139 Sentences With "master of the house" | Random Sentence Generator

Dodgy traders and money launderers, too, find a character blueprint in the master of the house.

I imagined myself as master of the house, running from room to room, enjoying the gilded splendor of it all.

The bride's mother, who is retired, was an associate master of the house for Eliot House, an undergraduate residence at Harvard.

For being such a benevolent master of the house (he runs shit and he knows it), I take him on an extra long walk.

There's the Rebecca direction, where the heroine wins the love of the saturnine master of the house, only to be briefly foiled by his dead ex-wife.

"You can always tell when the king is here," Mr. Trump's longtime butler here, Anthony Senecal, said of the master of the house and Republican presidential candidate.

There's the Jane Eyre direction, where the heroine wins the love of the saturnine master of the house, only to be briefly foiled by his still-living ex-wife.

All were sermons, and a half-filled sheet of foolscap, pen, and ink indicated that the master of the house, the Reverend Brandon, was cribbing up filler for his own sermon.

But know this, that if the master of the house had not known what hour the thief would come, he would have watched and not suffered his house to be broken into.

"The Congress and the country were devastated by the loss of Chairman Elijah Cummings, a master of the House who led the Committee on Oversight and Reform with great honor, integrity and principle," Pelosi said.

"By killing the master of the house you have killed all members of the family, then revenge is obligatory but it has no border," Huduti wrote, according to Pristina media which had screenshots of her postings.

Speaker Nancy Pelosi called him a "master of the House" and a "mentor of the House," and described how Mr. Cummings asked to have as many freshmen as possible on his committee because he saw in them so much energy and potential.

The exhibition's subtitle comes from the pivotal chapter in "Jane Eyre" in which the heroine, although deeply in love with Mr. Rochester, the master of the house where she is a governess, spurns his proposal that she live with him, in effect, as his mistress.

The plot of "Figaro," based on the play by Pierre-Augustin Caron de Beaumarchais, turns in part on whether the master of the house, Count Almaviva, will claim his feudal privilege — the droit du seigneur — to compel a servant to have sex with him.

Celeste's initial inability to acknowledge her partner's brutality propels the show's plot to its conclusion, but in the interim, the audience is made to watch as Perry smashes Celeste's head against their glass shower door, rapes her while their children play nearby, and berates her for every perceived refusal to acknowledge his imperiled position as master of the house.

Both directors are at pains to explore what lies beneath, in cellars and basements, though Bong goes one better with a sublimely choreographed sequence in which three of the Kims, needing to hide in a hurry, seek refuge under a low table in the living room—lying there and listening while the master of the house and his wife, in matching gray silk pajamas, make out on the couch.

As a poet, despite his call for what he described as abandonment of "Swinburnian encrustations," at times his writing verges on the verbose narrative stylings of the fin de siècle writers: Had gone to watch the pale blue ivy climb above steel graves of those who perished for the then so unrestricted huge idea— And THERE—the master of the house was seen—ALONE— making notes, with whispers on the side, of all the spoons his far respected guests with gentleness had lifted in their moments of ineffable simplicity, with jasmine hands to keep swift hounds from tracking royal bijoux to those shadows where deep pansies take another purple for their thought.

Also, the drinker's introduction to "Master of the House" is cut completely.

Chateaubriand was a constant visitor of her salon and, in a manner, master of the house.

The doctor answered with a smile that roused the master of the house to a pitch of incontrollable fury.

The family is organised in patriarchal principles. The inheritance of a widow is exceptional compared to a mother's. The wooden pillow of the master of the house is considered taboo to the inmates of the house as it is considered improper to sit upon it. Guests are not allowed to enter the room of the master of the house.

Tyrannens fald is a 1942 Danish family film directed by Jon Iversen and Alice O'Fredericks. It is a remake of Master of the House (1925).

Aires Pinto de Sousa Coutinho was a noble, colonial administrator, 6th Captain-General of the Azores, Field Marshal and master of the House of Balsemão and Ferreiros de Tendais.

Iqbal house was the second Houses of Cadet College Palandri. It is named after the great poet Allama Muhammad Iqbal. The house master of the house is Prof. Muhammad Arshad .

It is the fifth house of the college and was named after Fateh Muhammad Kerailvi who was a freedom leader. The house master of the house is Prof. Raja Raees.

After, they proceed to the back where they pay their respects to the deceased past master of the house. Following, visitors crawl under the offering table in a tradition unique to the temple. Devotees believe in that crawling under the table would bring them good fortune in the coming year, and even encourage visitors to repeat this three times for extra luck. After which, they proceed back to the main altar where they pray and drink holy water in front of the current master of the house.

It was the third house of the college and was named after a great freedom leader Khan Muhammad Khan. The house master of the house is Prof. Muhammad Raheem Khan.Assistant house master is lecturer Arshad Ali.

Pastel portrait of Sophia Gay, by Claire Laloua, 1842 Sophie Gay was the mother of the writer Delphine de Girardin, and her son-in-law married the chanteuse Sophie Gail. In 1818, Sophie wrote the libretto for the opéra comique by Regnard, which Sophie Gail set to music. In 1821, she was working on by Alexandre Duval, and a comic opera entitled le Maitre de Chapelle ("Master of the House", not to be confused with Master of the House from Les Misérables (musical)). In the meantime, Sophie was also writing many others comedies and dramas.

Jinnah house was the first house constructed for cadets at Cadet College Palandri. It was named after the founder of Pakistan Quaid-e-Azam Muhammad Ali Jinnah. The house master of the house is Prof. Muhammad Aleem Khan.

Bayit (The Master of the House) won a 2003 Award for Best Play in Israel,. While still running at the Cameri Theater, it had its American premiere at the Laguna Playhouse in March 2007, directed by Richard Stein.

Lauri tugs her through the mirror in her room to where they are performing. She then finishes watching the concert. It concludes with the master of the house and the others entering to find the maid's room empty.

Oleg V. Khlevniuk, Master of the House: Stalin and His Inner Circle, trans. Nora Seligman Favorov (Yale University Press, 2009: ), p. 151. In secret, Lominadze continued operating an opposition group. Jan Sten joined it in an unknown date.

There, he encounters Osono. Together they mourn the death of Oshiga, and Osono soon finds her former brother-in-law a job. He gives her a small bell as a present. Soon, he's referred as the master of the house.

It is the forth house of the college. It was named after Col. Sher Muhammad Khan who was a great leader who fought bravely for the freedom of kashmir from Dogra Raj. The house master of the house is Prof .

Thénardier and his wife, played by Susan Jane Tanner, are innkeepers whose shady practices are revealed in the song "Master of the House." Armstrong described Thénardier as "a gruesome and comic character."Jansen, Rochelle, "Making of Thenadier" (sic), The Sunday Times (Sri Lanka), 3 March 2002.

Her Marriage happens in childhood. She is married to the young master of the house and becomes the governing lady. She gives birth to a young girl called Mallava. One day when the child goes out to play in the garden, a huge vulture flies away with the child.

Lea speculates about the connections between that novel and the lives of the Marches. Hester, like Jane was a governess at a manor, employed by a wealthy master. Hester, like Jane, is the dominant female. But unlike Jane, Hester does not fall in love with the master of the house- Charlie.

