As new technologies become available, artists learned to use them and traditional means of expression were transformed or entirely new means of expression were developed.
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We recognise and support art as a means of expression.
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I quickly realized that food was his primary means of expression.
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I think of clothing as a means of expression, rather than branding.
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Singing has always seemed to me the most perfect means of expression.
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Sometimes, marijuana can unlock some truly original thoughts or means of expression.
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When Zachary dies unexpectedly, however, both women lose their means of expression.
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"I started playing with piñata art as a means of expression," he said.
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The art scene today is a global network and business with diverse means of expression.
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Even in games that don't necessarily include them, they could find means of expression, of creation.
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Tattoos serve as a means of expression for Lucy, no different from his sometimes-shocking art.
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First, it serves notice that song, as much as chatter, will be the means of expression.
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"Many old-school virus writers were using their viruses as a means of expression," Hypponen told Hyperallergic.
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What if we had a way to capture, clean, and repurpose it into a means of expression?
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Now the party seems to be bent on criminalising or marginalising many previously acceptable means of expression.
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And Bentel makes it clear that the protest signs are not weapons, but rather means of expression.
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Tworkov "encouraged his students to explore other means of expression," wrote Delia Graze in Dictionary of Women Artists.
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Some of this, however is due to GIF and video artistry being a relatively popular means of expression now.
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This autonomy has become a tool for Saudi Arabian youth, who use social media as a means of expression.
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"When you have the time and the means of expression, you might as well say as much as possible."
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We don't ever want to get to the point where people are resorting to less positive means of expression.
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Like George and company, the play itself seems to be groping to reconcile conflicting concepts and means of expression.
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The piano provides an alternative means of expression when I need to scream and shout instead of painting studiously.
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From "Dick In A Box" to heart on his sleeve, Justin Timberlake's love and means of expression know no bounds.
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Her poetry and writing were not only a means of expression, but also a means of supporting herself and her family.
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Saudi women may choose to dress in their own way, but that doesn't mean we don't appreciate fashion as a means of expression.
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"And much as I have found Twitter to be a useful means of expression, some occasions merit more than 280 characters," he lamented.
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As Tarlo points out, it's a means of expression and a means of protest, a cause of upheaval in cultures and friction in families.
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Searching for companionship and a means of expression, he hesitates to allow himself either, as the question of his complicity in Hanna's death hovers unanswered.
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But today, a new app is launching to see if video can step in where GIFs leave off, by allowing for a different means of expression.
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"A lot of different opportunities came up that I wanted to take advantage of, so now I just style myself as a means of expression," she says.
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"Flexing is a means of expression for people who feel like we don't have a voice," said Mr. Gray, 34, who is also known as Regg Roc.
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It is more difficult silently to obey our own inner promptings, and to spend our lives finding sincere and fitting means of expression for our temperament and our gifts.
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When it comes to restrictions, technology companies should limit only speech that breaks clearly stated and openly applied rules, not deprive us of entire tools and means of expression.
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The means of expression that James chose to make his endorsement, an op-ed written for The Akron Beacon Journal and Business Insider, was as significant as its content.
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Though he's keeping parts of his life close to the vest, songwriting continues to be Jonas' means of expression as he continues to extend his career in music and acting.
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Armed with a Walkman and a pair of headphones, he'd search the alleys and avenues of the Lower East Side and beyond for new sounds, sights, and means of expression.
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" Praising "A Little Life" in The Atlantic, Garth Greenwell proposed that Yanagihara's embrace of "melodrama and exaggeration and sentiment" enables her to "access emotional truths denied more modest means of expression.
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It robs boys, women and men alike of the means of expression, a calamity dramatized with great pathos in the otherwise jolly second-act opener set at the town Christmas pageant.
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Just as Mad Men used advertising as a short-term panacea for the soul, doomed to fail, Halt and Catch Fire uses technology as a means of expression that is inevitably misunderstood.
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Perhaps it's because I am profoundly an introvert, and my experience of my surroundings is heavily filtered by observation and interior dialogue that I have chosen this subject and means of expression.
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Yet by treating dynamics itself as a means of expression, whether with a motor or by suspending elements in space, Calder negated the possibility of perceiving these sculptures in a single fashion.
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Albright, the first female secretary of state, even wrote a book titled Read My Pins, which explored how she used pins and brooches during her diplomatic career as a means of expression.
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A small but growing number of young Egyptians are vulnerable to Islamic State's radical ideology: "The number of students who see peaceful means of expression as useless is on the rise," he said.
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Cleveland Cavaliers owner Dan Gilbert said Friday that the NBA is very concerned after more than 200 NFL players protested by kneeling or using other means of expression during the national anthem last weekend.
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In contrast with many of his peers, for whom drawing has been a means of expression or a type of production rather than a form of investigation, for Winters, drawing is the driving force of all his art.
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By restricting his means of expression and concentrating his warring factions (randomness and control, formalism and anti-formalism) to the point of implosion, Ringe maximizes his paintings' power while streamlining their receptivity to an expansive array of meanings.
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Varda films in housing projects and slaughterhouses, Chicano neighborhoods in East LA, and Venice Beach to illustrate the many facets of public art: urban beautification, education, advertisement, and a necessary means of expression and healing in a capitalist, white supremacist society.
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" Vogue reports that during a six-month period, the designer's conversations with the artist brought about the idea of "pagan worship of goddesses and the struggle of women artists to find their own means of expression within the female-excluding patriarchal system of western art.
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The following month, at a meeting of regional border commanders, "both sides were clearly keen to salvage the bond despite the upheavals of the US–Mexico relationship at the political level, which had turned from serious statements to Twitter comments as the main means of expression," said Guevara.
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"Many of my colleagues prided themselves on artistry and looking deeper into game design as a means of expression, exploration and communication," she says, although is quick to point out that the scholarship is not focused on anything other than helping women enter the gaming industry at a higher level.
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Benesch, 53, is an expert in human rights law and the founder of the Dangerous Speech Project; she is working to identify examples of "counterspeech" on social media — some of which researchers call "golden conversations," in which responses to "dangerous" or venomous speech can help change someone's mind or means of expression.
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This act can be interpreted as a renunciation of poetry—Pense-bête would be the last of the four collections published by Broodthaers, until then primarily a poet, who would now dedicate the remaining twelve years of his career to visual and conceptual art—or, as the show's curators would have it, a transference of the poetic urge to other means of expression.
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For them, contemporary art serves not only as a means of expression but also an economic stimulus: Most of the artists here come from Utopia, one of the poorest areas in one of the world's richest countries, and are fully aware of how these paintings acquire different values, cultural as well as financial, when they circulate between indigenous communities into Western museums and markets.
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The foregoing provisions each apply to Confidential Information and disclosure, dissemination, publication, use and effort to help others obtain, saving, storing and memorializing of Confidential Information, as applicable, (i) by any means of expression, including but not limited to verbal, written, or visual, (ii) whether or not preserved in any medium now known or hereafter discovered or invented, including but not limited to audio recording of any type, written text, drawing, photograph, film, video, or electronic device, (iii) in any manner or form, including but not limited to any book, article, memoir, diary, letter, essay, speech, interview, panel or roundtable discussion, image, drawing, cartoon, radio broadcast, television broadcast, video, movie, theatrical production, Internet website, e-mail, Twitter tweet, Facebook page, or otherwise, even if fictionalized, (iv) in any language, or (v) in any country or other jurisdiction (collectively, the "Restricted Means and Contexts"). 2.
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There are certain ways in which Plautus expressed himself in his plays, and these individual means of expression give a certain flair to his style of writing. The means of expression are not always specific to the writer, i.e., idiosyncratic, yet they are characteristic of the writer. Two examples of these characteristic means of expression are the use of proverbs and the use of Greek language in the plays of Plautus.
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Pasternak in her works combines modern composition techniques with traditional means of expression. Piano and vocals play special roles in her work.
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Morphology is the study of the formal means of expression in a language; in the context of historical linguistics, how the formal means of expression change over time; for instance, languages with complex inflectional systems tend to be subject to a simplification process. This field studies the internal structure of words as a formal means of expression.A formal language is a set of words, i.e. finite strings of letters or symbols.
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1957, roč. 5, č. 10, s. 9. Pitra also understood drawing as a record of his internal life that was to be rendered with as economical means of expression as possible.
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His works addressed Orthodox and Catholic doctrine. Main means of expression of an image, an object of reverence looked up positions both in churches and monasteries as well as in residential homes.
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Rodopi (Amsterdam), , pp. 112–113 (2013). Matthew Gurewitsch adds, > In fact the essence of her art was refinement. The term seems odd for a > performer whose imagination and means of expression were so prodigious.
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He explores that theme in deeply personal ways in The Magnificent > Ambersons and Chimes at Midnight, and Too Much Johnson is also reflective of > his obsession with bygone times, cultural mores, and means of expression.
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Britta Marian Charleston, Studies on the Emotional and Affective Means of Expression in Modern English (1960), p. 305. However, although other terms might accomplish the same end, "the word 'please' is an agreed-upon device for showing respect".
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These the critics praised and the public knew not of. Inevitably she experimented in many means of expression: etchings, monotypes, pastels. One of these went into Hamilton McCormick's collection. Twelve small designs were included in a calendar zinc- etched in colors.
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He also used unconventional means of expression by painting with both his left and rights hands. Ultimately, the mix of Taiwanese folk tradition, with a bright choice of palette and unique sense of perspective adds local flavour and Taiwanese essence to Hung Tung's works.
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A music video was produced for the song. It has been described as "a heartfelt paean to an underground scene that holds the dance as a means of expression as well as a movement". Visuals for the track are currently produced by CRYbaby Media.
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At some point they agree to the means of expression we use – they claim it as their own since we do the work in their name. Nevertheless they felt a bit frustrated. Perhaps that’s because we didn’t behave like suppliers, slavishly following their instructions.
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They were followed by Ülo Rannaste and Maie Maasik as theatre's new leading dancers. The Vanemuine ballet theatre has been characterized throughout the years by the diversity of the means of expression, and the willingness to search and experiment. In the case of several developmental periods it would even be more suitable to use the term „dance theatre“ rather than „ballet“ in the European classical sense. Neither was the ballet company left untouched by the changes in the society—in the 1940s and 50s ideology strongly influenced the dance language—the classical dance en pointe became the nearly sole possible means of expression in the creation of any dance piece.
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Krip-Hop is a movement demonstrating alternate arrangements by which hip hop artists with disabilities can communicate through social media, including educators, journalists and conferences. The movement uses hip hop music as a means of expression for the disabled, providing them an opportunity to share their experiences.
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La Crujía. 2015 While the development of the aesthetic of the movement has for the cinema its purpose as an artistic means of expression,Raymond Spottiswoode.A Grammar of the film.1965 in the audiovisual art the method is a different one, more related to the contemplation.
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Her background of theatrical interpretation, dance, aerial acrobatics and contortion, composes an unusual format of interpretation called Physical Poetry, performed by Lemay in theaters and festivals. It is a genre of performance coming from the Arts of Nouveau Cirque and using the human body as a means of expression.
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Meanwhile, Newham's investigations into the relationship between vocal and bodily expression have contributed to dance movement therapy by introducing vocal sound as a means of expression parallel to physical movement.Rust-D'Eye, A. D., The sounds of the self: voice and emotion in dance movement therapy. Body, Movement and Dance in Psychotherapy, Vol.
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Commercial expression is recognized as an activity protected under section 2(b). This includes advertising and any other similar means of expression used to sell goods and services. In fact, even false or misleading advertising is protected. The value of the expression does not come into play until the section 1 analysis.
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In 1922 Max Schoen was the first to make the comparison of vibrato to a tremor due to change in amplitude, lack of automatic control and it being half the rate of normal muscular discharge. Some singers use vibrato as a means of expression. Many successful artists can sing a deep, rich vibrato.
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The Alma-0 designers claim that the assignment, which is usually shunned in pure declarative and logic programming, is actually needed in a number of natural situations, including for counting and recording purposes. They also affirm that the means of expression of such "natural" uses of assignment within the logic programming paradigm are unnatural.
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Music played an important part in life of common people or peasants in the Czech Republic. It offered both means of expression and a vent for their emotions. Resulting music varies not only by the region of its origin but also in the purpose of its use. Therefore, there are myriads of distinct folk songs.
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Audrius Dzikaras (born August 14, 1957 in Vilnius) is a Lithuanian painter. He paints in oil, mostly landscapes (Path in 1983, Bridge in 1985, First Snow in 1986, the Dark Landscape in 1988, Temple in 1999 etc.). He paints metaphysically as a means of expression and his works often use dark colors.↑ Lijana Šatavičiūtė.
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Petit Chaperon Rouge visite le Grand Louvre. 72x180. 2008. Nicolas Poussin. Rape of the Sabine Women In the search for new means of expression, a new visual language, Solomoukha became more and more attracted to photography. In 1990, he was acquainted with Robert Doisneau and in 1995, he began working with Henri Cartier-Bresson.
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The interesting thing about film is that we play to all social classes and in all parts of the world. We must in our means of expression appear nearly primitively genuine, truly original. One can perhaps learn to become an actor but you can never learn to be filmed. Studied emotions on film become artificial and false.
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Due to the limited space the inscriptions were abbreviated, often written with a few letters and special signs. Artistically, they continued the Byzantine numismatic tradition but the designs were often more schematic. The main means of expression were lines and dots. The Bulgarian coins had images different from the Byzantine and Slav coinage, so they form a distinct group.
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Veranian, known primarily as a painter and installation artist, has also done printmaking. He considers his drawings to be a very intimate means of expression. His favorite subjects are the female form, and the nude figure. The unique drawing technique, involved in making of the drawings, is perfectly suited to immediate expression, as is Veranian's aristocratic drawing style.
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The Baltijos Garsas Festival of Contemporary Arts began as a rock festival in a village near Kernavė, Lithuania in 2006. It has since expanded to include street theaters, circuses, art installations, video performances, lectures and seminars and other means of expression. Music genres represented at the festival have included hard rock, folk, indie, heavy metal, ska, punk, and gothic.
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In this film, a ventriloquist who calls himself the Great Gabbo begins to lose his sense of identity when his only means of expression is through his wooden dummy. As the Great Gabbo begins to rely more and more on his dummy, he begins to go mad. The story is adapted from "Rival Dummy" by Ben Hecht.
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343-344 As a pianist, Steptoe recorded the first modern performances of the Walton and Bridge piano quartets, and in the first recording of the Four Last Songs by Vaughan Williams. Anthony Bye has described Steptoe's style as "wholeheartedly in the tradition of Vaughan Williams, Finzi, Howells, Britten and Tippett...regenerated with thoroughly contemporary means of expression".
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Plautus also used more technical means of expression in his plays. One tool that Plautus used for the expression of his servus callidus stock character was alliteration. Alliteration is the repetition of sounds in a sentence or clause; those sounds usually come at the beginning of words. In the Miles Gloriosus, the servus callidus is Palaestrio.
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Artevalencia is a non-profit association based in Benicàssim, where different artists, but with the same objective, get together. Searching new means of expression is a constant feature of artists. The association is born with the objective of getting current artists together with new artistic impressions, and support the promotion of their work.Artevalencia , Google Open Gallery.
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Naegeli largely disappeared from the attention of the public in the late 1980s. He began focussing on drawings on paper and etchings. He calls his new works Partikelzeichnungen; they are composed of thousands of minuscule dots and small lines. This slow process is in stark contrast to his earlier graffiti that, by their very nature, were a very spontaneous means of expression.
