Meanwhile, this small, exquisitely disorienting black hole of a meditative space dwarfed the massiveness of MASS MoCA.
|
|
The massiveness of the road and the puniness of my efforts almost made me give up running permanently.
|
|
Cheban dedicated a series of Snapchat videos to the tree, capturing it from different angles to truly capture its massiveness.
|
|
The festival was held on the stadium's parking lot and due to its sheer massiveness, most of Friday looked like a glorified tailgate.
|
|
The massiveness of El Capitan is remarkable, the height of Yosemite Falls is gigantic and the uniqueness of Half Dome is striking to behold.
|
|
It is difficult to do anything well; it is basically impossible to do something well while preoccupied by the massiveness of the undertaking itself.
|
|
The massiveness of the sequoia, a species of cypress which is endemic to just 75 groves in the Sierra Nevada, is not easy to comprehend.
|
|
Herzog wants to touch on the massiveness of this new world we find ourselves in, but it's just too large a world for him to get his arms around.
|
|
They mingle with incoming guests Whose entourages will attest The massiveness of their renown: Claire Foy and Millie Bobby Brown, Jenna Wortham, Wesley Morris, Lisa Zeldin's father, Boris, Giannis Antetokounmpo, Bill Wurtz, Lupita Nyong'o, Hannah Gadsby, Chance the Rapper, And Andrew Fire, for a capper.
|
|
William Tucker has played that game for years, but when circumnavigating his enormous lumps of plaster and bronze in search of that "aha" angle of view, I don't think I've ever sensed their massiveness with the muscles of my arms or in the small of my back.
|
|
His writings are forceful, eloquent, and lucid in style, with a Websterian massiveness that does not detract from their charm.
|
|
Laid out across the tiers like cornices are diamond and rectangular designs, as well as the shallow, ornamental relief work which suggest Muslim art. Few openings suggest massiveness in the design. The attached bell towers give an impression of solidity and strength by their massiveness which tries to squeeze the middle part of the façade.
|
|
At the time, the genus Sinanthropus was distinguished by the massiveness of the bone fragments that were found. The difference in teeth size created variability among the genus.
|
|
Pöide Church is located in Pöide Parish. Pöide St. Mary's church dominates the surrounding low countryside. Due to its massiveness, it gives the impression of a fortress rather than a church. Indeed, its history is entwined with Saaremaa's battles and fortresses.
|
|
Betrò, 1995. Hieroglyphics: The Writings of Ancient Egypt, p. 99. The hieroglyph shows the massiveness of the hippo's body, on its short legs. In Late Period Egypt, it was also used for words related to "heavy" (namely dns, udn-(wdn).
|
|
The first Buddhist temple was built in 1672 by the 33rd generation of the Linji Buddhist Chisong monk. The temple is named Hongfu temple, which in Chinese means the massiveness of Buddha's blessing. The temple is visited by thousands of tourists and worshipers daily.
|
|
Its state historical society evaluation states: "The house's massiveness and siting make it stand out as a landmark in the area, and combined with its high integrity and state of preservation, it is the best example of the late Queen Anne style in Galesville." With .
|
|
The barn, with its original slate roof and hand-hewn post and beam construction, is typical English period design with center wagon doors and horizontal clapboarding. It is a side-gabled form. Its long side, or axis, is parallel to a hill. Its appearance is of massiveness and simplicity, with heavy mortised, tenoned and pegged beams.
|
|
" The Los Angeles Times reported at the time on the proposed design as follows: > "The massiveness and character of the structure, of course, preclude the > idea of architectural beauty and make any considerable degree of > ornamentation undesirable. Both commissions, however, are desirous that the > warehouse shall be more than merely a gigantic fireproof box with four > walls, a roof and various openings.
|
|
It remained intact for several hundred years, until suffering damage in the Galilee earthquake of 1837. In modern times, the castle is part of a training zone for Israeli Naval commandos. It has been described as the "crowning example of Crusader military architecture", although T. E. Lawrence found it lacking in elegance and imagination in terms of military architecture, setting on massiveness instead.
|
|
Sonit Bafna says that in the early 1950s Kahn "had begun to develop a distinctive approach to architecture. An overriding concern for him from this period on was to instill a sense of permanence into his buildings, so that his work could match the dignity and poise of the ruins he had seen in Italy and southern Europe." Goldhagen says that Kahn used monumentality to strengthen the sense of community among those who used his buildings: the massiveness of a Kahn building instills the feeling that both the building and the institution it houses will last for a very long time. At First Unitarian, says Goldhagen, the column-like rhythms of light that Kahn sculpted across the facade are among the devices that increase the impression of massiveness and give the building an air of monumentality.