Kiddush is the "Jewish benediction and prayer recited over a cup of wine immediately before the meal on the eve of the sabbath or of a festival.Encyclopædia Britannica Online. After reciting the kiddush the master of the house sips from the cup, and then passes it to his wife and to the others at the table; then all wash their hands, and the master of the house blesses the bread, cuts it, and passes a morsel to each person at the table.Adler, Cyrus & Dembitz, Lewis N., The Jewish Encyclopedia (1911) ḲIDDUSH Ratcliff wrote: "Though the kiddush accounts for the '[Johannine]' Last Supper, it affords no explanation on the origin of the eucharist ... the Last Supper and the Sabbath-Passover Kiddush was therefore no unusual occurrence.

The study was used as a passageway. If the master of the house was a banker or merchant, the study often was larger because of the greater need for materials. Roman houses lay on an axis, so that a visitor was provided with a view through the fauces, atrium, and tablinum to the peristyle.

A useful man or houseman is a male domestic worker ranking below a footman but above a hall boy. Unlike the footman, the useful man never enters the dining room or waits personally on the master of the house. The term houseman should be distinguished from houseboy—a male domestic worker of lower rank.

Pudd'nhead Wilson (1894) is a novel by American writer Mark Twain. Its central intrigue revolves around two boys—one, born into slavery, with 1/32 black ancestry; the other, white, born to be the master of the house. The two boys, who look similar, are switched at infancy. Each grows into the other's social role.

Thus, the ideology spread to countries in South East Asia to avoid persecution. In these halls, worshippers would only consume a vegetarian diet as a form of purification and practice Buddhist rituals. However, these worshippers were not monks and were rather laymen, with one main master of the house acting as the primary caretaker.

Westport, Conn. : Greenwood Press, 2005. (p. 874-5). The title novella of The Painted Face (1929) is about a Greek girl who is the reincarnation of an ancient spirit; Mike Ashley describes it as "one of the finest works in the genre". The collection also contains "The Master of the House", a story involving a werewolf and black magic.

Duende or tener duende ("to have duende") is a Spanish term for a heightened state of emotion, expression and authenticity, often connected with flamenco.Maurer (1998) pp. i-xi The term derives from "duen de casa" (master of the house), which was also related to an elf or goblin-like creature in Spanish and Latin American folklore.

Surly reveals his true identity to Face and Subtle, and denounces them. In quick succession Kastril, Drugger and Ananias return, and are set on Surly, who retreats. Drugger is told to go and find a Spanish costume if he is to have a chance of claiming the widow. Dol brings news that the master of the house has returned.

It was still cold and dark, but soon the doors and shutters would be flung open. Soon the house would be filled with the tears and laughter of children, with the hurried steps of a loved woman and the measured gait of the master of the house. They stood there, holding their bags, in silence.” (871).

The image on the right end of the register is the master of the house lounging on a backless chair. A servant is bringing him grapes, a rabbit, and a message that reads "Julio Domino." "Dominus" translates to mean property owner or master, indicating his role in the estate, and more powerful position over the woman's more leisurely activities.

Later, back at Thornfield, she learns that this man is Edward Rochester, master of the house. Adèle was left in his care when her mother abandoned her. It is not immediately apparent whether Adèle is Rochester's daughter or not. At Jane's first meeting with Mr. Rochester, he teases her, accusing her of bewitching his horse to make him fall.

She is also informed that the master of the house is seldom at home. On one of his journeys back to Thornfield Hall, Jane at last meets Rochester. One night, Jane wakes to strange noises coming from Rochester's room. She follows the noise and realizes that Rochester's room has been set on fire and the master in danger.

The Count arranged for moldings and parquet flooring in different fine woods in the left wing which was reserved for the master of the house, family and guests.Ainsi que le rapporte le Répertoire des anciennes demeures françaises, Le Calvados I, Arrondissement de Caen. Located in the right wing of the château was found those rooms necessary to house servants, kitchens and stables mews.

Upon reaching the house the lady vanishes, though the gates remain shut. Wailing noises are heard inside the house. The following morning, the guide learns that the master of the house had complained the ikiryō of his former wife was present and causing him illness, shortly after which he died. The guide later seeks out the lady's house in Ōmi Province.

Its interior decor includes stone tiles with geometric patterns and wooden panels painted with cups and fruit bouquets in vases. The 'qâ‘a' has two sets of inscriptions. The poem calligraphy on transoms (in praise of the Master of the House) begins with a discourse on wine. It ends with a dedication and the name of Jirjis along with a date of 1737.

St Mark's Campanile () is the bell tower of St Mark's Basilica in Venice, Italy. The current campanile is a reconstruction completed in 1912, the historical tower having collapsed in 1902. At in height, it is the tallest structure in Venice and is colloquially termed "el paròn de casa" (the master of the house).Zanetto, Il cambio d'abito del "Paron de casa"..., p.

For example, Rabb Ad-Dar means the master of the house. Rabb is also a common and acceptable first and/or last name throughout the world. The literal meaning of the word is Sustainer, Cherisher, Master and/or "Nourisher", and in that sense, a man is the "rabb" of his house. With the same root is the verb yurabbi, meaning "raise" (as in raise a child).

Calandrino falls in love with Niccolosa, the wife of the master of the house. Bruno gives him a scroll, averring that, if he touches her with it, she will do anything he says. They are discovered together by his wife, Tessa, who proceeds to beat and scratch him. Bruno and Buffalmacco, who told Tessa of the affair to begin with, laugh at Calandrino`s misfortune.

Jean Doulcet, Master of the House of Coins of Duke Charles of Orleans. In 1495, Louis of Orleans (future Louis XII), erected in the land of Beauregard lordship, was authorized by Edict build a dovecote. The son of John Doulcet Francis, Master of the House to Deniers of Louis XII, was dismissed for defrauding the Crown during the Italian campaigns, and Beauregard then confiscated and incorporated into the royal domain. In 1521, Francis I, who used until the castle as a hunting rendezvous, offered it to his uncle René de Savoie, who died at the Battle of Pavia in 1525, and the area fell to his widow. In 1545, at a price of 2000 gold crowns, the estate was purchased by John Thier, Secretary of State for Finance for Henry II and a great humanist, protector of poets Joachim du Bellay and Pierre Ronsard.

No ordinary cook can place a > peacock on the table properly. This ceremony was reserved, in the times of > chivalry, for the lady most distinguished for her beauty. She carried it, > amidst inspiring music, and placed it, at the commencement of the banquet, > before the master of the house. At a nuptial feast, the peacock was served > by the maid of honour, and placed before the bride for her to consume.

Finding > himself back again in his old palace, sitting at his old dinner-table, and > gazing across it at his wife, he lapsed in memory to the days when he was > master of the house, and gently remarked to Mrs Trench, "I am afraid, my > love, that we must put this cook down among our failures."Russell, George > W.E. (1898). Collections & Recollections. London: Smith, Elder & Co, p. 403.

