As Morehshin suggests, 3D printing promises to become a common language of materialities and ways of making/doing/acting.
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Her stunning films draw on elements of ethnography, experimental filmmaking practices, and theater to tease out local histories, myths, and materialities.
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LAW, John and Kevin HETHERINGTON, 1999. "Materialities, spatialities and globalities", Dept of Sociology,. University of Lancaster By 1930, 100,000 posters had been distributed.
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Coleridge instead argues that the unity of essence is revealed precisely through different materialities and media. Imitation, therefore, reveals the sameness of processes in nature.
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Nugent, Ruth, and Howard Williams. "Sighted surfaces. Ocular Agency in early Anglo-Saxon cremation burials." Encountering images: materialities, perceptions, relations. Stockholm studies in archaeology 57 (2012): 187–208.
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Similar objects have been found in excavations at Çatalhöyük, where they may have been used as belt hooks.Russell, N. (1995). Çatalhöyük worked bone. Changing materialities at Çatalhöyük: Reports from the, 1999, 339-368.
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Philip Carabott, Yannis Hamilakis and Eleni Papargyriou (eds), Camera Graeca: Photographs, Narratives, Materialities, Routledge, 2016, p. 114 Sebah, a Catholic, was buried in the Latin cemetery in Ferikoy. His son, Jean Pascal Sébah, is also buried there.
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Ogundiran has authored and edited numerous monographs. In 2015, his monograph Materialities of Ritual in the Black Atlantic was awarded the Choice Outstanding Academic Title for 2015. He was awarded a Certificate of Special United States Congressional Recognition for Excellence in Service in 2007. In 2018, he received the Award of Excellence from Nigeria's Centre for Black Culture and International Understanding.
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Technology is therefore implying materialities and mobilities that is put into relation with media ecology. As Hildebrand states, "[e]nvironments are created and shaped by different media and modes and the physical, virtual, and mental processes and travels they generate". Much like media ecology, mobilities research talk about a "flow" that shapes the environment, creating a contact zones. Dimmick furthers this explanation with the concept of interstices as the intersection of communication environments and issues of mobility.
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The Water Carrier, mounted photograph by Pascal Sebah Pascal Sébah was born in Constantinople, then the capital of the Ottoman Empire, to a Syrian Catholic father and an Armenian mother.Philip Carabott, Yannis Hamilakis and Eleni Papargyriou (eds), Camera Graeca: Photographs, Narratives, Materialities, Routledge, 2016, p. 114 He initially worked in collaboration with the French photographer, Henri Bechard. After receiving medals at the International Exhibition in Paris, he decided to open his own studio in Istanbul in 1857.
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Feuerstein's work involves digital and biochemical processes and transmutations, with specific materialities playing a central role. Processes and materials are used both as carriers of meaning and narrations and in the form of materials, and ultimately become agents in art. Essential aspects are the interplay of linguistic, visual and molecular-processual elements, the detection of latent links between facts and fictions as well as the entanglement between art and science. Feuerstein developed the artistic method of "conceptual narration" for this purpose.
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Users should be very careful when using images from Wiki Commons as this source also confuses the two photographers and the World Cat Identities exhibits similar problems with identities. Other sources are more careful, see for instance, Philip Carabott, Yannis Hamilakis and Eleni Papargyriou (eds), Camera Graeca: Photographs, Narratives, Materialities, Routledge, 2016, p. 114 Sébah primarily produced photographs for the tourist trade. By the second half of the 19th-century, tourist travel to Egypt had created strong demand for photographs as souvenirs.
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During the rebellion, Tacky is said to have consulted an Obeahman who prepared for his forces a substance that would protect them from British bullets, which boosted their confidence in executing the rebellion.Jones, James Athearn (1831), Haverill, or memoirs of an officer in the army of Wolfe (J.J & Harper), p. 199. Danielle N. Boaz, “‘Instruments of Obeah:’ The Significance of Ritual Objects in the Jamaican Legal System, 1760 to the Present,” in Materialities of Ritual in the Black Atlantic, ed.
