Eventually, the security guard lets us past the main door.
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He walked off the plane through the main door, he said.
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They blew holes into the building to avoid a booby-trapped main door.
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I then led myself out of the main door, locking it behind me.
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Beyond the double front porch, the main door opens to a long hallway with maple flooring.
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We tied them together and that was what was outside the main door of the coffee house.
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Around 200 police blocked a main door of the university to prevent protestors from leaving, according to police.
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THE window over the main door of the Bishop's Palace in Krakow is known as the Pope's Window.
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I asked at the main door if there was any way that I could get in without a ticket.
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They likely would have been the first thing visitors saw after entering the structure's main door from the south.
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Zuckerberg shook a few hands before he was ushered right out the main door and toward the building's exit.
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This time the plan was just to walk out through the main door and leave his daughter in his cell.
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A staircase had not been properly arranged for the president to disembark from the main door of Air Force One.
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Many victims found were piled on top of each other, while another was discovered in front of the main door.
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At this point, with other people nearby and not wanting him to escape out the main door, I jump him.
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Young ended up trapped inside a suite bathroom, and Weinstein blocked the main door to keep her from leaving, Hast said.
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The Wick store was broken into in June; a van slammed through the main door, and £30,000 of merchandise was taken.
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Protesters threw petrol bombs, flares and other objects and tried to destroy scaffolding that protects the main door, which they broke.
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A large number of victims found were piled on top of each other, while another was discovered in front of the main door.
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According to tradition, the corpse, that of the village chairman, Chitra (Prakash Ghimire), can't be removed through the main door of a house.
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Carrying two pistols, the shooter then entered the church through the sanctuary's main door and "began indiscriminately shooting," said Aaron, the police spokesman.
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The main door now seals him from the outside world, but there is another exit — an emergency one — that beckons toward our borderline-antihero.
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Personally, I find those houses with the main door opening directly in the living room too exposed, but it seems normal in your country.
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The plane has only two exits — there was the main door leading to the aircraft and an emergency door leading to the right-wing.
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Near the mouth of the complex, the women beelined for an entrance for V.I.P.s, seeing that the main door was too clogged with people.
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Success is like a nightclub: Most people wait in line to enter through the main door, and celebrities sneak in through a side door.
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They "blew holes into the side of the building, not wanting to go through the main door because that was booby-trapped," the president revealed.
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Its main door was open and thronged with people, and the organ music poured out, toiling and mysterious no more, rising with ease and cheer.
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Witnesses said the first blast inside the Jolo cathedral in the provincial capital sent churchgoers, some of them wounded, to stampede out of the main door.
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After a few minutes, the main door to the passage slammed, and in came Tiquesha dressed in her inmate beige sweats, her hair in a topknot.
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Arriving in Beijing on Wednesday, Trump and his wife Melania descended from a red-carpeted staircase rolled up to the main door of Air Force One.
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Just past the main door to the house is an octagonal structure covered in tie-dyed terry cloth that turns out to be a functioning sauna.
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The building's main door was emblazoned with a painted yellow train and a graffitied city backdrop, with Cross Bronx Express written across a ribbon above it.
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They caused supporters of the Iraqi Shiite militia to attack the U.S. Embassy in Baghdad, smashing a main door and setting fire to a reception area.
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The shooter then entered the church through the sanctuary's main door with two pistols and "began indiscriminately shooting," Metropolitan Nashville Police Department spokesman Don Aaron said.
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We didn't trust anyone who bothered knocking on the main door since only the police or the postman did so—for me, they were the same thing.
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Gnewt Cargo, a subsidiary of Menzies Distribution, denies this and says that she was sacked in January after she deliberately damaged the main door of its premises.
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The main door was flanked by a large pond surrounded by tropical plants such as palms and bromeliads, with exotic wood statues welcoming visitors at the entryway.
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The explosion in Tanta, about 50 miles north of Cairo, occurred at St. George's church, where the authorities had already sealed the main door to prevent attacks.
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Dozens of militiamen and their supporters smashed a main door to the compound and set fire to a reception area, but they did not enter the main buildings.Sen.
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Embarrassed officials later told reporters that the prisoners then disguised their uniform with clothes that were in the storeroom, and walked out of the courthouse through the main door.
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On that day, a huge cardboard box outside the main door to one well-groomed building asked that US mail be deposited there; only staff were allowed to enter.
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Many protesters breached the main door to the embassy and set a fire in the reception area, leading to disposal of tear gas and gunfire, The Associated Press reported.
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It was so fierce and sudden in the wooden house in Himbi, outside Goma, in eastern Congo, that Luc Nkulula could not get through the lounge to the main door.
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When he entered the hall, he entered through a side door instead of the main door and proceeded to give a nine-page speech warning them against such a mutiny.
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When the three-minute shooting spree started, a terrified Clougherty ushered some of her 65 classmates into a closet and gestured for others to block the main door with a piano.
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Then, there was this guy standing next to my car; he had a light blue windbreaker and jeans and he was shooting in the direction of the door — of the main door.
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Many of the victims were found piled on top of each other, while others were discovered in front of the main door, fire and rescue department official spokesman Soiman Jahid told reporters.
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Protesters stormed the U.S. embassy in Baghdad while chanting "Death to America," smashing the main door and setting fires Tuesday, but they began to withdraw Wednesday after a militia official declared victory.
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They managed to reach them through the messaging service WhatsApp, begging their children to give them details, like how far from the main door they were when the building collapsed, to help the search efforts.
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The protesters marched to the embassy after the funerals of those killed in the U.S. strike and chanted "Death to America" while smashing in the main door and setting a fire to the reception area.
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A local resident, 54-year-old Sarah Burnett-Moore, said she was able to walk right into the school because a gate and main door were left open – just days before Prince George's school year began.
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From valet parking to a concierge desk — where customers are escorted to the main door — this new Starbucks Reserve on the island of Bali, Indonesia feels more like a luxury hotel rather than a coffee shop.
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Dozens of angry Iraqi Shiite militia supporters broke into the U.S. Embassy compound in Baghdad on Tuesday after smashing a main door and setting fire to a reception area, prompting tear gas and sounds of gunfire.
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He also said that "when he opened the storm door to knock on the main door and ask for the clothing back, [redacted] stepped in front of him and pushed him in his face," the complaint said.
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BAGHDAD — Dozens of angry Iraqi Shiite militia supporters broke into the U.S. Embassy compound in Baghdad on Tuesday after smashing a main door and setting fire to a reception area, prompting tear gas and sounds of gunfire.
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Authorities say a 26-year-old California man carrying a backpack jumped multiple fences at the White House complex and set off multiple alarm sensors before he was discovered just steps from a main door to the mansion.
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The 26-year-old California man, who a family member said is mentally ill, jumped multiple fences at the complex and set off several alarms before he was discovered just steps from a main door to the mansion.
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Trump said the US had al-Baghdadi under surveillance for several weeks before forces landed in eight helicopters at the leader's compound and targeted the side of the building, avoiding the main door in case it was boobytrapped.
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I finally manage to enter the building by catching the main door just as it swings shut behind a young man, who disappears up the stairs before I can ask him where I might find the restaurante Chinês.
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Some were angry at being asked to leave, or at not being allowed to freely enter to visit hurt relatives, and a shouting match erupted at the main door between a small group of hurricane victims and Bahamas marines.
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The meeting had already been rocked by a chaotic arrival when the Chinese did not provide a rolling staircase for President Obama to disembark from the main door of Air Force One on his arrival in Hangzhou on Saturday.
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" Trump also specified the number of helicopters the commandos used — eight — and reported that, upon landing, the commandos "blew holes into the side of the building, not wanting to go through the main door because that was booby-trapped.
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"When we landed with eight helicopters, a large crew of brilliant fighters ran out of those helicopters and blew holes into the side of the building, not wanting to go through the main door because that was booby-trapped," Trump said.
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It said the attackers, estimated at between 25 and 30, arrived at the mosque close to the small town of Bir al-Abd in five all-terrain vehicles and positioned themselves at the main door and the facility's 12 windows before opening fire.
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"Doorknobs on the main door and closet door had been removed and replaced with deadbolt locks opened only by a key ... the children were left in there, living altogether," Julie Johnson, with the Fort Bend County Sheriff's Office, told CNN affiliate KTRK in Houston.
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Washington (CNN)Two Secret Service officers have been fired over their handling of a March 10 incident in which a White House fence jumper made it just steps from a main door to the executive mansion, two law enforcement officials told CNN on Thursday.
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BELGRADE (Reuters) - Serbian President Aleksandar Vucic had to use a side entrance to access the state television building on Tuesday evening after around 200 angry opposition supporters blocked the main door in a protest over what they said was government control of the media.
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According to the official, U.S. Ambassador to Iraq Matt Tueller was away from the embassy on previously scheduled personal travel as the area came under assault by protesters who got beyond heavily fortified walls, past a main door and set fire to a reception area, according to reports.
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"The main door of the hotel was blown open and there was a human arm in the street severed from the shoulder," said Serge Medic, the Swiss owner of a security company who ran to the scene to help when he heard of the attack from his taxi driver.
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One of the most significant breaches under President Donald Trump occurred on March 10, when the Secret Service said a man breached the perimeter of the White House grounds after jumping several fences and went undetected for more than 16 minutes before being caught just steps from a main door to the executive mansion.
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Nairobi is a major expatriate hub, and the compound attacked houses offices of various international companies "The main door of the hotel was blown open and there was a human arm in the street severed from the shoulder," said Serge Medic, the Swiss owner of a security company who ran to the scene to help when he heard of the attack from his taxi driver.
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Just past the entrance on either side of the courtyard are two columns with carvings of peony flowers, magpies and phoenixes. The main door is made of double-leafed timber and painted with phoenixes. The two side doors flanking the main door are painted with door gods. The main door is usually kept barred except on important occasions.
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Subsequently, an automatic electric door has been added beyond the main door.
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It has one main door that contains three openings and multiple side doors.
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It has 342 seats and has an inscription band and ring on the main door from the Middle Ages.
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Upon entering the main door, there is a long, narrow hallway that leads to a very small patio area.
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The deciding factor in Jackson's mind, according to letters from the time, was the balcony over the Inn's main door.
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A specially designated entrance for housemate Verne was located to the side of the main door. This door does not have stairs.
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The main building features a dormer window above the main door and a wooden cornice running the length of all three buildings.
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The gothic pointed arch of the original Peacock Building main door was reconstructed as a free-standing monument in the Eaton Building's forecourt.
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Bell UH-1Y page , Bell Helicopter, Retrieved 3 January 2008. The fuselage has been lengthened by just forward of the main door for more capacity.
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The façade of the church was modified and done later by Giacomo Della Porta. We can see two main sections which are decorated with acanthus leaves on pilasters and column capitals. The lower section is divided by six pairs of pilasters (with a mix of columns and pilasters framing the main door). The main door is well decorated with low relief and two medails.
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It features semicircular arches over the main door and adjacent windows. and Site map It was added to the National Register of Historic Places in 1986.
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Close-up of the lunette sculpted by Henri Révoil above the main door The Église de la Madeleine is a Roman Catholic church in Aix-en-Provence.
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Symmetry of all the elements is an important feature of the Southern Colonial. The main door is always in the center just behind the colonnade, and windows to the left and right of the main door, usually surrounded by black shutters. A center hallway is typical in the interior, along with a grand staircase and use of chandeliers. If a brick exterior walkway is employed, it is also usually symmetrical.
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The well with Renaissance decoration, the main door with pilasters and the staircase turret date from the 16th century. The polygonal construction exhibits Gothic ornamentation, in particular hooked capitals.
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The main door is large enough to allow horses and carriages to enter the ring, and above the door is an iron wrought balcony that embodies the bullfighting culture.
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Later it was owned by the Revd. Neville of Thorney and Revd. Robert Manners-Sutton. Following that it belonged to Sir Joseph Laycock, whose crest is above the main door.
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At the lower level there is access to the shelter while to access the main house there are two flight of stairs on both sides leading to the main door.
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Main door of rajwada is very big. The door of this rajwada is made up of a very thick wood. Some of the old goods are still present in the rajwada.
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The building is of Gothic style (XVI).The oldest part is the arch of the main door where it can be found a Chi-Rho Christogram from the late 13th century.
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The new building was built to designs of Andrea Belli, and construction was supervised by capomastro Domenico Cachia. Some alterations, including the enlargement of the main door, were made in 1791.
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In parts of the church, the old flat ceilings, were raised and Gothic vaulting installed. Cat's head portal from the late 12th century Doorknocker by Anne Marie Carl-Nielsen Statue of Ansgar Late in the 12th century, a magnificent main door way was carved for the cathedral. The relief above the door shows Jesus being taken down from the cross. About 50 years earlier, a triangular relief showing the Day of Judgement was placed above the main door.
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The restored greenhouse was repaired following its original design including an exact copy of its main door. Other partners for this project included: Nassau County, Harry Whaley & Son, LLC, and Oakwood Construction.
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Guápiles has an area of km² and an elevation of metres.. Guápiles is settled to an altitude of 268 meters and is considered the main door of entrance to the Costa Rican Caribbean.
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The bell tower is in the southwest and rises with a steeply pitched gable. A window forms a quatrefoil surrounded with circles above the main door. The roof is covered with asbestos shingles.
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Lorenzo Cardella, Memorie de' Cardinali della Santa Romana Chiesa IV (Roma: Pagliarini 1793), p. 140. Above the main door of that church, on the interior side, is the famous inscription: ALEXANDER . FARNESIVS CARD . S .
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A Minor Basilica has the privilege of including the Pope's coat of arms over the church's main door. The church building is listed on the National Inventory of the Cultural Property of the Maltese Islands.
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The main door and nave wall paintings date from the 13th century and the white wooden bell tower was built in the 15th century. The churchyard is notable for a number of sweet chestnut trees.
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The prized original retablos (and a classic altar) is ornately decorated with statues of saints. The Baroque-style carved, the painted ceilings and the magnificent overall exterior are preserved for centuries. The intricate sculpture has tone of the Renaissance age's undying European Art as demonstrated by the majesty of its ceiling or dome, walls and the altar from the aisle near the main door. The magnificent structure's main door, the entrance to the church features some heavy details: "Iglesia Parroquial San Pedro Y San Pablo Calasiao, Pangasinan".
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The base of the windmills consists of circular basalt stone, broken by small symmetrical staircase. The only point of entry is the main door, at the top of the staircase, elevated from the small platform/landing.
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There is a children's museum being built around the corner from the arena, to which Ferst donated one million dollars. A portrait of the couple is seen when visitors walk in the main door of the arena.
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The portal over the main door resembles the Renaissance style of the portals of Churches and Palaces in Rome from the mid-16th century. The original 17th-century main door, which was beautifully carved in wood by a local artisan, has been moved indoors for conservation and replaced by plain wooden doors. There is a restoration project underway to clean the facade of the church which has become stained and darkened with time. The Chiesa Madre is the sanctuary of the relics of San Crescenzo, a Roman Legionary who converted to Christianity.
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Over the main door is a cartouche with the sculpted 1888. The main door opens to a small narthex, that corresponds to the perimeter of the tower, that extends to the windbreak. On either side of the narthex is a compartment accessible from the nave: opposite the epistole side is the baptistery and opposite it is winding staircase that leads to the high- choir and belfry. The choir, in wood, occupies the area at the front of the nave (over the windbreak) and is counter curved, protected by a guardrail of balustrades.
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Among his masterpieces are Madonna and Child with Saints in Pescaglia and Coronation of Santa Teresa (now in National Museum of Villa Guinigi in Lucca). He also frescoed the cupola of the chapel of Sant'Ignazio in the church of San Giovanni in Lucca. He painted a St Francis adoring the Virgin for the church of the Monache dell’Angelo, and frescoed a Nativity for the main door of the interior of the church of San Giusto. The frescoes on the main door of Santa Maria Corteorlandini are also attributed to him.
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The white marble statue in the niche over the main door is Apotheosis of Saint Mark (2007–8) by Jason Arkles. This is the first work by an American sculptor to have a permanent public location in Florence.
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On the main door of the building is the Greek god of healing, Aesculapius. Dr Winteringham is buried in St. Michael-le-Belfrey Church, opposite York Minster. After his death, the building was bought by Dr. John Dealtry.
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The main door of the fort faces north, while an additional door faces the east.Archaeological Survey of India 1903, p. 28 The second storey of the fort has a set of guard rooms.Archaeological Survey of India 1903, p.
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One can still notice preserved and rich, Neo-Renaissance and Neo-Baroque stucco decoration of the facade. Many original forms of the eclectic architectural details are also present, in particular the adorned wooden main door with a transom light.
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To the right of the temple main door is a Hanuman temple. You'll see a long horizontal gap in the rock just below Hanuman. This is said to be where Gandabheranda Narasimha manifested. This is a very popular temple.
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There are shot holes used to guard the main door and there are also shot holes under the staircases and in the walls of the tower.Norman H. MacDonald. The Clan Ranald of Knoydart and Glengarry. Published by FSA Scot.
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These differ being run on the rake, are narrow and contain a rib mould at each joint. The bank chamber has a central main door as well as two further doors, which may be former windows with sills removed.
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The façade is Neoclassical with the coat of arms of the family. The main portal has two levels with an arch and a relief of an eagle on the keystone. The main door is profusely decorated with high reliefs.
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Unlike others present, she found the speeches "aggressive". A "group of churchmen in black skirts" pushed her aside as they made their way past. "Fascist leaflets" were on display by the main door. Viett wondered where to find the "counter- revolution".
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The entrance hallway, inside the main door, has a mosaic floor. a marble baptismal font is in the rear of nave. It has a shallow barrel-vaulted coffered ceiling. Steps to the altar are of marble, as is the altar itself.
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In June 2012, masked men set fire to tires in front of Al Jadeed’s office’s main door after the channel had released an interview with Ahmed al-Assir, a Sunni Sheikh. Al Jadeed’s security team arrested one of the men.
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The exterior of the building is clad in sandstone backed with concrete, and uses limestone for trim features and sills. Ornate stone carvings adorn most of the doors of the building, with a large coat of arms atop the main door.
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Luckily, a lady sees Pihu hanging dangerously and persuades her to get down. The electricity also fluctuates multiple times. The tap water overflows and comes out of the main door. Neighbors see the water, but think the owners are on holiday.
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A miniature of the building featured in 1923 Pasar Gambir fair. The building was designed in tropical Art Deco. It has a clock face and two prominent towers with lightning rod. The two meter main door is made of iron.
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The main lesene's enclose three sections interspersed with two smaller ones where two niches house clay statues of Sant'Antonio and Santa Sofia, both the work of the Roman sculptor Neni or Nene. The central section contains the main door with a decorated stucco frame while the upper level houses a rectangular window. There are also smaller doors on either side of the main door, each surmounted by an oval window. The belfry can be seen to the left of the facade with two clocks and three bells dedicated to Santa Sofia, Santa Maroa and Santa Elia.
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Below is the main door, with round headed arch composed of several filleted shafts, the door is divided into two by a trumeau shaft topped with two semi-circular arches; the capital here bears a representation of the Arma Christi.McWilliam, p. 230.
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The upper floor was reserved for the family. It was elaborately decorated and included a private chapel for use by the family and visitors. The house had a small attic with bedrooms. The ground floor has five windows and a main door.
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The Worth Matravers church has a mirror from the ship hanging above the main door. The United Kingdom's Maritime and Coastguard Agency and the Nautical Archaeology Society have been jointly piloting an "Adopt-A-Wreck" plan using the wreck of the Halsewell.
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The main door-way itself became one of his 'trademark' features, a tall, ovoidal gothic multi-leaved entrance. Today, surrounded by paved streets, the striking building looms over onlookers. The church was deconsecrated in 1962. After extensive modern refurbishment, is now occupied as offices.
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The institute's main door. Aqcuiring proper premises became relevant in 1987. Then a house situated in Zítrou 16 was acquired, but it required overall renovation that took multiple years. In addition, a new apartment for the director was acquired from the Karyátidon street nearby.
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The building was soon restored and later re-opened to the public. The bell tower is now fully reconstructed and the main door of the church as well as the area in between the original church and the pilgrim center is now fully accessible.
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They remain part of the Barbican on the main door and towers that flanked one of the doors of the fence. Thanks to recent archaeological research, which laid bare significant stretches of gothic fence, we can now make the idea of the original design.
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On the two sides of the main door, there are engravings of Chinese poems which praise the contribution of Lo Pan in Architecture and wish his spirit can last forever.Tang Hoi Chiu [et al.]. Chinese temples on Hong Kong Island. Centre of Asian Studies, 1983.
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The main door on the entrance has exquisite carvings of the Twelve Apostles while a side door has carved representations of angels. Former First Lady Imelda Marcos was interested in purchasing the church's door for ₱1,000,000 using government funds siphoned by her husband, Ferdinand Marcos.
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The church occupies an area of 1 hectare and is about 70 feet (20 m) tall. It is a rectangular Latin cross in shape, and in classical basilica form. Entrances are placed in the north, west, and south. The main door is in the southwest.
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The nuns told them to call the watchmen, who were supposed to guard the ashram were asleep at the residence of the priest in-charge as the priest went to the town of Dahod for some work. The men started to force their way in by trying to break through the fold-able metal grill outside the main door. Realizing their intentions, the nuns blew whistles to get the attention of the watchmen who were asleep half a kilometer away. The men managed to break through the metal grill, the main door and to the one of the rooms the nuns locked themselves in.
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The Santals on either side of the main door and on the eastern corner were by Ramkinkar Baij. Mahatma Gandhi and Kasturba Gandhi stayed in the house as guests. Udayan is the most imposing house in the Uttarayan complex. It is meant for important guests visiting Santiniketan.
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There is a semi-circular fanlight on the gable end of its roof. The main door has nine lights with a transom. The interior has a central corridor with stairs leading to a second-story landing. A second set of stairs leads to the second floor.
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The arch over the main door has the most detailed Victorian carving in the city. The foundation stone was laid in April 1862 by Bishop Cornthwaite. The present church was completed in 1864 for the sum of £10,000. It was opened by Cardinal Wiseman in June 1864.
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It had a neck rail and manacles., Õhtuleht, vaadatud 28. juuli 2013 The arcade ends with the town hall's main entrance in the right side. The main door differs from other smaller doors and hatches with beautiful statuary jambs and three stairs that lead to the door.
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The Holy Mandylion icon over the main door. The sisters wore white cotton robes on Sundays and feast days. The work uniform was a grey cotton robe cut like a cassock, sewn together in front and closed on the sides. with white cuffs on the sleeves.
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The main floor is one large room. The east end was designated the children's reading room, while west end was reserved for adults. The librarian was located opposite the main door. The Carnegie floor plan "A" places windows high in the walls, to provide for bookshelves below.
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The Alanson Green Farm House is an L-shaped, vernacular Greek Revival house. The ell is fronted with a modest recessed porch with classically-inspired columns which shelters the main door. The house is topped with a wide frieze located below a boxed cornice with returns.
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On the other hand, the parish rectory measured approximately long, wide and high. The rectory had a kitchen, two brick chimneys, four rooms and offices. The larger reconstructed church measures long, with transept width wide, and with walls high. It has a main door and four lateral doors.
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A year later, on 28 April 1779, La Brillane died in Le Réduit. An inscription dated 1778 on the main door commemorates the reconstruction. Successive governors followed La Brillane until 1810, when the English took possession of the island. The last French governor was Charles Mathieu Isidore Decaen.
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On March 18, 2004, at 4:24, a bomb exploded at the main door of a gun shop at Roosikrantsi 8 in Tallinn. After four minutes, another bomb blew up. The explosions injured two people, who were hit by glass. Witnesses saw two men running away from the event.
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Each window has a channelled and cambered stone lintel with a larger central keystone. Above the first floor windows are recessed brick panels. At the top of this frontage, there is a stepped brick cornice. A stone plaque above the main door is carved with the words 'Assembly Rooms'.
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Engineer-author José Lourenço describes its architecture as Mannerist Neo- Roman in style. It is of large size with three bays and three storeys. Its main door has a bracketed arch. The frontispiece has Rococo curves flanking a broken pediment which frames a relief of the Sacred Heart.
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The wall and doors of the temple were well designed with beautiful works. There were two giant elephant sculptures with silver tusks at the main door. The walls were made without any mortar. The temple roof was made of copper(tam in assamese), that's why it is called Tamreswari.
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For the last dance, they again assembled in the dancing ground by performing the dance in merry go round. In the middle of the arena they made a pothole in the ground and let a pitcherful of water and the blood of an earlier sacrificial buffalo, and make watery muddy for playing purposes. After singing and dancing for sometime the dancers, children along with their bachelors leader Nagahoja or Mathlahoja facing to the main door of the house of Gajaibao (Hangseu Bushu Leader) and proceed as if in the coming and going for three times. In the same time some youths behave like monkeys and pull out the main door of the Gaijaibao's house replace it the new one.
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The original courtyard was thus preceded by a second one accessible through the new entrance of the castle. A moat was dug to separate the castle from the first houses of Fagnano (today Piazza Cavour) and a bridge was built over it to reach the main door of the castle.
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The deputy principal also narrated that on the same night, he bumped into Ngumbao, took his admission number for punishment then let him go. The dormitory had a capacity of 130. A padlock on the main door as well as metal barriers placed on the windows prevented the students from escaping.
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A marble plaque is attached to the northern corner of the main facade commemorates the laying of the foundation stone but is unlikely to be original. Next to the main door is a large brass plaque, commemorating the blessing and reopening of the building as St Joseph's Parish Hostel in 1991.
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The mausoleum is an important shrine that belongs to the Timurid period (1370-1507). It was built between 1446 and 1448 by the order of Sultan Muhammad bin Baysonqor, the grandson of Shahrukh Mirza and one of Timur's grandsons. Shahshahan Mausoleum main door Shah Alaeddin Mohammad was an Imam (leader).
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The builders then covered the brick family houses with cement to make them look like the cinder concrete houses. The technical innovations of the Papaverhof design are demonstrated by the pivoting windows, intercom for the main door, automatically dimming lights and waste disposal chutes. Such innovations illustrate Wils' forwarding thinking.
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Additional inner doors reduce the loss of temperature when opening the main door. Icing within the ULT freezer should be reduced to a minimum. Modern ULT freezers employ variable speed drives for both the compressors and fans. This has reduced energy consumption a further 30% to typically 8.5 kWh/day.
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The main door in the front center of the southern colonial is typically adorned overhead with symmetrical pediments placed above the header, which rests on capital-crowned pilasters, with a frieze situated in between, just below the header. Crown molding is extensively used in the interior. French windows are usually used.
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St. Nicholas' Church: west tower and main door East side: Choir and ridge turret The Evangelical-Lutheran parish church of St. Nicholas () in Aue is a Neo-Gothic hall church of the Evangelical Lutheran State Church of Saxony in the Saxon Ore Mountains and the tallest building in the town.
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Saint James the Great Parish is in High Renaissance style. One feature of the church is its trefoil arch main door. The overall design of the facade is plain and simple with the super-positioned columns alternating with window openings and tall blind arches conspicuously dominating the ends of the walls.
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Prior to its reopening, Steinhof church was selected as a main motif of one of the most famous euro collectors coins: the Austrian 100 euro Steinhof Church commemorative coin, minted on November 9, 2005. The obverse gives an angled perspective view of the left- side and main door of the building.
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The main door at the entrance is covered with brass plates. There is an auditorium, named after Sri Adisankara, covering about 3,600 sq ft, which can accommodate about 1,000 persons, for conducting spiritual and cultural programmes and discourses. The design of the auditorium involves the Koothambalam style found in Kerala temples.
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Its name comes from the two lions that flank the stairway leading to the main door, which are copies of the ones found on the steps of the Cathedral of St. Lawrence in Genoa, Italy. The building is painted reddish brown (terra cotta or pale carmine), and the two lions are white.
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The central block Kerala Secretariat Complex consists of 3 blocks. The central block is the oldest structure. The Central Block has main door known as Ana Kavadam (Elephant Door), which opens to the grand Durbar Hall. This Durbar hall earlier was used only by Travancore Maharaja and his courtiers with limited public entry.
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There was also concern regarding the ability of the three man crew to exit the aircraft in case of an emergency, since the exit plan relied on the pneumatic system to hold the main door open against the airstream. The aircraft was accepted on 7 November and delivered on 12 November 1947.
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Palazzo Gazelli is a medieval palace located in the city of Asti, Italy. The palace includes an imposing tower, which is high and square in plan with metre sides. It was probably built in the 13th century and presents a few openings: the main door with an ogival arch, and three windows.
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Retrieved on 8 January 2009. On 28 March 1980 he was elected Bishop of Cashel and Ossory and was consecrated on 25 April 1980. A position which he kept until his retirement in 1997. He died on 6 February 2006 and was buried near the main door of St. Canice's Cathedral, Kilkenny.
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Double stairways rise to the first floor portico. The main door has sidelights and a semielliptical fanlight. The windows on the main and second floors are nine over nine lights. The house originally had four rooms on the main floor divided by a central hall that extends to the smaller garden portico.
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The castle was constructed in two phases. The first phase of work, begun in the 1570s, consisted of the great hall located in the south range, above the main door. Beside this was Lord Orkney's private chamber in the south-east corner tower. An inscription above the entrance, dated 1574, marks this phase.
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A foyer with stairs is just inside the main door. This tall space leads down to the basement on the left, and up to the main level on the right. Oak woodwork in the foyer remains intact, including wainscoting, paneling, and a purely decorative stair rail. The stair rail has paneled newels and turned balusters.
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One can also find paintings depicting the Stations of the Cross and two paintings of the Madonna, as well as paintings of Saint Anne and Saint Joachim on the right and the Saints Cosmas and Damian opposite. The restoration of the main door, windows and furniture was carried out under the supervision of Belle Arti.
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When Wendy sees the word reversed in the bedroom mirror, the word is revealed to be "MURDER". Jack hacks through the quarters' main door with an axe. Wendy sends Danny through the bathroom window, but cannot get out herself. Jack breaks through the door, but retreats after Wendy slashes his hand with a knife.