The xystus often overlooked a lower garden, or ambulation. The ambulation bordered a variety of flowers, trees, and other foliage, and it served as an ideal place for a leisurely stroll after a meal, conversation, or other recreational activities. The gestation was a shaded avenue where the master of the house could ride horseback or be carried by his slaves. It generally encircled the ambulation or was constructed as a separate oval- shaped space.

The word pazo is derived from the Latin palatiu(m) ("palace"). The Baserri, called "Caserio" in Spanish, is the typical manor house of the Basque Provinces and Navarre. A baserri represents the core unit of traditional Basque society, as the ancestral home of a family. Traditionally, the household is administered by the etxekoandre (lady of the house) and the etxekojaun (master of the house), each with distinctly defined rights, roles and responsibilities.

A valet or "gentleman's gentleman" is a gentleman's male servant; the closest female equivalent is a lady's maid. The valet performs personal services such as maintaining his employer's clothes, running his bath and perhaps (especially in the past) shaving his employer. In a great house, the master of the house had his own valet, and in the very grandest great houses, other adult members of the employing family (e.g. master's sons) would also have their own valets.

From 1949 to 1965 Germany had a conservative government and Konrad Adenauer, its Roman Catholic chancellor, was regarded as resistant to change. Marriage and the family were protected by traditional role models, and a married woman's legal standing did not correspond with that of a married man. The husband's role as master of the house (Haushaltsvorstand), was legally defined. He made important decisions, and his consent was required for his wife to open a bank account.

Modern representation of Domovoy, by Belarusian sculptor Anton Shipitsa based on illustrations by Valery Slauk. The Domovoy is usually represented as an old, gray-haired man with flashing eyes. He may manifest in the form of animals, such as cats, dogs or bears, but also as the master of the house or a departed ancestor of the given family, sometimes provided with a tail and little horns. In some traditions the Domovoy are symbolised as snakes.

Her first stop was an upscale Civil War era home in New Orleans where she was presumed to be the new nurse for the master of the house, Jack Robechaux, who'd been wounded fighting for the Confederacy. Jack was the spitting image of her beloved Josh and she seemed to connect with "Jack." Next, she "visited" Edwardian England as a governess where she again saw "Josh". This time he was in the guise of farmhand John MacGregor.

Judges 19 The Israelite discovers his concubine, dead on his doorstep – by Gustave Doré, Circa 1880 Suddenly certain men of the city surrounded the house and beat on the door. They spoke to the master of the house, the old man, saying, "Bring out the man who came to your house, that we may know him." "To know" is probably a euphemism for sexual intercourse here, as in other biblical texts and as the NRSV translates it.Stone, Ken.

One day, Jane sees a rider thrown by his horse and comes to his aid. Returning to Thornfield, she learns the man is Edward Rochester, master of the house. He grudgingly praises her instruction of Adèle, and her own “openess and unpolluted mind;” the two find themselves curiously attracted to one another. One night, Jane discovers Rochester's room on fire, which they manage to extinguish; he warns her not to speak of the incident, and they share a chaste but passionate moment.

Originally, the Old Norse word húskarl (plural: húskarlar) (spelled huskarl, pl. huskarlar in Swedish) had a general sense of "manservant", as opposed to the húsbóndi, the "master of the house". In that sense, the word had several synonyms: griðmenn ("home-men") in Norway and Iceland, innæsmæn ("inside-men") in Denmark. Housecarls were free men, not to be confused with thralls (slaves or serfs); to this effect, the Icelandic laws also calls them einhleypingar ("lone-runners") and lausamenn ("men not tied").

He saw one which gave him a difficult time before allowing itself to be speared. The owner of the pig, a deity who lived inside a huge white stone, invited him to his abode, where the widow's son saw opulence and a richness of colors. The master of the house inside the stone wore trousers and a shirt with seven colors. The widow's son was invited to chew betel nut and sip rice beer from a huge jar, using reed straws.

162–3 Connolly was highly zealous at his work and his chief opposition came from The Irish Times newspaper and its editor, R. M. Smyllie, and the Fine Gael TD, James Dillon who both viewed Connolly as an Anglophobe.Fisk, pp. 167-9 He resumed his work in the OPW in 1941 and retired from the Civil Service on 19 January 1950 when he was sixty-five. He wrote a number of plays including The Mine Land and Master of the House.

First the master of the house withdrew to private bedrooms and eating areas. Over time servants and children also moved to their own areas, while work projects were also given their own chambers leaving the hall for special functions. With time, its functions as dormitory, kitchen, parlour and so on were divided off to separate rooms or, in the case of the kitchen, a separate building. Until the early modern era that majority of the population lived in houses with a single room.

After poisoning his wife, the master of the house Stephen Lowry (Stewart Granger) is blackmailed by his Cockney maid Lily Watkins (Jean Simmons), who demands promotion. As she steadily takes the place of his dead wife, he again attempts murder. While attempting to murder Lily, by following someone who looked like her through the fog, he mistakenly kills Constable Burke's wife and gets chased by an angry mob, which he evades. Lily returns home and Stephen learns of his mistake.

Set in a haunted ballroom, the ballet tells how the heads of the family of Treginnis are under a curse that leads to their deaths, dancing with ghostly partners."A New Ballet at Sadler's Wells", The Manchester Guardian, 4 April 1934, p. 11 Three guests at a ball in another part of the Tregennis house persuade the heir of Treginnis to show them the haunted ballroom. Fascinated, they want to dance, but are stopped by the master of the house.

Yet in contrast to the household of today, it consisted of many more individuals than the nuclear family. From the household of the king to the humblest peasant dwelling, more or less distant relatives and varying numbers of servants and dependents would cohabit with the master of the house and his immediate family. The structure of the medieval household was largely dissolved by the advent of privacy in early modern Europe. Variations were immense over an entire continent and a time span of about 1000 years.

The capital on the left features a floral pattern while the right, two devouring monsters, a type of winged lion that swallow a person whole. The lintel at the center features a small rhomboid emblem in bas-relief depicting tools of the trade of the master of the house. In the leaf of the door the lock is in the shape of a snake, found in many churches in the country. The shape, rooted in the Romanesque period, lasted well until into the Baroque period.

She made her cinematic debut in 2009 with the highly successful Neelathaamara, portraying the role of Kunjimalu, a maid in an old Nair Tharavadu (ancestral home) who falls for the young master of the house. Director Lal Jose said that "Archana has an in-born talent". Her role won lot of critical accolades. In her next venture titled Mummy & Me, which narrated the tale of the tumultuous relationship between a modern-day teenager and her mother, she played the lead role of a rebellious teenager named Jewel.

After graduating from Palisades, Shankman was a performing intern and junior company member of the prestigious Children's Theatre Company in Minneapolis. Having been accepted for both dancing and acting at Juilliard, he chose dance as his major without having any previous formal training.White, Dave (March 4, 2003), "Master of the house". Advocate (884):56–57 He dropped out of college to dance in musical theater and at nineteen he was cast in his first professional show, West Side Story, at the esteemed Michigan Opera Theater.

