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96 Sentences With "mezz"

How to use mezz in a sentence? Find typical usage patterns (collocations)/phrases/context for "mezz" and check conjugation/comparative form for "mezz". Mastering all the usages of "mezz" from sentence examples published by news publications.

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"I think [the market] is pretty positive on mezz, specifically junior mezz," Rogoff said.
One of the project's construction lenders, Xanadu Mezz Holdings, was a subsidiary of Lehman Brothers, which filed for bankruptcy on Sept.
As I ran the Winter Garden for the first time, I paused at MEZZ D8, my seat from 23 years earlier.
Mizuho and Development Bank of Japan, along with other funds, provided a ¥24.93bn mezz facility that also backed Calsonic's buyout of Magneti Marelli.
Goldman's mezz fund bought the junior debt of both the SolarWind LBO in the US and the TeamSystem LBO in Europe in recent weeks.
Xanadu Mezz Holdings was a construction lender for the project and a subsidiary of Lehman Brothers, which filed for bankruptcy in September of 2008.
"Japanese banks are eating into the mezzanine market, which is only seen in Japan and is an aberration," a Tokyo-based mezz investor said.
"You can still place the Triple A and equity, its the mezz that has become the real challenge to find buyers for," said an investor in leveraged loans.
CO, which it now jointly owns with investment bank Goldman Sachs (notified April 213/deadline May 11/simplified) — Luxembourg investment company Pacific Mezz and private equity firm Oaktree to jointly acquire Luxembourg leaser of rolling stock Railpool (notified April 4/deadline May 12/simplified) — U.S. rail equipment maker Wabtec Corp to acquire French peer Faiveley Transport SA (notified April 4/deadline May 12) — Austrian energy group OMV to acquire sole control of Austrian gas distributor EconGas (notified April 4/deadline May 12/simplified) — Dutch pension fund APG and Qatar Diar Real Estate Investment Company which is owned by the Qatar Investment Authority, to set up a joint venture to develop properties in Britain (notified April 5/deadline May 13/simplified) — Investment fund Gilde to acquire Dutch agriculture equipment maker Royal Reesink (notified April 21/deadline May 17/simplified) — Saint-Gobain and Corning to set up a joint venture to produce lightweight glazing for the car industry (notified April 6/deadline May 17) — Hutchison Whampoa to acquire Telefonica's O2 UK subsidiary (notified Sept.
CO, which it now jointly owns with investment bank Goldman Sachs (notified April 103/deadline May 11/simplified) — Luxembourg investment company Pacific Mezz and private equity firm Oaktree to jointly acquire Luxembourg leaser of rolling stock Railpool (notified April 4/deadline May 12/simplified) — U.S. rail equipment maker Wabtec Corp to acquire French peer Faiveley Transport SA (notified April 25/deadline May 210) — Austrian energy group OMV to acquire sole control of Austrian gas distributor EconGas (notified April 230/deadline May 21/simplified) MAY 221 — Dutch pension fund APG and Qatar Diar Real Estate Investment Company which is owned by the Qatar Investment Authority, to set up a joint venture to develop properties in Britain (notified April 225/deadline May 353/simplified) — Investment fund Gilde to acquire Dutch agriculture equipment maker Royal Reesink (notified April 235/deadline May 290/simplified) — Saint-Gobain and Corning to set up a joint venture to produce lightweight glazing for the car industry (notified April 2105/deadline May 17) — Hutchison Whampoa to acquire Telefonica's O2 UK subsidiary (notified Sept.
Milton Mesirow (November 9, 1899 - August 5, 1972), better known as Mezz Mezzrow, was an American jazz clarinetist and saxophonist from Chicago, Illinois.[ Allmusic. Mezz Mezzrow Biography]. He is well known for organizing and financing historic recording sessions with Tommy Ladnier and Sidney Bechet.
He also recorded for the Mezzrow-Bechet Quintet (Sidney Bechet, Mezz Mezzrow, Fitz Weston, Pops Foster and Marshall).
Armstrong was one of his biggest customers.Rogovoy, Seth (2015). "The Original Rachel Dolezal Was a Jew Named Mezz Mezzrow". Forward, June 26. p. 16.
In 1920 he joined the band of Charlie Johnson, with whom he recorded extensively; he also played with Mezz Mezzrow, Eddie Condon, Jabbo Smith, Red Allen, and Jack Teagarden.
Born in Crown Heights, Brooklyn, as Madeline Mezz, she was the only child of a doctor and an opera singer. She received the nickname "Bunny" as a child, as she recalled, "My mother and father called me Bunny from day one. They said I was little and cute and had dark eyes like a little bunny." Her father, Dr. David Mezz, was a surgeon who invented the nose clip used by springboard divers.
Pleasant Joseph known as Cousin Joe (December 20, 1907 — October 2, 1989) was a New Orleans blues and jazz singer, famous for his 1940s recordings with Sidney Bechet and Mezz Mezzrow.
Bunk Johnson, Sid Phillips, Irving Fazola and his Orchestra, Bud Jacobson, Harry Roy, Joe Daniels and His Hot Shots, Milton Mezz Mezzrow, Len Barnard and His South City Stompers, and Wild Bill Davison also recorded it.
Eddie Condon said of him (We Called It Music, London; Peter Davis 1948), "When he fell through the Mason-Dixie line he just kept going". Mezz Mezzrow was buried in the Père Lachaise Cemetery in Paris.
She shoots with Predator/MEZZ (regular with 314 shaft) and Predator BK2 (Break) cue sticks. She is sponsored by Kärnten Sport (Kaernten Sport) Kelag, Sportsunion, Predator, and Justis Cue Cases. Her home club is the PBC Eintracht Klagenfurt.
