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13 Sentences With "mechanical creature"

How to use mechanical creature in a sentence? Find typical usage patterns (collocations)/phrases/context for "mechanical creature" and check conjugation/comparative form for "mechanical creature". Mastering all the usages of "mechanical creature" from sentence examples published by news publications.

A surrealist mechanical "creature" has pulled his heart out — but his heart is a watermelon.
" Like all inquisitive paleontologists, he also had a ton of questions; "Why create a mechanical creature with a tail?
In a few short years, the cattle dog may find itself replaced by a mechanical creature with four wheels and a battery pack.
Oculus debuted its first short film called "Lost" at Sundance two years ago, a story of an animated mechanical creature in a forest.
But it was soon learned that even using a mechanical creature who resembled Kong would be just as problematic legally and financially for them. As a result, the film became Godzilla vs. King Ghidorah, with no further attempts to use Kong in any way.
In the video game For Honor, the Aramusha character has a customizable sword gear set named "Kiyohime's Embrace" complete with serpent scales on the blade hilts, and marks running down the blades as if they were partly melted. In the mobile game onmyoji, Kiyohime is represented as a fire-spitting snake-like shikigami, one of the collectable spirits, and an occasional villain in the game's storyline. In the anime series My-HiME, Kiyohime is the Child (a part- spiritual, part-mechanical creature) of Shizuru Fujino, one of the 12 HiMEs.
"The Tachypomp" is a short story by Edward Page Mitchell originally published January 1874 anonymously in The Sun, a New York City daily newspaper. It was Mitchell's first science-fiction story. Mitchell was known for his editorial work on The Sun, but because his science-fiction stories were published anonymously, his well-regarded work was mostly forgotten until its rediscovery in the early 1970s. "The Tachypomp" is an early use of mathematics as the principal premise of a science-fiction story, and it was one of the first to use the word "android", here used to describe a purely mechanical creature.
To take some pressure off his crew, Bottin enlisted the aid of special effects creator Stan Winston to complete some of the designs, primarily the Dog-Thing. With insufficient time to create a sophisticated mechanical creature, Winston opted to create a hand puppet. A cast was made of makeup artist Lance Anderson's arm and head, around which the Dog-Thing was sculpted in oil-based clay. The final foam-latex puppet, worn by Anderson, featured radio-controlled eyes and cable-controlled legs, and was operated from below a raised set on which the kennel was built.
The story centers on Mai Tokiha, a seemingly ordinary high-school girl who has recently transferred to the prestigious Fuuka Academy with her younger brother, Takumi. The elite Fuuka Academy harbors a number of mysteries, involving both fellow students and staff. As they arrive at the Academy, Mai finds herself bound to a Child, a part- spiritual, part-mechanical creature, that can only be summoned and controlled by girls with the HiME mark. Mai is told that she is one of twelve girls who have the aforementioned mark, and that they must use their powers to protect everyone from Orphans, monstrous creatures with abilities similar to the HiME's Children.
RanXerox is an Italian science fiction graphic novel series by Stefano Tamburini and Tanino Liberatore, two Italian artists who had worked on such magazines as Cannibale and Frigidaire. Conceived as a bizarre antihero, RanXerox was a mechanical creature made from Xerox photocopier parts. At first (1978, in Italian, in Cannibale) the name was "Rank Xerox", identical to that of a joint venture between the Xerox Corporation of the U.S. and the Rank Organisation of the U.K., the latter of which manufactures and markets Xerox equipment in Europe. Due to a threatened lawsuit by Rank Xerox for using their trademarked name, Tamburini changed it to "RanXerox" (1980, also in Italian, in Frigidaire).
DC Universe, noting "Goro was the real challenge" of the first Mortal Kombat title although Shang Tsung was the final boss from such game, adding that "MK is all about visceral thrills, and it doesn't get more visceral than bludgeoning your enemies to death with four giant, muscular arms". In a 1994 article by Business Week, the film version of Goro was described as "the most advanced mechanical creature H[o]llywood has ever made". When the release of a third Mortal Kombat live-action film was announced, IGN listed him as a character they wanted to see fighting in the film, but made with CGI technology as opposed to the practical effects used in the first movie.
Brindle appears to be the picture of innocence, and a dedicated and protective friend when the looming threat of the Spanish ambassador, his rather unusual and evil mechanical creature and other fearsome characters become more than potential problems. The reader continually discovers many other unusual aspects of this alternative "Tudor England" and, as the story develops, it is clear that Brindle himself is not all he appears, as events lead to some rather disturbing discoveries. The title 'Deathscent' represents the smell of death- Brindle and his kind have a far greater understanding of smell, but the best is smell of death when someone is killed. Notice the line 'Wars have been fought for it', instead of over it.
In the 1980s, the Captain's main adversaries were the Soggies, strange alien creatures resembling blobs of milk, whose goal was to make everything on Earth soggy. The only thing that was immune was Cap'n Crunch cereal, and many ads revolved around their attempts to "soggify" the cereal and everything else, to no avail. Their leader, the Sogmaster (voiced by Dick Gautier), was a large mechanical creature (with a pair of eyes peeking out from an opening in the head, implying it was a suit of armor for a smaller figure) who was mostly seen ordering the Soggies to carry out his plans to "ruin breakfast"; several commercials that tied in with contests had story arcs involving the Sogmaster attempting to capture Cap'n Crunch.

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