Yohei rides up to the same teahouse he had so fatefully drank in with Azuma and Yojibei. He recounts his enormous success in Edo to the master of the house, and announces that he will ransom the fugitive Azuma. However, Yohei is not the only would-be buyer. Hikosuke has recovered his former spirits and wishes to buy out Azuma's contract as well, as does an old samurai with an extremely valuable antique two-foot broadsword; Yohei is convinced that this old man is Jibuemon.

In 2003, he became interested in the intersection of adult content and LGBTQ culture. He took over as editor of Gay Porn Blog and the producer of The Tim and Roma Show, a web-based talk show about the gay adult industry. In 2004, he and Jack Shamama co-created the gay pornographic soap opera Wet Palms for which they won a GayVN Award for Best Screenplay. He has also written several other GayVN-nominated movies including Spokes III, Cross Country, and Master of the House.

The following night, Jerry, Elaine and George have dinner with Elaine's father, writer Alton Benes. While preparing for the dinner, George arrives at Jerry's apartment with the song "Master of the House" stuck in his head. Both George and Jerry are nervous to meet Alton because they are in awe of his writings. Kramer enters the apartment and asks them to guard his illegally parked car for two minutes as he carries down some doves that he is looking after for a magician friend.

The final scene in the episode, which showed Alton Benes singing "Master of the House" in his car, was pre-recorded on December 3, 1990, as it could not be filmed in front of an audience because it took place in a car. Lawrence Tierney was cast as Alton Benes. He was known for his bad- guy roles in films during the 1940s and 1950s, such as Dillinger, The Hoodlum and Born to Kill. Tierney's appearance in the episode is one of his only comedic roles.

Popper 1955, p. 93. The ustadar was often referred to as the ustadar al-aliyah (grand master of the house) to distinguish from ustadar saghirs (lesser majordomos) whose authority was subordinate to the ustadar al-aliyah and who oversaw specific aspects of the court and citadel, such as the sultan's treasury, private property and the kitchens of the citadel. Mamluk emirs also had their own ustadars. The office of ustadar al-aliyah became a powerful post beginning in the late 14th century,Binbaş 2014, p. 158.

Slavery in the ancient world, from the earliest known recorded evidence in Sumer to the pre-medieval Antiquity Mediterranean cultures, comprised a mixture of debt-slavery, slavery as a punishment for crime, and the enslavement of prisoners of war. Masters could free slaves, and in many cases such freedmen went on to rise to positions of power. This would include those children born into slavery but who were actually the children of the master of the house. Their father would ensure that his children were not condemned to a life of slavery.

These singers were often hired on the occasion of a celebration in the harem of a wealthy person. They were not with the harem, but in an elevated room that was concealed by a screen so as not to be seen by either the harem or the master of the house. The female Awalim were more highly paid than male performers and more highly regarded. In the 9th century, using male instrumentalists was harshly criticized in a treatise, because male musicians were associated with perceived vices such as playing chess and writing love poetry.

Hsiang-yen Chih-hsien 香嚴(or 香巖)智閑 (Hànyǔ Pīnyīn: Xiāngyán Zhìxián; Rōmaji: Kyōgen Chikan, c. 820–898) was a T'ang dynasty Ch'an master of the House of Kuei-yang. A Dharma heir of Kuei-shan Ling-yu 溈山靈祐 (Hànyǔ Pīnyīn: Wéishān Língyòu; Rōmaji: Isan Reiyū, 771–853), the story of Hsiang-yen's enlightenment is rather famous in the Zen tradition. According to his enlightenment story, he had been an accomplished scholar of Buddhist sūtras, but for many years had made very little headway in his meditation practice.

In response, James I ordered that they bring everything they had gotten to the castle where the Templars were settled. He then said to the people that the distribution would be fair, and that if they continued looting homes they would be hanged. The sacking of the city lasted until April 30, 1230, a month before the master of the house of San Juan had arrived on the island with some of his knights. He requested that, in addition to land, they be given one building and some property.

The Erchitu is a legendary creature of Sardinian tradition. According to the ancient legends of Sardinia, a man who committed a serious fault would turn on full moon nights into a white ox with two large horns. The creature stops in front of a house and bellows three times: his roar is heard by all the inhabitants of the country, and according to tradition, the master of the house will die within the year. Sometimes it is accompanied by devils who lay two lit candles on its horns and prod it with hot skewers.

Jane's only friend at school, Helen Burns, dies and Jane is left alone once again. Resolving to become independent, she takes on the profession of a governess. At the age of eighteen, she is able to secure a position as governess to a girl at Thornfield Hall. Here Jane learns that her pupil, a French girl named Adele, is the ward of the master of the house, Edward Rochester, who had had her mother, Celine Verans, as his mistress, and that she had left her illegitimate daughter in his care.

After the success of Master of the House in Denmark, Dreyer was invited to make a film in France by the Société Gėnėrale des Films, and proposed a film about Marie Antoinette, Catherine de Medici or Joan of Arc. He claimed that the final decision on the film's subject was determined by drawing matches. Joan of Arc was in the news after World War I, having been canonized as a saint by the Roman Catholic Church in 1920, and named one of the patron saints of France.Wakeman, John.

A list from the Great Purge signed by Molotov, Stalin, Voroshilov, Kaganovich, and Zhdanov Historians with archival access have confirmed that Stalin was intimately involved in the terror. Russian historian Oleg V. Khlevniuk states "theories about the elemental, spontaneous nature of the terror, about a loss of central control over the course of mass repression, and about the role of regional leaders in initiating the terror are simply not supported by the historical record".Oleg V. Khlevniuk. Master of the House: Stalin and His Inner Circle. Yale University Press, 2008. p.

All the outbuildings are single storey, stuccoed brick structures with hipped rooves. Pilasters or projecting panels with arched, recessed windows as in the homestead are repeated in these buildings in a simpler way. Nearest the house is the kitchen wing, joined to the house by a covered way. Part of the kitchen wing, with a door opening into the garden, was a library cum office, ideally placed, where the master of the house could see one and all - servants, clients or his sporting friends, without disturbing his wife's domestic arrangements.

The two wings contained the servants rooms: sleeping quarters, stables, and greenhouses, placed where they could be watched by the master of the house. Where the wings join the main body of the house are the kitchens on the right and on the left the chapel, the altar still displaying its original retable. From the centre of the wings arched passages arched lead out: on the right to the gardens and on the left to the farmyard. The two entrances provide both convenience and break the monotony of the formal lines.

As the centrepiece of the house, the atrium was the most lavishly-furnished room. Wealthier houses often included a marble cartibulum, an oblong marble table supported by trapezophoros pedestals depicting mythological creatures like winged griffins.John J. Dobbins and Pedar W. Foss, The World of Pompeii, Routledge Press, 2007, Also, it contained the little chapel to the ancestral spirits (lararium), the household safe (arca) and sometimes a bust of the master of the house. The term was also used for a variety of spaces in public and religious buildings, mostly forms of arcaded courtyards, larger versions of the domestic spaces.

Sometime during his time as master of the house, it is believed that Grover Cleveland sat on a chair, still located in the house. While this may be rumor, the Cleveland campaign of 1884 did attack James G. Blaine with stories of wrongdoings to a young woman at Perry Park. In 1933, John H. Perry, who was publisher of a number of newspapers "Publishing Executive John H. Perry Succumbs", Associated Press in The Day, December 5, 1952. (including The Palm Beach Post) and another of Washington's grandchildren, bought the entire area, built a post office, and named the community Perry Park, after himself.