He went back to Chicago, where he played with Dave Peyton (1930), the Chicago Ramblers (1932), Johnny Dodds and Baby Dodds, Zutty Singleton, Mezz Mezzrow, Lovie Austin, and Jimmy Bertrand (1945). Collins played in Chicago through the 1930s and 1940s as an accompanist to many blues singers and in nightclubs. After 1945, he led his own band at the Victory Club, on Clark Street in Chicago, and gigged with Bertha Hill (1946), Kid Ory (1948), and Art Hodes (1950–1951). He played in Europe with Mezz Mezzrow in 1951 and 1954 and in California with Joe Sullivan in 1953.
A native of Saint-Gaudens, France, he worked with Mezz Mezzrow from 1951–1952 and Big Bill Broonzy in 1951. In 1954 he made Paris his home and worked with Lionel Hampton and Emmett Berry. He also worked with Bill Coleman and Wild Bill Davis.
Speakerpunch is a Dutch rock band which has built a firm live reputation with shows across The Netherlands, playing at venues such as Paradiso (Amsterdam), Mezz (Breda), Baroeg (Rotterdam) and Bibelot (Dordrecht). The band has been praised for its stage performance at various band battles.
"Larry Clark: Trashing the White American Dream." The Film Journal. Retrieved on 2006-08-25 or hip, (like Mezz Mezzrow);Roediger, David (1997). "The First Word in Whiteness: Early Twentieth-Century European Immigration", Critical White Studies: Looking Behind the Mirror. Temple University Press, p. 355.
From 1934 to 1936 he played with the Mills Blue Rhythm Band, and later in the decade with Edgar Hayes, Mezz Mezzrow, Jabbo Smith, and Tommy Ladnier. He worked with Claude Hopkins and Zutty Singleton in the early 1940s, but stopped performing and recording after about 1943.
Hodes was born in Ukraine. His family settled in Chicago, Illinois when he was a few months old. His career began in Chicago clubs, but he did not gain wider attention until moving to New York City in 1938. In that city he played with Sidney Bechet, Joe Marsala, and Mezz Mezzrow.
He also recorded for the Mezzrow-Bechet Quintet (Bechet, Mezz Mezzrow, Fitz Weston, and Kaiser MarshallBillboard, May 1, 1948. Google Books. Retrieved 1 April 2013.) and Septet (on two consecutive dates in 1945, with Hot Lips Page (as Pappa Snow White),Price, Sammy (1995) What Do They Want?: A Jazz Autobiography, p. 105.
One source for the phrase "jam session" came about in the 1920s when white and black musicians would congregate after their regular paying gigs, to play the jazz they could not play in the "Paul Whiteman" style bands they played in. When Bing Crosby would attend these sessions, the musicians would say he was "jammin' the beat", since he would clap on the one and the three. Thus these sessions became known as "jam sessions"."Really The Blues" by Mezz Mezzrow Mezz Mezzrow also gives this more detailed and self-referential description, based on his experience at the jazz speakeasy known as the Three Deuces: The New York scene during World War II was famous for its after-hours jam sessions.
This invitation likely came about due to his recording work with bands in America formed by Hugues Panassie and Mezz Mezzrow, and the 1948 offer by Hugues Panassie of $1500 for a week's tour in France. This tour was never scheduled due to French currency restrictions, and the opportunity for Bechet to be featured in a group with Mezz Mezzrow at the Hot Club-sponsored 1948 Nice Jazz Festival was precluded by his contract with Jazz, Ltd.; Bob Wilber made the trip in his stead. Bechet almost did not get signed to play the festival, which also almost did not exist; Nicole Barclay, an associate of a rival jazz festival, with which Hugues Panassie was associated, almost convinced the star to play for her festival.
Mezz and Jungreis separated after 21 years together, and not long after that, she landed a job with cartoonist Bill Hoest, creator of The Lockhorns, who needed an assistant to help compile his cartoons into books. She recalled, "I was 40 years old. My kids were 20, 18, and 15." Hoest, who had six children, was also recently divorced.
Their only child, Bobby Wilson, was born in 1941. By 1946, after Mezz Mezzrow had founded his King Jazz record label, he engaged them as songwriters. This association led to their final recording session, in 1946, backed by a quintet including Bechet and Mezzrow. Wilson retired in ill health shortly thereafter, but Grant continued performing into the 1950s.
He joined Mezz Mezzrow's band in 1953 and toured with him throughout Europe and North Africa; while on this trip, he recorded in Belgium as a leader with Buck Clayton and Kansas Fields. He also played with Raymond Fonseque in Paris. He lived in France for some time after the tour; the details of his later life are unknown.
The duo's billing varied. They performed as Grant and Wilson, Kid and Coot, and Hunter and Jenkins, as they went on to appear and later record with Fletcher Henderson, Mezz Mezzrow, Sidney Bechet, and Louis Armstrong. They performed separately and together in vaudeville, musical comedies, revues and traveling shows. They also appeared in the 1933 film The Emperor Jones, with Paul Robeson.
For three years in the 1940s he was member of the last big band of Louis Armstrong. He found freelance jobs in the 1950s with Ruby Braff, Pee Wee Russell, Eddie Condon, Wild Bill Davison, Jimmy McPartland, Tony Parenti, Mezz Mezzrow, Sidney Bechet, and Buck Clayton. He led a dixieland band and toured Canada with Cozy Cole and England with Keith Smith.
He found Ladnier and recorded the Panassié Sessions with Sidney Bechet and Mezz Mezzrow. Ladnier and Bechet participated in the first From Spirituals to Swing concert arranged by John Hammond in December 1938. Ladnier's last studio recording was on February 1, 1939, in New York as a sideman with singer Rosetta Crawford (de) accompanied by James P. Johnson's Hep Cats (Decca 7584).
Djamel (Mustapha Benstiti) tries to escape the spiral of drugs and delinquency which crushes all his friends in the suburban city where he lives. He works at the municipal swimming pool and wants to start a family with Sahlia (Tabatha Cash), the sister of his friend Mezz (Micky El Mazroui), who wants to break all ties with his culture of origin.