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It is sheltered by a porch with a pair of Ionic columns supporting an entablature and pediment. The paneled main door is flanked by glass sidelights and topped with a transom. The two windows on either side bay have paneled green shutters. The east facade has a Palladian window topped by an attic vent.
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The home was constructed in 1911 by Richard A. Van Brunt, a merchant who owned and operated a country general store in Miccosukee. It is a wood framed vernacular building with a symmetrical facade. There is a central main door with transom and side lights. It has a side gabled roof with dominant gable returns.
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The main door is very high but the entrance door is also high so that elephants can get out of comfort. In this case, the living rooms of the sepoys remained. There is a place beside it, which is probably the place of residence of horses and elephants. it is a very ancient castle.
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The Malayalam novelist Sri Perumbadavam Sreedharan was born in Elanji. He is also known as Perumbadavam. Malayalam director Jeethu Joseph (of Drishyam fame) is also from Elanji. There is also a famous Hindu temple in the name of Shiva; the speciality of this temple is that the main door opens to the west direction.
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Above the bell turret is a slated broach spire which is surmounted by a weathercock. There is a clock face on the south side of the spire. On the east wall are three small windows, rather than the usual larger east window. The main door and a priest's door on the south wall are Norman.
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Cloth awnings were placed on the windows of the upper floors. On pedestals near the main door, statues of female forms were placed. Inside, the ambassador's room, the dining room, the kitchens, the lounge, the garages and the stables were all refurnished. This was done at a time when French style was popular in Mexico.
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Seeing the Goddess furious, the sevakas close the main door of the Gundicha. Mahalaxmi returns to the main temple through the Nakachana gate. In a unique ritual, the Goddess orders one of her attendants to damage a part of the Nandighosa chariot.This is followed by her hiding behind a tamarind tree outside the Gundicha Temple.
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Sant'Andrea is an extremely dynamic building both without and within. Its triumphal façade is marked by extreme contrasts. The projection of the order of pilasters that define the architectural elements, but are essentially non- functional, is very shallow. This contrasts with the gaping deeply recessed arch which makes a huge portico before the main door.
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Golden Stupa, gilded carved wood above main door 200px Wat Xieng Thong (; "Temple of the Golden City") is a Buddhist temple (vat or wat) on the northern tip of the peninsula of Luang Phrabang, Laos.Lall, Vikram. The Golden Lands: Cambodia, Indonesia, Laos, Myanmar, Thailand & Vietnam / Vikram Lall ; Editorial Direction Joan Foo Mahony. New York, NY: Abbeville Press Publishers. Print.
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He painted the works on the interior walls of the house known as the Quinta del Sordo ("House of the Deaf Man"). They were not intended for public display. Two Old Men Eating Soup likely occupied a position above the main door to the house, between La Leocadia and Two Old Men.Fernández, G. "Goya: The Black Paintings". theartwolf.
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In Balinese temple architecture, a major temple usually has triple paduraksa gates, a main largest and tallest paduraksa, flanked with two smaller ones. Daily devotees and casual visitors usually uses the side doors, while the main door is kept locked, except during religious festivals. In Bali, the paduraksa central gate is reserved for the priests and the gods.
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At the west end there is a pointed arch window inserted high up in the wall. The church is entered through two pointed-arch doorways: the sumptuous main door on the south side and the smaller, plainer west portal. The door frame is grooved and decorated with ribbing and ivy leaves.marienstiftskirche.de: Außenbau, accessed on 31 March 2014.
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The Cultural Landscape Foundation The Doheny Library was used as a filming location for Mike Nichols' 1967 film The Graduate, for the sequence in which Benjamin Braddock (Dustin Hoffman) waits by the fountain for Elaine Robinson (Katharine Ross), who exits the library's main door."The Graduate" film locations, The Worldwide Guide to Movie Locations, last updated September 7, 2014.
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Schlosskirche, Wittenberg, main door As Hofmann points out, Bach achieved "festive magnificence", using two horns and timpani not only in the opening chorus but also as obbligato instruments in the two chorales. Bach established unity of form by using a horn motif from the first movement again in the first chorale, juxtaposed to the hymn tune.
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Built in 1869 by the vote of the inhabitants of the village to Our Lady for this Tuesday rid of the epidemic of yellow fever. It is a very simple construction. The facade of beak, classic model, presents a window over the main door. The bell tower, on the left, has a door for the churchyard.
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Encyclopedia Treccani, short entry. Among his works are bas-reliefs above the main door to St Peter's Basilica (Donation of the Keys to St Peter); the monument to Pope Urban VII at Santa Maria Sopra Minerva; and for the Monuments to Popes Clement VIII and Paul V in the Paoline Chapel in Santa Maria Maggiore.Fondazione Zeri catalogue.
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The building occupied 2241 square metres, with a floor area of 13760 square metres. Because it had a narrow frontage onto the Bund, the main door was located on the adjacent Guangdong Road. The building is in Neo-Renaissance style with a symmetrical facade, but with some Baroque style details. The roof features a domed corner pavilion.
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The church is dedicated to St. Mary, and was first mentioned in 975, thus it celebrated 1000 years in 1975. Hadlow was given to Eddeva in 1018, and parts of the church date to this time. The tower dates to the thirteenth century or earlier. The main door of the church has the date 1637 on it.
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The hunting lodge is modest in its architecture. It is in fact described as a "small house". It is built according to local vernacular Maltese buildings. It features a main door leading to the entry of the house and another arched wider door which was used as a horse stable both on the ground floor façade.
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The house is built of dressed stone blocks on boulder footings with large quoins. The roof would have originally been thatched but is now slated. There are chimney stacks at both ends, the one on the left being flush with the end wall and original. The main door is right of centre and is surmounted by a small arch.
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Housed in a traditional hut, the outer periphery is decorated with prayer wheels. Child lamas can be seen in and around the monastery as the place also serves as a training center for lamas. The main door and windows have intricate detailing in a myriad of colors. Inside, the Buddha statue is placed on a platform.
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They still have the support bars that made it possible to stabilise the weapon. The main door is decorated with embossed designs and statuettes of caryatids, characteristic of the French Renaissance after 1550. The lower stage is entirely vaulted in stone. In the kitchen, the vaulting is supported by a single pillar in the centre, as was usual.
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In the east end this is complemented by an unusual pointed elliptical window in the garret. The wing on the north end has been complemented with a newer, two-story wing and several additions. A narrow central hall is behind the six-paneled main door. Around the doors to the parlors on either side are original wooden moldings.
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The sides of the church each contain four, pedimented, four-over-four windows. The main door is in the bottom of the tower. Above the door in the gable is a small lozenge-shaped window. The interior contains a small narthex with tongue-and-groove boarding, a rectangular nave with tray ceiling, and a polygonal apse.
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Another defence measure is the deep moat that surrounds the fort. The citadel is centrally located within the fort, on a high ground. The main door to the citadel is known as the 'Akhand Darwaza' built with four red stone slabs. From the doorway, up a flight of steps is the passage to the Rajmahal palace (mostly in ruins).
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The main facade has three doors, with the main one being surrounded by a decorative portal. An ornate window on the upper floor and a bell-cot on the roof surmount the main door. A balcony surrounds the perimeter of the entire building. A chapel dedicated to Our Lady of Ransom was located within the villa.
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A set of timber stairs is located in the porch leading to the front door. The paired, cedar doors have a pointed arch design and open to the main part of the church. A group of three pointed arch, stained glass windows are located high in the eastern elevation. A similar, single window is located above the main door.
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Giovanni Ermano Ligozzi (16th century) was an Italian painter a native of Verona, flourished about 1570. By some he is related to Jacopo Ligozzi. In the Church of the Apostles at Verona is a picture by him entitled The Name of Jesus (1573) and a fresco over the main door of the church of Santi Nazaro e Celso.
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Roofs are corrugated "zinc" sheets, often painted red to hide the inevitable rust. There is invariably a bell either in a separate tower or in a "cupola" over the main door at the front of the building. At the rear, behind the altar table will be a door to a small vestry. There is always a lightning conductor.
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The mosque, along with the adjoining hospital (Darüşşifa), are on UNESCO's World Heritage List by virtue of the exquisite carvings and architecture of both buildings. The complex is considered to be one of the most important works of architecture in Anatolia. The geometrical and floral patterned reliefs found on the main door in particular attract great interest.
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Trusses were added to the roof and tiles were replaced. The altar was also reconfigured along with the shift of the main door to align with the nave. Lanterns that were gifted by friends of the church in the 1940s were installed at the front of the church. There was also an overhaul for the kitchen in the church.
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Enthused by the speech of Jathedar Tehal Singh, the entire Shaheedi Jatha followed him. By this time, another horseman messenger, Bhai Ram Singh, arrived. In vain did he too try to persuade Jathedar Tehal Singh and the Jatha to return. The Jatha soon entered Darshni Deohri of the Gurdwara and shut the main door from inside.
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In 1808, Napoleonic forces suppressed the church and converted it into a prison. It was reconsecrated in 1822, and reverted to Dominicans control only in 1871. Above the main door is a canvas depicting the Coronation of Mary by Giorgio Vasari. That painting was once in the Vatican and only acquired for the church in the 19th century.
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In the attempt Baskar manages to grab the mask of the man and see the eyes alone of the man. The murderer escapes from him. After a while Baskar opens the main door of the house only to find Vimalanathan dead at the doorsteps. Kamalanathan and Susi plan to vacate the house after celebrating the birthday party of Susi.
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Kingdom Hall of Jehovah's Witnesses, Coalville Jehovah's Winesses have a modern 'Kingdom Hall' on Albert Road, replacing one which formerly stood on Ashby Road. The building comprises a brick built rectangular hall, with a gabled entrance lobby on the west side, which is faced with stone ashlar and within which is a castellated brick façade containing the main door.
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Interior view of the shrine The shrine's gilded dome was replaced in 1994. The original shrine was built in 1356, but was subsequently upgraded. The completed portions are now extensively covered in white marble, glazed tiles, and mirror work. The shrine's gold-plated main door was donated by the last Shah of Iran, Mohammad Reza Pahlavi, in the 1970s.
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The magnificent bronze doors, with bas-reliefs in panels depicting episodes from the Old and New Testaments, were carried out by some of New York's established sculptors: Andrew O'Connor, working freely under the general direction of Daniel Chester French, executed the main door; the south door was executed by Herbert Adams, the north door by Philip Martiny.
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Designed in early Neo-Gothic Revivalist style, the building combines sandstone with limestone dressings. The tower over the main door was added in 1869, designed by John Benson. The original altar was fashioned in wood by Italian craftsmen in Lisbon. In 1821, John Hogan carved twenty-seven statues in wood for the reredos behind the high altar.
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The church tower containing two bells is high. The main body of the church is long by wide. The east end of the church is dominated by a tapestry designed by Stephen Lee, and the stone reliefs on the main door are by Don Potter. The church was listed at Grade II by Historic England on 22 February 2016.
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The floor was not raised as it is today, nor was there an altar. People sat in “box pews” on chairs and faced the pulpit in the middle of the north wall. The main door was on the south wall. Among the notable rectors who served the parish in the 18th century was Rev. James Sterling who served from 1740-63.
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Of the three surviving entrances, the main, cambered-arched doorway is aligned to the left and has an original panelled wooden door, and the other two have straight-headed doorways with simple wooden doors. Remains of another entrance are still visible. Above the main door is a datestone showing the year 1780. There is a four-window range consisting of tripartite casements.
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Mika rushes to the main door but the key doesn't seem to work. As she hears noises, she goes to check and encounters the Blue Demon, which then kills Mika. With Shun's knowledge of the game, they continue on finding the keys and items to move forward inside the house. They eventually reach a room with a blood-stained piano.
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The female convent was transiently suppressed during 1880-1897. The façade has two stories, flanked by pilasters, with a triangular pediment over the main door, and a rounded one over a superior window. A number of additions and ornaments were added over the next centuries. The chapel of our Lady of Sorrows was decorated by Tibalducci, a painter from Recanati.
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The outer shape is often cruciform (cross shaped), but will always include a central dome and often several other domes. Parishioners face east during worship and there are no pews. The main door and windows of the home face south (as in passive solar design), and icons and other religious paraphernalia are displayed in a special icon corner, usually on the east wall.
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In the corners of the enceinte, projecting buttresses supported structures now disappeared. An arched construction in the middle of the courtyard could have been used as a cistern. The keep is constructed on a flat base of pebble concrete interspersed with lines of bricks, in a typical Gallo-Roman style. Above the main door are the arms of Gaston Fébus.
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The 3 stage west tower contains six bells, two of which date from the 1540s. On either side of the main door are brass plaques which serve as War Memorials to those from the village who died in World War I and World War II. Next to the porch is a bowl dating from medieval times which was used as the font.
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On the south side there are two further two light Clayton and Bell windows (1891) showing Mary Magdalene washing Christ's feet, Noli Me Tangere & The Publican and the Pharisees. The window immediately on the east of the main door on the south wall is a two light window by James Powell and Sons. It portrays The Supper at Emmaus and Christ baptising.
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The façade was designed to be a monument at the end of the Borgo Santa Croce, running from the Prato della Valle to the outer wall. It has a pediment supported by pilasters and half-columns of Corinthian order. Two circular turrets lighten the architecture. The main door has a curved tympanum under the inscription that commemorates the consecration of the church.
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It was built in 1461 by Mehmet II Fatih as witnessed by the Arabic engraving above the main door. It has a triangle shaped yard and painted floral decorations and arabesques grace the walls and ceiling on the inside. Sinan Pasha Mosque is located in Nenkalaja, on the right side of Bistrica river. It was constructed in the beginning of the 17th century.
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In October 1999 it was restored to its original condition. ;Former Wehen school : Built about 1900, this building is transitional in design between the Gründerzeit and Art Nouveau. ;Former monastery with church, Bleidenstadt : (nowadays parish church of the Catholic parish of St. Ferrutius). Above the church’s main door is the statue of Saint Ferrutius, the patron saint, from the 17th century.
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On the night of October 31, 2005, robbers entered the safety deposit boxes of SKB Bank (Societe Generale) in Ljubljana through the main door and deactivated the alarm system. Robbers disarmed the security guard and opened more than 400 safety deposit boxes. They took at least €32 million euros in gold, precious stones and cash. In March 2012 two robbers were arrested.
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Certainly, there must have been some permanent structures when Hilongos became a residence. It is quite clear that the church complex underwent major renovations over the centuries. The original church, now incorporated as a transept, was a single-nave structure whose main door was also the gate to a bastioned fortification. Some bastions and walls of that fortification still remain.
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Surmounting the main door is a triangular pediment and a rectangular framed panel showing symbols representing the three cardinal virtues below a backrest and angular cornice. This tympanum of the central panel has the inscription SUPER THESAUROS ALCISFUIT 1 Par. C.XXVII 25. Within each framed panel are rectangular framed windows, with the two central superior windows surmounted by framed cartouches.
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The main door of the palace Palazzo Serristori is a Renaissance building in Rome, important for historical and architectural reasons. The palace is one of the few Renaissance buildings of the rione Borgo to have outlived the destruction of the central part of the neighborhood due to the building of Via della Conciliazione, the grand avenue leading to St. Peter's Basilica.
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A fifth portal, located to the west, was also built around 1320. The main door of the church, with a carved tympanum, dates from the late fifteenth century. It could be the work of Conrad Sifer or his workshop, who was the designer of the rood screen of 1490. Indeed, the ornamental style is very reminiscent of the rood screen.
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Over the main door of the church is the motto ' (Hail to the cross, our only hope) - a line from the ancient Latin hymn Vexilla Regis Prodeunt. The inside of the church is adorned with important statues, a wooden carved altar, and gold leaf wrought iron railings. The stained windows also depict important Catholic Saints, and each window was donated by a parishioner.
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The house is a simple two-story Greek Revival design. The main door is on the east side, facing the Fox River. It is on the left side of the exterior, and is surrounded by windows to the right and above. The southern exposure has two windows on each floor, and the north side has one window on each floor.
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The priests then left the scene, all unharmed, with what valuables they were able to save from the blaze. The main door became jammed with a pile of approximately 200 women and children, which made it impassable. Eventually the side doors were also opened, but they also became jammed. Rescuers were able to pull about 50 people from these heaps, but no more.
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The village road meanders down into the village court and main door. This gate tower and stone floor has the original Qing dynasty design; a few houses have been unoccupied. Within the village there also stands a Tin Hau Temple, village hall (sun teng) or shrine and several Ancestral rooms (xi fong). The temple is decorated and very well kept by the villagers.
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The present mansion was built in phases from approximately 1734, by an unknown architect, under the supervision of Augustine Washington. This staggered and unplanned evolution is indicated by the off-center main door. As completed and seen today, the house is in a loose Palladian style. The principal block, dating from about 1734, was a one-story house with a garret.
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The mienv baaih is the Yao household altar of the gods, in a place easily visible from the main door. Its aim is welcoming the spirits (mienv). The mienv kuv is a tablet with the names of the ancestors of the family placed upon the altar; another custom is the use of pictures of the ancestors instead of the tablets.
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Aston discovered that his cannon were too small to make much impression on the main door. To add to his troubles about half his men abandoned him to pillage the countryside. As the fight dragged on a heavy sea-mist descended on the Hook Peninsula. Meanwhile, the Irish Confederates under Captain Rossiter and Captain Thomas Roche were still encamped at Shielbaggan.
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There is a transept to the north and porch with the main door opening from the southerly aisle. The octagonal spire is approximately high, on top of a single-stage west tower, which is high. It was originally covered with slates, but this had been replaced with lead plates by the 1950s. These in turn were replaced with copper sheets in 1966.
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He himself had been christened in St. Wilfrid's Chapel. When it came time to build a church, he designed it in Gothic Revival style. The arch over the main door has the most detailed Victorian carving in the city. It was considered to be "one of the most perfectly finished Catholic Churches in England, rich in sculpture, stained glass and fittings".
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In the Georgetown Building, the main door opens into a central hallway with a roll of royal red carpeting which leads to a grand staircase. A large chandelier hangs above the staircase's middle landing. This building contains all the elements of true Southern Colonial architecture. While the Georgetown Building is a commercial example, a few residential examples can also be found.
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The main church has a large Baroque portal which contains the main door topped by a choir window. To the side there is a slender bell tower with pilasters on it four sides. Under the tower, there is an image of a red ant. A local legend says that when the ant climbs the bell tower, the world will end.
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The main door and bay window are both flanked with windows on each side. The building was built with blonde brick with red brick highlights on lintels at quoins. The roof is hipped and features a domed, octagonal, wooden cupola, used as a bell tower. A semi-circular stained glass window adorns the east side with brick pilasters below a brick frieze.
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The building is constructed in the Italian Renaissance Revival style. Among the highlights of the architecture are the four paired granite Corinthian columns on both the ground and first floor. The main door is round arched with steps and is flanked by two figures of Atlas on pedestals supporting a segmental Pediment. The roof has four square corner pinnacles topped with spires.
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When the Britishers visited the temple complex, the main temples has disappeared and only a small square structure remained. The wall and doors of the temple were well designed with beautiful works. There were two giant elephant sculptures with silver tusks at the main door of the complex. The walls were made without any mortar and instead used iron dowels and brackets.
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Heroon of Lefkandi, as seen from the main door. Reconstruction, heroon of Lefkandi c. 1000 BC. The archaeological significance of the site was revealed in 1980Preliminary report by Mervyn Popham, E. Touloupa and L.H. Sackett, "The Hero of Lefkandi", in Antiquity 56 (1982:169-74); final publication R. W. V. Catling and I. S. Lemos, Lefkandi II. 1. The Protogeometric Building at Toumba.
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Their primary objective was the main door of the monastery on the western face. The battle lasted all day without the Ottomans infiltrating the building. The besieged had barricaded the door and, from the beginning, taking it would be difficult. The Cretans were relatively protected by the walls of the monastery, while the Ottomans, vulnerable to the insurgents' gunfire, suffered numerous losses.
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The verandah to three sides has cast iron corinthian columns and excellent decorative cast iron brackets and valances. It has a straight-pitched iron roof and a gabled portico above the main door. Windows have moulded brackets and there is a rendered string course at sill height. The front door has leadlighting, and three french doors open onto the verandah.
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At its center is the main door of the prayer hall, which is rectangular in shape and covered with arches. The upper part of the walls are decorated with gypsum carving making an eight-pointed star on either sides of a pine tree. The center of the room's back wall has a hollow mihrab, with a covered half dome of carved stucco decoration.
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The chapel has fourteen stained glass windows at ground level, one over the main door and another over the chancel. They were donated to the Navy by the president of submarine manufacturer Electric Boat Company in 1959.Facts recorded on bronze plaque outside the chapel From inside the chapel, a small submarine may be seen in the lower portion of each window.
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From 2009, this was used as a CCTV and meals room. External: Combining the 1909 two-room former inspector/electrician's office structure and the 1945 staff meal room extension, the shed is the most western structure on the platform. It is of a rectangular rusticated weatherboard building with corrugated metal gabled roof. Skillion corrugated metal awnings with timber brackets above a window and main door.
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After witnessing the slaughter on the big screen, Verdeschi orders Maya and Sandra Benes to safety in the Medical Centre. They arrive there and he issues a priority-one order to Computer: all Moonbase doors are to remain locked and will open only on his voice command. Verdeschi opens the main door—and finds the creature directly outside. He and Fraser escape through an alternate exit.
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According to the Talwars, this key was present in Hemraj's bunch of keys, which went missing after the murders. The door to Aarushi's room (and the main door of the house) would lock automatically when shut. Aarushi's door could either be opened from inside, or from outside with a key. Usually, her room would be locked at the night, and its keys would be at Nupur's bedside.
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The original part of today's building is square in form. The main door faces west onto Houston Street. A triple-sash window is installed on either side of the door, which has a molded arch above it, surrounding a semi-circular soda–lime glass window with ten panes. Also either side of the door, at a level of about half its height, are two small lanterns.
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Detail of the facade The current facade, is of a mixed Renaissance and Neoclassical styles and was built in 1785 by José Vargas y Sánchez. It consists of two floors. The main door being flanked by two Ionic columns with the above it having a balcony framed by an arch. The patio is rectangular with four sides and harmonious, decorated with plant and heraldic motifs.
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It was located close to James Blair's ferry across the Cedar River, which is why it has long been known as the Blairs Ferry Wayside Inn. with The house was built of heavy timbers and exemplifies a traditional I-house. It features two rooms on both floors across its length, and one room deep. The main door is flanked by sidelights and a transom across the top.
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The building was square with two pillars supporting the roof and a gallery around three sides. There are two tiers of seven windows, and a central pediment spanning five windows. Side lobbies were added in a matching style in 1862 for stairs to the gallery. Over the main door is an inscription from Ecclesiastes 5:1: "Keep thy foot when thou goest to the House of God".
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The front façade faces West, towards Riverside Park, containing the main door that is flush with the exterior. The longer façade is along West 107th street containing end sections and a recessed center. The North section, which faces the neighboring building on Riverside Drive, curiously contains the most elaborate treatment. Finally the back façade, or East side, contains a three- sided copper oriel at the second level.
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Similar a group of rooms occupies the southwest corner of the building. Directly opposite the main entrance hall is a large stairway system. Both the entrance hall in the north and the stairway in the south jut out from the facade as large risalits. Two large rawashin occupy the front facade above each other, connecting the two levels above the main door with their large wooden structure.
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Endrim is a well constructed symmetrical 3 bay house of two storeys with a Tuscan porch to the main door and a cantilevered balcony at first floor level on the garden elevation. A glassed-in conservatory is located beneath. Some stone ground floor extensions have been added to the north side. The house is well detailed with good plaster work, four panelled doors and a geometric staircase.
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Now there is a Madonna likely a copy of a work by Guido Reni. In the first altar on the left of the main door, there is a small Tobias and the Angel by Chialli. Next to the front door is a plaque commemorating the poet Antonio Guadagnoli, who founded the Compagnia della Misericordia of Cortona. The church was stuccoed in 1713 by brothers Passardi of Montepulciano.
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The three-bay Beaux Arts facade begins at the top with masks on the cornice and molded egg-and-dart rear modillion blocks. It gives way to a leafy swag motif above the molded frieze. Similar patterns continue down the stories, joined by quoined pilasters. The ground level is totally quoined and projects, with an intricate wrought-iron gate on the main door and decorative Doric columns.
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The left side has no chapels (outside is a 16th-century bell tower). Immediately right of the main door is Sigismondo Pandolfo's sepulchre. The next chapel is dedicated to St. Sigismund, patron of soldiers (Sigismondo Pandolfo was a renowned condottiero), and has fine sculptures by Agostino di Duccio. There is also a fresco by Piero della Francesca portraying Malatesta kneeling before the saint (1451).
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An oculus in the western gable provides illumination. The main door at the east end is crowned with an arch supported by columns with decorated capitals. Those on the outside are decorated with plant designs while those inside have figures of men fighting with animals symbolizing the fight between good and evil. Inside the church there is a statue of Our Lady of the Rosary.
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Below the choir, the paintings above the main door of the church are dedicated to Saint Ignatius of Loyola. These are works of Domingo Martinez, painted circa 1743. In the scene, Saint Ignatius appears above the temple of divine wisdom, represented as a triumphal arch that holds the book of Spiritual Exercises. The sides of the entrance employ two allegorical murals defending the Jesuits against detractors.
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Inside St. John the Baptist, Blackrock. The view of the altar from the main door to the church. The church is built on land given for the purpose by Valentine Lawless, 2nd Baron Cloncurry, whose summer residence was nearby Maretimo House. The building of the church commenced with the laying of a single foundation stone on the feast of St. John the Baptist, 24 June 1842.
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On the north, east, and southern walls there are three niches on each side also adorned in kala-makara style. The center niche are slightly higher than other two flanking niches. These niches are now empty, probably these niches once contains Hindu murti (statues). A flight of stairs flanked with two makaras were designed to reach the main door that is 1.2 meters above the ground.
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The tips of its roof take the form of a Balinese punggel, which curves up like in traditional Balinese architecture. The bracketing construction of the roof follows Chinese norms. Some of the decorative elements on the roof take the form of a Chinese lotus, a symbol of Buddhist enlightenment. Dutch colonial influences are also apparent in the main door and window ornamentation of the mosque.
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76 It features pilasters, scrolled brackets, an entablature topped by a pediment with a shield and urn motif surrounding the main door, and casement windows. It was designed by the architectural team Gable & Wyant, who also designed Hangar One.Pacific Coast Architectural Database The clubhouse has been listed on the National Register of Historic Places listings in Los Angeles County, California since October 4, 2006.
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The scene of the murder, the Red Barn, so called because of its half red clay- tiled roof, which can be seen to the left of the main door in this sketch. The rest of the roof was thatched. The Red Barn Murder was a notorious murder committed in Polstead, Suffolk, England in 1827. A young woman, Maria Marten, was shot dead by her lover William Corder.
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Above the main door is a double French door with transom windows which opens onto the second floor of the veranda. The door is flanked by two windows that match the lower windows. A hipped roof tops the main block of the house and is pierced by three dormer windows. Two large brick chimneys sit to either side of the main part of the house.
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These are echoed on the side entrances. Both sides are fully fenestrated on both stories with 20-over-20 double-hung sash windows. The rear elevation features no decorative treatment at the roofline, and one window in each story at the sides, similar to the windows along the sides. A vestibule separates the main door from the sanctuary, while both side entrances lead directly to it.
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The mosque is irregularly shaped with 60 meters length and 37 meters width. It consists of three hallways and the main door at the south. The mihrab is decorated with simple interlace pattern and irregular layout, and it is covered by the semi-dome. The cavern which covers the prayer hall has two domes, one above the mausoleum and the other facing the qibla wall.
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Culture 13: Hôtel Villeneuve d'Ansouis It is three stories high, with wrought iron balconies and mascarons sculpted on the facade. Additionally, the facade has three sets of windows in the center, each of which are surrounded by one window on each side, surrounded in turn by Doric columns. Above the main door, there is a sculpture of a female face, with her hair in the wind.
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There are two Catholic churches; English Martyrs and St Justus. The Methodist church in Stonehouse Lane has undergone two changes of name. First the road name changed to Cliffe Road and then the church changed from "Jubilee" to "Peninsular".Notice board outside main door During the First World War the church was lent to the St John's Voluntary Aid Department as an auxiliary hospital.
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Main door of the temple. Partial view of the temple Dag Shang Kagyü is a Buddhist temple located in Panillo, Huesca, Spain. In 1984 H.Em Kalu Rinpoche established the monastery which, since 1985, is also a study centre of Buddhism practices.] The lands of the monastery were sold in 1984 and then the monastery was extended with more lands donated by disciples of H.Em Kalu Rinpoche.
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The school's main building is dated 1879, the year of the school's foundation. It is also used as the village manor hall. Above its main door is the inscription "The fear of the Lord is the beginning of wisdom", which comes from Proverbs 9:10. A plaque inside one of the original classrooms shows some of the conditions upon which the school first had to operate.
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During the firefight Díaz Pacheco wounded two police officers, Isidoro Ramos and Vicente Otero Díaz, before he was killed by Fortaleza guard Carmelo Dávila. Meanwhile, the police continued to fire upon the other Nationalists. Domingo Hiraldo Resto was seriously wounded, but despite his wounds he dragged himself towards the mansions entrance. He was able to reach the mansions main door and once there he was motionless and appeared to be dead.
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Tala Upojelar Itihash- Oitijjo, "History-Heritage of Tala Upazila", p. 302. Dhaka, Bangladesh: Ittadi Grontho Prokash. The six-domed mosque was built Mughal style in 1858–59 and resembles those built by Tipu Sultan's descendants, as does the Salam Manzil, now in virtual decay. In 1982, the front of the decaying “Shingho Doroja” (“Main Door” in the Bengali language) – that is, the gateway and entrance to Salam ManzilKhalequzzaman, Badru Mohammad (2006).
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The film opens up with surveillance camera views of a mansion and its rooms; the views alternate among images of nine people being kidnapped. Lea (Kelly Brook), an abductee, wakes up in a bedroom. She notices others in nearby bedrooms, and runs to the main door, bangs at it, and shouts to be let out. She finds the windows are all walled with bricks; even the basement door is blocked.
