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166 Sentences With "made a recording"

How to use made a recording in a sentence? Find typical usage patterns (collocations)/phrases/context for "made a recording" and check conjugation/comparative form for "made a recording". Mastering all the usages of "made a recording" from sentence examples published by news publications.

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Padgett made a recording of the composite hymn played in reverse on top of the Enigma theme, and
A person sitting nearby overheard the conversation, made a recording with a cellphone and sent it to the news media.
Some use publicly available audio of Trump, making it appear as if the President made a recording for the PAC.
Joesley Batista, one of the brothers who control JBS, also made a recording of a conversation he had with Temer earlier this year.
One exception was the Original Dixieland Jazz Band, who made a recording in 1917 that was listened to from California to New York.
If you made a recording that was so good that you couldn't tell the difference between the recording and the actual performance, that was the acme.
She made a recording of one of the calls and it was later obtained by a co-worker in 2014 and subsequently spread on social media.
The CNP made a recording of the speech, which a helpful correspondent flagged for me, and you can listen to for yourself here but the big highlights come around minutes 24 and 25.
In her later years, Angelou made a recording of herself reading the poem — her famous husky drawl measured and stately — but here, Williams animates Angelou's words with a charismatic recitation that is all her own.
As recounted in "Women Composers and Music Technology in the United States" (22009), by Elizabeth Hinkle-Turner, Mr. Ussachevsky made a recording of a chamber work by Ms. Anderson but somehow missed a few notes.
Cohen made a recording of a conversation he had with Stephanie Winston Wolkoff, a former adviser to first lady Melania Trump, who expressed concern about the inaugural committee's spending, according to the Wall Street Journal.
Based on the number of times that the song has been sold and played, one would think that the songwriters, without whom no one could have made a recording, would have been compensated fairly and substantially.
Doubtless this reception was due in part to the glowing voice and aura of the soprano Barbara Hannigan, who has sung all performances to date (and has made a recording of the work, for the Winter & Winter label).
When, for example, she made a recording in an underground cistern, Oliveros was utilizing both modes simultaneously in order to immerse herself fully in the reverberating space while building up an expressive and moving interchange between her accordion and her environment.
President Donald TrumpDonald John TrumpFacebook releases audit on conservative bias claims Harry Reid: 'Decriminalizing border crossings is not something that should be at the top of the list' Recessions happen when presidents overlook key problems MORE's legal team has admitted that his former personal attorney, Michael Cohen, secretly made a recording of a conversation in which both men discussed making payments to a former Playboy model who claims to have had an affair with Trump.
Simon Preston made a recording in 1986 with James Levine conducting the Berlin Philharmonic Orchestra for Deutsche Grammophon.
The Columbia Quartet made a recording in January 1913 on Columbia Records.Columbia Quartet-11-20, The Internet Archive. Accessed 2009-07-31.
Eugene Ormandy and the Philadelphia Orchestra gave the work its Western premiere on 16 February 1962 and made a recording shortly afterwards for CBS.
His daughter, Tania, made a recording in approximately 1984 (Waikiki Tamure) only on cassette tape, in his makeshift garage/recording studio in Mt Roskill, Auckland.
Gershwin was present at the recording sessions. Continuing in this vein, Tibbett made a recording of Jerome Kern and Oscar Hammerstein II's song Ol' Man River from Show Boat.
While touring to support the album in 2019, Hootie & the Blowfish made a recording of R.E.M's "Losing My Religion" and added it to digital copies of Imperfect Circle in 2020.
From 10 to 13 June 1955 Villa-Lobos made a recording of this symphony at the Salle de la Mutualité in Paris with the Orchestre National de la Radiodiffusion Française.
77–78 In November 1916, she reappeared with the RPO to sing Mozart's 'Non piu di fiori' from La clemenza di Tito.Elkin 1946, p. 144 She made a recording of the Clemenza item.
Gitte made a recording of "When You're Young and in Love" on 23 October 1964. The song has also been recorded by Donny and Marie - as "(When You're) Young and in Love" - and The Jets for their 1987 album Magic.
The couple married in August that year. They made a recording released in 2003, and toured Europe with the Oslo Philharmonic, including a concert of The Proms at the Royal Albert Hall on 30 August 2004. They divorced in 2006.
In 1921 she made a recording for the Victor Talking Machine Company.Discography of American Historical Recordings, "Devora Nadworney (vocalist : soprano vocal)". Nadworney had the distinction of being the first singer heard over a radio network in the United States, in 1928.
Woody Herman and The King Cole Trio, with Irving Ashby, Joe Comfort and Gene Orloff, made a recording of "Mule Train" on November 7, 1949 in New York City, as well as the track "My Baby Just Cares For Me", which were both released by Capitol Records as a single, catalog number 787, which gave label credit to Herman for "Mule Train" and to the trio for "My Baby Just Cares For Me". Burl Ives recorded a version of the song in the 1950s, featuring the snapping of the whips, and yells. Gordon MacRae made a recording on October 21, 1949, which was released by Capitol Records in the United States as the flip side of the single "Dear Hearts and Gentle People" (which he also recorded on October 21, 1949). Les Welch and his Orchestra made a recording in Australia in February, 1950, which was released by Pacific Records (in Australia).
Owens made a recording of the song on August 28, 1934. The recording was not a success. Eddy Arnold recorded it in 1944 and again in 1955; both recordings were extremely successful. Tex Owens wrote over 100 songs, but this one was far and away his biggest success.
He subsequently made a recording for EMI on two LP discs. The work has been recorded on CD by Raymond Clarke, Murray McLachlan and James Willshire as well as by the composer. It was streamed live by Igor Levit on 20 April 2020 as one of his Hauskonzerte.
The popular anthem was recorded often. On the occasion of the bicentenary of Mendelssohn's birth in 2009, Carus-Verlag made a recording of his complete sacred music in twelve volumes. The psalm setting is performed on vol. 5 by the Kammerchor Stuttgart, conducted by Frieder Bernius and recorded in 1996.
Kenny Countie met LaBarre via a personal ad in 2006 when he was 24. He moved in with her shortly after meeting her. Countie was described as having a low IQ and "child like" trust. LaBarre made a recording of him vomiting whilst she accused him of being a pedophile.
During this period, she made a recording, entitled Flora e M.P.M., in which she sang bossa nova standards of the day by Carlos Lyra and Roberto Menescal.Mark Holston, "The Queen of Fusion Returns", Americas (magazine) Volume 53. Issue 4, July 2001, p. 60. Copyright 2001 Organization of American States; Copyright 2002 Gale Group.
He composed music for BBC television productions of Shakespeare plays, including The Good Old Days. He appeared as a lutenist in the 1971 film, Mary Queen of Scots. He also made a recording of a Vivaldi mandolin concerto for a part live-action, part animated film Looney Tunes Back in Action (2003).
He was also music director of the Bergen Philharmonic Orchestra from 1985 until 1990. He is the son-in-law of conductor Victor de Sabata and has made a recording of de Sabata's compositions for the Hyperion record label. In 1971, he recorded Donizetti's Maria Stuarda and Verdi's La traviata, both with Beverly Sills.
CBC JazzImage also made a recording of the composition that same year, featuring the New York Saxophone Quartet. After the sudden death of Gerald Danovitch from cancer in 1997, Newman and Kestenberg formed the Phoenix Saxophone Quartet. They broadcast a tribute to Danovitch on 8 January 1999 on the CBC Radio 2 program "In Performance".
He joined his International Orchestra of San Diego with the Pro-Musica Ensenada Choir and the Convivium Musicum Choir of Mexico and produced Mozart's Requiem, Vivaldi's Gloria and made a recording of Haydn's Seasons. He worked with the International University Orchestra of San Diego until September 10, 1990, when he died from a heart attack.
Rollins and Witts, pp. 13–20 Lytton later used the song "My Cosy Corner" from the show in his music hall acts with much success, and made a recording of it.Jones, p. 96 Kern's song "How'd You Like to Spoon with Me?" was interpolated into the New York production, and it also became a hit.
They made a recording for Pickwick of the Tchaikovsky and Arensky piano trios. He also recorded for Decca, Philips, Altarus Records, Carlton, BBC, and other labels. Solomon worked as musical advisor on television and several films. He gave 300 hours of tuition to Navin Chowdhry to mime playing a musical prodigy in Madame Sousatzka (1988).
The concerto was premiered on December 6, 1940, by the Philadelphia Orchestra conducted by Leopold Stokowski with Louis Krasner as the soloist (Krasner had previously given the premiere of the Violin Concerto by Schoenberg's pupil, Alban Berg). Krasner later made a recording of the concerto, with Dimitri Mitropoulos and the New York Philharmonic Orchestra.