He played with many noted jazz artists in the 1930s and 1940s, including Duke Ellington, Cab Calloway, Art Hodes, Wild Bill Davison, Sidney Bechet, Bunk Johnson, and Mezz Mezzrow. He also recorded with Louis Armstrong in the late 1920s, being the drummer on Armstrong's recording of "Knockin' a Jug"The Rough Guide to Jazz, p. 512. Rough Guides, 2004 at Google Books. Retrieved 1 April 2013.
GSO had previously acquired $3.1 billion of CLOs from Callidus Capital Management in 2010.Blackstone’s GSO Agrees to Take Over AIB CLO Business. Bloomberg BusinessWeek, March 30, 2011 In November 2011, it was reported that GSO had raised over $2 billion for its newest mezzanine debt investment fund, making it one of the largest players in that market.GSO raising billions in hot mezz market.
In 1934, Singleton returned to Chicago. He returned to New York in 1937, working with Mezz Mezzrow and Sidney Bechet. In 1943, he moved to Los Angeles, where he led his own band, played for motion pictures, and appeared on the radio program The Orson Welles Almanac (1944). He also worked with Slim Gaillard, Wingy Manone, Eddie Condon, Nappy Lamare, Art Hodes, Oran "Hot Lips" Page, and Max Kaminsky.
He led another group of his own early in the 1950s, then played with Mezz Mezzrow in Europe in 1953. Fields ended up staying in Europe for more than a decade; he relocated to France and worked as a sideman for many Continental bands. he also did a recording session with John Coltrane and Kenny Burrell in the 1950s. In 1965 he returned to Chicago, working once more with Gillespie and doing studio work.
Simplylife Bakery Cafe in Queensway Plaza, Admiralty In 1998, Maxim's launched a restaurant series named m.a.x. concepts, which managed restaurant brands including MAX, Cellini, Mecca, Thai Basil, eating plus, Mezz, café Landmark, Emporio Armani Caffé, and modern restaurants Kiku and Miso. In 2004 the company opened the French-Vietnamese restaurant chain Rice Paper. In the same year, Maxim's Fast Food began producing ready meals and appetisers to be sold in 7–11 and Wellcome supermarkets.
He toured the UK in 1987, recording with drummer John Petters. In 1988, he returned to appear at the Cork jazz Festival with Petters and Wild Bill Davison. A tour, the "Legends of American Dixieland", followed in May 1989 with the same line-up. Other musicians he played and recorded with included Louis Armstrong, Wingy Manone, Gene Krupa, Muggsy Spanier, Joe Marsala, Mezz Mezzrow, Sidney Bechet, Albert Nicholas, Wild Bill Davison, and Vic Dickenson.
Grant and Wilson's act, once a rival of Butterbeans and Susie, began to lose favor with the public by the mid-1930s, but they recorded more songs in 1938. Their only child, Bobby Wilson, was born in 1941. By 1946, Mezz Mezzrow had founded the King Jazz record label and engaged Grant and Wilson as songwriters. In that year, the association led to their final recording session, backed by a quintet including Bechet and Mezzrow.
The Baby Dodds Story: As Told to Larry Gara. Louisiana State University Press, 1992, p. 88. After playing with several outfits in New York, he joined Mezz Mezzrow's group on a tour of Europe in 1948 that lasted eight weeks. The group ended up playing solely in France, and Dodds had a great experience, saying that Europeans "take our kind of music much more seriously than they do in our own country".
When Waller went on solo tours Sedric found work gigging alongside Mezz Mezzrow (1937) and Don Redman (1938-39). Sedric put together his own group in 1943, then played with Phil Moore in 1944 and Hazel Scott in 1945. He put together another ensemble from 1946–51, playing in New York. Later associations include time with Pat Flowers (1946–47), Bobby Hackett (1951), Jimmy McPartland, Mezzrow again (1953), Conrad Janis (1953), and Dick Wellstood (1961).
At age 39, Ladnier, died unexpectedly of a heart attack June 4, 1939, while staying at Mezz Mezzrow's apartment at 1 West 126th Street – a six-story, 48-unit residential building in the Harlem neighborhood of Manhattan. It fell upon Mezzrow to take care of Ladnier's belongings and bury him. The memorial service was on Friday, June 9, 1939. Ladnier was buried at Frederick Douglass Memorial Park, Staten Island, an African American cemetery.
Claude Guilhot (September 2, 1929 - December 15, 1990) was a French jazz vibraphonist and drummer. Guilhot was born in Toulouse to a family of music pedagogues. Initially a professional drummer, he worked with Charles Barrié, Jacques Gauthé, and Mezz Mezzrow before switching to vibraphone late in the 1950s. He and Michel Roques shared leadership of an ensemble which included appearances from Don Byas, Buck Clayton, Bill Coleman, Sonny Grey, and Lucky Thompson.
Nevertheless, on a Saturday, Dick would buy a new 78 rpm jazz record which was played for the family to dance to. This music consisted mostly of Fats Waller, Louis Armstrong, Mezz Mezzrow and others, with an historic backlog of Bessie Smith, Bix Beiderbeck, Mugsy Spanier and Fletcher Henderson. Oddities from 1920s and 30s jazz were the backbone of Linda's musical experience, stirred into Madge's attempts to introduce classical music – Vaughan Williams, Tchaikovsky, Elgar. Wendy and Linda c.
He played Dixieland jazz with Bud Freeman, Jack Teagarden, Eddie Condon, Mezz Mezzrow, and Joe Marsala. In the 1940s, he played with the big bands of Charlie Spivak and Claude Thornhill, in Artie Shaw's Symphonic Swing Orchestra (1941) and the subsequent naval band led by Shaw (1942-1944), then joined Woody Herman's big band (1945). He subsequently worked with Eddie Condon, Jerry Gray, Muggsy Spanier, Will Bradley and Jazz at the Philharmonic. Tough struggled with alcoholism throughout his life.
