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"melodramatics" Definitions
  1. behaviour or events that are melodramatic
"melodramatics" Antonyms

23 Sentences With "melodramatics"

How to use melodramatics in a sentence? Find typical usage patterns (collocations)/phrases/context for "melodramatics" and check conjugation/comparative form for "melodramatics". Mastering all the usages of "melodramatics" from sentence examples published by news publications.

She went through Tosca's melodramatics with sincerity and without fuss.
Somehow both bombastic and impeccably subtle, Russel T. Davies' Years and Years does politics without preachiness, sci-fi without silliness, and drama without melodramatics.
If I read a Hardy novel, for instance, I ignore the melodramatics — the lost letter, the unexpected storm — because the depth and clarity of Hardy's understanding carries me well past it.
It was leavened with a bit of self-deprecation, as Mr. Obama referred to "No-Drama Obama" in noting his own optimism, as if mindful of the years of melodramatics that might follow.
Not to play into high melodramatics, but with all of this taking place at the Stade de France, the site of terrorist attacks on November 13, it's enough to imbue the space—and the country—with something a bit brighter in the wake of tragedy.
"Though 'Lianna' is about a subject that only yesterday was called explosive, and that even now is not all that commonplace, the film Mr. Sayles has made about Lianna's rude awakening — to herself and the world — mostly avoids melodramatics," Vincent Canby wrote in his review for The New York Times.
Peking Express was reviewed in Variety. The review stated, "... An excellent coating of intrigue and action against an Oriental background provides Peking Express with enough thriller melodramatics to satisfy action-minded audiences.""Review: 'Peking Express'." Variety, December 31, 1950.
The film received largely poor reviews from critics, with Roger Ebert giving it a two-star review and stating that "the plot is not exactly believable", while A.H. Weiler in The New York Times wrote "The Organization can be rough on super-city sleuths as well as movie-goers who've been through much the same melodramatics before".
They wrote, "Moss Rose is good whodunit. Given a lift by solid trouping and direction, melodrama is run off against background of early-day England that provides effective setting for theme of destructive mother love ... Gregory Ratoff's direction develops considerable flavor to the period melodramatics. He gets meticulous performances from players in keeping with mood of piece."Variety. Staff film review, 1947.
Mencari Madonna was released in 2005. In 2006 it was screened at the Alba International Film Festival in Italy under the title In cerca di Madonna. Dennis Harvey, who reviewed the film for Variety when it was screened at the San Francisco Film Festival in 2006, wrote that the film had "upbeat, progressive-minded content despite melodramatics", but suffered from plot holes exacerbated by poor subtitles.
And though some of its content delves into the goth and ambient genres, it easily avoids the former's self-indulgent melodramatics and the latter's vacuousness." Sleeps with the Fishes also holds high rank with 4AD founder Ivo Watts-Russell, who said, "Among the forum world of 4AD followers, some people think it's 4AD's best record. I'd place it in the top ten. It's absolutely beautiful.
Antonio Canova (; 1 November 1757 – 13 October 1822) was an Italian Neoclassical sculptor, famous for his marble sculptures. Often regarded as the greatest of the Neoclassical artists,. his sculpture was inspired by the Baroque and the classical revival, and has been characterised as having avoided the melodramatics of the former, and the cold artificiality of the latter.Jean Martineau & Andrew Robinson, The Glory of Venice: Art in the Eighteenth Century.
The scorching literate script is by A.I. Bezzerides. It has the haunting feel of a Poe work and the primitive savageness of Indian folklore. Cinematographer William H. Clothier bleached out the primary colors and that gave the images the look of a black and white film. The haunting luminous look created was very effective in charging the film with the sub-textual sexual energy that lingers from the hot melodramatics and also giving it an alluring aura of mystery.
Ithaca students also occasionally participate in productions done by Melodramatics Theater at Cornell. Students at Ithaca have opportunities for experience outside of the school; The Kitchen Theater offers many students chances to participate, as well as the Hangar Theater. BA's have the opportunity to go to the National Theater Institute in Connecticut or Moscow. Many students choose to study abroad at the London Center, where the school has a specialized program with a focus on British Theater.
Despite claimed government indifference, he does not succeed in making a life for himself and his family once out of witness protection. He was very bitter against the Federal government for his treatment in the Federal Witness Protection Program, feeling they used him with no regard to his safety, or an appreciation of his value. Thomas C. Renner implies this may have been more melodramatics than reality. Teresa's final book and fictional novel, Wiseguys, was written solely by Teresa.