In 1985, the London Symphony Orchestra made a recording of the music from The Wild Geese, again at CTS Studio. Budd's other solo albums include Live at Newport, Everything is Coming Up Roses, and Have a Jazzy Christmas. Budd's last work was a symphonic score for the 1925 silent film The Phantom of the Opera.
Khotkevych Bandurist Capella Sydney, Australia, 1968. At the end of the war, in September 1948, Bazhul migrated to Australia. Note: Protea arrived in Melbourne on 25 September 1948. He performed solo at various community functions and ethnic festivals. He established a bandura ensemble in 1958 which toured Australia and made a recording in 1961, when it disbanded.
"I'm in Love" is a song credited to Lennon–McCartney and possibly written by John Lennon. In 1963 the English Merseybeat band the Fourmost made a recording of the song at the EMI Studios, produced by George Martin. John Lennon said, in 1971, “Me — I wrote it for the Fourmost.” He seemed less definite in his 1980 Playboy interview.
The lutenist Lynda Sayce has recorded a disc of works by John Johnson and his son. Two pieces "Pavan" and "Gaillard" have been recorded by Julian Bream and John Williams.Julian Bream and John Williams together - The ultimate collection. RCA Victor Christopher Wilson (lutenist) and Shirley Rumsey have made a recording on the Naxos label of John Johnson's lute music.
He frequently gave concerts on the Silbermann organ of the church there and also made a recording in the series "Bach's Organ Works on Silbermann Organs". The concert tradition founded by him is successfully continued under the direction of the present cross organist Holger Gehring. That is why this organ is one of the most famous organs in Saxony.
Dienes was appointed Director of Music St Mary's, Warwick, in 2001 where she directed and trained the choir of gentlemen and boys, the girls' choir, and Collegium, an adult concert choir based at the church. With the choirs of St Mary's she made a recording of Advent and Christmas music, A Spotless Rose, on Regent Records (REG CD 236).
Away from Broadway, Broske was seen in The Sultan of Sulu (1905–1906), A Waltz Dream (1909), Her Left Shoulder (1912), and Get Off My Carpet (1918). She and her second husband toured as a vaudeville act titled "International Stars of Song." In 1916, Broske made a recording for Victor."Octavia Broske", Discography of American Historical Recordings.
It included the earliest recordings of later popular tracks such as "Do You Sleep?," "Snow Day," "Train Songs," and "It's Over." Loeb sold the violet-colored cassette to fans at gigs and sent it to music industry promoters. Loeb and her band also made a recording of her song "Stay (I Missed You)" during the same time.
With Elgar present, it received its first public performance on 21 March 1919 in Aeolian Hall, with Reed and Landon Ronald.Jerrold N. Moore, Edward Elgar. A Creative Life, Oxford 1984, pp. 738-9. Albert Sammons and William Murdoch were the sonata's greatest champions in the early years,Classical Archives and they made a recording on 2 February 1935.
At the time Small island, Tat Ming Pair and Beyond made a recording together. Small island was scheduled to go to a July 1986 Pan-Asian Music Festival in Taipei, and Beyond was added to the schedule. Beyond was well liked and they joined another festival that same year. They would then sign with Kinn's Music record company.
Juan F. Acosta died in 1968 and is buried in Quebradillas. According to his wishes, his family planted a pine tree by his grave. Over 300 of Acosta's musical compositions are safeguarded in the Institute of Puerto Rican Culture. In the 1960s, the Institute made a recording of 12 of Acosta's greatest compositions, interpreted in piano by Elsa Rivera Salgado (1908–1998).
Al even made a recording of her performance, despite Ruby's protests. She later said farewell and vanished, never to be seen again. His theory is that Ruby was an agent sent back from a future time to attract jazz trombonist and nuclear researcher (and possible renegade from the future world) Joel Kurzenknabe. That accomplished, she will return to her own time.
Cole performed it on television in 1957 for The Nat King Cole Show. Harry Belafonte made a recording of the song in 1949 with jazz saxophonist Zoot Sims. This was one of Belafonte's first recordings. Sims' performance was parodied on December 10, 1977, on The Muppet Show by Zoot from Dr. Teeth and The Electric Mayhem, the character he inspired.
In 1933 Cohen organised a concert in his honour under the patronage of the King and Queen. Undoubtedly Elgar doted on Cohen and closely followed her career, giving her constant support. Under Elgar's direction she made a recording of his Piano Quintet with the Stratton String Quartet. Elgar had only sketched it but he gave the short score to Harriet for the recording.
Piranio 1999, p. 189.SHINE A LIGHT: THE ART OF BRUCE CONNER-Artfourm International Conner made a recording from the first, second, and fourth movements and added the music to the completed image track. He was unsure how to clear the rights to the music and used the recording without authorization. He completed the film on a budget of $350 ().
In the book, Faking It: The Quest for Authenticity in Popular Music, the song "T.B. Blues" is presented as one of the first truly autobiographical songs. On May 28, 2010, Slim Bryant, the last surviving singer to have made a recording with Rodgers, died at the age of 101. The pair recorded Bryant's song "Mother, the Queen of My Heart" in 1932.
Homero and Candelario made local performances throughout Monterrey, Linares, and southern Texas. The band subsequently added Lupe Tijerina. Guerrero and Tijerina made a recording in 1974 with of corrido composed by Lupe Tijerina called "Los Dos Amigos". The band subsequently began touring across Mexico and the southwestern United States, as well as places such as Chicago and Los Angeles with large Mexican communities.
While in Europe, Gurowitsch played Eugen d'Albert's cello concerto, with the composer himself accompanying her on piano. She made her American debut in 1910, with the New York Symphony Orchestra, under conductor Walter Damrosch. In 1913 she made a recording of the Kol Nidre, and headlined a "Russian Music Carnival" at Carnegie Hall. In 1914, she toured on the lyceum circuit with baritone Marcus A. Kellerman.
Dickinson also made a recording with Pete (Sonic Boom) Kember of Spacemen 3. "Indian Giver" was released in 2008 by Birdman Records under the name of Spectrum Meets Captain Memphis, with Captain Memphis, obviously, referring to Dickinson. In 2003, Dickinson briefly appeared in The Road to Memphis, part of Martin Scorsese's television production The Blues. In 2007 Dickinson played with the Memphis-based rock band Snake Eyes.
In 1941 she went on the road with jazz violinist Joe Venuti. In 1942 she was working freelance in Chicago when she made a recording with Stuff Smith. In 1945 Osborne headlined a performance with Dizzy Gillespie, Art Tatum, Coleman Hawkins, and Thelonious Monk in Philadelphia, to reviews and audiences that praised her specifically. Osborne, Tatum, and Hawkins went on to record in concert in New Orleans.
In 2012, T.J. began working at Weenie World to take Ann Eiffel down. She fired him on January 5, 2013 after he made a recording of Eiffel saying she cons people. He made a second recording in the process of being fired that had Eiffel saying that she took credit for all his sales. He saved both recordings despite Eiffel attempting to delete them.
She first went to England in 1909, and in 1915, she married Alexander Fachiri, an English barrister living in London. By 1924, she had played in public in Hungary, Austria, Germany, Italy, France and the Netherlands, as well as appearing regularly at London concerts. Adila Fachiri made a recording of the Beethoven 10th violin sonata with Donald Tovey.National Gramophonic Society, 78rpm record nos. 114-117.
The Everlys signed and made a recording in February 1957. "Bye Bye Love" had been rejected by 30 other acts. Their record reached No. 2 on the pop charts, behind Elvis Presley's "(Let Me Be Your) Teddy Bear", and No. 1 on the country and No. 5 on the R&B; charts. The song, by Felice and Boudleaux Bryant, became the Everly Brothers' first million-seller.
Reid's roles recorded with D'Oyly Carte included Fitzbattleaxe in Utopia (1976), Ernest Dummkopf in The Grand Duke (1976), Marco in The Gondoliers (1977), Aesculapius Carboy in The Zoo (1978), and Leonard Meryll in Yeomen (1979). He also participated in the D'Oyly Carte: The Last Night recording in 1982."Meston Reid Discography", CastAlbums.org, accessed 17 November 2015 In 1989 he made a recording of traditional Scottish songs.
"Sometimes I'm Happy" is a popular song. The music was written by Vincent Youmans, the lyrics by Irving Caesar. The song was published in 1927 and introduced in the Broadway musical Hit the Deck, starring Stanley Holloway, and opened in April 1927. The song was performed in the musical by Charles King and Louise Groody, who also made a recording for Victor Records, catalog number 20609.
He made a recording of the chanting and had engineers at MIT confirm the phenomenon, which is known as overtone singing.NPR story of recording and MIT analysis The recording was originally released as an LP on Anthology Records. In 2005 the master tapes were digitized for a CD on the GemsTone label. Royalties from sales of the CD go to the Gyuto Tantric University in India.