Zico at KCON 2015 in Los Angeles On February 13, 2015, Zico released "Well Done", his second single, featuring Ja Mezz. In March, he provided the soundtrack for Beyond Closet's 2015 S/S runway at New York Fashion Week. He also graduated from the Dong-Ah Institute of Media and Arts with a bachelor's degree. February 2015 also saw Zico join the cast of the female rap competition show Unpretty Rapstar for the second episode, as a producer.
He then performed at Mezz in Breda during the "3FM Clubhuis presents" and "DJs for 3FM Serious Request". On January 16, 2017, Mesto released "Chatterbox", a collaboration with Fox Stevenson through Spinnin' Records. Shortly afterwards, he revealed "Step Up Your Game", his drum and bass debut single on Spinnin' Premium. The single was available as a free download on Spinnin' Records website until March 17, after that date it was released on iTunes, Beatport and Spotify.
The lineup of Applehans, Kiersnowski (the King), Lai and Miller (Ice) performed for two years, recording Galapagos Momentum in 2006. Before the recording was pressed, a new incarnation was assembled with Cobb (McEnroe, Bart Garfunkel), Lai, Meszler (Mezz, Meszloforte), Moeggenberg (Moeggen) and Sataman (Martron, Marty-Party) in March 2007. This new lineup promoted Galapagos throughout the U.S. in summer 2007. The album was critically acclaimed, earning a number 2 position on Organ Magazine's end of the year album list.
Père-Lachaise Cemetery. Mezzrow became better known for his cannabis proliferation than his music. In his time, he was so well known in the jazz community for selling marijuana that Mezz became slang for marijuana, a reference used in the Stuff Smith song, "If You're a Viper". He was also known as the Muggles King, the word muggles being slang for marijuana at that time; the title of the 1928 Louis Armstrong recording "Muggles" refers to this.
Richards began playing classical piano at age ten, and concentrated on jazz from age 16 after hearing Fats Waller. His first major professional gig was with Tab Smith at New York's Savoy Ballroom from 1945 to 1949. following this he played with Bob Wilber (1950–51) and Sidney Bechet (1951). He toured Italy and France in 1953 with Mezz Mezzrow's band alongside Buck Clayton and Big Chief Moore, also accompanying Frank Sinatra during his time in Italy.
Mezz Mezzrow's book Really the Blues recounts the delighted reactions of Frank Teschmacher, Bix Beiderbecke, and other musicians. Another notable feature of the record is the hokum coda, in which a line is delivered too early, leaving the break over which it should have been spoken completely empty. Various other recordings of the tune followed in the 1920s and 1930s. The Boswell Sisters performed the tune on radio, record, and in the film The Big Broadcast.
Wilson was born and raised in Jacksonville, Florida. He played the piano and organ, and his wife and musical partner, Coot Grant, played the guitar and sang and danced. The duo was variously billed as Grant and Wilson, Kid and Coot, and Hunter and Jenkins, as they went on to appear and later record with Fletcher Henderson, Mezz Mezzrow, Sidney Bechet, and Louis Armstrong. Their variety was such that they performed separately and together in vaudeville, musical comedies, revues and traveling shows.
Don Kirkpatrick (June 17, 1905 – May 13, 1956) was an American jazz pianist and arranger. Kirkpatrick worked intermittently with Chick Webb between 1927-1937 and with Don Redman from 1933-1937; it is for these associations that he is best known. Aside from this, he worked with Harry White, Elmer Snowden, Zutty Singleton, and Mezz Mezzrow, and worked as a freelance arranger after his time with Webb and Redman. Kirkpatrick also arranged for the bands of Benny Goodman, Count Basie, and Cootie Williams.
Bob Wilber and Sidney Bechet, Jimmy Ryan's (Club), New York, c. January 1947; image: William P. Gottlieb Sidney Bechet was one of the most accomplished and influential musicians of the post World War I period and was viewed by many as the best clarinetist of his time. Nevertheless, Bechet's primary instrument eventually became the soprano saxophone. In 1944, Wilber had become fascinated with Bechet's sound, and later that year, when Wilber was sixteen, he was introduced to Bechet through Mezz Mezzrow.
In the 1930s he played in Europe in the bands of Django Reinhardt, Lucky Millinder, and Willie Lewis. On his return he played in New York City and Philadelphia with Sidney Bechet and Mezz Mezzrow, as well as leading his own band and contributing arrangements. One of his key recordings, as bassist and vocalist, was "Preachin' Blues", first recorded with Bechet's New Orleans Footwarmers in 1940, and described as a precursor of rhythm and blues music. "Wilson Myers", The Musicologist.
The series contains the output of some of the greatest jazz musicians, including Louis Armstrong, Count Basie, Duke Ellington, Benny Goodman, Django Reinhardt and many lesser known artists, such as Beryl Booker, Eddie Lockjaw Davis and Mezz Mezzrow. The Classics label regularly issued new collections until 2004, when its original distributor went bankrupt. The back catalogue was then acquired by Abeille Musique, which operated the label until July 2008. Five titles announced for an August 2008 release were never issued.
Mezz Mezzrow became Panassié's lone example of a white musician who played jazz authentically. Panassié famously dismissed bebop as "a form of music distinct from jazz." In 1974, he accused Miles Davis, Archie Shepp, Pharoah Sanders, and other progressives as being "traitors to the cause of true black music," that, according to Panassié, they claimed to support. Some historians opine that Panassié hurt musicians by creating a wedge between blacks and whites by his insistence that black jazz was superior.
He played in Paris with Gerry Wiggins in 1950, and then with Bill Coleman in Berne, Switzerland, Belgium, and Le Havre, France. After problems with his passport in Switzerland, he left for Paris in 1953, where he recorded often with expatriate American jazz musicians as well as local performers. These include Hazel Scott, Buck Clayton, Lionel Hampton, Mezz Mezzrow, Don Byas, Albert Nicholas, and André Persiany. He toured with Michel Attenoux and with Sidney Bechet through Western and Central Europe in 1954.