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The Zalameda Upon entering the main door you will find the Zalameda at the left wall of the house. It is where the painting “Sailboats” of Filipino artist Oscar Zalameda is placed. The painting was bought by Mr. Ramon H. Legarda circa 1970’s for only 3,000 pesos. The Library The Library Being a doctor, Dr. Legarda had his own collection of medical books and encyclopedias placed on the house’s library.
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The large brick piers, rising above the parapet line, in battlement style, have limestone caps. The main entrance tower has an ornately carved, limestone entrance surround. The overscale detail, with the characteristic rounded corners is created by two figures, wearing robes and carrying lanterns, lighting the way to the main door. These figures constitute the columns which support a smooth dressed entablature with a carved name plate and fascia detailing.
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On March 4, 2019, United Express Flight 4933, operated by CommutAir, skidded off the runway during its second attempt at landing in Presque Isle International Airport in Presque Isle, Maine. The front landing gear were torn from the plane and embedded in one of the two rear engines. Passengers and crew were evacuated from the main door, with three passengers requiring treatment for minor injuries as well as one pilot.
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During the firefight Díaz Pacheco wounded two police officers, Isidoro Ramos and Vicente Otero Díaz, before he was killed by Fortaleza guard Carmelo Dávila. Meanwhile, the police continued to fire upon the other Nationalists. Domingo Hiraldo Resto was seriously wounded, but despite his wounds he dragged himself towards the mansions entrance. He was able to reach the mansions main door and once there he was motionless and appeared to be dead.
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This gateway was, until the school's dissolution, barred by double doors. The main door to the scuola was added in 1512 and features a lintel with kneeling figures. Opposite the buildings of the scuola stands the scuola's small church also dedicated to St. John the Evangelist. The atrium building is two stories high while behind this is the much larger three-story building which contains the large halls.
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The people stuck in the mansions are physically hurt by now, they are tired and have lived through the night without food or water. The night is over and the day starts to dawn. The main door opens and all of them leave the house slowly one after the other after being mentally tortured throughout the night. Prithvi mentions that she destroyed all the traditional believes as he leaves.
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Stoneacre from the southeast showing the library and bedroom extension The front of the house is the eastern elevation. The north end has a stone built lower floor with a timber framed upper. There is no jetty. The central section has the main door and to its left the large hall window going from the foundation plinth to the eaves, the building is timber framed with rendered infilling.
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The entire ceiling was restored in 2001 and the paint cleaned or repaired.See O Tecto di Igreja de São Roque. História, Conservação e Restauro (Lisbon: Santa Casa da Misericórdia / Museu de São Roque, 2002). The Baroque organ (with 1694 pipes) in the choir gallery over the main door was built in 1784 by António Xavier Machado e Cerveira and installed in the monastery church of São Pedro de Alcântara.
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The Smith–Harris House is a -story clapboarded Greek Revival house with a pedimented gable on the front facade. The house is composed of a -story, block and a single-story, kitchen wing. It retains the original clapboarding with horizontal flush on the facade. The front facade has a typical three-bay design with the entrance supported by pilasters with squared, recessed panels for the main door frame and frieze.
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There are interesting forensic details to be noted in the murder. The Badri Prasad look-alike who commits the murder comes from the main door, stabs Dhaniram in the stomach, switches off the light and goes back quietly through the same door. Much later, Kaalia, a petty thief, ascends to the first floor residence of Dhaniram, via a pipe and then through the open window. The lights are off.
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The church is oriented along the analemma, or route of the Sun in the sky, in a manner such that the altar to the west receives an abundance of light, especially in spring. The main door faces the east, towards the rising sun. The altar of Saint Stanislaus Kostka, to the north, and the altar of Saint Francis Borgia, to the south, receive light the celebratory day of each saint.
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The Hidimba Devi Temple has intricately carved wooden doors and a 24-meter-tall wooden "shikhar" or tower above the sanctuary. The tower consists of three square roofs covered with timber tiles and a fourth brass cone-shaped roof at the top. The earth goddess Durga forms the theme of the main door carvings. Also depicted are animals, foliate designs, dancers, scenes from Lord Krishna’s life and Navagrahas.
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The narrow, five-storey tower is only 7.5 m square, with walls up to 1.6 m thick. Each level originally had a single room, with a winding stair, built into the thickness of the walls, wrapping around and linking the floors. At the basement level was a low-vaulted cellar with its own access. The main door was at the first-floor, level giving access to a small hall.
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The church of Sant'Agostino, consecrated in 1288, has a façade that is an example of Romanesque architecture with a Gothic overlay. The Marotti pipe organ was only installed in 1841. The annexed cloister, designed by the Lombard master Martino Tartaglia in 1492, has a portico surmounted by a loggia with small Corinthian columns. The church of S. Pancrazio features a main door that is a decorative tour-de-force.
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As marble is not entirely opaque, those naoi may have been permeated with a distinctive diffused light. For cultic reasons, but also to use the light of the rising sun, virtually all Greek temples were oriented with the main door to the east. Some exceptions existed, e.g. the west-facing temples of Artemis at Ephesos and at Magnesia on the Maeander, or the north-south oriented temples of Arcadia.
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An entrance forecourt is reached by a circular drive. The main door is through a vestibule set at an angle between a classroom wing and the cafeteria block. The school's most architecturally interesting feature is a smokestack with a heavy fire door at the base for cleaning out the ash and soot.Urbsite Triplet High The school was renovated in the early 1990s at the cost of several million dollars.
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However, the Stirling and Central Scotland volume of the Buildings of Scotland series suggests that the central block was newly built in 1724, and attributes the south pavilion to c.1760, and the north pavilion to the early 19th century. The original entrance was on the east front, where a window now takes the place of the main door. A 19th-century porch now forms the entrance from the west.
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It has a single room measuring that was originally vaulted and was accessed via a main door in the centre of the south wall. There was a smaller doorway in the east wall but this was blocked off in antiquity. The room possessed two stone benches, one of which was against the north wall, opposite the door, while the other was at the west end of the room.
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In countries where murals are more common, the Last Judgement occupies the internal wall above the main door. Redemption through Love- The Madonna and Child with St Francis, by alt=A Gothic fresco showing, to the right, a carved throne on which sits the Virgin Mary with the Christ Child. Around the throne are four angels. To the left stands St Francis in a brown robe, looking small and humble.
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The warehouse at 47 Clarion was originally known as the Woodmen Building with the main door at 3345 17th Street. It was an IWW meeting hall, where Tom Mooney once attempted to organize railway workers.Curt Gentry, Frame-up; the incredible case of Tom Mooney and Warren Billings. Norton 1967Crocker Langley City Directory 1920 Later, it was home to artists and musicians from at least the early sixties through 2002.
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The first St. Mary's Church building opened for services late in 1798. It was a plain brick building square with no belfry and a pyramidal roof with a cross. Above the main door the entablature contained a plaque with the name of the builders and a skull and crossbones. Inside were two galleries, one of which contained what is believed to be the first organ installed in a church in Albany.
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The main door faces only in one cardinal direction and the windows are small and are made like pierced screens of wood. The rectangular plan is usually divided into two or three activity rooms with access from a front passage. The projecting caves cover a verandah all round. By tenth century, the theory and practice of domestic architecture were codified in books such as Manushyalaya Chandrika and Vastu vidya.
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That night, Ramesh remembers everything again and the next day, they are amazed to see Krishna not in his room. The main door is locked from inside. While sweeping the floor, she finds the paw under the bed and keeps it with her. That night, there is a big storm and heavy rainfall that causes all the apples in his field and the whole village to fall down before ripening.
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The entrance bay projects slightly from the house; the main door is decorated with red glass panels and circular moldings. The house's cornice is composed of decorative panels separated by brackets. The house is now a historic house museum operated by the Richland Heritage Museum Foundation, and is known as the Heritage House. The house was added to the National Register of Historic Places on February 9, 2001.
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The story also mentions that the church nave was restored and fitted with new seats 26 years prior to the work done in 1879. The church is described as having a main door dated 1674 with furnishings dating mainly from the Victorian era to the mid 1920s. Fragments of wall paintings were discovered in 1969. The cross in the churchyard became a Grade II listed building on 30 April 2004.
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The lighthouse is high, flashing a white light every five seconds which with the current lamp is visible for . The ruins are visible on the promontory of Buchanness Lodge, an Italianate marine villa built in 1840 by John Smith for Lord Aberdeen. Below the consoled pediment of the main door is inscribed procul negotiis beautus, which, roughly translated, means "lucky is the man who stays away from business".
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Extensive use of colonial red brick is common for walkways and patio areas. A main door, intricately adorned with crown moldings, stands in the center between shuttered colonial windows. Within the portico, short flagpoles with American and colonial flags project diagonally outward from the front of the building. Characteristic of the Southern Colonial style, the interior of the building has features that are just as distinctive as the exterior.
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It is one of two found in the Chancel during the 19th-century restoration. It is likely to have covered the grave of an early incumbent. The Church porch on the north side, shelters the main door which is double and studded with brass furniture. In the stone surrounds on the east side of the door are three etched Votive or Crusaders’ Crosses, from probably the 13th century.
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Morgan questions Jeff and Lester about the location of the pig, but to no avail. They finally reveal that they have hidden the pig in the air ducts, just as Casey finds him in Castle. Later, an explosion sends the piglet flying into Chuck's arms. Just as Morgan rallies the Buy More staff to rescue Big Mike, the latter walks through the main door, having easily escaped his "nerd" guards.
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Collingwood comprises two buildings, the house and the kitchen block. ;House ( 1820s) A "conglomerate" single storey house with two attic rooms and a hipped roof verandah to three elevations, encircling verandah and single storey detached service wing. The original five bay house (originally hipped roof), built by Captain Bunker, forms the front section of the present complex. It features Colonial/Georgian character fanlights and sidelights around the main door.
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This main roof is topped with a kemuncak decoration, featuring three spheres. This main roof is surrounded by six sets of smaller two-tiered roofs to the south, east, and north of the main prayer hall. A white brick wall enclosed the interior space of the mosque. The tall windows and main door, reminiscent of Dutch colonial architecture style, are painted in bold color instead, a characteristic Chinese style.
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The main door is partially blocked up and serves as a window and the large upper windows have also been blocked up. The west wall of the cloister and site of the fish ponds The 16th-century prior's lodging which was converted into a two storey farmhouse had major alterations and extensions in 1701. Inside the building are massive beams. The pentice was added in the 19th century.
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The main door was always closed, so the visitors had to ring a bell and wait to be granted access. Besides the main door, there was a painting which symbolized the practices and modus vivendi of the Carmelita's community. Next, is the description made by Father Friar Agustín de la Madre de Dios, the official chronicler of the Carmelitas of New Spain: “The first thing one sees in the painting is a Carmelita who is frightening everyone who sees it because it is an image of what happens inside. The Carmelita is crucified on a cross, with a padlock in his mouth, silicon in his eyes and where a baby Jesus is resting within his visible broken heart inside his chest. The friar’s right hand is formed into a fist, which exemplifies a harsh discipline and in the left hand he holds a candle: to watch others and see the candle burn.
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" According to Edward Said, La Ferla > "paid special attention to the design of the apertures and wrought iron > fittings employing motifs such as the shield-panels on doors and balconies, > as well as railings with basic spiralling, which were features of the > balcony railings and main door fanlight. These can be seen on a number of > his facades along Amery, Milner, Howard and Dingli Streets [in Sliema]. He > cleverly succeeded in striking symmetry to single-fronted houses as can be > seen in his Milner Street and Prince of Wales Road (today Manwel Dimech > Street) terraced residences. He also designed the ‘Warrior’ building in Old > College Street, built for a Maltese Royal Navy seaman who served on a ship > by that name. He also designed ‘Cactus house’ which is situated near the Old > College Street bridge crossing Prince of Wales Road up from Balluta, > adopting a rectilinear style façade with pillar and symbolic design of the > balcony railing and main door fanlight.
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There is an idol of Lord Ganesha on the south-western door, facing east. Outside the main door, on the northern side, we can find the four sub-shrines of Lord Shiva mentioned earlier, and also a shrine dedicated to Lord Vishnu. The original seat, Karanayil temple, is a two- storied square shrine. The shrine at which the Lord took his first step is round in shape, and the other two are square.
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The inner decorations were carried out by Master Dush Barka. Attached to the prayer hall is a room in which once was the mausoleum of Ahmet Kurt Pasha and his son. The portico of the tekke has five stone columns which were taken from the ancient Greek city of Apollonia. Above the main door in the portico is an inscription dedicated to the values of the tekke and to Ahmet Kurt Pasha.
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The door, reached by four brick steps, has the same semi-circular window design, and two lanterns, as the main door. Another door, facing south but part of a wing on the building's eastern façade, is accessed by a set of concrete steps. The yard is surrounded on the Houston Street and East York Lane sides by a brick wall with light gaps. There is a gate in the wall on the Houston Street side.
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The wooden double-leafed main door has a simple beaded trim surround and a rectangular transom above with two rows of six panes over each other. A simple jack arch supports the brick above. The northwest side of the home is symmetrical, five-bays wide, and has a square-shaped opening approach. Although replacements, the windows are of the narrow 18th century type, with double hung, wooden sashes and nine-over-nine panes.
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Castle Garde, originally built by the O'Briens, was restored in the early 1800s by Waller O'Grady, to a design of the architects James Pain and George Richard Pain. The design offers many notable features such as the circular keep, square-plan tower, and crenellated parapets. The carved statues, inside the gate house, are particularly fine and unusual features, representing Bacchus, Venus and Athene. The stone head to the main door represents Brian Boru.
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On the early afternoon of 9 August 1977 two heavily armed "drunken terrorists" / "nationalist guerillas" forced their way through the hospital main door. On their way, they had already killed a senior worker, put out someone's eyes and beaten patients outside the hospital building. They found Dr. Decker and her Austrian-born colleague, Sister Ferdinanda Ploner, a recently arrived South African passport holder, examining and treating patients in the dispensary. They demanded money.
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In the right apse is the Romanesque image of the Virgin of Peace.The high altar of the church The aedicula is a small two-story shrine located in the center of the church. It is accessed by a double staircase under which opens the access to the lower floor, facing the main door. The second floor is crowned by a caliphal dome and in the center there is an altar with Mudéjar decoration.
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In the small chapel beside the main door is a painting by Jacopo Palma the Elder. It also had an altarpieces by Pietro Moro. Likely most of these paintings were not originally in this church, nor have they been retained. Presently in this church are two paintings by Bassano's school: at the side of the presbytery, and a Baptism of Christ, now attributed to Girolamo Heinz, is now on the main altar.
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Today only two remain: the central one, above the main door, was removed in 1414. On the upper floor several chambers existed, including the "Cambra luenga" (Long chamber) and the adjacent "Cambra de doña Juana" (chamber of doña Juana). With the development of the New Palace in the 14th century, the royal court moved out the Old Palace. Parts of the Old Palace were thereafter used as stables, kitchens, and other secondary dependencies.
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On the first floor, from the main door, there are graded lateral rectangular windows, separated by larger double windows. On the second floor, are windows broken by a dual window-doors with varanda. The reclined secondary space, also two floors high, with rectangular doors and niches, and second floor that includes four vains broken by a pronounced cornices. To the left, is a small terrace accessible by simple staircase consisting of six columns.
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There was a water well and basin near the entryway for ritual washings. The main door of the synagogue faces the southeast, towards Jerusalem. An aedicula, to serve as a Torah Ark, was added in the 4th century AD. A donor inscription implies that it replaced an earlier wooden platform donated in the 2nd century AD, which itself had been replaced by a newer Ark donated by one Mindus Faustus in the 3rd century AD.
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The Blaxland family chapel, named St Augustine's, was built in 1838 and a marble plaque, above the main door, attests to this fact. It is a rendered, single storey building of brick with corner buttresses and is rectangular in plan. In design it is Gothicised Georgian with pilasters, a string course and a pedimented gable. The pointed arch fenestration with simple tracery, coloured glass and quatrefoil vents are Gothic Revival in style.
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It is five bays wide, with a central entry on the main (eastern) facade that is flanked by sidelight windows and topped by a transom window. On the second floor above this entry is another door, which (unlike the present main door) is probably original to the house. The house was listed on the National Register of Historic Places in 1993, at which time it was reported to be in deteriorating condition.
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The main door is centered in the front portico, and is surrounded by sidelights and pilasters and topped with a transom. The front is five bays wide, with symmetrical window placement. The side elevations of the house have small single-story porches, supported by three Doric columns. A fourth porch spans the rear of the house, connecting the additions, with a rear door similar in detail to the front opening onto the porch.
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When Madelina and Theodore appear, the latter obeys Agnes's demand to unbolt the dungeon door, thus freeing Raymond, who embraces Agnes anew. However, the main door to the castle is locked and the key missing. The Baron enters, sleep-walking, with a sword in his hand and uttering the name of Ferdinand, Raymond's father. Suddenly he turns and, as the clock strikes twelve, he sees Agnes dressed as the Nun in the painting.
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Moscone originally indicated a willingness to reconsider, but more liberal city leaders, including Supervisor Harvey Milk, lobbied him against the idea. Moscone ultimately decided not to appoint White. On November 27, 1978, three days after Moscone's 49th birthday, White went to San Francisco City Hall to meet with Moscone and make a final plea for appointment. White sneaked into City Hall through a basement window to avoid the metal detector at the main door.
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The exterior of the church is relatively plain, with two towers on either side of the main door, topped with onion domes. The interior is decorated in lavish Baroque style, with pink marble columns. There are three side chapels on either side of a wide main nave. The church has an elaborately detailed wooden pulpit, and a high altar made by Giovanni Battista Barbarino and Giovanni Battista Colombo that incorporates many statues in marble.
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Six steps led to a wide and deeply recessed entrance bay and an arch-headed main door with flanking windows united by a common cornice, the "Palladian window". A similar grouping over it lit the central upper hall. On either side there were two flanking bays with pedimented window surrounds on the grand main floor and square three-over-three windows on the bedroom floor. There were two dormer windows in the attic.
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Unfortunately, the remains today are scarce and adulterated: they do not allow for any rigorous study of possible constructive phases. Of the original structure, there is very little that can be inferred; its Gothic nature and oval plan fortifications included tower and main door, but little remains. The castle had a relatively heterodox characteristics, in comparison to other Gothic prototypes. Today, where there must have been a medieval tower is a quadrangular water reservoir.
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Gravestone of Peter the Wild Boy at St Mary's Church, Northchurch, Hertfordshire. Peter died 22 February 1785 and is buried in Northchurch. His grave can still be seen in the churchyard of St Mary's Church, Northchurch, directly outside the main door to the church. On 20 February 2013, it was announced by the Department for Culture, Media and Sport that the grave was to be given Grade II listing on the advice of English Heritage.
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It was consecrated on February 27, 1842, and is still an active Anglican church. The church construction was begun by Lieutenant-Colonel W.E. O'Brien, who also was the progenitor of Shanty Bay, the village the church is in. Lieutenant-Colonel O'Brien raised the 35'th Simcoe Foresters, who will later become the Grey and Simcoe Foresters. their guidon is displayed to the left of the main door, in the main area of the church.
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Deborah claims not to know who Bailey is and begs Noodles to leave via the back exit, as Bailey's son is waiting for her at the main door. Ignoring Deborah's advice, Noodles sees Bailey's son David, who is named after Noodles and bears a strong resemblance to Max as a young man. Thus, Noodles realizes that Max is alive and living as Bailey. Noodles meets with Max in his private study during the party.
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There were two pairs of tall six-paned windows on the west, south, and east sides of the church, a main door on the south in the center of the entry hall/and a small belfry on the south end of the gable roof. The builders added some decoration in the exposed rafters which were carved and pierced and backed by a dentate-carved board, still visible today on the east side of the church.
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An important hole for the prosecution to fill is how James Stone found Marilyn Miller's apartment. Miller lived in a multiple- dwelling residence, with doors leading to two different apartments inside of a main door (one upstairs, one downstairs). Miller testified that she heard a crash and that the next thing she knew, her rapist was standing in the doorway. Her rapist thus must have known which apartment inside the building was hers.
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Notable internal features are the 13th-century font, the 15th-century piscina, the 16th-century rood screen and the Jacobean pulpit. The east window dating from 1340 has undergone some restoration. The saints in the left and right hand sections are predominantly of the original 14th-century glass. Inside the main door is a parish chest, believed to date from the late 12th century, hewn out of one tree trunk and banded with iron.
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The front façade, oriented toward Auersperg Street, was designed as a combination of brick and stone embeddings, some of them archaeological remains from the place. It was modelled in the manner of the Italian palazzo, similar to the house of the Italian architect Federico Zuccari. The handles of the main door end with a little head of Pegasus. The symbiosis of the fragile glass and massive walls in other parts of exterior is entirely original.
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Gothic interior features include "ribbed vaulting" and a "tall and lofty rectangular nave and apse." Originally the window over the main door was a circular rose window, and the two front towers had crenellations in tracery, instead of the present plain tops. The square windows below are original, but the former quatrefoil wooden tracery is gone in many cases. The bandcourse of quatrefoil originally extended across the center section of the facade.
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Flight 458 lost speed until it stalled 13 seconds after the initiation of the go-around. The aircraft entered a steep left bank, and its left wing struck the ground about from a hangar located 1,600 feet (488 meters) to the left of the runway. At 8:22:23 p.m. CST, the plane, now nearly inverted, struck the main door of the hangar with its left wing and crashed into the hangar bay.
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The facade consists of a framed structure in the form of a triumphal arch with portals and canvas. It consists of three pillars crowned by semicircular arches supported on pilasters, similar to San Andrés de Mantua of Leon Battista Alberti. The pilasters don't have capitals but projections sculptured in the walls, as well as attached marble medallions. Above the main door is located a marble tondo from "José Laughing on the Annunciation".
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They use 4-5 layers of bamboo that are linked to each other to build roofs and weave bamboo to make room dividing walls. But lately they has begun to use modern construction because of the large amount of bamboo cut. One Pekarangan unit can be entered through two sides with the main door shaped like a gate and called "angkul- angkul". One of the other important buildings in this village is Bale Banjar.
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The main Door County Maritime Museum site was opened in 1997. It contains the museum's offices, as well as its main exhibits. The site also hosts the tugboat John Purves, which was built in 1919, served the U.S. Army in World War II, and later sailed on the Great Lakes. The site also hosts CG-41410, which was the last 41-foot Utility Boat, Large in active service with the U.S. Coast Guard.
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It has two large columns that are decorated with grotesques and figures in relief at their base, while they appear grooved on the top. On the lintel that frames the main door, the niche between columns contains the image of Saint Catherine of Alexandria, flanked by two coats of arms of Bishop Acosta. A triangular pediment crowns this second body. Above this is the imperial coat of arms of Philip II, from the later period.
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According to a witness, Tarrant was initially unable to find the mosque's main door, instead shooting people outside and through a window, killing four and alerting those inside. About 100 people were inside the mosque at the time. The mosque's acting imam credited a worshipper named Abdul Aziz Wahabzada with stopping the attack. Wahabzada told reporters he had taken a credit card reader and ran out of the mosque, by which time Tarrant outside had already shot several people.
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The main portal, topped by vases and bronze flowers, is inscribed with vegetable motifs and displays of escutcheons. Designed by Lorenzo Fernández de Figueroa and Diego Antonio Díaz in the Spanish Baroque style, it was built in the 18th century and is a good example of Seville Baroque. Intercolumniation is present at the main door, following the width of the patio, and includes several arches, supported by small columns of marble. A cornice support two allegorical statues.
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Frescos of clergymen adorn niches along the interior walls of the portico while saints are depicted on the fresco of the tympanum above the main door. Graceful six-columned cupolas sit on the roof above the two end bays and may be seen from the exterior. Saint Gayane along with eminent churches such as Saint Hripsime, Cathedral of Zvartnots and the Mother Church of Holy Etchmiadzin would become the essence and the pillar of spiritual strength of Christian Armenia.
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Later on in the evening when the events have settled down, Sandrine is thrown out in front of the main door and told by Christophe that the divorce may take several weeks. Nathalie appears with a jerrycan full of petrol that she pours over herself and holds a lighter in the air. Christophe dismisses her only to be shot several times by Nathalie in her rage. She is jailed and Sandrine becomes the heir to the corporation.
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The front double door is eight by seven feet and has sidelights and a fixed transom with lattice work created by strips of wood. The molding around the door has a fret design at the upper and lower corners with fluting running the length of the posts. The door to the balcony is a seven by seven foot version of the main door. The first and second level windows have nine over nine lights and triangular pediments.
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The first substantial church was probably erected in Estômbar in the first half of the 16th century (while Lagoa was still part of the municipality/concelho of Silves). The style of the main door of the church and its affinity to similar buildings such as the principal churches of Alvor and of Odiáxere, and Santa Misericórdia Church of Silves suggests the existence of a regional sub-group of Manueline architecture in the Algarve.Francisco I.C. Lameira (n.d.), p.3.
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The first noticeable feature of the structure are the solid limestone walls and three doors, two of which are gothic and the third main door which is plateresque. There are twelve side chapels, three aisles and a nave. The roof of the nave is pitched, while the aisles have cross vaulted ceilings. The length of the basilica is , the width of each of the three aisles is , the height to the vaulted ceilings is and the total area is .
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On top of the tower is a bluestone gallery and balcony with black railings. The tower is painted white with a blue trim on the bottom. Above the main door there is a glass window displaying a Waratah, the state flower of New South Wales, and the construction date. The tower is attached to a one-storey lighthouse keeper's house made from the same concrete blocks, painted likewise white with a blue trim on the bottom.
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The San Salvador del Mundo Church is designed as a fortress church mainly made of limestone blocks, corals and wood. The church’s main door has inscription that bears a symbol of Christ which dates the structure's foundation in 1884. The interior has undergone much renovation since the church's centenary in 1996. Traces of the dilapidated retablos and old roofing can no longer be seen except for the remnants of narra hardwood posts and lateral walls which are still intact.
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The church measures 82.45 meters long, 21.12 meters wide and 10.50 meters high with stone and brick walls 2.46 meters thick. The five-story bell tower attached to the left of the facade is 31 meters high. The flat surface of facade is bare of ornamentation save for the central retablo of niches, fluted pilasters and Ionic columns in Neoclassical style. The facade has one semicircular-arched main door and three rectangular windows on the second level.
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In 1975, Msgr. Severino Casas built two mortuary chapels in the church compound. Changes in 1983 included the lengthening of the nave and the removal of the choir loft above the main door, as well as the installation of the crucifix above a new altar. The retablo (reredos) was preserved, while the antique image of St. John the Baptist--which was previously at the top- centre of the retablo--was moved to the Saint Joseph Chapel.
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The sashed windows have moulded architraves, and the central window on the ground floor is pedimented. The main door is in the single storey porch to the left, and the similar bay on the right has a window and balustrade. The interior has some fine decorative plaster ceilings, a late eighteenth century barley-sugar twist staircase and plain panelling in several rooms. The house was designated as a Grade II listed building on 25 January 1956.
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They stole 12,531,000, all in 500-, and 100-złoty notes. The loot was staggering for these times, as back then, the biggest lottery jackpots were up to 1 million złotys. According to Colonel Stanisław Gorniecki of the local police department, the guard spent the whole night in the cellar, and was found on the next day at 4:30 a.m., by a cleaning lady, who upon entering the building noticed that the main door had not been locked.
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Fountain at the back garden Fatima House is a two-story building and Architect Zammit designed it with a detached outline from other buildings. The Palladian architecture and imposing four-sides façades are unusual to Sliema. The latter are characterized by massive columns on each side terrace and a prominent portico above the main door at the first floor. The building is elevated, is two storey high, and similar to most buildings in Malta has a flat roof.
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The Chapel of the Charity was built in 1768 on the Plaza Juan de Lima, attached to the old Charity Hospital. It has a single nave and a facade with a main door flanked by Doric pilasters. A plaque on the door reminds people that it was built by public subscription. During the eighteenth century the chapel was dedicated to the Virgen del Carmen, patron saint of seafarers, due to the proximity of the port at the time.
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The windows in the towers have transoms and stone lintels, and the highest window in each tower features an elaborate stone hood- moulding. A wall dormer on the second story contains three rectangular windows with a circular window above, outlined in stone, framing a Maltese Cross. The garage has a full tower on the western corner which is identical to the two on the main building. The main door is a double door with a semi-circular arch.
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The work of the site is supported by the common publications: a broschüre with information of the Regio in general and of every partner of the project specially, an events calendar and a newsletter. The main door to the region is the EuroAirport Basel-Mulhouse-Freiburg. Placed in the hearth of Europe, provides an exceptional access gate to the Regio TriRhena. From here all the partner of the project can be reached between 15 and 50 minutes.
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Behind the main door is a small full-length hallway with stone floor. It is decorated with photographs of Millay and art objects collected by her and Boissevain, including a bust of Sappho and a desk made for Millay. An adjacent parlor has a wide brick mantelpiece and paintings of and by Norma Ellis and her husband Charles, who lived in the house after her sister's death. At the east end of the hall is the dining room.
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This main door facing the street was only for faculty and members of the senior class, all younger students being obliged to enter by one of the doors at the two sides of the building, marked "Boys" on the left and "Girls" on the right (the latter remains but the former was removed in the most recent addition). The red brick and concrete motif of this construction was continued in all of the numerous later additions to the school.
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Cortés greets them on the causeway leading into the city as the head of a retinue of conquistadors and high ranking Aztec nobles. The Aztecs show surprise when Cortés and the other Spaniards bow to the monks. To the right of the main door is a depicted of the “Niños Mártires” or child martyrs of Tlaxcala. According to the story, in 1527, Axotecatl, one of the four lords of Tlaxcala, sent his sons to be educated by the Franciscans.
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Until the middle of the 20th century, all worshipers were seated on a mat spread on the floor. Children occupy the first rows and behind them on right side females and towards left males are seated. A narrow space between left and right is demarcated with a red carpet starting from the main door signifying that the church is sharing the worship space of heaven and joining the communion. Now many churches provide chairs or benches.