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The Deutscher Künstlerbund also arranges exhibitions, symposia and colloquia on a national basis. Conceptions, ideas and means of expression undergo perpetual changes in the world of art. The huge variety implies traditional sculptural works, paintings as well as context-related works and action-based art which stimulates and accompanies communication. Male and female artist tackle current problems with a lot of creativity.
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The type of dance that the Tofo Tofo dance troupe use in their movements is called the Pantsula dance. Pantsula became a popular form of dance in the 1980s when it was used as a means of expression during violent Apartheid times in South African townships, starting mainly in the streets of Soweto.Pantsula Dancers, Webster, Alexia. Africa Media Online. 2010. Web.
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The objects of the Foundation are: # To encourage and to provide a means of expression for informed free-thought on philosophical and social issues. # To safeguard the rights of all non-religious people. # To serve as a focal point for the community of non-religious people. # To offer verifiable information in place of superstition and to promote logic and reason.
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This part of the festival is represented by movie makers like Werther Germondari, Michaël Dudok de Wit, Jörn Staeger, or Michael Klöfkorn, who contributed to the festival. Second, the ICFF screens films as a means of expression in the fast growing bicycle culture. It is a forum for movie makers from the bicycle community like Lucas Brunelle or Casey Neistat.
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Leroy F. Moore Jr. is an African American writer, poet, community activist, and feminist. Moore was born November 2, 1967 in New York City. Moore is one of the founders of Krip Hop. Moore and his counterparts Rob Da’ Noize Temple, and Keith Jones started Krip Hop, a movement that uses hip-hop music as a means of expression for people with disabilities.
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Adelaide plays host to two of Australia's leading contemporary dance companies. The Australian Dance Theatre and Dance Hub SA (formerly Leigh Warren & Dancers) contribute to state festivals and perform nationally and internationally. Restless Dance Theatre is also based in Adelaide and is nationally recognised for working with disabled and non- disabled dancers to use movement as a means of expression.
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Modern Coptic art is also known as the Neo-Coptic school. In recent centuries icons have been the main means of expression, keeping most traditional aspects. Coptic icons are more concerned religious truth and beauty than with realism, the depiction of depth, or perspective. As in the Byzantine and related traditions, the figures are depicted frontally, looking straight at the viewer.
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Born in Piekary Śląskie, he graduated from the Academy of Fine Arts in Krakow in 1951. Jodlowski has worked as an artist taking part in exhibitions both in Poland and abroad since 1953. Amongst his contributions were Cyrk posters belonging to the Polish School of Posters. He is equally proficient using graphic forms, painterly means of expression or shapes derived from sculpture.
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Cosmos-Arles Books is a Rencontres d’Arles satellite event dedicated to new publishing practices. Over the past 15 years large-scale photographic publications, self- published books, and ebooks have become essential media for experimentation by photographers and artists. They allow photography to be rediscovered as a means of expression and distribution, providing a rich terrain of expression for the art's fundamentally hybrid forms.
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"This is a national security crime" he said, referring to article 25 of criminal law which states a prison term "not exceeding five years will be handed down to anyone who publicly challenges the rights or authorities of the Amir or insults him – whether in speech, writing, drawing, or any other means of expression." Al- Sayegh was released days later after being interrogated.
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A process, which can be characterized as an exchange of generations, began and as any change it was accompanied with many difficulties. New young actors and stage managers were invited. Creative, innovative and modern means of expression were chased. It became possible temporally to have a territory – the stage of the later Student Theatre of the Academy of Fine Arts.
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"Why Hip-Hop Is Like No Other" in . Mary J. Blige performing. Londoner Kate Tempest performing at the Treefort Music Fest Early hip hop may have reduced inner-city gang violence by providing an alternative means of expression to physical violence. However, with the emergence of commercial and crime-related gangsta rap during the early 1990s, violence, drugs, weapons, and misogyny, were key themes.
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Oslo: Aschehoug, p. 142. He studied at the Norwegian National Academy of Craft and Art Industry from 1943 to 1947. He then studied for three years under Per Krohg at the Norwegian National Academy of Fine Arts (from 1943 to 1947), after which landscape painting became his dominant means of expression. Until 1960 he mostly worked as a graphic artist, drawer, and book illustrator.
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In 1990, there is a change in the means of expression from painting to CapilloArt (art with human hair). As of 1993, installations follow. After 9/11, human suffering, as well as the concern for the future of our world, become central topics for which the artist found even more possibilities of expression. Karin Hannak’s work is a contribution against the violence and brutality of our time.
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Since 1988 the sculptural form of the relief remains the exclusive medium of Nowacki's works. Since 1995 colour has assumed the leading role as a means of expression. From 1998, Nowacki's works are inspired by such artists as: Max Bill, Josef Albers, Antonio Calderara and Bridget Riley. Impacted by Malevich and Ilya Chashnik, the square remains the obligatory form for the surface of his reliefs.
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A consoling verse from a psalm is treated as a closing motet of Part I: "" (Why do you trouble yourself, my soul). Alfred Dürr analyzes in detail how different means of expression follow the text closely, with shifts in tempo and texture, culminating in a "permutation fugue of remarkably logical structure" on the final "" (for being the help of my countenance and my God).
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Dessa grew up in a society determined by racial divisions. This experience is reflected in her art, which synthesizes associations and transcend borders. Her creative output reflects her cultural diversity, both in the choice of her subjects (through which she explores her identity), and the mediums and means of expression she utilizes. In her early period she explores the relationship between visual art and music.
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Sabine Weiss' father was a chemical engineer and made artificial pearls from fish scales. The family lived next to the border post and left Saint-Gingolph while she was still a child. Attracted at a young age by photography, she says: > I realized very young that photography would be my means of expression. I > was more visual than intellectual ... I was not very good at studying.
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Olaf Nicolai grew up in Chemnitz (formerly Karl- Marx-Stadt) in the German Democratic Republic. From 1983 to 1988 he studied German language and literature at the universities of Leipzig, Vienna and Budapest, in 1992 obtaining a doctorate from Leipzig University. His thesis concerned the Poetics of the Wiener Gruppe, exploring the means of expression used and their strategic implementation.Petra Gördüren, Dirk Luckow (ed.): Dopplereffekt.
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Reinvere’s aesthetics have two aspects: on the one hand, decided modernism with all its attendant harshness of sound, and a steadfastly courageous romanticism on the other. Thus, his music takes on many different sound guises. His large-scale works, especially the operas, take a middle path between the two aspects. They adhere to a psychological understanding of drama, but expand the means of expression beyond the tradition familiar today.
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The lyrics of the songs serve as the means of expression for various opinions and feelings: love, joy, sadness, powerty, unfulfilled expectations etc. The most important form of musical setting of the songs was dance music. A significant type of folk song in Horňácko is called „táhlé“ (in slow tempo). The style of this music varies for males and females due to their respective roles in traditional society.
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The festival offers African film professionals the chance to establish working relationships, exchange ideas, and to promote their work. FESPACO's stated aim is to "contribute to the expansion and development of African cinema as means of expression, education and awareness-raising". It has also worked to establish a market for African films and industry professionals. Since FESPACO's founding, the festival has attracted attendees from across the continent and beyond.
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N. V. N. Baer observes an imbedded neoclassical implication within Nijinska's then radical theory of dance, 'the school of movement', i.e., not the overthrow of balletic tradition leading to modern dance, but the incorporation nonetheless of entirely new modes of movement. "It is in this essay that she documents her search for a new means of expression based on the extension of the classical vocabulary of dance steps."Baer (2002), p.
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In the 1980s, Osman was one of the leaders of the Uyghur New Poetry movement, known as gungga (hazy, vague, or uncertain) in Uyghur. There were several strands of influences that affected this movement. Symbolism and surrealism had just arrived in Xinjiang, after a long period of isolation from the 1950s to the 1980s. The experience of political repression during that era also drove them to more indirect means of expression.
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On the objective side, the means of expression can be a spoken, written or symbolic statement, a gesture, picture, other content or non- violent assault that is regarded as offensive or injurious to honor. On the subjective side, the commission requires an intent to insult the victim, sometimes called "contemptuous intent". This is only called into question when the offensiveness or insultingness of, for example, a statement has remained unclear.
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She uses different means of expression depending on the problems touched upon, but her work always gives off gentle human warmth. The artist achieves this effect by offering a gesture that appeals to the most deeply hidden feelings of the viewer. Serebriakova searches for her own identity, for general understanding and response, and for a lost trace of humankind. Serebriakova has works in the Museum of Modern Art.
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11 f. For him the medium of photography was the artistic means of expression in order to weave together real worlds with the own internal images. From his mostly biographical photo expeditions, picture essays arose about essential questions of human existence. Over a decade of creating images, an ever-evolving picture library came together in which, as the photographer said, "everything is important: Cultural events, disasters, clichés, banalities, Political things"vgh.
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The CineLibri cinema-literary festival has begun Prize-winners are announced by an international jury, composed of famous producers, directors, art directors, screenwriters, actors and film composers who distinguish the best feature films in competition. The CineLibri statuette symbolizes the interaction between literature and cinema, and is handed for masterful literary adaptation to the relevant film director, for their skillful interpretation of a literary work by means of expression of cinema.
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Over the past 20 years, the Animated Learning Lab (ALL) has worked with animation as a learning tool. The objective of the department is to promote and facilitate the use of animation as a didactic instrument. A fundamental principle in the centre's work is to engage children and have them be active decision makes in creative animation productions. This stimulates learning, enhances creativity and expands viable means of expression.
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Gorb was most famous for portraits of his contemporaries, painted in the years 1920-1940, including prominent figures in science and art. The best of them distinguished laconic means of expression, depth and a special delicacy in the transfer of the character and spiritual world models, the desire to find and keep on canvas features of external appearance. In the years 1950-1980, Gorb also worked in landscape and still life painting.
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The results of this work can be heard on the CD "MEtA" (Creative Sources Recordings). In 2006 Geisse wrote an exposition which lends insight into his specific harmonic concept. Paradoxically, with these compositional tonal explorations, sound- based improvisation and its physical, expressive moments have taken on more and more importance; Geisse's improvisational models have changed under these influences. Since 2005 working with electronics and laptop computers have become an important means of expression for Geisse.
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Contemporary Latin is the form of the Latin language used since the end of the 19th century. Various kinds of contemporary Latin can be distinguished, including the use of single words in taxonomy, and the fuller ecclesiastical use in the Catholic Church – but Living or Spoken Latin (the use of Latin as a language in its own right as a full-fledged means of expression) is the primary subject of this article.
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The Northwest Territories' Human Rights Act prohibits discrimination on the common grounds and on "social condition". The section regarding publication (s.13) explicitly forbids any means of expression that "is likely to expose any individual or class of individuals to hatred or contempt". The adjudicator may order inter alia a respondent "to pay to a complainant an amount that the adjudicator considers appropriate to compensate that complainant for injury to dignity, feelings and self respect".
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He also believed that artwork is visual thinking and a means of expression, not just putting shapes and colors together that look appealing. Art is a way to help people understand the world, and a way to see how the world changes through your mind. Its function is to show the essence of something, like our existence. Arnheim's writing and thinking were most important to him, and his goal was to understand things for himself.
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Soviet filmmaker Sergei Eisenstein believed that objective realism was not the only valid means of expression. He found Sharaku "repudiated normalcy" and departed from strict realism and anatomical proportions to achieve expressive, emotional effects. 1983 saw the appearance of the novels Phantom Sharaku by —a novel whose protagonist is Tsutaya—and The Case of the Sharaku Murders by Katsuhiko Takahashi. In 1995 Masahiro Shinoda directed a fictionalized film of Sharaku's career, Sharaku.
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Mondrian attempts to define the ambition of De Stijl artists in his personal artistic manifesto, Neo-Plasticist in Painting (1917). To create the essence of life itself through abstraction, which relies on what he refers to as the universal means of expression: straight lines and primary colors. This essence of life can be illustrated by transcending the particular to express the universal. Mondrian claimed the particular to be associated with a Romantic, subjective appeal.
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These women are seen as a source of inspiration in their own communities and beyond. With this project Boushnak wanted to expand her means of expression by applying a more artistic approach, rather than presenting a socio-political documentation. She engaged the women by getting them to write on the photograph itself. Her work "I Read I Write: Egypt- Illiteracy series" was acquired by the British Museum in 2012, and by private collectors.
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Potter had already started composing chamber and vocal music before the war. Now, established in Dublin, he chose the orchestra as his principal means of expression. His early pieces, such as Rhapsody under a High Sky and Overture to a Kitchen Comedy, showed that Potter had absorbed Vaughan Williams' pastoral style and his love of folk music. In 1952, both pieces were awarded Radio Éireann's "Carolan Prize" for orchestral composition by the adjudicator Arnold Bax.
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Intending to express a political side, only three songs were released; parts of which would later go on to influence Machinae Supremacy songs. From an interview with Stjärnström "FLAK is... aggression and pain! :] It's a band, but it's nothing serious, just a means of expression." In 2002, Tobias Malm left the band and was replaced by Tomas Nilsén, who is a long-time friend (and previous bandmate in Garden of Concrete) of Stjärnström's.
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Sgan-Cohen's art was anticipatory in many respects: his concept of Israeli identity as part of Jewish Identity developed long before other artists began to see things in these terms. This reflected in his profound involvement with the formative Jewish sacred texts, both intellectually and by embedding Jewish thought into the essence of his artistic practice. He was one of the pioneers in the sophisticated use of the Hebrew language as a means of expression in contemporary art.
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Kochar's Painting in Space one-man show opened in "Van Leer" Gallery. The 15 works presented were new plastic and artistic means of expression which sought to involve time as an additional fourth dimension. The author of the catalogue was French-Polish art critic Waldemar George (1893-1970). In 1929 the international exhibition, "Panorama de L`art contemporain"("Panorama of Contemporary Art") organized in the halls of the "BONAPART" Publishers, Kochar presented the works of "Painting in Space".
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Müller is also indebted to Erwin Hahs for training his formal means of expression in terms of a constructive composition encompassing abstract art. At the same time, he preferred Charles Crodel's practical approach to Erwin Hahs’ more theoretical teaching methods. With his practical approach, Crodel would encouraged his students to develop their own individual style while observing them at work. Loosely composed, often highly colourful and reminiscent of impressionism, Crodel's paintings provided Müller with fresh artistic impetus.
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An architecture description language (ADL) is any means of expression used to describe a software architecture (ISO/IEC/IEEE 42010). Many special-purpose ADLs have been developed since the 1990s, including AADL (SAE standard), Wright (developed by Carnegie Mellon), Acme (developed by Carnegie Mellon), xADL (developed by UCI), Darwin (developed by Imperial College London), DAOP-ADL (developed by University of Málaga), SBC-ADL (developed by National Sun Yat-Sen University), and ByADL (University of L'Aquila, Italy).
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He began exhibiting with drawings, especially in ink and acrylics but since then much of his work has painting with mixed techniques in order to find new means of expression. In his early career he stated that he was influenced by the work of Max Ernst and Chilean Roberto S. Mata since childhood. Since then other influences have included Francisco de Goya, Michelangelo, Caravaggio and Rembrandt as well as the neo figurativeism and symbolic expressionism movements.
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The same use of one of the lexical means of expression, such as synonyms, homonyms and antonyms, is found in almost every poem by Sobir. While a majority of his early poems have romantic elements and imagery of his birthplace, from the late 1970s there is a change in direction: themes of Tajik ancestry, their ancient Zoroastrian religion, history, and patriotism. His poems became highly political, including current national and international events, and at times anti-religious.