The 8th edition of the Redhead Days took place from 30 August to 1 September 2013. For the first time in this event’s history the activities were partially sponsored by means of crowdfunding. For the second time the festival opened with a kick- off party at the Mezz in Breda during which the film Trait MC1R was shown and "Vanessa Voss and Band" performed. The documentary Being Ginger in a sold-out Chasse Theatre was shown twice during this year’s event.
André Ekyan, born André Echkyan (October 24, 1907, Meudon - August 1972, Alicante, Spain) was a French jazz reedist. Ekyan was the leader of a jazz ensemble at the club Le Perroquet in Paris late in the 1920s. in the 1930s, he played with Jack Hylton, Gregor, and Tommy Dorsey, and recorded with Django Reinhardt for several years. Other associations include work with Tommy Benford, Jacques Butler, Benny Carter, Frank Goudie, Coleman Hawkins, Mezz Mezzrow, Bobby Nichols, Joe Turner, and Ray Ventura.
There he played for several years with Willie Lewis, as well as with Frank "Big Boy" Goudie and with his own bands. In 1940 he was in New York again, where he played with Mercer Ellington, Art Hodes, Mezz Mezzrow, and Bingie Madison. After a brief stay in Toronto he moved back to Europe in 1950, remaining there until 1968 as a regular at the La Cigale club in Paris. In the 1970s he worked often in New York, as a sideman with Clyde Bernhardt among others.
Danny Alvin, 1947 Danny Alvin (November 29, 1902, New York City - December 6, 1958, Chicago) was an American jazz drummer and bandleader. Alvin was the father of guitarist Teddy Walters. He played with Sophie Tucker at the New York club Reisenweber's in 1919, then moved to Chicago in the early 1920s. He played in both cities over the course of his career, playing with Sidney Bechet, George Brunis, Buck Clayton, Wild Bill Davison, Wingy Manone, Joe Marsala, Art Hodes, Mezz Mezzrow, and George Zack.
Sign indicating Barker's birthplace Daniel Moses Barker (January 13, 1909 – March 13, 1994) was an American jazz musician, vocalist, and author from New Orleans. He was a rhythm guitarist for various bands of the day, including Cab Calloway, Lucky Millinder and Benny Carter throughout the 1930s. One of Barker's earliest teachers in New Orleans was fellow banjoist Emanuel Sayles, with whom he recorded. Throughout his career, he played with Jelly Roll Morton, Baby Dodds, James P. Johnson, Sidney Bechet, Mezz Mezzrow, and Red Allen.
In 1943 he relocated to Los Angeles and played with Eddie Miller, Bunk Johnson, Shorty Sherock, Jack Teagarden, and Wingy Manone. In 1948 he moved to Chicago and there worked with Bud Freeman, Art Hodes and Danny Alvin. O'Brien had recorded with Freeman as early as 1928; other recordings include with Eddie Condon (1933 and later), Fats Waller, Mezz Mezzrow, George Wettling (1940), Charles LaVere (1944), Albert Nicholas (1959), and Smokey Stover. His lone session as a bandleader yielded two singles for Jump Records in 1945, which were also released under LaVere's name.
André Persiany (November 19, 1927, Paris - January 2, 2004, Paris) was a French jazz pianist. Persiany's father taught him violin and piano as a child, and by 1945, he had formed his own ensemble. He was a member of the Be Bop Minstrels with Hubert and Raymond Fol in 1947, then played with Michel Attenoux, Eddie Bernard, Bill Coleman, Buck Clayton, Raymond Fonsèque, Lionel Hampton, Guy Lafitte, Mezz Mezzrow, and Tony Proteau. He relocated to New York City in the mid-1950s, playing at the Birdland club, and worked extensively with Jonah Jones.
He was primarily known for performing in the Dixieland idiom. Harlem.org At one time he played for the Original Dixieland Jass Band. From about 1933-1938, he worked in commercially oriented dance bands, at the same time recording with Eddie Condon and Benny Carter's Chocolate Dandies (1933) and with Mezz Mezzrow (1933–34). He played with Tommy Dorsey (1936, 1938) and Artie Shaw (briefly in 1938), performed and recorded with Bud Freeman (1939–40) and worked again with Shaw (1941–43), who led a navy band with which Kaminsky toured the South Pacific.
He has set a record for highest jump shot on a moving ball, at 34 inches (86 centimeters).Bio, personal website Kohler assisted in the development of the Mezz massé cue, which is specially designed to execute trick shots."Mezz massé cue: Massé with power and precision" , Miki Co. Ltd website APA announced they would be sponsoring Florian Kholer and he would be an official spokesperson for APA on April 28, 2014 at their Annual League Operator Convention in Las Vegas. In mid 2019 he and his wife became league operators for the APA Las Vegas Division. Kohler currently has 6 Guinness world records: # playing with the longest usable pool cue (17 ft 7.4 in) # most pool balls potted into the middle pocket over an obstacle in one minute # highest jump pot of a billiard ball # fastest time to jump pot 15 pool balls on a US table # fastest time to jump pot 15 pool balls (one-handed) # longest duration to spin a billiard ball The most pool balls potted into the middle pocket over an obstacle in one minute record was aired on Guinness World Records Italian Show (Ep 28) where he competed for the record against Stefano Pelinga.
Manzie Johnson (August 19, 1906 – April 9, 1971) was an American jazz drummer. Johnson was raised in New York City, where he played piano and violin before switching to drums. He worked with Willie Gant's Ramblers (1926), June Clark, Elmer Snowden, Joe Steele, Fats Waller, Jelly Roll Morton (1928), James P. Johnson, and Horace Henderson (1930) before joining Don Redman's orchestra, where he played from 1931 to 1937. Johnson then spent time as a freelance musician with Red Allen, Benny Morton, Willie Bryant, Lil Armstrong, Mezz Mezzrow, Redman and James P. Johnson again, Ovie Alston, and Fletcher Henderson.
