I could see Celeste's thin, wet jacket clinging to her like the marmoreal drapery on a statue.
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The marble portraits cover a 60-year period during which Bernini depicted a marmoreal "Who's Who" of Rome.
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Most European countries are still run by marmoreal Christian or social democrats descended from the struggle between bourgeoisie and workers.
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In the closing aria, "My Long Life," the marmoreal Anthony sings from beyond the grave, suggesting that her work remains incomplete.
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Because Robbie inhabits the real world, in a way Mr. Hare's Oscar never can, he casts enlivening shadows upon his marmoreal friend.
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A few lesser-known names, including the intriguing Israeli painter Yigal Ozeri, hang cheek-by-jowl with marmoreal interiors and ghastly cityscapes.
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Before love strikes, she's marmoreal, regal, darting, proud, and those virtues stay splendid in her, from head to foot, when love is victorious.
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Heads, necks and arms are carried with marmoreal firmness, as if these dancers belonged in chokers, long white gloves and ostrich-feather tiaras.
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She filmed herself and her co-star, Claire Wauthion, in an extended love scene suggesting the marmoreal sensuality of Canova sculptures come to life.
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Over the centuries, many art restorers and dealers felt obliged to vigorously scrub Greek and Roman objects, so as to enhance their marmoreal gleam—and their collectibility.
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They are each sloppy glosses on the actual facts and have over time congealed and finally ossified into the marmoreal narrative that has existed for half a millennium.
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For example, in "Orpheus in Hades," a large painting from 1897, Pierre Amédée Marcel-Béronneau pictured that mythical lyrist with marmoreal flesh among the dusky condemned, and used a palette knife to chop the surface into a craggy hellscape.
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It's a good picture, of a young woman, probably MacDowell's sister Elizabeth, absorbed in a book; not, in other words, just sitting there blank and staring, but focused, self-contained, occupied, the way the reading, talking and listening women in Mary Cassatt's paintings are, and the way Gertrude Stein is, just by being there, a human magnet, in Picasso's marmoreal 1905-6 portrait in Gallery 911 of the Modern and Contemporary Wing.
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The coat of arms of the municipality: on a golden shield between three red-marmoreal round stones is a black lion, in the right hand it is holding a black stonemason's hammer on its red shaft.
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Anne Hathaway portrays the White Queen (renamed "Mirana of Marmoreal") in Tim Burton's 2010 adaptationMissy Schwartz, "Best Actress," Entertainment Weekly 1032/1033 (Jan. 30/Feb. 6, 2009): 46. alongside Helena Bonham Carter as Iracebeth, the Red Queen; they are portrayed as sisters. The White Queen's soldiers appear in white armor inspired by chess pieces while The Red Queen's appear in armour made to resemble cards.
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If there is lightness in the man's airborne feet, there is also a weightedness and, in his profile, the worn exhilaration of a black man's victory. The profile is strikingly marmoreal, though the self-awareness of the man adds that quicksilver quintessence. The woman, meanwhile, has a gamine- like shyness; her fluttering is also a kind of shudder. There is pleasure, there, in the making of that scene, pleasure and a fresh awakening.
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Lamb works with a diverse range of materials including but not limited to stone, wood, metal, plastic, as well as "Marmoreal", a terrazzo-like composite material that he himself invented. He is known for his innovative approach and use of natural materials within his designs. An example of this experimentation is his triangular pewter stool, which he created by digging the form of the stool into the sand and pouring liquid pewter into the sand form. He has also made a pewter stool that combines hexagonal shapes.
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In 1919 he was admitted to the College Venturoli, where he studied painting, sculpture, architecture following sculptor Enrico Barberi's teachings. In this period a brotherly friendship was born with Paolo Manaresi. In the same period the friendship with the sculptor Luciano Minguzzi was consolidated, as he they continued in the Academy with the same teacher Ercole Drei, then busy in the realization of the marmoreal Images of Liberty and Victory for the Chartreuse in Bologna. Concluded then the Art Academy, in 1934 he begins in Bologna with a personal exposition.
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