Yuan's stay grows unsettling, first when jealous quarreling sparked by his presence erupts between Wen and her cousin. Things get a lot more complicated when a trio of angry martial artists storm the household and accuse Wen of theft. It turns out that they are members of Yuan's school and just as the situation threatens to turn into a full-scale battle, he intercedes in order to find a peaceful solution. As a result of his intervention, Yuan's skills draw the attention of the master of the house, who recognizes the kung fu techniques of his arch- enemy.

The term pati is believed to originate from the Proto-Indo-European language. Older Persian languages, such as Avestan, use the term pati or paiti as a title extensively, e.g. dmana-paiti (master of the house, similar to Sanskrit dam-pati). In Sanskrit, it is 'pat-' when uncompounded and meaning"husband" instrumental case p/atyā-; dative case p/atye-; genitive case ablative p/atyur-; locative case p/atyau-; But when meaning"lord, master", and in fine compositi or 'at the end of a compound' regularly inflected with exceptions; ) a master, owner, possessor, lord, ruler, sovereign etc.

In the musical, the Thénardiers appear in the following songs: ; Castle on a Cloud (Madame Thénardier only): A song of Cosette's dreams of heaven, which is quickly interrupted by Madame Thénardier to make her fetch a bucket of water. Known as Mon Prince au Chemin or Une poupée dans la vitrine in the successive French versions. ; Master of the House: A song sung by both of the Thénardiers, along with his drunken customers singing how well it is to have power in the pub. Known as La Devise du Cabaretier in the original French version, then as Maître Thénardier in the 1991 version.

The Saltonstall family gave money for a new library in honor of the ten generations of Saltonstalls who had attended Harvard, and the House offices moved to the first floor of F-Tower. Shepley, Bulfinch, Richardson and Abbott designed the two-story library, as well as the two twelve-story Leverett Towers that were constructed at the same time. In 1983, McKinlock was renovated, and at that time a new entrance to the dining hall was constructed. The first Master of the House was Kenneth Murdock, Professor of English and Dean of the Faculty of Arts and Sciences.

Right from the very first scene, a friend of his, Chrysalde, warns Arnolphe of his downfall, but Arnolphe takes no heed. After Agnès moves into Arnolphe's house, Arnolphe meets by chance Horace, the young son of Arnolphe's friend Oronte, whom Arnolphe had not seen in years. Not realizing that Arnolphe and Monsieur de la Souche are the same person, Horace unwittingly confides to Arnolphe he had been visiting Agnès for the past week while the master of the house, one Monsieur de la Souche, was away. Arnolphe then schemes to outmaneuver Horace and to ensure that Agnès will marry him.

At the end of the 19th century, Irène was the governess of the young Douce de Bonafé and had the manager Fabien as a lover, with whom Douce was in love. Fabien would like to take Irene to Canada, but she is tempted by the idea of marrying the master of the house, a widower, Douce's father. She throws herself into Fabien's arms, who leaves with her and takes revenge on Irene and her masters, but he is gradually seduced by the young girl. Douce is ready to live poor, far from France and her family, but not to replace her governess.

The previous castle on the site was shelter for Louis VII of France and Eleanor of Aquitaine on the day after their wedding, in July 1137. Richard the Lionheart destroyed this castle in 1179. Geoffrey de Rancon, master of the house, may have died in this action, but he is also listed as having participated in the Third Crusade in the Itinerarium Regis RicardiNicholson, H., The Chronicle of the Third Crusade, The Itinerarium Peregrinorum et Gesta Regis Ricardi (Aldershot, 1997), p. 208 and appears as a witness to Richard I's peace treaty with Tancred of Sicily in Messina on 6 Oct 1190.

Cosette dreams of a life with a mother where she is not forced to work and is treated lovingly ("Castle on a Cloud"). The Thénardiers cheat their customers, stealing their possessions and setting high prices for low-quality service, and live a life of criminal depravity ("Master of the House"). Valjean meets Cosette while she's on an errand drawing water and offers the Thénardiers payment to adopt her ("The Bargain"). The Thénardiers feign concern for Cosette, claiming that they love her like a daughter and that she is in fragile health, and bargain with Valjean, who pays them 1,500 francs in the end.

In Britain, by the beginning of the 19th century, the Baroque convention of placing the grandest reception rooms on the upper floor or piano nobile had been discontinued; therefore, the upper floor at Arlington contains only bedrooms, dressing rooms and nurseries. Many of these have now been transformed into accommodation for National Trust staff. Among the few upper rooms open to the public are Miss Chichester’s Bedroom, the former day nursery, the Blue Bedroom and the Portico Bedroom . The latter, sited over the Entrance hall, was traditionally the bedroom of the master of the house; it is distinguished by its vaulted ceiling.

The latter thought highly of the musical's lyricism, and invited him to write an English version of a French musical Les Misérables (by Alain Boublil and Claude-Michel Schönberg). Kretzmer's lyrics extended the two-hour Paris original into a three-hour show. The all-sung "Les Mis" opened at the Barbican Theatre on 8 October 1985 and is still running in the West End, the longest- running West End musical. The score includes such well-covered ballads as "I Dreamed a Dream", "Bring Him Home", "On My Own", "Master of the House", and "Empty Chairs at Empty Tables".

Düwel and Gebühr (1981) suggest that the inscription contains four runes, reading (left to right) hiwi, which they interpret as meaning "for the spouse" or "mater familias". Attested cognates and related words would include: Old Saxon and Old High German hīwa, "spouse"; Old Saxon and Old High German hīwiski, "family"; Old Saxon hīwian and Old High German hīwan, "to marry"; Gothic heiwa- in heiwa-frauja, "master of the house" or "husband". This interpretation gained renewed attention with the discovery of Wijnaldum B, a small golden pendant of possibly Mediterranean origin dated to ca. 600 CE, in Leeuwarden, Friesland in 1990.

These singers were often hired on the occasion of a celebration in the harem of a wealthy person. They were not with the harem, but in an elevated room that was concealed by a screen so as not to be seen by either the harem or the master of the house. The female Awalim were more highly paid than male performers and more highly regarded than the Alateeyeh as well. Lane relates an instance of a female performer who so enraptured her audience that she earned up to fifty guineas for one night's performance from the guests and host, themselves not considered wealthy.

Common Clay is a 1930 American pre-Code film directed by Victor Fleming and starring Constance Bennett and Lew Ayres, based on the 1915 play of the same name by Cleves Kinkead which starred Jane Cowl.Common Clay as produced on Broadway at the Theatre Republic, August 26 1915 to May 1916, 316 performances; IBDb.com The film is about a young servant who is seduced by the master of the house who will having nothing else to do with her besides sex because she is of an inferior class. She becomes pregnant and seeks to have the child recognized but his family treats her as if she were a blackmailer.