The Nice Jazz Festival (, ), held annually since 1948 in Nice, on the French Riviera, is "the first jazz festival of international significance." At the inaugural festival, Louis Armstrong and his All Stars were the headliners. Frommer's calls it "the biggest, flashiest, and most prestigious jazz festival in Europe." During the festival, several artists were present : Louis Armstrong, Barney Bigard, Francis Burger, Sid Catlett, Suzy Delair, Baby Dodds, Challain Ferret, Stéphane Grappelli, Earl Hines, Jean Leclère, Claude Luter, Mezz Mezzrow, Velma Middleton, Yves Montand, Django Reinhardt, Joseph Reinhardt, Arvell Shaw, Jimmy Skidmore, Emmanuel Soudieux, Rex Stewart, Jack Teagarden and Louis Vola.
Like Mezz Mezzrow, Gibson consciously abandoned his ethnicity to adopt black music and culture. Gibson grew up near Harlem in New York City, and his constant use of black jive talk was not an affectation; it was simply something he picked up from his fellow musicians. His song, "I Stay Brown All Year Round" is based on this. In his autobiography, Gibson claims he coined the term hipster between 1939 and 1945 when he was performing on Swing Street, and he started using "Harry the Hipster" as his stage name. Onyx on 52nd Street, May 1948.
Jacques Gauthé (12 June 1939, Gaujac - 10 June 2007, Gaujac ) was a French jazz reedist. Gauthé studied under Claude Luter and Sidney Bechet as a teenager, and formed his own band in 1957, which played with Don Byas, Mezz Mezzrow, Albert Nicholas, Lucky Thompson, and Benny Waters. In the 1960s he formed a new ensemble, the Old Time Jazz Band, which included Enzo Mucci and Claude Tissendier as sidemen. In 1972, he relocated to New Orleans, where he played at Preservation Hall and worked with Alvin Alcorn, Wallace Davenport, Freddie Kohlman, Freddy Lonzo, Louis Nelson, Steve Pistorius, and Teddy Riley.
"I'm gonna hit a note that nobody ever heard before," he tells Doris Day's character. Mezz Mezzrow recounted in his autobiography driving 53 miles to Hudson Lake, Indiana with Frank Teschemacher in order to play Armstrong's "Heebie Jeebies" for Beiderbecke when it was released. In addition to listening to Armstrong's records, Beiderbecke and other white musicians patronized the Sunset Café on Fridays to listen to Armstrong and his band. Paul Mares of the New Orleans Rhythm Kings insisted that Beiderbecke's chief influence was the New Orleans cornetist Emmett Hardy, who died in 1925 at the age of 23.
McDonald has long campaigned against noise from venues in Temple Bar. In 2010, he admitted to hitting a female manager in the River House Hotel in Eustace Street, after becoming frustrated with the high level of noise coming from the hotel's Mezz bar and nightclub. In a subsequent licensing case, the Dublin Circuit Court heard that complaints about the premises dated back over 15 years and the judge said they were "well-grounded". He renewed the licence on the basis that Frank Conway, the licensee, had expended considerable sums of money to prevent further "entertainment noise break-out" and said the rights of residents of Temple Bar "have to be respected".
Breda played host to the 7th edition of the Redhead Days from 31 August to 2 September 2012. Due to its large global appeal this festival officially changed its name from the Dutch "Roodharigendag" to the "Redhead Days". The event started with a Kick-off party at the Mezz in Breda on Friday evening 31 August where participants were treated to an abridged version of the documentary "Being Ginger" and a performance by the band "Convoi Exceptional". The world record for the number of redheads in one place was also broken in this year with a total of 1255 redheads standing together for 10 minutes.
McKagan left Guns N' Roses in 1997 and moved back to Seattle; he reconnected with many old friends, including Stone Gossard. With Gossard's encouragement, the band reunited that year with new vocalist Christopher Blue; Steve Verwolf was serving a term in Federal Prison and was, therefore, unavailable. It was at this time that the band finally recorded a self-titled album on well known Seattle label Sub Pop. It contained nine tracks, including two new versions of songs originally recorded by The Fartz ("Is This The Way?" and "Buried") and the original version of "Mezz" (which was later re-recorded for McKagan's unreleased solo album, Beautiful Disease).
Immediately after the War the Saint-Germain-des-Pres quarter and the nearby Saint-Michel quarter became home to many small jazz clubs, mostly found in cellars because of a lack of space; these included the Caveau des Lorientais, the Club Saint- Germain, the Rose Rouge, the Vieux-Colombier, and the most famous, Le Tabou. They introduced Parisians to the music of Claude Luter, Boris Vian, Sydney Bechet, Mezz Mezzrow, and Henri Salvador. Most of the clubs closed by the early 1960s, as musical tastes shifted toward rock and roll. Some of the finest manouche musicians in the world are found here playing the cafés of the city at night.
The 1942 film Miss Annie Rooney features a teenage Shirley Temple using the term as she impresses Dickie Moore with her jitterbug moves and knowledge of jive. In the 1945 film A Thousand and One Nights, Phil Silvers uses the term to describe an ostentatiously bejeweled turban. It has been found in print as early as 1946, in Really the Blues, the autobiography of jazz saxophonist Mezz Mezzrow. The word appears in advertising spots for the 1947 film Miracle on 34th Street, and in the same year the phrase “Everything’s groovy” was included on a 78 rpm recording of “Open The Door, Richard” sung by Walter Brown with Tiny Grimes Sextet.