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The main door is more monumental that the others. Its pointed pediment is filled with a sculpture of the Madonna and the Child set in a scallop shell. The rim of the niche is decorated with cherubs among six-pointed stars and whiffs of clouds. The frieze has a fine carved decoration of artificial foliage, pecking birds and three putti who are holding torches and oak branches in their hands and carrying bowls of fruit on their heads.
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The south, or Lady Chapel, was added in 1931 and designed by T. H. Lyon, the architect of Sidney Sussex College Chapel. The Parish Centre at the west end of the church was built in 1892 and enlarged in 1990 and again in 2011. Reverend Godfrey Washington (the great uncle of US President George Washington), who died on 28 September 1729, is buried in Little St Mary's. His memorial is on the north wall close to the main door.
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Host Davina McCall tours the 2008 house. On her left is the main door (leading to the exit and Diary Room), to her right is the sitting area and dining table and ahead of her is the bathroom. Behind the camera is the kitchen. As with all Big Brother series' since Big Brother 3 in 2002, the House was located in Borehamwood, Hertfordshire, just north of London, and was completely rebuilt with a new look for the 2008 series.
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One of the robbers, Brian Robinson, was caught after security guard insider Black, his brother-in-law, passed his name to investigating officers. He was arrested in December 1983. Scotland Yard quickly discovered the family connection and Black confessed to aiding and abetting the raiders, providing them with a key to the main door, and giving them details of security measures. Micky McAvoy had entrusted part of his share to associates Brian Perry and George Francis.
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Fluted timber posts (paired either side of the main door) support the verandah. ;Farmers Inn Built is a single storey, roughcast rendered brick building with a gable and skillion roof, and a verandah with end rooms (which were fairly typical of early inns). ;The Shamrock Inn Built An undated NPWS post card says early 1850s in three stages, the former inn reflects several vernacular building techniques. External walls are brick and there is a slab skillion at the rear.
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E.C. Scranton Memorial Library, about 1906 The E.C. Scranton Memorial Library was a 1901 gift to the townspeople from Mary Scranton. The original building was designed by architect Henry Bacon, who later designed the Lincoln Memorial. A 1906 postcard shows the library as it appeared at that time. After an expansion in 1989, the main building (in the postcard at right) became the children's section, and the expansion to the right of the main door became the main entrance.
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Browning made a number of instruments for Lockyer, among them an 8-inch reflecting telescope that was delivered to Lockyer in 1871 and now greets visitors near the main door of the Norman Lockyer Observatory in Sidmouth, Devon. Toward the late 1860s, in his quest to produce telescopes for a growing market, Browning collaborated with George Henry With (1827–1904), former schoolmaster at the Blue Coat School in Hereford. With was talented at producing high quality, large reflecting mirrors.
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The Mansion House was built in 1710 by the merchant and property developer Joshua Dawson, after whom Dawson Street is named. Dublin Corporation purchased the house in 1715 for assignment as the official residence of the Lord Mayor. It retains this purpose to this day. In 1821, the Round Room was built in order to receive King George IV., while the distinctive metal portico over the main door was erected for the visit of Queen Victoria in 1900.
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The library has an Italianate design and was actually designed and built in Italy, then disassembled and transported to Newport. The marble hallway originally served as the house's main entrance and is finished with a variety of different marble colors. It was closed off in 1920 by replacing the main door with a bay window. The green room served as a ladies' reception area and was designed in 1900 by Ogden Codman, Jr. in the Louis XV style.
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Dragons and other decorative motifs are placed on the roofs of the entrance hall as well as the main hall. Entrance hall The entrance hall has one main door and two side doors, with a high step in front. The side entrances are decorated with coloured tiles with peacocks, roses, and the Buddhist swastika motif that symbolises good luck, eternity and immortality. Guarding the doors are the traditional sentinels of Taoist temple – stone lions and Door Gods.
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Its facade presents the characteristic typology of manor houses of Gran Canaria, in which a stone frame joins the main door with a window located, with windowsill and cornice as decoration. It typically has four drainpipes. The front of the house is covered with a four-sided roof, while a wide gallery balustrade supported by jabalcones is visible from the Las Huertas area. This building has testimonial value to a past mode of construction, but it is abandoned.
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Buildings in Bintaran are fusion of Javanese-Dutch style with thick white walls, tall main door and tall windows. The area has a distinct style which makes it different with buildings in Loji Kecil or Kota Baru: the yard are more spacious while the porch smaller with many pillars. The front doors are usually louvered and the inner doors are often completed with glass. One of the oldest building is Ndalem Mandara Giri, the former palace of the Prince.
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It was besieged and ruined, in 1349, because of the banditry of Reinhard von Sickingen, but was certainly restored after 1358, the date when the castle was offered as a stronghold to the Palatine Count. The dwelling tower on the southern rock, known as the small castle, was owned towards the end of the 15th century by Fleckenstein, who had it restored. Its main door is dated 1481. The big castle occupied the whole of the northern rock.
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The two outer doors are for the main door flats which originally had two floors, the ground floor and basement. Round the basement areas there are cast iron railings with arcaded detailing. The most prominent features of the facade are the twinned square bay windows in Walmer Crescent proper, rising from the basement past the first floor, providing a balcony for the top floor flats. The main elevation of the building curves gently round the crescent.
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Initially, 5,000 homes were insured by Barbon's Insurance Office.Dickson (1960): 7 In the wake of this first successful venture, many similar companies were founded in the following decades. Initially, each company employed its own fire department to prevent and minimise the damage from conflagrations on properties insured by them. They also began to issue 'Fire insurance marks' to their customers; these would be displayed prominently above the main door to the property in order to aid positive identification.
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Finally on 13 August at 11 am the British attacked from the south west, and took the garrison by complete surprise. The soldiers and militiamen had only just prepared a meal which meant that main door of the fort was wide open with only two soldiers guarding the barracks. In addition only four men were guarding the fort walls. When the assault began, only two of those four guards were able to enter before the fort door was closed.
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Building of the palace began before 1745, and it was completed in 1751. It was built for Samuel Peploe, Bishop of Chester. The palace was substantially expanded in the 18th century, and altered again in the 19th century but, apart from the main door, its external appearance has been virtually unchanged since the 18th century. It became the official residence of the bishops of Chester in 1865, and continued to be used for this purpose until the 1920s.
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The central bay features a double doorway framed by brick pilaster strips and dentillated wood cornice. The main door is flanked by large two part windows with stone sills and headers. A large stone bearing the words "CITY HALL" separates the door from three rectilinear windows in the second story bay; these are flanked by small oval windows. The open bell tower shelters a bell and features a dentillated cornice and domed roof capped by a flagpole.
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The base of the structure is poured concrete about high, with the vaulted portion about high. The interior of the vault is made out of heat-resistant bricks, while the exterior is finished in cement. The oven was used by heating it until the bricks were white, after which the burning materials were removed, the food to be cooked was added, and the main door was closed. This oven is large enough to roast four pigs.
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She walks back to the house and, out of desperation, shoots Barney to end his suffering. Back in the present day, Richard tries to comfort Alice about the situation, but Alice assures him she is fine. The pair come to a foyer area where they find a guard hanged from the ceiling and a large pool of blood. The pair find a way past the security lasers but are left stumped by a code lock on the main door.
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He first worked in a trade as a mason after high school despite harboring desires to become a priest. During this time he encountered his old schoolteacher who helped him enroll in a technical school in Ragusa. But his call to the priesthood grew stronger and so he acted upon it; he had not acted on it in the past because he deemed it improbable to have materialized. He became a porter and slept behind the main door each night.
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The garage has been extended with an open-sided canopy with a gently pitched roof and has been paved with brick pavers. The main door is located within a wall with a stepped, asymmetric parapet and has delicate concrete moulding around the opening. Circular moulded cartouches adorn the exterior in a number of places. Reports of the interior highlight the use of hand-made flooring tiles, panelled ceilings and walls, gently arched openings and timber-framed glass doors with decorative tracery.
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The building was designed by the Valencian architect Vicente Pascual Pastor in 1909. It is a clear example of Valencian Art Nouveau architecture of the early twentieth century. The is named for the iron sculptures of peacocks that flank the main door. It is a private residential building of five floors, in whose back part was located the study of the painter Fernando Cabrera Cantó, who collaborated with the architect Vicente Pascual Pastor in the ornamentation and decoration of the building.
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The portico is a space originally designed for preventing inclement weather. It was constructed in both rural and city churches, in front of the main door to protect it. In most cases they were made with a wooden structure that stood the test of time, but in many cases the construction was in stone resulting in galleries of great development, which in some cases were true works of art. The porticos were reminiscent of the narthex of the Latin basilicas.
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The flagship Biscuit Love location in The Gulch has become a popular attraction for locals and tourists alike, with lines regularly extending out the main door and down the block. In 2015, Biscuit Love won Andrew Zimmern's “Munchies: People’s Choice Food Award” for Best Food Truck. Later that year, the East Nasty was named “Best Sandwich of 2015” by Bon Appétit. In 2016, Food Network star Alton Brown said that Biscuit Love’s shrimp and grits were the best he had ever eaten.
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Especially the indirect lighting in the choir area is very well done: hidden behind the cornice window the Trinity figures are illuminated effective from behind. The cornice itself seems to swing up and down on its curved construction. Main door panel The interior is divided vertically into three sections, which increase in brightness from the bottom upwards. The lowermost portion of the benches for the church visitors is kept relatively dark and in the design symbolizes the suffering of the world.
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The front entrance is topped by a pediment; the main door has a large decorative glass transon and is topped by a limestone lintel. and The library was added to the National Register of Historic Places on June 25, 1987. The building is no longer a working library, as it was vacated after the opening of the Burlington branch of the Coffey County Library in 1994. It was later restored, and now serves as the home of Merry Investments LLC.
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The chapel's wall carvings, by master stoneworker Joseph Gattoni of New York, follow the Gothic tradition of pictorial instruction and express the chapel's theme of spiritual values in education. Charles Connick's studio, who is best known for designing the stained glass windows, also designed a large portion of the chapel's stonework, including the Gothic-style shields adorning the stone walls and the tympanum above the main door that portrays the figure of Jesus with symbols of the Alpha and the Omega.
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The front seats were simple tubular metal frames with cloth upholstery on elastic "springs" and between the seats were the handbrake, starter and choke. The gear change was centrally floor mounted. The rear hinged doors were coated on the inside with only a thin plastic lining attached to the metal door panel skin allowing valuable extra internal space. On the early cars the main door windows did not open which attracted criticism, but increased the usable width for the driver and passenger.
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Ohtu manor () traces its origins to at least the 17th century. The manor received its current late baroque appearance, possibly the work of architect Johann Schultz, in 1769. The manor suffered from being neglected and eventually abandoned during the 20th century, but has been restored in 2002–2004. Some original details, such as the rococo carved wooden main door and a fine sculpted ashlar fireplace from 1654 (possibly the work of Joachim Winter of Haapsalu), are preserved in the house.
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Exterior ledge facing Calle Perú Constructed in the Neoclassical style, the building has a basement, three storeys and a penthouse. It incorporates an older residence that faced the Plaza de Mayo but now fronts the Avenida Julio A. Roca. The main door, located at the corner of Avenida Julio A. Roca and the Calle Peru, is of carved wood with a central brass knocker shaped as a lion's head. The front of the building has Corinthian style colonnades and balconies with balustrades.
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On ramp Cabin interior The Mustang is a low- wing cantilever monoplane with a swept wing, T-tail and retractable tricycle gear. One main door is located in the forward left section of the aircraft, with an additional emergency exit on the center right section of the fuselage. The Mustang, in standard configuration, has four passenger seats in the aft cabin, a toilet, and seating for two in the cockpit. The airframe is primarily of aluminum alloy construction, with a three spar wing.
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Interior of round barn, showing main door. Structure is now repurposed as an event center, horse stalls were removed long ago Armstrong believed that Montana's high altitude and the nutrient-rich farmland along the Jefferson River made the location ideal for raising superior racehorses. He owned horses that raced at major US tracks, including a horse, Lord Raglan, who finished third in the 1883 Kentucky Derby. In 1885 or 1886, bought the mare Interpose, in foal, and shipped her to Montana.
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On 5 September 2017, three unidentified men shot Gauri to death at her house in Rajarajeshwari Nagar, Bangalore. The men fired at least seven bullets at her at around 8 p.m. while she was unlocking the main door of her house after returning from her office. One of the killers, who was waiting for her near her house, fired the first shots at her, while the two others, who are suspected to have followed her from her office, joined the initial shooter thereafter.
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All the large windows have keystones with cherubs' heads. The main door in the centre of the central block has Ionic columns with a broken pediment containing a cartouche of the arms of Liverpool. Each wing has three square-headed doors approached by steps. The wall, railings and gate piers on School Lane are also listed at Grade I. The 2005-2008 renovation at a cost of £14 million also included a new 2250 square metre extension, the architects being BIQ Architecten.
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East Wing before restoration The front range is a two-storey stucco fronted house with two arched windows either side of the main door and three 12-pane sash windows to the first floor. The front door has a large timber trellis porch. The East Wing rear range is three storeys, stone faced, with a large round tower projecting to the rear. The bottom floor contained a dungeon, coal cellar and a large wash room, while the top floor included a library.
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Women in rebozos in the procession The procession begins at the El Carmen Church at exactly 8pm. The sound of a bugle summons the Praetorian Guard which marches from the Teatro de la Paz to the El Carmen Church. The centurian knocks three times at the main door and the bugler on horseback clears the way and silences the crowd for the procession. The procession contains hundreds of people and begins by crossing the Plaza del Carmen in front of the church.
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Wright intended that the users of the building move freely from the interior space to the exterior space. The rectangle on the northeast portion of the site, called "the minor vessel," contains the more functional and service-related rooms of the house. On the first floor is the main door and entrance hall (west end) from which a stairway leads to the second floor living and dining rooms. A half bath is located on the north side of the entrance hall.
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He also painted frescoes for the Chapel of the Virgin, which also held a Nativity by Bernardo Muttoni and a Resurrection by Giacomo Locatelli and a God the Father by Giovanni Battista Amigazzi. A Second chapel had a canvas of Saints Sebstian and Roch by Giovanni Battista Canziani, and an Annunciation by Pietro Paolo Carpi. Over the main door was a Last Supper by Giovanni Battista Lanzani. In the Oratory are depictions of the Apostles Phillip and Jacob by Giambettino Cignaroli.
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In 2004 the new main door of the Basilica was inaugurated by Bishop Nikol Joseph Cauchi. The door, named Porta Salutis, is made entirely of bronze and was manufactured in Verona on a design by John Grima. The door features a total of 8 designs, with the coat of arms of Pope John Paul II in the middle since it was during his pontificate that door was inaugurated. The bronze door is the only one in the entire island of Gozo.
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Over the main door at the west end of the Cathedral of the Good Shepherd was the coat of arms of Archbishop Chia. The coat of arms of Archbishop Chia consists of a shield upon an archiepiscopal cross surmounted by a green galero with 10 gold fiocchi (tassels) suspended on each side. These are standard ecclesiastical heraldic devices indicating the coat of arms is that of an archbishop. The flame and dove on the left half of the shield represents the Holy Spirit.
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The first address of the main door of the building was in Italian as istrada Mercanti, No.15, La Castellania. Ġampatist Gatt was engaged with the Criminal Court as an interpreter and translator, to and from English, from 1 August 1810 to 30 June 1814. The death penalty was used during the British Protectorate and the decapitation of the body after execution remained in use by the Castellania. In the early 19th century the building housed the Maltese Vice-Admiral Court.
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The garden façade in Louis XII style The garden façade is in the Louis XII style: a mixture of late Gothic and early Renaissance. The stone pediments of the dormer windows and bases of windows with linenfold panels are pure Gothic. The most beautiful example of this mixture is the door to the tower: the original main door to the château. It was moved from the François I façade by Louis de la Saussaye because it was considered too small.
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In 1791, the abbey was dissolved by the revolutionaries and the thirteen Benedictine monks were forced to leave. Father Cyriakus Spitz became the last in a succession of abbots over 800 years. The Romanesque tympanum over the main door was destroyed and was replaced in 1886 by the sculptor Eugène Dock. All the buildings constituting the abbey with its outbuildings were razed in the 19th century except for the wing of the abbey who has recently been the presbytery office.
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When a fire broke out during the works, the tower and the nave were completely reduced to ashes, as well as the newly built choir. Due to the death of Spoorwater, the works were only restarted on 3 May 1481, this time under the supervision of the Antwerp artchitect Herman de Waeghemazeker. He engaged Matthijs II Keldermans (from 1482 to 1484) for the construction of the main door. The construction of the church was completed by his great-nephew Laurens II Keldermans (ca.
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The northwest, entrance front had an urban appearance, built tight against the road. Massive and austerely neoclassical, it had at its centre a Doric colonnade giving into the entrance porch, directly beyond which was, not the main entrance door, but access via a wrought iron gate into a semicircular courtyard. Instead, the main door was inside the porch on the left, giving access to the entrance hall. A door in the porch on the right gave access to the service quarters.
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It had three naves separated by Tuscan columns, the central ceiling had intricate engravings made by Juan Salcedo Espinosa and gilded by Francisco de Zumaya and Andrés de la Concha. The main door was probably Renaissance style. The choir had 48 ceremonial chairs made by hand by Adrián Suster and Juan Montaño in pinus ayacahuite wood. For the construction, they used the stones of the destroyed temple of the god Huītzilōpōchtli, god of war and principal deity of the Aztecs.
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The left return (east end) of the north wing is four bays wide. Large sash windows on both floors of each are framed with decorative gauged brickwork. The central projection of the north wing is topped by a pediment containing an oval Oeil-de-boeuf window and the main door in its centre is flanked by Corinthian pilasters supporting an entablature and frieze with the initials "WC". The pitched roof is tiled and contains a dormer window each side of the central pediment.
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The main building used to house the Royal Tribunal and was the residence of two of the early viceroys of New Spain. In 1615, it was divided into lots for sale. The tezontle stone façade of the current building dates from 1775, and at the peak above the main door is the coat of arms of the Count of Regla. In the main doorway there is the coat of arms of Mexico and a bust of Don Pedro Romero de Terreros.
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While wandering in a trance-like state, Angela ventures through the main door (carelessly left open by Carter), closing it behind her and trapping Carter and his wife inside. Dr. Carter attempts to lure Angela back by posing as Billy, to no avail. Outside Angela is rescued by Alex, who had tracked her to the apartment's address. A trapped Carter bangs the scissors furiously against the glass of the window, as a liberated Angela looks back with a vengeful smile.
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In 1746, Westbourne Green had five main houses, the largest of these being Westbourne Place (also known as Westbourne House), which had been rebuilt as an elegant Georgian mansion in 1745 by the architect Isaac Ware. The mansion had three storeys, with the frontage divided into three parts widthwise, and nine windows. The middle portion was topped by a large pediment and contained the further pedimented main door. Each end of the lower two storeys were formed into tri-windowed bays.
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The City Museum (Museo de la Ciudad) is located at the intersections of Zaragoza and Esteban Morales streets in the historic center. It is housed in a two-story building which is of neoclassic design built between the mid and latter 19th century. The main façade on Zaragoza Street has an enormous main door with posts, framed by Ionic pilasters, which reach to the upper floor, and topped by a pediment and a cornice. The building was originally constructed as an asylum.
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Gullichsen's bedrooms are paired on either side of an en suite bathroom, which are entered under a slightly dropped ceiling, with vents for air conditioning. The upper hall terminates in the familiar serpentine line. The three children's bedrooms open onto a large circulation/play space, fitted with wall bars for exercise. Their windows are obliquely projecting bays, which read almost as objects on the façade, rather than openings in it, and are angled to address the line of approach to the main door.
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The main door leading into the great hall contained leaded glass divided lites. This large room measured 20 by 42 feet and was paved with Vermont granite slabs, a wooden ceiling supported by cased oak beams, white stucco walls and numerous four-centred arch openings. The main feature of the room is a massive fireplace built of carved Madison sandstone. Many of the rooms contained vaulted ceiling and the hallway ceilings were typically varied combinations of different sizes of intersecting vaults.
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The main door is carved in wood with geometric patterns; about it, the lintel is decorated with palm leaves and a sun with wings of an eagle, symbol of the deity Horus. The building stands on an estereóbato. The Masonic Temple of Santa Cruz de Tenerife is located at the same latitude (28º north) of the Saint Catherine's Monastery of Mount Sinai (Egypt). This monastery was built in the place where according to the Old Testament, Moses received the Tables of the Law.
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The latter assignment put him in charge of the RAAF's Directorate of Intelligence. Headlam was appointed a Commander of the Order of the British Empire (CBE) in the 1958 Queen's Birthday Honours, gazetted on 3 June. In May 1960 he became acting Deputy Chief of the Air Staff. alt=Military helicopter with main door open, over jungle On 30 January 1961, Headlam joined the staff of Operational Command (OPCOM), the successor organisation to Home Command, responsible for the direction of RAAF operational units.
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By 1949, the four walls remained, with the northeastern angle being destroyed and missing from its profile. Along with much of its damage, there were cracks/slits in the walls and the main door dismantled. On 2 August 1995, there was a proposal to classify the building as Valor Concelhio (Municipal Valor). By May 1996, the process was in a state of consultation by the IPPAR Instituto Português do Património Arquitectónico, predecessor of Instituto de Gestão do Património Arquitectónico e Arqueológico (IGESPAR).
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Today, visitors of the cathedral can see that the main door is bricked off. Two legends circulate this oddity: First, it has been said that the door the couple passed through was later closed to represent the closing of the troubles between France and Spain. A more popular theory among the locals is that the king, Louis XIV, ordered the door to be closed off, so no other couple could walk into the church to be married in his footsteps.
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Inside, on the ground floor, the main core of the house consists of four large rooms disposed either side of a central hallway. This hallway opens, at the end opposite to the main door, into the breezeway that separates the main house from the kitchen. A cedar stairway leads from this hall to the level above, completing its half- turn using winders. The joinery throughout the house is cedar, but it is otherwise constructed with the pine, possibly cypress, cut and milled by the owner's company.
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The interior is decorated in polychromatic blue and white azulejo tile, with the ceiling covered in wood, divided into panels and reinforced with metal beams, further divided by friezes, cornices and equally-spaced corbels. The pavement consists of slabs of granite, with wood pedestals in lateral areas. The main door is protected by wind-guard and flanked by two stone holy water fonts. Constructed in wood, the high choir is protected by balustrade and accessed by staircase on the left-hand side of the entrance.
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It is unknown how the original stage front was, as the present one seems to have been built under Emperor Trajan. Peristyle Behind the stage is a garden area surrounded by columns and a quadrangular portico. The peristyle was used as a recreation area. At the bottom of this garden, on axis with the main door of the stage, there is a small room dedicated to the imperial cult, as reflected in the finding of a sculptural portrait of the emperor Caesar Augustus dressed as Pontiff Maximus.
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There are no interior walls but instead the exterior walls are arched towards the ceiling to create an interior of a large parabolic vault. It was the culmination of a series of designs which Semple constructed around Dublin and countrywide over a 12-year period. As you view his work in year-on- year progression, the ideas develop and become more refined. For example, what began as a simple cross type motif over the main door, eventually became the fully expanded Semple 'Rose' window.
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The Poyntz family were anciently feudal barons of Curry Mallet in Somerset, later of Iron Acton in Gloucestershire. Poyntz was a Groom of the Privy Chamber to Henry VIII and had recently remodeled Acton Park in anticipation of a royal visit. "Newark is equally fashionable in terms of its precocious classicism," observes Nicholas Cooper, who points out its rigorously symmetrical front (illustration), unprecedented in the main body of any great house in its time, and the correct Tuscan order of its original main door.
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The clock above the main door of the building was presented by Sir Henry Edwards upon completion of the work. By this time, the Weymouth Guildhall, which had opened in 1838 on the site of the former Melcombe Regis Town Hall, was now the council's main place for meetings. The hall, still under the council's ownership, was later used as the headquarters of the local Girl Guides from the mid-20th century onwards. The hall became vacant in 2005 and fell into a state of disrepair.
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The box pews have since been replaced by open benches. There are two fonts: a 15th-century octagonal bowl with arcading on three sides of the stem, in "battered" condition, and a quatrefoil-shaped bowl supported by marble shafts dating from the later 19th century. Above the main door is a large painting of Jesus blessing the children, which was painted in the workshop of Frans Floris in the 16th century, and above that are the royal coat of arms of George IV in iron.Field, p. 5.
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Burrowlee House. Burrowlee House is a Georgian style building situated at grid reference on Broughton Road in the Owlerton district of Sheffield, some north- west of the city centre. It is the oldest building in the Owlerton and Hillsborough area and was one of the first houses constructed wholly from brick in Sheffield. The house is a grade two listed building with two storeys and five bays with a stone balustrade over the three middle bays, there is a date stone over the main door.
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The former Palmer School building is located west of the Boxford village center, near the junction of Main Street and the south access road for the Harry Cole School. It is a single-story wood frame structure with a gabled roof. It has very minimal Greek Revival styling reflective of its construction date in 1845. The western gable end of the structure has the main door, flanked by windows, while the long side of the building has seven windows, although it previously had only four.
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Other locations of the inferior plants are the cellars and the old stable. The most characteristic architectural elements are located in the main façade, such as the portal framed by stonework that presents a chiaroscuro known as cushioning. This frame is of a frequent typology in different points of Gran Canaria. More precisely it displays a form in which the main door is united with a window of the superior plant that is decorated as well with the corresponding sill and the cornice that crowns the whole.
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It was speculated that it might not have been written by her, but several months after her disappearance the State Law Enforcement Division confirmed that it was. Another question turned on the house being locked when Kingery and his son returned. The house's main door could be locked only from the outside, with the key. Yet Tammy's keys, including the house key, were inside along with her purse, wallet, and phone, items she might have been expected to take if she were planning a longer absence.
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The arcade across the courtyard and its mosaic was at first unaffected by the protracted and complicated rebuilding of the main basilica, but in the 17th century the mosaic underwent a complicated series of four moves and restorations or remodellings in 1610, 1618, 1629 and 1674/75 which finally took it to its present size, condition and location above the main door inside the portico of the new church.See Kleinhenz 749, Capresi 36, Tomei, 31, though none give a coherent account of the process.
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These elements included: the provision of a prominent, centrally positioned ground floor entrance emphasised by a semi-enclosed balcony above the entrance vestibule and louvred timber panels either side of the main door; the whole of the ground floor taken up by a large ballroom; and at the core of the house, a substantial and decorative winding staircase which is of aesthetic value in its own right. Maltese timber sculptor, Mick Farrugia, crafted both the central stair (1939) and the 1946 ground floor vestibule walls.
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All the windows on the front of the house date from the twentieth century, with only the main door frame still with a seventeenth century lintel. At the rear, there are two seventeenth century lintels for windows, but one has been blocked up. The house has two rooms with a passage between, each heated by a fireplace with a granite lintel. The wall to the left of the passage is substantial but the partition to the right has been removed and the rear door blocked up.
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Above the main door there was a window that provided light to the central nave. The aisles were divided by three arches supported by twin doric columns of stone with a wide intercolumniation covered by a lintel, the columns being leaned on the side of the presbytery and the facade, above four pilasters. There were also paintings found inside, including one depicting the Martydom of saint Margaret, belonging to the seventeenth century. This report from De Petri established drastic changes compared to the Borromeo brothers' description.
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The marble floors and most of the silver decorations inside were imported from Europe. The Sultan ostensibly kept wild animals chained up for display in front of the building and had the main door made wide enough so that he could ride an elephant through. In front of the building once stood a lighthouse which was destroyed during the Anglo-Zanzibar War of 27 August 1896. This brief war also destroyed the Beit al-Hukum Palace and severely damaged the Beit al-Sahel Palace.
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While exploring the headquarters, Shadow Lass finds Mordru's vault and opens the outer door. While trying to open the main door, she is interrupted by Mon-El, who warns Shadow Lass and shuts the vault. He opens an outer glass window which lets them see safely inside, but they see Mordru is revived and coming thru the vault side. Mon-El sounds the alarm and Superboy tries to reach him but is rendered unconscious by Mordru, who has not yet regained his full strength.
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The facade of the Basilica Minore of Our Lady of Charity The Basilica Minore of Our Lady of Charity is noted for its Mexican-Baroque architectural features. A rosette stained glass window upon the Basilica’s facade is a marked contrast to the gray color of the front wall. Amid the statues of Saints Peter and Paul statues at the main door are carved Hebrew scripts, which is a short form of the Ten Commandments. Agoo Basilica's unconventional architecture is demonstrated by its two non-identical bell towers.
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There was a group of bells lined together vertically by metal grilles, the usual bell design in almost all of the parishes in Bataan. There was a statue of Jesus of Nazareth near the main door, which was kept for rehabilitation, believed to be miraculous. People lined up and gave sampaguitas to its neck and cross, they would usually wipe its feet. When Bishop Socrates was appointed he saw that the decorations were in bad shape; he renovated the inside with a new design.
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In 1495, the sculpture was placed on the Piazza della Signoria, at the side of main door the Palazzo Vecchio, in memory of the expulsion of Piero di Lorenzo de' Medici from Florence and the introduction of the Florentine republic under Girolamo Savonarola. This time, this statue symbolized the expulsion of the tyrannical Medici. The statue was later moved to the courtyard inside the Palazzo Vecchio, and 1506 into the Loggia dei Lanzi. In 1919, it was then placed on the left side of the Palazzo Vecchio.
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He also said that they had Baghdadi "under surveillance for 'a couple of weeks' and 'two or three' raids had been canceled because of his movements". He continued: "The forces targeted the compound using eight helicopters, which were met with hostile fire. The commandos entered the building by blowing holes in the wall, avoiding the main door which was booby-trapped." Trump announced that Baghdadi died by detonating a suicide vest after he was chased by U.S. military dogs and was cornered inside a tunnel.