|
|
The Washington Post. B8. Harrison's Reports declared, "For sheer opulence, massiveness of sets, size of cast, and beauty of Technicolor photography, no picture ever produced matches 'Quo Vadis'. It is a super-collosal [sic] spectacle in every sense of the meaning, and on that score alone it is worth a premium price of admission.""'Quo Vadis' with Robert Taylor, Deborah Kerr and Peter Ustinov".
|
|
It also offers easy maintenance and downright stinginess when it comes to gasoline consumption. Also, it's literally a brute for punishment. On several occasions I took familiar corners at speeds half again what I would dare to use in some cars of twice the weightproof that proper weight distribution, low center of gravity and well engineered suspension have more to do with roadability than massiveness, weight and long wheelbases.
|
|
The Daniel O'Connell House is a historic house located at 115 North Union Street in Vermont, Illinois. Daniel O'Connell, a local banker and lumber salesman, had the house built in 1928. The house, which was built by contractor Fred Rankin, has an American Foursquare plan with American Craftsman elements. The Foursquare plan, which had become popular at the time for its simplicity, is reflected in the house's square shape and massiveness.
|
|
According to Christopher Hussey, the "pronounced batter of the buttresses" creates "an illusion of height and massiveness without".Hussey 1931, p. 82. The buttresses divide the exterior into bays: between each bay, the plinth, pierced by dormer-like ventilation holes (now glazed), slopes steeply to a sheer wall surface below a traceried lancet window. This sloping plinth was likely inspired by chapels at the east end of Chartres Cathedral.
|
|
To this day, indeed, leather is one of the most frequently employed materials for chair covering. The outstanding characteristic of most chairs until the middle of the 17th century was massiveness and solidity. Being usually made of oak, they were of considerable weight, and it was not until the introduction of the handsome Louis XIII chairs with cane backs and seats that either weight or solidity was reduced.
|
|
Pachyophis Cladogram Pachyophis is considered a hind-limbed snake despite presence of any indication of forelimbs or shoulder girdle due to its other shared general morphology. All Simoliophiidae display evident pachyostosis (increase in bone massiveness) and osteosclerosis (increase in inner bone compactness). Pachyophis evidently displays such in their vertebrae specifically. Other shared characteristics include a smaller head and distally straight ribs for a lateral compression of the trunk.
|
|
The building could not be upgraded to national status by The Department for Culture, Media and Sport, representing English Heritage in April 1999, as the spire was gone so the massiveness of the roof structure could no longer be understood by the assessors who were puzzled to find it "overscaled". When opened complete with spire in 1965, the South East London Mercury described the chapel as "a showpiece of modern architecture and building technique".
|
|
Rudolf Diesel considered using his engine for powering locomotives in his 1893 book Theorie und Konstruktion eines rationellen Wärmemotors zum Ersatz der Dampfmaschine und der heute bekannten Verbrennungsmotoren. However, the massiveness and poor power-to-weight ratio of early diesel engines made them unsuitable for propelling land-based vehicles. Therefore, the engine's potential as a railroad prime mover was not initially recognized. This changed as development reduced the size and weight of the engine.
|
|
The roof is ridged. A pair of substantial brick chimneys rises from the centre of the building and another more slender chimney is at the lateral end of each ridge. The sandstone garden walls and gate piers are included in the listing. Douglas' biographer, Edward Hubbard, commented on the "quality of massiveness" of the houses in their "prominent site" above the river but notes that internally they were "quite modest in their scale and their fittings".
|
|
All in all, Yeocomico Church is a colonial artifact of great interest and value. Architecturally, it is a transition from the Gothic featured room churches of seventeenth-century Virginia to the Georgian, classically featured churches characteristic of the Virginia vernacular church. It shows a movement from the "massiveness of . . . earlier churches" toward a "baroque feeling for masses and complex shapes", with unique characteristics such as the southwest porch and the pronounced kicked eaves derived from English architectural traditions.
|
|
Old City Hall was designed by architect E. J. Lennox in a variation of Romanesque Revival architecture known as Richardsonian Romanesque. Developed by Henry Hobson Richardson, this variation highlights bulk and massiveness as well as different sculptural features. The Romanesque style originated in Europe during the 11th and 12th centuries and had characteristics such as square towers, asymmetrical massing, stone carvings, round arches, and heavy stonework. During the mid-1800s, this style was revitalized in Western architecture.