"Downhearted Blues" is a blues song composed by American jazz singer Alberta Hunter and musician Lovie Austin. The first line sets the theme for the song: "Gee but it's hard to love someone when that someone don't love you." Hunter sang it during her engagement at the Dreamland Cafe, in Chicago, where she performed with Joe "King" Oliver's band. She made a recording of the song in 1922.
Les Éditions Musicales de la Librairie de France, Paris, 1925. The symphonic fragments from the full score were first recorded in 1928 with the composer conducting (his only recording). Walter Straram and his Orchestre des Concerts Straram made a recording for Columbia in March 1930. Arturo Toscanini and the NBC Symphony Orchestra performed this orchestral suite during a broadcast concert in NBC Studio 8-H on 7 April 1946.
Teresa Brewer recorded several renditions of the song during her career. In addition to the London version, the Coral label made a recording for their catalog, which had a larger orchestral arrangement, faster tempo, and stronger beat. When she moved to the Philips label in 1962, Brewer made a new recording in Nashville. In 1973, she recorded a rendition with a strong rock and roll beat on the Amsterdam label.
After the batanga fell out of fashion, Moré was contracted by Radio Progreso with the orchestra of Ernesto Duarte Brito. In addition to the radio, he also performed at dances, cabarets and parties. When he sang in Havana's Centro Gallego, people filled the sidewalks and the gardens of the Capitolio to hear him. In 1952, Moré made a recording with the Orquesta Aragón with whom he would perform in dance halls.
In New York, Duffy was left apologising to an audience after briefly bursting into tears. She stated to the audience that this happens in one out of every 15 of her shows when she feels exposed for reasons she does not fully understand. Duffy also made a recording for British broadcaster BBC, performing at the LSO St. Luke's. The performance was televised in 2009 on the British television station BBC One.
In 1983, Sahm and Meyers signed with the Swedish Sonet label and made several extensive European tours, which revitalized their careers. The single "Meet Me in Stockholm" from their Midnight Sun LP went platinum and was one of the biggest-selling records ever in Scandinavia. After an accident in 1985, Sahm moved to Canada. Doug Sahm made a recording for Alberta label Stoney Plains Records in 1987, just outside Edmonton.
In the next decade, she performed regularly with many of the world's finest conductors (Walter, Reiner, Stokowski, Rodzinski, Ehrling) and orchestras. She went on extensive European tours and was quite popular in Scandinavia. Finnish composer Jean Sibelius greatly admired her interpretation of his concerto, of which she made a recording in 1952 for the Capitol label. She also made a number of recordings for HMV, Mercury and Philips.
She has made a recording of her children songs ("El Planeta Sonoro"), for the benefit of Aldeas Infantiles SOS, the international orphans organization. Mariana is also the creator of healing spaces through individual and group singing ("Sonando y Sanando", "Afinando el Instrumento"). She has done workshops for actors, dancers, therapists, musicians and educators, as much in Uruguay as in Spain. She also has created many educational music programs for children.
Curious to hear what this work of juvenilia sounded like, Stockhausen offered the Drei Lieder, which were performed for the first time, sung by Brigitte Fassbaender, on 21 October 1971 under the composer's baton. Stockhausen conducted further performances in Rome in 1973 and with the Berlin Philharmonic in 1975, and made a recording for the SWR in the same year with Sylvia Anderson, mezzo-soprano, and the SWR Symphony Orchestra (; ).
Jules, a young man, is a motorcycle courier for RCA in Paris, and an enthusiastic fan of classical music and opera. Jules is a particular fan of Cynthia Hawkins, a beautiful American opera singer, who only performs live and has never made a recording, studio or otherwise. One day, Jules secretly records a Cynthia Hawkins concert. He shares the tape with his friend Alba, a precocious teenage beauty.
Two manual harpsichord in the English style, fully restored to near-original condition (repairs to internal bracing and soundboard) by Laurie Leigh Antiques. Straight tapering piano-style legs were added in 1830. Photographs of this instrument are located at.Laurie Leigh Antiques David Leigh has made a recording on CD of two Bach works played on this instrument, in the album Harpsichords: Historic, Rare and Unique Volume 2 – Tenducci's Harpsichord.
Morgan was not the only vocalist in her family. Three of her brothers were also singers. From top: Dick, Duke and Charlie with Jaye P., for a 1959 appearance on The Jimmy Dean Show. In 1950, a year after her graduation from high school, Morgan made a recording of "Life Is Just a Bowl of Cherries" issued by Derby Records, which made it to #26 on the U.S. Billboard record chart.
The York Brothers entitled one of their songs "Hillbilly Rose" and the Delmore Brothers followed with their song "Hillbilly Boogie". In 1927, the Gennett studios in Richmond, Indiana, made a recording of black fiddler Jim Booker. The recordings were labeled "made for Hillbilly" in the Gennett files and were marketed to a white audience. Columbia Records had much success with the "Hill Billies" featuring Al Hopkins and Fiddlin' Charlie Bowman.
He was the brother of Henri Casadesus, uncle of the famed pianist Robert Casadesus, and grand-uncle to Jean Casadesus. Marius Casadesus achieved perhaps his greatest fame (or notoriety) through his association with the Adélaïde Concerto attributed to Mozart. This concerto was published in 1933 in a piano transcription under Mozart's name, with Casadesus as "editor." Many music scholars believed in its authenticity, and Yehudi Menuhin made a recording of the concerto.
During a concert in Cleveland, Duffy accidentally set the left side of her hair on fire. In New York, Duffy was left apologising to an audience after briefly crying. She explained to the audience that this happens in one out of every 15 of her shows when she feels exposed for reasons she does not fully understand. Duffy also made a recording for British broadcaster BBC, performing at the LSO St. Luke's.
Now Vance has to show how Charles murdered the Canary in order to free Jimmy. He is able to prove that the Canary was dead before Spotswoode left her apartment that night. Spotswoode had made a recording (Vance speculates it was Spotswoode himself pretending to be the woman) to fool a stuttering witness into believing the Canary was alive after her death. The recording is found in the apartment, and Jimmy is released.
He was also an outstanding high school baseball player and formed a singing group, the El Reys, which made a recording and was popular with Pittsburgh teens. He was also an outstanding high school baseball player. Then when he was 14, when he was listening to Cannonball Adderley With Strings. He was so inspired, he picked up the alto saxophone and within two years many people say that he was playing professionally.
He released his second album, Pishimuss ("Little Moon" or "December"), in 2004. After two years of "rediscovering his talent", McKenzie made a recording comeback in 2009 with the album Inniu ("He Lives") with Montreal producer François Lesage who offered McKenzie to record this album with his ex-partner of the group Kashtin, Florent Vollant. Lesage also helped McKenzie to write the only French song of the album, "Nous". There is also an English song, "Away".
Chetrit (2004) The penetration of Muzika Mizrahit into the Israeli mainstream was the result of pressure by Mizrahi composers and producers such as Avihu Medina, the overwhelming, undeniable popularity of the style, and the gradual adoption of elements of Muzika Mizrahit by popular Israeli artists. Yardena Arazi, one of Israel's most popular stars, made a recording in 1989 called "Dimion Mizrahi" (Eastern Imagination), and included original materials and some canonical Israeli songs.
In 1993, Lulu made a recording comeback with the single "Independence", which reached no. 11 in the UK Singles Chart. This was the title track from the Independence album; all four singles released from this album reached the lower ends of the UK charts, as did two later singles released in 1994. Her second single after "Independence" was "I'm Back for More", a duet with soul singer Bobby Womack, which charted at no. 27.
Harper, C., pp. 16–43 (Chapter: London: the first days) There, he met the engineer and producer Bill Leader, at whose home they made a recording of Jansch's music on a reel-to-reel tape recorder. Leader sold the tape for £100 to Transatlantic Records, who produced an album directly from it.See sleeve notes of the CD re- release of the album The album Bert Jansch was released in 1965, and went on to sell 150,000 copies.
Grant's recording featured a female chorus, heard in the intro and outro of the song, sliding up and down, impersonating the sound of the wayward wind. In 1961, Grant's recording was reissued and reached Billboard No. 50 and Cash Box No. 78. That same year, Patsy Cline made a recording, which did not chart. In 1963, a new recording was made by Frank Ifield, which reached No. 1 on the UK Singles Chart for three weeks duration.
During the 1970s, Doráti and the orchestra, under contract with Decca Records, made a recording of the complete cycle of Joseph Haydn's symphonies; only one other ensemble, the Austro-Hungarian Haydn Orchestra, conducted by Ádám Fischer, has since repeated this feat. Doráti's recording has been widely reported as a world-first. However, this was not the case. Ernst Märzendorfer earlier recorded the complete Haydn symphonies with the Vienna Chamber Orchestra, although it was given a very limited release.