Early in 1643, Heath with much trouble obtained leave to go on the English mission and crossed from Dunkirk to Dover disguised as a sailor. A German gentleman paid for his passage and offered him further money for his journey, but, in the spirit of St. Francis, Heath refused it and preferred to walk from Dover to London, begging his way. On the very night of his arrival, as Heath was resting on a door step, the master of the house gave him into custody as a shoplifter. Some papers found in his cap betrayed his religion and he was taken to the Compter Prison.

Parliament reversed his attainder and recorded Richard's kingship as illegal, although the Yorkist king's reign remained officially in the annals of England history. The proclamation of Edward IV's children as illegitimate was also reversed, restoring Elizabeth's status to a royal princess. The marriage of Elizabeth, the heiress to the House of York, to Henry, the master of the House of Lancaster, marked the end of the feud between the two houses and the start of the Tudor dynasty. The royal matrimony, however, was delayed until Henry was crowned king and had established his claim on the throne firmly enough to preclude that of Elizabeth and her kin.

Near the town of Lyme Regis in Dorset stood a farmhouse that was haunted by a black dog. This dog never caused any harm, but one night the master of the house in a drunken rage tried to attack it with an iron poker. The dog fled to the attic where it leaped out through the ceiling, and when the master struck the spot where the dog vanished he discovered a hidden cache of gold and silver. The dog was never again seen indoors, but to this day it continues to haunt at midnight a lane which leads to the house called Haye Lane (or Dog Lane).

Michael (also known as Mikaël, Chained: The Story of the Third Sex, and Heart's Desire) was a German silent film released in 1924, directed by Carl Theodor Dreyer, director of other notable silents such as The Passion of Joan of Arc (1928), Master of the House (1925), and Leaves from Satan's Book (1921). The film stars Walter Slezak as the titular Michael, the young assistant and model to the artist Claude Zoret (Benjamin Christensen). Along with Different From the Others (1919) and Sex in Chains (1928), Michael is widely considered a landmark in gay silent cinema. The film is based on Herman Bang's 1902 novel Mikaël.

In a household without an official head housekeeper, female servants and kitchen staff were also directly under the butler's management, while in smaller households, the butler usually doubled as valet. Employers and their children and guests addressed the butler (and under-butler, if there was one) by last name alone; fellow servants, retainers, and tradespersons as "Mr. [Surname]". Butlers were typically hired by the master of the house but usually reported to its lady. Beeton in her manual suggested a GBP 25–50 (US$2,675–5,350) per-year salary for butlers; room and board and livery clothing were additional benefits, and tipping known as vails, were common.

The offices of ustadar (majordomo), hajib (chamberlain), emir jandar and khazindar (treasurer), which existed during the Ayyubid period, were preserved, but Baybars established the additional offices of dawadar, emir akhur, ru'us al- nawab and emir majlis.Levanoni 1995, p. 12. The administrative offices were largely ceremonial posts and were closely connected to various elements of the military hierarchy. The ustadar (from the Arabic ustadh al-dar, "master of the house") was the chief of staff of the sultan, responsible for organizing the royal court's daily activities, managing the personal budget of the sultan and supervising all of the buildings of the Cairo Citadel and its staff.

The novel's title refers to a line from one of John Donne's epigraphs: > His mercies hath applied His judgments, and hath shaked the house, this > body, with agues and palsies, and set this house on fire with fevers and > calentures, and frightened the master of the house, which is my soul, with > horrors, and heavy apprehensions, and so made an entrance into me. This epigraph describes the basic theme of the novel: a troubled soul, the alcoholic Cass, is badly shaken by the "fire" of an encounter with evil, in the form of the aristocratic Mason Flagg. Ultimately, Cass' experiences with Flagg provide Cass with the inspiration he needs to redeem himself.

On the death of his uncle, Juan Nunez de Lara the Younger in 1315, he became lord of the House of Lara, although his uncle, the late Lord of Lara, had arranged in his will that all his possessions were sold and the proceeds from its sale should go to prayers for the repose of his soul. However, the noblemen of Castile unwilling to remain without a Lord asked the king to appoint Juan Nunez de Lara, despite his young age, master of the House of Lara. The King concurred and the noblemen gathered a sum of money that included land, castles and villas for the lordship of Lara. In 1326, his signature appears on some border privileges.

While the Circassians were normally Muslim, the ban against the enslavement of Muslims was overlooked in their case, and their original Muslim status was an "open secret".Madeline Zilfi: Women and Slavery in the Late Ottoman Empire: The Design of Difference The Cariye was always regarded as sexually available for the master of the house, and if she bore a child by him, she could no longer be sold.Fanny Davis, Sema Gurun, Mary E. Esch, Bruce Van Leer: The Ottoman Lady: A Social History from 1718 to 1918 It was common for a Cariye to be manumitted. However, a manumission did not mean that a Cariye was free to simply leave the household.

The only unpleasant moment of the evening occurs when the singers dedicate their performance of God Bless the Master of This House to Gray. Hilary's sister Hester (Elizabeth Patterson) objects to this because she considers Hilary to be the master of the house even though he is psychotic and institutionalized. On Christmas morning, while Meg and Gray are at church, the asylum telephones to say that Hilary has gone missing, and Hester unintentionally reveals to Sydney that insanity runs in their family. The family's official explanation of Hilary's troubles has been that he experienced shell shock while fighting in World War I, but another family member had similar problems in the past.

Grose determines to write to the absent master of the house in order to get both Quint and Jessel sacked. The children are most distressed by this, and decide to take matters into their own hands to prevent the separation. Acting on Quint's assertions that love is hate and it is only in death that people can truly be united, the children murder Miss Jessel by knocking a hole in the boat she uses to wait for Quint (who never keeps the appointments), knowing that she cannot swim. Quint later finds Miss Jessel's rigid body in the water, but is given little time to mourn before Miles kills him with a bow and arrow.

In the video, directed by Philipp Stölzl in Bucharest, Romania, the band are performing a concert in what looks to be an old Victorian mansion. During the verses, a maid is seen constantly busy serving the masters of the house in what appears to be the past of the mansion. The maid sees (lead singer) Lauri and the concert in mirrors on the walls, which causes her to become distracted, making mistakes and dropping trays. Eventually, while despairing over her errors in her room, she sees Lauri and all the fans in her mirror, while the master of the house is approaching with somebody else, possibly the head maid, presumably to reprimand the new maid.

Belief in lutins also spread to North America, particularly the Canadian province of Quebec, as spirits in the form of either pets (such as dogs or rabbits) or other common animals. Completely white cats are especially considered likely to be lutins, although seemingly any distinctive animal that lives in or near the home may be regarded as such. These lutins may be good or evil, with good lutins being attributed powers ranging from control of the weather, to shaving the beard of the master of the house before he woke on Sundays. Evil or offended lutins may harass the house-owner with any number of minor troubles, such as blunting a scythe or filling shoes with pebbles.