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Povinelli’s work has focused on developing a critical theory of late liberalism that would support an anthropology of the otherwise. This critical task is animated by a critical engagement with the traditions of American pragmatism and continental immanent critique and grounded in the circulation of values, materialities, and socialities within settler liberalisms. Her first two books examined the governance of the otherwise in late liberal settler colonies from the perspective of the politics of recognition. In particular, they focused on impasses within liberal systems of law and value as they meet local Australian indigenous worlds, and the effect of these impasses on the development of legal and public culture in Australia.
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Green business has been seen as a possible mediator of economic-environmental relations, and if proliferated, would serve to diversify our economy, even if it has a negligible effect at lowering atmospheric CO2 levels. The definition of "green jobs" is ambiguous, but it is generally agreed that these jobs, the result of green business, should be linked to clean energy, and contribute to the reduction of greenhouse gases. These corporations can be seen as generators of not only "green energy", but as producers of new "materialities" that are the product of the technologies these firms developed and deployed.Caprotti, Federico. “Environment, Business and the Firm”.
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Along with artists Kristina Bength and Jan Rydén and curator Jonatan Habib Engqvist, she produced Studio Talks: Thinking Through Painting (Arvinius+Orfeus Publishing, 2014), a book documenting discussions and studio visits linking the practice of painting with the theoretical framework that undergirds it. She also published Grey Hope: The Persistence of Melancholy (Atopia Projects, 2006), which was awarded a grant from the Barbro Osher Foundation. In 2016 the monograph "The Site of Painting" was published on Sandström's work (Art & Theory, 2016). In 2020 Sandström was the editor for the publication "Material Matters - Painting and Its Materialities" published by Art & Theory in collaboration with the Royal Institute of Art in Stockholm.
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The School hosts the Centre for Urbanism and Built Environment Studies, a platform for urban research, learning and civic engagement. In recent years the centre has focused on ’urban materialities’ and the place of the poor in South African cities, including how material realities of contemporary cities (their built environments at different scales, access to urban goods and central spaces, consternations about urban physical and political orders) affect urban citizens, particularly marginalized groups. CUBES activities include collective research programmes, individual members’ expertise and institutional partnerships. CUBES organises urban research- oriented events, conferences, exhibitions and the Faces of the City Seminar series (run weekly, jointly with the NRF Chair on Spatial Change and the Gauteng City Region Observatory, GCRO).
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Since then, sociologists such as Nick Lee have offered important analyses of the ways in which the 'entanglements' between children and non-human materialities and technologies have become ever-more important to the governance and regulation of children's lives, through what he terms the 'biopoliticisation' of childhood. Secondly, nonrepresentational approaches to Children's geographies have offered a commensurate and (arguably) broader series of approaches that move beyond social constructivism. Scholars such as Peter Kraftl, John Horton and Affrica Taylor have been particularly influential in examining how childhoods are produced and experienced through complex intersections of emotion, affect, embodiment and materiality. Somewhat problematically, there has been relatively little overlap between these two strands of scholarship, despite their sharing common conceptual foundations in the work of Post- structuralism, New materialism and Posthumanism.
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Swiss has authored critical articles and book chapters, and edited or co-edited nine books including New Media Poetics: Contexts, Technotexts, and Theories (MIT Press, co-edited with Adalaide Morris), a collection meant to extend understanding of networked writing and programming as a medium for an emergent poetics. In Highway 61 Revisited: Bob Dylan's Road from Minnesota to the World (U Minnesota Press, co-edited with Colleen Sheehy), Bob Dylan's work is explored in both local and global perspectives. Other books include The World Wide Web and Contemporary Cultural Theory : Magic, Metaphor, Power (Routledge, co-edited with Andrew Herman) which brings together well-known scholars across the humanities and social sciences to explore the Web as a cultural technology. His recent collaborative collection (Routledge, co-edited with Andrew Herman and Jan Hadlaw) is on the topic of the imaginaries and materialities of the mobile Internet.
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