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The roof is topped with a wooden tip mounted perpendicular to the top. These main pillars were made of kanjoli or bintanggur wood (Calophyllum soulattri) which grows in abundance in the coastal area of Tanah Hitu. The walls are covered in gaba-gaba (dried sago fronds) as well as the thatched roof. The wooden main door is decorated with spearhead-shaped wooden ornaments inscribed with calligraphic writings of Allah and Muhammad on its four corners, and a turtle-shaped brass plate etched with a Salawat invocation.
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Demolition followed, with the chimney coming down in 1974. Few buildings remain; the "Crown" public house towards the east of Bridge Street, which was the "tap" outlet for the brewery, with "black and white" architecture, is the subject of a redevelopment proposal. The public houses usually bore a plaque that was normally on the outside wall beside of the main door. There were two types: slate with the design etched into the stone, or ceramic with the design in blue on a white background.
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In 1936, the fountain was built in front of the pavilion. Named the "Awakening" and sculptured by Dragomir Arambašić, it is in the form of the naked female figure, standing on the pedestal between the pigeons, with water streams pouring from their beaks. Until the big reconstruction of the Pavilion in 1930s, above the main door there was the allegoric representation of the art, done in the stained glass technique, the work of the painter Vasa Pomorišac.The Artistic Pavilion is opening today, Politika, 23 December 1925.
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The property is three-storeys, built of yellow brick and has full height pilasters at each corner with a dentilled cornice. There are four sash windows at each floor on The Avenue elevation and three on the Rockstone Place elevation. The ground floor windows are round-headed with arched recessed heads, and shell tympana decoration. The main door is at the centre of the Rockstone Place elevation; the stone doorcase has a shallow moulded cornice hood on brackets and pilasters over a round-headed keyed door opening.
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Main door of the Parliament of Burgundy (currently law courts) in Dijon, door sculpted by Hugues Sambin, 1580 Hugues Sambin (ca. 1520–1601) was a Franc- comtois sculptor, trained as a menuisier or wood-worker;In 1547, in Dijon, he married the daughter of another menuisier. (Hugues Sambin (ca.1520 - 1601)) as a designer of Mannerist ornaments, his published designs, such as Oevvre de la diversite des termes, dont on use en architecture, reduicts en ordres, Lyon, 1572, inspired luxury furnishings, such as dressoires, armoires and cabinets.
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They insisted they would refuse to leave until they had met with Carson. Following the revelations, there was a minor scuffle during which the main door to the visitors' centre was damaged. Local Sinn Féin Councillor Joe Kelly was amongst those who occupied the visitors' gallery. A meeting held the following day did little to resolve the conflict, with the sit-in continuing for almost two months until 22 March. On 18 February 2009, 13,000 civil servants voted for industrial action over a proposed pension levy.
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Rolls Royce Silver Ghost From Autonomy to Atalanta-exhibition is situated in the main hall of the Manege. The exhibition consists of three parts: on the left side (looking from the main door) of the main hall is information about the Finnish military history and the development of Finnish Defence Forces. Different kinds of military uniforms from the 1800s until modern times are showcased on the right side of the main hall. In the middle visitors can explore bigger artefacts, such as missiles and cannons.
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View of the refectory On the north wall is the façade of the refectory, from the 12th century, which has a pediment with rose window and a door with archivolt very similar to the main door of the church. The refectory is the monastery's masterpiece. Construction began in 1215 at the expense of Martín Nuño de Hinojosa, nephew of Abbot Hinojosa. It is a large nave with sexpartite vaults and with beautiful pointed arched windows that provide a lot of light to the room.
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As for the reconstruction itself, there survives a contract from 1764 between Luís Coelho da Silva of Monchique and the head of the elected Building Commission (Comissão Fabriqueira), Diogo Tavares, for furnishing wood for the church. (Tavares was a professional builder and the most prestigious stonemason and contractor in the Algarve. At the time he was living in Lagoa). The main door and the three windows of the principle facade were only rebuilt in 1809 by the Faro stonemason, António Xavier de Mendonça using stone cut in the quarry of São Lourenço.
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At 20:05 the VC began their assault on the hotel, while 2 VC were killed by machine-gun fire by a U.S. sentry on the hotel roof; VC killed the South Vietnamese guards posted outside the building and placed satchel charges at the main door. A 100-pound plastic charge was detonated next to the staircase which provided the main structural support for the building. The explosion caused the entire hotel to pancake to the ground. 21 members of the 140th Transportation Detachment were killed as were 2 other soldiers and 7 Vietnamese civilians.
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The house also has significant interior features, including marble fireplaces, wood paneling, coffered ceilings, window and door architraves, parquet floors, and extensive carved wood and plaster detail, primarily in the Adamesque mold. The original furnishings together were reported in 1895 to have cost hundreds of thousands of dollars, and to have included rare tapestries, carved woods, paintings, and Italian marble. In 1906, the house had 16 bathrooms and 65 rooms, including 20 for servants. The house's main door opens into a square vaulted vestibule, walled throughout with highly polished yellow marble.
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Around the structure are eight spaced square, single-paned windows on the lower level. On the northwest is a large sliding-door, then the attached rectangular barn and two more windows before returning to the main door. On the upper level, there is the upper hay doors, followed by a bay without a window, then a window positioned slightly lower than the other upper level units. Following this window is another upper level hay door of smaller, then five windows centered above the lower level windows, along with another upper level window to the north.
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Round vault doors were popular in the early 20th century and are iconic images for a bank's high security. They fell out of favor due to manufacturing complexities, maintenance issues (door sag due to weight) and cost, but a few examples are still available. A day gate is a second door inside the main vault door frame used for limited vault protection while the main door is open. It is often made of open metal mesh or glass and is intended to keep a casual visitor out rather than to provide true security.
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The eight square floor plan produced a unique inner chamber, unlike most conventional mosques. A black, high vaulted roof porch is constructed in each of the four corners of the mosque, and complements the main dome on the roof of the main building of the mosque. Each is equipped with a main door and stairs between the courts of the main floor of the mosque is elevated, except building the porch on the side of the mihrab. The mosque is divided into the main room, ablution, entry gates and towers.
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Dozens of the demonstrators then smashed through a main door of the checkpoint, set fire to the reception area, raised PMF militia flags and anti-American posters and sprayed anti-American graffiti. Video of the demonstration reportedly also showed militiamen ransacking the reception area and taking away paperwork. Security staff withdrew to the embassy; there was no immediate comment from the Pentagon and the U.S. State Department on the situation. U.S. ambassador to Iraq Matt Tueller was not at the embassy at the time and was away on previously scheduled "personal travel".
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A tradition was reported of annual visits to the grave of Charles Boswell near Doncaster for more than 100 years into the 1820s, including a rite of pouring a flagon of hot ale into the tomb. This may be same person.Brian Vesey-Fitzgerald Gypsies of Britain, The Country Book Club, 1951, quoting Edward Miller History and Antiquities of DoncasterJohn Wainwright, History and Antiquities of Doncaster and Consborough, Sheffield, Basil Blackwell., 1829 the grave is situated by the main door leading to the church, shaded by a dark oak tree.
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Massarotti trained initially with Agostino Bonisoli, then in Rome with Carlo Cesi. The historian Titi (page 379) said he painted a fresco depicting Christ with Santa Lugarda and other for the church of San Salvatore in Lauro. This gained him admission to Accademia San Luca of Rome in 1680, when he returns to Cremona. In Cremona, he painted an Immaculate Conception for the church of Sant'Ilario, and a large canvas over the main door of the church of Sant’Agostino representing the Doctors of the church and founders of religious orders.
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The fort was designed in a polygonal, Mannerist style. It was built during the Portuguese Restoration War (1640-68) on the instructions of King D. João IV, with the purpose of reinforcing the defence of the Tagus estuary already being provided by the nearby Fort of São Julião da Barra and the Fort of São Lourenço do Bugio, situated in the estuary, and thereby controlling access to the capital Lisbon. By 1735 it was reportedly in a bad condition, with the main door needing to be replaced. Further work was deemed urgently required in 1751.
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Each family house, which may have an outer gate opening into a courtyard, has a single main door which all the occupants use to access their own particular quarters. The families are held together by property and the ownership of land. A widowed woman lives with her brother if she transfers her land to him or allows him to cultivate it. On the death of a householder, either his sons divide his property between them, or they agree to co-operate in the joint working of the land.
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The Bar Royal on Wood Street had become the 'place to be'. Jody's, legendary 1980's/90's gay club based on Stanley Street, LiverpoolGuests there were heavily vetted on arrival by its owner Sadie and the main door was bolted as people entered. The bar become a hive of activity where students mixed with dockers and glamorous transvestites and transsexuals mixed harmoniously with lesbians and gay men. By the close of the decade, the various groups had separated as heterosexual 'New Romantics' had begun to take over.
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A cottage existed on the site in the 16th century and is recorded in the deeds from that period. Burrowlee House was constructed in 1711 by Thomas Steade (1672–1739), the Steades were a family of local landowners who also built the nearby Hillsborough House which stands just 250 metres to the west. Stead had married Elizabeth Creswick in 1696, whose father was Lord of the Manor of Owlerton. The couple lived in the house upon completion and their initials are still visible in the date stone above the main door.
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The Japanese reoccupied Qingdao in January 1938. Bishop Thomas Tien Ken-sin, SVD was appointed Vicariate Apostolic of Qingdao, in November 1942, as Bishop Georg Weig had died the year before. That year, the Japanese placed a large sign over the main door of the cathedral that read "Under Management of the Japanese Army". On August 15, 1945, Japan surrendered to Allied forces, officially ending World War II, and in September 1945, Qingdao was liberated by forces of the Kuomintang, restoring the government of the Republic of China.
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The great pipe organ, over the main door, was built in 1904 by Aquilino Amezua and enlarged in 1933 by his former partner L. Galdós, using a classicist case from a previous organ built in 1794. It follows romantic taste and has three manuals and pedal, with 36 stops. There is also an Allen electronic-digital organ. In the vestry there are several pictures: for example, an Assumption of the second quarter of the 17th century by Diego Valentín Díaz and a San Jerónimo y San Jenaro by Lucas Jordan.
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Set on a hillside to provide panoramic views to the southwest over Pembrokeshire, the S-shaped building was erected in 1824 for Dr. Evans. Built out of stone with two storeys, the two hipped end panels frame a flat central- door entrance on the three-panel house. The main door opens to an axial passage which passes numerous living room doors to the large rear kitchen, also enabling access to both main and servants staircases. Considerable alterations were made to the interior in the twentieth century when the house was used as a hotel.
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The Blessed Sacrament Chapel is made from reinforced concrete and the restored spires from glass reinforced concrete. Nave looking east to the high altarInside the cathedral the stained glass windows are vividly illuminated by the sun and cast coloured patterns on the floor and walls. Some of them are small with intimate pictures of Christ and his followers, while the great window over the main door stands tall and proud as it depicts Christ's ascension, then casts its majesty down the length of the great space. The lightweight plaster ceilings arc gracefully overhead.
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One of the men is startled and fires his gun, accidentally hitting the main control circuit on the back of the truck. The main door of the sealed container opens, and an abnormally large, nightmarish reticulated python, about long and , emerges and kills the group. Ramon detonates a bomb in the process, destroying the convoy, but not the snake. Broddick reveals his plan to bring extreme big-game hunting to the city, as yet another pastime for the mega-wealthy, and the python is to be the quarry.
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The standing parts of the parapet, remodelled in the 1620s, show that the corners of the tower were topped by corbelled bartizans (turrets). Above the main door on the west, and the postern to the east, are machicolations, narrow slots through which objects could be dropped on attackers. The western door is also protected by its own ditch and drawbridge, accessed from a cobbled "Inner Close" separated from the main bailey by a gate. The surviving interior sections can still be accessed via the circular staircase built into the east wall of the tower.
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Section of San Carlo alle Quattro Fontane, ca. 1730 The concave-convex facade of San Carlo undulates in a non-classic way. Tall corinthian columns stand on plinths and bear the main entablatures; these define the main framework of two storeys and the tripartite bay division. Between the columns, smaller columns with their entablatures weave behind the main columns and in turn they frame niches, windows, a variety of sculptures as well as the main door, the central oval aedicule of the upper order and the oval framed medallion borne aloft by angels.
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Above the main door there is an inscription with the following text: YEAR 1782 ASYLUM CHURCH After the restoration that was carried out in 1984, the church was declared an artistic-historic monument. Among the movable goods of the parish, the silver Processional Cross, dated to 1609, catches the eye. It can be attributed to the goldsmith of Valladolid Juan de Nápoles Mudarra, of excellent quality and one of the best of Spain. There is also a silver monstrance from the 17th century and an important documentary collection from the 17th century.
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The artist George Price Boyce lived at West House from 1870, and died there in 1897.The reason that there were three doors was because Trades people would enter one and models would enter another with the main door being for the family. After Boyce's death, Scottish artists James Guthrie (artist) and Edward Arthur Walton occupied West House. Guthrie, one of the Glasgow Boys, who were influenced by Impressionism and who used more realistic and contemporary themes than was usual in Victorian painting, both in his portraiture and landscapes, had his studios there.
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Other churches are Santa María in Couso de Limia, the chapel of Arcos, the chapel of Coalloso, the chapel in Zadagós… leftAs for the civil constructions we can highlight the medieval tower of the Castro. Other interesting constructions are the three stately homes and a house that belonged to the nobility. The Casona in Santa Ana with L shape floor, with a big door and an interesting shield, has a chapel. The stately home of Espido presents a rectangular floor, a curious chimney and, on the main door, several shields.
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The arch over the main door has the most detailed Victorian carving in the city. The present church was completed in 1864 and is considered to be one of the most perfectly finished Catholic churches in England, rich in sculptures, paintings and stained glass. In 2013, the church was entrusted to the Oratorian Fathers."St Wilfrid's, York", The Oxford Oratory, 20 July 2013 It is within the Roman Catholic Diocese of Middlesbrough and was the second pro-Cathedral of the Diocese of Beverley until its dissolution in 1878.
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The main door opens onto a sqifa (entrance hall), which leads to the main courtyard of the palace. The courtyard is sheltered with groined vaults and is dispersed with decorative niches which form window-seat benches. There is also a second entrance hall which is overlooked by two marble-framed doors; this connects the main sqifa used by visitors to enter the interior courtyard. The centre of the residential quarters is surrounded by galleries and supported by arches which rest on marble columns and are distinguished by decorative tiles.
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Above the gavel is a portrait of Abraham Lincoln, who was President when Nevada became a State in 1864. To the left of the main door to the chamber is a podium with a Bible, which is changed to different passages by the Assembly Sargeant-at-Arms. Since 2003, one floor session has always been held in the Old Assembly Chambers in the State Capitol. The session usually begins with a presentation from the State Archivist regarding the history of the chamber, and then legislative business proceeds as usual.
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The front of the Church is divided into three parts as it is inside. In the high side of the front there is an oculus, located in the middle, and two single-lancet windows in the secondary naves. The architects decided to complete the front with two doors: the main door is located in the centre, and it has a secondary door beside, which is smaller. On the south side of the building, there is a door in the middle of to two single-lancet windows, similar to the ones in the front.
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Archaeological documents show that in 1566 there was a small provisional church, (also called hermitage), to carry out ecclesiastical celebrations, even when the official construction of the Main Church was not started. This Provisional Church had a main door, which was directed towards the now known Calle de Santa Ana. Thanks to the efforts of Diego de Solís to obtain the requirements for the construction of the Main Church in the Royal Audience of Quito, walls were erected of adobe around the hermitage. Serving in this way, as a choir of the New Temple.
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Nearly all the houses or apartments in Thailand require removing shoes and placing them in front of the main door to enter. One also need to remove their shoes to enter some buildings in Thai temples, especially in Ubosot. Kindergarten schools and some buildings in old elementary or high schools also require students to take off their shoes as well. However, in some houses or schools, slippers are allowed, but those are not allowed outside the buildings, as well in some restrooms there are provided sandals for changing before entering restrooms to keep it clean.
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It is said that when the yakshini encircles a dormant tree with her leg around it, it starts to blossom and bear fruit. Shalabhanjika yakshi is also an embellishment in the form of an architectural bracket in many Hindu temples. Another notable feature of veneration is of the goddess Lakshmi, the goddess of prosperity. On Deepavali festival day, Lakshmi is devotionally ushered into the house through symbolic representation with a series of her footprints (paduka) drawn in paint or kolam and lit with oil lamps, from the main door to the private sanctum.
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The main facade is austere and has a main door with three archivolts supported by six columns with worked capitals and surmounted by a frieze and a tympanum of the Agnus Dei. Above the door is a rose window with two rings in the same style as the door, thus probably by the same master of works. The external apse of the church is surrounded by three columns with carved capitals, below a cornice of Lombard arcades. The whole apse is ornamented with an entablature with half- circles.
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The main facade has two large twelve-by-twelve light sliding sash windows on the left side that can be covered with three- part batten shutters. The main door is a Dutch door with a plain frame and to its right is a smaller six-by-six sash window without a batten shutter. The rear facade is plain and devoid of any windows. The north end of has four windows, two for the attic, and the south end has only two windows for the attic, all with six-over-six sash.
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The facade is composed of a monumental main door above which hangs a massive decorated balcony of 21st century construction. The roofing is in brick-tile. Originally the site also contained a farmhouse and stables, along with a large garden in back, an extensive tract of cultivated land in front, and a grove of mulberry trees. In the 1794 Cronaca by parish priest Paolo Antonio De Petri, the palace was described as follows: During the first half of the 19th century the property extended from Via Unione to Piazza Noseda.
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Central fresco by Pinturicchio in the S. Bernardino Chapel (1486). The original unfinished façade has lost the mosaics and subsequent frescoes that originally decorated it, save a mosaic in the tympanum of the main door, one of three doors that are later additions. The Gothic window is the main detail that tourists can see from the bottom of the stairs, but it is the sole truly Gothic detail of the church. The church is built as a nave and two aisles that are divided by Roman columns, all different, taken from diverse antique monuments.
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The Jin Chan is usually depicted as a bullfrog with red eyes, flared nostrils and only one hind leg (for a total of three legs), sitting on a pile of traditional Chinese cash, with a coin in its mouth. On its back, it often displays seven diamond spots. According to Feng Shui beliefs, Jin Chan helps attract and protect wealth, and guards against bad luck. Because it symbolizes the flow of money, Feng Shui lore insists that a Jin Chan statue should not be positioned facing the main door ("outward").
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As the fundamental guiding principle of the restoration project was to retain the original character of the building, only one new aperture was added at ground floor level. The Testaferrata family crest on the main façade was restored, while a new Cagliares family coat of arms - mentioned by Vella (1927) - was commissioned and reinstated on the main door to the courtyard. The interior of the dome, chapel sculptures and carvings were also restored. The current owners sometimes grant access to the villa for cultural and historical tours by local cultural organisations.
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A drawing of the north side of the Bedesten in 1881, showing main door. The Bedesten of Nicosia is stylistically very different from other bedestens in the Ottoman Empire. It consists mainly of a mix of Byzantine and Gothic architecture, the latter being added by the Lusignans, but also incorporates elements of Renaissance French, Venetian and probably Spanish architectural styles. It uses a cross-shaped structural style and layout that belongs to the Byzantine style, yet incorporates a nave with a high ceiling that belongs to the Gothic style.
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The building was originally three separate houses, and various sources repute these to have been built between 1610 and 1700. It underwent alteration during the 18th century, when the current building was created as a residence for William Butts, the parish clerk of the nearby St George's Church. Above the inn's main door a stone dated 1765, and it is believed that this date was inscribed on the building by Butts. The George Inn is one of the oldest pubs on Portland and is reported as being the oldest inhabited building on the island.
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Facade of the main door to the museum in February 2018 The Museo Nacional del Virreinato (in Spanish, National Museum of the Viceroyalty of New Spain) is located in the former College of San Francisco Javier complex in Tepotzotlán, Mexico State, Mexico. Belongs to Consejo Nacional para la Cultura y las Artes. The complex was built by the Jesuits starting in the 1580s. Here, were founded three centers of learning: a school to teach indigenous languages to Jesuit evangelists, a school for Indian boys and the College of San Francisco Javier, to train Jesuit priests.
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It was usually immediately inside the main door. In modern British houses, an entrance hall next to the front door remains an indispensable feature, even if it is essentially merely a corridor. Today, the (entrance) hall of a house is the space next to the front door or vestibule leading to the rooms directly and/or indirectly. Where the hall inside the front door of a house is elongated, it may be called a passage, corridor (from Spanish corredor used in El Escorial and 100 years later in Castle Howard), or hallway.
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Wilkening and Brown(1972); pp. 51–66 He was given additional sculpture projects at the exposition, panels for the Arches of Triumph and a festoon over the main door of the Palace of Fine Arts. After returning to New York in 1915, Bufano entered a nationwide art competition and exhibit on the theme "The Immigrant in America". Gertrude Vanderbilt Whitney funded the contest, and the exhibit was held in the Whitney Studio Club at 8 West 8th Street in Greenwich Village, which Whitney established to exhibit the work of young artists.
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After much struggle and expense over the 1984-85 school year, professional contractors and WCUA volunteers completed construction of the new studios on the 4th floor of University Center West (previously Cardinal Hall.) On April 21, 1985, University President Father William S. Byron, S.J., led the opening ceremonies to the new, six-room studios. Although crafted from multiple rooms, open access was limited to one main door. It opened onto the reception area/offices. Down the hallway were the production studios, broadcast booth, equipment room, and lockable library.
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Many got sick and perished in the dreaded months of August to December 1878 due to low resistance brought by deficient food intake. Almost 3,000 elderly people and children died on this tragic period and anemia and gastroenteritis were the leading cause of their early deaths. Another pestilence happen in August 1882 and according to the records some 900 people perished. A strong earthquake shook the town on February 2, 1887 which caused the stone image of St. Augustine which sits on top of the main door of the church to fell.
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The entrance to the garden is flanked by two lion statues which were hand- sculptured from solid granite and gifted to the Dunedin Chinese Garden Trust by the Municipal Government of Shanghai. Just in front of the main door, a "river" forms a boundary between the outside and inside worlds.Information from Lan Yuan, Dunedin Chinese Garden visitor brochure Traditional Chinese construction methods were applied throughout the garden to avoid the use of any nails or other corrodible materials. All wooden structures, made from Chinese fir, are held together using mortise and tenon joints.
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Under the regency of his mother, Casimir initiated construction of the Ludwigsburg as a residence for his younger brother, Ludwig Francis (1694–1750). The main door to the original house features an angel's head, which in the local folklore is said to represent the young Ludwig. Their mother, Gräfin Hedwig Sophie, moved her residence to the Ludwigsburg in 1725. Later descendants of what was called the line of Sayn-Wittgenstein-Ludwigsburg became officers in service of the Russian czar, and the house eventually passed out of the family.
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The main door Aarhus Cathedral () is a cathedral in Aarhus, Denmark. It is the longest and tallest church in the country, at in length and in height. The construction of Aarhus Cathedral began in the 12th century and it is the main edifice of the diocese of Aarhus for the Church of Denmark, dedicated to the patron saint of sailors, St. Clemens. The cathedral is situated on the port side of the central square of Store Torv (Large Square), with address "Domkirkepladsen 2, 8000 Aarhus C, Denmark" in the inner city.
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5 The college bar, Deep Hall (or Deepers), is immediately below the great hall and used to be the college beer cellar. It is one of the oldest parts of the college, and the pillars inside it are perhaps the oldest feature of the college. The wine cellar is accessed through Deep Hall, and extends completely beneath the Grove. The Rector's lodgings in Turl Street are neo-Georgian and were built in 1929–1930; they are reached from within college through a gate in Chapel Quad, but have a main door on Turl Street.
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A keep, known as the Tower of Kingorne Wester, was in existence on the site from 1119. It was later referred to as Burntisland Castle, and by 1382 was called Abbot's Hall, as it was the home of the Abbot of Dunfermline. The present building is largely of the 16th century, though with a 13th-century basement, which contains lancet windows and may represent the remains of a chapel. It was rebuilt by Peter Durie of Durie from 1552, and the arms of Abbot George Durie, and the date 1554, appear over the main door.
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In 1909 a cinquefoil window was added above the main door. The church was affected by an accidental fire on 16 January 2011 caused by an electrical fault. Although fire damage was confined to pews at the front of the church, smoke affected the whole building, damaging the organ and pulpit in particular. A programme of conservation and restoration work lasting several months took place to clean soot and smoke particles from the walls, ceiling beams, floor tiles, windows, arcade pillars and memorials using materials such as limewash and latex.
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John Morgan had grown to over 1,000-strong. The new church was named the St Peter’s Free Church, as attested by an 1876 Ordnance Survey map of the area, and lettering preserved in the metal latticework at the main door entry threshold. A side hall was later added to the main church building in 1877, followed by an ornate belfry replacing the previous simpler steeple in 1879. In 1900 the church became part of the United Free Church of Scotland, when the majority of Free Church and United Presbyterian Church of Scotland congregations united.
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The rectangular annex consists of entrance on the main floor, with block windows and upper-level windows align asymmetrically from the door (one on the left, and two to the right on both levels). Directly above this doorway is a bell-tower niche, surmounted by a cross. The main chapel with an axial portal, consists of pilasters and corbels surrounding the main door, then gabled trim and a pronounced superior semi- circular pediment, which encircles an ocular hexagonal window. This Baroque era landmark, is marked by plain pilasters, wedges, and cyma line with angular pinnacles.
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At this time, he carved the inscription Tigh Mo Chridhe, Tigh Mo Gràidh ("House of My Heart, House of My Love") on the lintel of the main door of Saint Columba Church of Scotland on St. Vincent Street in Glasgow.Ronald Black (1999), An Tuil: Anthology of 20th Century Scottish Gaelic Verse, p. 727. On 3 March 1903, the poet left Southampton on the S.S. Staffordshire on a voyage back to South Africa. He never returned to Scotland and was soon joined in South Africa by his brothers John and Alex.
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The trial revealed that members of the Saint John Police Force had failed to protect the crime scene from contamination. Police used the office bathroom, where blood belonging to the son of Richard's financial manager was later discovered, for two days before the bathroom was tested for evidence. There was a backdoor near where Richard's body was found, leading to an alleyway that could have been an exit. Police went in and out the main door, without gloves, for nearly a week before anyone noticed they should have tested it for fingerprints.
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The Botanical Gardens had their trees and flowering plants broken down while the glass house and the zoological department were intact among the havoc. At West Point many warehouses, including those from Jardine, Matheson & Co. and Jebsen & Co. were unroofed and their main door and front walls were stripped out. The mat-shed roof covering from Blake Pier, Queen's Statue Wharf and Star Ferry Wharf in the Central District collapsed. The bamboo scaffolding structure for the, then-new, General Post Office completely crashed to block the approaching road nearby.
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Vesak, commonly known in Nepal as "Buddha Jayanti" is widely celebrated all across the country, predominantly, Lumbini – the birthplace of Buddha, and Swayambhu – the holy temple for Buddhists, also known as "the Monkey Temple". The main door of Swayambhu is opened only on this very day, therefore, people from all over Kathmandu valley are stimulated by the event. Thousands of pilgrims from various parts of the world come together to celebrate Buddha's birthday at his birthplace, Lumbini. In Nepal, Buddha is worshipped by all religious groups, therefore "Buddha Jayanti" is marked by a public holiday.
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Inside the church is a mosaic of Christ. The bronze covering of the main door of the church is the work of professor Franco Pegonzi , created in commemoration of the Holy Jubilee Year 2000 . In the neighbourhood of the church is located the park "Felice Menichini" with a playground for children and a general purpose sports field for others. The church of Santissimo Nome di Maria in Fornaci Vecchia was erected in 1741 and is of more traditional architecture. The church became a parish church in 1923 and an “arcipretura” in 1962.
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A formal marriage proposal is exchanged between their families. Incidentally, when Sugandha's parents are out of town, Mudit and Sugandha try getting intimate and when they finally reach the bed, a visibly uncomfortable Mudit declares that he needs to use the washroom. But when he returns, he gets dressed and makes for the main door. When a concerned Sugandha asks him about this sudden change of plans, he simply insinuates at his problem with the help of a biscuit, getting Sugandha to realize that he is facing a bout of erectile dysfunction.
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The 15 foot (4.5 m) tall double entry doors are made of red cedar, and have five square relief panels each. Two smaller doors, which open directly into front offices, flank the main door, each of which is topped with a four-panel transom; these doors were added in 1899. An iron-railed balcony formerly stretched across the middle portion of the front, but was removed sometime between 1934 and 1973. Windows on the second floor façade and sides are sashes, with five narrow, vertical panes in the top and two in the bottom.
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Elsewhere it is a shell pattern, with at various intervals the arms of Spencer (argent two bars gemelle between three eagles displayed sable) and semi-grotesque heads. On the east side the panelling has been moved forward to provide another room, which contains bricked up a mullion window of the original typereplaced by windows of seasoned Oregon pine elsewhere in these rooms. The room is now all that remains of the occupancy of the Francis Bacon Society. Over the main door there is a carving known as a "cresting" incorporating a spread eagle.
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Sanmon (三門, or sammon, main door), bōketsurō (望闕楼) Kennin-ji was founded in 1202 CE and claims to be the oldest Zen temple in Kyoto. The monk Eisai, credited with introducing Zen to Japan, served as Kennin-ji's founding abbot and is buried on the temple grounds. For its first years the temple combined Zen, Tendai, and Shingon practices, but it became a purely Zen institution under the eleventh abbot, (1213–1278). The Zen master Dōgen, later founder of the Japanese Sōtō sect, trained at Kennin-ji.
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The hall is surrounded on all sides by a moat and in plan is oblong in shape with dimensions of by At the southern end of the house there are two polygonal angled towers with the south west tower being larger than the other. The smaller tower on the south east corner contains a staircase linking the three storeys of the hall. The main entrance to the hall is on the west elevation. This main door is reached by the use of a wood pedestrian drawbridge with a wrought Iron Balustrade either side.