In 1938 Mignon Nevada made a recording of "Le Soir", a song by Ambroise Thomas which had been given its premiere by her mother. This is the only recording which she is known to have made. It was first issued on a 12-inch 78 rpm record (International Record Collector's Club 118) with a spoken introduction by her mother and reissued on LP ca. 1965 on the same label as part of a compilation (cat. no.
At the age of 9, an uncle bought her a four- stringed guitar, then at the age of 11 she started with a Japanese six- stringed guitar. Gina Stile got into a band with her sister when she was 13, Revelation.Meister's "Views of the Cruise" – Volume #3 – Heavy Metal Maidens of the Voyage At that time, a studio made a recording and played it for Dee Snider. Snider played it for Twisted Sister's management, and they signed the band.
She recorded Aida with Riccardo Muti in July and made a recording of duets with Giuseppe Di Stefano in August. In September 1974, she underwent major surgery to remove a large benign mass from her abdomen. She recovered and was performing again on stage by early 1975. In 1976 Caballé appeared at the Met once again as Norma and sang her first Aida in that house, alongside Robert Nagy as Radamès and Marilyn Horne as Amneris.
The heartwarming tale, written in just three days in 1939, is about a small boy's adjustment to being an angel in heaven and his gift to the holy infant. The beloved and enduring Christmas story has been reprinted countless times and translated into many languages.Des Moines Register, Famous Iowans Loretta Young made a recording of the story for Decca records released in 1950.Loretta Young recording The TV version starred Johnny Whitaker, Fred Gwynne and John McGiver.
He then studied in London with George Malcolm, a pioneer in the use of period keyboard instruments; Schiff made a recording with Malcolm of four-hand music by Mozart using a fortepiano that once belonged to the composer. He also studied piano and chamber music with György Kurtág. Schiff was fourth prize winner of the Tchaikovsky International Piano Competition in 1974 and third prize winner of the Leeds International Pianoforte Competition in 1975. He emigrated from Hungary in 1979.
She performed in local pantomime, notably in Blackpool, performing as "Mona Vivian and her Blackpool Wavelets", where she sang of leaving half her tights on the flying trapeze, and swayed her hips in imitation of Mae West, saying "Say, don't anybody recognise the motions". She would tell a member of the orchestra that his name must be Nero because "I'm burning up - while he's fiddling". In 1921 she made a recording with the London Hipprodrome Orchestra.
Morley's mentor at this time was the pianist Eddie Taylor. Morley continued to play saxophone in British dance bands during the period of World War II, joining the Oscar Rabin Band as lead alto in 1941, at age 17. With this band, Morley began writing arrangements for pay and made a recording debut with the tracks "Waiting for Sally" and "Love in Bloom". Morley later joined Geraldo's band, which performed for BBC Radio several times a week, in 1942.
In 1977, Gregory Rose directed Singcircle in a performance of Stockhausen's Stimmung at the Round House – the first performances of the work outside the original ensemble, the Collegium Vocales of Cologne. Subsequently Singcircle made a recording of that performance on the Hyperion Label.Stockhausen Stimmung – Singcircle/Gregory Rose In 1978, they performed at the BBC Promenade concerts in the Royal Albert Hall. In 1985, Singcircle performed this work at the Barbican Centre with Karlheinz Stockhausen himself at the mixing desk.
Bunny Berigan, a trumpeter with Benny Goodman and Tommy Dorsey, started a band in 1937 and chose "I Can't Get Started" as his theme song. He had been performing the song during the previous year at a club in New York City. He made a recording for Vocalion on April 13, 1936 but gradually he made subtle changes in the arrangement. After forming his band, he recorded "I Can't Get Started" again, this time for Victor.
She appeared with two, sometimes four, African American boys who would add dances and comedy to her songs. Two of the boys, both then under ten years old, Irving "Sneeze" Williams and Sonny Jones went on to have their own careers as musicians. She has been said to be the first Black woman to make a recording. On 24 January 1902 she made a recording of "The Honeysuckle and the Bee" under the name of "Belle Davis and her Piccaninnies".
He was studying with Jacques Rouvier, Christian Ivaldi, Bruno Rigutto, Jean Koerner and Anne Grappotte. Later, he continued his studies first with Jacques Rouvier and then Bruno Rigutto, during which time he was awarded a scholarship by the Meyer Foundation for cultural and artistic development, and made a recording of works by early twentieth-century composers. For this project he received the advice of Pierre Boulez. He has also taken masterclasses with Dimitri Bashkirov, Idil Biret, John O'Conor and Oxana Yablonskaya.
The singer describes himself as being from the land "where the lemon tree blooms yellow" and looks "far away in the distance, where the sun shines brighter" to the village where he was born. Most versions of the song end with the line "long live Serbia!". In April 1917, a Serbian American group named Tamburaško Pevačko Društvo made a recording of the song. Towards the end of World War I, the Serbian Army retook Serbia from Austria-Hungary and Bulgaria.
Kabalevsky wrote for all musical genres and was consistently faithful to the ideals of socialist realism. Kabalevsky frequently travelled overseas; he was a member of the Soviet Committee for the Defense of Peace as well as a representative for the Promotion of Friendship between the Soviet Union and foreign countries. In 1961, Kabalevsky made a recording of his Overture Pathetique, Spring, and Songs of Morning, in which he conducted. It was released in the U.S. in 1975 on the Westminster Gold label.
At its peak the show was being watched by 16 million viewers and Aston was receiving over 100 fan mail letters every week. She has made many personal appearances and became a comic-book character nicknamed "The Hostess With The Mostess". In October, 1974 she made a recording called I Can’t Stop Myself From Loving You Babe on PYE records 7N 45403-A, produced by Martin Rushent,I can't stop myself from loving you babe - Anne Aston www.discogs.com Retrieved 4 July 2020.
Despite his leap to fame, Béart's singing career was soon swamped by the rising tide of American rock and roll. However, reinventing himself as a host of a television show featuring musical stars from a variety of genres, he remained in the public eye and eventually made a recording comeback. Michel Bourdais in July 1966 during the TV shows Bienvenue chez Guy Béart . In 1963 he and his wife, Geneviève Galea, had a daughter, Emmanuelle, who would grow up to be an actress.
From 1989 to 1995, Botkin studied with Martin Canin at the Bowdoin College. In 1996, he enrolled at the University of Washington, where he was taught by Craig Sheppard. He then moved onto Stanford University, where he studied under Adolph Baller and graduated with a Bachelor of Arts degree. Prior to graduating, Botkin performed with the Stanford Symphony Orchestra, Palo Alto Chamber Orchestra and Palo Alto Philharmonic Orchestra, where he made a recording of the Johann Sebastian Bach's D minor concerto.
Alumnus of the Frederick Chopin Music Academy in Warsaw, in the contrabass class of Professor Andrzej Mysiński. He began his jazz musician career in 1978, in the Kazimierz Jonkisz Quintet, where he played with Krzesimir Dębski, Andrzej Olejniczak and Janusz Skowron. The ensemble, with the same members, made a recording and took part in the 1980 Jazz Jamboree Festival in Warsaw. At the beginning of the 1980s, as a bass player, he was a recipient of an annual Krzysztof Komeda Prize musical scholarship.
At the scene of the crime, where Marsh successfully steals the gems from the thieves who have robbed Dr. Lynbury's home, Ralph catches Marsh and Paulie in the act and Paulie shoots him. Gunfire from the thieves makes Marsh believe they were the ones who shot Ralph. As the police investigate, Kathy discovers that Ralph has secretly made a recording, explaining his suspicions about his wife. Kathy is in love with Marsh, who decides to go to the police and confess.
While there, he studied with Jacob Druckman, Bernard Rands and George Tsontakis. In 1996, Müller won the composition prize at the Aspen Festival (the Jacob Druckman Award for Orchestral Composition). He received decisive encouragement from David Zinman, who made a recording with the Philharmonia Orchestra, London, including "Nachtgesänge" with Swedish mezzo- soprano Malena Ernman, the Cello Concerto (1999), played by Müller's wife, the Taiwanese cellist Pi-Chin Chien and two further orchestral works. Fabian Müller’s works are performed internationally by renowned orchestras and ensembles.
That Certain Feeling is a 1956 American comedy film directed by Norman Panama and Melvin Frank and starring Bob Hope, Eva Marie Saint, and George Sanders.The New York Times The cast also features Pearl Bailey and a young Jerry Mathers. Based on the Broadway play King of Hearts by Jean Kerr, the film includes a song of the same name with music by George Gershwin and lyrics by Ira Gershwin, written in 1925. Bailey was one of many singers who made a recording of it.
Lyrics referring to the United Nations and non-English-speaking countries building their own nuclear arsenals were changed in the Sons of the Pioneers recording, and replaced with blander lyrics about people coming together to end the threat of nuclear war.Wolfe and Akenson, Country Music Goes to War, 2005, p. 116-117. Fred Hellerman made a recording for the Jubilee label, and Ozzie Waters recorded one for Coral (a Decca subsidiary label). Even Bing Crosby was rehearsing a version to be released by Decca Records.