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Medium theory is the name assigned to a variety of approaches used to examine how the means of expression of human communication impact the meaning(s) of human communication(s). Joshua Meyrowitz originated the term in his 1985 book, No Sense of Place. Other scholars with work relevant to medium theory include Marshall McLuhan (1963, 1966, 1988) and Neil Postman (1985). Currently, medium theory occupies a marginal position within U.S. communication and media studies (Croteau & Hoynes, 2003:305).
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This was also reflected in lyrical content, the positive, nationalist and social commentary of cadence-lypso. Cadence-lypso reflected and exuded the nationalist ferment of the seventies. There were a number of other important aspects of cadence-lypso music which impacted on our culture and society as well as the future direction of Dominica's contemporary music. Cadence-lypso used the Creole language as its prime means of expression, again feeding into our language traditions and our folk song traditions.
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Some of the mourners are enveloped entirely in drapery, a specialty of Sluter who "transformed Gothic drapery conventions into a highly personal means of expression."Osborne, Harold (ed.), The Oxford Companion to Art, Oxford University Press, 1970, p. 1070. The toom originally contained 82 mourners, but after it was dismantled during the French Revolution in 1794, over a dozen of the mourners went missing. Some ended up in Dijon homes, others were marketed to museums and private collectors.
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In 1984, Michel Sarran joined Chef Ducasse at Juana (where he had just received his second Michelin star) as a "commis entremétier". There, he learns the trade in difficulty. But it was also during this period that he discovered what cooking was all about and realized that he could find a means of expression to express himself and tell stories.Nadine Lemoine, Michel Sarran: "Il faut toujours croire en soi et en son histoire", on www.lhotellerie-restauration.
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Actually, most of my paintings are done by him!” But in fact behind the façade, Donati was a serious craftsman who devoted to his painting as a way of life and means of expression. From the beginning of his career, his paintings revealed a striving for perfection and continual research in problems of style and technique. His early works indicated a momentary interest in surrealism and abstract art; they were predominantly two dimensional, depending on line and strong color.
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The album was produced by Andy Wiswell, who also wrote the liner notes. Both Papas and Theodorakis had gone into exile when the military junta came to power in Greece in 1967. The New York Times critic Clive Barnes said of her performance that "Irene Pappas is known to the public as an actress, but that is why she sings with such intensity, her very appearance, with her raven hair, is an equally dynamic means of expression".
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Her last exhibition and events projects attempt to portray video games as a new language and as a means of expression for artists : No fun games and the gaming experience, Bergen Norway, 2005; Mal au Pixel, Paris, France, 2006; Articule 3, emerging Swiss creation, Annecy, France, 2007; Playing to real, Meudon, France, 2007, Gamerz 2008-2011, Aix-en-Provence, 2008 & 2009, Machinima screenings, Gameplay & Mostravideo Brasil, 2009, Game Heroes, Marseille 2011. She curates machinima programs for many institutions and festivals.
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After unification, Italian started to be taught at primary schools and its use by ordinary people increased considerably, along with mass literacy. The regional varieties of Italian, as a product of standard Italian mixing with the regional languages, were also born. The various regional languages would be retained by the population as their normal means of expression until the 1950s, when breakthroughs in literacy and the advent of TV broadcasting made Italian become more and more widespread, usually in its regional varieties.
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The romanticist Eugène Delacroix, the realist Gustave Courbet, and practically all the Impressionists had abandoned a significant portion of Classicism in favor of immediate sensation. The dynamic expression favored by these artists presented a challenge in contrast to the static means of expression promoted by the Academia. The representation of fixed objects occupying a space, was replaced by dynamic colors and form in constant evolution. Yet other means would be necessary to jettison completely the long-standing foundation that surrounded them.
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Non's name is mentioned twice during the film Superman II, once in the beginning by the unseen prosecutor during the trial recap and once by Ursa ("he's caged Non"); Jor-El's only reference to him is to proclaim that he is "a mindless aberration, whose only means of expression are wanton violence and destruction." In Superman: The Movie, prior to the destruction of Krypton, the criminals General Zod, Ursa, and Non are sentenced by Jor-El to banishment in the Phantom Zone.
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Soon after World War II she traveled abroad to Paris. In the 1950s, she taught art at the High School of Music and Art where she was respected as a teacher who introduced her students to all the possible means of expression from realism to the current avant-garde abstract expressionists. [a student in her classes from 1951 to 1953/4] A 1960 solo exhibit in Zagreb was the first time an American artist had mounted such a show in Yugoslavia.
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EXIT project – Paint It Blue Or Say It's Sad Art-Fusion. The musicians of EXIT project say that they "use all means of expression in music at hand to bring the music in". Virtually every other album is somehow different. Music of EXIT project comprises the elements of Instrumental Music, Nu-Jazz, Chill-out, Downtempo, IDM, Electronic Music, art rock, Experimental Music, and Jazz fusion Musical critic and publisher Vladimir Impaler (InRock Magazine) named this unique blend and stylistic approach as Art-fusion.
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Arnold Schoenberg – Two Letters to Ferrucio Busoni, Liviu Marinescu > course notes; cited from Ferrucio Busoni – Selected Letters, ed. and > translated by Antony Beaumont, London: Faber & Faber 1987, pp. 389, 392–397 This work was composed at the same time that Schoenberg was working on his orchestration of his massive Gurre-Lieder. While he maintained a lifelong love of Romantic music, the extreme contrast between his Klavierstücke and his more romantic works comes from his modernist desire to find a new means of expression.
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Philosophy should be intercultural all the time even though it isn't yet so. It is quite a 'predicament of culturality' that philosophy claims to be universal but on the other hand will always be embedded in culture, certain means of expression and certain questions. Wimmer concerns himself with the history of philosophical thought which has to be rewritten in order to include other traditions beside the occidental. He also wants to develop ways to enable intercultural dialogues, or 'polylogues', as he calls them.
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"Peyote is not habit forming and 'in the controlled ambiance of a peyote meeting it is in no way harmful'" Rather it is considered a unifying influence on the Native American life because it provides the "basis for Indian friendships, rituals, social gatherings, travel, marriage, and more. It has been a source of healing and means of expression for a troubled people. And it has resulted in one of the strongest pan-Indian movements among American Indians".Young, William A. Quest for Harmony.
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Study of film genres, history, theories, directors, cultural perspectives and more allow students to gain a robust understanding of cinema as a historical and contemporary means of expression. The interdisciplinary nature of the minor provides investigation of cinematic art through its connection to related fields such as Communication, Literature, Sociology and Visual Arts. Students pursuing the Film Studies Minor exhibit a wide range of interests; from those who plan graduate study in film to those who simply wish to understand better this powerful and influential medium.
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Since 1975 Mark has pursued dual careers, one in art and the other in architecture. Mark and his family currently reside in Houston, Texas. Mark began drawing as a means of expression and exploration as a small child, but did not begin painting until after graduation from college. For the most part, he is self-taught, drawing experience from careful studies of the works of realist painters like Winslow Homer, Andrew Wyeth, Edward Hopper, and impressionist and abstract painters like Wolf Kahn and Cy Twombly.
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To embrace all of these approaches is to embrace nothing less than our humanity, our common journey on this planet of existence. While this involves a discussion of the past and present, it also involves a discussion of the future. First, she draw from the most basic and ultimate instrument – the human body. “This lies at the core of our existence and it has done so since the birth of humanity, predating even speech as a means of expression.” Second, Ms.Yatkin draws from history.
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In February 2011 Walid al- Kubaisi joined a meeting hosted by SIAN, where he held a speech. The Blitz movement demonstrated outside the arrangement, and al-Kubaisi needed police escort to get to the meeting. When questioned about the organisation's relation to the newly emerged Norwegian Defence League, Tumyr stated that their ideology, intent on "stopping Islam" was the same, although their means of expression differed. In 2012 there was a split in the organisation after the leader Arne Tumyr refused to cooperate with Norwegian Defense League.
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According to Indec 2001 May 25 the department had 15,193 inhabitants of which 51% of the population is urban-type, 49% are rural conditions. Santa Rosa (department head) and Casuarinas are the major urban centres that concentrate the most densely populated. In rural landscapes, with fewer poiblación, in addition to engaging in agricultural activity, stressing the development of all kinds of crafts as a means of expression and livelihood. Textiles, leather works and objects made with jonquil (a plant typical of the region) are the pieces sold.
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As she elaborates in an interview: > The 'ideal' female anatomy has changed over time, with varying aesthetics > that metamorphose based on age, race, geography and time period. For > centuries, humans have embraced body modification as a means of expression, > rites of passage, religious beliefs and cultural aesthetics. I paint my > friends and the people that I care about most, who embrace a small fraction > of current cultural aesthetics and modifications. Body art, plastic surgery > and piercings are not uncommon among the women you see in my work.
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The Pardhan Gond community is traditionally one of musicians who used to receive patronage from the Gond Rajas. With the impoverishment and weakening of the social order of adivasi communities first by colonial apparatuses and then the administration of independent India, patronage to the Pardhans eroded. With the practical significance of their story-singing gone, they turned to agriculture and labour to sustain themselves. According to Vajpeyi, Jangarh’s art arose from this creative background and created a new means of expression for members of his community.
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Western academics emphasized their superiority (particularly in academic ability), patronizing the Orient. With the modern era came colonialism, when new knowledge of the Eastern world encouraged Western scholars to write about foreign histories, cultures, and traditions (despite scant, incomplete understanding of them). The Western world, most of which was engaged in colonialism, considered the Eastern world incapable of representing itself due to its non-Western knowledge. The colonial philosophy of manifest destiny led Western scholars to believe that they had a more civilized, valuable means of expression.
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Called "remarkable and abundantly documented" by Russian semiotician Mikhail Bakhtin, La Langue de Rabelais outlines the use, context and origin of some 3,770 individual words in Rabelaisian vocabulary.Urban T. Holmes Jr., Alexander H. Schutz, A History of the French Language, Biblio and Tannen, New York City, n.d., p.75. It was especially noted for its details on various contributions to Rabelais' means of expression, including staples of French folklore such as the so-called Cris de Paris (chants traditionally produced by Parisian street vendors).
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Like her teaching methods, her books and articles describe more than techniques. She intertwined "how to" instruction with philosophy, encouraged her readers to be original, value their work, explore and take creative risks. Her approach inspired many readers, including young artists who embraced the quilt as their primary means of expression as well as others who wanted to incorporate creativity into their everyday lives. One of Laury's most significant books was The Creative Women's Getting-It-All- Together at Home Handbook written in 1977.
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At this, Donald Tovey proclaimed Busoni "to be an absolute purist in not confining himself strictly to Mozart's written text", that is, that Mozart himself could have taken similar liberties. The musicologist Percy Scholes wrote that "Busoni, from his perfect command over every means of expression and his complete consideration of every phrase in a composition to every other phrase and to the whole, was the truest artist of all the pianists [I] had ever heard."Citations and comment from Scholes (1947), p. 318.
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The Second symphony from 1951 represents a paradigmatic example of Ristić's compositional and technical skillfulness. Realized with limited means of expression, the symphony is oriented toward a balanced and perspicuous form achieved through transparent melodic content and functional harmonic relationships. The first, upbeat movement embraces a lyrical theme, defining in its further unfolding the contours of a sonata form. The second movement represents simulation of a serenade with a grotesque gesture embodied in the theme's orchestration, delivered by clarinet accompanied by tuba and bassoon.
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In Berlin in the 20s was a laboratory for expressionist, Dadaist and futuristic rebels and Lex-Nerlinger, amongst them, tried out different styles and media searching for a politically effective means of expression. After graduation, she worked as a window-dresser in a Tempelhof department store, and designs fabrics for Kaufhaus Wertheim on Leipziger Straße. In 1918 Lex- Nerlinger joined Oskar in Strasbourg, he having completed his military service there and on 23 March they married and returned to Berlin in 1919, together running an antique shop.
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The FHBRO considers the Montreal Clock Tower to be architecturally aesthetic due to its Beaux-Arts style. This style of architecture is defined as an expression of nature's beauty through a method of fine art and detail.Kant, les beaux-arts et leurs moyens d’expression (Kant, the fine arts and their means of expression), , Danielle Lories, “ Art and Medium 1: the medium of art 17 (2016): 6. The FHBRO notes that the Clock Tower's shape and decorative features adhere to the Beaux-Arts style and are also practical.
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The French government feeling that Manceron acted too late to stand firm, replaced him with Marcel Peyrouton, on July 29, 1933. In this repressive context, Bourguiba was deprived of his means of expression and was a prisoner of the Destour structure that was willing to take back his autonomy. Habib Bourguiba leading the protest delegation. On August 8, the opportunity to express himself was presented when incidents began in Monastir upon the forced interment in a Muslim cemetery of the son of a naturalized citizen.
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The audiovisual art constitutes a means of expression which came before the cinema. In fact, projections of still images are really old. In 1660, Athanasius Kircher invented one of the first magic lanterns that worked as a real projector, which had a great diffusion afterwards. Moreover, from another point of view, the prehistoric man could be considered as the first audiovisual spectator of humanity, who contemplated the static skies and the landscape in amazement, along with the sounds of nature coming from the animals and the storms.
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Sgan-Cohen was one of the pioneers in the sophisticated use of the Hebrew language as a means of expression in contemporary visual art. Hebrew served in his view as the bridge between Jewish heritage, particularly the Bible, and the contemporary search for Israeli cultural identity. His works are replete with the complex deployment of culturally charged Hebrew phrases and with the Hebrew Alphabet as a visual theme. The drawn or painted Hebrew word served him as the way in which a generally non-visual, verbal tradition can be approached in the visual medium.
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In this respect, during his live performances, he is often disguised as a monster, personifying a vampire or a zombie. If shocking can be considered as a major aspect of Goolsby's songwriting and style, it is also part of his own reflection on horror as a means of expression. As he suggests it himself: > If you really stop to think about it, a lot of the monsters aren't really > the monsters, it is man that's the monster. So a lot of horror movies are > social commentaries in a way, which is what punk rock is.
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The use of lines in his work as a means of expression can be seen also in his depictions of houses in Jerusalem and Safad from this period. In 1924 Zaritsky mounted his first solo exhibition in the club "Menorah" in Jerusalem. Another exhibition was opened in the Technion in Haifa. The journalistic criticism emphasized the lyricism in his works, and the fact that "the forms [in his paintings] turn into dots of abstract color, the subject of which is an allegory of color and light, and not the plot of a story."M.
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Jews in Vienna, Paris and German cities found cabaret both a popular and effective means of expression, as German cabaret in the Weimar Republic "was mostly a Jewish art form".Suzanne Weiss, Jewish cabaret singer brings songs of Berlin to Berkeley, The Jewish News Weekly of Northern California, September 27, 1996. Accessed 12 February 2006. The involvement of Jews in Central European theatre was halted during the rise of the Nazis and the purging of Jews from cultural posts, though many emigrated to Western Europe or the United States and continued working there.
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In a small laconic work Semionov used amazingly accurate means of expression, which allow him with the utmost frankness and depth to say about himself, about his generation and epoch. In 1966 in Leningrad has been shown exhibition of works by Arseny Semionov, dedicated to the 55th anniversary of the artist and 20 years of his teaching work at the Department of Painting of the Vera Mukhina Institute. In 1977, in the halls of the Leningrad Union of Artists has been shown a joint exhibition of paintings by Arseny Semionov, Sergei Osipov, and Cyril Gushchin.
