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"millboard" Definitions
  1. a strong heavy hard paperboard suitable for lining book covers and for paneling in furniture
"millboard" Synonyms

16 Sentences With "millboard"

How to use millboard in a sentence? Find typical usage patterns (collocations)/phrases/context for "millboard" and check conjugation/comparative form for "millboard". Mastering all the usages of "millboard" from sentence examples published by news publications.

These were painted on millboard,a type of stiff board, especially used to make book covers. description after which the board was put through Blake's printing-press with a sheet of dampened paper to make the prints. After they were printed, Blake and his wife Catherine added ink and watercolour to the impressions.
In the 17th century the river powered five mills. Drayton Mill at West Drayton was mentioned in Domesday Book and was used for flour milling, paper-making and the manufacture of millboard. It ceased operation in about 1923.West Drayton: Mills, A History of the County of Middlesex: Volume 3 (1962), pp. 196.
The Agasote Millboard Company was founded as a division of the Bermuda Trading Company in 1909 by Eugenius Harvey Outerbridge. Outerbridge brought the process to the US from England. The first commercial use of the panels were for lining railroad cars. In 1915, the company won a contract to use the panels as automobile tops.
Duet, 1958, Tate Gallery. Two flower studies, painted on separate pieces of millboard and joined together to make a single painting. Sir William MacTaggart (1903–1981) was a Scottish painter known for his landscapes of East Lothian, France, Norway and elsewhere. He is sometimes called William MacTaggart the Younger to distinguish him from his grandfather, the painter William McTaggart.
He usually painted on millboard, re-using the reverse for fresh paintings. His female models were typically shop-girls, prostitutes, actresses or poses plastiques models, while his male models tended to be Life Guards recruited from the nearby barracks, who he thought to have an appropriate muscular physique, or occasionally men Etty met in public bath houses.
The painting appears to be unfinished, suggesting that it was painted in a single sitting and Etty did not have the opportunity to have Rachel pose again. Despite this, Etty's 1958 biographer Dennis Farr has described it as a work "of extreme sensitivity and perception". The painting is painted on millboard, and has an oil sketch by Etty of a crouching nude woman on the reverse side.
Like other members of the group it is a monotype produced by printing from a matrix consisting of paint on gessoed millboard, with each impression then finished by hand. By this unusual means Blake could obtain up to three impressions from a single painting. Three such impressions survive of Pity. A fourth, in the British Museum, was an early trial of the design from a different matrix, as it is smaller than the others.
Gardiner, p. 98 The fragments of the destroyed gun were re-assembled and displayed to the public at the Woolwich Arsenal. The committee of inquiry decided that the gun had been double-loaded, but this view was widely questioned, including by Sir William Palliser, designer of the Palliser shell used by these guns. Palliser's view instead was that the shot had been obstructed by a portion of the millboard disc rammed above the shell.
A Bengal Tiger was painted when he was 18A Bengal Tiger (1838) Huggins' horses, cattle, and poultry pictures were his best and most characteristic work, good in drawing, and remarkable for brilliance of colour. "Tried Friends", purchased by the Liverpool corporation, illustrates his use of transparent glazes over a white ground. Huggins' preferred medium was painting on white millboard from pencil outlines. Huggins portrait include one of the master of the Holcombe Hunt, his brother Samuel and himself.
Glenboig Clay Mill (oil on millboard) by William Glover (1836–1916) Advertisement with pictures of the Star Works and the Old Works at Glenboig with the Cumbernauld Works below A Glenboig brick Glenboig's main industry was fireclay, centred on the General Refractories and Glenboig Union Fireclay Company Limited's Star Fireclay Works, which made refractory products for the steel and iron industries. Aerial photographsGlenboig Star Fireclay Works, Scotland’s Places of the works are available. The Glenboig Union Fire-clay Company Limited dates back to 1836. Glenboig's only railway station closed in 1956.
Eugenius was born on March 8, 1860 in Philadelphia, Pennsylvania to Bermudians Alexander Ewing Outerbridge I and Laura Catherine Harvey. His sister, Mary Ewing Outerbridge, was the founder, in 1874, of American lawn tennis which was the progenitor of modern tennis. His other siblings include: Albert Albany Outerbridge; Sir Joseph Outerbridge (1843–1933); August Emelio Outerbridge (1846–1921); Harriett Harvey Outerbridge; Alexander Ewing Outerbridge II; Laura Catharine Outerbridge; and Adolph John Harvey Outerbridge (1858–1928). Outerbridge incorporated the Agasote Millboard Company in 1909 to produce a high-density fiberboard.
Modern furniture making, however, tends to rely upon a combination of engineered woods and solid woods in frame making. Engineered wood products commonly used in furniture making include plywood, hardboard, millboard, chipboard, and medium-density fiberboard. Upholstery itself is often applied with staples, and so metal frames will typically have a plywood panel inserted into them as a backer for the upholstery and to allow these staples to be pinned into it. Since lumber costs increase rapidly with increasing board thickness, some manufacturers may hold down frame costs by skimping at the precise point where ample strength is most important.
1, p. 60-61 Sallaert clearly appreciated in the monotype technique the freedom to design on a plate before printing it on paper.Kelley Notaro, An Exhibition of the Finest Monotypes from the Cleveland Museum of Art's Collection at The Cleveland Museum of Art site Visions of the Daughters of Albion, a combination by Blake of relief etching for the lines and monotype for the colour William Blake developed a different technique, painting on millboard in egg tempera to produce both new works and coloured impressions of his prints and book illustrations, including his Pity. Each impression was usually then worked over by hand, using ink and watercolour.
To the northwest of the village, on White Horse Hill, is the Osmington White Horse, a large hill figure dating from 1808. It represents King George III.Mary Kempe, Osmington, Brief History. John Constable (1776–1837), the leading English landscape artist, spent his honeymoon here in October 1816 and painted views of the local area. The Victoria and Albert Museum Catalogue of the Constable collection (Reynolds, G.(1973), HMSO, London) has in it 6 drawings of Osmington, Osmington Bay, Weymouth Bay and Portland as well as an oil painting of Weymouth Bay on millboard, thought to be an open-air sketch from his time on honeymoon.
Bell Mines excavated and milled raw Chrysotile asbestos, using the open-cut method. Asbestos was then shipped by railway to Ambler, where it was processed and used to create a wide variety of products. Keasbey and Mattison did extensive research and product development. By 1896, the plant included areas to produce roofing tiles, papers, pipe coverings, and the nation's first asbestos textile plant. By 1897, they were producing asbestos paper and millboard for electrical insulation and welding shields. As of 1905, they began to use the Hatschek process for manufacturing asbestos cement roofing shingles, which they sold under the name "Century Asbestos Slate". They even released advertising postcards, showing elegant buildings that used the new materials.
While students at the class usually worked from a single model, Etty would occasionally arrange for "a Treat", in which a group of models would be used to create an entire composition for the students to sketch (often arranged in poses derived from Old Master paintings). Painted on millboard, The Wrestlers was probably executed over the course of three evenings. On the first evening Etty would have drawn the models in chalk or charcoal and inked the outline; on the second evening the figures would have been painted in oil paint, and on the third evening a thin glaze would have been applied to the painting to which colour would then have been added.

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