In the meantime, Epstein refrained from telling Best that EMI had made a recording contract with the band (orally since June and in writing at the end of July 1962), which meant that a new drummer was now inevitable. There might have been legal issues had Pete known. Epstein ultimately decided that "If the group was to remain happy, Pete Best must go." Epstein summoned Best to his office and dismissed him on Thursday, 16 August, ten weeks and one day after the first recording session.
In 2014, to celebrate the centenary of Thomas's birth, the British Council Wales undertook a year-long programme of cultural and educational works. Highlights included a touring replica of Thomas's work shed, Sir Peter Blake's exhibition of illustrations based on Under Milk Wood and a 36-hour marathon of readings, which included Michael Sheen and Sir Ian McKellen performing Thomas's work. The Royal Patron of The Dylan Thomas 100 Festival was Charles, Prince of Wales, who made a recording of Fern Hill for the event.
Turdi Akhun (; 1881-1956), sometimes spelled Turdu Ahun,"World Music: Latin and North America, Caribbean, India, Asia and Pacific", by Broughton, Simon, Mark Ellingham, Richard Trillo, pg. 45 was a traditional Uyghur folk musician in the Xinjiang region. He was born into a family with a rich musical history and could perform his music completely from memory, even into his 70s. Prior to his death he, along with Omar Akhun, made a recording of 12 muqams and was recognised as the foremost exponent of this genre.
He was a Piano Fellow at the Tanglewood Music Centre in Massachusetts, assisting James Levine for Kurt Weill's Mahagonny, also appearing onstage as the pianist. He was solo repetiteur at the Deutsche Oper Berlin in 2014 and has since been promoted to Stellvertretender Studienleiter (Deputy Director of Musical Studies). He arranged movements two to five of Gustav Mahler's unfinished Tenth Symphony for piano, based on Deryck Cooke's performing version. In 2008, he made a recording, using the arrangement of the first movement by Ronald Stevenson which is also based on Cooke.
He played a role in the creation of the current form of the well-known folksong "Carrickfergus" which he related to Dominic Behan, who put it in print and made a recording in the mid-1960s. In 1959, he married Welsh actress Siân Phillips, with whom he had two daughters: actress Kate and Patricia. They were divorced in 1979. Phillips later said in two autobiographies that O'Toole had subjected her to mental cruelty, largely fuelled by drinking, and was subject to bouts of extreme jealousy when she finally left him for a younger lover.
Violinist Daniel Hope recorded in 20042004 album East Meets West: East Meets West a performance of Ravel's Tzigane that features a reconstructed luthéal, which Hope describes in a National Public Radio interview as "a cross between a typewriter and an organ that attaches to the strings of a piano" and produces "an amazing sound world."2008 interview: "The Glamorous Life Of Daniel Hope", NPR.org. Violinist Chantal Juillet also made a recording with Pascal Rogé on piano luthéal, found on Ravel: The Complete Editions on Decca Records."Ravel – The Complete Edition: Decca: 4783725", PrestoClassical.co.uk.
The project has its roots in L'Orange Bleue, a New York cafe popular with African expatriates and where Schommer, Siraj, and Shibabaw would congregate. Schommer had grown up immersed in Ethiopian culture: his father had helped establish a university in Ethiopia, and consequently the family home was filled with Ethiopian art and stories. Shibabaw and Siraj had made a recording after they met in 2005. Schommer, Shibabaw, and Siraj discussed an "Abesha MC" concept, with Shibabaw representing traditional Ethiopian styles (see Ethiopiques), and Siraj representing new musical trends.
The author of the song, Elizabeth Garrett, was the daughter of former Lincoln County Sheriff Pat Garrett, the man who killed Billy the Kid. "O Fair New Mexico" was composed and copyrighted in 1915 as a guardia vieja era tango. On March 14, 1917, the New Mexico legislature and then governor Washington E. Lindsey approved the song as the official state song of New Mexico. In 1924, Elizabeth Garret made a recording of the song at Marsh Laboratories in Chicago, released on the Autograph Records label (which was owned by Marsh Laboratories).
Development began over 20 years before the first film's debut, when Ed Warren played a tape of Lorraine Warren's original interview with Carolyn Perron for producer Tony DeRosa-Grund. DeRosa-Grund made a recording of Warren playing back the tape and of their subsequent discussion. At the end of the tape, Warren said to DeRosa-Grund, "If we can't make this into a film I don't know what we can." DeRosa-Grund then described his vision of the film for Ed. DeRosa-Grund wrote the original treatment and titled the project The Conjuring.
His mother worked in the Maplewood music store that his parents owned. Kennedy had two siblings: Tom, who became a bassist; and Wanda, who also became a musician. With his brother, he formed The Ray Kennedy Trio at the age of 13, and they played together, including with their sister as vocalist, for five years. According to a biographer of Ruby Braff, Ray and his brother made a recording together in 1972.Hustad, Thomas P. (2012) Born to Play: The Ruby Braff Discography and Directory of Performances. Scarecrow. p. 604. .
Coralia's charanga featured flutist Edelmiro Pérez, güirist Alfredo Lazo, timbalero Armando Lazo, singer Rubén Cortada, bassist Pepito Seoani, and a violin section with Raúl Valdés, Jesús Lanza, Tomás Reisoto and Enrique Jorrín, who would later join the Maravillas, Orquesta América and in 1951 create the chachachá. Coralia's nephew, bassist Orlando "Cachaíto" López (son of Orestes), began his career in her band. Despite their many live performances and original compositions, the group never made a recording before their dissolution in 1956. Coralia López died in 1993, two years after the passing of her brother Orestes.
With Michael Round he made a recording of the Sonata for two pianos and other works by Bax. Late in his life he was awarded MMus by Bristol University, when they first introduced the degree. Around 1967 he returned to the Victoria Rooms, Clifton, to celebrate the 75th anniversary of his first public recital, as a child, largely reprising the programme he had played at his début. Even later, in 1976, he visited the London Esperanto Club to be interviewed, in Esperanto, on the occasion of his 90th birthday.
It was re-released as Roy Orbison - Authorized Bootleg Collection by Orbison Records in 1999. BBC Radio recorded a performance from the first week of Gracie Fields' first performance, which was broadcast on 5 January 1969, and Philips made a recording of a performance from the second week, with a view to a commercial issue, which Fields later rejected. Her original Philips demonstration disc is now part of a private Gracie collection. The only song not broadcast by the BBC was Fields’ encore of "There'll Always Be an England".
"Hello Little Girl" is the first song written by John Lennon, and credited to the Lennon–McCartney songwriting partnership. According to Lennon, he drew on an old "Thirties or Forties song" that his mother sang to him. Written in 1957, it was used as one of the songs at the Beatles unsuccessful Decca audition in 1962. They recorded a home demo of it, with Stuart Sutcliffe on bass, which is available only on bootleg currently. In 1963, the English Merseybeat band the Fourmost made a recording of the song at EMI Studios (produced by George Martin) and released it as their debut single.
In the 1960s, Rifkin created arrangements for Judy Collins on her albums In My Life and Wildflowers. He performed with the Even Dozen Jug Band (along with David Grisman, Maria Muldaur, Stefan Grossman, and John Sebastian, among others) and made a recording of his humorous re-imaginings of music by Lennon and McCartney in the style of the 18th century, notably Bach, known as The Baroque Beatles Book and recently reissued on CD. In a related vein, Rifkin sang the countertenor solo in the premiere performance of the spoof cantata Iphigenia in Brooklyn by P. D. Q. Bach (Peter Schickele).
He also made a recording of a unique happening by Tadeusz Kantor titled The Dividing Line, which made history in December 1965. Among his most famous photographs there are portraits of Zofia and Krzysztof Komenda in bed at Zakopane's guest house or the young Sławomir Mrożek with his head wrapped in curtains. He photographed the most memorable names in Polish post- war culture. Plewiński recalls the moment when he decided he wanted to be a photographer, while kayaking on vacation, At the time kayaking was a fad and everyone was doing it, including the future pope.
The two songs with this title share only a few words and no music in common, with the Everly Brothers version containing musical motifs recycled from the Steinman song "Out of the Frying Pan (And Into the Fire)". A demo recording of this song, with Rory Dodd singing lead vocals, has for many years been in circulation among fan websites. Steinman also wrote a later incarnation of "A Kiss Is A Terrible Thing To Waste", with partly different music and a partly different lyric. Steinman made a recording of this later incarnation with Gina Taylor, a.k.a.