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Other artistic selections, like the reproduction of Marie Monnier's embroidery Birth, in transition no. 4, highlight Jolas's interest in both new and re-invented means of expression as well as marking the milieu in which he and his co-editors worked and socialized. For instance, Jolas knew Marie Monnier's sister, Adrienne Monnier, proprietor of the bookstore La Maison des Amis des Livres, where Marie's work was exhibited in 1927. Moreover, the writer Léon-Paul Fargue, who Jolas admired and included in his magazine, wrote text the catalog to the 1927 exhibition of Marie Monnier's embroidery.
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Mompremier was born in 1952 in Gonaives, Haiti. In 1972, he moved to Port-au-Prince to work as a tailor; just one year later, he began apprenticing under Gerard Valcin, pursuing interests in drawing and painting he had had since a young age. Originally, Mompremier painted images of daily life in Haiti. However, in 1975, he found his own means of expression in representing the Vodou lwa.. In 1978, Mompremier met his wife, Erzulie, who began painting under his direction; she passed in the earthquake of 2010.
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Many large publications define a house style to be used throughout the publication, a practice almost universal among newspapers and well-known magazines. These styles can cover the means of expression and sentence structures, such as those adopted by Time. They may also include features peculiar to a publication; the practice at The Economist, for example, is that articles are rarely attributed to an individual author. General characteristics have also been prescribed for different categories of writing, such as in journalism, the use of SI units, or questionnaire construction.
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" Harvey Siders of JazzTimes commented that the album did not need elaborate arrangements, being a "spontaneous inner dialogue from a brilliant inquisitive mind" and that on Solo "elegance trumps excitement." PopMatters' Robert R. Calder stated that the record was "a very remarkable solo piano recital." David Miller of All About Jazz gave the album a mixed review, being critical of the entertainment value, stating that the performer "is more introspective than ever, frequently using silence as his means of expression. The only problem is, it doesn't necessarily work.
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Vanitas still life with Spinario He was born in Berchem, Belgium, near Antwerp, where he became a member of the Guild of St. Luke in 1620. He moved to Haarlem in 1620, where his son, the landscape painter Nicolaes Pieterszoon Berchem was born (October 1).Pieter Claesz entry in the RKD He and Willem Claeszoon Heda, who also worked in Haarlem, were the most important exponents of the "ontbijt" or dinner piece. They painted with subdued, virtually monochromatic palettes, the subtle handling of light and texture being the prime means of expression.
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During the past two or three centuries batik has become one of the principal means of expression of the spiritual and cultural values of Southeast Asia. Once again used as a form of storytelling and passing down history, picture fabrics and blankets have been an integral part of their culture. Asian cultures have used weaving and blankets for the same purposes, using gold and other precious metals woven into their cloths and blankets. As an important artistic form, it conveys the history and myths of a culture through iconography and pictures.
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Endre Rozsda and Péter Esterházy at an opening in Várfok Gallery From the start of the 1960s, Rozsda's work underwent another change: the tensions and harmonies of architectonic structures and swirling colors created a richly detailed microcosm. In his effort "to control time" and dissolve reality in his imagination he continued to rely on Surrealism, although his means of expression became increasingly characterized by lyrical abstraction. In 1970 he became a French citizen. In 1979 he set up a studio in Le Bateau-Lavoir and continued to work there until the end of his life.
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Like the greater ones, M. Reger, H. Pfitzner and H. Kaminski, standing between the times, he strove to move from his epochally conditioned late-Romantic starting point to a penetration of traditional forms with new means of expression. His tonal language is often harsh, hardly ever persuasive through external effects, but rich in fine expressive-poetic traits. A strong ethical will of confession speaks from his main works. His violin concerto is often called by Hans Engel: Bruckner consecration and religiousness fulfilled, even more by the sage G. Mahlers.
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Nationalism was also an important means of expression in the early part of the century. The culture of the United States of America, especially, began informing an American vernacular style of classical music, notably in the works of Charles Ives, John Alden Carpenter, and (later) George Gershwin. Folk music (Vaughan Williams' Five Variants of Dives and Lazarus, Gustav Holst's A Somerset Rhapsody) and Jazz (Gershwin, Leonard Bernstein, Darius Milhaud's La création du monde) were also influential. In the latter quarter of the century, eclecticism and polystylism became important.
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Pärt composed the work a year after he left Estonia for first Vienna and then Berlin. He set Psalm 130 in Latin, a text speaking of profound distress which has inspired composers through the centuries, from polyphonic settings by Josquin des Prez to use in an opera of the 21st century by Lera Auerbach. Pärt composed the work in his personal tintinnabuli style, using simple means of expression. He scored it for a four-part men's choir (), percussion (ad lib.) and organ, and dedicated it to the Austrian composer Gottfried von Einem.
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Nesch found a suitable medium in metal pressure technology. Apart from drawing, which was his natural tool and means of expression throughout, it was printmaking he devoted himself to most continuously and over the greatest number of years. And it is as printmaker that Rolf Nesch made his most significant contribution, not merely as a technical innovator who discovered the potential in new materials and methods, but also from the artistic point of view. He was appointed a Knight of the Royal Norwegian Order of St. Olav (1967) and Commander (1973).
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NADP-ME expression has been shown to be regulated by abiotic stress factors. For CAM plants, drought conditions cause stoma to largely remain shut to avoid water loss by evapotranspiration, which unfortunately leads to CO2 starvation. In compensation, closed stoma activates the translation of NADP-ME to reinforce high efficiency of CO2 assimilation during the brief intervals of CO2 intake, allowing for carbon fixation to continue. In addition to regulation at the longer time scale by means of expression control, regulation at the short-time scale can occur through allosteric mechanisms.
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Myriam Mihindou grew up in Gabon with a French mother and a Gabonese father, before going into exile in France in the late 1980s. After a degree in architecture, she joined the school of fine arts in Bordeaux. Suffering from aphasia, a disorder of spoken and written language, she was at the time looking for a means of expression. Working initially on sculpture and forging, Joseph Beuys and Ana Mendieta encouraged her to direct her plastic exploration in nature through ritualized actions with organic materials (earth, water, sun, paraffin, kaolin and tea).
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The 2013 production of Oedipus, a version adapted by Olivier Kemeid, includes speech, music, video and choreographed movement. He uses multimedia in his production to create a concept called “total spectacle,” stating that he has become bored with only one means of expression, and has an interest in exploring how the various arts can work together. However, he states that this is not easy in Europe where the arts are strongly separated. Besprosvany's work shows an interest in updated version of classical texts, stating that their themes remain relevant today.
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The study and practice of communication focuses on the ways and means of expression of a political nature. Robert E. Denton and Gary C. Woodward, two important contributors to the field, in Political Communication in America characterize it as the ways and intentions of message senders to influence the political environment. This includes public discussion (e.g. political speeches, news media coverage, and ordinary citizens' talk) that considers who has authority to sanction, the allocation of public resources, who has authority to make decision, as well as social meaning like what makes someone American.
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Knowing his weaknesses, he concentrated drawing and composition. However, he soon left this workshop and, attracted by the artistic concepts of the Barbizon school, he left Paris for that village, where he became the associate of artists such as Jean-François Millet, Jean-Baptiste-Camille Corot, Gustave Courbet and Théodore Rousseau. Under the influence of the movement, Grigorescu looked for new means of expression and followed the trend of en plein air painting, which was also important in Impressionism. As part of the Universal Exposition of Paris (1867), he contributed seven works.
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Shintaido (新体道, a Japanese word translated as ‘New Body Way’) is a system of movement which aims to use the body as a means of expression and communication. Incorporating both physical and artistic elements, it was created in Japan in the 1960s. Its roots lay in the traditional Japanese martial arts, Chinese medicine and Buddhist meditation techniques, while its creator Hiroyuki Aoki was also influenced by modern Western art and Christianity. As well as being a practical martial art Shintaido aims to be a form of artistic expression, a healthy exercise, and a path of self-discovery and transformation.
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Vladimír Hirsch (born July 3, 1954, Benešov, Czech Republic) is a Czech composer and instrumentalist (keyboard instruments). The author of the concept of the so-called "integrated" musical form – combining contemporary classical music with dark-ambient and industrial music, his compositional style is characterized by polymodal architecture and alchemical work with sound, using mainly digital techniques to expand the action potential of the means of expression. Vladimír Hirsch is or was the leader of the avant-garde projects Aghiatrias, Skrol, Zygote, Subpop Squeeze, and more. From 1986 to 1996, he was a member of the experimental post-punk band Der Marabu.
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Religion may have been particularly important as a means of expression for women and from the seventeenth century women may have had greater opportunities for religious participation in movements outside of the established kirk. Women had very little legal status at the beginning of the period, unable to act as witnesses or legally responsible for their own actions. From the mid-sixteenth century they were increasingly criminalised, with statutes allowing them to be prosecuted for infanticide and as witches. Seventy-five per cent of an estimated 6,000 individuals prosecuted for witchcraft between 1563 and 1736 were women and perhaps 1,500 were executed.
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A talented exponent of the Armenian contemporary composition school, Hrachya Melikyan with his new artistic vision and distinctive musical style belongs to the generation of 1960-70s. Melikyan's artistic vision was formed during the complex interactive processes of Armenian and international musical practices, as he synthesized world music developments and national music particularities, forging his own distinctive musical style. Ghazaros (Lazar) Saryan in his reference letter, dated July 1, 1972, for Melikyan to be accepted as a member of the Union of Composers, wrote “His style is interesting and distinctive/original. He principally avoids accepted means of expression.
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In his quest for new means of expression and new constructions he has achieved considerable success.” In 1972, the young composer was accepted to the Union of Composers and Musicologists of Armenia. In 1991, Melikyan became the Responsible Secretary of the Union and served in that position until his untimely death in March 2006. In 1995 he established “Archesh” publishing house at the Union of Composers. From the time he took up an administrative position in the Union until his last days he played a significant role in promoting his fellow composers’ compositions through organizing concerts and publishing their works.
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In contrast to Stein's formally challenging later works, the narrative style of Three Lives is relatively straightforward. Stein wrote in The Autobiography of Alice B. Toklas of an envoy from the book's publisher who was surprised on visiting her to discover she was American, and that she assured him the foreign-seeming syntax was deliberate. Stein admired in Flaubert and painter Cézanne their focus on working-class subjects, and their greater devotion to their means of expression over a strict representation of their subjects. Stein wished to break from the strict naturalism then in vogue in American letters.
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Disciple of film by Eisenstein, Vertov and Pudovkin, Romm, in this film masterfully uses the means of expression editing, musical design, and journalistic language to describe the Nazi regime. It is through the counterpoint archival footage, voiceover and film music has such a strong emotional impact on the viewer. A curiosity of the film is the fact that the narration was made by Romm himself. Initially, the filmmaker had sought a speaker for this job, but when his comrades heard working versions of the comments written by himself, he was advised to record his own voice-over.
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The expressiveness of the work appears to be unusual for Ogata, with the main means of expression being the use of lines created by ink. The screen on which Rough Waves was painted bears the seal “Dōsū”, a pseudonym that Ogata used from 1704. Recent studies show that Ogata created the painting between 1704 and 1709, during the transitional period in his career when he lived in the city of Edo (now Tokyo). The works of the artist during this period are characterized by a strong influence of the creativity of representatives of the Kanō school.
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Around 1906 Manzana started to search for other means of expression via the design of decorative objects and furniture. The influence of Gauguin’s exotic native scenes from Tahiti and Martinique contributed to the development of his Orientalism, which at that time began to manifest itself in some of his works by his experimenting with gold, silver and copper paint. At the beginning of the 20th century Georges regularly exhibited his Post-Impressionist works at the ‘Salon d’Automne’ and the ‘Salon des Indépendents’, as well as Durand Ruel and Druet in Paris. In 1907 exhibited for the first time his decorative works at Vollard.
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Vasile Florea... pag. 47 On the other hand, making an analysis of the work at a time of maturity would actually lead to a critical rigidity, because the diachronic slips towards the formation period of his artistic past are inherent. The edifying examples begin with the self-portraits, which must be approached starting with the first ones he made, or with the means of expression used, starting from romanticism, passing through impressionism. In order to reach a state of grace of maturity, Petrașcu went through a difficult and slow evolution that required his tenacity and patience.
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Given Pawlikowska's creativity may be defined by her highly traditional and conservative background, undoubtedly influenced by her husband's, patriotic and nationalistic views, as the main champion of her work, at a time of deep crisis for the nation coupled with exile in the Free World, she did not seek to join the Avant-garde but sought instead in her own words, to "make links between the basic elements of art and means of expression with her Polishness". Her inspiration coupled with the mature style of her creativity, enable her work to be characterised as art déco style.
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The direct inspiration, however, came from the Misty Poets group of the late 1970s and early 1980s (gungga was a direct translation of menglong, "obscure", "misty", or "hazy" in Mandarin.) The movement absorbed "the vision and the aesthetic principles of that groundbreaking movement through the literary manifestations were necessarily different." The gungga movement's works were in free verse, not the Aruz or syllabic metrical forms then dominant in Uyghur poetry. They relied on metaphor, contrast, images and symbols, instead of more direct means of expression. Their titles didn't directly relate to the bodies of the poems.
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Echoplex EP-2 Before the invention of audio delay technology, music employing a delayed echo had to be recorded in a naturally reverberant space, often an inconvenience for musicians and engineers. The popularity of an easy-to-implement real-time echo effect led to the production of systems offering an all-in-one effects unit that could be adjusted to produce echoes of any interval or amplitude. The presence of multiple taps (playback heads) made it possible to have delays at varying rhythmic intervals; this allowed musicians an additional means of expression over natural periodic echoes.
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The aim of Krytyka Polityczna is to revive the tradition of engaged Polish intelligentsia. From the outset the activities of “Krytyka Polityczna” have focused on three main fields: social science, culture and politics to show that the social sciences, the arts and politics differ only in their means of expression, whereas what they have in common is the impact they have on social reality. The fundamental aim of “Krytyka Polityczna” is to prepare and introduce into the public sphere a project of struggle against economic and social exclusion. Another goal is to spread the idea of deep European integration.
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Although the current and original versions of Crack is Wack differ, they both express Haring's unique cartoonist style and the same anti-crack message. Upon a vibrant orange background, the mural includes a conglomeration of human and monster-like figures outlined by thick black lines that surround the phrase 'crack is wack' in bold letters. Art history professor Natalie E. Phillips argues that Haring achieves a direct and straightforward means of expression by utilizing this simple imagery and basic forms in Crack is Wack and his other artwork. She further suggests that the mural's location along a busy, public parkway engages a variety of passersby with diverse backgrounds.
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Seriefrämjandet (literally the promotion of comics, but internationally, the name The Swedish Comics Association is generally used) is a Swedish association for everybody with an interest in comics, founded in 1968 by Henri Holmgren, Janne Lundström and Sture Hegerfors. The association acts to promote the status of the medium as a means of expression, and to increase the knowledge of the characteristics of the medium. With government funding, Seriefrämjandet has started Svenskt Seriearkiv, an archive devoted to preservering and documenting the history of the Swedish comics business. In 2005, Seriefrämjandet opened Seriecenter (literally Comics Centre) in Malmö, with offices, exhibition space and small studio for creators.