Thus "Amen Corner" was born. He said it came from the title of a jazz record he had heard in the mid-1930s by a group led by Chicago's Mezz Mezzrow, Shouting in that Amen Corner.The Making of the Masters, by David Owen, 1999 In a Golf Digest article in April 2008, writer Bill Fields offered new updated information about the origin of the name. He wrote that Richard Moore, a golf and jazz historian from South Carolina, tried to purchase a copy of the old Mezzrow 78 RPM disc for an "Amen Corner" exhibit he was putting together for his Golf Museum at Ahmic Lake, Ontario.
The album was recorded through 1998 in Duff McKagan's home studio with all the instruments and vocals on the album provided by McKagan himself, with the addition of guests like Mike Bordin, Michael Barragan, Abe Laboriel, Jr and ex-Guns N' Roses members Slash and Izzy Stradlin. Beautiful Disease included new versions of the songs "Seattlehead" and "Mezz" that were previously featured on releases of Duff McKagan's previous bands, Neurotic Outsiders and 10 Minute Warning respectively. The album was supposed to be released on Duff McKagan's birthday February 5, 1999. The promotional campaign for the album was started by Geffen Records with promo copies being distributed.
During the same time a merger between Polygram and Universal occurred and Geffen was merged with A&M; Records into Interscope and Mckagan's album was among others that was shelved. Nevertheless, Duff McKagan went on tour in support of the album putting up a band with Dez Cadena of Black Flag, Taz Bentley of the Burden Brothers and Michael Barragan of Plexi. During the tour McKagan came up with the idea to release a live album that would include the unreleased material. This resulted in Loaded's Episode 1999: Live live album that featured six songs from Beautiful Disease: "Seattlehead", "Superman", "Shinin' Down", "Missing You", "Then And Now" and "Mezz".
Vernon Brown (left) with Benny Goodman (third from left) and some of Goodman's former musicians in 1952. Left to right: Brown, George Auld, Goodman, Gene Krupa, Clint Neagley, Ziggy Elman, Israel Crosby and Teddy Wilson (at piano) Vernon Brown (January 6, 1907, Venice, Illinois - May 18, 1979) was an American jazz trombonist. Brown played in St. Louis with Frankie Trumbauer in 1925-26, and moved through a variety of groups in the late 1920s and 1930s, including those of Jean Goldkette (1928), Benny Meroff, and Mezz Mezzrow (1937). Brown joined Benny Goodman's orchestra in 1937 and remained there until 1940; while he only soloed occasionally with Goodman, he became particularly well known through this association.
He also recorded for the Mezzrow- Bechet Septet (on two consecutive dates in 1945, as Pappa Snow White,Price, Sammy (1995) What Do They Want?: A Jazz Autobiography Continuum International Publishing Group p. 105. . with Mezz Mezzrow, Sidney Bechet, Jimmy Blythe, Jr., Danny Barker, Pops Foster, Chu BerryCommodore Discography and Sid Catlett, and on the second session with Cousin Joe on vocals.) He was one of the most flexible of trumpeters, demonstrating a broad tone and a wide range on the instrument. He is considered by many to be one of the giants of the Swing Era and one of the founders of what came to be known as rhythm and blues.
Guy Longnon (July 16, 1924 – February 1, 2014) was a French jazz trumpeter, arranger and music pedagogue active in the jazz scene of Marseille. Longnon played with Raymond Fol, Don Byas, Sidney Bechet, Mezz Mezzrow, Russell Moore, Claude Luter, Jean-Claude Fohrenbach, Guy Lafitte, André Persiany, Albert Nicholas, Gérard Pochonet, and Moustache from the beginning of the 1950s. In the field of jazz, he was involved in sixty recording sessions between 1950 and 1958; he also performed in the orchestras of Michel Attenoux and André Réwéliotty, and in Paris with Boris Vian. In this time he also wrote film music for the short films Terreur en Oklahoma (1951) and Chicago Digest (1952).
There are many museums, especially in the larger towns which include the North Brabant Museum in 's-Hertogenbosch, the Van Abbemuseum in Eindhoven, the Museum of the Image in Breda, Noordbrabants Natuurmuseum in Tilburg. Also a few towns have a large theater like the Chassé Theater in Breda and the Eindhoven Park Theatre. Large, reputable music venues like the 013 in Tilburg, which boasts the largest space of music venues in the Netherlands, and the Effenaar in Eindhoven offer concerts by major artists. Smaller venues like Mezz Breda, W2 Concert in 's-Hertogenbosch and the smaller halls of the 013 and the Effenaar offer concerts by emerging artists and bigger names in an intimate setting.
In 1943 and 1944 he wrote war-related science articles for Popular Science Monthly and Mechanix Illustrated. He eventually became the editor of the latter magazine. In 1946 he collaborated with the jazz musician Mezz Mezzrow in writing Mezzrow's autobiography, Really the Blues. The book was a popular success, introducing the mass audience to aspects of black culture. It received a flattering notice in Billy Rose's syndicated column in October of that year and in 1947 Wolfe was hired as ghost writer for Billy Rose’s syndicated column. Wolfe worked on a further study of "negro" culture in America, which was never published, but excerpts were published in American magazines in 1949 and 1950, translated for Jean- Paul Sartre’s Les Temps modernes and quoted by Frantz Fanon .
Jazz musician Sidney Bechet in 1947 Immediately after the war, the Saint-Germain-des-Prés neighborhood and the nearby Saint-Michel neighborhood became home to many small jazz clubs, mostly located in cellars, due to the shortage of any suitable space, and because the music at late hours was less likely to disturb the neighbors. The first to open in 1945 was the Caveau des Lorientais, near Boulevard Saint-Michel, which introduced Parisians to New Orleans jazz, played by clarinetist Claude Luter and his band. It closed shortly afterwards, but was soon followed by other cellars; Le Vieux-Columbier, the Rose Rouge, the Club Saint-Germain; and Le Tabou. The musical styles were be-bop and jazz, led by Sidney Bechet and trumpet player Boris Vian; Mezz Mezzrow, André Rewellotty, and guitarist Henri Salvador.