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The effect in the room is enhanced by the antique copper gas pendants > fitted up by plumbing sub-contractor, Mr W Wells. On the right hand side of > the main door, connected with the banking chamber, is the manager's office, > with a door leading therefrom to the chief office further back. Behind the > banking chamber are the strong room and stationary room, with a passage > leading to the clerks' entrance. On the Bungalow (south eastern) side is the > entrance hall and a stairway leading to the upper storey.
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The main door of the hotel addresses Blackwood Street, closest to the railway station and leading to the reception, dining and accommodation areas of the hotel. This entrance retains its original timber joinery and sidelights and opens into a foyer with the original timber dado panelling. To the left of this foyer is the original office and office furniture. The former dining room to the right has been converted into a reception room and a new dining room opened in a room through the leadlight doors at the back of the foyer.
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Masjid Al-Jamia Building View Masjid Al-Jamia of Philadelphia main door on Walnut Street Masjid Al-Jamia is a Sunni mosque in West Philadelphia. It was founded in 1988 by members of the Muslim Students Association at the University of Pennsylvania (Penn MSA). Eight years later, the mosque became independent from the Penn MSA and, around 2009, acquired ownership of the building. Located at 4228 Walnut Street, in a historic building formerly occupied by the Commodore Theatre, the mosque currently serves a large and diverse Muslim population in the neighborhood.
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The East End, with the entrance that was made in 1941 It is customary for cathedrals to be orientated on an east-west axis with the main door to the west and the sanctuary to the east. St Andrew's conformed to that tradition. But a major thoroughfare, George Street, runs by the eastern rather than the western end, making the main entrance less accessible. It also meant that when an electric tram system was installed in the street, the noise frequently drowned out the service of Holy Communion.
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Doorjamb and lintel carvings at Kalleshvara temple The plan of the sanctum (garbhagriha) is a square pyramidal one, with a plain exterior with simple pilasters, a vestibule (antarala) separating the sanctum from a closed hall (mantapa) with an exceptionally well sculptured section called the mahamantapa or navaranga. The superstructure over the shrine (shikhara) and vestibule (sukanasi) have been renovated at a later period but the base on which the temple stands (Adhiṣṭhāna) is original in construction.Sarma (1992), p. 90 The doorjamb (sakha) and the lintel above the main door have exceptional art.
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They also began to issue 'Fire insurance marks' to their customers. These would be displayed prominently above the main door of the property and allowed the insurance company to positively identify properties that had taken out insurance with them. One such notable company was the Hand in Hand Fire & Life Insurance Society, founded in 1696 at Tom's Coffee House in St Martin's Lane in London. It was structured as a mutual society, and for 135 years it operated its own fire brigade and played an important part in shaping fire fighting and prevention.
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In front of the main door is the so-called Gred, a usually cobbled, rain-protected path along the eaves side. The house door opens into a corridor, the so-called Flez. The first door towards the gable leads immediately into the living room or Stube, which is usually square, with two windows in the gable and a door on the eaves side. On the gable end on the upper floor, rarely on the eaves side, it is common to have a balcony called the Gang or Schrot.
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Domingo Hiraldo Resto was seriously wounded, but despite his wounds he dragged himself towards the mansions entrance. He was able to reach the mansions main door and once there he was motionless and appeared to be dead. He suddenly turned and sat on the steps and with his hands held up pleaded for mercy, his pleas however, were answered with a fusillade of gunfire.El ataque Nacionalista a La Fortaleza; by Pedro Aponte Vázquez; Page 7; Publisher: Publicaciones RENÉ; Hernández, who was also severely wounded continued to fire against the police from under the car.
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88-91 The high ceiling space has allowed the conducive facilitation of the placement of large and tall sculptures within the chapel gallery while the building was used as Sculpture Square. The exterior facades feature 5 large arch-shaped windows on each of the sides of the chapel. The front facing Middle Road features a main door flanked between two large windows. In the past, the second window on the sides from the front used to be a door that follows that of the main entrance, which was later converted into a window.
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Night Day Edmund Charles Thompson MBE (9 May 1898, Belfast – 20 August 1961) was an English sculptor, active in Liverpool between the First and Second World War. The son of sculptor Edmund T. Thompson, he worked in the art deco style and was an admirer of Eric Gill. He worked closely with the architect Herbert James Rowse on many of the latter's buildings, and on civic projects. His work is featured in the Liverpool Philharmonic Hall (gilded reliefs of Apollo, on the landings) and at the main door of the George's Dock Building (basalt statues of 'Day' and 'Night').
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The central belongs to the Emperor Charles V, the left is that of Aragon, and that of Tarazona is the right one. All this decoration represents an iconographic program of imperial exaltation would find its justification in the death of the emperor coincided with the start of construction of the building. However, the other reliefs on the facade of the main floor look different in terms of program and dating. First, it distinguish two allegorical figures representing Justice and Wisdom located one on each side of the main door, and the three Heraclean characters that refer to the founding of Tarazona.
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275 But, the coast was under regular attack of other pirates and corsairs, in addition to the Spanish who bombarded the Algarve during the Portuguese Restoration War (1640–1668), which led to the construction of a string of forts all along the coast. One of them was the late-17th-century Fort of Ponta da Bandeira in Lagos, which was completed between 1679 and 1690 (according to the stone inscription over the main door). From 1576 to 1755, Lagos was a high-profile capital of the Algarve, until the old Portuguese town was destroyed by the earthquake and tsunami of 1755.
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On 31 December 2019, after a funeral was held for the Kata'ib Hezbollah militiamen, dozens of Iraqi Shia militiamen and their supporters marched into the Green Zone and surrounded the U.S. embassy compound. Dozens of the demonstrators then smashed through a main door of the checkpoint, set fire to the reception area, raised Popular Mobilization Units militia flags, left anti-American posters, and sprayed anti-American graffiti. U.S. president Donald Trump accused Iran of orchestrating the attack on the embassy and added that they would be held "fully responsible". Iran's foreign ministry denied they were behind the protests.
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The main door, which is made of bronze, is dated 1913 and is the work of Pio Cellini. The door is made up of four main panels depicting the coat of arms of Our Lady, Patroness of Naxxar; the village coat of arms; the coat of arms of Pope Pius X and the coat of arms of the family Zammit who were the benefactors of this door. In 1952 this door was dismantled, and renovated and cleaned by the blacksmith Mastru Lucens Agius. The expenses involved were once more paid for by the same family Zammit.
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Dedication Cornerstone dated 22 June, A.L. 5929 Libertas Detail Veritas Detail The facades on Sherbrooke and St-Marc streets and are covered with Queenston limestone. The main facade, on Sherbrooke, has a base made of rusticated limestone and features four openings as well as a prominent central entrance, flanked by two free-standing columns topped by terrestrial and celestial spheres. The main door is made of detailed architectural bronze. A decorative belt course defines the upper part of the base and consists of ornamental carving and words in relief: FIDES, VERITAS, CARITAS, LIBERTAS, SPES ("Faith", "Truth", "Charity", "Liberty", and "Hope" in Modern English).
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On arrival, the crew and relief keeper found that the flagstaff had no flag, all of the usual provision boxes had been left on the landing stage for re-stocking, and more ominously, none of the lighthouse keepers were there to welcome them ashore. James Harvey, the captain of Hesperus, attempted to reach them by blowing the ship's whistle and firing a flare, but was unsuccessful. A boat was launched and Joseph Moore, the relief keeper, was put ashore alone. He found the entrance gate to the compound and the main door both closed, the beds unmade, and the clock stopped.
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Since 1965, the school has organised an outdoor education programme for the boys of SMC and the girls from MES in the third senior year. It is located in the north of Scotland at Carbisdale Castle, a historic castle which has been converted into a Youth Hostel. The trip consists of a number of outdoor activities that vary from year to year including hillwalking, orienteering, golf, kayaking, team-building activities, visits to nearby historic sites and environmental studies of the surrounding woodland. Carbisdale Castle has a plaque of the Stewart's Melville College badge in its foyer above the main door.
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It was founded by Saint Charles Borromeo, who built a Franciscan convent (now used by the Pontifical French Seminary) and the church within the ruins of the Baths of Agrippa in 1592. It was restored in 1627, but at some later point the roof collapsed and it was abandoned. In 1883, the Congregation of the Holy Spirit acquired the property, and rebuilt the church, giving it a new facade designed by Luca Carimini in 1888. On the lower of the two levels, the main door is framed by two columns holding a semicircular tympanum with a decorated lunette.
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There is a fragment of a medieval wall painting on the south wall which shows two angels and two towers of the Holy City.Winstone, pg 4 The reredos is of alabaster and Caen stone with the symbols Alpha and Omega (the first and last) carved on either side of the marble cross. The altar table is Elizabethan. Above the main door is a large painted panel depicting the Royal Coat of Arms of Queen Anne which was placed here sometime between 1707 and her death in 1714, as the insignia shown are those of the monarch after the Acts of Union of 1707.
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His grand building stands three levels tall above George IV Bridge and reaches down to the Cowgate below, spanning the disjointed streets of Edinburgh's Old Town. Above the main door is the motto, "Let there be Light" which Carnegie insisted was placed above the entrance to every library he funded. The facade of Central Library is also decorated with stone carvings depicting the coat of arms of the City of Edinburgh, Coat of Arms of Scotland and the Royal Arms. There are nine small square reliefs relating to printers and a large sculpture of Caledonia by Alexander Handyside Ritchie.
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The Church of Scotland congregation of St Columba in Glasgow dates back to 1770. It was established to cater for the spiritual needs of the large number of Gaelic speakers from the Highlands and Islands of Scotland settling in Glasgow in search of employment. The church still has a service in Gaelic every Sunday, as well as weekly services in English. Shortly before leaving Scotland to emigrate to South Africa in 1903, the poet Duncan Livingstone carved the inscription Tigh Mo Chridhe, Tigh Mo Gràidh ("House of My Heart, House of My Love") on the lintel of the main door of the church.
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It was then property of Bartolini Salimbeni, who modified the structure of the main building, of the Vinci family and, later, of the Boni family. In 1863 it was finally acquired by the Feri family, which eventually gave the current denomination (the Feri family Coat of Arms is still visible on top of the main gate). The building lies on higher grounds than the road delimiting its walls and it is symmetric in structure to the main door on Via del Podestà. The villa has two floors with a large tower-like room on top of 19th century making.
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The current appearance of the cathedral dates from the work in 1711 of Gian Battista Vaccarini, who designed a new Baroque façade after the 1693 earthquake. It has three levels with Corinthian columns in granite, perhaps taken from the Roman Theatre of the city. All the orders are decorated with marble statues of Saint Agatha over the gate, Saint Euplius on the right and Saint Birillus on the left. The main door, in wood, has 32 sculpted plaques with episodes of the life and martyrdom of Saint Agatha, papal coats of arms and symbols of Christianity.
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Crypt The first church was rectangular in shape with three naves separated by columns, a main door on the east side facade, and other building which connected with the monastery. During the 11th century, two semicircular apses were added, the remains of which were found in the excavations of the 1980s. The most important addition occurred in the 12th century which included a platform built in the middle of the nave and beneath it was a crypt adjoining other section various stairwells. Following further reforms in the 18th and 19th centuries, the building was preserved, though half the size of the original.
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The brick and steel structure is L-shaped, with a corner entrance and a courtyard in back. Its Italianate design includes a triumphal arch over the main door, copper window casings, glass wainscoting, marble trim, and paintings inside by a local artist. Bank personnel received Japanese-speaking, Chinese-speaking, and English-speaking customers in separate areas. On the day that Pearl Harbor was bombed, the building was taken over by the Alien Property Custodian, the first floor became a warehouse for confiscated possessions, and extra showers, toilets, and holding cells were installed in the basement to accommodate up to 250 drunken military personnel.
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Usually this row is above the level of the doors, and usually below, sometimes above, the row depicting the Twelve Great Feasts. The central Christ is therefore above the main door in the screen. Soon seven figures, usually one to a panel, were standard, in order of proximity to Christ in the centre: on the left (Christ's right) Mary, the Archangel Michael and Saint Peter, and on the right John the Baptist, the Archangel Gabriel and Saint Paul. Especially in Russian examples, a number of saints of local significance are often included behind these, as space allows.
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The main difference is a full-size main door at the left side of the fuselage just before the wing. The Tu-204 has two main doors and 2 emergency doors; the Tu-214 has 3 doors and one emergency door. The Tu-214 is essentially a higher gross weight variant of the Tu-204, being fitted with extra fuel tanks and structural adjustments to deal with the heavier gross weight. For this reason, the Russian government prefers to use it as the platform upon which all further modifications for the 'Special Mission' variants will be based.
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In 1984 the church was elevated to the status of a Forane church. In 1991 Bishop Mar Joseph Pallickaparampil blessed the chapel built by Fr. Cyriac Kunnel in the Cherpunkal town. When the number of devotees offering oil increased the present portico was built and the statue of Infant Jesus was placed in the portico in front of the main door of the church and a new lamp was erected for devotees to pour oil. The Bishop Vayalil memorial Holy Cross College was started in 1995 with the concurrence of the government and the Mahatma Gandhi University.
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The first plans to restore the national museum came in 1992 from Michel Edde, then Minister of Culture and Higher Education. The proposal to tear down the concrete walls and cases which protected the national treasures was turned down by the general director of antiquities, Camille Asmar, since the museum still had no doors or windows to prevent further looting. Ghassan Tueni donated the funds for the museum's massive new main door. Once the doors and windows were put in, the decision was made to pull down the concrete wall that protected the entrance to the basement.
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Richmond Cemetery originally contained two chapels, one of Church of England denomination and one for Nonconformists, both built in the Gothic revival style. The Church of England chapel (shown as "Richmond Community Chapel" on Richmond Council's map of Richmond and East Sheen Cemeteries) was built in 1875 to a design by Sir Arthur Blomfield and is a grade II listed building. It is constructed predominantly of Kentish ragstone with Bath stone embellishments. The front of the building has a buttressed arch above the main door, which bears the inscription "In the Garden was a new sepulchre, there laid they Jesus".
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However, the original foundations can still be seen in the churchyard in front of the main door. The new church, also dedicated to St Peter, was built on a site midway between Aubourn and Haddington, a large hamlet west of Aubourn, which is part of Aubourn parish and therefore does not have a church of its own. The new Victorian church was not as well built as the older church had been, and by 1968, it had deteriorated to the point that it was thought unsafe for congregational use. After its abandonment it was used as a mortuary.
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On 27 December of the same year, the Board authorised Díaz to begin work on the bell tower. On 15 February 1901, construction began on the wooden side doors; work on the main door did not begin until 20 July 1903. On 20 May 1901, the Daughters of María congregation installed the altar of the Immaculate Conception that they had commissioned with the board's approval in 1898. Heliodoro Ochoa was brought back to Yarumal from Medellín to continue his work, and along with Juan Nepomuceno Gómez, worked on to create the latches for the bell tower and buildings.
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The church has two clock towers, each 45 m high. There are three narrow vertical windows above the entrance, meant to help illuminate the interior. The main door is surrounded by rich ornamentation; above it there is a bas-relief of the Trinity with the Latin inscription Honori Sanctissimae Trinitatis ("In Honour of the Most Holy Trinity"). There are two smaller doors to the left and the right of this one; above each of them is a sculpture of a saint resting in a niche - Ignatius of Loyola and Francis Xavier, works of the Bavarian artist Johannes König.
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The Seha Sorghum Mill stands on a farm about east of Elysian, Minnesota. It was built onto a low hill, allowing gravity to move the liquid through the various processing stages without the need for pumps. The oldest portion of the building is in the northwest corner, and includes the west-facing main door, three small windows on a south-facing eave, and the evaporator ventilator monitor along the roofline. Various lean-tos and additions have expanded the building, most notably an enclosure for the steam engine and boiler that is topped with a tall pipe chimney.
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In 1969, when a large chunk of stone fell from a statue near the main door, it became apparent that there was an urgent need for restoration of the west front. Detailed studies of the stonework and of conservation practices were undertaken under the cathedral architect, Alban D. R. Caroe and a restoration committee formed. The methods selected were those devised by Eve and Robert Baker. W. A. (Bert) Wheeler, clerk of works to the cathedral 1935–1978, had previously experimented with washing and surface treatment of architectural carvings on the building and his techniques were among those tried on the statues.
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Wooden muxrabija in Qrendi Stone-carved muxrabija in Zabbar The Muxrabija (from the Arabic mashrabiya, peep-box; plural muxrabijet) is a typical element of vernacular Maltese architecture. It consists of an ornate timber screen, perforated with an intricate network of holes, tightly fitted into a window or loggia projecting from the facade of the building, usually over the main door or to its side. Stone-carved muxrabijiet are also reported. The muxrabija is also known as ‘in-nemmiesa’, ‘ix-xerriefa’ and in Gozo as ‘il-kixxiefa’ or ‘lkixxijìja’ and ‘il-glusija’ (probably from the French jalousie).
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Lunette over the main door of the Luxembourg Palace in Paris In architecture, a lunette (French lunette, "little moon") is a half-moon shaped space, either filled with recessed masonry or void. A lunettemed when a horizontal cornice transects a round-headed arch at the level of the imposts, where the arch springs. If a door is set within a round-headed ar the space within the arch above the door, masonry or glass, is a lunette. If the door is a major access, and the lunette above is massive and deeply set, it may be called a tympanum.
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The main door is panelled, with leaded glass sidelights and an etched fanlight featuring gum leaves, a swallow and a dragonfly. A similarly lit doorway is located at the opposite end of the hall. On the right of the hallway are separate drawing and dining rooms, the former incorporating a window bay with Doric fluted columns and pilasters on either side, and the latter a set of cedar folding doors which can be folded back to create one large area incorporating the hallway. On the left of the hall are the master bed, dressing and sitting rooms.
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William had been close to his sister Dorothy in their childhood, but they had spent many years apart. Although they had lived together in Somerset in 1797 and in Germany in 1798, William wanted to find a permanent home for them together. Dove Cottage was empty and available for rent, and they took up residence on 20 December that year, paying £5 a year to John Benson of Grasmere. On the ground floor, the main reception room was the "houseplace" or "kitchen-parlour", by the main door, which contains a cooking range and window seat, used for the main daily meal.
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Many nightclubs use bouncers to choose who can enter the club, or specific lounges or VIP areas. Some nightclubs have one group of bouncers to screen clients for entry at the main door, and then other bouncers to screen for entry to other dance floors, lounges, or VIP areas. For legal reasons, in most jurisdictions, the bouncers have to check ID to ensure that prospective patrons are of legal drinking age and that they are not intoxicated already. In this respect, a nightclub's use of bouncers is no different from the use of bouncers by pubs and sports bars.
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The main door stands under a curvilinear tympanum and over it a huge medaillon/shield with the letters IHS representing the Christogram and an angel. The letters IHS are the Latin form of the first three letters of the Greek spelling of the name Jesus, indicative of both the central figure of Christianity and the Jesuit's formal name, Society of Jesus. The two other doors have triangle pediments, and in the higher part of this first level, two statues are set in the alignment of each of these doors. A statue of St Francis Xavier stands on the right of the facade.
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The House of Foryx is a magical house situated somewhere deep in another forest, surrounded by perpetual winter. It is an octagonal building flanked by four octagonal pillars. Here all times meet, and characters can go from one time to another. Characters can come into the building from any time, but can leave it in their own time only if another from that time stands outside the main door; otherwise they are lost in time, and may even end up in a time when the House of Foryx did not exist, giving them no chance of ever returning.
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The main Safe Deposit Vault door and small-scale emergency doors employed the most up-to-date technology of the time, and have not required replacement since their installation. The technology extended to the treatment of the retracting floor around the main door, used to allow the door to swing freely for opening and closing, and also to keep it in place during the Bank's operating hours. The reinforced concrete frame was a large-scale concrete structure used relatively early within Australia. The strong rooms located within the columns display a significant degree of technical innovation.
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The Door of Baptism, on the left side, was built in the 15th century and decorated with a scene depicting the baptism of Jesus, created by the workshop of Lorenzo Mercadante of Britain. It is of Gothic style with a pointed archivolt decorated with tracery. It contains sculptures of the brothers Saint Isidore and Saint Leander and the sisters Saints Justa and Rufina, by Lorenzo Mecadante, also a series of angels and prophets by the artisan Pedro Millán. The Main Door or Door of Assumption, in the center of the west facade, is well-preserved and elaborately decorated.
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The main door, which is made of bronze, is dated 1913 and is the work of Pio Cellini. The door is made up of four main panels depicting the coat of arms of Our Lady, Patroness of Naxxar; the village coat of arms; the coat of arms of Pope Pius X and the coat of arms of the family Zammit who were the benefactors of this door. In 1952 this door was dismantled, and renovated and cleaned by the blacksmith Mastru Lucens Agius. The expenses involved were once more paid for by the same family Zammit.
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Atria were also placed in the Liberal Arts and Science & Engineering buildings to give people a place to socialize between sections of the halls. These areas are also filled with hanging and potted indoor plants. The main door of each building faces towards the Robert Karam Campanile, keeping students within the academic life area, where buildings for classes are located. Large mounds of earth (berms) also stand between the parking lots, making the lots partially invisible from within the original Academic Life area (though not from within some recent additions to it, such as the Charlton College of Business building).
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Coat of arms and head of Christ over the main entrance The castle's ground level was altered around the 18th century. In the Middle Ages, the ground sloped away more steeply than today so that the building stood at the top of a low ridge of land. As usual with mediaeval castles, the approach to the main door was protected by a deep ditch crossed by a drawbridge, with a portcullis inside the doorway. Between the towers at the level of the battlements are the remains of a projecting gallery or barbican which would have been used to defend the front entrance.
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View of the castle from the west The castle is four storeys high with a vault over the ground floor. There is a wide circular staircase to the right of the main door, a small guardroom to the left and a stone fireplace in the left-hand chamber of the first floor. There is a circular shot hole cut into the stairs between the first and second floors. The roof houses a chemin de ronde around the gables, a high rectangular chimney crowned with twin lozenge-shaped flues and corbels which once supported a corner bartizan.
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The present Catholic church was built in 1851, after the previous building near the Franciscan friary was totally destroyed by fire in 1847. It is built of local limestone and has stained glass windows. The window to the right of the transept shows the resurrection of Christ, and that on the left his ascension into heaven. In the centre of the nave are windows showing St Patrick receiving the two daughters of King Laoire, the King of Ireland, into the church, and Jesus with children, and over the main door of the church a window shows the Virgin Mary.
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Cant, Historic Elgin and its Cathedral, p. 26 The internal stonework of the entrance is late 14th or early 15th century and is intricately carved with branches, vines, acorns and oak leaves. A large pointed arch opening in the gable immediately above the main door contained a series of windows, the uppermost of which was a circular or rose window dating from between 1422 and 1435. Just above it can be seen three coats of arms: on the right is that of the bishopric of Moray, in the middle are the Royal Arms of Scotland, and on the left is the armorial shield of Bishop Columba Dunbar (Fig. 11).
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It was historically thought to have been built around 1622, but more recently an inscription on the old main door was found that suggests that it may have been built in 1585, in which case it is the first wooden church to be built near Bergen. The wooden church was heavily renovated in 1649 and partially rebuilt in 1859. Inside the church is a high stone altar, which may indicate that the present church was built around the old stone altar from the historic stave church on the same site. Historically, the church at Hamre included all the subordinate churches in Mo, Alversund, Seim, Mæland, Aasene, and Hosanger.
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With Dillinger's death at the hands of the FBI on July 22, 1934, and time running out for them, Makley and Pierpont resorted to other means to get off death row: they would try to duplicate their old friend's feat. On September 22, 1934, exactly two months after Dillinger's death, Pierpont and Makley carved phony pistols out of soap cakes, and painted them black with shoe polish, and made their move. Brandishing the toys, they managed to get out of their cells and to the main door of the death house before rifle-wielding guards opened fire. Makley was mortally wounded and Pierpont was riddled with bullets.
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Ablen, who was then working with Ragos on the investigation in the Bilibid explosion a week before, said Ragos told him that they were bringing the quota to the Grandmother (Lola) and that it was from Peter Co. He was also told that it was confidential and that only the two of them know. Upon arriving at De Lima's house, Ablen saw Ragos hand over the bag to Dayan with De Lima waiting from the main door. He also saw Ragos entered the house with Dayan and De Lima. Ragos and Ablen also said they made a second delivery at De Lima's house in mid-December 2012.
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Main door of the Grand Lodge of Quebec flanked by the columns Boaz and Jachin. The Masonic Memorial Temple was conceived as a meeting place for the Masonic order as well as a memorial to Freemasons who gave their lives during World War I, replacing a Masonic Temple that had existed in a mixed-use building on Dorchester Street since 1895. The order had renovations done in 1908 and began to raise funds for a new building in 1923. In 1928, they contracted architect John Smith Archibald, who had previously renovated the Dorchester Street Temple, to design a new temple and supervise its construction.
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The other flight attendant opened the main entry door and deployed the emergency slide, which did not inflate; she then was pushed out the door, but assisted passengers off the plane from outside the doorway. The captain entered the passenger cabin from the cockpit, calling passengers to come forward, then exited the plane via the main entry door and helped them to the ground before reboarding to assist more passengers off through the main door. The first officer escaped through a cockpit window and assisted passengers out of the aircraft from outside the plane at the main entry door. A total of 27 passengers exited via the main entry door.
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It is the madrassas which most attract attention, for they include highly original structures as well as decoration: here a honeycombed ceiling, there a curiously shaped corniche, doorway or moulded window frame. Among the finest is the madrassa al- Burtasiyah, with an elegant façade picked out in black and white stones and a highly decorated lintel over the main door. East Tripoli Public buildings in Mamluk Tripoli were emphasized through sitting, façade treatment, and street alignment. Well-cut and well-dressed stones (local sandstone) were used as media of construction and for decorative effects on elevations and around openings (the ablaq technique of alternating light and dark stone courses).
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Twenty can be seen between these pillars, another twenty on the walls over the stained glass windows. They embody symbols that depict various Christian motifs: the Trinity, Alepha and Omega, the Virgin Mary St. Joseph, St. Basil, St. Michael, the seven sacraments, etc. The two stained glass windows over the two main door entrances to the church are due to the effort of Father Rudy Deimer, Pastor of St. Basil's from 1947–55, who commissioned them in honour of the 1956 centenary of the church. Designed by James Meehan, they depict Christ’ Resurrection, above the west entrance, and the Coronation of Mary above the east entrance.
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Yuyum Sanfong utilizes some calligraphy as decorations, alongside massive amount of carvings - the latter of which is typical of Cantonese gardens. Classical Lingnan garden uses calligraphy and paintings only sparingly, and modern Lingnan garden is even less inclined to do so. There are, however, several notable instances of such in Lingnan garden design. Yuyum Sanfong, for instance, has the calligraphy "餘地三弓紅雨足，蔭天一角綠雲深" (Classical Chinese, literally "This land is just as large as three bows, but rich in red rain; Though it is just a corner under the sky, it is abundant with green clouds") written on its main door.
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The Letovsky-Rohret House is a historic building located in Iowa City, Iowa, United States. This simple two-story wood frame structure largely embodies the Greek Revival style with its side gable roof, entablature window and door heads, boxed cornice and plain frieze, and its pedimented attic vents. The tall windows on the first floor and arched windows on the main door reflect elements of the Italianate style. Built in 1881, the house originally faced Van Buren Street, but it was turned to face Davenport Street in 1919 and placed on the eastern end of its lot so two more house could be built there.
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The center section, framed by Corinthian columns includes the main door along with a multi-paned transom; above the door is inscribed "Established 1866". The parapet above the sections is inscribed with "The Bakersfield Californian"; a later renovation placed a new inscription, using a new font, in front of the original inscription. The entire entrance facade is inset between two brick-faced towers with parapets; the towers have a set of twelve paned windows in the first floor and the same on the third. The southeast tower has wrought iron balustrades that round the corner, covering large French doors with white lintel and has a flag pole at the top.
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She granted these lands at Snelshall to the Benedictine monks of Lavendon, to start a religious community - Snelshall Priory. Sybil d’Aungerville’s grandson Ralph Martel gave some more of his land at Tattenhoe in 1216 to the lands already given to Snelshall Priory. Over 100 donations were given to the Priory during the following 100 years, some of these large, including the donations of the fishponds around St. Giles’s. Some of the stones were transported and used to rebuild St Giles’s Church. Parts of today’s St. Giles’s are still recognisable as part of an earlier building - including the archway of the main door and the base of the font.
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In the process of restoration, two more crosses were found to have been kicked, carved on the outside of the left door. A nail from the Ferrería de El Pobal in Muskiz was also used, as well as two other restored nails from local constructions that show a four-lobed exterior. Outside, we should also point out the relief of a cruz patada, on one of the ashlars of the sacristy. This motif of a kicked cross is repeated on several doorways in the Palencia and Burgundy areas, with the cross almost always in the same position to the right of the main door.
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The barrotes of the 18th century (left), were replaced in the 19th century by grilles decorated with ornamental motifs (right) The colonial houses of Trinidad are typified by red terracotta tiled roofs supported beyond the walls by wooden beams. Pastel-coloured paintwork for the houses is normal with wood and plasterwork details picked out in different colours to the brickwork. The large main door typically has a smaller entrance door (or doors) cut into it. In contrast to the houses of the same period in Havana the door tends to open directly onto a living area, rather than having a vestibule or entrance hall.
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In 1968 Mark III Monorail Green joined the fleet, and both platforms were lengthened for the arrival of the more streamlined and efficient five-car Mark III monorail train conversions. From Hotel Station there were two trips above Disneyland available aboard the monorail — a quick tour and general admission. Guests wishing to embark upon a vista-dome view of the park, including a leisurely layover in Tomorrowland within the tail-cone could purchase an exclusive round-trip tour ticket at Hotel Station and save the expense of general admission to Disneyland. Nose and tailcone door latches were independent of the main door release button.
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Two entrances led into the building: one was a door built in the southern arcade, as seen from Höllengasse (Hell's Lane); the second door was located on the market square in the middle of the northern side of the building. Entering the first door of the building, you reached a small rectangular yard which was open to the sky to the rear. A trap door leading to the basement was located directly behind the main door. Furthermore, a pump could be seen straight ahead when facing the western wall, though it was not working at the time the house was bought by the city.
