488 Sentences With "lutes" | Random Sentence Generator

Epic Lutes In Epic Lutes, you're presented with a melody, and then must design a made-to-order stringed instrument that can play those notes.

And it is: Lutes is incapable of drawing a lazy panel.

Berlin has been a slow-burn labor of love for Lutes.

City of Light by Jason Lutes is now out from Drawn & Quarterly.

Lutes died in September, and his descendants put the coin up for sale.

"The then 16-year-old Lutes received the copper-colored penny in change at his high school cafeteria in 1947," David Stone, a coin cataloger for Heritage, told CNBC Make It. Lutes owned the coin until his death in 2018.

Weber, for his part, denied Lutes' accusations that "The Bachelorette" contributed to their breakup.

Yet in going back to the apparently irrelevant past, Lutes became an inadvertent prophet.

Indeed, Lutes sees in the Weimar Republics's failure an opening for genuine creative excitement.

"People are afraid because they've been told to be afraid," Ms. Monson Lutes said.

Alicia Lutes, Nerdist: She is no doe-eyed ingenue; her Diana is strong and ferocious.

Lutes offers just that: His Berlin is a city of hope as well as pain.

The Canadian chef Jakob Lutes will join Seascape Kayak Tours in coastal New Brunswick, Aug.

Ms. Min plays the traditional pipa and other Chinese lutes with a hard-bitten, unflinching power.

The long-running compendium by Jason Lutes isn't quite finished — its third volume is currently in the works.

Alicia Lutes, Nerdist: [...] there is nothing slow about Themyscira, the most beautiful thing the DCEU has ever seen.

At times Lutes bridges his characters' disparate story lines with dreams, fleeting thoughts and scraps of mass media.

Here near the borders of Brazil and Paraguay, harpsichords and lutes can be found in the smallest villages.

Sitting at tables or castoff blocks of Roman marble, soldiers stare into space as musicians strum lutes or beat tambourines.

At the IRS, "all hell broke loose," remembered Terry Lutes, who was then the head of electronic filing at the agency.

Lutes has a detailed bibliography for the series which demonstrates the breadth and scope of his research into the subject matter.

Lutes also defies certain Expressionist conventions, with an emphasis on white rather than black and an avoidance of exaggeration or abstraction.

Miniature stringed instruments hang on the wall: fretted lutes like a giraffe-necked tembur and a rawap with ornamental goat horns.

Earlier this year, an ordinary looking penny made headlines when it was found among the possessions of a man named Don Lutes.

Some sources suggest that the Denis d'or was also capable of mimicking the sounds of plucked stringed instruments including harps and lutes.

Intuit's clout on the Hill meant that lawmakers were soon accusing the IRS of making "secret plans to undercut the industry," Lutes said.

Lutes said that the two had talked about moving in together, and even said "I love you" before Weber broke up with her.

Above those are a half dozen or so original cast-plaster reliefs of laurels and lutes, and above them, the refinished vaulted ceiling.

As a result, Lutes decided to keep the coin, and now, 72 years later, it sold for $204,000 at Heritage Auctions on January 10.

Lutes passed away in September, and the penny is now set to be auctioned off by Heritage Auctions, with the current bid at $130,000.

As a result, Lutes decided to keep the coin, and now, 2000 years later, it sold for $18353,19585 at Heritage Auctions on January 2156.

Proceeds from the sale will be donated to the Berkshire Athenaeum at Pittsfield's Public Library, "where Lutes was active for years," according to Artnet.

But author Jason Lutes had no such roman à clef in mind when he set to work on his epic graphic novel series Berlin.

Kathy Monson Lutes opened the doors of Trinity Episcopal Church in Janesville, a longtime union town where General Motors once employed thousands of workers.

But Alessandro Piccinini made the biggest impression, both in a toccata for two lutes and in a stirring solo passacaglia played deftly by Mr. McFarlane.

A maximum of 228 participants will forage for provisions with Mr. Lutes, who will turn their stock into meals (from 23 Canadian dollars, or $22).

According to Lutes, the pair met on a dating app in June 2018 when Weber, 27, was in her hometown of Atlanta training with Delta Airlines.

Lutes came across the coin at a time when people across the country were eager to get their hands on one of the rare copper pennies.

"I know he's not ready to settle down, so I think it would be a huge mistake if he were to be the Bachelor," Lutes said.

The Department of Musical Instruments plans to create new recordings every year, in attempt to satiate decades of visitors's curiosity over intriguing lutes, violins, and pipes.

The magic in "Berlin" is in the way Lutes conjures, out of old newspapers and photographs, a city so remote from him in space and time.

At the time, Lutes noticed the copper coloring of the coin was different from "the silvery steel variety in circulation at the time," according to Artnet.

For decades, the Treasury Department denied the existence and legitimacy of these 20 pennies, but Lutes had the coin authenticated by coin expert Walter Breen in 1958.

In an interview with Entertainment Tonight published on Monday, model Calee Lutes alleged that Weber unexpectedly broke up with her in December, right before going on the show.

In a new interview with Entertainment Tonight, model Calee Lutes alleges that contestant Peter Weber unexpectedly broke up with her in December, right before going on the show.

Will the song be reinterpreted to sound more medieval in the show — maybe with some harps and lutes in place of The Weeknd's typical slick '80s-inspired synth?

Lutes' bombshell comes just a few weeks after Jed Wyatt's ex Haley Stevens exclusively alleged to PEOPLE that they were still in a relationship when he left for the show.

Jason Lutes first started drawing Berlin, his epic graphic novel about the disintegration of the Weimar Republic, in 1996, when the topic seemed an esoteric choice for an American storyteller.

Advertise on Hyperallergic with Nectar Ads In 219, 21-year-old Don Lutes Jr. of Pittsfield, Massachusetts received a rare, 2885 Lincoln penny as change from his high school cafeteria.

There was even a newcomer, Renard, a dealer in extraordinary musical instruments including piccolos, lutes and a custom-made piano, on which Chopin oversaw the piano lessons of a Rothschild mademoiselle.

Alejandro is a hyper-capable autodidact, a former anthropologist who enthusiastically spirals into obscure hobbies, like carving Elizabethan lutes or making portable pasteurizers for his wife to use on the family farm.

"The magic in 'Berlin' is in the way Lutes conjures, out of old newspapers and photographs, a city so remote from him in space and time," Ed Park writes in his Graphic Content column.

After the publication of his acclaimed debut, "Jar of Fools" (1994), Lutes — an American who had never been to Germany — had a eureka moment upon spotting a magazine ad for a book on Weimar Berlin.

Anyone who's watched 10 minutes of the news in the last two years will feel the tug of relevance in these pages, something Lutes couldn't have predicted back in the 1990s, when he began the series.

Lutes cites both the book and film versions of Berlin Alexanderplatz as inspiration, but it also reminded me of the works of Mike Leigh, another filmmaker with an acute eye for human details and social dynamics.

Actual swastikas don't appear until late in the book; Lutes simply adorns the Nazi flags with white circles, an omission that's perversely effective, making us see the moment when people still might have thought fascism couldn't win.

So before you say, "Keep the change," check to see if you have any of these valuable pennies: (Image: Heritage Auctions, HA.com) Only a handful of these bronze pennies have been discovered, including the one found by Lutes.

" With that, Lutes was sorely disappointed when he contacted the U.S. Treasury Department about the coin only to receive their standard reply: "In regard to your recent inquiry, please be informed that copper pennies were not struck in 1943.

Just beyond those cases are lutes, lyres, gongs, drums, horns, harps, whistles, Italian violins, Indonesian gamelans, lamellaphones from sub-Saharan Africa, a golden harpsichord seemingly supported by mythical creatures and keyboard instruments small enough to fit in your carry-on luggage.

As of late December, Bama Lutes Deal, a musicologist with a Ph.D. and arts teacher with nearly 30 years of experience, is acting as the new cultural concierge assigned to help travelers plan cultural outings including concerts, plays and art exhibits while they are visiting.

They certainly don't support the more troublesome suggestions conjured by Ancestry's claim that it will make a list of songs "out of your heritage:" It's no eldritch steam-powered blood-sussing machine rolling out personalized phonograph cylinders, all ancient lutes and drums and flutes and lyres.

The Boston Early Music Festival traveled light for its latest concert at the Morgan Library & Museum on Friday evening, The program, "For Two Lutes," offered just two performers playing easily portable instruments: the stellar and widely recorded lutenists Paul O'Dette (an artistic director of the festival) and Ronn McFarlane.

Two days before Christmas — after visiting each other earlier that month, making plans for New Year's Eve and planning a trip to Costa Rica for March — Weber FaceTimed Lutes to tell her that they "should end our relationship before it got even more serious," giving no explanation as to why, she alleged.