Critical reception for the film has been mostly negative. With many critics criticizing the film's plot, overuse of clichés, and the monster's design. Dread Central awarded the film a score of 1 out of 4, stating, "Nezulla the Rat Monster attempts to be a serious, suspenseful monster movie and fails miserably. Slow, dreary, and boring; this is a film that needed less angst, less Japanese-flavored melodramatics, and more of what makes a monster movie entertaining, even ones that set about to be more high-minded".
In May 2010, he returned home to Tennessee, and now travels to Los Angeles for business. Crocker's work consists mainly of short-form, self-directed monologues shot in his grandparents' home. , his videos had received a combined 50 million plays on MySpace, and his vlog channel on YouTube was the 100th-most viewed of all time in all categories, with over 205 million video views, before Crocker closed his YouTube account in September 2015. Crocker's detractors and critics have accused him of narcissism, melodramatics, histrionics, and using Spears' personal shortcomings to bolster his own fame.
Daphne Howland of The Village Voice called Rising From Ashes “a remarkable documentary. It’s not just about a cycling team; it’s a testament to what happens when human beings care for one another.” “The film is crisp and economical,” said Frank Schneck of The Hollywood Reporter. “The film … avoids extraneous melodramatics, which, after all, are hardly necessary in a tale that already contains such inherently powerful drama.” The review aggregation website Rotten Tomatoes reports that 79% of critics gave the film a positive review based on 19 reviews, with an average score of 5.9/10.
Betsy Sharkey, Movie Review: 'Love, Wedding, Marriage', The Los Angeles Times, June 03, 2011 Slant Magazine said it was "wooden and shallow".Kalvin Henely, Love, Wedding, Marriage, Slant Magazine, June 03, 2011 The Hollywood Reporter called it "a flat romantic comedy" [...] "that would have seemed insipid even in 1953".Todd McCarthy, Love Wedding Marriage: Film Review, The Hollywood Reporter, 4/30/2011 They added that Moore came across as a "high school student" and that "Lutz's dyed blond hair does nothing to encourage taking him seriously." The Village Voice said it was full of "half- hearted melodramatics and schmaltzy bromides".
Promotional still for The Spider Returns James W. Horne, who had co-directed the first Spider serial, was in complete charge of the sequel. By this time, Horne was filling his serials with tongue-in-cheek melodramatics, ludicrous fight scenes (in which the hero fights six or more men, and wins), as well as ridiculous- looking machines. For this reason, action fans often dismissed The Spider Returns as an inferior serial; but others consider it one of Horne's best, and a worthy sequel. While The Spider does take on half-a-dozen henchmen at a time, he doesn't always come off the clear winner.
Probably not." Brennan Carley of Billboard noted that "keeping the buzz alive while sticking with sepia-tones and a healthy dose of melodramatics, Lana Del Rey probes a crumbling relationship in the music video [...] the video traces the women's relationship with spliced together film bits – much like the effects used in her earlier efforts – and foggy scenes of the stars pouting and glancing seductively over their shoulders." Spin magazine writer Marc Hogan found that the video recalled Del Rey's breakout video for "Video Games". He added, that "more provocative, though, is the hint of romance-gone-sour between Del Rey and the character played by actress Jaime King.
The New York Times gave the film a mixed review: "The Warner Brothers have turned out a better than average murder mystery in The Unfaithful, but they have badly over-weighted with melodramatics the things they obviously wanted to say about a pressing social problem. The new picture at the Strand stabs and jabs like a hit-and-run prizefighter at the subject of hasty divorces and the dangerous consequences to society of this ill conceived cure all for marital difficulties, but it never gets across a telling dramatic punch. However, through some uncommonly persuasive acting and skillful direction the patently artificial plot stands up surprisingly well."The New York Times, film review, June 28, 1947.
It should hold and fascinate spectators for its two- and-a-half hours of sheer, pell-mell movie making, even though characters are stereotypes whose melodramatics are as dated as the period itself." Time felt "Pictorially, the film is magnificent, and some of the handsomest scenes—an orange sun rising over the peaks of the Forbidden City, midnight pyrotechnics as the Imperial arsenal blows up, the gates of the great Tartar Wall being stormed by Boxers in scarlet turbans—are almost as good as the evocative paintings by Water-colorist Dong Kingman, which open and close the picture. It was doubtless ghastly to wait 55 days at Peking until a troop of international reinforcements arrived, and the moviegoer who goes through the whole siege in two hours and 30 minutes comes out feeling lucky." Awarding the film four complete stars, Dorothy Masters of the New York Daily News wrote: "A powerful drama of global interest, the film has integrity, a component frequently lost in the razzle-dazzle dangled by so many multi-million-dollar colossals.

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