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Beside the main altar is a canvas of St Joseph and the Lactating Madonna with infant, transferred here from the suppressed church of the Purification of Mary; two other canvases on the lateral walls depict the Martyrdom of St Bartholemew, by Francesco Bianchi Buonavita and St Cajetan, attributed to Matteo Rosselli. Tommaso Tommasi painted the Life of St Augustine in the ceiling. The first altar to the right of the main door is dedicated to Saints Crespino and Crespiniano and a canvas attributed to school of Domenico Passignano. The second altar on the right has a venerated ancient wooden crucifix, called dell' agonia, used until 1820 during Holy Friday processions.
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28 In February–March 1965, following a request from the Malaysian government, Australia despatched 1 Squadron, Special Air Service Regiment, and 3rd Battalion, Royal Australian Regiment, to Borneo—a commitment Wilton felt able to recommend as a result of the recent decisions to increase the Army's personnel and battalion numbers.Dennis; Grey, Emergency and Confrontation, p. 237Horner, Strategic Command, p. 232 alt=Military helicopter with main door open, over jungle By mid-1964, Australia had already sent a small team of military advisors, as well as a flight of newly acquired DHC-4 Caribou transports, to aid the South Vietnamese government in its fight against the Viet Cong.
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In 1955 the former choir vestry in the All Saints' Chapel was converted to a side chapel. In the 1970s, the development of the new Trowbridge inner relief road involved the demolition of a few buildings near the church, and the creation of a one-way traffic-light controlled roundabout around the church, effectively isolating it. It soon gained the local nickname "The Church on the Roundabout". In 1980-1 the vicar's vestry was converted to toilets, the font was moved to near the main door, and a screen to match that in the Lady Chapel was erected between the south transept and the nave.
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She tells Aleyn to look behind the main door to find the bread she had helped make with the flour her father had stolen. Seeing the cradle in front of what he assumes is Symkyn's bed (but is in fact John's), he goes to the other bed, shakes the miller—whom he thinks is John—awake and recounts that he'd "thries in this shorte nyght / Swyved the milleres doghter", Malyne (lines 4265-6). Hearing this, Symkyn rises from his bed in a rage, which wakes his wife in John's bed. She takes a club and hits her raging husband by mistake, thinking him one of the students.
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The Mark Twain statue in front of the former library, February 2013 The National Register of Historic Places Registration Form describes the building as building that follows the Carnegie Library standards. The building is generally characterized by Prairie style architecture, most notably seen in the tall, vertical windows arranged in a strong horizontal band on both the main and lower levels. However, the main entry is characterized by its classical influences including the rounded top main door capped by a semi-circular pre- cast concrete hood with decorative scroll brackets on both sides. The library is rectangular in shape and one-and-one-half stories in height.
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The exterior walls were first constructed from Calp Limestone, which were then faced with 22.86 cm (9 inches) of Ballyknockan Granite. The quoins, columns and 108 capitals, as well as the string course which can be seen halfway up the building, are all of Portland stone from the Isle of Portland, Dorset. The tympanum over the heavy wooden main door to building and which bears the crest of the College (a popular 19th-century variant, slightly different from the one currently used by the college today) is of Caen stone from Caen, France. Overall the exterior amounted to just under half the cost for the entire building.
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The entrance door to the prayer hall. The first improvements in the mosque took place during the reign of emir Sanhaji Abi Al-Fotouh Al-Mansur in 988 AD. The domes were added to the building, one of which rises over the main door and another facing to the south. Most of the mosque was renovated as well, and the minaret was raised to about 25m high and decorated with Islamic geometric patterns and inscriptions. When Hamu ibn Malil al-Barghawati took over the city of Sfax from the Senhaji rule (1059 AD-1100 AD), he also made other improvements to the great mosque.
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Depiction above the main door to St Aidan's Church, Leeds Memorial to Bishop John Russell Woodford in Ely Cathedral Born on 30 April 1820 at Henley-on- Thames, he was the only son of James Russell Woodford, a hop-merchant in Southwark, and Frances, daughter of Robert Appleton of Henley. He was sent to Merchant Taylors' School at the age of eight, and was elected to Pembroke College, Cambridge, as Parkins exhibitioner in 1838. He graduated B.A. in 1842, and M.A. in 1845. He was ordained deacon in 1843 and priest in 1845, and in the intervening years held the second mastership of Bishop's College, Bristol.
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1910.265(f)(3)(i)(a): Main kiln doors shall be provided with a method of holding them open while kiln is being loaded. 1910.265(f)(3)(i)(b): Counterweights on vertical lift doors shall be boxed or otherwise guarded. 1910.265(f)(3)(i)(c): Adequate means shall be provided to firmly secure main doors, when they are disengaged from carriers and hangers, to prevent toppling. 1910.265(f)(3)(ii)(a): If operating procedures require access to kilns, kilns shall be provided with escape doors that operate easily from the inside, swing in the direction of exit, and are located in or near the main door at the end of the passageway.
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Spread over 500 sq. yards it is built in the architecture of 19th and 20th around a central courtyard it has intricate designs of wood work on the rooftops, sculptures and Hindu goddesses engraved in stone and steel, antique balconies intricate stone brackets, balconies, jharoka, red sandstone brackets, floral decorations, motifs, wooden joist flooring and lime concrete flooring, multi foliated arched gateway and arches, carved sandstone facades, large arched openings with elephants and intricate carvings on the main door, wooden doorways using traditional material including lakhori bricks and lime mortar."Haveli to speak of a history lost in time.", Times of India, 21 Dec 2015.5\.
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This was the last grand portal built in the Mamluk period; it is framed with to the mosque is decorated with finely carved marble bands and kufic calligraphic script. The marble was carved in a geometric pattern and decorated by polychromatic stones and colored stucco in high relief. The main door is a masterpiece of bronze work taken from the Mosque-Madrassa of Sultan Hassan, while the dome is a typical example of Mamluk stone masonry with a cylindrical base and carved zig-zag pattern. The original facades were particularly tall for the period, due to the extra height added by the Fatimid towers at the base of the minarets.
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One of his most famous works is the façade of the Church of the Gesù, a project that he inherited from his teacher Jacopo Barozzi da Vignola. Most characteristics of the original design are maintained, subtly transformed to give more weight to the central section, where della Porta uses, among other motifs, a low triangular pediment overlaid on a segmental one above the main door. The upper storey and its pediment give the impression of compressing the lower one. The center section, like that of Sant'Andrea at Mantua, is based on the triumphal arch, but has two clear horizontal divisions like Santa Maria Novella.
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Upright cross-slabs and Jordanhill cross at Govan Old Govan Old Parish Church is an ornate, Category A listed building of significant architectural merit, designed by Robert Rowand Anderson and influenced by features at Pluscarden Abbey near Elgin. Govan has, however, known considerable socio-economic problems and has been severely affected by the decline in the shipbuilding industry. The current church building was constructed in 1888, although the site is one of the oldest places of Christian worship in Scotland. Unusually, the axis of the church was turned to orientate north-south rather than the traditional east-west orientation, but this allowed the main door to face south to the main street.
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The earliest baptismal fonts were designed for full immersion, and were often cross-shaped with steps (usually three, for the Trinity) leading down into them. Often such baptismal pools were located in a separate building, called a baptistery, however, this baptismal practice was then relocated to be administered near the entrance of the church, mostly nearby the main door to signify entrance to the Church. As infant baptism became more common, fonts became smaller. Denominations that believe only in baptism by full immersion tend to use the term "baptismal font" to refer to immersion tanks dedicated for that purpose, however in the Roman Catholic tradition a baptismal font differs from an immersion.
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Norton 2008, pp. 123–125. Although capable of aiming the cannons, the gunners' primary purpose was simply to load them with the 110 rounds of ammunition stored in each nacelle. The crew of five included the pilot and gunners; a copilot/navigator who doubled as a fire-control officer, using a Sperry Instruments "Thermionic" fire control system (originally developed for anti-aircraft cannon) combined with a gyro-stabilised and an optical sight to aim the weapons; and a radio operator/gunner armed with a pair of machine guns stationed at mid-fuselage waist blisters for defense against attack from the rear. An unusual feature of the Airacuda was the main door for entry.
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Exterior: The symmetrical main block (which excludes the single west wing, added in 1815) consists of three stories: a basement, a piano nobile main floor, and an attic half-story. The corners are decorated with quoins. The front (south) elevation, which is the only one in which the limestone is finished, consists of seven bays: six with main floor windows (the extreme right and left are double width) and the center one with the main entry. Twelve steps ascend the elevated front portico, with its prominent pediment and four Tuscan-style columns, which encompasses the three central bays – of which the middle one has the main door and door surround, framed by two pilasters also of the Tuscan order.
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In the 1600s the Manor was again extended southwards and attic rooms added. In the early part of the 18th century the house was owned by one William Sambach, who added extra rooms on the south- west corner in about 1720. He also added a new main door in the south front, placing the Sambach coat of arms in the pediment above it, which is now the main entrance to the house. After several further changes of owner, John Small of Clapham took over the property, being the first of a series of absentee landlords: for the next 150 years the house was occupied by tenant farmers, until its purchase in 1919 by Charles Paget Wade.
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Casa del Corregidor, built in the 16th century in the Plaza de los Naranjos On 11 June 1485, the town passed into the hands of the Crown of Castile without bloodshed. The Catholic Monarchs gave Marbella the title of city and capital of the region and made it a realengo (royal protectorate). The Plaza de los Naranjos was built along the lines of Castilian urban design about this time, as well as some of the historical buildings that surround it. The Fuerte de San Luis de Marbella (Fort of San Luis) was built in 1554 by Charles V. The main door faced north and was protected by a moat with a drawbridge.
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In El Amparo, with the holiday of the patron saint, there is a pilgrimage to the rhythm of the "tajaraste," which consists of going to the mountain to collect the branch and the poleo to adorn the neighborhood during the festival days. In these festivals, at the beginning of August, the decoration of the better half of the church has always had a special character. The adornment of the main door, called "bollo" is an enormous sponge cake, coated with small sugar figurines, the "alfeñiques", all adorned with many colored ribbons. The rest of the arch is adorned with palm, poleo, etc... and some baskets of fruit which hang from the roof.
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Players select to play on either the Agatha Knights or the Mason Order, the two factions competing to rule the fictional kingdom that is the game's setting. Most maps have several objectives; completing one leads to the next until the final objective has been completed or the defending team is able to prevent the other team from completing theirs during the allotted time. Objectives vary from taking a strategical point to killing villagers, and include many siege-oriented ones like ramming down the main door of a castle and constructing bridges. Age of Chivalry plans to use a dynamic campaign, in which each scenario affects which map will be used in the next chapter.
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Frieze of St George over the main doors The Sanctuary Long and red- brick with Portland stone facings and with a tall tower topped by a red-brick spire, the church is a prominent local landmark. Above the main door is a relief of Saint George standing over the slain dragon. The yellow-brick interior has broad aisles and a wide nave of five bays of Early English style arches and a debased Romanesque clerestory of two windows above each arch. On the south aisle are a series of red marble tablets set in a carved Portland stone frieze commemorating members of the Royal Army Service Corps (RASC) who died on active service 1882 - 1920.
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The building costs were eased by Bond donations from members, refunded as time elapsed and finances allowed – a plaque engraved with the names of those Bond members is still displayed inside the main door. The dance floor in the clubhouse enabled the Club to organise social and fund-raising events, but, undoubtedly, one of the most important results of a bigger space was the vibrancy that it gave to the still embryonic set dancing group, which later became the Céili group and is now the Culture Group. Set dancing today is synonymous with O’Dwyer’s Culture Group with the Tony McNulty and Eithne O’Donnell nights being important annual events in the Club’s social calendar.
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The basilica has a total of 11 side chapels. Starting from the left side of the Basilica when entering the main door one finds the chapel of St Paul with a baroque altar and a painting depicting St Paul and the Immaculate Conception by Stefano Erardi (1699). Next, is the side entrance chapel of St Alphonsus Maria de' Liguori which does not contain an altar though has an oval oil canvas depicting the saint by Maltese painter Ramiro Cali commissioned in 1925. Next, is the chapel of St Michael the Archangel who is depicted in a mosaic made in Rome in 1963 based on an older painting now located in the Basilica museum.
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Fire safety experts and groups such as the Canadian Association of Retired Persons, Ontario Retirement Communities Association, l'Association Québécoise de Défense des Personnes Retraitées et Préretraitées and the Canadian Association of Fire Chiefs have called for more stringent fire precautions including mandatory sprinkler installation. As of 2014, 54% of Québec's private homes for the elderly have no sprinklers. Québec health minister Réjean Hébert has suggested that requirements be strengthened to put sprinklers into homes for semi-autonomous elderly. The lack of an emergency plan has also been cited by one of the owners, along with the failure to open a main door which is locked at 10:30pm nightly to prevent Alzheimer's patients from wandering away.
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It was inside a cardboard box placed at the left side of the entrance, next to the main door, and it contained a device with 6 kg of Goma-2 and electric ammunition which was triggered after being lifted or moved, as the first witnesses declared, by Liborio Arana Gómez (57), one of the victims. The strength of the blast made the roof collapse along with the second floor of the house and made big holes in the third. The canisters of the bar exploded a while after the collapse, a balcony fell over the sidewalk, the Chrysler was split in half. The front part was found later in a mound in front of the bar.
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Other features of the interior of the main nave are interior pediments with black and gold mouldings and are decorated with paintings which are possibly done by Nicolás Rodríguez Juárez . The church also contains nine life-sized sculptures in wood, as well as other altars in Neoclassical and Plateresque styles. Over the main door is an enormous canvas of Saint Christopher and opposite this, next to the altarpiece dedicated to Francis of Assisi, is a doorway leading to the Medina Picazo Chapel, the work of architect Miguel Custodio Durán, which dates from 1733. This chapel began as the cell, or living quarters, of the daughter of colonial doctor Pedro López after she took her vows to become a nun.
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The main door in the centre of the north elevation of the 1870s core of the residence has been replaced with a window, and the western chimney has been removed. The central north-south hallway in the core has been incorporated into the north-western room, and the core now includes four rooms (two bedrooms, one lounge, and one study), plus a small southern hall that is open to the western verandah of the 1910s extension. There is also a boxroom on the southern end of the western verandah of the 1870s residence. The southern verandah of the 1910s extension has been enclosed by the current owner, who has also expanded a part of the kitchen to the north.
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This and other alterations may have occurred during the last decades of the nineteenth century or the early years of the twentieth when the building became the United States Post Office." One of these alterations appears to be the side entrance on the southwestern side of the building, Candee hypothesizes that it may have replaced an original window. Another modification appears to have been made to the main entrance which has a flat pedimented front door that is framed with columns protruding on plinths. The main door is also surrounded with "wooden rustification", but it is noted that this alteration to the main entrance "provides an important visual point to the simple building.
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The church is lit up by three stained glass windows which were produced in Victor Gesta's workshop in the late 19th century. The 15th-century baptismal font Many artifacts from the pre-1693 cathedral survived the earthquake and were reused to decorate the new cathedral. These include a late Gothic–early Renaissance baptismal font dating back to 1495, the old cathedral's main door which was made in 1530, some 15th-century choir stalls, as well as a number of paintings. The cathedral's aisles, chapels and sacristy contain several paintings and frescoes, including works by Mattia Preti and his bottega, Francesco Grandi, Domenico Bruschi, Pietro Gagliardi, Bartolomeo Garagona, Francesco Zahra, Luigi Moglia and Alessio Erardi.
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There is also a ritual of tying a thread at the marble windows of this Dargah in order to have one's wishes fulfilled. The ancestral house of Shaikh Salim Chishti has a large Sun motif at its main door and inside has a beautiful array of impressive stone screen and exquisitely carved herring bone roof it is attached to the first building built in Fatehpur Sikri, which is known as "Sangtarash mosque" or Stone Cutter's mosque. One of the oldest buildings in Fatehpur Sikri, Stone Cutter's mosque is situated to the west of the Jami Masjid, which was built by the local stone cutters in honor of Chishti. It has some beautiful architectural features, marking the incorporation of indigenous architectural styles in the construction.
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The Islamic Bill of Rights for Women in the Mosque lists 10 rights that women should be granted in regard to their participation at the Mosque, such as entering the Mosque through the main entry door, and not be required to only enter through the back and to have full access to the Mosque without separation by artificial barriers designed to segregate women from the men. The list goes on to grant women the right to freely address the members of the congregation whether they be men or women and to hold leadership positions as well as to receive equal treatment as the men. # Women have an Islamic right to enter a mosque. # Women have an Islamic right to enter through the main door.
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After a while they leave Anna and after coming out Mr More out of fear, tells Sr Inspector Pisal that Anna provides the money for contesting his elections and then he makes us dance on his tunes, now go and arrange the truck. Sr Inspector Pisal arranges a truck driver none other than Maruti Kamble. At mid evening Maruti arrives at the farmhouse one hour early, he comes at the main door but is greeted by a dog, he runs away and climbs on to the second floor through the help of pipes and coming inside the house via balcony. While coming down through the stairs Maruti spots Anna & Mr More drinking Alcohol, Mr More complains to Anna about the Home Minister being an honest fellow.
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Overview of Frankenberg Castle The castle grounds are located on a small, natural rocky outcropping and follow a three-corner building plan. On the east side of the compound, the three story residential structure contains a decorative façade, with the lower levels being made up of rough stone blocks, while the upper floors consist of brick masonry. The corners of the building, as well as its window and doorjambs, are emphasized by light-colored stone, and a staircase leads to the raised ground floor, which contains four embedded embrasures. Under the building’s eaves on the east-facing façade, there are small, transverse windows, with the exception of directly above the main door, where a bretèche sits just under the roof.
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Main door of the Embassy The Spanish ambassadors had rented the Monaldeschi Palace for more than a decade. In 1647, the new ambassador, Íñigo Vélez de Guevara, 8th Count of Oñate, made an offer for the palace, owned by the Monaldeschi Family, an old Roman noble family, through an Italian agent, Bernardino Barber, and later obtained the permission of purchase of the Congregation of Barons of the Pontifical State, that had the power to approve the sale of important palaces. Barber bought it for 22,000 Roman scudos and was immediately transferred to the Count of Oñate. Soon after, four other houses next to the palace were bought to expand the building. In 1654, the palace was acquired by the Spanish crown as a permanent residence for ambassadors.
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The building served as an annexe of St Leonards School for several years until 1930, when the property was acquired for the University by Sir James Irvine, and was heavily renovated over the subsequent two decades with funds received from ICI and The Carnegie Trust. Irvine's vision for the hall being one where "guests would be brought to dine and conversation would flourish: a fertile environment for a cross-disciplinary community of scholars". It was re-opened as a postgraduate hall of residence in 1951, and is now home to some 54 postgraduate students. The University's coat of arms can be seen over the main door way, along with the University's motto, ΑΙΕΝ ΑΡΙΣΤΕΥΕΙΝ (). In the courtyard, there is a ‘mysterious’ stone.
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In the middle ages it contained the curia of the Domherren of the Münster Cathedral Chapter and St. Jacobi, the parish church for its servants. Immediately in front of the main door, the Michaelistor, stands the City hall, erected in the 14th century as an assertion of the townsmen against the bishop. South of the Domplatz is the headquarters of the Münster Bezirksregierung, a branch of Deutsche Post, two cafes and the Westphalian State Museum of Art and Cultural History. On the west side the Domplatz is bordered by the Fürstenberghaus of the University of Münster and the Dishop's Balace, on the west side by the backs of the shops on Prinzipalmarkt and the buildings of the old Reichsbank branch, which now house offices of the Bezirksregierung.
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The nave at 27.6 metres (90 feet) is the longest Norman nave in Northumberland; it has a 19th-century scissor- braced roof and was restored in 1860 by John Dobson. The south aisle was built by the Percy family in the 15th century; its east window has the only surviving pieces of medieval glass in the church. The pulpit has five panels each featuring a work of art by Alfred Southwick including St Lawrence blessing the poor and St Hilda of Whitby. On the right of the main door is the Knight’s Tomb in the chantry; it features an image of a cross-legged knight from the 14th century with a shield bearing the arms of the de Abulyn family of Durham.
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The luxury bedroom was accessed via the garden and contains eight double beds with an oval wardrobe built into the back. The Diary Room was in between the two sets of stairs by which housemates entered and exited the House (they join together at the top). This meant that the housemates had to exit the House through the main doorway to enter the Diary Room; however, the Diary Room button that the housemates used to notify Big Brother of their intent to go to the Diary Room was located next to the main door inside the House. Outside the bathroom were tokens, which housemates bought from the shopping list and gave to Big Brother if they wanted to use hot water or get rewards.
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In 1960 at the St Theresa Of The Child Jesus Church in Manor, Sheffield, Clark carved the stone statue of St Theresa above the main door of the church and the low relief stone stations of the cross inside. He also designed the internal boss in relief at the centre the dome depicting the Assumption of the Blessed Virgin Mary into Heaven, visible from the sanctuary. He also carved the wooden statues of St Theresa kneeling, St Joseph the Carpenter, The Sacred Heart of Jesus and the Virgin Mary offering the swaddled Holy Child for the four side chapels. The wooden carvings were painted by his son Michael, who also carved and painted the larger than life size crucifix of Christ the King above the high altar.
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After staging a sit-in protest in front of the main door, a banner with a photo of police chief Lawrence Cutajar accompanied with the words "No change, no justice – irrizenja (resign)" was placed on the headquarters' gate. On 17 April 2018, a consortium of 45 journalists from 18 news organisations, including The Guardian, The New York Times, Le Monde and the Times of Malta, published The Daphne Project, a collaborative effort to complete Caruana Galizia's investigative work. After her death, crowds gathered in front of the Law Courts, to mourn and express solidarity with the Caruana Galizia family and to demand justice. The Great Siege Monument became a focal point for protests and calls for justice, with tributes, memorials and vigils held there frequently.
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Inspiration for the architecture, notably the hipped mansard roof and the two wings, came from Ulriksdal Palace in Sweden. The building ensemble still displays some of the original details, like the fine carved baroque main door. The manor has belonged to several well-known members of the nobility, both Swedish and Baltic German, for example Jacob De la Gardie (1583-1652), who, among other things, was Governor-General of Estonia, and his son Axel Julius De la Gardie (1637-1710), who held the same office. One of the most infamous and colourful landlords was Otto Reinhold Ludwig von Ungern-Sternberg (1744-1811), who practiced wrecking and was sent to Siberia in 1804 as a punishment for murdering a Swedish skipper.
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Detail of a steeple of the Passion Façade decorated with the word Sanctus Themes throughout the decoration include words from the liturgy. The steeples are decorated with words such as "Hosanna", "Excelsis", and "Sanctus"; the great doors of the Passion façade reproduce excerpts of the Passion of Jesus from the New Testament in various languages, mainly Catalan; and the Glory façade is to be decorated with the words from the Apostles' Creed, while its main door reproduce the entire Lord's Prayer in Catalan, surrounded by multiple variations of "Give us this day our daily bread" in other languages. The three entrances symbolize the three virtues: Faith, Hope and Love. Each of them is also dedicated to a part of Christ's life.
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Moreover, the grave had to be excavated and prepared within two days, forcing last minute changes in the plumbing system of the Basilica. Unlike the fallen of the Civil War who were laid to rest in special tombs behind the chapels on the sides of the basilica, Franco was buried behind the main altar, in the central nave. His grave is marked by a simple tombstone engraved with just his Christian name and first surname, on the choir side of the main high altar (between the altar and the apse of the Church; behind the altar, from the perspective of a person standing at the main door). Franco is the only person interred in the Valley who did not die in the Civil War.
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The doorjamb exhibits seated door keepers (dwarapalas) at the base, bold scrolls of decorative creepers that run along the sides of the main door and contain Yaksha (benevolent spirits from Hindu mythology) and Yakshis (or Yakshinis, their female counterparts). Above the door, forming the lintel (lalata) is a sculpture of Gajalakshmi (a version of the goddess Lakshmi) with elephants showering her from either side. Sarma feels this sculpture may have inspired the monolithic carving at the main entrance (called akhanda bagilu) on the Vindyagiri hill in the famous Jain heritage town of Shravanabelagola. The ceiling panel grid (ashta-dik-pala grid) of images in the mahamantapa (a section of the mantapa) needs special mention and speaks of the good taste of the Ganga-Nolamba architects.
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Only four rooms of the palace are open depicting Pahari paintings of Mahabharata epic scenes and royal memorabilia. A golden sofa of the Dogra rulers, weighing 120 kg in pure gold, embedded with golden lions at the corners, is housed in a hexagonal room in the museum, which is viewed only through glass covered window panes as the main door is kept locked for security reasons. The art works of some of the renowned Indian artists like M.F. Hussain, J.Swaminathan, G. R. Santosh, Bikash Battacharjee, Ram Kumar, Laxman Pai are also on display in the museum. In one of the galleries, paintings of Hindu epic stories such as of Nala Damayanti (a set of forty- seven miniature paintings) are depicted.
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The fuselage comprises three sections – the nose, centre, and tail – which are manufactured separately in their own jigs and joined late on in the production process. It has been designed to be pressurised at a maximum differential of 9.3 lb per square inch. Various cutouts are present across the fuselage to accommodate various features, such as a large main door on the port side of the aircraft forward of the wing, multiple regulation-compliant emergency exits, a baggage hatch on the port side aft of the wing, and numerous windows. The fuselage's diameter was designed to accommodate an unobstructed cabin floor, a cabin height of 6 ft 1inch in the centre section, as well as space for the wing box, underfloor integral fuel tanks, air ducts, and various control cabling.
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Sherwood & Pevsner, 1974, page 337 St. Michael's is described as being in a "vaguely Italian renaissance style" but the building is slightly limited by its corner site. Dale's final church, St. Swithun, Kennington (1956–58),Pevsner, 1966, page 159 is in a spacious churchyard that allowed Dale the space to use a more spacious cruciform plan. Most of Dale's churches share common features: a tympanum with bas-reliefs over the main door, pantiled roofs, an Italianate pent-roofed chimney for the boiler and in some cases a baldachin over the main altar and a pantiled bell-cot on the west gable. With the exception of St. Francis of Assisi (which is stuccoed) they are built of a modern buff brick that contrasts with traditional building materials in this part of England.
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In his autobiography, González wrote that his father described his home as "a holy place [...] where no political intrigue or matters of public life dared to enter." He described his father as a man that "knew how to put aside his daily chores and, in an inflexible way, forbade the family [from] being involved or to be the instrument of political events". He mentioned that he would often "slide carefully [...] between the main door and the hallway, an envelope with a sum that would remedy cruel necessity for the family of friends that could not make ends meet". González refers to the moral fiber of his father as "almost organic" and assures that "in applying the Law he was implacable, his North: correction, and the energy to enforce it".
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Exterior detail showing muqarnas decoration on the jamb of the main door Interior view looking towards the central hall from the eyvan, showing the stalactite vault of the first dome and the great arch that separates the two rooms The Imaret is built in single courses of stone alternating with four courses of bricks, its vaults and domes covered with ceramic tiles. The building is preceded by an open ended porch of five bays, with five arches in front and two on either side, carried by a succession of alternating piers and columns. The central bay is surmounted by a small dome, while the four side bays are covered with flat topped cross vaults. Inside, the main hall is a square surmounted by a lofty dome carried on the belt of Turkish triangles.
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These included reducing the number of employees present in workplaces in government agencies to not more than 30%, preventing gatherings of all kinds in public places, closures of money exchange services with only banks being responsible for those now along with customer services outlets in all public and private institutions. On 24 March, the Ministry of Health issued an order for pharmacies to dispense medicine and other items only through the duty window on their main door to stem the outbreak. The Ministry of Transport on Tuesday decided to reduce the number of passengers in taxis in the sultanate from three to two passengers, excluding the taxi driver until further notice the same day. Sultan Haitham donated OMR 10 million for tackling the coronavirus outbreak in the country on 26 March.
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An average storm cellar for a single family is built close enough to the home to allow instant access in an emergency, but not so close that the house could tumble on the door during a storm, trapping the occupants inside. This is also the reason the main door on most storm cellars is mounted at an angle rather than perpendicular with the ground. An angled door allows for debris to blow up and over the door, or sand to slide off, without blocking it, and the angle also reduces the force necessary to open the door if rubble has piled up on top. Floor area is generally around eight by twelve feet (2.5 × 3.5 m), with an arched roof like that of a Quonset hut, but entirely underground.
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He took refuge in the arms of this cozy social niche for five days and then leaves for the Pabellón de Hidalgo Hacienda where he is removed from command as leader of the Insurgent movement. In the life of the town an event happened that changed the way of thinking of the inhabitants and that undoubtedly increased the religious devotion in Christianity: the arrival of the Original Lord, the image most loved and adored by those faithful dwellers. Legend has it that this Christ arrived inside a wooden box on a mule. This animal after wandering a few days in the streets went to the main door of the temple, no muleteer was its owner, some men to see the animal outside the church put the box to the place.
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The interior cavity facing the front entrance Pia Baptismal The church is located on the western edge of the main settlement of São Mateus da Calheta, implanted in the areas of Biscoitinho and Prainha, near the port, and alongside the historical Caminho Velho road: the area has direct views of Angra do Heroísmo, Monte Brasil and the volcano of Santa Bárbara. The church courtyard is relatively large, with a four-step staircase leading to the main door, buttressed by the old cemetery wall. The relatively small, modestly- constructed church, it was constructed of brickwork, and large poulders, that were able to resist intact the hurricane that would result in its abandon. It consists of a single rectangular naive and narrower presbytery, with left- lateral, rectangular bell-tower and right-lateral sacristy.