|
|
View of the Hotel Ukraina from the observation deck of the Federation Tower on the 89th floor. In the 1930s, a new architectural style was formed in the Soviet Union, later called the Stalinist Empire style. Its characteristic features were the massiveness of buildings and the abundance of decorative elements, even on residential buildings. The decoration was eclectic: along with the use of classical orders, modern symbols were used, such as images of sickles, five-pointed stars and generalized images of Soviet workers.
|
|
The church structure follows the Baroque architectural style, utilizing adobe blocks in its wall surface finish to give an impression of massiveness. Its floor plan formed the shape of a Latin cross oriented in north-south direction, with the main entrance facing north. The church facade is divided into three levels by heavily molded string courses. The topmost level or the pediment is adorned with Vitruvian-scroll design on its raking cornice, and a central niche flanked with octagonal windows.
|
|
According to its 1978 NRHP nomination, the home "is a good example of the architectural transition from the Queen Anne style to turn-of- the-century revival styles, which emphasized symmetry and classical detailing." Except for wide, curved horizontal and vertical brackets, the porch is classically detailed. This is one of the tallest and largest historic houses in Provo, and its two-story carriage may be the single largest building of its type. The heavy landscaping somewhat obscures the building's massiveness.
|
|
The single-nave two-tower Cathedral with straight seal of sanctuary has a west aspect and is about in length and in width. Above its main portal there is a shield with figures of seated angels and the stoned crest of the Esterházy family. The interior of the Cathedral amazes a visitor with its massiveness and variety of unique paintings. The main area has barrel vaults with lunettes, while in the chapels on both sides of nave can be found cloister vaults.
|
|
The building is a stark but sophisticated example of the Brutalist style of architecture. It exhibits many character-defining features of the style, including rough, exposed exterior concrete walls, deeply recessed windows, and a weighty massiveness. Combining a tall office tower with a long, low courthouse and landscaped plaza, the complex's form is similar to that of many Modern-era federal buildings. The building occupies a parcel of land bounded by Laurel, Assembly, Richland, and Park streets in downtown Columbia.
|
|
Even at four weeks, a Mastiff should seem massive. At all stages of development, the Mastiff should show the breed characteristics of massiveness and sound, if cumbersome, movement. The Mastiff is a particularly large dog demanding correct diet and exercise. Excessive running is not recommended for the first two years of the dog's life, in order not to damage the growth plates in the joints of this heavy and fast-growing dog, which in some weeks may gain over 5 lb.
|
|
Michael Dan Archer – Public artLoughborough University The sculpture was commissioned jointly by Chartwell Land, B&Q; and the London Borough of Sutton.University of Loughborough As its name suggests, it dates from 2002. Archer says his sculptures "primarily invoke the massiveness and physicality of stone and its relationship to architecture, humanity and landscape".Axisweb – Michael Dan Archer The design, location and dimensions of Transpose 2002 all combine to make it a significant landmark for those entering Sutton town centre from an easterly direction along Carshalton Road.
|
|
Those three sides, following the heavy massiveness and crude simplicity of the California mission adobe style, were without ornamentation. This contrasted with the front facade of the California State Building, 'wild' with Churrigueresque complex lines of mouldings and dense ornamentation. Next to the frontispiece, at one corner of the dome, rose the tower of the California Building, which was echoed in the less prominent turrets of the Southern California counties and the Science and Education buildings. The style of the frontispiece was repeated around the fair.
|
|
The common nighthawk (Chordeiles minor) is a medium-sized crepuscular or nocturnal bird of the Americas within the nightjar family, whose presence and identity are best revealed by its vocalization. Typically dark (grey, black and brown), displaying cryptic colouration and intricate patterns, this bird is difficult to spot with the naked eye during the day. Once aerial, with its buoyant but erratic flight, this bird is most conspicuous. The most remarkable feature of this aerial insectivore is its small beak that belies the massiveness of its mouth.
|
|
Eric Grunin, in a commentary on the "opinions" page of his Eroica Project, notes: "....The massiveness of the first movement of the Eroica is real, but is not its main claim on our attention. That honor goes to its astonishing story (structure), and what is to me most unique about Klemperer is that his understanding of the structure remains unchanged no matter what his tempo... ". The German works of Kurt Weill were amongst Klemperer's favorites and he encouraged Weill to compose the orchestral suite Kleine Dreigroschenmusik.