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Map of French Indochina from the colonial period showing its five subdivisions: Tonkin, Annam, Cochinchina, Cambodia and Laos. (Click image for key) French Indochina was divided into five subdivisions: Tonkin, Annam, Cochinchina, Cambodia, and Laos. Cochinchina (southern Vietnam) was the first territory under French control; Saigon was conquered in 1859; and in 1887, the Indochinese Union (Union indochinoise) was established. In 1924, Nguyen Ai Quoc (aka Ho Chi Minh) wrote the first critical text against the French colonization: Le Procès de la colonization française ('French Colonization on Trial') Trinh T. Minh-ha has been developing her innovative theories about postcolonialism in various means of expression, literature, films, and teaching.
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He started in 1980 participating in various radio show (in particular Italian channels ‘’Rai 2’’ and ‘’Rai 3’’), but his main passion was the music, which he regards as the main means of expression. He found inspiration in artists like Alice Cooper, David Bowie and Black Sabbath. In 1980 he released his first self-produced album, called Perseo Miranda and His Theatre, and the following year the CD single "I sayd I look away". Then Miranda devoted himself to teaching guitar in various schools, recording some vocals in many pop rock albums and playing in many different bands (from hard rock to heavy metal, punk, gothic metal, blues and other generes).
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While words are generally accepted as being (with clitics) the smallest units of syntax, it is clear that, in most (if not all) languages, words can be related to other words by rules. The rules understood by the speaker reflect specific patterns (or regularities) in the way words are formed from smaller units and how those smaller units interact in speech. In this way, morphology is the branch of linguistics that studies patterns of word-formation within and across languages, and attempts to formulate rules that model the knowledge of the speakers of those languages, in the context of historical linguistics, how the means of expression change over time. See grammaticalisation.
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Director-choreographer Bob Fosse and producer-director Harold Prince were equally instrumental in making defining contributions to the concept musical. Modern examples of the concept musical include Assassins and Avenue Q. Shows ranging from Fiddler on the Roof to Sweeney Todd have been argued as being concept musicals, though there is little critical agreement. The concept musical has direct ties to the megamusical, which has similar roots in the Andrew Lloyd Webber work Cats, and the similarly plotless revue. Mirroring the social upheaval of the 1960s and beyond, the concept musical as a form provided a means of expression and experimentation for musical theatre writers and audiences alike.
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Dobra creates almost exclusively hand-coloured black-and- white photographs, where the hand colouring plays a specific role as a means of expression. Dobra's works are often still lifes, featuring abstract themes of life (egg), contrasting elements (slice of a watermelon pressed into the carrier of an old bicycle) and surreal compositions, sometimes distantly inspired by works of classical surrealist painters such as René Magritte. Dobra’s photography is closely tied to the poetics of melancholy, often exhibited by using an old, rotten wall with a falling, mouldy plaster as a background, or other worn down items (not rarely in contrast to things colourful, new and fragile).
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It also underlined two new facts in Argentine politics: on one hand, the alliance of the students' movement with the workers, and on the other hand, the predominance of the interior (or of the provinces of Argentina) on the capital, Buenos Aires. The Cordobazo also had lasting influences on the history of Argentina. On one hand, it showed that the population accepted violent means to defend themselves against the military dictatorship, since no other democratic means of expression could be used. On the other hand, liberal democracy, parliamentarism and the system of elections was globally refused by what came to be known as the New Opposition (Nueva Oposición).
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The Encyclopaedia of African Literature, edited by Simon Gikandi (Routledge, 2003), gives this definition: "Orature means something passed on through the spoken word, and because it is based on the spoken language it comes to life only in a living community. Where community life fades away, orality loses its function and dies. It needs people in a living social setting: it needs life itself." In Songs and Politics in Eastern Africa, edited by Kimani Njogu and Hervé Maupeu (2007), it is stated (page 204) that Zirimu, who coined the term, defines orature as "the use of utterance as an aesthetic means of expression" (as quoted by Ngũgĩ wa Thiong'o, 1988).
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Criticism of the world and criticism of the artist and his means of expression...I affirm that this exhibition is one sign of the new time, a time that will be of criticism as well as creation. Something precious is being born with these artists.' He went on to interpret the spirit of 'group 1890' movement as avant-garde and the inaugural exhibition as a mean to challenge the binary conception of tradition and contemporaneity, 'It is not difficult to find in the works of this exhibition the echoes, the prolongations and influences of universal contemporary painting. These young men, with a full conscience, have grasped modern language.
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Prince started taking pictures in 2011 and bought his first iPhone in 2014 which is the primary tool he uses in creating his art pieces. He began with snapshots of friends, family and models from his hometown of Ghana and then realized he could seriously use his phone as an arts creation tool, as a means of expression. He using an iPhone to shoot is a way to distinguish his art from other visual artists and photographers to break the codes of this singular and elitist art. His work is all about conveying feelings through colors and giving the floor to the people that are left aside from the society.
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AC was created in 1922 around the Catalan National Conference, which brought together elements of the Joventut Nacionalista, the Regionalist League, former members of the Federal Unió Republicana Nacionalista, and independent youth intellectuals. Dissatisfied with the performance of Lliga, rated low by the new nationalist party, the first central committee was formed by Jaume Bofill i Mates, President, Lluis Nicolau d'Olwer, Antoni Rovira i Virgili, Carlos Jordán, Ramon d'Abadal i Vinyals and Leandre Cervera. The daily Advertising, acquired by the new party and fully Catalanised (it was renamed the Publicitat), became his means of expression. In the first elections in which he participated he achieved excellent results.
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Pilar Barrios in 1948 Pilar Barrios (1889 – 1974) was an important poet of the black community of Uruguay and one of the founders of the Partido Autóctono Negro. He demonstrated in his poetry an understanding of the class-based racism in his society, and expressed hope that this could be overturned by the development of a racial consciousness (awareness of negritud) and renovation of education. He was optimistic in regards to this project, because he believed in the fundamental equality of people and races, as he expressed in his poems. One of his means of expression was the journal Nuestra raza, which he co-founded with his sister Maria in 1917.
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In this period, the popular song began signaling a new possible means of expression that went beyond the three-minute love song, leading to an intersection between the "underground" and the "establishment" for listening publics. The Beach Boys' leader Brian Wilson is credited for setting a precedent that allowed bands and artists to enter a recording studio and act as their own producers. The music was developed immediately following a brief period in the mid 1960s where creative authenticity among musical artists and consumer marketing coincided with each other. Before the progressive pop of the late 1960s, performers were typically unable to decide on the artistic content of their music.
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This misinterpretation or stigma is closely related to Boogie Down Productions and the general purpose behind their underlying themes of violence. For instance, the cover art of Criminal Minded displays the two artists in this group brandishing drawn guns and displaying other firearms. This is not an encouragement of the violence described in BDP's music, but rather a portrayal or hinting at the violence present in the South Bronx as a means of expression, escape, and even condemnation. This album art is not meant to advocate for violence but to challenge the conception of a criminal, to assert that those who are really criminally minded are those who hold power.
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Despite his commitments to work and family, Matsudaira was a dedicated artist, continually experimenting with new techniques, materials, and means of expression. A 1953 oil painting, Self-portrait (Injured in a foxhole), is figurative yet highly symbolic, representing the foxhole in which he was nearly killed as a place of both death and rebirth. His art evolved toward abstraction, with works such as Adoration (1955) and Quiet Motion and Blue (1961) having a sombre, introspective quality. Matsudaira's work was shown at the 1962 World's Fair in Seattle, the International Art Exhibition in Chinatown, the Seattle Art Museum, the Zoe Dusanne Gallery, and many other institutions around the Northwest.
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Bill "Bojangles" Robinson was also the best known and the most highly paid black American entertainer in America during the first half of the twentieth century. Tap dance is a type of dance characterised by using the sounds of metal taps affixed to the heel and toe of shoes striking the floor as a form of percussion, coupled with both characteristic and interpretative body movements. Its roots were in minstrel shows, it gained prominence in Vaudeville, then emerged into an art form and means of expression alongside the evolution of jazz. There are several styles of tap dance, including rhythm (jazz), classical, Broadway, and post-modern.
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Other 'light salons' followed in Krefeld and in Frankfurt. Since 1966, after the group ZERO dissolved and a last joint exhibition, Uecker increasingly used nails as an artistic means of expression—a material that, until today, stands in the centre of his oeuvre. At the beginning of the 1960s he began hammering nails into pieces of furniture, musical instruments and household objects, and then he began combining nails with the theme of light, creating his series of light nails and kinetic nails and other works. a-x Zero Garden from 1966, in the collection of the Honolulu Museum of Art, demonstrates his use of nails to create the illusion of movement.
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It is clear at any rate that this grand > notion of the inadequacy of life, so various in its means of expression, so > reliable a bass note in the arts, needs to be counted as a possible > territory of the pastoral. From "Milton and Bentley" in Some Versions of Pastoral: > Surely Bentley was right to be surprised at finding Faunus haunting the > bower [Paradise Lost ll. 705 - 707], a ghost crying in the cold of Paradise, > and the lusts of Pan sacred even in comparison to Eden. There is a Vergilian > quality in the lines, haunting indeed, a pathos not mentioned because it is > the whole of the story.
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Griffin-Gracy views the state of being transgender or genderqueer as one of "living outside the law" due to constant rejection from mainstream audiences, particularly in pursuing job or education opportunities. She also argues that while many people with transgender and queer identities are not imprisoned, their identities and means of expression are policed through social behavior and state policies. She frequently cites the prison industrial complex as a major factor in why transgender people are incarcerated, specifically people of color and those with low income. Griffin-Gracy has discussed the need for activism for transgender persons based in part on stories of discrimination from others.
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Some other ballets choreographed by Lopukhov in an effort to find a new means of expression include Night on Bald Mountain, with music by Mussorgsky (1924), Pulcinella (1926) and The Fox (1927), both with music by Stravinsky. His attempts to evolve the principles of classical dance were displayed in the acrobatic movements and character dances closely resembling the original ethnic dances they sprung forth from. This was apparent in his ballet The Ice Maiden, with music by Grieg (1927), which was one of his longest running ballets, being staged until 1936. He also choreographed The Bolt in 1931 and choreographed and co-wrote the libretto for The Limpid Stream in 1935, both with music by Shostakovich.
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It became possible to speak of her traits and characteristics inherent in its pupils and showed up as early as their independent work. As well as its place and role in the development of Soviet art and art school as a whole. They confirmed the gravity of Leningrad artists to create works of great public importance, the culture of professional excellence, to the "typical in Leningrad exquisite harmony of color" and a generalized interest in painting and figurative images. Its representatives were characterized by high artistic culture and the fact that, according to Nikolai Punin, can be called "a sense of the Leningrad painting ... with a sort of deeply honest, clean person deep relationship to the means of expression".
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Weinstein, 27 Holmes wrote in the second preface to Elsie Venner, his first novel, that his aim in writing the work was "to test the doctrine of 'original sin' and human responsibility for the distorted violation coming under that technical denomination".Weinstein, 67 He also stated his belief that "a grave scientific doctrine may be detected lying beneath some of the delineations of character" throughout all fiction.Hoyt, 189 Deeming the work a "psychological romance", he employed a romantic narrative in order to describe moral theology from a scientific perspective. This means of expression is also present in his two other novels, in which Holmes uses medical or psychological dilemmas to further the story's dramatic plot.
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Emphasizing the use of modern means of expression and the search for specific compositional techniques, he bring together serial, atonal, microtonal, polymodal, and spectral music. Partly inspired by the traditions of 20th-century Slavic classical music, Vladimír Hirsch keeps building hybrid working models in tonal principles, composition, and instrumentation. Using digital techniques for classical orchestras together with a wide range of sound sources, he searches to achieve the alchemical transformation of sounds into a homogeneous, indivisible substance. This principle, called "integrated music"Claudia Admiron: Invocatio (rozhovor pro "Heathen Harvest", 2013) by itself, also represents the metaphysical idea of the creative concept, which consists in the collision and reconciliation of two seemingly opposite spiritual worlds within an individual.
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Then, resident-general, François Manceron enacted "scoundrel decrees", granting him the right to imprison at his will any nationalist and suspend newspapers and associations "hostile to the protectorate". Despite that, the victory over the Residence led to the election of El Materi, the Bourguiba brothers, Guiga and Sfar to the executive committee of the party during the extraordinary Destour congress held on May 12 and May 13, 1933. But the maintained turmoil led the Residence to censor nationalist press and suspend the Destour, on May 31. Bourguiba, deprived of means of expression, benefited from the events of August 8, when riots started in Monastir upon the forced interment of a naturalized's child.
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The son, at this point, puts on his father's cap and tunic. A tribal elder, carrying the dead man's bow, ritually guides the son to his father's granary and shows him the inside. After his father's death the son is considered a mature man for the purposes of ritual, and it is his responsibility to make sacrifices to the ancestors, chief among them being his own father, who being recently dead is held to act as an intermediary between those still living and the more remote ancestors. It is believed that these taboos and rituals serve to channel ambivalence and resentment between generations into culturally defined and culturally acceptable means of expression.
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Another example, 2 Live Crew's album "As Nasty as They Wanna Be", released in 1989, made it by censors due to translational difficulty. Hip-hop music from the Arab Spring movement presented direct challenges to the strict censorship policies of many regimes throughout the Middle East and North African region. Arabic hip-hop became a means of expression that actively resisted against the state and its regulations. In states like Tunisia, a state that previously censored all negative public statements against the government and was characterized as having one of the least free media in the world, hip-hop music became a visible representation of the resistance and signaled the impending social and political changes.
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Since 1930 when the first Malayalam film Vigathakumaran was released and over the following decade or two, Malayalam Cinema had grown to become one of the popular means of expression for both works of fiction and social issues, and it remains so. Music formed a major part of early Malayalam literature, which is believed to have started developing by 9th century CE. The significance of music in the culture of Kerala can be established just by the fact that in Malayalam language, musical poetry was developed long before prose. Kerala is musically known for Sopanam. Sopanam is religious in nature, and developed through singing invocatory songs at the Kalam of Kali, and later inside temples.
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She spent the next two years in Paris where she studied with Jean-Antoine Injalbert and Luc-Olivier Merson.Proske, Beatrice Gilman, Brookgreen Gardens Sculpture, Brookgreen Gardens, South Carolina, 1968 p. 261 In 1907 she won the Shaw Memorial Prize front the National Academy of Design for a work Circe that was subsequently shown at a major exhibit in Baltimore Catalogue of the Exhibition of the National Sculpture Society Under the Auspices of the Municipal Art Society of Baltimore. Fifth Regiment Armory, April 4th To April 25th Inclusive, Nineteen Eight In 1909 she returned to Paris where she "came under the influence of Maillol", after which her work reflected his simpler means of expression.
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In recent years, Kamēr… has developed programs specially commissioned for the choir. Its biggest project to date is World Sun Songs (2008), which featured 17 new choral works inspired by the sun; the project included such world-renowned composers as Sir John Tavener, Giya Kancheli, Sven-David Sandström, Leonid Desyatnikov, John Luther Adams, Stephen Leek, Dobrinka Tabakova, Ko Matsushita, and others. Other examples of this concept have included the cycles Madrigals of Love (2010), Moon Songs (2012), and Amber Songs (2014), in which several celebrated composers wrote choral miniatures on love, the moon, or arrangements of Latvian folk songs, respectively. The choir has also actively worked toward the goal of synthesizing genres and means of expression.