Poster for From Two to Six (1918) Forrest Robinson (1858 - 6 January 1924) was an American stage and silent era actor. He was a leading man at the Boston Museum Theater and acted in numerous theatrical productions in New York. He also appeared in numerous films. Robinson was in the Broadway productions Sag Harbor (play) (by James A. Herne and with Lionel Barrymore) at the Republic Theatre in 1900; Fortune-Hunter (by Winchell Smith and with John Barrymore) in 1909 at the Gaiety Theatre; The Master of the House at the 39th Street Theatre in 1912; John Cort's The Iron Door in 1913; and Philip Moeller's production of Molière in 1919 at the Liberty Theatre.

A modern reconstruction of a Roman villa The imperial dictatorship by Augustus during the fall of the Roman Republic put the Roman ruling classes into a state of change as their traditional role as always being in town was no longer needed. They were given much leisure time (otium) because of their wealth. The wives of wealthy men were known to write poetry in special rooms devoted to education of the entire family (except the master of the house as it would have been below his dignity).Zanker, pp. 123, 125 The home of choice (domus) then became the countryside villa as the rise of the Roman Empire made them even wealthier.

There was great gladness and courage on him then, and ale and food were given out to them all. And there was a gold cup put in the hand of the master of the house, and Cormac was wondering at it, for the number of the shapes on it, and for the strangeness of the work. "There is a stranger thing yet about it," the man said; "let three lying words be spoken under it, and it will break into three, and then let three true words be spoken under it, and it will be as good as before." So he said three lying words under it, and it broke in three pieces.

Justices Stevens and Breyer separately concurred with the Court majority opinion. Justice Stevens's concurrence attacked the "originalists" view of the Fourth Amendment, noting that the search would remain prohibited had the Court attempted to apply the law based upon the meaning intended by the Founding Fathers, noting that when the Fourth Amendment was written, the law of the time would have made the husband the "master of his house": > In the 18th century . . . given the then-prevailing dramatic differences > between the property rights of the husband and the far lesser rights of the > wife, only the consent of the husband would matter. Whether "the master of > the house" consented or objected, his decision would control.

According to James Kendrick of QNetwork Entertainment Portal, the song provides the actress with an opportunity "to stretch her Broadway vocal chops." Writing for Little White Lies, Georgie Hobbs opined that Murphy "performs ... Mother Knows Best ... with a schizophrenic frenzy", comparing the song to the work of Broadway composer and lyricist Stephen Sondheim, while Jeff Bayer of The Scorecard Review compared it to "Master of the House" from the musical Les Misérables. Meanwhile, Dan Kois of The Village Voice compared the song to Sondheim's musical Gypsy. Norman Wilner of Now wrote that Murphy's "clear," "belted-out," "powerhouse" vocal performance, which according to Marjorie Baumgarten of The Austin Chronicle "drip[s] with sarcasm and biting wit," reminded him of Broadway actress and singer Patti LuPone.

When Graeme brings home a girl whom he and Tim consider a bimbo, Graeme and Tim discuss her in a very sexist manner. Bill, horrified at their disparagement of women, pretends to be a woman and reports Tim's and Graeme's behaviour to the Women's Liberation Authority. This results in a visit to the Goodies' office by the frightening Barbara, who arranges for Tim and Graeme to work for her father (Charlie), who is chauvinistic. Graeme is treated well in his role of butler -- but Tim, who is forced to work as the housemaid ("Timbellina"), has to do all of the work, as well as having to put up with a lot of sexist behaviour from the master of the house.

The lintel stone above a baserri in Aria; note the lauburu on the bottom left and the sun symbol on the bottom right A baserri represents the core unit of traditional Basque society, as the ancestral home of a family. Traditionally, the household is administered by the etxekoandre (lady of the house) and the etxekojaun (master of the house), each with distinctly defined rights, roles and responsibilities. When the couple reaches a certain age upon which they wish to retire, the baserri is formally handed over to a child. Unusually, the parents were by tradition free to choose any child, male or female, firstborn or later born, to assume the role of etxekoandre or etxekojaun to ensure the child most suitable to the role would inherit the ancestral home.

Consequently, they communicate with visitors entirely in period English (claiming that the Master of the House disapproves of the use of Welsh, a not uncommon attitude at the time), and feign unfamiliarity with post-1645 history and technological developments. Visitors today see the house furnished as it would have been in 1645. All the furnishings in the rooms are accurate reproductions of items from the time of the Prichards and many of the originals can be found in the St Fagans National History Museum, such as a cast-iron firescreen dating from the mid 17th century. The thematic setting for the museum is the year 1645, at the height of the English Civil War when King Charles I visited the house to persuade its owner, Colonel Edward Prichard, not to change his allegiance.

Houghton's first productions were The Intrigues at the Athenaeum Society, Manchester on 19 October 1906, The Reckoning at the Queen's Theatre, London on 22 July 1907, and The Dear Departed at the Gaiety Theatre, Manchester on 2 November 1908, the first of many to be produced at the Gaiety Theatre, Britain's first regional repertory theatre. This theatre was owned and managed by Annie Horniman who encouraged local writers. Other plays to receive their premières at the Gaiety were Independent Means on 30 August 1909, The Younger Generation on 21 November 1910, The Master of the House on 26 September 1910, and Fancy-Free on 6 November 1911. For a time, Houghton was the honorary secretary of the Manchester Athenaeum Dramatic Society, and frequently gave his services as a producer.

And then will I profess unto them, I never knew you: depart from me, > ye that work iniquity. () > Then said one unto him, Lord, are there few that be saved? And he said unto > them, Strive to enter in at the strait gate: for many, I say unto you, will > seek to enter in, and shall not be able. When once the master of the house > is risen up, and hath shut to the door, and ye begin to stand without, and > to knock at the door, saying, Lord, Lord, open unto us; and he shall answer > and say unto you, I know you not whence ye are: Then shall ye begin to say, > We have eaten and drunk in thy presence, and thou hast taught in our > streets.

Frere was the sixth son of John Frere, of Roydon, South Norfolk, and Beddington, Surrey, by Jane, daughter and heiress of John Hookham of London. On 15 June 1809 he married Merian, second daughter of Matthew Martin, F.R.S., of Poets' Corner, Westminster, by whom he had six sons: – Hatley Frere (1811–1868), Judge of the High Court, Madras (great-grandfather of Mary Leakey) – Chales Frere (1813–1884), Taxing Master of the House of Commons, Barrister- at-law – John Alexander Frere (1814–1877), Vicar of Shillington, Bedfordshire – Edward Daniel Frere (1816–1881) – Constantine Frere (1817–1905), Rector of Finningham – William Theodore Frere (1820–?), died as an infant. Frere met Edward Irving in 1825, and influenced him in the direction of the study of biblical prophecy.Stephen Hunt, Christian Millenarianism: from the early church to Waco (2001), pp.

The film is set in 1920s Republic of China during the Warlord Era (1916–1928), years before the Chinese Civil War. Nineteen-year-old Songlian (Sònglián, played by Gong Li), an educated woman whose father has recently died and left the family bankrupt, is forced by her stepmother to marry into the wealthy Chen family, becoming the fourth wife or rather the third concubine or, as she is referred to, the Fourth Mistress (Sì Tàitai) of the household. Arriving at the palatial abode, she is at first treated like royalty, receiving sensuous foot massages and brightly lit red lanterns, as well as a visit from her husband, Master Chen (Ma Jingwu), the master of the house, whose face is never clearly shown. Songlian soon discovers, however, that not all the concubines in the household receive the same luxurious treatment.