|
|
"Coe, Richard L. (January 27, 1956). "Face Launched 1000 Extras". The Washington Post. 46. Harrison's Reports declared, "The massiveness and opulence of the settings, the size of the huge cast, and the magnitude of the battle between the Greeks and the Trojans are indeed eye- filling ... Unfortnately, the breathtaking quality of the production values is not matched by the stilted story, which takes considerable dramatic license with the Homer version of the events leading up to the Trojan war, and which are at best only moderately interesting.
|
|
In 1898, the coffer type ceiling that was originally designed in wood panels and mouldings, was completed in zinc supplied by Wunderlich & Co. of Sydney. The richly embossed zinc, while giving an impression of massiveness, was actually light and had the advantage of being an excellent resonator, greatly improving the acoustic of the Basilica. Five shades of colouring were utilised on the 78 squares of zinc and this work was undertaken by McKay assisted by some of the "best" pupils of the Convent school. This colouring work was done before the ceiling was erected.
|
|
Hindustan Times writer Robin Bansal was impressed with the song, and called it "eclectic, peppy, and electrifying from the start... The song explodes after a point in its massiveness and stays in the head. The impeccable notes and pitch makes one wonder if it's really Priyanka." He added that the song had a high tempo and pitch, making it more like a track by The Black Eyed Peas. Chopra refuted the claims that her voice was digitally modulated, and said she has a high range in her voice, and that she always had an accent while speaking English.
|
|
The toes are armed with sharp, very slightly arched claws. The feet on both surfaces are covered in hair, even to the soles, thus concealing the claws. It combines several physical features common in both members of the subgenus Gale (least, short-tailed and long-tailed weasels) and Putorius (European and steppe polecats). Its skull resembles that of polecats in its size, massiveness and the development of its ridges and depressions, though it is distinguished by the extreme degree of constriction behind the orbits where the width of the cranium is much less than that of the muzzle.
|
|
Tower walls are reinforced with square and octagonal buttresses that taper abruptly with generous weatherings at transitional points and terminate in pinnacles, some with slender colonettes abutting chamfered edges, with ribbed, stepped, or gable caps. These buttresses are accented by heavy weatherings in lighter coloured stone (creating visual contrast while drawing attention to the points of stress on the building), and topped with pinnacles, thus emphasizing their massiveness, structural function, and verticality. They provide spatial rhythm on the east and west facades. A careful balance between horizontal and vertical elements can be observed throughout the interior and exterior of the church.
|
|
A. William Rush of the Grand Rapids, Michigan architectural firm of Rush, Bowman and Rush designed the building. The courthouse was built on a square south of the central business district with a commanding view of the surrounding area. with It is notable for its fine Berea sandstone exterior carvings and interior stained glass domes. Stylistically, it features characteristics of three architectural trends from the era it was built: the arched openings and massiveness of the Richardsonian Romanesque; the vegetal ornamentation of Louis Sullivan above the main entrance; and the voluminous geometric massing of the Shingle Style.
|
|
The individual storeys of the peripheral course are lower at the top and the windows are narrower. The only ornament in this hall is the bare masonry of the pillars that form a frame to the octagonal ceiling windows above and taper down. An alternate colour scheme counteracts the massiveness of the upper very broad masonry: the lowest clinker bricks are green, followed by blue, red, purple, orange and finally yellow. It was designed as a three-aisled hall, with the seven-metre high ceiling supported by six pillars, and is illuminated through large, coloured glass windows on three sides.
|
|
With . Another view Its NRHP nomination states that the stable is: > a vestige of the life and commerce of an earlier day in Fountain. Although > vernacular in style, the architecture is of particular interest. The thick, > heavy walls; the use of crude stones; the massiveness of the construction; > and the integrated use of the dormer and cupola in a stable all reflect a > time and a place where there was relatively little architectural knowledge, > a time and a place where the builders drew on their rough experiences to > build a utilitarian structure to serve the hotel trade.
|
|
Through compelling and evocative story-telling, the audiences will themselves feel the urgency of the quest and be inspired to take action. Climate LIFE will be a follow-up to Al Gore's 'An inconvenient truth'. Where Al Gore opened the world's eyes to the massiveness of climate change, Climate LIFE intends to tell the new convenient truth of climate change - that the knowledge and solutions we know today give us the opportunity to create communities that enhance quality of life; that it is possible to build a greener, safer and more sustainable Earth. Climate Life - the 5th revolution aims to show that the precondition for the success is already present.