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Deimantas Narkevičius Too Long on a Pedestal, 1994 Although Deimantas Narkevičius is primarily known for his cinematographic work, he started his career working with sculpture and found objects. Narkevičius's aim to personalise the relationship between the artist and his work emerged during his study years in Vilnius Academy of Arts, as also did his search for a means of expression matching the conceptual idea. It prompted him to embrace the avant-garde tradition and the principles of site-specific art. At that stage, he sought to cast off the dominant romantic concept of art and actualise other principles of visual expression that would directly and didactically reflect the thinking of the artist.
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This was the first group in the history of Polish contemporary art to openly manifest against the aesthetics of the Colorism movement. The primary thesis of Wróblewski's program accented the need for art in which "aesthetic and ideological elements would be indivisibly fused." Between 1947 and 1948 Wroblewski focused on experimentation in oil paintings and gouaches developing a unique means of expression, whilst remaining open to the influences of modern artist styles such as surrealism, abstract art, and geometric art), which in turn affected the nature of other talented artists in Kraków. His canvasses of this period frequently include geometric figures Niebo nad Gorami (The Sky over the Mountains), Niebo Niebieskie (Blue Blue Sky) in 1948; Segmenty, (1949).
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117–119 An artist, Ralea argued in 1925, was "obliged" to address the national society he lived in, "at the present stage in civilization": "If he were human, he would be discarding specificity itself, that is to say the very essence of art, and would fall into science; if he were too specific, too original, he'd stand to lose his means of expression, the point of contact with his public".Crohmălniceanu, pp. 128–129 Ralea believed that the origin of beauty was biological, before being human or social; he also claimed (questionably so, according to art critic Petru Comarnescu) that traditional society allowed no depiction of ugliness before the arrival of Christian art.
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On the > contrary, it is the business of the crowd to follow the painter in his > transubstantiation of the object, "so that the most accustomed eye has some > difficulty in discovering it". Yet the authors disapprove of "fantastic > occultism" no less than of the negative truth conveyed by the conventional > symbols of the academic painters. Indeed, the object of the whole book is to > condemn systems of all kinds, and to defend cubism as the liberator from > systems, the means of expression of the one truth, which is the truth in the > artist's mind. The short but able and suggestive essay is followed by > twenty-five half-tone illustrations, from Cézanne to Picabia.
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Second, since duets of this nature have been > handled vocally a thousand times by the greatest masters, it was wise as > well as unusual to attempt another means of expression. It is also because > the very sublimity of this love made its depiction so dangerous for the > musician that he had to give his imagination a latitude that the positive > sense of the sung words would not have given him, resorting instead to > instrumental language, which is richer, more varied, less precise, and by > its very indefiniteness incomparably more powerful in such a case. As a manifesto, this paragraph became significant for the amalgamation of symphonic and dramatic elements in the same musical composition.Holoman, 261.
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Instead, in his writing The Lord Chandos Letter, Hofmannsthal abandons poetry and his work on aesthetics much to the disappointment of his readers. The Lord Chandos Letter was written during the fin de siècle, a clash between the old social order and a development of new thought and means of expression. Central figures of the movement such as Hofmannsthal, Sigmund Freud, Ernst Mach and Ludwig Wittgenstein witnessed the transformation of society but were dismayed by their inability to effect change in a modern society that was “hopelessly pluralistic; lacking in cohesion or direction”.Wellberry, David E., (ed.) A New History of German Literature, Cambridge, MA: The Belknap P of Harvard UP, 2004. 652-658.
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An architecture description language (ADL) is any means of expression used to describe a software architecture (ISO/IEC/IEEE 42010). Many special-purpose ADLs have been developed since the 1990s, including AADL (SAE standard), Wright (developed by Carnegie Mellon), Acme (developed by Carnegie Mellon), xADL (developed by UCI), Darwin (developed by Imperial College London), DAOP-ADL (developed by University of Málaga), and ByADL (University of L'Aquila, Italy). Early ADLs emphasized modeling systems in terms of their components, connectors and configurations. More recent ADLs (such as ArchiMate and SysML) have tended to be "wide-spectrum" languages capable of expressing not only components and connectors but a variety of concerns through multiple sub- languages.
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Picasso's final works were a mixture of styles, his means of expression in constant flux until the end of his life. Devoting his full energies to his work, Picasso became more daring, his works more colourful and expressive, and from 1968 to 1971 he produced a torrent of paintings and hundreds of copperplate etchings. At the time these works were dismissed by most as pornographic fantasies of an impotent old man or the slapdash works of an artist who was past his prime. Only later, after Picasso's death, when the rest of the art world had moved on from abstract expressionism, did the critical community come to see the late works of Picasso as prefiguring Neo- Expressionism.
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The legal status of insult Insult is the infringement of another human's honor by whatsoever means of expression,de Pablo Serrano, Alejandro (2014), Los delitos contra el honor en el derecho penal español y en el derecho comparado, Vallodid: Vallodid University, p. 349Mijatović, Dunja (2017), Defamation and Insult Laws in the OSCE Region, Organization for Cooperation and Security Europe, p. 9 in particular an offensive statement or gesture communicated, and is a crime in some countries.Mijatović, Dunja (2017), Defamation and Insult Laws in the OSCE Region, Organization for Cooperation and Security Europe, p. 7Clooney, Amal; Webb, Philippa (2018), "The Right to Insult in International Law" in Columbia Human Rights Law Review, volume 48, number 2, p.
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FC Apatride UTD is a Roots Reggae band from Belgrade city. The band was born in a ravaged country as a response to the neo-colonial atmosphere in political, economic and cultural trends dominating all fields of life in the Balkans, in the aftermath of the imperialist intervention. Using reggae music as a rebellious means of expression, the band addresses the issues of importance in neo-colonies from the Marxist perspective, and links art to actual class struggles on the ground, involving anti-xenophobia, shelter for refugees, anti-NATO shows, boycott of the bourgeois media etc. Signed for a Parisian label Makasound, the band released two albums before moving to British label Urban Sedated Records.
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Lewat Djam Malam was first screened domestically in 1954. It was initially meant to be screened in the Asian Film Festival in Tokyo, but the Indonesian government refused this; the refusal was meant to be a form of protest against unpaid Japanese crimes during the occupation from 1942 to 1945. Lewat Djam Malam is generally considered a classic of Indonesian cinema. Film historian JB Kristanto writes that Lewat Djam Malam was Ismail's work which most showed Indonesian history; he considers Ismail the first Indonesian director to use film as a means of expression and not simply as a way to make money, and opines that no film in Indonesian history could match Ismail's achievements with Lewat Djam Malam.
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Close study and wide observation confirmed her in the belief that drawing should be a study not for the few only, but for all, a means of expression for every child, and therefore should be an integral part of public school education. Receiving the appointment of supervisor of drawing in the public schools of Syracuse, she visited several of the larger cities in the country, to observe school conditions. She found that drawing had a place in nearly every course of study, but that there was actually very little work of merit accomplished. More favorable conditions existed in Boston than elsewhere, but even there, drawing was not given the prominence to which she believed it was entitled.
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Beginning with staff and students of the University, Binns later expanded the project to the Sydney suburb of Blacktown where she worked closely with Patricia Parker, a community officer at the Blacktown City Council. Mothers' Memories, Others' Memories recalled the "lives of women and their means of expression in the domestic sphere", through facilitating a space where participants could come and share stories of the various craft and needlework skills that they had been taught from their mothers and other members of their family. Described as "dense, fragmented, [and] multilayered" The final work was exhibited as a series of postcards installed on a postcard rack. In 1983, Binns began work on her next major community art project Full Flight.
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That summer, deprived as she was of any means of expression, she wrote her first novel – The Treasure of Vaghia – which started off like a game together with the children who surrounded her. Sari decided to dedicate her life to writing: “In writing, I discovered all that I could not find in the theater, perhaps because I was not a leading lady or perhaps because I was not in a position to choose the roles that the producer or director would select for me. I now bear the full responsibility for my books. I do what I want; what I can.”"Everyone is not writing in order to save the others but only to save himself", Interview with Mesimvrini, 16 September 1980.
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While Maus has been credited with lifting comics from popular culture into the world of high art in the public imagination, criticism has tended to ignore its deep roots in popular culture, roots that Spiegelman has intimate familiarity with and has devoted considerable time to promote. Spiegelman's belief that comics are best expressed in a diagrammatic or iconic manner has had a particular influence on formalists such as Chris Ware and his former student Scott McCloud. In 2005, the September 11-themed New Yorker cover placed sixth on the top ten of magazine covers of the previous 40 years by the American Society of Magazine Editors. Spiegelman has inspired numerous cartoonists to take up the graphic novel as a means of expression, including Marjane Satrapi.
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Marius Kahan (born October 25, 1955, London, England) is an English crossover jazz / funk / Latin electric violinist and composer. Classically trained at Trinity College London, he was attracted to jazz at a time when notable figures of the genre were developing new means of expression through the use of electric instruments and alternative rhythms borrowed from rock, funk and Latin styles of music. Key influences on his direction included violinist Jean-Luc Ponty, Santana, Herbie Hancock, Chick Corea and Frank Zappa. In the early 1980s, along with guitarist Richard Scarfe and percussionist / vibesman Mike Turtle, he founded acid jazz group Shinara, a five-piece combo with an unusual line-up and musically diverse style that was well received by audiences.
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His strong character, social sensibility, and knowledge of oral and written historical records, as well as his rich PersianPeter J. Chelkowski, "Mirror of the Invisible World", New York: Metropolitan Museum of Art, 1975. p. 1: "The culture of Nizami's Persia is renowned for its deep-rooted tradition and splendor. In pre-Islamic times, it had developed extraordinarily rich and exact means of expression in music, architecture, and daily life as well as in writing, although Iran, its center—or, as the poets believed, its heart—was continually overrun by invading armies and immigrants, this tradition was able to absorb, transform, and ultimately ocercome foreign intrusion. Alexander the Great was only one of many conquerors, to be seduced by the Persian way of life." p.
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Dress serves as a means of expression or celebration, with some dressing elements such as saffron threads or white dress worn by men as moral, transformative and a means to identify and communicate one's social role in a gathering, or one's state of life such as mourning in days or weeks after the passing away of a loved one. The canons of modesty for Hindus in South Asia underwent significant changes with the arrival of Islam in the 12th century. The Islamic rulers imposed a dress code in public places for Hindu dhimmis, per their Islamic mores of modesty. The sari worn by Hindu women extended to provide a veil, as well as a complete cover of her navel and legs.
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Although Badawi refused to introduce modern Arabic wording to his poetry, his work was influenced to a certain extent by his modern experience of exile, poverty and political activism. Thus, while his poems are generally considered to be representative of the conservative genre, his work went "much beyond the mere imitation of classical models", according to Stefan Sperl. In Badawi's view, the incorporation of shi'r hurr (free verse) into modern Arabic poetry is an unnecessary innovation, arguing that the classical Arabic form is a satisfactory means of expression in the modern day. He did not consider free verse to be poetry at all, but rather a completely different form of literature, insistent that eventually Arabic poets would return to the classical tradition.
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He arranged many of his songs in several versions and provided an insight into his creative evolution and development toward a seasoned compositional and technical mastery. Marinković exhibits the ability of deep delving into the meaning and mood of selected lyrics, following the correct diction, with inventive, broad melodies, and an overall direct expression. Melody represents his primary tool; although in his later works noticeable is a rather elaborated piano part and somewhat free harmonic language, within the realm of the late romanticist means of expression. Marinković also found his inspiration in the texts close to folk songs and composed in the manner close to folk, establishing in Serbian art music a popular sevdalinka genre (Šana, dear, Stojanka, and From town to town).
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The book contained a wealth of new information and new perspectives on the interplay between historical events, social conditions and folk singing. Clausen's great idea, of the folk song performed by the everyday person, who likes and needs the song as a means of expression, became with him a study subject of deeper culture-historical perspectives than seen before. In 1963, he gave up high school teaching and accepted a position as lecturer with the Musicological Department at Aarhus University, where he led the archive Sanghistorisk Arkiv. Karl Clausen, article in Den store Danske During his first years in Aarhus, he carried out song collections in South and West Jylland, but his last years were more and more focused on Faroese folk singing.
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The work Too Long on a Pedestal was made in 1994, when the Lithuanian public was still affected by the huge political and social shifts of the early 1990s. The stagnant and morally compromised ideological system that had dominated social life for nearly 50 years was being replaced by a new one. This work, tinged with subtle humour, is a reflection on how the heritage of the political system becomes history. The means of expression selected by the artist, a pair of worn-out classic-style shoes, now filled with coarse salt, points to the statues of heroes that used to embody the value system of the former epoch, but the people promptly removed them from their pedestals, as politics changed its course.
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The incident inspired Rogovin to turn to photography as a means of expression; it was a way to continue to speak to the worth and dignity of people who make their livings under modest or difficult circumstances, often in physically taxing occupations that usually receive little attention. In 1957, a collaboration with William Tallmadge, a professor of music, to document music at storefront churches set Rogovin on his photographic path.Michael Collins, "Milton Rogovin obituary", The Guardian, 1 February 2011. Accessed 18 February 2012. Some of the photographs that Rogovin made in the churches were published in 1962 in Aperture magazine, edited by Minor White, with an introduction by W.E.B. Du Bois, a founder of the National Association for the Advancement of Colored People (NAACP).
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The fifty graffiti murals were commissioned to be created in time for the June 2019 50th anniversary of the 1969 Stonewall Riots at the Stonewall Inn, widely considered the spark of the modern LGBTQ rights movement. It’s a collaboration between NYC Pride, production and curation partner, LISA Project NYC, founding partner, HSBC, and significant supporting partner, Macy’s. The project’s goal is to foster “public dialogue on LGBTQ+ rights and queer art throughout New York City”. NYC Pride’s executive director, Chris Frederick, stated “Art, in all its forms, has always been an integral means of expression in the LGBTQIA+ community, and particularly meaningful to the fabric of New York City’s culture,” and “street art is a poetic example of this expression”.
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The duration of each event lasts between nine and twelve months in each town. It receives thousands of spectators and proposes shows of acrobats, jugglers, tightrope walkers, fakirs, clowns musicians, animal tamers magicians, contemporary dancers, opera, the magic of the light, winging, circus parades, mimes, from cosmic spectacle to informatics, science and physic of the circus. Bringing more than thousand artists from Switzerland and the whole world, with almost as much means of expression, it encompasses a town in the beauty of discovery for a whole year. The main task of « World Circus » is to open a new way in the creative art and urbanism. This event offers, among others, a wider interest for the public’s curiosity for the contemporary creation and new technologies.
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With over 80 artists hailing from 21 countries and 6 continents including Shepard Fairey, Ceet Fouad, Fuego Fatal, JonOne, Ganzeer, Anders Gjennestad, Yazan Halwani, Logan Hicks, Mark Jenkins,:fr:UrbanArt Biennale the exhibition grew to twice its size compared to that of 2013. Furthermore, the podium for the Biennial was vastly extended, more rooms created a 10,000m² covered area and an open-air course (the Parcour) of more than 100,000m². With UrbanArt artworks from the Arabian region and in particular from Egypt the 2015 Biennial placed emphasis on particular countries. In the “Arab Spring” graffiti and other forms of Street Art became a means of expression used in the fight against repression, social grievances and for freedom of expression in the Arab states and particularly in Egypt.
