shifting, resulting in what is termed phase music, or process techniques that follow strict rules, usually described as process music. The approach is marked by a non-narrative, non-teleological, and non- representational approach, and calls attention to the activity of listening by focusing on the internal processes of the music.Johnson 1994, 744. The approach originated in the New York Downtown scene of the 1960s and was initially viewed as a form of experimental music called the New York Hypnotic School.Kostelanetz and Flemming 1997, 114–16.

The movements Wood and Metal refer to pencils and metal rods placed in the piano strings that create distinct timbres. Fire, the last movement, is the longest and most energetic not because of the element fire's importance in mythology, but because compositionally its length allowed previous themes to return and bring the work to a close. The prepared piano shows influences of John Cage, the clusters of dissonant chords are suggestive of Henry Cowell, and repeated, stagnantly moving sections could be described stylistically as minimalist music. However, there are also fragmentary moments of pentatonic melodies as well as heterophonic passages which create the flavor of Chinese music, but in a more subtle manner than previous works.

Rachel's were an American chamber music group that formed in Louisville, Kentucky, in 1991. Former Rodan guitarist Jason Noble played music individually and referred to himself as Rachel's but then began collaborating with core members violist Christian Frederickson and pianist Rachel Grimes. The group's work was strongly influenced by classical music, particularly inspired by the minimalist music of the late 20th century, and its compositions reflect this. While the trio formed the core part of the band, the group's recordings and performances featured a varying ensemble of musicians, who played a range of string instruments (including viola and cello) in combination with piano, guitars, electric bass guitar, and a drum set that included a large orchestral bass drum.

Hazlewood created the 2009 BBC Two documentary series The Birth of British Music. He has authored and conducted the music in BBC films on Mozart, Beethoven and Tchaikovsky as well as a series exploring the birth of British music. He also appeared on the judging panel for the reality show Classical Star (BBC2 2007) and has anchored the BBC Proms TV coverage since 2001. He authored and presented How Pop Songs Work (BBC Four, 2008); a film with Damon Gough (aka Badly Drawn Boy) entitled Stripping Pop (BBC Three, 2003); and a two part documentary Tones, Drones and Arpeggios: The Magic of Minimalism (BBC Four, 2018), on the history of minimalist music.

As B.E.F.'s first 'minor project', Music for Stowaways was inspired by the Sony Walkman (at the time known in the UK as the Sony Stowaway). Fascinated with how the portable cassette player made users feel like what they described as film characters, they conceived Music for Stowaways as a "soundtrack for your life" designed specifically for play on the Sony Stowaway, and incorporated portable recording equipment into the album's production to maximise the effect. The album is instrumental and electronic, incorporating styles of synth-pop, ambient, funk, avant-garde and minimalist music. Largely ignored upon release, the music has been praised in retrospect, with critics crediting both the cassette and LP versions of the album as being prophetic of later musical styles.

Gaber's first recorded composition, Ludus Primus: Two Flutes and Vibraphone, (1966) was followed by Chimyaku: Solo Alto Flute (1968), Kata: Solo Violin for (1969) and Michi: Solo Violin (1969). Composer Eric Richards described Gaber's minimalist music as an effort to "get inside the music." > He notated minute directions for the attack, dynamic changes, and other > physical characteristics of each and every note, in ways that, while they > might have superficially resembled some of the serial music of that time, > were really his attempt to get beyond appearances, and slow down the sense > of time in the music through a deeper investigation of the sound itself. His compositions in the 1970s were mainly for strings, and in these works, he strived to suspend time.

The original musical score of the film is composed by Joe Hisaishi, a long-time collaborator of Studio Ghibli. When talking about the film, Hisaishi says "What's interesting about this movie is that it has things you wouldn't expect as story… I stuck to a minimalist music style for the entire picture, so it has been quite a challenge as a film score. The film inspires the viewer's imagination of the universe's memories and the effervescence of life." This film, together with Ni no Kuni, released two months later, mark Hisaishi's first two scores for animated feature films since 2013's The Tale of the Princess Kaguya, directed by Isao Takahata, and the first non-interactive animated productions not produced by Studio Ghibli with music by Hisaishi since the release of Venus Wars in 1989.