|
|
The Konark Sun Temple has attracted conflicting reviews. According to Coomaraswamy, the Konark Sun Temple marks the high point of the Odisha style of Nagara architecture. The colonial-era reception of the temple ranged from derision to praise. Andrew Sterling, the early colonial-era administrator and Commissioner of Cuttack questioned the skill of the 13th-century architects, but also wrote that the temple had "an air of elegance, combined with massiveness in the whole structure, which entitles it to no small share of admiration", adding that the sculpture had "a degree of taste, propriety, and freedom which would stand a comparison with some of our best specimens of Gothic architectural ornament".
|
|
After this, the development proceeds to a stormy exchange between the piano and the orchestra, which the twentieth-century Mozart scholar Cuthbert Girdlestone describes as "one of the few [occasions] in Mozart where passion seems really unchained", and which Tovey describes as a passage of "fine, severe massiveness". The exchange resolves to a passage in which the piano plays a treble line of sixteenth notes, over which the winds add echoes of the main theme. This transitional passage ultimately modulates to the home key of C minor, bringing about the start of the recapitulation with the conventional re-statement, by the orchestra, of the movement's principal theme.
|
|
The construction of the form is aesthetically pleasing for its close relationship and integration with the natural island landform with the built form. The visible built work provides an indication of the massiveness of the concealed construction. It is a nationally representative example of the corpus of significant designers of fortifications – Jervoise and Scratchley, a regionally representative example that demonstrates fortification design in the late 19th century, and regionally representative as an example in the evolution of the design of coastal fortifications. The place has a strong or special association with a particular community or cultural group in New South Wales for social, cultural or spiritual reasons.
|
|
Original headquarters building of the All-Russia Insurance Company, before 1917 Lubyanka was built on the spot where Catherine the Great had once headquartered her secret police. Lubyanka was originally built in 1898 as the headquarters of the All-Russia Insurance Company (Rossiya Insurance Company), and designed by the architect Alexander V. Ivanov. It is noted for its parquet floors and pale green walls. Belying its massiveness, the edifice avoids an impression of heroic scale: isolated Palladian and Baroque details, such as the minute pediments over the corner bays and the central loggia, are lost in an endlessly repeating palace facade where three bands of cornices emphasize the horizontal lines.
|
|
Archaeologically important places around Valmikinagar are Lauriya-Nandangarh and Someshwar Fort. In Lauria block, about 1 km east of Nandan Garh, a lion pillar of Ashoka, made out of a single block of polished sandstone, measuring in height with a diameter of 35" at the base and 22" at the top, which is believed to be over 2,300 years old, is in an excellent condition. Its massiveness and exquisite finish furnish striking proof of the skill and resources of the masons of Ashokan age. Two more such pillars with their capitals removed have been discovered in Rampurwa village, close to Gandhi's Bhitiharawa Ashram in Gaunaha block.
|
|
The 19th century discussion first focused on the question of how the anthropological findings had to be reconciled with characteristics of Homo sapiens. Already Johann Carl Fuhlrott had noticed the unusual massiveness of the bones, the highly trained bumps, ridges and ledges that supported the attachment of vigorously trained muscles.Johann Carl Fuhlrott: Menschliche Überreste aus einer Felsengrotte des Düsselthals, S. 140 One of the humerus had, according to his observation a healed injury. William King also referred to the unusual thickness of the skeletal bones, agreeing with Schaaffhausen, who had also evaluated the strongly rounded shape of the ribs and thus a quite unusual thorax for a human.
|
|
320x320px The Church on the Hill (, ) is an architecturally significant church located in Sighişoara, Mureș County in Romania.This church is the most important monument of religious architecture in Sighisoara and is one of the great churches of Transylvania, being the third largest. Located at an altitude of 429 meters, on the Hilltop School, the church dominates by its massiveness the entire city and it is visible from a great distance almost from all directions. Most researchers believe that a number of architectural details such as slightly misaligned position of the bell-tower and choir demonstrate an evolution in stages, over several centuries, in the construction of this church.
|
|
By its massiveness, good design and the new arrangement of the rooms, this house could serve as the role model for the family buildings which were built later. As one of the few preserved objects from the fourth decade of the 19 century, with its stylistic characteristics, construction system and architectural design, the Realka Building represents the complete discontinuance with the tradition and the transition from the Balkan to contemporary European architecture on the territory of Belgrade. The original condition of the building underwent certain changes over time. In the early 20th century, due to the shortage of school buildings, the new two-storey building was built next to the old one.