There are also musical instruments — a golden Wurlitzer pedal harp; a rare pre-Depression Mason & Hamlin piano that Mr. Lanier says has "a uniquely American sound," a 19th-century Chinese opium bed filled with saxophones, flutes, clarinets, lutes and ouds; mandolins covering the walls, and over a thousand more instruments, from a medieval cornetto to a shakuhachi, a Japanese flute — all of which Mr. Lanier can play.

Lutes married four times; his wives were Martha M. Mulvihill (1893–1953), Charlotte Townsend Lutes (1902–1955), Mildred Speas Lutes (1911–1966, and Helen Kinney Lutes (1912 - 2011).Lutes family at Arlington Cemetery His son LeRoy Lutes Jr. (1914–1992) graduated from West Point and was a US Army colonel who received the Army Distinguished Service Medal, for service in Vietnam.Military Times, valor awards for LeRoy Lutes Jr.

Although the oldest iconographic evidence concerning lutes deals with long lutes in Mesopotamia and Egypt, some long-necked lutes are shorter than others. Comparatively, the Greek and Byzantine pandura is shorter than the tanbur, even though both are long lutes. Shorter lutes exist among the long-necked lutes today, including the tanburica, cura and komuz. A short necked lute does not necessarily a small lute, as a pipa can be a large instrument.

Yoke lutes, commonly called lyres, are a class of string instruments, subfamily of lutes, indicated with the code 321.2 in the Hornbostel–Sachs classification.

The long lutes were the more ancient lutes; the "Arabic tanbūr ... faithfully preserved the outer appearance of the ancient lutes of Babylonia and Egypt". He further categorized long lutes with a "pierced lute" and "long neck lute". The pierced lute had a neck made from a stick that pierced the body (as in the ancient Egyptian long-neck lutes, and the modern African gunbrī). The long lute had an attached neck, and included the sitar, tanbur and tar (dutār 2 strings, setār 3 strings, čārtār 4 strings, pančtār 5 strings).

Sachs points out one significant difference between the Egyptian lutes and other pierced lutes of the ancient world. The non-Egyptian lutes had a stick handle piercing the bowl on both ends (spike lutes), rather than having one end resting inside the bowl (tang lutes). He also gave consideration to African skin-topped instruments that survived into the 20th century, noting that those in Morocco and Senegambia, such as the gunbri, might be descendants. He said the instruments "degenerated" from the Egyptian instruments, but then were developed after the Arab conquest of North Africa.

LeRoy Lutes was born on October 4, 1890, in Cairo, Illinois. Lutes attended the Wentworth Military Academy in Lexington, Missouri, and joined the Illinois National Guard in 1906. Lutes was commissioned a second lieutenant in the Regular Army on March 21, 1917 while serving on the Mexican border. After the war, Lutes was transferred to the U.S. Army Coast Artillery Corps and also attended the advanced course at Coast Artillery School at Fort Monroe in Hampton, Virginia.

Lutes are stringed musical instruments that include a body and "a neck which serves both has a handle and as a means of stretching the strings beyond the body". The lute family includes not only short-necked plucked lutes such as the lute, oud, pipa, guitar, citole, gittern, mandore, rubab, and gambus and long-necked plucked lutes such as banjo, tanbura, bağlama, bouzouki, veena, theorbo, archlute, pandura, sitar, Tanbur, setar, but also bowed instruments such as the Yaylı tambur, rebab, erhu, and entire family of viols and violins. Lutes apparently rose in ancient Mesopotamia prior to 3100 B.C. or were brought to the area by ancient Semitic tribes. The lutes were pierced lutes, long-necked lutes with a neck made from a stick that went into a carved or turtle-shell bowl, the top covered with skin, and strings tied to the neck and instrument's bottom.

Many are custom-built, but there is a growing number of luthiers who build lutes for general sale, and there is a fairly strong, if small, second-hand market. Due to this fairly limited market, lutes are generally more expensive than mass-produced modern instruments: factory-made guitars and violins, for example, can be purchased more cheaply than low-end lutes, but at the highest level of modern instruments, guitars and violins tend to command higher prices than lutes. Unlike in the past there are many types of lutes encountered today: 5-course medieval lutes, renaissance lutes of 6 to 10 courses in many pitches for solo and ensemble performance of Renaissance works, the archlute of Baroque works, 11-course lutes in d-minor tuning for 17th-century French, German and Czech music, 13/14-course d-minor tuned German Baroque Lutes for later High Baroque and Classical music, theorbo for basso continuo parts in Baroque ensembles, gallichons/mandoras, bandoras, orpharions and others. Lutenistic practice has reached considerable heights in recent years, thanks to a growing number of world-class lutenists: Rolf Lislevand, Hopkinson Smith, Paul O'Dette, Christopher Wilke, Andreas Martin, Robert Barto, Eduardo Egüez, Edin Karamazov, Nigel North, Christopher Wilson, Luca Pianca, Yasunori Imamura, Anthony Bailes, Peter Croton, Xavier Diaz-Latorre.

3100 BC, Museum number 41632. Like Sachs, Dumbrill saw length as distinguishing lutes, dividing the Mesopotamian lutes into a long variety and a short. His book does not cover the shorter instruments that became the European lute, beyond showing examples of shorter lutes in the ancient world. He focuses on the longer lutes of Mesopotamia, various types of necked chordophones that developed throughout the ancient world: Greek, Egyptian (in the Middle Kingdom), Iranian (Elamite and others), Hittite, Roman, Bulgar, Turkic, Indian, Chinese, Armenian/Cilician cultures.

Jason Lutes biography at his publisher, Drawn & Quarterly During this period, Lutes began writing and self-publishing his own comic work with Penny Dreadful Press. In 1993 Lutes began serializing a strip for The Stranger, which was collected in 1996 in the critically acclaimed graphic novel Jar of Fools. After two years of research, in 1996 Lutes embarked on the ambitious comic book series Berlin, an ongoing 22-chapter story set in the twilight years of Germany's Weimar Republic. When Berlin's original publisher Black Eye Productions closed in 1998, Drawn & Quarterly took over the series.

The township contains seven cemeteries: Callahan, Cornett, Cummings, Hanner, Lutes, Robinson and Thompson.

Man playing a Renaissance lute (holding position), 2006 During the early days of the early music movement, many lutes were constructed by available luthiers, whose specialty was often classical guitars. Such lutes were heavily built with construction similar to classical guitars, with fan bracing, heavy tops, fixed frets, and lined sides, all of which are anachronistic to historical lutes. As lutherie scholarship increased, makers began constructing instruments based on historical models, which have proven lighter and more responsive instruments. Lutes built at present are invariably replicas or near copies of those surviving historical instruments that are in museums or private collections.

Lutes was born in New Jersey, but his family soon relocated to Missoula, Montana. In his early years, Lutes liked superhero comics, but a trip to France exposed him to European comics like The Adventures of Tintin and Asterix, which he says greatly affected his style of drawing. Jason Lutes profile at Read Yourself RAW Lutes went to college at the Rhode Island School of Design, graduating with a Bachelor of Fine Arts in 1991. He moved to Seattle after graduation, where he found work for the alternative comics publisher Fantagraphics, and eventually became art director of the alternative weekly The Stranger.

ICONEA Publications, London 2010, pp. 135–150 (PDF). Based on artistic depictions, the Hittites used lutes with relatively small sound boxes and long fingerboards, which resemble the Pandura later used by the Greeks and Romans. Lutes were also known in Mesopotamia and Egypt.

"'A Word for What was Eaten': An Introduction to Della T. Lutes and her Fiction", Lawrence R. Dawson, Midwestern Miscellany IX, ed. David Anderson, The Society for the Study of Midwestern Literature, The Midwestern Press: East Lansing, MI, 1981 The "Della T. Lutes School" in Waterford, Michigan was dedicated in 1961 and closed in 2005; it is now the Lutes Campus of New Gateways, Inc., a non-profit which serves the mentally and developmentally disabled.

Sumerians, Babylonians, Kassites, Assyrians, Persians, Greeks all ruled the Mesopotamian area between Tigris and Euphrates rivers where the earliest examples of lutes have survived in clay and stone artwork. Sachs described the Mesopotamian lutes as having "very small bodies, long necks with many frets, two strings attached without pegs and were played with a plectron". The long lute entered Egypt after its conquest of Southwest Asia, when it began receiving tribute in the form of "singing and dancing- girls with their instruments", illustrated in paintings at Tell El-Amarna. The paintings of the Egyptian lutes are detailed enough to provide a better understanding of ancient long lutes.

The short-necked lutes in these Gandhara artworks were "the venerable ancestor of the Islamic, the Sino- Japanese and the European lute families". He described the Gandhara lutes as having a "pear-shaped body tapering towards the short neck, a frontal stringholder, lateral pegs, and either four or five strings".

Ari Babakhanov (born 1934) is an Uzbekistani musician who performs the long- necked lutes tanbur, qashqari rubab and dutar.

Lutes, Alicia. "We’re So Mad at Piper After That ‘Orange is The New Black’ Premiere." MTV. June 6, 2014.