His source of inspiration- landscape – was transformed into an extremely reduced visual vernacular, the basic elements of which are ornamental lines.Tomáš Pospiszyl: ARTLIST – databáze současného umění, Centrum pro současné umění, His beginnings were punctuated by attempts to express nature’s principles using the medium of visual art but it the second half of the 1980s the artistic means employed became extremely unorthodox. His creative aspirations from that period were typified by the limitless merging of various disciplines: he created texts inspired by what he had experienced in the landscape and drew simple sketches of fields. At the same time, he was a member of several ensembles dabbing in minimalist music and musique concrète whose productions crossed the boundary between theatrical and performance and animated sculptural installation.Tomáš Pospiszyl - "Nejen pro oči", Petr Kvíčala, červenec 1984 až 28. 2.

He visited many times the Maghreb countries, Egypt and the United States (East Coast and West Coast). Under the name Un nouveau courant ("a new current"), he organized for France Culture, at the youth Biennial of the Musée d'art moderne de la ville de Paris, two series of concerts in 1980 that shed light on a musical approach deviated from the minimalist music that can be described as "postmodern" with, among others, the English Gavin Bryars and Michael Nyman, and the Californians Harold Budd and Daniel Lentz. In 1982, with the great orchestra of the American celestial tramp in the Black Forest, Moondog and the "Penguin Cafe Orchestra" of London. At the request of Patrice Chéreau, he set up, with , in 1984 and 1985 at the Théâtre Nanterre-Amandiers, the twenty-five concerts that made up the Journées de musiques arabes.

His delicate but deeply emotional style has been linked to Frédéric Chopin and the great masters of Romantic music, and to Erik Satie, the colourful figure of the early 20th century Parisian avant-garde whose work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd. Tiersen is also compared to one of the most influential composers of the late 20th century, the American minimalism, classical–contemporary classical, and ambient music composer Philip Glass, and to British composer of minimalist music, pianist, librettist and musicologist, Michael Nyman, known for the many film scores he wrote during his lengthy career and in regard to him Tiersen is often called the Gallic Michael Nyman. Tiersen started playing piano and violin at a young age. In 1983, when he was thirteen years old, he broke his violin and bought an electric guitar.

The album, available on compact cassette only, featuring the prominent tracks "Ja sam jedini" ("I Am The Only One") and "Čaj" ("Tea"), provided the band with the title "the most non-commercial band in Belgrade". The cover for the album was designed by Marković, which was also the case with all their later releases. The next release was the Live in Zombietown, a live album released in 1995 and recorded at the BITEF theatre on September 7, 1995, during the Zombietown movie premier, in a new lineup, featuring the new bassist Saša Radić, who previously worked with Kazimirov Kazneni Korpus, presenting the band's minimalist music live intensity. The album was released by the independent record label Urbazona Trotorock, founded by the Belgrade underground painter Momir Grujić "Fleka", in collaboration with Radio B92 in 300 copies only, but free of copyright limitations, thus available for free copying and broadcasting.

Later on, the woman in the fur coat reappears and makes an emergency phone call, speaking, with strange calm, about the dead man in her apartment whom she has never seen before. Around the end of the film, one can hear what sound like police sirens, but could just as well be a part of the musical score, a distinct piece of minimalist music that pairs tones at random. These tones shift in frequency (and in "wavelength"), becoming higher- pitched as the camera further analyzes the space of the anonymous apartment. What begins as a view of the full apartment zooms (the zoom is not precisely continuous as the camera does change angle slightly, noticeably near the very end) and changes focus slowly across the forty-five minutes, only to stop and come into perfect focus on a photograph of the sea on the wall.

Joep Franssens studied piano in Groningen and composition in the Hague and Rotterdam with composer Louis Andriessen and Klaas de Vries respectively. Franssens is a representative of the post-serial generation of Dutch composers who use tonal means and an accessible idiom without neo-Romantic features, even if the pathos-laden, highly emotional nature of his music appears to contradict this endeavour. In his works, which consist of chamber music, choral and orchestral works, Franssens aims at a synthesis of monumentality and euphony and is initially guided by J.S. Bach and the work of György Ligeti such as Lontano and Atmosphères. Later a trend towards radical austerity become apparent under the influence of American minimalist music, East European mysticism (e.g. Pärt) and the symphonic pop music of the 1970s such as Yes and Genesis, culminating in the static diatonicism of the ensemble work ‘Dwaallicht’ (1989) and the serene counterpoint of ‘Sanctus’ for orchestra (1996, rev. 1999).