|
|
The central concept of the area was providing for a comfortable living environment in a high density urban area. The main concepts used were standardization of buildings (most of the residential buildings are standard Eastern European tower blocks – cutii de chibrituri, literally "matchboxes"), providing for quick and efficient mass transit to the center of the city but also inside the neighbourhood, and creating large, green spaces to counterbalance the massiveness and bleakness of the standardized apartment buildings. The heart of the quarter is Drumul Taberei Park, a small park, complete with an artificial lake and a public swimming pool. The main avenue of the quarter circles the park forming a "U" shape, extending outwards to the east, and linking the quarter to the center of the city.
|
|
Kriemann counters the massiveness of this historical document with written and photographic press coverage, dating as far back as 1950, that attempts – with sometimes divergent results – to comprehend the physical existence of the Schwerbelastungskörper. Kriemann's method of incorporating archival material into her work, and of examining the technological factors underlying the production of photography, originates in a questioning of who is the initiator of photographs and what historical conditions they are created under. Her approach to photography thus has less to do with representation than with an interest in photography as a technological tool for the formation of history. Besides having shown internationally in cities including Basel, Toronto, Shanghai, Vienna, Vancouver, Paris, and Rotterdam, Kriemann has also created sixteen artist's books as multiples since 1998.
|
|
He designed and constructed the Muzeul Național al Țăranului Român (Romanian National Peasant Museum) between 1912 and 1939, added a new wing to the University of Bucharest in a collaboration with A. Baucher between 1928 and 1930, built Cuţitul de Argint Church, Saint Basil the Great Cathedral at No. 50 Polonă Street, the Radu Rosetti House at No. 3-5 Mihail Moxa Street, and the Pasteur Institute of Serum and Vaccines, all located in Bucharest. He also designed and built the in Iași, the high school at Râmnicu Vâlcea (now Alexandru Lahovary National College), and Vasile Alecsandri's Mausoleum in Mirceşti. In 1914, he built a mansion for George Știrbey in Dărmănești surrounded by the Munții Ciucului (Ciuc Mountains). The building is distinguished by its architectural massiveness.
|
|
Heidegger believes that this is a parallel to the belief in God, because there is no longer need for questioning this concept that has become own-most to truth. # Acceleration: The mania for what is new or surprising, especially technologically. Heidegger believed that this overpowered the truth and questioning of abandonment because the excitement sweeps one away and gets one caught up in the quantitative enhancement of status of accomplishment, according to both Heidegger and Nietzsche a false moral governing. # The outbreak of massiveness: An idea that the rare and unique quality of abandonment, is compromised by the beliefs of the masses, not only in the overwhelming societal numbers of people but in the beliefs and “moral identities” that are common to the many and the all.
|
|
Meiss attributed the massiveness of certain works, or parts of works, to either Belbello's own evolving style or the work of associates. The Book of Hours of Gian Galeazzo Visconti is currently stored in two different collections, one in Milan called the Collection Visconti di Modrone which features pages that were solely done by Giovannino and his school and the other located in the National Library in Florence, collection Landau Finaly Ms. 22, which has works from Giovannino and Salomone but also includes the continuation by Belbello. Belbello then worked on a Breviary on behalf of Marie of Savoy, Duchess of Milan (1432) and the Bible Estense (1434), the latter highlighting an original expressionism and a narrative sequence. The works of his artistic maturity, however, include a Gradual, commissioned by Cardinal Bessarion and a Roman Missal for the Mantua Cathedral, in which his forms assumed greater fullness with effects that closely resembled Baroque tendencies.
|
|
The Shakhtau massif consists of limestones crumpled into a fold of a submeridional strike, the axis of which rises in a southerly direction; the eastern slope of the massif is vigorously blurred in pre-Darth times and accordingly on the eastern wing there is a sharp inconsistent overlap of the Upper-Atian sediments to the Asselian and Sakmarian. The formation of the tectono-sedimentation structure of the reef deposits of the Shakhtau massif was also influenced by the regional dislocations of the Southern Ural and, in particular, the formation of the Shikhan upraised horst, which has punctured and elevated single mountains by , in comparison with the same-aged massifs of the western side of the marginal trough. The combination of the primary capricious accumulation of precipitation of reef facies and superposed tectonic processes led to the formation of a body that is very complex in its internal structure. The limestones of Shakhtau are characterized by the usual qualities of limestones of organogenic structures: chemical purity, light coloration, massiveness, lack of stratification, textural heterogeneity of various scales (spotting), a wide variety of rock types, and their frequent change.
|
|