281 she tried to get a private bill passed in Congress to give her the pension.Congressional Record: Proceedings and Debates of the Fifty-Eighth Congress, Third Session (Volume 39), Government Printing Office, 1905, p. 92 Nelson and Nettie had three daughters - Elinor Seney Lutes (1875–1963); Evlyn Latta Lutes; and Lillian Cronise Lutes (b. 1882). Nettie was buried by the Washington Memorial Chapel in Valley Forge, Pennsylvania, probably at the request of her daughter Lillian, who had written several historical articles about Valley Forge.

In January 1940 he became Chief of logistic and also assistant Chief of staff of the Third Army in Atlanta under the command of Lieutenant General Herbert J. Brees. Lutes participated in the Louisiana Maneuvers in 1940-1941. Brehon Somervell, impressed with Lutes' talents as a staff officer, helped advance his career.Lt. Gen.

Europeans had access to lutes in several ways. Foreign sources came in through Byzantium, Sicily and Andalusia. In the non-literate period, they apparently experimented with homegrown instruments which were revealed in documents from the Carolingian Renaissance. This was overwhelmed by incoming instruments and Europeans developed whole families of lutes, both plucked and bowed.

The fretted fingerboard was held up with the left hand. The number of strings is not absolutely clear, but may have been either two or three. The lutes in artistic depictions are built in a number of different ways. The clearly recognisable lutes on the İnandık vase have an oval soundbox with six sound holes.

1st century B.C. Another early source of lute images from Central Asia comes from East Kashkadarya, where coroplast statuettes (c. 1st Century B.C. to 1st Century A.D.) from the Kangyui period were found, female lutenists that appear religious, depicting a female goddess playing a lute. The Kangyui Kingdom was in the Kazakhstan and Uzbekistan region from the 2nd century B.C. to the 4th century A.D. The lutes are short lutes, but the detail in the statuettes is low. Whether they are the same as the other short lutes in the area is not clear.

A person who is specialized in the making of stringed instruments such as guitars, lutes and violins is called a luthier.

Furthermore, original lutes survived in tombs, some still with strings attached. The Egyptian pierced-lutes had a carved wooden bowl for the instrument's body, "usually oval", covered with rawhide. A stick which acted as the instrument's neck pierced the instrument's body. The stick was threaded through cuts in the top of the rawhide to the end of the bowl.

A year after the name change, a man by the name of Eli Lutes laid out what would become known as Lutesville. Lutes offered to the railroad for a depot location which would be used as a shipping and trading point. Disputes with leaders of Marble Hill persuaded the railroad to relocate their route through Lutesville instead.

Cuneiform sources reveal an orderly organized system of diatonic scales, depending on the tuning of stringed instruments in alternating fifths and fourths. Instruments of ancient Mesopotamia include harps, lyres, lutes, reed pipes, and drums. Many of these were shared with neighbouring cultures. Contemporary East African lyres and West African lutes preserve many features of Mesopotamian instruments .

Born in Kirkland, Washington, Manao has played college soccer for PLU Lutes. He made his international debut for American Samoa in 2011.

For relaxation he liked to build musical instruments – violins and lutes. He died in Narva, Estonia, on his return journey to Italy.

Uluveo is the main island in the archipelago and has three villages: Lutes, Pellonk, and Peskarus. Some local people speak Uluveo language.

The ensembles include flutes, zithers, gongs, drums, fiddles, lutes, cymbals and xylophones. Modern mor lam also includes electric guitars, synthesizers and electric keyboards.

Lutes has two children, Clementine (born 2006) and Max, with his partner Becka Warren.Lutes, Jason. "Spring in Vermont," Official blog (Apr. 22, 2008).

EB/OHPC has been marketed under brand names including Dos Dias N, Lutes, Ostrolut, Primosiston (or Primosiston Inj. / Injection), Primosiston Fuerte, and Syngynon.

The Seperewa belongs to a class of harp-lute chordophones typical in West Africa, with Ghana marking the easternmost area where harp-lutes are played in the region. The Seperewa is one of two types of harp-lutes played in Ghana, the other being the koriduo. Modern Seperewa typically have anywhere between 10 and 14 strings, set onto a standing bridge, and are connected to the neck of the instrument by winding them around it directly. They are recognisable by their square wooden box resonator, which differ from the calabash resonators of Manding harp-lutes like the kora or kamalengoni.

Schematic drawing of a bowlback mandolin Mandolins have a body that acts as a resonator, attached to a neck. The resonating body may be shaped as a bowl (necked bowl lutes) or a box (necked box lutes). Traditional Italian mandolins, such as the Neapolitan mandolin, meet the necked bowl description. The necked box instruments include archtop mandolins and the flatback mandolins.

He teaches, gives lectures, and is hoping to record his latest piece: "Magic Lutes", although the record industry crisis makes it more difficult nowadays.

Gnawa have venerable stringed-instrument traditions involving both bowed lutes like the gogo and plucked lutes like the hajhuj. The Gnawa also use large drums called tbel in their ritual music. Gnawa hajhuj players use a technique which 19th century American minstrel banjo instruction manuals identify as "brushless drop-thumb frailing". The "brushless" part means the fingers do not brush several strings at once to make chords.

Jason Lutes (born December 7, 1967)"Jason Lutes" at Comic Creator is an American comics creator. His work is mainly historical fiction, but he also works in traditional fiction. He is best-known for his Berlin series, which he wrote and drew over 22 years. He has also written a handful of other graphic novels, as well as many short pieces for anthologies and compilations.

Berlin is a comic book series by Jason Lutes, published by Black Eye Productions and then Drawn and Quarterly. Planned as a series of 24 magazines, since reduced to 22, INTERVIEW: Jason Lutes Talks the Final Days of “Berlin”, Comic Book Resources, July 28, 2015 then re-released in book form, it describes life in Berlin from 1928 to 1933, during the decline of the Weimar Republic.

Early short were carved out of a single block of wood, not built up in a box or bowl-like modern lutes. An example is the barbat which has been called ancestral to both skin-topped instruments like the gambus as well as to larger wood-topped instruments such as the oud. Names were reused or used across multiple instruments over the millennia; the rabab group is an example of that. The family included short lute-shaped instruments, to larger lutes with multiple chambers (some covered with wood, some with skin), to long- necked lutes that retained the multiple sound chambers and skin over the bowl.

Lutes was born Annette Staub; her parents were Dr. Jacob Staub and Katherine Barbara Cronise, daughter of state senator Henry Cronise, a prominent early settler of Tiffin, Ohio. Her parents were divorced when Lutes and her sisters Alice and Florence were still children, and her mother brought the children to live with their grandfather; their last names were changed to Cronise. "Nettie" attended Heidelberg College and the State Normal School at Bloomington, Indiana before studying law at the office of Warren P. Noble. Lutes went in front of a panel of judges in 1873 to make her argument that she should be admitted to the bar, and was successful.

Justin Manao (born 25 March 1993) is an American Samoan international footballer who played college soccer in the United States for PLU Lutes, as a defender.

The Lute Player - a painting by Caravaggio Fronimo is a software program for engraving of tabulature for lutes, archlute, theorbo and other plucked and bowed instruments.

A biography described their method of conducting trials like this: "Mrs. Lutes sits facing Mr. Lutes, and if a jury trial, also facing the jury, and repeats, by the motion of the organs of speech, without sound or whisper, every word that is spoken by the witnesses, judge, and opposing counsel, on the instant the words leave the mouth of the speaker..."Bench and bar of Ohio: a compendium of history and biography, ed. George Irving Reed, Vol. 2, Century Publishing, Chicago, 1897, p. 376 Nettie did more than just translate for her husband, they were regarded as full partners and highly successful in their practice. Nelson Lutes died in 1900, and Nettie continued in sole practice until she was joined by her daughter Evlyn Latta Lutes (1877–1968), who was admitted to the bar in 1905. This may have been the first mother-daughter law practice in the nation.

Annette "Nettie" Cronise Lutes (September 26, 1843, Tiffin, Ohio - July 31, 1923, Tiffin, Ohio) was the first woman admitted to the bar in the state of Ohio.

Guitars have a sound box as long as the neck. Some members of the rubab family with their long sounds- boxes fit into the group of short-necked lutes. The line of short-necked lutes developed to the east of Mesopotamia, in Central Asia, places like Bactria and Gandhara. There a short, almond-shaped lute surfaced, carried east and West by Sogdiana merchants, become the Chinese pipa and Middle Eastern oud.

Lutes subsequently moved to Asheville, North Carolina, in October 2002;Hulk vs. the Universe, by Jason LutesLutes at Forefront of Graphic Literature, Asheville, NC Citizen-Times, Feb. 21 2003 this move forms the subject of his autobiographical Rules to Live By, collected in AutobioGraphix by Dark Horse Comics.AutobioGraphix, 2003, In 2007, Hyperion published the graphic novel Houdini: The Handcuff King, written by Lutes and illustrated by Nick Bertozzi.

