In accepting his gift, you'll be making a gift of your own.
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Boost your tax efficiency by making a gift of highly appreciated stock, rather than selling the asset and donating the cash, said Salvini.
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The court said a jury can infer that the tipper personally benefited from making a gift of confidential information to a trading relative.
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"Today at the hospital we are donating a wing in tribute to Ford and our family is making a gift of $10 million dollars so that other children can experience the love and care of this exceptional facility," Murphy wrote.
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Sargent bought the picture when it was first exhibited and years later gave it to the Tate: an established artist making a gift of the work of a less successful artist was an important means of promotion for artists such as Swynnerton.
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Pollock and Maitland, p. 330-331, ibid. Bracton gives the example of a tenant making a gift of frankalmoin: gifting land to the Church. A right of wardship would have no value at all, as ownership can't henceforth pass to a minor.
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86-87 (Internet Archive). Around Michaelmas 1285 (13 Edward I) Ralph Fitzwilliam made a fine with John Yeland for the distribution of the moieties of that inheritance among his wife's sisters, the coheirs, making a gift of premises there and in Hertfordshire and Essex also to Yeland.Feet of Fines (Diverse Counties), 13 Edward I, CP 25(1)/285/23 no. 157 (View original at AALT, image 12.
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Charters pertaining to Sancho's reign are found in the cartulary of the Abbey of Celanova. They show him making a gift of a villa to Gutier Menéndez in 927 and another royal gift to a Galician nobleman named Odoario in 928, and receiving a gift of land in 929. Sancho depended upon and received support from the Galician nobility. Sancho married Goto Muñiz, a granddaughter of Gutier Menéndez and niece of the saint-bishop Rudesind.
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This came to be known as the "dead hand" (French: mortmain) – either the Church (a non-living corporation) represented this dead hand, or the hand was that of the dead donor, who in effect still controlled the land by his original gift of it. Thus did the actions of men who had died generations before continue to control their former lands. The Great Charter of 1217 struck down certain practices to which the Church was privy. Collusion, in making a gift of the land to a religious body (so as to evade feudal service), in return for an immediate re-letting of it by that body to the donor, was forbidden.
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Left alone at night with the body, the four of them get Quincas to participate in one last party, telling him jokes serving him liquor, and making a gift of a beautiful frog that Breezy had just caught. They then decide to take Quincas on one last trip to the docks to share Cap'n Manuel's delicious fish stew that was Quincas's favorite. On their way to the dock, they pick up a group of prostitutes, including Quitéria, so she can have one last fling with the dead man. Quincas always loved the sea, and after the friends feed him the stew, they take him on board Cap'n Manuel's boat for a fishing excursion.
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The records from Rajadhiraja (ARE 49 of 1927-28) indicates offering by Pichan Sirudaikal of Saliamangalam making a gift of offering to the ashtamangalam ceremony, the eight steps of bathing of the deity (mirror, water-pot, flag, fly-wisk, elephant goad, drum, lamp and a pair of fish). Exclusion of land tax for certain lands of the temple are found from the inscriptions (ARE 79 of 1927-28) from the period of Rajendra Chola II (1054–1063 CE). From the inscriptions it is deducted that the first precinct was probably built during this time. There are also inscriptions from private donors indicating donations of festival images to the temple (ARE 57 & 63 of 1927-28).
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Frederick Baylis died in 1906, leaving the family business to his four children, Edith, Bertha, Gerald and Watson, who ran the paper as a partnership. From the turn of the century to the outbreak of the Second World War, the Advertiser ticked along, changing little until the appearance on the scene of Louis Baylis, Gerald’s son and the man behind the modern Advertiser. Louis saw the Advertiser through the dark days of wartime newsprint rationing, but perhaps the greatest contribution to the paper was to safeguard its future and independence by turning it into a charitable trust in 1962, in effect making a gift of the paper to the town. Norman Baylis, Louis' brother, who died in 1999, worked alongside Louis in these days and when Louis went into hospital just before the Advertiser's 100th birthday in 1969, Norman took over greater responsibilities.
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Miller's career as an independent artist began unwittingly during the time he was stationed in Europe during World War II. With the shortages caused by the war, Miller's media by necessity was whatever he could lay his hands on - proper paper, pencils, paint and chalk were hard to come by \- but never one to pass on an opportunity to paint, draw or sketch, Miller took whatever art paraphernalia he could improvise and went out on his free time to artistically record the beauty that was still Europe. This frequently led to a spontaneous commission, where Miller would part with his current project for pocket change (or equally as often by making a gift of it) when a passer-by stopped to admire his work. After the war and while he worked at Goldsholl Associates, Miller continued as an independent artist both by private commission and by displaying his work at various venues. It was at a show at Hyde Park in Chicago that Miller was approached by Margaret Taylor- Burroughs, then director of the DuSable Museum, to create some kind of memorial to the museum's founders.
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