Having received a very traditional music education at school, he immediately immersed himself in the more radical music of the twentieth century when he started his undergraduate studies, learning and performing piano works by Webern, Schoenberg, Messiaen, Stockhausen, Cage, Ives and Cardew, and discovering Dada, conceptual art, and experimental and minimalist music. As a result his compositions from this time show many of these tendencies, for example: A Little Fantasy (1971) for two pianists, metronomes, piano movers and lighting is an indeterminist piece in the form of a kit; Five Pieces for Piccolo and Tuba (1971) is a graphic score which moves between recognizable music notation and abstract art; Quodlibet for Charles Ives (1974), a reworking of In the Inn in which the original American music quotations are literally pasted over with fragments of Cape Malay tunes; and a series somewhat akin to Mauricio Kagel’s ‘Conversations with Chamber Music, for example song without words (1975) for cello and piano, which deconstructs music by Mendelssohn.

Cox & Warner 2004, p. 359 (in "Post-Rock" by Simon Reynolds): "The Velvets melded folkadelic songcraft with a wall-of-noise aesthetic that was half Phil Spector, half La Monte Young—and thereby invented dronology, a term that loosely describes 50 per cent of today's post-rock activity." (about the Velvet Underground and post-rock) Drone music also fits into the genres of found sound, minimalist music,Cox & Warner 2004, p. 301 (in "Thankless Attempts at a Definition of Minimalism" by Kyle Gann): "Certainly many of the most famous minimalist pieces relied on a motoric 8th-note beat, although there were also several composers like Young and Niblock interested in drones with no beat at all. [...] Perhaps “steady-beat-minimalism” is a criterion that could divide the minimalist repertoire into two mutually exclusive bodies of music, pulse-based music versus drone-based music." dark ambient, drone doom/drone metal, and noise music.

Nine Inch Nails in the "March of the Pigs" music video After abandoning a more elaborate version before filming could be completed, Reznor and the live band assembled for the then-impending Self Destruct Tour (featuring drummer Chris Vrenna, keyboard player James Woolley, guitarist Robin Finck and bassist/guitarist/keyboardist Danny Lohner) regrouped with director Peter Christopherson to film a stripped-down, minimalist music video for the song. The video, released in March 1994, features the band performing the song live in front of a white wall backdrop, with Reznor moving around aggressively, pushing the other band members and their instruments, and repeatedly tossing his microphone away. Throughout the video, stagehands visibly move into the frame to reset the equipment he knocks over, handing Reznor a microphone each time he needs to start singing again after an instrumental section. The bulk of the video appears to be filmed in one long take, with the camera zooming and panning continuously.

In 1986 the prestigious Ricordi Edition published his opera in two acts Generazioni del cielo, first performed in the Metastasio Theatre in Prato and subsequently at the Lingotto Theatre in Turin. The same year he composed Lamentazione di Geremia, commissioned by the International Festival of Tel Aviv. Then in 1988 at the Ateforum Festival in Ferrara he performed In C, the manifesto composition of minimalist music, with Terry Riley. The piece was recently published and distributed in Russia together with the first release of Transarmonica (1988). Other pieces from those years are Aurea Carmina (1988), commissioned by the Santa Cecilia Academy of Rome, Il Segreto dell’Alba (1989), a ballet-pantomime commissioned by the City Theatre of Bologna, Un Giorno X (1990), a video opera performed at the Milan Conservatory with the popular Italian singer Gianna Nannini and the Orchestra dei Pomeriggi Musicali, and the musical fable Le Mille e Una Notte (1991), performed at the Berlin Festival “Berliner Festspiele” and subsequently at the Spoleto Festival. Fruit of his all-round experimentation are the albums Angelus Rock (1992), Arcana (2001), Tempus Fugit (2003), and Incontri con l’anima (2005).