Examples of yoke lutes are the lyre, the cithara and the phorminx from Ancient Greece, the biblical kinnor and the African nyatiti. However, there are other instruments called "lyra" or "lira" that do not belong, from an organological point of view, to this family, but rather to the handle lutes, such as: the Byzantine lyra, the Calabrian lira, the Cretan lyra, the lira da braccio, the lyra viol.

Emmanuel Adriaenssen (also Adriaensen, Adriansen, Hadrianus, Hadrianius; c. 1554 in Antwerp - buried 27 February 1604 in Antwerp) was a Flemish lutenist, composer and master of music.Godelieve Spiessens, Emanuel Adriaenssen, in: Nationaal Biografisch Woordenboek, Volume 1, Brussels, 1964, col. 3-6 He authored the influential Pratum Musicum, which contains scores for lute solos, and more importantly settings of madrigals for multiple lutes and different ensembles involving lutes and voices.

Musician playing a 4th-to-5th-Century lute, excavated in Gandhara, and part of a Los Angeles County Art Museum collection of Five Celestial Musicians Curt Sachs talked about the depictions of Ganharan lutes in art, where they are presented in a mix of "Northwest Indian art" under "a strong Greek influence". The short-necked lutes in these Gandhara artworks were "the venerable ancestor of the Islamic, the Sino-Japanese and the European lute families". He described the Ganhara lutes as having a "pear-shaped body tapering towards the short neck, a frontal stringholder, lateral pegs, and either four or five strings". While the earliest may be in the Gandhara region, Northern India itself also has ancient short-necked lutes in sculpture, such as one found at Pawāyā, Madhya Pradesh, India, that dates to the Gupta period, 400–499 A.D. Much of short lute development happened in the Central Asian area between India, China and Persia.

The music of Central Asia is as vast and unique as the many cultures and peoples who inhabit the region. Principal instrument types are two- or three- stringed lutes, the necks either fretted or fretless; fiddles made of horsehair; flutes, mostly open at both ends and either end-blown or side- blown; and jew harps, mostly metal. Percussion instruments include frame drums, tambourines, and kettledrums. Instrumental polyphony is achieved primarily by lutes and fiddles.

Marin Mersenne ends his section on the mandore in his book Harmonie Universelle by saying, "It is nothing but an abbreviated lute." He said this in the context that one could look at his section on the lute for applicable information. Lutes were larger than mandores, which Mersenne described as miniature. Lutes had more courses of strings and were not restricted to the high treble range, but could play into the bass range.

Georg Gerle (1520–1591) was a Renaissance luthier specialising in lutes, from Füssen, Germany. He worked in Northern Italy and in Austria. His instruments survive at the Kunsthistorisches Museum, Vienna, Austria.

Hans Frei or Hans Frey (1450–1523) was a renaissance luthier specialising in lutes, from Nuremberg, Germany. He worked in Bologna, Italy. His instruments survive at the Kunsthistorisches Museum, Vienna, Austria.

Music of Ancient Egypt . Kelsey Museum of Archaeology, University of Michigan, Ann Arbor. Percussion instruments, lyres and lutes were used by the Middle Kingdom. Metal cymbals were used by ancient Egyptians.

A lute being made in a workshop Lutes are made almost entirely of wood. The soundboard is a teardrop-shaped thin flat plate of resonant wood (typically spruce). In all lutes the soundboard has a single (sometimes triple) decorated sound hole under the strings called the rose. The sound hole is not open, but rather covered with a grille in the form of an intertwining vine or a decorative knot, carved directly out of the wood of the soundboard.

LeRoy Lutes: The Man Behind the Plan, by Manuela Richter Lutes was appointed Director of Operations, Headquarters Services of Supply in 1942. In succession he became Acting Chief of Staff, Headquarters, Army Service Forces; Chief of Staff and Deputy to the commanding general, Army Service Forces; and on January 1, 1946, Commanding General, Army Service Forces. On June 11, 1946, he was assigned to Gen. Dwight D. Eisenhower’s General Staff as Director of the Service, Supply and Procurement Division.

Franklin W. Lutes (1840 - April 6, 1915) was a soldier in the Union Army and a Medal of Honor recipient for his actions in the American Civil War. Lutes enlisted in the Army from Geddes, New York in March 1864. Serving with the 111th New York Infantry, he was captured at the Second Battle of Ream's Station, but later paroled and promoted to Corporal. When his regiment disbanded in 1865, he was transferred to the 4th US Artillery Regiment.

The one constant throughout the musical landscape is Islam, which defines the music's focus and the musicians' inspiration. Principal instrument types are two- or three-stringed lutes, the necks either fretted or fretless; fiddles made of horsehair; flutes, mostly open at both ends and either end-blown or side-blown; and jaw harps, either metal or, often in Siberia, wooden. Percussion instruments include frame drums, tambourines, and kettledrums. Instrumental polyphony is achieved primarily by lutes and fiddles.

He also guest-starred on The Suite Life of Zack & Cody as Harry O'Neal, a guest who conned the Tipton staff into giving him free stuff. He also guest-starred in 90210 as the date of Annie's and Dixon's mother. Lutes was born in Woonsocket, Rhode Island and raised in Charlestown, Rhode Island, the son of Claire, an astrologer and psychiatric nurse, and John Lutes, an artist. He attended Chariho High School where he was a member of the Chariho Boys Track Team.

In the early 1900s a rear ell with a large side porch was added. In the 1940s the porch area was enclosed and became the kitchen and bathroom. The home remained in the Lloyd family until 1989 when it was donated to the Mt. Washington Historical Society by Mr. Kenneth Lutes in memory of his wife, Anita Ann Dooley Lutes, a great- granddaughter of James M. Lloyd. The Lloyd House was added to the National Register of Historic Places in 1993.

Joe Massot, who had directed Wonderwall, said that Harrison phoned him from India inviting him to participate in the project. However, Charles Lutes, the head of the Spiritual Regeneration Movement in the US, had already arranged with the Maharishi to produce a similar documentary, with Horn. In early April, Lutes arrived at the ashram to ensure that his venture was not jeopardised by the Beatles' interest. He signed a contract with Four Star Films and John Farrow was scheduled to direct the film.

Frederick Post (Frederick, Maryland), Dec. 23, 1923, "Funeral Friday, Woman Attorney", p. 5 The three Lutes daughters founded a settlement house in Philadelphia in 1933 which operated until at least 1953.Toledo Blade, Sept.

Jan Vencálek (1598-????) was a Bohemian Renaissance-era composer for the lute and voice. Considered one of the masters in arrangement for lutes, Vencálek's compositions were showcased in Prague during the reign of Rudolph II.

The inventory of his possessions,Paris ANF : MC LXXXIV, 114, quoted from Jurgens 1967, (p. 307) note 1. drawn up on 14 February 1631, revealed five lutes, 29 packages of music and an interesting library.

Martin Leopold Widhalm (October 2, 1722 - June 10, 1776) was an Austrian luthier. Born in Horn, Austria, he worked on many old Bologna lutes that inspired his later work in his manufacture of lutes, violins and violoncellos in Nuremberg, Germany between 1746 and 1776. Widhalm moved permanently to Nuremberg in 1745 to work at the instrument making shop of the late Sebastian Schelle (1676-1744) being run by his eldest daughter Barbara. The couple's working relationship became personal and resulted in marriage the following year.

They were able to tune one string against another in those intervals on lutes, lyres, harps, zithers. Lutes gave them the further ability to create those intervals on a single string, by adding frets at mathematically spaced distances, based on the ratios. Unlike modern instruments, where frets may be permanently fixed into the neck, as on a guitar, the older instruments used gut strings tied around the neck for frets, and this made their instruments adjustable. Early musicians could tune their instruments to different modes.

The publications of 2011 and 2020 omit few instruments and the bows as unauthetic, but new findings raise the total number of instruments and fragments from the Tielke workshop to 174. More recent research shows that all theorboes were originally either lutes with bent-back pegboxes or are modifications of angelicas. The bows have shown to be non-authentic. On the other hand, nearly thirty instruments not known to Hellwig have come up, among them the fragment of a baryton, a cello, more viols, guitars, lutes.

DeMunn was born in Buffalo, New York, the son of Violet (née Paulus) and James DeMunn, and a stepson of actress Betty Lutes DeMunn. He graduated from Union College with a Bachelor of Arts in English.

The line of long lutes may have developed into the tamburs and pandura. The line of short lutes was further developed to the east of Mesopotamia, in Bactria, Gandhara, and Northwest India, and shown in sculpture from the 2nd century BC through the 4th or 5th centuries AD. Views 3 & 4 show a musician playing a 4th- to 5th- century lute-like instrument, excavated in Gandhara, and part of a Los Angeles County Art Museum collection of Five Celestial Musicians During the medieval era, instrument development varied in different regions of the world. Middle Eastern rebecs represented breakthroughs in terms of shape and strings, with a half a pear shape using three strings. Early versions of the violin and fiddle, by comparison, emerged in Europe through instruments such as the gittern, a four-stringed precursor to the guitar, and basic lutes.