Demetre explained that many American standards were in French with alternate titles. Panassié, for example, managed to keep broadcasting American jazz on his radio station submitting to censors obtuse French translations American song titles, and even relabeling records. Panassié's friend, Mezz Mezzrow, describes a particular example in his 1946 autobiography Really the Blues: : "[The Nazi censors] were shown a record labeled "La Tristesse de Saint Louis," which translates the "Sadness of Saint Louis," and Panassié offered the explanation that it was a sad song written about poor Louis the Ninth, lousy with that old French tradition. What Cerberus didn't know was that underneath the phony label was a genuine RCA Victor one giving Louis Armstrong as the recording artist and stating the real name of the number: "The Saint Louis Blues.
Hep Initially, hipsters were usually middle-class white youths seeking to emulate the lifestyle of the largely black jazz musicians they followed. In The Jazz Scene (1959), author Eric Hobsbawm (originally writing under the pen name Francis Newton) described hipster language—i.e., "jive-talk or hipster-talk"—as "an argot or cant designed to set the group apart from outsiders". This group crucially includes white jazz musicians such as Benny Goodman, Al Cohn, Gerry Mulligan, Stan Getz, Mezz Mezzrow, Barney Kessel, Doc Pomus, Bing Crosby, Frank Sinatra, Dean Martin, Jerry Lewis, Joey Bishop, Chet Baker, and Gene Krupa who ought to be counted as some of the true original hipsters as they were instrumental in turning the white world onto jazz and its underground culture in the 1930s and 1940s.
Mnet's “Show Me the Money 6” began airing on June 30, 2017 and ended on September 1, 2017. The sixth season had four producer teams, Zico & Dean, Choiza & Gaeko of Dynamic Duo, Tiger JK & Bizzy and Jay Park & Dok2. Both rappers from previous seasons and new rappers participated, including Nucksal, QWALA, Hash Swan, LTAK, NO:EL, Woo Won-jae, Hanhae, Punchnello, Penomeco, JJK, Junoflo, J'Kyun, Ja Mezz, Rhythm Power members Boi-B, Geegoin, and Hangzoo, Microdot, Young B (winner of High School Rapper), New Champ, IGNITO, Kebee, Sleepy (Untouchable), Killagramz, Born Kim, Jin Doggae, Rudals, BIGONE (former 24K member Kim Daeil), and former SMTM1 producer, Double K. American artist and producer Swizz Beatz was a special judge for the New York auditions of the show. "Show Me the Money 6" landed in New York and Los Angeles May 6 and May 9.
Henry Clay Goodwin (January 2, 1910, Columbia, South Carolina - July 2, 1979, New York City) was an American jazz trumpeter... Goodwin learned to play drums and tuba in addition to trumpet while in high school in Washington, DC; he accompanied Claude Hopkins in Europe in 1925. Late in the 1920s he played with Cliff Jackson and Elmer Snowden, then worked in the 1930s with Lucky Millinder, Willie Bryant, Charlie Johnson, Cab Calloway, Kenny Clarke, and Edgar Hayes. During World War II he worked primarily with Sidney Bechet and Cecil Scott, but turned his focus away from big band ensembles after 1944, working with Scott in small groups as well as with Art Hodes, Mezz Mezzrow, and Bob Wilber. In the 1950s he played with Jimmy Archey and Earl Hines, and occasionally played with Dixieland revival groups during the 1960s.
Jazz musician Sidney Bechet in 1947 Immediately after the War, Saint‑Germain‑des‑Prés and the nearby Saint-Michel neighbourhood became home to many small jazz clubs, mostly located in cellars, due to the shortage of any suitable space, and because the music at late hours was less likely to disturb the neighbors. The first to open in 1945 was the Caveau des Lorientais, near ', which introduced Parisians to New Orleans Jazz, played by clarinetist Claude Luter and his band. It closed shortly afterwards, but was soon followed by cellars in or near Saint‑Germain‑des‑Prés; Le Vieux- Columbier, the Rose Rouge, the Club Saint-Germain; and especially, Le Tabou. The musical styles were both traditional New Orleans jazz and bebop, led by Sydney Bechet and trumpeter Boris Vian; Mezz Mezzrow, André Rewellotty, guitarist Henri Salvador, and singer Juliette Gréco.
The jazz clubs The clubs attracted students from the nearby university, the Paris intellectual community, and celebrities from the Paris cultural world. They soon had doormen who controlled who was important or famous enough to be allowed inside into the cramped, smoke-filled cellars. A few of the musicians went on to celebrated careers; Sidney Bechet was the star of the first jazz festival held at the Salle Pleyel in 1949, and headlined at the Olympia music hall in 1955. A concert by Dizzy Gillespie and his orchestra at the Salle Pleyel in 1948 introduced Paris to a new variety of jazz, called bebop, and soon the jazz world of Paris was divided into two rival camps, those for bebop and those for more traditional New Orleans jazz, in the style of Louis Armstrong; this group was led by Sidney Bechet and trumpet player Boris Vian; Mezz Mezzrow, André Rewellotty, and guitarist Henri Salvador.
During the 1950s he toured the US and Europe playing with Lionel Hampton, and recorded in Paris in the mid-'50 with Mezz Mezzrow. Davenport played and recorded with the Count Basie jazz orchestra (1964–1966), and also toured with singers Ray Charles and Lloyd Price. In 1969 he went back to doing traditional jazz in New Orleans, and issued recordings of his groups playing this style from on his own label My Jazz (1971–1976); recorded again in Europe with George Wein in 1974, with Panama Francis and Arnett Cobb in 1976, and also reunited with Hampton and recorded with Earl Hines this same year. In the eighties, Davenport worked with both traditional units as The Alliance Hall Dixieland Band and gospel groups like The Zion Harmonizers and Aline White, and backed the vocalists Frank Sinatra and Sammy Davis, Jr. However, he routinely went on impromptu tours in Asia and Europe, and once played expressly for the king Olav V of Norway.

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