So good, in fact, that it's the kind of movie that marks time.
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Its unifying aspect seems to be, more or less, the passage of time, but it marks time subtly.
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Buehler's photographs are neither a nostalgia fest nor disaster porn, but an unsparing documentation of the decay that marks time and cultural change.
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In this and other pieces, Robins marks time and underscores vulnerability, attaining a primal feeling rarely found in ceramics, much less contemporary art.
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An old-fashioned pendulum clock marks time by counting the resonance — the swinging back and forth — of a pendulum, to keep track of time.
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Philip Buehler's photographs are neither a nostalgia fest nor disaster porn, but an unsparing documentation of the decay that marks time and cultural change.
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When Harun relates his story, what's happened over the course of his life, he marks time and stages of persecution by rulers, not years.
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By returning to the same motif and rendering what she is looking at — the ever-changing leaves — she marks time without calling attention to it.
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As the child shuttles between two wildly different parents, the soft and poignantly detailed art marks time in passing seasons and the child's chaotic dreams.
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Her calendars, her compulsive accumulations, and her daily practice of spending hours every day scribing the words other authors have written can be seen as way of marking time the same way a prisoner marks time on her walls.
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In the book, the gaps between entries are of variable lengths, and, since the poem marks time, require silences of variable intervals: now laughing mallards pull themselves together now swans make straight lines across water now webs on twigs now the rapid whisper of a grasshopper scraping back and forth as if working at rust and now a gorse bush as I glance towards it a sort of swelling yellow- ness a smelling somehowness barely keeps still enough to be certain while a fern unfolds growing outside the time zone now 4:32 now 4:33 The speaker is Tithonus himself, in love with Dawn but excruciated to be held captive to yet another day.
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Step by step.... march! As the command is given to start the linemen take their places and the field markers also as well at the south end of the square. Following the command the parade ground column marks time as a drum cadence is played and to the tune of the massed bands marches past the tribune, first up, led by a colour guard and then followed by the Drum and Bugle Corps of the Jamshid Nakhchivanski Military Lyceum. The parade also includes a fleet review.
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As the flank happens, the tubas then move themselves into a downfield position. As they move into this position, each tuba on the left sides does a 270 spin and then moves into downfield position. Also, on the count of sixteen of the cadence, the rest of the band on the sidelines marks time using a power chair step and enters the field. As the band is entering the field from the sidelines, the drum majors, kicking up their legs, move quickly from the endzone to the front of the band.
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The cone-shape distribution function, also known as the Zhao–Atlas–Marks time- frequency distribution,Leon Cohen, Time Frequency Analysis: Theory and Applications, Prentice Hall, (1994) (acronymized as the ZAM distribution or ZAMD), is one of the members of Cohen's class distribution function. It was first proposed by Yunxin Zhao, Les E. Atlas, and Robert J. Marks II in 1990. The distribution's name stems from the twin cone shape of the distribution's kernel function on the t, \tau plane. The advantage of the cone kernel function is that it can completely remove the cross-term between two components having the same center frequency.
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The Escort marks time while the Massed Bands "clear the line of march" and move to the front of the Guards and mark time. Fifteen steps away from the Colour Party, the music halts and four paces later, the 'Escort for the Colour' halts in place, and is ordered to open ranks and dressed, followed by the Massed Bands making an about turn. The guards are then called to attention and then change and slope arms under the direction of the Field Officer, while the Household Cavalry are also called to attention by the commander of the Sovereign's Escort. The RSM marches around to the front of the Escort and, followed by the Ensign, approaches the Colour Party.
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" Art critic Nancy Princenthal suggests that "these paintings evoke the flat farmland of Takenaga's childhood home, in Nebraska [...] There is that sense of limitless, un marked expanses in Takenaga's recent paintings, of matter-of-fact infinitude." The laborious, repetitive process involved to make her paintings suggests the passing of time in her work. Susan Cross writes: "Takenaga has likened her approach to art- making to both soap opera narratives in which essentially nothing happens over long stretches of time and to the myth of Odysseus's wife Penelope, who unraveled her weaving each night for three years to put off her unwanted suitors. In a similar fashion, Takenaga's process both marks time and slows it down, allowing it to move forwards and backwards much like the sense of space in her paintings, which takes us spinning deep into the cosmos or right back to the work's surface, evoking both beginnings and endings.
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The enlarger's lamp or shutter mechanism is controlled either by an electronic timer, or by the operator - who marks time with a clock, metronome or simply by counting seconds - shuttering or turning off the lamp when the exposure is complete. The exposed paper can be processed immediately or placed in a light-tight container for later processing. Digitally controlled commercial enlargers typically adjust exposure in steps known as printer points; twelve printer points makes a factor of two change in exposure. In June 2017, an iOS app called enLARGE was launched on the Apple AppStore which for the first time allowed the accurate computation of the exposure time required to expose a larger enlargement, e.g. 16x20”, based on the exposure time found to be correct for the production of a much smaller pilot enlargement made first, from the same negative, at a smaller size such as wallet-print, thus making the production of the larger enlargement quicker and more economical.
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