Full Circle was adapted by Karol Ann Hoeffner into a 1996 television film starring Teri Polo, Corbin Bernsen, Erika Slezak, Reed Diamond, Eric Lutes and James Read. The film also featured Nick Wechsler in an early role.

The hatun charango () is a small plucked chordophone (stringed instrument) from Peru, related to the guitars and lutes. Specifically, it is a form of charango, which has either seven or (usually) eight strings arranged in seven courses.

Judge Green married Emma G. Lutes of York County, Pennsylvania on October 23, 1861. They had three children, two daughters and one son. One daughter, Daisy (Mrs. S. L.) Russell, died March 28, 1898, leaving a daughter.

Instruments typically include dap (a drum), dulcimers, fiddles and lutes; performers have some space for personal embellishments, especially in the percussion. The most important performer is Turdi Akhun, who recorded most of the muqams in the 1950s.

Abdurahim Hamidov (1952, Tashkent, Uzbekistan – 2013, United States) was an Uzbekistani lutenist. He was a master musician of the long-necked lutes tanbur, qashqari rubab and dutar. He was particularly known for playing lively, modern virtuosic melodies.

They wrote in Arabic, what had become the useful lingua-Franca of their time, and took part in Muslim society and culture. However they were brought up in Central Asia. The Arabs had a musical scale, described by al-Farabi, in use by some through the 13th century A.D. That tanbar scale, which divided the string into "40 equal parts" may have been a leftover from Babylon and Assyria. However, the Arabs traded with and conquered the Persians, and they adopted Persian scales for their lutes, just as they adopted Persian short-necked lutes.

Long lutes today are found from Europe to Japan and south to India. The short lute developed in Central Asia or Northern India in areas that had connection to Greece, China, India and the Middle East through trade and conquest. The short wood-topped lute moved east to China (as the Pipa) south to India (as the Vina), and west to the Middle East, Africa and Europe as the Barbat and Oud. From these two, and from skin topped lutes known today mainly as rubabs, from and plucked fiddles, instruments developed in Europe.

When the army commanders and their staffs ran into foreseeable logistical difficulties, they blamed each other, they blamed COMZ, and they blamed the British. In December 1944, the Chief of Army Service Forces, Lieutenant General Brehon B. Somervell sent his Director of Operations, Major General LeRoy Lutes, to study the ETO's difficulties. He found that the army commanders had little confidence in COMZ, and that they had little logistical acumen. Lutes credited the commander of the Ninth Army, Lieutenant General William H. Simpson, with the best understanding of logistics.

According to De Ferranti, the act of playing lutes for alms by blind musicians finds its roots in Indian Buddhist culture during the first millennium CE.De Ferranti 21. As early as the fourth century, blind itinerants in South Asia, described by texts such as the Ashokavadana as holy men, played lutes for alms. A seventh-century text from China and Japan's early twelfth-century Konjaku Monogatarishū recount this story, while other "scattered accounts" of blind lute-laying priests can be found in Tang-period volumes from the Chinese mainland.De Ferranti 22.

Magnetic Hill is a Canadian neighbourhood in the north-west area of Moncton, New Brunswick. Magnetic Hill is located around the intersection of Route 126 and Route 2. Magnetic Hill is partially within the community of Lutes Mountain.

May 23, 2008" Bowfire Bowfire". AllMusic, Review by Rick Anderson In 2014 Legere played mandolin on Jared Lutes' album A Matter of When. and played fiddle on the album Bill Emerson and the Sweet Dixie Band."Echoes" Volume 42.

Barak Norman (c.1670–c.1740) was an English string instrument maker. He was the most important early English maker, noted for his viols and lutes. He also made violins, and was one of the earliest English cello makers.

They consist, at most concerts, of a pair of long-necked lutes, the dayra, or frame drum, which, with its jingles, is very much like a tambourine, and the sato, or bowed tanbour, which vaguely resembles a bass fiddle.

Musical instruments, commonly homemade (e.g., fiddles, lyres, lutes, zithers, and horns) were used. The Gregorian chorales and monodic music appeared in Polish churches and monasteries at the end of the 11th century. The architecture of Poland was also transformed.

The duties of the position include editing responsibilities for the Indiana Magazine of History.Lorna Lutes Sylvester, introduction to "No Cheap Padding": Seventy-five Years of the Indiana Magazine of History, 1904-1979, compiled by Lorna Lutes Sylvester (Indianapolis: Indiana Historical Bureau, 1980); Sylvester, "Thirty Years at the Indiana Magazine of History: A Conversation with Lorna Lutes Sylvester," Indiana Magazine of History 101 (December 2005), 339-347. Aside from its longevity, the journal is notable for its efforts in bringing together professional and amateur historians as both contributors and readers, while still remaining a decidedly academic endeavor. Its wide lay readership (the journal was for many years offered as a benefit of membership in the Indianapolis-based Indiana Historical Society and its members continue to comprise the bulk of its subscribers), along with the support of Indiana University's professional scholars, have helped to account for the Indiana Magazine of History's continued publication.

"Lutes, La Nef among folk nominees". Montreal Gazette, October 8, 2009. He followed up in 2010 with the album La Course des loups and the limited edition EP La Reine contre Paul Cargnello, and in 2012 with the album Papa Paul.

The three types of parranda are solo, trio, and campo. The dance is often accompanied by Murcian castanets or pitos (finger snapping). The instruments used for this variety of music are guitars, guitarros, violins, and bandurrias (similar to Spanish lutes).

Conversely, 1-string lutes (e.g. the gourd-bodied gambra of the Haratin of Mauritania) and 2-string lutes (e.g. the gourd-bodied koliko of the Frafra of Ghana and the wooden-bodied garaya of the Hausa of Nigeria, Niger, and Ghana) are played with flat-pick type plectrums, so a drone string is useless on these instruments. The standard griot playing technique is a 2-finger up-picking pattern: the player's index finger plucks up on a melody string, followed by the thumb plucking the short drone string, and culminating with the index finger brushing down all the strings.

The instrument is carved out of solid soft wood such as that from the jackfruit tree. Common to all kudyapi instruments, a constant drone is played with one string while the other, an octave above the drone, plays the melody with a kabit or rattan pluck (commonly made from plastic nowadays). This feature, which is also common to other related Southeast Asian "boat lutes", also known as "crocodile lutes", which are native to the region. For the Palawano, it is possible to arrange the beeswax frets into different patterns resulting in two different scales for the instrument.

German theorbos would also today be called swan-necked Baroque lutes; seventeenth-century German theorbists played single-strung instruments in the Italian tuning transposed down a whole step, but eighteenth-century players switched to double-strung instruments in the “d-minor” tuning used in French and German Baroque lute music so as to not have to rethink their chord shapes when playing theorbo. These instruments came to be referred to as theorbo- lutes. Baron remarks that “the lute, because of its delicacy, serves well in trios or other chamber music with few participants. The theorbo, because of its power, serves best in groups of thirty to forty musicians, as in churches and operas.” Theorbo-lutes would likely have been used alongside Italian theorbos and archlutes in continuo settings due to the presence of Italian musicians in German courts and also for the purpose of using instruments that were appropriate for whatever key the music was in.

The current line up of performers in Renaissance is Dragan Mlađenović, Georges Grujić and Ljubomir Dimitrijević on the woodwind instruments, Zoran Kostadinović on the vielle, Miomir Ristić and Srđan Stanić on the fiddle and the viol, Darko Karajić on the instruments from the family of lutes, Marcella Francesco-Lukić (mezzo-soprano), Predrag Đoković (countertenor), and Veljko Nikolić-Papa Nick on the percussion instruments. Some of the previous members of the ensemble include Vojka Đorđević (soprano), Ljudmila Gross-Marić (soprano), Dragana Jugović del Monaco (mezzo-soprano), Mirjana Savić (soprano), Mila Vilotijević (soprano), Gordana Kostić (soprano), Iskra Uzelac-Manojlović (soprano), Dušica Obradović (soprano), Miroslav Marković (baritone), Dragoslav Aksentijević-Pavle (domestikos), Svetislav Madžarević (lutes), Slobodan Vujisić (Serbian and Renaissance lutes), Ljubica Grujić (spinet and organ), Tea Dimitrijević (spinet and organ), Danijela Dejanović (spinet and organ), Dragan Karolić (woodwinds), Marko Štegelman (bagpipes), Zoran Kočišević (double bass), Vladimir Ćirić (percussion instruments), Boris Bunjac (percussion instruments), Jovan Horvat (percussion instruments) and others.

