So did participating in video memes like making one's own "Harlem Shake" clip.
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What's on the furthest end of the spectrum—making one's own license plate?
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This act of scribing might also be likened to a Book of Hours, of making one's own private Book of Hours.
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While there's mention of the value of communication and making one's own decisions, consent — actual consent — needs to be an explicit component of any responsible sex-ed syllabus.
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Such a group, or a group that cannot be prevented from forming such an enclosure, is called alive. Groups which are not definitely alive nor definitely dead are sometimes called unsettled groups. Much of the tactical fighting in Go focuses on making one's own groups live, by ensuring they can make two eyes, and on making the opponent's groups die, by denying them two eyes.
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The documentary portrays Gopalakrishnan's journey as a film director. The film begins with an evening scene depicting Gopalakrishnan lighting an oil lamp. A large portion of the documentary contains conversations/questions-answers between Kasaravalli and Gopalakrishnan. The career and works of Gopalakrishnan is divided into five parts ("chapters"): Kathapurushan (The man of the story), Mukhamukham (Face to face), Adoor Gopalakrishnan as seen by Naalu Pennungal (Four Women), Swayamvaram (Making one's own choices), and Anantharam (An Epilogue).
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Murphy and Oberlin also see passive aggression as part of a larger umbrella of hidden anger stemming from ten traits of the angry child or adult. These traits include making one's own misery, the inability to analyze problems, blaming others, turning bad feelings into angry ones, attacking people, lacking empathy, using anger to gain power, confusing anger with self- esteem, and indulging in negative self-talk. Lastly, the authors point out that those who hide their anger can be nice when they wish to be.Tim, Murphy; Hoff Oberlin, Loriann (2005).
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In combat, the winning strategy is to "get inside" your opponent's OODA loop, not just by making one's own decisions quicker, but also by having better SA than one's opponent, and even changing the situation in ways that the opponent cannot monitor or even comprehend. Losing one's own SA, in contrast, equates to being "out of the loop". Clearly, SA has far reaching applications, as it is necessary for individuals and teams to function effectively in their environment. Thus, we are beginning to see SA going beyond the field of aviation to work being conducted in a wide variety of environments.
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However, Donia begins to suspect foul-play as Beira changes the rules by which they have played for centuries, and threatens Donia's existence if she does not comply. The importance of this theme revolves around the characters challenging these rules, and that they should not be accepted and followed purely at face value. This leads onto the other main theme of the book which is choices. In a version of Wicked Lovely containing an extra 'Chatting with Melissa Marr', the author details how she wishes to impart a message of the importance of making one's own choices, and is also referenced in an interview with book bloggers 'The Book Smugglers'.
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In addition to unintended themes of reliable narration and whether the magic Mori perceives is wish- fulfillment, the novel explicitly explores the question of moral responsibility in doing magic. As the novel progresses, Mori comes to feel that the rippling impact of magic on others and its ability to deprive them of free will is unacceptable, and she pledges to use magic only for protection. The book also explores the ability of books to provide hope in times of grief and darkness. As the title suggests, the novel is also focused on making one's own way in a world in which one feels outside.
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Queer regionalist scholars such as Mary Gray have illustrated that organizing for LGBTQIA+ issues in the post-Stonewall U.S. has centered around a politics of visibility. Within this political framework, publicly claiming a minority sexual orientation is viewed as inherently political. Visibility politics claim that, by making one's own queerness visible, 'out' individuals resist heteronormativity and the erasure of non-heterosexual behaviors and identities as well as illustrate to their local, national, and global communities that queer people exist and need equal rights and protection under the law. Therefore, visibility politics view a public declaration of queer identity as the primary road to political liberation and equality for queer communities.
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In this interview he also expressed his belief that currently, the global market is the largest force shaping the lives of people throughout the world. For this reason, he believes that the most effective way to solve social problems in individual countries is to address them at a global level by changing the policies dictating the global market. He explained that since most people are not given the power to directly change these policies, the most effective way to bring about change would be to make a statement to those running the economy by becoming self-sufficient through boycotting corporations, growing one's own vegetables, and making one's own clothes. He then added that he does not own a car or cell phone because he does not need either of these.
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Descriptive text required more preparation, if only via cut-and-paste; acting and voice skills could not be utilized to get the personality of NPCs and monsters across, increasing the value of background music ('assigned' in advance or individually chosen) as a playing aid. The GM was likely to need copies of player-character records, being unable to glance at the originals as in normal face-to-face procedure. The format also forced the issue (particularly when participants were not personally acquainted) of whether to leave all rolling of dice to the GM (making one's own rolls is a privilege not readily surrendered by some players), or to trust all players to honestly report the results of their rolls (the honor system may be strained when it is in a player's best interest to roll well). However, workarounds to these challenges have only increased over time.
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In 1954, Kraus also began writing and illustrating children's books, beginning with Junior the Spoiled Cat, The Littlest Rabbit, The Trouble with Spider (later expanded into the Spider, Fly and Ladybug series), I, Mouse, Mouse at Sea, The Bunny's Nutshell Library, Carla Stevens' Rabbit and Skunk series, and the haunting and critically acclaimed Amanda Remembers. Kraus could speak directly to children without a trace of artificiality or condescension, naturally embodying both them and himself in a variety of small but plucky animal protagonists. The book Leo the Late Bloomer, an encouraging story about making one's own pace, is a continuing legacy. Professor Paul Fry has used one of Kraus's lesser works, Tony the Tow Truck, tongue-in-cheek to teach a popular English course at Yale, Introduction to the Theory of Literature, using its hundred-word text to illustrate topics such as Hermeneutics, Semiotics, Structuralism, Deconstruction, Queer Theory and Gender Performativity.
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