Guise dancers pictured in the 1970s in St Ives On 5 January 1935, the Madron Guise Dancers performed for the BBC's Regional Programme Western. From the programme's description: > Twelfth Night, for instance, is the last day when one may meet with the > Guise Dancers on their rounds and tonight we may expect a visit from the > people of Madron, near Penzance. In December 1937, the BBC made a recording for the BBC Regional Programme at Landithy Hall in Madron of the plays and music associated with Guise dancing. It was performed by the Madron Guise Dancers.
In the mid-1940s Mezzrow started his own record label, King Jazz Records, featuring himself with groups, usually including Sidney Bechet and often including the trumpeter Oran "Hot Lips" Page. He also played on six recordings by Fats Waller. He appeared at the 1948 Nice Jazz Festival, following which he made his home in France and organized many bands that included French musicians like Claude Luter and visiting Americans, such as Buck Clayton, Peanuts Holland, Jimmy Archey, Kansas Fields and Lionel Hampton. With ex-Basie trumpeter Buck Clayton, he made a recording of the Louis Armstrong's "West End Blues" in Paris in 1953.
Furthermore, Seiffert provided tempi he considered right for the piece, but that were not supported by later research. The Canon was first recorded in 1940 by Arthur Fiedler.Daniel Guss, CD booklet to Pachelbel's Greatest Hit: The Ultimate Canon, BMG Classics (RCA Red Seal) In 1968, the Jean-François Paillard chamber orchestra made a recording of the piece that would change its fortunes significantly. This rendition was done in a more Romantic style, at a significantly slower tempo than it had been played at before, and contained _obbligato_ parts, written by Paillard, that are now closely associated with the piece.
In 2009, Kornazov joined Jean- Marie Machado's "Danzas" band and made a recording with Manu Codjia quintet. Concerts in Paris – New Morning, Sunset. 2010: Creation of a new original project in Sofia «OTNOVO» with Antoni Donchev(piano), Rossen «Roko» Zahariev (trumpet, flugelhorn), Stojan Yankoulov (drums), Georgi Donchev (bass) and concerts in Radio Sofia and Varna International Jazz Fest – Bulgaria. Carte blanche at the festival «Eclats d’émail»- Limoges, France and radio France, where he creates a special international version of «Again» with Alex Sipiagin (trumpet), Dimitar Bodourov (piano), Emile Parisien (sax soprano), Manu Codjia (guitar), Mark Buronfosse (double bass) and Antoine Banville (drums).
Antonio Botta also wrote a number of radio plays and several songs. He teamed up with the composer-musician Francisco Lomuto to write a number of works, such as the song "Si soy así" (loosely, "Yes, that's how I am"), a slinky tangoesque song of celebration addressed to all women, regardless of age or marital status. The composition caught the spirit of the age: the well known tango performer Carlos Gardel made a recording. Another particularly successful collaboration by Botta and Lomuto, albeit with a very different spirit and them, as "La canción del deporte" (loosely, "The song of sports").
In the months before his death in 1959, Buddy Holly made a recording of "Wait 'Till the Sun Shines, Nellie" and other songs now called the "Apartment Tapes", which he was making as notes for himself while chilling in his living room at his home in New York City. Nowadays this cover of "Wait 'Till the Sun Shines, Nellie" by Buddy Holly is at the top of searches on YouTube for this song title. His original recording by himself on guitar can be found. Also the released version which has been remixed with added 'backup singers' and instruments is easy to find and is a longer version.
Musicians associated with Schoenberg have had a profound influence upon contemporary music performance practice in the US (e.g., Louis Krasner, Eugene Lehner and Rudolf Kolisch at the New England Conservatory of Music; Eduard Steuermann and Felix Galimir at the Juilliard School). In Europe, the work of Hans Keller, , and René Leibowitz has had a measurable influence in spreading Schoenberg's musical legacy outside of Germany and Austria. His pupil and assistant Max Deutsch, who later became a professor of music, was also a conductor who made a recording of three "master works" Schoenberg with the Orchestre de la Suisse Romande, released posthumously in late 2013.
"The educational and cultural establishment made every effort to separate the second generation of eastern immigrants from this music, by intense socialization in schools and in the media", wrote the social researcher Sami Shalom Chetrit.Chetrit (2004). The penetration of Muzika Mizrahit into the Israeli establishment was the result of pressure by Mizrahi composers and producers such as Avihu Medina, the overwhelming, undeniable popularity of the style, and the gradual adoption of elements of Muzika Mizrahit by mainstream artists. Yardena Arazi, one of Israel's most popular stars, made a recording in 1989 called "Dimion Mizrahi" (Eastern Imagination), and included original materials and some canonic Israeli songs.
She was born in Cleveland, Ohio, to a wealthy family with New England ties (she was descended on her father's side from Mayflower passengers John Alden and Priscilla Mullens and was a great-grandniece of Union General Nathaniel Prentice Banks, Governor of Massachusetts and Speaker of the U.S. House of Representatives). Raised in Los Angeles from the age of five, she attended St. Vincent's School and Girls' Collegiate High School, studying piano and voice from an early age. As a teenager, she and her mother, who served as one of her early vocal coaches, made a recording for Thomas Edison, singing the Flower Duet from the Delibes opera, Lakmé.
In 2005 Igo issued an album called "Mirkļa liecinieks" ("A Witness of a Moment"). The album "Spēle" ("The Game"), which was issued in 2008 gathers up a 10 years song selection made in various recording studios, and has been supplemented with live concert and familiar song recordings in English. In 2009 Igo presented the album "Ieelpots" ("Breathed In") and a concert programme, which took place in castles and country seat of Latvia. In 2010 Igo made a recording to stories of Michail Zoščenko, and issued an album "Uguns" ("Fire"), where the lyrics have been written by Igo and music have been written by Jānis Strazds.
Released 20 years after the Latin-inspired "The Lonely Bull", this album marks a return to a Hispanic sound. Alpert had wanted to do something to commemorate the 20th anniversary of his first hit, so he traveled to Mexico and made a recording intended solely for the Latin-American market. However, his interest was kindled by the diversity and quality of the local musicians, and he decided to record an entire album there. Additionally, research revealed that his hit "Rise" had not made an impact on his Tijuana Brass fanbase, and he wanted an album that bridged the gap between his more contemporary sound and his previous mariachi-influenced style.
Les cinq doigts is a 1921 piano composition by Igor Stravinsky. Subtitled 8 mélodies très faciles sur 5 notes ("8 very easy melodies on 5 notes"), the work comprises eight short pieces in which the right hand generally plays only five notes, remaining in essentially the same position at the keyboard throughout the work. The movements of the work have these tempo markings: Richard Taruskin has noted that the third section, the "Allegretto", is an arrangement of the Russian folk melody "Kamarinskaya". Stravinsky made a recording of Les cinq doigts for the Brunswick label as part of his first recording contract, signed in 1925.
Prelude, Fugue, and Riffs by Leonard Bernstein was commissioned for Woody Herman's big band, but it was premiered by Goodman. Herman was the dedicatee (1945) and first performer (1946) of Igor Stravinsky's Ebony Concerto, but many years later Stravinsky made another recording with Goodman as the soloist. He made a recording of Mozart's Clarinet Quintet in July 1956 with the Boston Symphony String Quartet at the Berkshire Festival; on the same occasion he recorded Mozart's Clarinet Concerto in A major, K. 622, with the Boston Symphony Orchestra conducted by Charles Munch. He also recorded the clarinet concertos of Weber After forays outside swing, Goodman started a new band in 1953.
He began making critically acclaimed recordings for RCA in 1958. In 1961 he performed with the New York Philharmonic under the baton of Leonard Bernstein, and appearances with conductors such as Copland, Haitink, Leinsdorf, Levine, Mehta, Monteux, Ormandy, Ozawa, Previn, Schwarz and Szell continued throughout his career. Hollander was the only soloist on the World Tour of the Cincinnati Symphony Orchestra with conductor Max Rudolf in 1966 presented by the Department of State. His appearances in Europe began in 1965, when he made a recording in London of Aram Khachaturian's piano concerto and Ernest Bloch's Scherzo Fantasque with the Royal Philharmonic Orchestra and conductor André Previn.
Her first appearance in the title role in Arabella was at the Houston Grand Opera in 1977, followed by the roles of the Marschallin in Der Rosenkavalier and the Countess in Capriccio. Many performances were given under the baton of Georg Solti and it was with him that in 1981 she made a recording of The Marriage of Figaro. In later parts of her career, her appearances onstage became infrequent, although she remained busy as a concert singer. She appeared in performances in Samuel Barber's Vanessa in Monte Carlo (televised in 2001), with the Washington National Opera (2002), and the Los Angeles Opera in November to December 2004.