In 2002 he received the first Roland Lutes Memorial Award for extraordinary service to the Institute for Research on Public Policy. He was admitted as a member of the Order of Canada on June 10, 2005. Ronald Ritchie died August 18, 2007.

Lieutenant general LeRoy Lutes (October 4, 1890 – January 30, 1980) was an decorated American military officer who was in critical staff and supply positions during and after World War II. His last assignment was a commanding general of the Fourth United States Army.

Lutes has done some game work,Coyote vs. Wolf (Lutes's blog), Game Work such as unit portraits for the open-source video game Battle for Wesnoth (2006), a map for Dominions 3: The Awakening (2006), and website illustration for City of Heroes (2005).

The show included artists such as Nicholas Africano, Bramson herself, Susanne Doremus, Richard Hull, Michiko Itatani, Paul Lamantia, Jim Lutes, David Sharpe, Hollis Sigler, and Mary Lou Zelazny, among others.MacMillan, Kyle. "Overdue overview," Chicago Sun-Times, September 13, 2019, p. 14 (Weekend).

Lutes commonly have elaborate rosettes. The sound board, depending on the instrument, is called a top plate, table, sound-table, or belly. It is usually made of a softwood, often spruce. In a grand piano, the sound board is part of the case.

The pandura (, pandoura) or pandore, an ancient string instrument, belonged in the broad class of the lute and guitar instruments. Akkadians played similar instruments from the 3rd millennium BC. Ancient Greek artwork depicts such lutes from the 3rd or 4th century BC onward.

Rosen received her BA in Linguistics, Spanish, and French from Newcomb College of Tulane University in 1965.Pagel, David. Why Paint?: Judy Ledgerwood, Jim Lutes, Kay Rosen [and] Kevin Wolff: the Renaissance Society at the University of Chicago, March 22-April 26, 1992.

Ledgerwood was born in 1959 in the small farming community of Brazil, Indiana and identified as an artist from an early age.Renaissance Society. Why Paint?: Judy Ledgerwood, Jim Lutes, Kay Rosen, Kevin Wolff, Chicago: The Renaissance Society at the University of Chicago, 1992.

The duets are also historically important, for they present a sample of early 16th century performance practice: one of the lutes is given an intabulation of a chanson's original tenor and bass, whereas the other plays in free counterpoint to the titular chanson.

Note that the frets on all Chinese lutes are high so that the fingers never touch the actual body—distinctively different from western fretted instruments. This allows for a greater control over timbre and intonation than their western counterparts, but makes chordal playing more difficult.

Tieffenbrucker is a large multigenerational family of luthiers, originally from Bavaria, active in Venice and Padua, Italy from the beginning of the 16th century till around 1630. Several of their 16th- and 17th-century lutes are on display at the Lobkowicz Palace in Prague.

By 1625 England had a Catholic Queen, Queen Henrietta Maria, queen consort to King Charles I. Dering returned to England that year to serve as organist to Queen Henrietta Maria at her private chapel and Musician for the Lutes and Voices to King Charles.

Retrieved 2020-09-04 although it varies based on influences and choice of sounds.Smyth, David (23 April 2004). "Electrifying folk: Folktronica, new folk, fuzzy folk – call it what you will. Laptops are replacing lutes to create a whole new sound", Evening Standard, p. 31.

Note that the frets on all Chinese lutes are high so that the fingers never touch the actual body—distinctively different from western fretted instruments. This allows for a greater control over timbre and intonation than their western counterparts, but makes chordal playing more difficult.

Della Thompson Lutes (born September, 1867 in Summit Township, Jackson County, Michigan; died Cooperstown, New York, July 13, 1942) was an American writer, editor, and expert on cooking and housekeeping. Her 1936 memoir and cookbook The Country Kitchen won a National Book Award for Nonfiction.

Adventures of a Teenage Dragon Slayer, also known as I Was a 7th Grade Dragon Slayer, is a 2010 American adventure comedy family film directed by Andrew Lauer. It stars Lea Thompson, Hunter Allan, Eric Lutes, Richard Sellers, Abby Victor, and Ryan Bradley Norris.

The latter was a project that the guru had planned with Charles Lutes, the president of his organisation, the Spiritual Regeneration Movement. From February 28 until March 15, Love studied Transcendental Meditation at the Maharishi's ashram in Rishikesh, along with the Beatles. While there, he and Lutes planned a US concert tour that would feature the Beach Boys and the Maharishi as co-headliners. The tour would allow the Maharishi to propagate his message to an audience of young pop fans and, according to author Peter Ames Carlin, it would improve the Beach Boys' standing at a time when they and their music had fallen out of step with contemporary trends.

During the Nemanjic dynasty, musicians played an important role in the royal court, and were known as sviralnici, glumci and praskavnici. Other rulers known for the musical patronage included Stefan Dušan, Stefan Lazarević, and Đurađ Branković. Medieval musical instruments included horns, trumpets, lutes, psalteries and cymbals.

Retrieved 5 March 2020. Saint-George was a maker of viols and lutes; he was interested in the viola d'amore, and played the instrument in concerts. He composed a suite for strings L'Ancien Régime, based on 18th-century dance music, and other works."Saint-George, George".

A composer, he has influenced many musicians with his compositions combining the sounds of Turkish folk music and classical music with the ancient traditional music. He has played many concerts all over the world. He is regarded as a master of the kopuz and bağlama lutes.

Different musical instruments, such as lutes, ukuleles, flutes, and others can be used to play. NPC interaction is important. As the player talks to different non-player characters, more dialog keywords will become available. These will reveal plot points and NPC backgrounds, unlock quests or skills, etc.

Fall scenery of Monroe Township, Wyoming County, Pennsylvania from Lutes Corner Road Buckwheat Hollow Road looking north in Monroe Township According to the United States Census Bureau, the township has a total area of , of which, of it is land and of it (0.47%) is water.

On festive occasions storytelling, skaldic poetry, music and alcoholic drinks, like beer and mead, contributed to the atmosphere. Music was considered an art form and music proficiency as fitting for a cultivated man. The Vikings are known to have played instruments including harps, fiddles, lyres and lutes.

It usually has five or six strings and pentatonic tuning. A bowl-resonated spike-fiddle with a lizard skin table is used in the northern region, and is similar to central Asian and Ethiopian forms. The Hausa and Kanuri peoples play a variety of spike-lutes.

The evidence for instruments played is more securely attested in the Old Kingdom when harps, flutes and double clarinets were played. Percussion instruments and lutes were added to orchestras by the Middle Kingdom. Cymbals frequently accompanied music and dance, much as they still do in Egypt today.

April 1998 saw the first "high occupancy" In Extremo concert in the Rabenstein castle in Brandenburg. Over the years, their music became more heavy metal based, while at the same time becoming increasingly commercially successful. The classical instruments, however – bagpipes, shawms, and lutes – still play a large role.

A multi-neck guitar is a guitar that has multiple fingerboard necks. They exist in both electric and acoustic versions. Although multi-neck guitars are quite common today, they are not a modern invention. Examples of multi-neck guitars and lutes go back at least to the Renaissance.

23, No. 1. pp. 3-13. The hajhuj has strong historical and musical links to West African lutes like the Hausa halam, a direct ancestor of the banjo. The rhythms of the Gnawa, like their instruments, are distinctive. Gnawa is particularly characterized by interplay between triple and duple meters.

Stephen Murphy, born Sydney, Australia, May 26, 1942, is a lute maker located in Southern France at Mollans-sur-Ouvèze. He makes lutes, archlutes, theorbos, Renaissance and Baroque guitars and vihuelas. Since 1972 he has built over 400 instruments based on originals from the 16th. and 17th century.

Orazio Gentileschi's young lutenist, painted 1626, plays a 10-course lute, typical of the time from around 1600 through the 1630s Lutes were in widespread use in Europe at least since the 13th century, and documents mention numerous early performers and composers. However, the earliest surviving lute music dates from the late 15th century. Lute music flourished during the 16th and 17th centuries: numerous composers published collections of their music, and modern scholars have uncovered a vast number of manuscripts from the era—however, much of the music is still lost. In the second half of the 17th century lutes, vihuelas and similar instruments started losing popularity, and almost no music had been written for the instrument after 1750.

Her sister Florence was admitted to the bar six months later, and the sisters formed their own firm in Tiffin, Ohio, called N. & F. Cronise, Attorneys at Law. In 1879, after the passage of a law made it possible for them to practice in federal courts, they were admitted to practice at the federal district court in Toledo."Admitted to Practice in the US Court", _The Tiffiin Tribune_ , March 13, 1879, p. 3 Nettie married Nelson B. Lutes, a fellow lawyer she had met while studying the law in 1874. In 1880 Lutes ceased practicing with her sister and joined her husband's firm because he was losing his hearing and needed her assistance.