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His most ambitious and complex modernist work, the 1982 orchestral score Variants, was premiered by the Esprit Orchestra in Toronto in the 1987–1988 season, recorded by the Canadian Broadcasting Corporation, as a result of winning the 1986 Micheline Coulombe St-Marcoux Prize (CAPAC). However, two works of the Toronto period point to the future vision of music as a more unified means of expression, without stylistic boundaries: SOUND OFF (1983), for 40 saxes, 30 trombones, 30 trumpets and 8 bass drums (an outdoor performance piece – unperformed until 1999) and Visions (1984), for improvising soloist and string orchestra. This latter work was to become his first CD release in 1988, in a remarkable performance by trumpeter Kenny Wheeler, with the Orchestre de chambre de Montréal.
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But nine months later Pärt won First Prize in a competition of 1,200 works, awarded by the all-Union Society of Composers, indicating the Soviet regime's inability to agree on what was permissible. His first overtly sacred piece, Credo (1968), was a turning point in his career and life; on a personal level he had reached a creative crisis that led him to renounce the techniques and means of expression used so far; on a social level the religious nature of this piece resulted in him being unofficially censured and his music disappearing from concert halls. For the next eight years he composed very little, focusing instead on study of medieval and Renaissance music to find his new musical language.
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In the winter of 1968–1969, Jens Juncker-Jensen went even further with an excellent exhibition Fotografiet som udtryksmiddel (Photography as a means of expression) for which he drew the very best material from the few photographic books of the time, attracting not only professional and amateur photographers but also architects and television producers. It provided a basis for six TV programmes over the following months. There was, however, little real discussion of photography as an art form. In the early 1970s, under the influence of the United States where photography had become an academic discipline, exhibitions such as New American Photography in Copenhagen's Bella Center presented top artistic photographers of the 1950s and 1960s including Harry Callahan, Jerry Uelsmann and Diane Arbus.
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Although information access has increased in the country and there is more freedom to protest gender inequality, there is often a lack of interest in doing so. "The weak representation of feminist art in Romania is based on inconsistencies in information, prejudices, and negative value judgments: the majority of art training’s interest is focused on making art as a means of expression without applying any serious gendered analysis" (Olivia Nitis). Wanda Mihuleac is considered to be the only artist pre-1990 to have any feminist approach in her work. After the revolution there were still very few to engage in this type of dialogue, even to the point of refusing to discuss what it was like being a woman in Romania during the Communist time.
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Plaque to John Gibson Lockhart at 25 Northumberland St, Edinburgh In 1813 he took a first class in classics in the final schools. For two years after leaving Oxford he lived chiefly in Glasgow before settling to the study of Scots law in Edinburgh, where he was elected to the Faculty of Advocates in 1816. A tour on the continent in 1817, when he visited Goethe at Weimar, was made possible by the publisher William Blackwood, who advanced money for a translation of Friedrich Schlegel's Lectures on the History of Literature, which would not be published until 1838. Edinburgh was then the stronghold of the Whig party, whose organ was the Edinburgh Review; and it was not till 1817 that the Scottish Tories found a means of expression in Blackwood's Magazine.
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See: Itamar Levy, "Memories of the Seventies", Studio, 40, January 1993, pp. 12-15. (In Hebrew). Another trait of this artistic school is the influence of conceptual art and innovative media such as the installation and the performance or display. It is worth noting that at this time the boundaries between all these types of media were blurred, and the use of terms like "activity" and "concept", instead of terms like "installation" and "display", which were coined only in 1976, referred more to the intentions of the artist than to the final artistic result. Photography as well, which from the 1970s also began to be a means of expression for artists, was seen as a tool for combining images in conceptual art, and as a means for documenting installations and displays.
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Jose Ramon worked as a painting teacher at the School of Arts in the Isle of Youth (Isla de la Juventud), where he founded the group Terracota 4 with Amelia Carballo, Angel Norniella and Agustin Villafaña. He then explored ceramics as a means of expression, taking the first steps by working on artistic installations, and enhancing the conceptual value of the works. This broadened the aesthetic panorama of the pottery in Cuba, which was considered a minor art until that time. Besides being a first figure of the pinera ceramics for the excellence of his work and his history as a member of the group Terracota 4 that gave national presence to the Isle of Youth in the ceramic field, stands out as a trainer of new figures that recognize the contributions of his teaching.
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Some surrealists in particular Joan Miró, who called for the "murder of painting" (In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods and his desire to "kill", "murder", or "rape" them in favor of more contemporary means of expression).M. Rowell, Joan Mirό: Selected Writings and Interviews (London: Thames & Hudson, 1987) pp. 114–116. have denounced or attempted to "supersede" painting, and there have also been other anti-painting trends among artistic movements, such as that of Dada and conceptual art. The trend away from painting in the late 20th century has been countered by various movements, for example the continuation of Minimal Art, Lyrical Abstraction, Pop Art, Op Art, New Realism, Photorealism, Neo Geo, Neo-expressionism, New European Painting, Stuckism and various other important and influential painterly directions.
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Some of these composers were among the most famous and talented in Europe, including Melchior Franck, Hans Leo Hassler, and the spectacularly prolific Michael Praetorius. Praetorius's Musae Sioniae (1605-1610), an enormous collection of approximately 1200 pieces, includes some of the finest and most advanced examples of the form; however, by this time the chorale concerto and other types of chorale settings were beginning to eclipse the chorale motet as a primary means of expression for the German chorale. Bach's son Johann Christoph Friedrich Bach composed a motet in three movements in the second half of the 18th century, Wachet auf, ruft uns die Stimme, still using Baroques techniques such as a chorale fantasia on Nicolai's "Wachet auf, ruft uns die Stimme" and the inclusion of a setting by his father.
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Plaque on a building near Gladstone Court Museum, Biggar, South Lanarkshire which was opened by MacDiarmid in 1968. The inscription reads "Let the lesson be - to be yersel's and to mak' that worth bein'" MacDiarmid Memorial near Langholm Much of the work that MacDiarmid published in the 1920s was written in what he termed "Synthetic Scots": a version of the Scots language that "synthesised" multiple local dialects, which MacDiarmid constructed from dictionaries and other sources. From the 1930s onwards MacDiarmid found himself turning more and more to English as a means of expression so that most of his later poetry is written in that language. His ambition was to live up to Rilke's dictum that 'the poet must know everything' and to write a poetry that contained all knowledge.
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The former and larger essay was the more mature of the two, and, although not altogether free from haste and opinionatedness, it had the merit of a point of view. The author discussee the matter of self-support and independence, and that however urgent such may be, they are reduced to insignificance by the necessity of women finding a means of expression for the spiritual growth that takes place in them. She also spoke about labor, like virtue, may be its own reward; and from professional and other means of expressing the fullness of human nature, certainly no one should be debarred. The second essay, by Frances Ekin Allison, is thought out on a lower key, and referenced the independence that a woman feels when she has a source of income in her own right.
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It is a material which lends itself to quick, fast application and is particularly good for spontaneous sketching with paint squeezed directly from the tube. The fact that these works will not last (sponge is not a very durable material) does not deter me; it suits the character of the work very well and to an extent reflects my ideas about art”.Exhibition catalogue At the time of writing, the Center for Contemporary Art Ujazdowski Castle in Warsaw, 1998. Being an atheist, he does not reject inspiration coming from religion themes and architecture, as well as the surrounding nature and Dutch landscape. Agnieszka Gołębiewska, curator of one of Vetulani's shows, said that “his work balances between two fascinating axes, producing an image of an artist juggling various means of expression.
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Ginsberg's "long-time confidant and secretary, head of the Allen Ginsberg Trust," Bob Rosenthal, argues that the film is "a superb evocation of young college students in the midst of World War II finding their unique means of expression in the world." However, he states, it also contains a number of inaccuracies: "The large fabrications in the film are not so worrisome as the small ones. In any case, when the truth is stepped on and the nuance of truth is denied, the message becomes moribund." Caleb Carr went on to describe Kammerer as a sexual predator 14 years older than Lucien Carr, who first met Lucien when the latter was pubescent and had repeatedly taken advantage of the younger man's naivete and desperation for a strong male influence after being abandoned by his natural father.
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Dance Chronicle, Vol. 11, No. 2 (1988), pp. 315–320. Laban even wrote during this time that "we want to dedicate our means of expression and the articulation of our power to the service of the great tasks of our Volk. With unswerving clarity our Führer points the way".Rudolf Laban, "Meister und Werk in der Tanzkunst," Deutsche Tanzzeitschrift, May 1936, quoted in Horst Koegler, "Vom Ausdruckstanz zum 'Bewegungschor' des deutschen Volkes: Rudolf von Laban," in Intellektuellen im Bann des National Sozialismus, ed. Karl Corino (Hamburg: Hoffmann & Campe, 1980), p. 176. In 1936 Laban become the chairman of the association "German workshops for dance" and received a salary of 1250RM per month,Karina, Lillian & Kant, Marion, 2003 (translator: Steinberg, Jonathan). "Hitler's Dancers: German Modern Dance and the Third Reich", New York & Oxford: Berghahn Books, p. 244.
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Villena: intro to Las nubes p 28-29 Exile is a theme that Cernuda will keep developing for the rest of his poetic career. Physical exile reminds the poet that he is also a spiritual exile in the world, a cursed figure because every poet belongs to a purer realm of experience, as he had already started to write about in Invocaciones.Villena: intro to Las nubes p 29 "Scherzo para un elfo" and "Gaviotas en el parque" are just two of the explorations of this theme Stylistically, there is an increased concentration on clarity and simplicity of diction and his control over his means of expression is growing. He often uses combinations of 7 and 11 syllable lines, the basic form of the silva, a very important form for poets of both the Spanish Golden Age and the Generation of 1898.
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Around the 1960s, the so-called "modernist" art movements started giving way to most contemporary means of expression, such as appropriation, political art, Conceptual art and Pop. Right at the turn of the decade, some Brazilian Concrete artists began ditching the traditional "strictness" of concrete art in favor of a more phenomenological approach, exploring the relations between the art object and the viewer. Among the primary leaders of this Neo-Concrete movement were the poet Ferreira Gullar, and the visual artists Hélio Oiticica, Lygia Pape and Lygia Clark, this last one internationally cited as one of the most influential artists of the 20th century. The Coup d'état of 1964 and subsequent restriction of civil rights and freedom of expression in Brazil is commonly marked as the shifting point, whence artists such as Cildo Meireles and Rubens Gerchman began creating explicitly political art.
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The earliest appearances of the Cubo-Futurist art style can be found in the works of Natalia Goncharova, who, as early as 1909, applied Cubist and Futurist means of expression in her paintings. Thanks to modern technology (transport and telegraphy, for example) and the artists' experience of other countries, the creatives in Russia knew much about the avant-garde events in Europe. Cubo-Futurism as an art style would begin to take its full form in the years 1912 to 1913, though the style of poetry ended when Russian Futurism itself also faded. One of the first major painters to become a Cubo- Futurist would be Kazimir Malevich, who entered his Cubo-Futurist phase in 1912-13; he termed the works he exhibited at the 1912 'Donkey's Tail' and 1913 'Target' exhibitions as being 'Cubo-Futurist'.
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Almost from the beginning the letters show Lamb's sense of duty to his family and friends, but after a few years, without abandoning his moral convictions, Lamb found a lighter means of expression. In an 1801 letter he wrote, "I have had a time of seriousness, and I have known the importance and reality of a religious belief. Latterly, I acknowledge, much of my seriousness has gone off…but I still retain at bottom a conviction of the truth, and a certainty of the usefulness of religion." In the later letters it is often possible to see Lamb forming and developing the ideas that he later presented in fully matured form in the Essays of Elia and other magazine pieces, and in this way they proved to be essential to his career as a published writer.
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5 : "Indiscutablement ce film est, du moins en ses moyens d'expression, un film d'avant-garde" ("assuredly this film is, at least in its means of expression, an avant-garde film"). These devices were variously received in reviews, either as over-elaborate and distractingReview by André Tinchant, in Cinémagazine, no.20, 16 mai 1924: "... nous ne ferons plus alors qu'une restriction, quant à la qualité de cette œuvre, qui atteindrait presque la perfection si elle n'était pourvue d'une technique quelquefois trop riche, trop étourdissante, et ce fatalement à la dépense de la simplicité et de l'émotion" ("...we will make only one reservation, as to the quality of this work, which would almost attain perfection if it had not been provided with a technique that is sometimes too rich, too overwhelming, and inevitably at the cost of simplicity and emotion".
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In common with other European countries, the most frequent and most popular form of theatre in Poland is dramatic theatre, based on the existence of relatively stable artistic companies. It is above all a theatre of directors, who decide on the form of its productions and the appearance of individual scenes. There is no strict division in Poland between theatre and film directors and actors, therefore many stage artists are known to theatre goers from films of Andrzej Wajda, for example: Wojciech Pszoniak, Daniel Olbrychski, Krystyna Janda, Jerzy Radziwiłowicz, and from films of Krzysztof Kieślowski, actors such as Jerzy Stuhr, Janusz Gajos and others. Alongside the many types of dramatic theatre whose basis is literature, there are in Poland historic forms of theatre in which spoken word is not the most important means of expression, e.g.
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Cernat, Avangarda..., p.225; Răileanu & Carassou, p.150 His interest in cutting edge modernism was also leading him to explore the world of cinema, as a result of which he was also one of Integrals film critics, with Fondane, Roll, Barbu Florian, I. Peretz.Cernat, Avangarda..., p.286-292 This activity too evidenced his political advocacy: Călugăru's articles described film as the new, proletarian and revolutionary, means of expression, the myth of a society in the process of adopting collectivism.Cernat, Avangarda..., p.278; Răileanu & Carassou, p.150 His texts, which coincided with the silent film era, trusted that the popularly acclaimed pantomime acts of Charlie Chaplin, like the Fratellinis' circus acts, were especially relevant for understanding the modern public's tastes.Cernat, Avangarda..., p.278, 289; Răileanu & Carassou, p.150 In 1933, Călugăru was to publish the first-ever Romanian monograph on Chaplin's life and career.Cernat, Avangarda..., p.
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Alexandre Astruc's manifesto "The Birth of a New Avant-Garde: The Camera-Stylo", published in L'Écran on 30 March 1948, outlined some of the ideas that were later expanded upon by François Truffaut and the Cahiers du cinéma. It argues that "cinema was in the process of becoming a new means of expression on the same level as painting and the novel ... a form in which and by which an artist can express his thoughts, however abstract they may be, or translate his obsessions exactly as he does in the contemporary essay or novel. This is why I would like to call this new age of cinema the age of the caméra-stylo." Some of the most prominent pioneers among the group, including François Truffaut, Jean-Luc Godard, Éric Rohmer, Claude Chabrol, and Jacques Rivette, began as critics for the famous film magazine Cahiers du cinéma.
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According to Dr. Risa Horowitz, a cohort of Canadian university-based artist-researchers, such as Barbara Meneley, employ practice-based research methodologies in which the "functions of research, creation and dissemination are complexly iterative, intertwined and reflexive", more prominently than in traditional art practice. Meneley's new media art brings together elements of media, installation art, performance art, as well as cultural mapping practices such as engagement in dialogic practice with observers, historical analysis and theoretical inquiry. For example, during a work's development, Meneley follows a deliberate routine of being open to public input and commentary, so that the background research and the artwork is in part a product of engaged dialog. This reflects an interest in educating through creative expression, in acknowledgment of an ideology that all people have within themselves creative capacities, which can be accessed by locating their personal means of expression.