The original manuscripts of his compositions were donated to CHOMBEC (Centre for the History of Music in Britain, the Empire and the Commonwealth) and the archives of Bristol University. There are many items, including a large number of Esperanto songs, over 30 of which, by his own account, he composed. During the First World War he was imprisoned as a conscientious objector, and learned Esperanto with the help of fellow-prisoner Henry Montagu Butler. He dedicated much time to the language and spoke it well; in 1965 he made a recording of some of the Esperanto songs with the well-known mezzo- soprano Sybil Michelow.
His friend Duke Ellington recalled Eckstine's artistry in his 1973 autobiography Music is My Mistress: > Eckstine-style love songs opened new lines of communication for the man in > the man-woman merry-go-round, and blues a la B were the essence of cool. > When he made a recording of "Caravan", I was happy and honored to watch one > of our tunes help take him into the stratosphere of universal acclaim. And, > of course, he hasn't looked back since. A remarkable artist, the sonorous B. > ... His style and technique have been extensively copied by some of the > neocommercial singers, but despite their efforts he remains out front to > show how and what should have been done.
Beaver & Krause, individually or as a team, went on to sell Moog IIIs to musicians and perform on their recordings with the instrument. In November 1968 Krause was asked by George Harrison to demonstrate the synthesizer after performing on a session for Apple artist Jackie Lomax in Los Angeles. According to Krause, without his knowledge, permission, or compensation, Harrison made a recording of the demonstration and issued an unauthorized version as "No Time Or Space" on his Electronic Sound album the following year.Into A Wild Sanctuary, Krause 1998, Heyday Books Because of their studio work in Hollywood, New York City, and London, Beaver & Krause are credited with helping to introduce the synthesizer to pop music and film.
Faber & Faber Ltd, London, 1996. The ballet was designed to show off the brilliance and style of Markova and the elevation and technical skill of Idzikowsky.Programme note for Sadler’s Wells Royal Ballet Christmas season at Sadler’s Wells Theatre, 25 September to 6 October 1984. Order of numbers: # Entrée des Promeneurs (company) # Pas de quatre: (four girls) # Male Variation # Adage des Amoureux (two leads) # Pas de trois (girl and two boys) # Female Variation # Pas de six: (six boys) # Sortie des Promeneurs (company) The Sadler's Well Orchestra, conducted by Charles Mackerras made a recording of the music in July 1950 at Abbey Road studios, but due to the standard of playing it was not published.
Nicks wrote "I Don't Want to Know" much earlier than the Rumours sessions, when she and Lindsey Buckingham were performing as the duo Buckingham Nicks, prior to joining Fleetwood Mac. The other members of Fleetwood Mac decided to use the song as a replacement for a song Nicks had written for Rumours, "Silver Springs," when they found that "Silver Springs" would not fit on the album. The other four band members made a recording of the song without Nicks late in the Rumours recording sessions. Buckingham was able to sing Nicks' lead vocal on this version as well as the harmony vocals because he knew the song from their Buckingham Nicks days.
"Till the End of Time" is a popular song written by lyricist Buddy Kaye and composer Ted Mossman and published in 1945. The melody is based on Frédéric Chopin's Polonaise in A flat major, Op. 53, the "Polonaise héroique". A number of recordings of the song were made in 1945. The biggest hit was by Perry Como; another version by Dick Haymes also charted; the Les Brown orchestra, with vocalist Doris Day, and Ginny Simms also made a recording of the song. It featured prominently in the 1946 film of the same name. The Perry Como recording was made on July 3, 1945 with the orchestra of Russ Case, and released by RCA Victor as catalog number 20-1709.
Enescu's pupil Yehudi Menuhin made a recording in 1936 with his sister Hephzibah Menuhin on piano, and the composer himself recorded the work twice as a violinist, in 1943 with Dinu Lipatti and again a few years later with Céliny Chaillez- Richez. A performance took place in May 1946 with Yehudi Menuhin playing the violin part, accompanied on the piano by the composer . The sonata prompted enthusiasm immediately at the time of its premiere, and has ever since been the composition by Enescu that has received the greatest amount of attention in the musicological and critical literature, with the possible exception of his opera, Œdipe. It has also become the most popular of Enescu's works after the two Romanian Rhapsodies .
During this time, he played with musicians such as trumpeters Red Allen and Ted Curson, pianist Willie "The Lion" Smith, and saxophonists Rocky Boyd and Jackie McLean. In 1959, he played for the first time with pianist Cecil Taylor and, according to Murray, "[f]or six years all the other things were wiped from my mind..." "With Cecil, I had to originate a complete new direction on drums." Murray stated: "We played for about a year, just practicing, studying — we went to workshops with Varèse, did a lot of creative things, just experimenting, without a job." In 1961, Murray made a recording with Taylor's group that was released under the auspices of Gil Evans as one side of Into the Hot.
Bricktop continued to perform as a cabaret entertainer well into her eighties, including some engagements at the age of 84 in London, where she proved herself to be as professional and feisty as she had ever been and included Cole Porter's "Love for Sale" in her repertoire. Bricktop made a brief cameo appearance, as herself, in Woody Allen's 1983 mockumentary film Zelig, in which she "reminisced" about a visit by Leonard Zelig to her club, and an unsuccessful attempt by Cole Porter to find a rhyme for "You're the tops, you're Leonard Zelig." She appeared in the 1974 Michael Schultz's film Honeybaby, Honeybaby, in which she played herself, operating a "Bricktop's" in Beirut, Lebanon. In 1972, Bricktop made a recording of "So Long Baby," with Cy Coleman.
In 1926 she made a recording, Songs My Mother Taught Me. Riegelman promoted municipal opera houses across the United States: "We should do as well by our opera houses as we do by the movies," she told an Oakland newspaper in 1918. "There should be a municipally endowed opera house in every city, and if that were the case there would be more opera given outside of New York, Chicago, Boston, and Philadelphia." She also taught voice; one of her students in San Francisco was Dorothy Warenskjold. Riegelman gave benefit concerts to support war relief during World War I. Her brother Carl Robert Riegelman was injured in a 1919 train accident in France, while serving in the United States Navy.
The Cubs honored Pieper with a "day" on September 22, 1940, celebrating 25 years as field announcer, and again on September 13, 1953, in honor of his fifty years as a Cub employee. The latter occasion took place a day before Gene Baker and Ernie Banks joined—and thus integrated—the ballclub. In 1961, he got to throw out the first ball to open the season, after which he reported for work as customary, in his chair behind home plate, making the usual announcements and providing fresh baseballs to the plate umpire as needed. The Hall of Fame made a recording of Pieper's voice in 1966. As Wrigley Field had no lighting system until 1988, all the Cubs home games were played in the daytime.
The aspidistra is a hardy, long-living plant that is used as a house plant in England, and which can grow to an impressive, even unwieldy size. It was especially popular in the Victorian era, in large part because it could tolerate not only weak sunlight but also the poor indoor air quality that resulted from the use of oil lamps and, later, coal gas lamps. They had fallen out of favour by the 20th century, following the advent of electric lighting. Their use had been so widespread among the middle class that they had become a music hall jokeXenia Field Indoor Plants Hamlyn 1966 appearing in songs such as "Biggest Aspidistra in the World," of which Gracie Fields made a recording.
In 1977, it gave the first performance in the Russian Cathedral of Sir John Tavener's setting of the Liturgy of St. John Chrysostom with Roderick Earle as bass soloist, and subsequently made a recording (Ikon Records No. 9007). The Europa Singers also competed in the XXXII Concorso Polifonico Internazionale in Arezzo in 1984, and provided choruses for operas staged by the London Opera Centre, including Lully's Alceste and Mozart's Marriage of Figaro, which was performed at Sadler's Wells. Wearing also organised The London Lassus Ensemble, designing and staging the 1982 London Lassus Festival to commemorate the composer's 450th Anniversary. Whilst working at the BBC, Wearing was made responsible for the musical content of BBC Radio 3 for much of 29 July 1981, the day of the royal wedding of Prince Charles and Diana Spencer.
In addition to the established concert season, the choir also undertakes other engagements further afield, foreign tours (Germany in 2017 and 2019, Portugal in 2018) and community, outreach and education work in and around Bristol. Because of the continued closure of Colston Hall for the rebuilding of its interior (originally scheduled for 2017-19), the choir has given most of its concerts in Bristol Cathedral since January 2018, apart from Messiah performances in Clifton Cathedral and Redmaids%27 High School. In January 2020 Bristol Choral Society made a recording of music by Bob Chilcott, Cecilia McDowall and Judith Weir for Delphian Records. No further performances were possible in the 2019-20 season because of the COVID-19 pandemic, though the choir continued to have virtual rehearsals each week.