The masque was richly supplied with music, created by several composers -- including Campion himself, who contributed two "airs" for songs and a dance. The published text indicates that the music was played by a "consort of twelve," violins with three lutes, a "consort of ten" that included harpsichord, bandora, sackbut, and two violins as well as lutes, and a group of cornets. A few details of the musical arrangements have survived, including the fact that at least one song was sung by a doubled set of voices, with a treble and bass situated near the King and another set of singers on the stage, "so that the words of the song might be heard of all."Walls, p. 43.

Catherine Lutes is a Canadian cinematographer.Norman Wilner, "Celebrating film's local heroes of 2019". Now, December 20, 2019. She is most noted for her work on the film Disappearance at Clifton Hill, for which she received a Canadian Screen Award nomination for Best Cinematography at the 8th Canadian Screen Awards in 2020.

In the south wing the Füssen Town Museum is now located, with displays on the history of the abbey and of the town, particularly of the traditional manufacture of lutes and violins in Füssen. It is also possible to view the Baroque reception rooms of the abbey in the museum.

In 1944, a group of people, including Joseph Hayes, Fred L. Lutes, Lee H. Robinson, Genevieve Wells, and I.C. Whitaker, incorporated the Silver Spring Hospital Association in order to build a hospital in Silver Spring, Maryland."Silver Spring Hospital Plans $20,000 Drive". The Washington Post. April 29, 1944. p. 9.

Plucked stringed instruments include the saz, a family of long-necked lutes including the guitar-sized bağlama (the most common) and the smaller cura and kanun, a type of box zither. Several regional traditions use bowed stringed instruments such as the kabak kemane (gourd fiddle) and the Black Sea Kemançe.

Many of the dancers and musicians also sing. Dance sets are interspersed with peregrinations, praying or singing. Azteca or Mexica dancers perform the same dances, but do not play concha lutes, wear costumes which are more “indigenous” and generally dispense with the religious ceremony, especially the Catholic. They generally do not visit churches.

Byer was born in the Lincroft section of Middletown Township, New Jersey on August 29, 1986, the youngest daughter of Trevor Byer (1952–2008), a scientist for AT&T;, and Bonnie Byer (1947–2002).Lutes, Alicia. "16 Smart Questions for Nicole Byer", Amy Poehler's Smart Girls, September 29, 2015. Accessed January 14, 2019.

Apollo kitharoidos (holding a cithara) and musagetes (leading the Muses). Marble, Roman artwork, 2nd century CE Cragus (Lycian league). The cithara or kithara (, ) was an ancient Greek musical instrument in the yoke lutes family. In modern Greek the word kithara has come to mean "guitar", a word which etymologically stems from kithara.

Introduction to Hob Eh by Umm Kulthum on oud The oud ( ) is a short-neck lute- type, pear-shaped stringed instrument (a chordophone in the Hornbostel-Sachs classification of instruments), usually with 11 strings grouped in 6 courses, but some models have 5 or 7 courses, with 10 or 13 strings respectively. The oud is very similar to modern lutes, and also to Western lutes. The modern oud is most likely derived from the Assyrian Lute. Similar instruments have been used in the Middle East, North Africa, and Central Asia for thousands of years, including Mesopotamia, Egypt, North Africa, the Caucasus, the Levant, and Balkanic countries like Greece, Albania and Bulgaria; there may even be prehistoric antecedents of the lute.

In 1869, the city was laid out to secure a St. Louis, Iron Mountain and Southern Railway depot location. It was named after its founder, Eli Lutes. The railroad ceased operations through Lutesville in 1973. In 1985, the cities of Lutesville and Marble Hill merged to form one city, retaining the name Marble Hill.

A sarinda is a stringed Indian folk musical instrument similar to lutes or fiddles. It is played with a bow and has between ten and thirty strings. The bottom part of the front of its hollow wooden soundbox is covered with animal skin. It is played while sitting on the ground in a vertical orientation.

Percussion instruments, lyres and lutes were added to orchestras by the Middle Kingdom. Cymbals frequently accompanied music and dance, much as they still do in Egypt today. Egyptian folk music, including the traditional Sufi dhikr rituals, are the closest contemporary music genre to ancient Egyptian music, having preserved many of its features, rhythms and instruments.

Levin was a Swedish manufacturer of musical instruments founded by Herman Carlson Levin. Active from 1900 to 1978, the company produced over half a million instruments, mostly guitars, but also mandolins, banjos and lutes, making Levin the largest instrument manufacturer in Scandinavia for many years. Levin is best known for originating Goya acoustic guitars.

Established in 1874 by Franz Hoyer in his workshop in Schönbach (now in the Czech Republic). Hoyer began by making lutes and zithers, and then changed to classic and folk guitars. The company was continued by his son Joseph Hoyer. In 1945 the family left Schönbach and settled in Tennenlohe near Erlangen in Germany.

Joughin was portrayed by George Rose in A Night to Remember, and by Liam Tuohy in the 1997 blockbuster Titanic. Joughin was also portrayed by Chris Parnell in the fourth-season premiere of Drunk History in 2016, and again by Stuart Lutes in the second season of the British version in the same year.

The instrument that Holovaty played was probably a torban, rather than a plain bandura. The torban, often called a "panska bandura" was a Ukrainian variant of the bass lutes popular in Europe. It is known that quite a number of the Cossack gentry such as Ivan Mazepa and Semen Paliy also played the instrument.

He also shared his expertise and knowledge with younger guitar makers. His creations included guitars, lutes, harpsichords, theorbos, vihuelas, citterns, panduras, and finally also violins, violas and cellos. His instruments were prized during his lifetime by many fine musicians, including the English lutenist and guitarist Julian Bream. The Rubio Quartet named themselves in his honour.

Lee Santana (born 1959) is an American lutenist and composer, resident in Bremen, Germany. Lee Santana studied with Stephen Stubbs. He has composed a variety of works for early instruments such as lutes, viols, recorders and small baroque orchestra. He performs with the Freiburg Baroque Orchestra, the gambist Hille Perl and in the group Los Otros, among others.

Music mixing elements of folk and electronic music, or "folktronica," (or "ethnic electronica") that features uses of acoustic instruments with variable influences and choice of sounds.Smyth, David (23 April 2004). "Electrifying folk: Folktronica, new folk, fuzzy folk – call it what you will. Laptops are replacing lutes to create a whole new sound", Evening Standard, p. 31.

A lute (Oxford English Dictionary, s.v. lute or ) is any plucked string instrument with a neck and a deep round back enclosing a hollow cavity, usually with a sound hole or opening in the body. It may be either fretted or unfretted. More specifically, the term "lute" can refer to an instrument from the family of European lutes.

Ramos studied acting, writing, and directing for several years at the American Repertory Company with Manu Tupou He had supporting roles in films such as Carrion and Ironhorse with Eric Lutes. He also utilizes his martial arts in front of the camera as an action actor, as well as in projects like Wiz Khalifa's Rolling Papers 2 music video.

Rosette designs vary from simple concentric circles to delicate fretwork mimicking the historic rosette of lutes. Bindings that edge the finger and sound boards are sometimes inlaid. Some instruments have a filler strip running down the length and behind the neck, used for strength or to fill the cavity through which the truss rod was installed in the neck.

The unveiling of 7 was attended by Sheikh bin Khalifa Al-Thani, Sheikha Al-Mayassa bint Hamad bin Khalifa Al-Thani, other royals of the House of Thani, and more than 700 guests. At the ceremony, the Qatar Philharmonic Orchestra performed Hughes de Courson's "The Magic Lutes" and Serra spoke about its origins and his own research.

One common example of plastic purfling is a sandwich of three alternating strips in black and white, measuring about . However, many distinctive variations are used. Binding is a narrow outer strip of material on the edges of the body of stringed instruments such as lutes, mandolins, guitars and ukuleles. Binding may be made of thin wood strips.

Led by Iranian instrumentalist and composer Hossein Alizadeh, the Hamavayan Ensemble performs new interpretations of classical Persian music. The ensemble features male and female vocalists, tar and setar (ancient plucked lutes from Persia), and percussion. Maestro Alizadeh's most recent recording, Endless Vision, featuring the Hamavayan Ensemble with the Armenian duduk player Djivan Gasparyan, was nominated for a Grammy.

As a composer, Turovsky concentrated on the instrumental idiom of the Baroque luteOrest Kuprij, The Index of Contemporary Music for Lutes, Vihuela and Baroque Guitar and the torban,De Tabulatuur, No. 89, July 2007, pp. 12–13 as well as viola da gamba and carillon. He composed over 1100 instrumental and vocalTurovsky, Roman. Modernlutesongs.com. Retrieved on 18 October 2011.

He made bandurrias, lutes, six and twelve-string guitars, and also guitars with detachable necks. In 1897 he made the world's first double-necked guitar. In the period 1915-1920 Salvador Ibáñez e Hijos (Salvador Ibáñez and Sons) was located at Calle Bajada de San Francisco and at Calle Padre Rico Valencia. When he died in 1920zavaletas-guitarras.

