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18 Sentences With "made dirty"

How to use made dirty in a sentence? Find typical usage patterns (collocations)/phrases/context for "made dirty" and check conjugation/comparative form for "made dirty". Mastering all the usages of "made dirty" from sentence examples published by news publications.

The manager he hired made dirty jokes about the bodies of female customers who walked in and shopped.
We've all made dirty jokes about Disney's innocent cartoons, but soon we might have Cards Against Humanity to help us.
The "magicians" of the country's Federal Security Service (FSB), a successor agency to the KGB, regularly made dirty samples disappear and clean ones appear.
The janitor who returns each night to make clean what will only be made dirty tomorrow; the homemaker who cooks one meal, only to do it again in a few hours.
Mr Basha also alleges that during the election campaign three years ago Edi Rama, Albania's Socialist prime minister, made dirty deals with local mafiosi in order to deliver votes; now, he thinks, Mr Rama is in hock to them.
The Beguiled (June 23) Before Clint Eastwood and director Don Siegel made Dirty Harry, they collaborated on the 1971 film The Beguiled: Set during the Civil War, Eastwood played a wounded Union soldier seeking shelter in a girls' boarding school in the South, his presence causing a stir among the repressed young women.
Retrieved 2011-11-20. Other reviewers also played up the zeitgeist angle of the film, including Screen Daily's Mark Adams who said that Dad Made Dirty Movies "does a great job in capturing the feel of the era," adding that "fans of cult exploitation films of the late 1960s and early 1970s will relish this engagingly balanced delve into the work of Stephen C. Apostolof.", Adams, Mark (2011-06-23). "Review: Dad Made Dirty Movies. screendaily.com. Retrieved 2011-11-20. Tim Elliott of The Age wrote that "Stephen C. Apostolof's life is one of the great postwar American stories, a rollicking tale of rebellion, adventure and female breasts" concluding that "this zesty tribute explores Apostolof's life with suitable scepticism and humour.", Elliott, Tim (2011-09-09). "Review: Dad Made Dirty Movies. smh.com.au.
Dad Made Dirty Movies is a 2011 Bulgarian-German documentary film by Jordan Todorov following Stephen C. Apostolof's life and career. The film premiered at Visions du Réel International Film Festival , East European Picks at Visions du Réel in April 2011 and consists of archive footage as well as interviews with Apostolof's family, friends and associates. The film also includes never before seen archive footage from making of Orgy of the Dead - Apostolof's most well known film. The title Dad Made Dirty Movies comes from a quote by Polly Apostolof, one of Apostolof's daughters.
Dad Made Dirty Movies chronicles Stephen C. Apostolof's rise, from the story of his escape as a refugee from the Soviet occupation of Eastern Europe, to producer and director of sexploitation films in the 1960s and 1970s, his turbulent relationship with infamous Ed Wood and his downfall in the late 1970s with advent of hardcore pornography.
She asks if Chandar feels good he must bring her powder and perfume, may be they like her this way. Sudha was about to touch Chandar's shoulder, he stops her saying the black colour will get on it. Sudha looks at her hand, then says his soul can never be made dirty. She asks him to massage her head, she really want it to.
The documentary is produced by Bulgarian company AGITPROP in association with Filmtank(Hamburg), ZDF and Arte. Pre-production phase took about five years. Principal photography began in New York City in December 2009, and continued in California, Nevada and Arizona in May, 2010. Dad Made Dirty Movies features interviews with Apostolof's children and his third wife Shelley, stars from his films, cult filmmakers, film critics and film historians.
Paulina is dying, and asks Casilda to take the video to Félix. Félix arrives from his trip and as he is about to kill Leonora and Arturo, Casilda shows him the video and he lets them go. On her deathbed, Paulina calls Leonora and Arturo and asks them to reconcile and be happy. Afterward, some men with whom Félix had made dirty businesses surround his house and murder him.
Self-identity and sexual orientation come up, with several of the men being "gay for pay". Personal life challenges such as substance abuse and periods of homelessness are talked about as well. Several were molested as children; some men mention feelings of depression and segregation, such as one interviewee describing using drugs "to deal with the fact that" he's "using intimacy as a commodity". However, others protest the characterization as hurting or being made dirty.
Whenever she takes a bath in the human world, she loses her Misfortune energy and changes to a brighter personality, but will return to normal if made dirty again. She has a habit of nose-picking, which is a tribute to the anime series FLCL, whose eccentric character, Haruko Haruhara, she in some ways resembles. At school (to find any opening Ichiko made), she goes by name Momiji Binbouda (貧保田 紅葉).
Melanie was the whipping girls in her class. Today, she has remained an unattractive, overwhelmed by her boss and her neighbor, a little too sweet and indulgent. Naive and generous, she falls into the trap of her beautiful and wicked cousin Aurore in believing in Prince Charming. Determined to get revenge, Melanie becomes "naughty" and exploits her boss, made dirty tricks to Aurore's friends, and gives "tips" advised everyone, calculated in advance, of course.
No object is actually evolved unless it is made dirty (marked for update) and committed back to the database. In general this means an application with the new schema will not cause evolution, except for new and updated objects. There are utilities that can "crawl" a database slowly evolving all instanced to the latest version by grabbing sets of them, marking them dirty, committing. This is sometimes desired for embedded or real-time systems where performance and space needs to be optimized.
Dirty Country is a peek into the underground phenomenon of raunchy songs, the people who write them, and the fans who have made dirty music such an enduring American tradition. This is the feature directorial debut for Joe Pickett and Nick Prueher, whose credits include The Onion and the Late Show with David Letterman. They are also the founders and hosts of the Found Footage Festival, a national touring comedy show that has brought them to the Just For Laughs Festival in Montreal, The HBO Comedy Festival at Caesars Palace in Las Vegas, and hundreds of sold-out venues across the U.S., Canada, and Europe. Pickett and Prueher's short films, including Gas 'N Fuel and Saving Human Lives, have been featured on the Independent Film Channel and at film festivals across the country.
He notes "It's a genre that I have always heard, I'm an incurable nostalgic... I've never done this kind of music explicitly, as a citation, but I wanted to get closer to a color more 'rock' because I felt the need... I listened to many rock bands like Muse, Editors, Kings Of Leon, Red Hot Chili Peppers, [which was] useful during the development of the songs", to show his "true spirit". The album opens with song "Hey Dio" which is a reflection of current dark period addressed to all, even those who are not faithful Catholics – "laity and believers like me have the same need to find answers in this cultural and political reality made dirty by latent anger, decline of values and "mors tua vita mea" (your death, my life) as a philosophy of life". He considered the song for the opening because it gives the musical direction to the whole album. The song "Dentro l'anima" is dedicated to his daughter Beatrice Maria and in the intro includes her heartbeat, while "Il mondo tra le mani" is dedicated to Martina, daughter of his wife.

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