They travel by train with the apparent intention of clearing Andreas, but Khalibiev makes sexual advances to her. When she screams he attempts to silence her with his handkerchief, forgetting he has wrapped the stolen diamond in it. She realizes he is the murderer. He is arrested, and Andreas is freed.
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During the entire play, she is away on the front and is quoted, but never seen. Ultimately, Dimshits makes sexual advances to Ludmila, who repels them by claiming to have toothache, to his great discontent and humiliation. Ludmila's intentions are to achieve Dimshits' respect and finally marry him. Dimshits, however, is already married, and only wants Ludmila as a mistress.
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He calls her a whore and taunts her with the possibility that he may have gotten her pregnant. As a shattered Miss Julie begins showing signs of psychosis, John orders her to break into her father's desk and steal all of his money. He promises her that they will use the money to elope and start a hotel in Switzerland. John goes to Kathleen and makes sexual advances to her as well; she rebuffs him angrily.
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The singer wrote the album's fifth cut "Say Somethin, which features rap verses from Snoop Dogg and was produced by The Neptunes. Vibe writer Dimitri Ehrlich described it as "a musical oddity", and characterized the production as "strange instrumentation, weird melodic shifts, hectic drum patterns and a bed of synths." Lyrically, the protagonist makes sexual advances to a romantic interest with the line "If it's worth your while, do something good to me." When interpreting the lyrics in the female role, Cummings noted "a shy woman who doesn't need to say anything at all to get a man's attention.
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The Buffalo News' Heather Violanti summarized the performance as "five minutes of painful rumination by the evil Scar and his hyena henchmen after Scar's usurpation of the throne". During the song, the hyenas express their discontent with Scar for his inability to deal with a drought affecting the Pride Lands, begging for him to give them a "fix of flesh" to satisfy their "needs". Through the course of the lyrics, Scar becomes increasingly paranoid about comparisons to his deceased brother Mufasa. After fixating on a plan to produce an heir for his kingdom, Scar makes sexual advances to Nala, who explicitly refuses him.
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Crostil the insults. The widow, however, has a "humorous" and contrary personality (hence her name: she is always contrary, "cross still"): :"she has a violent humour to do, and not to do things oftentimes wilfully against all good counsel or persuasion; she has the spirit of contradiction in her, and an unalterable resolution upon sudden intentions, a most incorrigible will she has, that will not bow nor break" — as Mr. Saveall puts it. The rudeness and sexual bravado of Careless's "cross abusive letter" only attract the widow to him. Careless is incorrigible himself: drunk, he makes sexual advances to Lady Thrivewell, offering to impregnate her with the heir that his uncle apparently cannot conceive.
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The story opens with its protagonist, the overweight, lazy, yet fancifully imaginative Norman Mott driving into the town of Alegre to gamble and visit his girlfriend, the zaftig, blonde Sandra Patterson, at college. He attempts to make love to Sandra but is thwarted by her sexual repression at the hands of her mother, who is a disciple of the evangelist Reverend Smiley Harley Gurrey. Between her mother’s influence and the experience of being tricked into a sham marriage as a teenager, Sandra is so apprehensive about sex that she becomes extremely flatulent every time a man makes sexual advances to her. Mott, facing the likelihood that he will soon serve a prison sentence for refusing to be drafted into the Vietnam War, borrows money from Sandra to gamble, hoping to raise the money to pay for his mentally handicapped twin brother, Paulie, to stay in a care facility while he is incarcerated.
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