The film starts with a flashback of protagonist Andrea's childhood, narrated by adult Andrea musing about his dislike for two particular proverbs. According to the first, there is always a first time, but for Andrea the last times are even more important—such as the last time he saw his father, who left the family in the middle of the night many years ago. According to the other proverb, there are seven women for every man in the world—Andrea has them all at home, and none of them is easy to deal with: his grandmother Matilde, once a professor of astrophysics, is now suffering from dementia and depends her live-in caregiver Bogdana. His mother Vittoria, administrator of 11 condominiums, is the undisputed master of the house and nicknamed Sergeant Hartman (after the Full Metal Jacket character) for her rigorous ways.

He acts as a lazy and cruel master of the house and the children and Quark finally run away to look up the mighty chief of the gods Odin, who lives in nearby Valhalla and who they suppose will help them against the unfair behaviour of Loki. They find out he will not even listen to them as no one is allowed to disturb him, and so they run out into the forest and build their own treehouse, setting up their own life. Almost everything is pure idyll, until Tjavli is visited by the ravens of Odin, Hugin and Munin (who have appeared as the narrators of the story). They lead Tjalvi to a sacred well where they present him with visions of the future: there he sees Thor trying to hold up Jörmungandr, the sea drying up and Thor hastily aging and dying.

23 A similar verdict comes from one of Lovinescu's contemporaries and rivals, the literary historian George Călinescu: "[Aderca] was one of those with the courage of taking an immediate stance, to which the master of the house [Lovinescu] would subsequently add his signature and his seals". According to Marcel Aderca, it was Lovinescu who gave his father the first name Felix, although the writer himself continued to exclusively use the shortened signature F. Aderca. By 1927, the writer was also directly involved in publishing the eponymous tribune, serving as a member of its editorial board and contributing its regular book review column. Simona Vasilache, "Ce se citește și ce se scrie", in România Literară, Nr. 19/2008 Increasingly, the relationships between the Sburătorists were transposed on a personal level: the owner of a Peugot car, Aderca took his colleagues on weekend trips to Băneasa, or even into the Southern Carpathians.

In 1957, at the age of 27, Blakely made his stage debut as Dick McCardle in Master of the House. He also appeared in several Ulster Group Theatre productions, including Gerard McLarnon's Bonefire (1958) and Patricia O'Connor's A Sparrow Falls (1959). From 1957 to 1959 he was at the Royal Court Theatre, appearing in Cock-A-Doodle Dandy, Serjeant Musgrave's Dance and, to critical approval, The Naming of Murderers Rock. In 1961, he joined the Royal Shakespeare Company at Stratford-upon-Avon and from 1963 to 1968 was with the National Theatre at the Old Vic. On television, Blakely appeared in the "Armchair Theatre" series in 1962, episode "The Hard Knock" and director Charles Crichton unusually cast Blakely in two different roles during the same run of episodes of the 1967 series Man in a Suitcase. In 1969, Blakely's controversial role as Jesus Christ in Dennis Potter's Son of Man gained him wide recognition.

So also in their roles as protectors, for "when the Evil Spirit assailed the creation of Good Truth, Good Thought and Fire intervened" (Yasht 13.77) It is in the later texts that Atar is personified as "the son" of Ahura Mazda (standard appellation, Yasna 25.7 et al.) and is addressed as "full of glory and full of healing remedies" (Nyash 5.6). In Yasna 17.11, Atar is "master of the house", recalling the role of the hearth fire in the Gathas. The same passage enumerates the "five kinds of fire": # atar berezi-savah, "the highly beneficent atar" (compare "oxygen"), qualified in Zend texts as "the fire that eats food but drinks no water", and the kind of fire that burns in an Atash-Behram, the highest grade of fire temple. # atar vohu-fryana, "the atar of good affection" (compare "fire", cognate with bhaga and friend), later qualified as "the fire diffusing goodness", and "the fire that consumes both water and food".

In 1935, summoned to Chelyabinsk under threat of arrest as part of the preparation for the 1936 trial of the "Trotskyite-Zinovievite Terrorist Center," he committed suicide, shooting himself in an automobile and leaving a note expressing his devotion to the party and asking Ordzonikidze to look after his family, a request the latter honored: "As long as he was alive, Lominadze's widow received a pension for her husband, and by Council of People's Commissars decree, Lominadze's son, named Sergo after Ordzonikidze, was granted a sizable monetary benefit.... immediately after Ordzonikidze's death, Lominadze's wife was deprived of her pension, and not much later she was arrested."Khlevniuk, Master of the House: Stalin and His Inner Circle, pp. 151-52. John Scott, who knew him in Magnitogorsk, left a vivid description of him: > Lominadze, former head of the Young Communist International, was an enormous > Georgian, whose huge body was covered with rolls of fat. He was very > shortsighted and squinted continually.

Downman is thought to have been born near Ruabon, Denbighshire, the son of Francis Downman, attorney, of St Neots, and Charlotte (née Goodsend, eldest daughter of the private secretary to George I); his grandfather, Hugh Downman (1672–1729), had been the master of the House of Ordnance at Sheerness. The Downman family is usually known as a Devonshire one, but the exact connexion between the artist and the Devonshire branch has not been traced. He was educated first at Chester, then at Liverpool, and finally at the Royal Academy schools, and was for a while in the studio of Benjamin West. Swedish Baron Gustaf Adam von Nolcken, Swedish Ambassador to the United Kingdom (1780) Downman set off in 1773 with Joseph Wright of Derby, a pregnant Ann Wright and Richard Hurleston for Italy. Their ship took shelter for three weeks in Nice before they completed their outward voyage in Livorno in Italy in February 1774. Downman returned to Britain in 1775.Jane Munro, 'Downman, John (1750–1824)', Oxford Dictionary of National Biography, Oxford University Press, 2004 accessed 7 Sept 2013 Georgiana Cavendish, Duchess of Devonshire (c. 1780) He settled down for a while in Cambridge (1777), eventually coming to London, where he contributed to various art exhibitions.

In June, Mark Shenton listed Ellis on his article about his "favourite leading musical ladies" in West End theatre, complimenting her for bringing "a different kind of pop passion to her voice that has stood her in good stead for [West End] shows." June also saw her being filmed at Pinewood Studios for the film adaptation of the musical Les Misérables (2012), where she plays an uncredited wench in the "Master of the House" number which features Sacha Baron Cohen and Helena Bonham Carter. She has also paired with Craig Adams on his new musical Defect; she recorded a demo with Oliver Tompsett entitled "If Only You Could Know" for the musical in June. Throughout July, Ellis appeared in an interview-and-song series, These Are A Few of My Favourite Songs, at London's Soho Theatre, performed with the winners at the live final of #searchforatwitterstar – an online Twitter talent competition, sang as a special guest at musical concert West End Men with Lee Mead in both Jersey, Guildford and Guernsey, and sat on the judging panel for the gala finale of Talent 2012 at the Garrick Theatre – a competition on the search for the next West End musical theatre star.