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Stefan Lochner, Last Judgement, 1435. Wallraf-Richartz Museum, Cologne Since before 1000, complex depictions of the Last Judgement had been developing as a subject in art, and from the 11th century became common as wall-painting in churches, typically placed over the main door in the west wall, where it would be seen by worshippers as they left the building.Hall (1983), 138–143 Iconographical elements were gradually built up, with St Michael weighing the souls first seen in 12th-century Italy. Since this scene has no biblical basis, it is often thought to draw from pre-Christian parallels such as depictions of Anubis performing a similar role in Ancient Egyptian art.Hall (1983), 6–9 In medieval English, a wall-painting of the Last Judgement was called a doom.
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St Nicholas' Church Part of the RC Parish of Windgap, in the Diocese of Ossory, the village's most noted landmark is St Nicholas' church of Kilmacoliver, built in 1885. The church itself underwent major renovation in the mid-1970s, removing access to the upper level, installing a false ceiling and removing both the bell and Rose Window on the altar wall. The rose window, which was moved to a residence in Owning Co. Kilkenny, was returned to the church in the late 2000s and is now located as a window between the porch of the church and the main building in a new square frame. The bell has, since the renovation, been located at the main door of Windgap national school (the school bearing the same name as the church, St Nicholas').
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On October 23, 1974, the day of the new terminal pre-inauguration at West Berlin's Tegel Airport, Aeroamerica stationed its first Boeing 720 at Tegel for crew familiarisation flights.Air Transport, Flight International, 7 November 1974, p. 628 This aircraft was painted in a basic Braniff colour scheme modified with a white Air Club International style cheatline and a black Berliner Flug Ring inscription by the main door. By March 1975, a further two Boeing 720s arrived at the airline's new Berlin Tegel base to fulfill a five-year charter contract the company had concluded with Berliner Flugring, at the time West Berlin's leading package tour operator, to undertake a series of short- and medium-haul inclusive tour (IT) charter flights to the Mediterranean and the Canary Islands from the start of the 1975 summer season.
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Ritual wailing occurred as part of funerary rites in ancient China. These wails and laments were not (or were not always) uncontrollable expressions of emotion. Albert Galvany argues they were in fact "subject to a strict and complex process of codification that determines, right down to the finest details, the place, the timing and the ways in which such expressions of pain should be proffered". The Liji ("Book of Rites") proclaimed that the mourner's type of relationship with the deceased dictated where the death wails should take place: for your brother it should take place in the ancestral temple; for your father's friend, opposite the great door of the ancestral temple; for your friend, opposite the main door of their private lodging; for an acquaintance, out in the countryside.
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The vaulted nave reaches an interior height of 44 meters, being the Orthodox church with the highest interior nave and among the highest in the world. With nave width of 25.2 meters People's Salvation Cathedral is the church building with the second widest nave in the world after St. Peter's Basilica in Vatican City (27 m). Hagia Sophia in Istanbul has bigger span (wall to wall - 31 m) but it has not a nave in the strict sense. If the main door of the cathedral and the door of the iconostasis are open, a person who is at the entrance (colonnade) sees the altar table at 105 m, and if he is in the middle of the naos (the area under the main dome), from the floor also at 105 m sees the ceiling of the dome (Pantocrator).
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Door of the Sea was denominated Primitively and also Main door of the Villa. The waters of the bay, in fact, came very close to them, because what is now the Plaza de San Juan de Dios and was Plaza Real, was almost occupied by the Bay-Caleta Canal and that was the real pier and port commercial of Cádiz . The channel, when going blind, became small lagoons or gaps (whose name was given to the current street Plocia ), the second of which was blinded to 1628 while the other did it towards 1618, remaining as a kind of shipyard for small ships and ships. The bay side entrance had a ravelin and was flanked by two large crenelated cubes, using castramentation of the time, and on the right was placed the clock that the Cabildo had built a watchmaker of Osuna.
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The earliest true Renaissance Revival "Palazzo style" buildings in Europe were built by the German architect Leo von Klenze, who usually worked in the Greek Neoclassical style.Nikolaus Pevsner, An Outline of European Architecture, Penguin, (1964) The Palais Leuchtenberg (1816) is probably the first of several such buildings on the new Ludwigstrasse in Munich,James Stevens Curl, A Dictionary of Architecture and Landscape, Oxford University, (2000), and has a rusticated half-basement and quoins, three storeys of windows with those of the second floor being pedimented, a large cornice and a shallow columned portico around the main door. The walls are stuccoed and painted like the Palazzo Farnese. The Travellers Club (1829) and The Reform Club (1830), Pall Mall, London, by Charles Barry In England, the earliest 19th-century application of the Palazzo style was to a number of London gentlemen's clubs.
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The decision to spend large amounts of money on a building "when most of its architectural effect would be lost because ruined by soot and made nearly invisible by smoke" was criticised. Waterhouse avoided using a polychrome scheme as seen in High Victorian Gothic buildings such as St Pancras railway station believing it to be impractical as Manchester's industrial atmosphere would quickly ruin the effect and decided a uniform stone exterior was the better solution. Statues of notable figures in the city's history decorate its exterior, that of Agricola, founder of the Roman fort is over the main door and over its gable is a statue of St George. Statues of Thomas Grelley, first lord of the manor, Humphrey Chetham and Thomas de la Warre are among six at the corner of Albert Square and Princess Street.
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The original synagogue was enlarged during the third century and destroyed in the Galilee earthquake of 363. The final, and much larger, synagogue building was constructed in the late 6th century reusing stones from the earlier building.Second Preliminary Report on the 1981 Excavations at en-Nabratein, Israel, Eric M. Meyers, James F. Strange and Carol L. Meyers, Bulletin of the American Schools of Oriental Research, No. 246 (Spring, 1982), pp. 35-54 The year of its construction is known from the inscription over the main door, now displayed at the Israel Museum: “Built four hundred and ninety four years after the destruction of the Temple under the leadership of Hanina ben Lizar and Luliana bar Yuden.” The building stood until 640 CE. The façade was partially reconstructed by the Jewish National Fund and the Israel Antiquities Authority.
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Riva Valdobbia was a seasonal pasture area in the summer from ancient time and vaguely named Pietre Gemelle,Atto di Cittadinatico al Comune di Vercelli, 1217 the Twin Stones, as the main landmark of the plain are two blocks, still there at the north end of Riva. Example of mixed architecture: "Italian" stone house with typical Walser "Lobbia" balconies on top. The settlement became permanent and finally was detached from Scopa administration to form an independent parish in 1326,Inscription over the main door of St.Micheal church dedicated to Saint Micheal. In that century, the first Walser colonizations took place: from Macugnaga and Gressoney, populations of German language got permission to settle in the higher ground of the area with their typical small independent hamlets of few houses with community oven, fountain and a small chapel.
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Inscription at the main door of the historical school of the master builder in Zittau. A master builder or master mason is a central figure leading construction projects in pre-modern times (a precursor to the modern architect and engineer). Historically, the term has generally referred to "the head of a construction project in the Middle Ages or Renaissance period",Olga Popovic Larsen, Andy Tyas, Conceptual Structural Design: Bridging the Gap Between Architects and Engineers (2003), p. 29-30. with an 1887 source describing the status as follows: The term has also been applied to more broadly include "designers and builders of large-scale construction work who learned their trade in a more formal way than the builders of primitive forms in pre- technological societies... from the times of the Egyptians and Sumerians until (and in some cases beyond) the Industrial Revolution".
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The room in Venice has survived, with the recesses now filled with mirrors, so shape of the canvases allows a reconstruction of the original arrangement of the paintings in the room. On the long walls to either side of the main door on the north side were two battle scenes, each measuring approximately , and usually identified as The Capture of Carthage and The Battle of Vercellae (both at the Metropolitan Museum of Art in New York). (Alternatively, they may represent battles of Coriolanus against the Volsci and Corioli.) The opposite long wall has five arched windows overlooking the canal to the south. Two narrower canvases, each approximately , were placed to either side of the central window, depicting The Death of Lucius Junius Brutus and Arruns Tarquinius, and Hannibal Contemplating the Head of Hasdrubal (both at the Kunsthistorisches Museum in Vienna).
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In 1970 a copy of a painting by Mattia Preti, portraying two Saints of Health Cosmas and Damian, was transferred from St Luke's Hospital chapel to the hall at the Castellania. An inscription, found on a cartouche, above the main door of the hall reads: Statue of Lady Justice at the Castellania The chapel was dedicated to Our Lady of Sorrows (also called the Madonna di Pietà or Mater Dolorosa). After being deconsecrated in the late 19th century, the room was used for other purposes, and only the limestone frame, where used to be the titular painting which was retrieved during restoration works in 1991, still remains from the chapel's original interior. An ornate fountain is located at the building's main courtyard, above which is a niche with a statue and above it an elaborate sculpture of the coat-of-arms of Pinto.
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Amende honorable was originally a mode of punishment in France which required the offender, barefoot and stripped to his shirt, and led into a church or auditory with a torch in his hand and a rope round his neck held by the public executioner, to beg pardon on his knees of his God, his king, and his country; the term is now used to denote a satisfactory apology or reparation. Amende honorable forbade revenge. The amende honorable was sometimes incorporated into a larger ritual of capital punishment (specifically the French version of drawing and quartering) for parricides and regicides; this is described in the 1975 book Discipline and Punish by Michel Foucault, notably in reference to Robert-François Damiens who was condemned to make the amende honorable before the main door of the Church of Paris in 1757.
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State Marshals are required to carry identification when in the performance of their duties and display the ID upon request. State Marshals serve civil process by serving individuals via personal service or by leaving the process at the recipient’s residence or usual place of abode. Generally, State Marshals make abode service by leaving the process in the door jamb or between a storm door and a main door, although Connecticut State Marshals frequently serve papers by sliding papers into residences through the door jam, and also by rubber banding or taping the papers to residence doors. Service of process is often done during regular business hours, however marshals are not prohibited from serving documents very early in the morning or late evening hours, on weekends and holidays, or at individual's workplaces, or in other public or private spaces.
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During the Baroque period, the German Konrad Rudolf designed in 1703 the main door of the cathedral, known as the Iron gate due to the cast-iron fence that surrounds it. Because of the War of the Spanish Succession he could not finish it, and this task fell mainly to the sculptors Francisco Vergara and Ignacio Vergara. Its concave shape, which causes a unique and studied perspective effect, was distorted during the 20th century because of the demolition of some adjacent buildings (in what was formerly Saragossa Street) to expand the square (Plaza de la Reina). A project to renew the building was launched during the last third of the 18th century, whose intention was to give a uniform neoclassical appearance to the church, different from the original Gothic style that was then considered a vulgar work in comparison.
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On May 3, 2010, citing security concerns and as part of the building's modernization project, the Supreme Court announced that the public (including parties to the cases being argued, the attorneys who represent them, and visitors to Oral arguments or the building) would no longer be allowed to enter the building through the main door on top of the steps on the west side. Visitors must now enter through ground-level doors located at the plaza, leading to a reinforced area for security screening. The main doors at the top of the steps may still be used to exit the building. Justice Breyer released a statement, joined by Justice Ginsburg, expressing his opinion that although he recognizes the security concerns that led to the decision, he does not believe on balance that the closure is justified.
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Much due to the shutters and plain stone portals of Number 18 on the opposite side, this façade have kept its simple character since the 18th century when the building served as an outhouse (e.g. a shed), even though the door shutters were added in the 19th century and the doors are from the 1970s. While Number 33 is probably much the product of a paring which removed the moulding and detailing from 1939, the light 18th-century character of the fair-faced plaster façade and its narrow doors and windows is left pretty intact. In contrast, the dark and rough surface of Number 35, which probably reflects the appearance of the façade in 1778, hardly gives a hint of the three small original windows facing the street, or the shop window installed in 1916, wider than the present, notwithstanding the fact the main door is 18th century in style.
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In the early 12th century the cathedral was enlarged under the direction of architect Rainaldo, who increased the length of the nave by adding three bays consistent with the original style of Buscheto, enlarged the transept, and planned a new facade which was completed by workers under the direction of the sculptors Guglielmo and Biduino.Franca Manenti Valli, Pisa: lo spazio e il sacro, with Preface by Gianfranco Ravasi, Edizioni Polistampa, Firenze, 2016 The exact date of the work is unclear: according to some, the work was done right after the death of Buscheto about the year 1100, though others say it was done closer to 1140. In any case, work was finished in 1180, as documented by the date written on the bronze knockers made by Bonanno Pisano found on the main door. The structure's present appearance is the result of numerous restoration campaigns that were carried out in different eras.
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Owing to the nuisance resulting from the custom of exhibiting the dismembered body parts of sentenced peasants on the pillory, D. Manual ordered that these artifacts be moved to another area of the town. As was noted: "it was near the settlement and did very great damage because the square was very small and the pillory was near the main door of the church...and so near the door of the fortress". As noted, D. Manuel ordered that the hands, feet, ears and dismembered heads of the convicted should be moved to the archway gate of São Bendito, which was the old city gate, along the main road. On 11 November 1514, D. Manuel, ordered the construction of a new pillory to the newly conceded foral, when the monarch conceded its inhabitants the privilege of not suffering the pillory for delinquency in the village.
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In the East, early churches had the altar at the east end and the priest, facing east, stood at the western side of the altar, with his back to the people and the doors. This later became the common practice also in western Europe. It was adopted in Rome only in the 8th or 9th century.The Oxford Dictionary of the Christian Church (Oxford University Press 2005 ), article "westward position" In the succeeding centuries the eastward position in prayer was abandoned, as to a large extent was also, especially in cities, choice of an east-west axis for church buildings, and the end, furthest from the main door, in which the altar stood, could be oriented towards any point of the compass, although by convention churches are always described as though the altar is at the east end, the terms liturgical east and west often being used.
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A request by the Anti-Conscription Committee to hold a meeting in the City Hall, on the other hand, was denied by the Mayor, to the chagrin of the Trades Hall Council. The alliance between the British Empire, Soviet Union and United States was marked by the hoisting of the Red Flag on the City Hall in October 1941, and additional flagpoles were erected on the building to allow the Union Jack, the American, Soviet and Greek flags to be raised daily. The National Emergency Services organisation was moved into the No. 1 Committee Room in the City Hall in March 1941, and in January 1942, as the war seemed to draw perilously close to NSW, the main door of the City Hall was bricked up as a protection against potential blasts.Conservation Management Plan, p. 47 Through the 1930s and 1940s settlement and damp issues were addressed.
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The entrance to the Basilica is fronted by a small square with an 8th-century well-head, nearly reproducing the aspect of the Basilica that would have been seen at the reconsecration by Pope Celestine III in the 12th century. The portico (or porch) of the Basilica is supported by four re-used classical columns (each of a different marble) supporting five arches. The main door is framed with a simple mosaic of red and green porphyry. The well- head, from the time of Pope Adrian I, has a double row circular design around its barrel and a Latin inscription completely around its crown: :IN NOMINE PAT[RIS] ET FILII ET SPI[RITUS SANT]I "In the name of the Father, of the Son, and of the Holy Ghost" and a quote from the Prophet Isaiah: :OMN[E]S SITIE[NTES VENITE AD AQUAS] "All you who are thirsty come to the water" and the name of the stone-carver: :EGO STEFANUS "I Stephen".
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It was supported every Sunday by 100 or more people, including choir and servers. The tablet to the soldiers from the parish who died in World War I. Two memorials in the church commemorate individuals who were killed in World War I. A large stone tablet by the main door to the church lists the names of soldiers from the area who died in the war. It is made from a large block of stone from a quarry from the French battlefields and was unveiled in 1921. The lettering of the tablet was carved by Eric Gill.War Memorial: Priory of Our Lady of the Rosary and St Dominic - WW1 Tablet (WMR-58341): War Memorial: Priory of Our Lady of the Rosary and St Dominic - WW1 Tablet (WMR-58341), accessdate: August 14, 2017 A sculpted stone statue of Joan of Arc by the Rosary Chapel marks the death of a soldier killed at Ypres in 1915.
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The windows that bring natural light inside are complemented by stained glass windows with the following topics: the largest in the arch, in the corners, represent the appearance of the Our Lady of the Pillar and the conversion of King Reccared I to Catholicism; Saint Ferdinand and Saint Hermenegild are represented in the two large vertical windows; and the small ones located above the door are dedicated to Joachim, Isidore the Farmer, Saint Anthony and Saint Elizabeth of Portugal. From the crypt there is access to a chapel dedicated to the Perpetual Adoration, excavated into the mountain in the late 1940s, consisting of three naves divided by columns. The interior is decorated with marble, mosaics in the pavement, and paintings by Miquel Farré i Albagés in the vaults, made between 1947-1949. Outside of the crypt, on either side of the main door, are two staircases leading to the level of the temple itself.
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Holder, p. 144 The friary church stood at the centre of the complex. The Crown gave the friary six oaks from Windsor Forest in 1277, possibly to provide wood for the roof, while bequests in the 14th century (including one by a descendant of the friary's founder) show that construction continued into the 1370s. The nave of the church survived until it was destroyed in The Blitz of 1940 and it was surveyed by the Royal Commission on Historic Monuments before the war, so a good deal is known about its original appearance and dimensions.Holder, p. 145 It was built using Kentish Ragstone with external flint courses and mouldings made from Reigate stone. The church's plan incorporated a three-aisled nave, floored in Purbeck marble, and a two-aisled choir. The nave measured 149 ft by 83 ft internally (45.3 m by 25.2 m) and was accessed principally through a main door on its western front.
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This church is mentioned in a document dated 1379; even the historian Ignazio de Blasi speaks about it and says that the Church, at the foot of mount Bonifato, was very old as it has the main door facing west and the Cappellone facing east, like in ancient times. Next to the church, in 1531 there was the friary of the Fathers of the Our Lady of Mercy, also called of the Redemption because they were voted to the noble work of rescuing the Christians that were in the hands of the Turkish; since 1621 the Conventual Franciscans succeeded to the Order of Our Lady of Mercy.Cataldo Carlo: Accanto alle aquile: Il castello alcamese di Bonifato e la chiesa di S. Maria dell’Alto p.98-101; Brotto, Palermo, 1991 In 1639 the carpenters, called coopers ("bottai") had the right of patronage on it; the March Fridays were solemnized on the high altar for their devotion.
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The Sala Ammannati is a part of the Sale Apollinee at La Fenice Opera House in Venice The Sale Apollinee, so named because dedicated to the Greek god Apollo, father of the Muses and patron of the Arts, including music, consists of five rooms whose current layout dates from 1937. These rooms are now used during the intervals by the audience occupying the first three tiers of boxes and the stalls. The five rooms of the Sale Apollinee were originally used even when there was no show in the opera house; its bar would be open during the day and there was a billiard table in one of the rooms. On the top of the main door is a symbol of the sun, a tribute to the King of France Louis XIV. The Apollon room was thought of as a ballet room; ballet came to prominence in part because of Louis XIV’s interest in it.
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The approach to the Villa Farnese is from the town's main street, which is centred on the villa, to a piazza from which stairs ascend to a series of terraces beginning with the subterranean basement excavated from the tuff, surrounded by steep curving steps leading to the terrace above. This basement floor in the foundations, which functioned as a carriage entrance in inclement weather, features a massive central column with a series of buttresses and retaining walls; on the exterior, large heavily grilled doors in the rusticated walls appear to lead into the guardrooms of a fortress, while above them a curved balustraded external double stairway leads to the terrace above. This in turn has a formal double staircase to the principal entrance on the Piano dei Prelati floor which is accessed from the broad terrace. This bastion-like floor, which appears in the elevation as a second ground floor, is rusticated, the main door a severe arch flanked by three windows on each side.
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The window is located by the main door, just inside the corridor leading to the dining room and depicts two observers on duty at an Observer Corps post in central London with contrails overhead. The colourful window was constructed from an original design and drawing by Observer Lieutenant Commander A P Angove FBIM FITD, the Operations Training Officer (Ops Trg) at HQ ROC. The arched window was designed to balance a Royal Air Force stained glass window already located on the other side of the front door. The 10,000 member main field force of the ROC were stood down on 30 September 1991, and the ROC's original 1966 Royal Banner was laid up at St Clement Danes Church in the Strand, London where it remains on display, a new banner having been presented by HM The Queen in July 1991 during a Royal Review of the ROC and garden party at Bentley Priory.
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Hammersmith Library Hammersmith Library is a Grade II listed building at Shepherd's Bush Road, Hammersmith, London W6 7AT. It was built in 1905 by the architect Henry Hare, with sculpture by F. E. E. Schenck. Plan of the Library Drawing of the Library The statues in the façade are as follows: immediately to the top left of the main entrance, on the first floor, is a statue of John Milton, while to the top right of the main door is a statue of William Shakespeare. To the right of these statues, between the windows on the south wing of the library, are a male figure with a book, representing Literature, and a female figure with a paintbrush, representing the Arts; while to the left of the statues of Milton and Shakespeare, between the windows on the north wing, are a female figure with a wheel, representing Spinning, and a male figure with a pair of compasses, representing Astronomy.
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A reconstruction of the appearance of the chapel in the 1480s, prior to the painting of the ceiling The ceiling of the chapel is a flattened barrel vault springing from a course that encircles the walls at the level of the springing of the window arches. This barrel vault is cut transversely by smaller vaults over each window, which divide the barrel vault at its lowest level into a series of large pendentives rising from shallow pilasters between each window. The barrel vault was originally painted brilliant-blue and dotted with gold stars, to the design of Piermatteo Lauro de' Manfredi da Amelia. The pavement is in opus alexandrinum, a decorative style using marble and coloured stone in a pattern that reflects the earlier proportion in the division of the interior and also marks the processional way from the main door, used by the Pope on important occasions such as Palm Sunday.
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Romanesque katholikon was consecrated in 1119 to the feast of the Nativity of God's Mother The Antoniev Monastery ("St Anthony's Monastery", ) rivalled the Yuriev Monastery as the most important monastery of medieval Novgorod the Great. It stands along the right bank of the Volkhov River north of the city centre and forms part of the Historic Monuments of Novgorod and Surroundings, a World Heritage Site. A fresco dating from 1125 The monastery was founded in 1117 by St Anthony of Rome (Antony Rimlyanin), who, according to legend, flew to Novgorod from Rome on a rock (the alleged rock is now in the vestibule just to the right of the main door into the Church of the Nativity of the Mother of God beneath a fresco of Bishop Nikita of Novgorod). Antonii was consecrated hegumen of the monastery in 1131 by Archbishop Nifont (1130–1156) and was buried beneath a large slab to the right of the altar in the same church.
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This would be the last Canadian viceregal appointment made by the monarch in his or her capacity as sovereign of the United Kingdom, as it was decided at the Imperial Conference in October 1926 that the Dominions of the British Empire would thereafter be equal with one another, and the monarch would operate for a specific country only under the guidance of that country's ministers. Though this was not formalised until the enactment of the Statute of Westminster on 11 December 1931, the concept was brought into practice at the start of Willingdon's tenure as Governor General of Canada. Edward and George, along with Viscount Willingdon, outside Rideau Hall's main door, August 1927 The Balfour Declaration of 1926, issued during the Imperial Conference, also declared that governors-general would cease to act as representatives of the British government in diplomatic relations between the United Kingdom and individual dominions. Accordingly, in 1928, the United Kingdom appointed its first High Commissioner to Canada thus effectively ending the governor general's, and Willingdon's, diplomatic role as the British government's envoy to Ottawa.
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The entrance gallery and the perspective(view from the Santa Maria in Campitelli Church Main door ) The "secret" roof garden The perspective vision that is obtained creates a sort of apparently inexplicable optical effect. In fact, moving backwards from the main entrance door of the Palace, the front entrance of the Church of Santa Maria in Campitelli begins to "move" from left to right until it coincides perfectly only when you reach the threshold of the door of the Palazzetto. It is necessary to underline that at the time of planning the facade of the current Church had not yet been built and that the birthplace of Blessed Ludovica Albertoni,Marina Minozzi, Rivista Roma Sacra, Elio De Rosa Editore, 1999, Roma; Parrocchia Santa Maria in Campitelli, I disegni di Carlo Rainaldi, Archivio Parrocchiale Santa Maria in Campitelli, Roma, 2017 the true spiritual authority of the family, was located on the same site. The Paluzzi Albertoni had therefore probably wanted to keep the view from door to door to keep a constant memory of the Blessed.
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Los Angeles is being terrorized by a masked serial killer whose modus operandi is to break into stores after hours, murder the workers, and take the surveillance tapes so he can use them to relive his crimes. At Steve's liquor store (the main door to which has been boarded up due to an incident with a homeless man) the employees, customers, and a deliveryman named Morty discuss the killer, the $500,000 being offered as a reward for his capture, and how they would kill him, the mentioned methods being eye gouging, exsanguination in plastic wrap, sawing, and decapitation. After the store closes, Steve has a clerk named Donny, and two regulars (a prostitute named Jess, and a phone sex worker named Mona) stay to play cards in the upstairs apartment as a means of keeping Steve's nephew Jimmy (an addict going through drug withdrawal) occupied. Unbeknownst to the quintet, the Convenience Store Killer has chosen them as his next victims, cutting the homeless man (who resides in a nearby alley) in half before sneaking into the building.
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Interior of the Church, looking towards the main altar The trompe l'oeil Mannerist ceiling. The decoration of the Igreja de São Roque is the result of several phases of activity throughout the 17th and 18th centuries, reflecting the ideals of either the Society of Jesus or, as in the case of the chapels, the respective brotherhoods or confraternities. It was born of the Catholic Reformation, and reflects the efforts of the Church to capture the attention of the faithful. The general decorative phases are Mannerist (the chapels of St. Francis Xavier, of the Holy Family, and of the chancel); early Baroque (Chapel of the Holy Sacrament); later Baroque (Chapels of Our Lady of the Doctrine and of Our Lady of Piety); and Roman Baroque of the 1740s (Chapel of St. John the Baptist). 19th-century renovations include the construction of the choir gallery over the main door where the pipe organ was installed; the remodeling of the screen of the Chapel of the Holy Sacrament and the erection of the gilded iron railings; also the replacement of the entrance doors.
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The tower is surrounded by merlons, leaning on little niches sustaining pointed arches. In ancient times the main door was in the middle; in the 18th century it was substituted by two new doors: the one at the street number 21, has a calcarenite portal with two bases surmounted by lesenes; the second, at the number 23, is smaller and has two irregular bases, owing to the restoration of the road surface; you can enter the tower through a staircase from the entrance at the house number 23. On the first floor there are four balconies, two of them have stone galleries with fluted corbels; on the south side, on the second floor, there are two balconies with two stones galleries too; on the ground floor, in via Madonna dell’Alto, there are three doors and three windows of modern residential buildings. The first floor has four small balconies, and another one on the second floor; at the corner there is the De Ballis family’s coat of arms, with a banded shield having three balls.
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Commons chamber Main door to the House of Commons, as seen from the commons foyer The building's western wing contains the House of Commons chamber, along with its antechamber and lobbies for the government and opposition, on the east and west sides of the main commons space. The doors to all are of white oak trimmed with hand-wrought iron. The chamber is 21 metres long, 16 metres wide, and has seats for 320 members of parliament and 580 persons in the upper gallery that runs around the room's second level. The overall colour scheme is in green—visible in the carpeting, bench upholstery, draperies, paint within the gilded honeycomb cork plaster work of the cove, and the stretched linen canvas over the ceiling—and is reflective of the colour used in the House of Commons of the United Kingdom since at least 1663. That canvas, sitting 14.7 m above the commons floor and designed in 1920 by the New York decorating firm Mack, Jenney and Tyler, is painted with the heraldic symbols of the Canadian, provincial, and territorial coats of arms, with medallions at the intersections of diagonal stencilled bands in an argyle pattern.
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Running below this, and above the cove, is a continuous gold leaf cornice created in 1919 by Ferdinand Anthony Leonard Cerracchio (1888–1964), which displays a row of gilt figures, broken at the peak of each pointed arch by cherubs holding a cartouche, and behind all of which runs a painted grapevine with Tudor roses. On the floor, the opposing members' benches are spaced 3.96 m apart on either side of the room, a measurement said to be equivalent to two swords' length, harkening back to when English members of parliament carried swords into the chamber. Directly between, directly opposite the main door, on the chamber's axis, is the speaker's chair, made in 1921 by the English firm of Harry Hems as an exact replica of that in the British House of Commons. It is topped by a carved wood canopy bearing a rendition of the royal coat of arms of Canada sculpted in wood from the roof of the Westminster Hall, which was built in 1397; the whole was a gift from the British branch of what is today the Commonwealth Parliamentary Association.
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The main door, located on the north arm of the transept and facing the Plaza Mayor, has a semicircular arch with five archivolts supported on columns with capitals with plant reliefs similar to the east gallery of the cloister and a carved tympanum with a figure of the Virgin and Child blessing with her right hand, surrounded by angels. Above it there is a cornice with a frieze of blind arcades with corbels sculpted with various motifs. Vallbona Monges-Claustre In the north wall there is a door that would lead to the third section of the nave, which is closed and obstructed by a sarcophagus inside its arch as an arcosolium and on which there is a Trinitarian chrismonium from the end of the 12th century. In total, there are five sarcophagi on this wall, four Romanesque ones from the 13th century and one Gothic one, in all of them heraldic symbols can be seen and in two of them the names of the recumbents can be read: Sibil-la de Guimerà, wife of Guerau Alamany, and the other, Miquela Sasala, from 1244.
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As viewed from the lord of the manor's position at the head of the stairs, the ten bridesmaids are arranged symbolically: they are distributed with the bad bridesmaids to the left and the good bridesmaids to the right. The manor layout is designed to emphasize the lord of the manor's role as a Chancellor, as the King's representative and thus as God's deputy in the country and on the estate. The parable of the bridesmaids in Matthew's Gospel,Matthew 25:34 f ends with a speech: "Then shall the King say unto them on his right hand: 'Come, you who are blessed by my Father'." and "Then shall he say to those on the left hand, 'Depart from me, ye cursed…'" Similarly the location of the caryatid-like figures from the Old Testament also emphasizes who the lord of the manor sees as his peers: the lawmaker, the military leader and the prophet are at his level and to his right. The pyramid at Austrått There is an inscription in Latin over the main door, inside the gallery: With God's help Ove Bjelke has committed to preserve this edifice for his heirs.
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