Some of the earliest recordings were those by The Benson Orchestra of Chicago and Ted Lewis & His Orchestra, both in 1921. Later recordings include Dick Robertson & His Orchestra released in December 1939 on Decca Records with the B-side "She Had to Go and Lose It at the Astor". Soon after the Merry Macs made a recording released in February 1940 again on Decca records with B-side as "Breezin' Along with the Breeze" followed by Riley Puckett in October 1940 on Bluebird Records with "Walking My Baby Back Home" as B-side. The Greek-American singer and band-leader Johnny Otis had a hit with it, after including it in his album The Greatest Johnny Otis Show featuring Marie Adams on the tune "Ma, He's Making Eyes at Me".
Other roles that she went on to sing soon afterwards were Luisa Miller, Amelia in Un ballo in maschera and the title role of La Gioconda. A partial list of other operas in which she sang during the first part of her career (1964–1974) include Verdi's Aida and La forza del destino, Donizetti's Anna Bolena, Puccini's Manon Lescaut, Catalani's Loreley, Bellini's La straniera, Zandonai's Francesca da Rimini, and Susanna in Mussorgsky's Khovanshchina. She gave a recital at Carnegie Hall in 1976 and disappeared from the scene shortly after that. The role for which she is best known is Abigaille in Verdi's opera Nabucco. She made a recording of this role for Decca/London in 1965 (opposite Tito Gobbi, and conducted by Lamberto Gardelli), and gave a performance of the role on opening night of La Scala's 1966-67 season.
Blanc is the son of voice actor Mel Blanc, and throughout Noel's childhood and early adulthood, he worked with his father on the Looney Tunes voices so that when the time came, he could take over for his father. Following his father's death, Noel voiced Elmer Fudd, The Tasmanian Devil, Porky Pig and other characters in Tiny Toon Adventures and Stewie Griffin: The Untold Story. But even before then, it was revealed years later - by Mel Blanc himself - that Noel had ghosted for him for several cartoons during his time of recovery from the 1961 car accident, and he even made a recording studio in Pacific Palisades. Blanc also appeared in the television booth during the 2002 Chevrolet Monte Carlo 400 due to a promotion with Looney Tunes at Richmond International Raceway in 2001 and 2002.
At the age of 20 he dropped his alto saxophone off to be repaired, and the only horn the shop had to loan him was the baritone sax. After that, the baritone sax became his main, but not only instrument. While studying education at Ithaca College in New York, Brignola and some of his fellow students made a recording, which won a Down Beat Magazine award for the best college group of the year. The award afforded the group of young musicians many opportunities including the recording of an album as well as performance at various festivals, and a performance at the Café Bohemia in Greenwich Village. In the Down Beat critics poll he was labeled a “new star.” The newfound fame landed him with the Benny Goodman Scholarship to the prestigious Berklee College of Music in Boston, Massachusetts.
On 5 May 2011, The Guardian reported that Mills had met with officers from the London Metropolitan Police who showed her evidence, seized from private investigator Glenn Mulcaire, which could form the basis of a claim against News of The World for breach of privacy over alleged phone-hacking. Mills's name and private mobile phone number were listed in Mulcaire's notes, along with those of her friends and associates. Mills later alleged that a journalist working for the Mirror Group had admitted to her in 2001 that he had hacked her phone. Appearing as a witness at the Leveson Inquiry on 9 February 2012, Mills was asked under oath if she had ever made a recording of McCartney's phone calls or answerphone messages, and had ever played it to Piers Morgan or 'anybody else'; she replied, 'Never ever.
Elgar in 1917 Edward Elgar's Violin Concerto in B minor, Op. 61, is one of his longest orchestral compositions, and the last of his works to gain immediate popular success. The concerto was composed for the violinist Fritz Kreisler, who gave the premiere in London in 1910, with the composer conducting. Plans by the recording company His Master's Voice to record the work with Kreisler and Elgar fell through, and the composer made a recording with the teenaged Yehudi Menuhin that has remained in the catalogues since its first release in 1932. Even though Elgar's music fell out of fashion in the middle of the twentieth century, and the concerto's reputation as one of the most difficult in the violin repertoire grew (because of its use of constant multiple- stopping, fast and unorthodox string crossings, and massive, rapid shifting around the instrument), it nevertheless continued to be programmed and played by acclaimed violinists.
Belafonte had also made a recording of the song for RCA Victor Records, which was released as catalog number 20-6784 in 1955, with the flip side "A-Roving". Perry Como recorded the song in 1955, as did his RCA Victor labelmate top country crooner Eddy Arnold, and English jazz musician Cliff Townshend of The Squadronaires (father of The Who guitarist Pete Townshend) also released a popular version in 1956, as did American rock n roll star Gene Vincent in the same year. In 1963, an uptempo doo-wop version by Vito & the Salutations peaked at number 66 on the Billboard Hot 100; this version was used in the soundtrack for Goodfellas in 1990. While the sheet music business was losing its prominence to sound recordings, a sheet music release of the song peaked at number one on its tenth week on the Billboard Best Selling Sheet Music chart on the week ending June 18, 1955.
His long collaboration with conductor Leonti Wolf and the Tel Aviv philharmonic choir resulted in performances of Verdi's Requiem and Mozart's Requiem and the role of Dr. Dulcamara in L'Elisir d'Amore with Israeli chamber orchestra. In December 2008 sang with same conductor and choir the premiere of Irit Israelis' Cantata to 60 years of Israel independence at the TelAviv museum Rekanati hall. Concert repertoire also includes Stabat Mater by Rossini, Creation by Haydn, Messa di Gloria by Puccini, Beethoven's 9th Symphony, Verdi's Requiem, Vesperae solennes de confessore, Great Mass and Requiem by Mozart and Requiem by Faure. Repertoire also includes songs by Tchaikovsky, Rachmaninov, Mussorgsky, Brahms, Schubert, Wolf, Erwin Junger, Dvořák and others. Premiered David's song cycle by Israeli composer Erwin Junger in 1993. Made two recordings for the Israeli Radio (Kol Hamusica) in 1991 and 1996. Appeared in a recital at Kfar Bloom during the festival of Kol Hamusica in 2007. In 2004 recorded two song cycles by Erwin Junger, and in 2005 made a recording of songs by Erwin Junger on verses of Hungarian poets.
In July 2011, in a sequence of articles, political blogger Paul Staines alleged that while editor of the Daily Mirror in 2002 Morgan published a story concerning the affair of Sven- Goran Eriksson and Ulrika Jonsson while knowing it to have been obtained by phone hacking. On 20 December 2011, Morgan appeared as a witness by satellite link from the United States at the Leveson Inquiry."Piers Morgan tells Leveson: Daily Mirror did not hack phones", BBC News, 20 December 2011 While he said he had no reason to believe that phone hacking had occurred at the Mirror while he was in charge there, he admitted to hearing a recording of an answerphone message left by Paul McCartney for Heather Mills, but refused to "discuss where that tape was played or who made [it] – it would compromise a source." Appearing as a witness at the same Inquiry on 9 February 2012, Mills was asked under oath if she had ever made a recording of McCartney's phone call or had played it to Morgan; she replied: "Never".
Herrmann was an early and enthusiastic proponent of the music of Charles Ives. He met Ives in the early 1930s, performed many of his works while conductor of the CBS Symphony Orchestra, and conducted Ives' Second Symphony with the London Symphony Orchestra on his first visit to London in 1956. Herrmann later made a recording of the work in 1972 and this reunion with the LSO, after more than a decade, was significant to him for several reasons - he had long hoped to record his own interpretation of the symphony, feeling that Leonard Bernstein's 1951 version was "overblown and inaccurate"; on a personal level, it also served to assuage Herrmann's long- held feeling that he had been snubbed by the orchestra after his first visit in 1956. The notoriously prickly composer had also been enraged by the recent appointment of the LSO's new chief conductor André Previn, who Herrmann detested, and deprecatingly referred to as "that jazz boy". Herrmann was also an ardent champion of the romantic-era composer Joachim Raff, whose music had fallen into near-oblivion by the 1960s.
At the time of the release of the Doris Day version of "Secret Love" two vocal cover versions were issued, one of which - by Gogi Grant with the Harry Geller orchestra - is said to have been recorded at RCA Victor's LA recording studio in July 1953 which would make its recording earlier than Day's: the other vocal cover was recorded for MGM by Tommy Edwards with the LeRoy Holmes orchestra. Bing Crosby also had a single release of "Secret Love", recorded for Decca in Los Angeles in a 31 December 1953 session with the John Scott Trotter Orchestra and it was included in his album Bing Sings the Hits (1954). On 4 December 1953 Slim Whitman made a recording of "Secret Love" in Baltimore MD: Whitman's version reached number 2 on the C&W; chart in Billboard magazine in the spring of 1954 concurrent with the Doris Day version being number 1 on the magazine's Pop chart. Both the Moonglows and the Orioles covered "Secret Love" for the r&b; market, the Moonglows' track being recorded in Chicago 10 January 1954 while the Orioles' track was recorded in New York City 29 January 1954.

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