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Dullin put a particular emphasis on mime, gymnastics, improvisation, voice production, and various exercises intended to heighten one's sensory perception.:119 In the tradition of Copeau, Dullin emphasised respect for the text, a simplified stage décor and favored a poetic rather than a spectacular perspective on the mise-en-scène, placing the actor at the center of the performance. He forwarded a theory of the theatre of transposition, which was based in the concept of 'Enrichment': which is, '"the secret" and "the foundation" of all arts, especially dramatic arts'.:145 Dullin's goal when he created this theater, which also served as a school for actors, was to create the "complete actor": > to form actors with a general culture, which they so often lack; to > inculcate them from the very beginning with solid principles of actors' > techniques: good diction, physical training; to expand their means of > expression to include dance and pantomime; in one word, to form the complete > actor.
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While on Earth in the Superman II movie, Non had superhuman strength, virtual invulnerability, superhuman speed, flight, marginal heat vision, and super breath. Non stands at 6'6" and is exceptionally muscled which further augments his superhuman strength to a degree. In recent comics, Richard Donner has portrayed Non's strength as greater than that of General Zod and Ursa put together due to his greater size and muscle mass, possibly outmatching that of Superman and other mature Kryptonians; yet Non is neither as intelligent nor as brutal as the other two and thus cannot exert the full measure of his superhuman strength nor can he improvise its use. The movie version of Non is a birth-defect mute (although his comic-book alter-ego, Kru- El, spoke whole sentences) and appears to also be less intelligent than General Zod and Ursa; as stated by Jor-El, "His only means of expression are wanton violence and destruction.
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Meanwhile, the importance of his works for the Geographical Societies were becoming more widely recognised and as a result they were chosen to be presented, in 1889, at the Fourth Paris International Geographical Congress, a congress of a kind which had not been held for years due to Europe's colonial problems, as a result of which even at the 1889 congress few nations were represented. The result being that the conference was overridingly French in character, with great emphasis being placed on the most recent trends in French geographical thought, chiefly that of regional geography. Torres Campos was deeply impressed by all he saw and heard, perhaps even more so as one of the principal backers of the congress, Paul Vidal de la Blache, was playing a very active role in its development. From this time Torres Campos became one of the principle Spanish exponents of regional geography, taking full advantage of the means of expression of the Geographical Societies and the Institute of Free Teaching.
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Unlike the regular pennywhistle, the low whistle is a relative newcomer to folk music, and some criticise it for attempting to fill a musical role already well served by the tin whistle and Irish flute. To others it is viewed as a "transition instrument" for players seeking to eventually learn the seemingly more prestigious (and expensive) flute or uilleann pipes. While it is true that many skills learnt on the low whistle carry over to these instruments, "some of the greatest players of traditional music have been associated with the low whistle" and have helped foster its reputation as a highly versatile and respected instrument in its own right, with a unique and evocative sound. Much like the Irish flat-backed bouzouki, the low whistle can be seen as a product of a period when experiments in instrumentation were commonplace in traditional music, and musicians sought diverse and innovative means of expression.
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While responding to a debate in the Indian Parliament he openly supported the role of social media in giving a means of expression to ordinary people that they are happily using to question the politicians and media editors, he warned the social media platforms against any misuse of the platform for encouraging violence and terror. Responding to the legal notice served by Ministry of Electronics and Information Technology, Whatsapp took several steps such as mentioning the word forwarded on every message that was forwarded by a user. Whatsapp has also restricted the number of forwarded messages to a maximum of five. Besides these stern regulatory measures that were taken under the leadership of Ravi Shankar Prasad, he is also known for promoting digital development in the rural areas of India by creating a network of 300,000 village level digital entrepreneurs who are operating digital service delivery kiosks known as the Common Service Centers across India.
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Cabrera considers cinema one of the most fruitful means for the generation of concepts of a logopathic type, specifically denominated by him as "concept-image", as opposed to "concept- idea", the apathetic type of concept. He believes that cinema, by its powerful audiovisual means of expression, would provide a "superpotentiation" of conceptual possibilities, and therefore, of the establishment of the experience of the film, indispensable to the development of the concept-image, with the consequent increase of affective impact. On the other hand, Cabrera believes that throughout history of European philosophy, at various moments, written philosophy – the opposite of visual philosophy – has also been logopathic, it has thought through affections, but without assuming it openly, while cinema usually has been seen only as a mere affective phenomenon, without relevant cognitive power. His notions of logopathy and concept-image seek to eliminate this dichotomy, pointing to the affectivity of the intellect and the cognitiveness of affections.
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According to film critic Sergei Lavrentyev, the three novellas included in the anthology exhibit a cluster of fundamental directorial techniques used in cinematic interpretation of literary works. Accordingly, "Anna on the Neck" uses textbook methods of silent film in which the character of the heroine of is created by highlighting small details, and the system of relationships between the characters is revealed with the help of repeated minutiae (slippers which are constantly worn by the husband; eternal detachment in Anna Petrovna's eyes during conversations with Modest Alexeyevich). Film historian Neya Zorkaya when analyzing Protazanov's creation, noted that in the first novella of the film one of the means of expression is "montage featuring a series of isolated individuals": The camera pulls out from a crowd of people to the dazed bride at the time of the wedding, then to the confused brothers, and then to the father holding a glass of vodka. Ivan Moskvin played two roles in the film; Chervyakov and Ochumelov.
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Instead he illuminates it from within.” Of the same recording, Fanfare observed: “I am glad to have discovered Saša Večtomov’s playing, for on this evidence he was a world-class artist … his aristocratic playing deserves a hearing, and the disc should certainly be of interest to cellists and collectors." left Regarding the unusual combination of cello and guitar in Prague String Duo, Večtomov commented that a piano absorbs some of a cello's gentler shades of tone, which thus become superfluous; that the guitar can respond more sensitively than the harpsichord to the means of expression of the solo cello; and that it can differentiate all tones and produce vibrato and glissando transitions. Moreover, the cello/guitar combination, he said, is more tender, more sensitive, and better integrated than any other, as the two instruments are also much alike in the technical respect. According to the music historian Ludomír Česenek, "The 'string duet' combination is much more than a novelty in scoring musical compositions.
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His works are held in important public and private collections in the UK, Japan and India, including the Tate, Arts Council, Royal Academy, Victoria & Albert Museum, Royal College of Art in London, Hunterian Art Gallery, Glasgow the National Museum of Wales, Sculpture at Goodwood, Yorkshire Sculpture Park, in the UK and Fukuoka Asian Art Museum in Japan, University of Delhi, Lalit Kala Akademi in New Delhi and Roopankar Museum in Bhopal. The artist lives and works in Vadodara. Work Art as a means of expression and a living symbol of life inspires Dhruva Mistry as he explores drawing, painting, etching, dry point, digital works, photography, clay, plaster, cast stone, talc, chalk, wood, stone, lead, brass, bronze, aluminum, fiberglass, mild and stainless steel for three-dimensional forms in space. His art presents dialogue of an artist as a maker pursuing enigma of an omnipresent consciousness. Mistry’s work reflects individual curiosity and personal interest.
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Bashir's occasionally polemic engagement for the authentic means of expression of Arabian music not only resulted from a rigorous inner view. He was a comprehensive educated and interested musician, who showed a notedly open- mindedness for non-Arabian styles in his lifetime; whereas he paid special attention to European and northern Indian (Hindu music.) This profound knowledge enabled him to incorporate foreign influences into his music not as incoherent quotations, but to include them in a convincing way. Bashir's working mode is pointed out with an extra spectacular example: His composition Al-Amira al-Andaluciyya (“The Princess of Andalusia”), that can be heard on the duo-recording of Bashir and his son Omar, has an opening motif that is very unusual for its Arabian context. 11px audio sample 400px The C-major arpeggio (motif a) that opens the piece would be an extra banal phrase in European music, but played on the oud it represents a totally unusual musical gesture, because there are no such major triads of that form used in Arabian music.
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His artistic work gradually became more free in its style. In works such as “Jerusalem Habashim Gate” (1923), you can still see a desire for a meticulous description of nature, but his later works show an expressive tendency in the creation of their composition; examples of this can be seen in the painting “Haifa, The Technion” (1924), or in the work “Jerusalem, Nahalat Shiva” (1924), in which Zaritsky uses trees as an expressive device for dividing the format into distinct areas. The use of lines as a means of expression stands out also in his landscapes depicting the houses of Jerusalem or Safed of that era. Among the group of artists who were influenced by French Modernism we can see a combination of the influences of Cubism and realism. For example, in Sionah Tagger's painting, “The Train Passing Through Neve Tzedek” (1928), the tendency to geometric description stands out in monochromatic painted surfaces which combine with a realistic depiction of the urbanity of the developing city of Tel Aviv.
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Self-portrait – one form of artist's self-identification According to Stevie Davies, Anne's depiction of the woman as fee-earning artist "trebly trespasses on the domain of the masculine: female artists dabbed in water-colours or sketched decoratively in pen and ink; ladies did not engage in trade; and, besides, tools of her trade [legally belonging to her husband] in this case count as stolen." Melinda Maunsell believes that Helen is "both revealed and concealed by her artistic hand; providing her with an acceptable means of expression within her social construction, the artists hand also offers a form of independence, a possibility of earning a living, in a period when a woman had virtually no independent power base in any sphere." The story of Helen Graham, according to Samantha Ellis, may have inspired Emily Mary Osborn's painting Nameless and Friendless (1857), which depicts a widow attempting to make a living as an artist. Nicole A. Diederich has argued that in The Tenant Anne Brontë constructs marriage and remarriage as a comparative and competitive practice that restricts Helen's rights and talents.
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The right is enshrined in Article 19 of the International Covenant on Civil and Political Rights, Article 10 of the European Convention on Human Rights, Article 13 of the American Convention on Human Rights and Article 9 of the African Charter on Human and Peoples' Rights.Andrew Puddephatt, Freedom of Expression, The essentials of Human Rights, Hodder Arnold, 2005, p. 128 Based on John Milton's arguments, freedom of speech is understood as a multi-faceted right that includes not only the right to express, or disseminate, information and ideas, but three further distinct aspects: # the right to seek information and ideas; # the right to receive information and ideas; # the right to impart information and ideas International, regional and national standards also recognise that freedom of speech, as the freedom of expression, includes any medium, whether it be orally, in written, in print, through the Internet or through art forms. This means that the protection of freedom of speech as a right includes not only the content, but also the means of expression.
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Pearl Queen by Otto Schlicht The most notable innovations to the internal construction of the Chemnitzer concertina were made by German-American instrument builders in Chicago: Ernest Glass patented an aluminum action in 1912 (), which was quicker and quieter than earlier wooden actions; his son Otto further improved this action in 1928 (). Otto Schlicht patented an action in 1932 () which improved the pivot method of the action levers and allowed action levers to be manufactured by bending metal stock rather than by die stamping. In 1910, prior to these improvements, Robert Leppert was issued a patent (), the specification of which describes in detail an action containing jointed levers between keys and pallets, however the claims of the patent only relate to a means of expression control also described; it is not clear whether Leppert actually invented the action arrangement. Many American and Italian builders of the 20th century began using reed and reedblock types similar to those used in accordions as a cost-saving measure and to facilitate repair, however many players consider these instruments to be inferior, as they often lack the traditional sound.
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The increase in protruding and voluminous details was a distinguishing symptom in the development of Eclecticism in its later period. The most characteristic works by Felsko in this period are the already mentioned apartment buildings at 25, Baznīcas Street and 27/29, Krišjāņa Valdemāra Street, as well as the buildings at 43, Dzirnavu Street (1898), 3, Elizabetes Street (1899), 22, 39 and 49, Ģertrūdes Street (1897, 1899 and 1906), 1 and 1a, A. Kalniņa Street (both 1895), and 13 and 36, Lāčplēša Street (both 1900). The facades of these buildings are like fantastic paintings with very carefully placed filigree elements of orders, cornices, pediments, garlands, cartouches, herms and many other elements of architectural and decorative finish. The reproduction of older, historical means of expression, on which the Eclecticism style was based, is, for the most part, centered on the free interpretation of the forms of the Renaissance; however, it is also possible to encounter Neo-Gothic and other Neo-styles. Neo-Gothicism, in Felsko's interpretation, can be seen on the apartment buildings at 8, Merķeļa Street (1882), and partly on the former pumping station at 194, Maskavas Street (1897).
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His Sixth Quartet constitutes one of Tsintsadze's finest creations: on the one hand, it represents the culmination in the development and maturation of the composer's individual style; on the other, it reflects his continued search for new means of expression. A composition consisting of one movement yet divided into five structurally open sections, with its development based on monothematic techniques that serve to integrate the parts into a whole, this quartet is written in a form close to that of rondo-sonata, with a prominent role being given to variational continuation. The first section, marked Andante sostenuto, in which the theme is expounded, is wrought with emotion; in the ensuing Allegro assai the musical development is of a dramatic intensity that finds its culmination in the fugato; in the third section, also marked Andante sostenuto, the theme, filled with concealed sorrow, moves from sighs of lament to a rhythmic acceleration; in the Allegro scherzando, which sounds not unlike a grotesque and fantastic dance, the theme is subjected to a number of contrapuntal devices; finally, in the Andante molto sostenuto, the theme returns in its tragic colouring, as if posing a question to which there comes no reply.
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He also currently hosts the VH-1 series Soul Cities, which examines the music and culture of six prominent cities in the U.S. A resident of Fort Greene, Brooklyn, for more than 25 years, George wrote, narrated, and co-directed with Diane Paragas the 2012 feature documentary Brooklyn Boheme, portraying the uniquely vibrant and diverse African-American artistic community of Fort Greene and Clinton Hill during the 1980s and '90's that included Spike Lee, Chris Rock, Branford Marsalis, Rosie Perez, Saul Williams, Lorna Simpson, Toshi Reagon, writer Touré, writer Adario Strange, Guru of Gang Starr, Erykah Badu, and Talib Kweli, among many others. Unlike the legendary Harlem Renaissance of the 1920s, which was largely a literary scene, the artists collected in these neighborhoods were as involved with newer means of expression (film, rock music, hip hop, avant garde theater, stand-up comedy, photography) as with traditional African-American artistic pursuits (poetry, jazz). The film premiered on Showtime Networks in February 2012 for Black History Month. Finding The Funk was released in March 2013, it traced the history of funk music from the 1960s to the present day.
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After he made his fantasy and children's literature debut with Basme ("Fairy Tales"), which earned him the State Prize for Prose for 1953, Colin adopted the fantasy genre as his preferred means of expression, following up with Nemaipomenita bătălie dintre Papură-Împărat şi Pintilie ("The Incredible Battle between Emperor Cattail and Pintilie", 1953), Toroiman (1954), Poveştile celor trei mincinoşi ("The Stories of the Three Liars", 1956), Zece poveşti pitice ("Ten Dwarfish Stories", 1957) and Basmele Omului ("The Fairy Tales of Man", 1958). These were accompanied in 1961 by mythopoeia, with Legendele ţării lui Vam, also known as A Mythology of Man, which became one of his most popular works. In 1968, Geo Dumitrescu included his translation from French poet Charles Baudelaire into the luxury bilingual edition of Les Fleurs de mal, released under contract with Editura pentru literatură universală. Adrian Grănescu, "Traduceri şi traducători – note de lectură – însemnări de cititor", in Vatra, Nr. 8-9/2010, p.110 Vladimir Colin made his science fiction debut contributing short stories for Colecţia de Povestiri Ştiinţifico-Fantastice, which functioned as a literary supplement for the magazine Ştiinţă şi Tehnică and was edited by Adrian Rogoz.
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