He was a member of the board of trustees of The Ohio State University for ten years. Noble was the preceptor of the first woman admitted to the bar in Ohio, Mrs. Nettie C. Lutes. Noble was married in 1847 to Mary E. Singer, who had two daughters and a son before she died March 9, 1853.

Thomas "Tom" Duran (Eric Lutes) was an openly gay station manager during the second season. In "The Matchmaker", Frasier unwittingly asks Tom out on a date, intending to fix him up with Daphne. He appears later in the season in "Agents in America, Part III", trying to coax Bebe from jumping off the ledge of the building.

Subsequent developments in musical instruments in India occurred with the Rigveda, or hymns. These songs used various drums, shell trumpets, harps, and flutes. Other prominent instruments in use during the early centuries AD were the snake charmer's double clarinet, bagpipes, barrel drums, cross flutes, and short lutes. In all, India had no unique musical instruments until the Middle Ages.

Johnson's patron George Carey died in 1603. The following year Johnson found work at the court of James I where a number of lutenists were employed. Lutes came in various sizes and Johnson may have specialised in the bass lute when playing in consort music. Johnson was lutenist to Prince Henry (until the prince's death in 1612).

His Hohenstaufen grandson Frederick II, Holy Roman Emperor (1194 - 1250) continued integrating Muslims into his court, including Moorish musicians. By the fourteenth century, lutes had disseminated throughout Italy and, probably because of the cultural influence of the Hohenstaufen kings and emperor, based in Palermo, the lute had also made significant inroads into the German- speaking lands.

Acoustic and electro-acoustic instruments which have a resonator as an integral part of the instrument, and solid-body electric chordophones. The resonators and string bearers of these instruments are physically united, and they cannot be separated without destroying the instrument. This includes most western string instruments, including lutes such as violins and guitars, and harps.

The band employed a wide range of instruments (see above) but, central to their sound was their use of the lute and recorders. When touring, the lutes proved to be quite difficult instruments for stage performance (in terms of amplification and tuning) and, in 1971, the band commissioned the construction of two 7-string guitars, which could be played in lute tuning. The design and construction of these instruments was undertaken by David Rubio who made classical guitars, lutes, and other early instruments for classical players, including Julian Bream and John Williams. Gladwin's instrument was designed to have slightly more of a bass sound, as it was used mainly as an accompaniment instrument, whereas Baird's had a little bit more treble emphasis, to allow his melodic playing in the higher register to predominate.

In the next hundred years, three schools of tablature notation gradually developed: Italian (also used in Spain), German, and French. Only the last survived into the late 17th century. The earliest known tablatures are for a six-stringed instrument, though evidence of earlier four- and five- stringed lutes exists. Tablature notation depends on the actual instrument the music is written for.

Pages 1-10. Most fret positions appearing on Non-Western string instruments (lutes) are equal to positions of this scale. Unexpectedly, these fret positions are actually the corresponding undertones of the overtones from the harmonic series. The distance from the nut to the fret is an integer number lower than the distance from the fret to the bridge (see: superparticular number).

He was a member of the Edmonton Eskimos team that won the 93rd Grey Cup. Johnson served as quarterbacks coach of the Pacific Lutheran Lutes from 2010 to 2011. He also played for the Swarco Raiders of the Austrian Football League in 2009, helping them Euro Bowl XXIII. He played for the Catania Elephants of the Italian Football League in 2008.

It has also been popular with Italian artists such as Vittorio Giardino, Spanish artists such as Paco Roca and Francesc Capdevila Gisbert ("Max"), British artists such as Martin Handford, Bryan Talbot and Garen Ewing, Norwegian artists such as Jason, American artists such as Chris Ware, Geof Darrow, Jason Lutes, and Jason Little, and Italian-Australian artists such as Ilya Milstein.

He considered other peoples further west, but only found evidence of long-necked lutes. The only other possibility was among the "Elamic clay figures" from the 8th century B.C. These were discounted, as "no structural detail are visible." He was careful to point out that his conclusions were based on the evidence which had been unearthed by 1955, from literature and art.

Tam Tri was born in southern Vietnam near the city of Rach Gia to a family of musicians. Tam Tri mastered most of the Vietnamese traditional musical instruments one at a time, including the zither, plucked lutes, bowed instruments, flutes, drums and gongs. He also played violin, acoustic guitar and electric guitar. He kept rhythm with the Asian style metronome, the Song Lang.

The Reformation brought a period of decline in the cathedral's music which was revived under Dean Thomas Neville in the early 17th century. Neville introduced instrumentalists into the cathedral's music who played cornett and sackbut, probably members of the city's band of waits. The cathedral acquired sets of recorders, lutes and viols for the use of the choir boys and lay- clerks.

Aurand advocated the establishment of a Transportation Corps, and the creation of a consolidated logistical system. He supported arming aircraft with cannon, and urged the adoption of the jeep. He observed the Louisiana Maneuvers, spending an afternoon with Eisenhower, who was now the Chief of Staff of the Third United States Army, and with his G-4, Lieutenant Colonel LeRoy Lutes.

Raymond Daniel Doucett (May 6, 1907 – March 29, 1970) was a wholesale grocer and political figure in New Brunswick, Canada. He represented Restigouche County in the Legislative Assembly of New Brunswick from 1963 to 1970 as a Liberal member. He was born in Charlo, New Brunswick, the son of Peter Doucett and Annabell Henderson. In 1926, he married Catherine Ila Lutes.

Before, they were made of palm tree roots (Jola language: kuhall kata kubekel). The neck is a bamboo stick (Mandinka language: bangoe) that passes through the calabash to the other side. A hole is made in the sound box to allow the sound to escape. The bridge of the ekonting is not fixed to its skin as many lutes are.

Remarkably, the Jola o'teck technique of playing the akonting is the only extant down- picking style of lute playing found in all of West Africa thus far. Even more pertinent to the ongoing search for the banjo's ancestors, it's the only West African lute with a banjo-like short "thumb string" which is played in this manner. In addition to the Jola akonting, the Manjago buchundu, the Papel busunde, the Balanta kisinta, and all the various kinds of wooden-bodied lutes that are exclusive to the griots (for example, the Mande ngoni, the Wolof xalam, the Fula hoddu, and the Soninke gambare) have a short "thumb string" drone. The "thumb string" seems to be a feature unique to lutes of Senegambian origin which have three or more strings and are played with the fingers, regardless of playing style.

Amazing Blondel are an English acoustic progressive folk band, containing Eddie Baird, John Gladwin, and Terry Wincott. They released a number of LPs for Island Records in the early 1970s. They are sometimes categorised as psychedelic folk or as medieval folk rock, but their music was much more a reinvention of Renaissance music, based around the use of period instruments such as lutes and recorders.

Gärtner Lyre.This modern lyre was created by Edmund Pracht and W. Lothar Gärtner in 1926. Lyres from various times and places are sometimes regarded by organologists as a branch of the zither family, a general category that includes not only zithers, but many different stringed instruments, such as lutes, guitars, kantele, and psalteries. Others view the lyre and zither as being two separate classes.

Many musical instruments are capable of very fine distinctions of pitch, such as the human voice, the trombone, unfretted strings such as the violin, and lutes with tied frets. These instruments are well-suited to the use of meantone tunings. On the other hand, the piano keyboard has only twelve physical note-controlling devices per octave, making it poorly suited to any tunings other than 12-ET.

Similar adaptations to smaller lutes (c. 55+ cm string length) also produced the arciliuto (archlute), liuto attiorbato, and tiorbino, which were differently tuned instruments to accommodate a new repertoire of small ensemble or solo works. In the performance of basso continuo, theorboes were often paired with a small pipe organ. The most prominent early composers and players in Italy were Giovanni Girolamo Kapsperger and Alessandro Piccinini.

The work was divided into six parts, part 1 focusing on principles and operations, vessels, lutes, furnaces, characteristics, and weights. Part 2 was concerned with medical herbs and medicines made from such plants. Part 3 dealt with animals and part 4 with metals. Part 5 focused on making compound medicines and part 6 was directed to a female audience and covered methods of preserving and increasing beauty.

On September 11, 1954 Sweikert became the first driver ever to average in a race, with his win in the Lutes Truck Parts Special #17 car at the Eastern Speed Dome in Syracuse. On May 30, 1955 Sweikert finally won the Indianapolis 500 race, from the 14th starting position in the Zink Kurtis roadster #6. That car now reside in the Museum at the Indianapolis racetrack.

The veena (IAST: vīṇā) comprises a family of chordophone instruments from the Indian subcontinent. Ancient musical instruments evolved into many variations, such as lutes, zithers and arched harps.Vina: Musical Instrument, Encyclopædia Britannica (2010) The many regional designs have different names such as the Rudra veena, the Saraswati veena, the Vichitra veena and others. The North Indian design, used in Hindustani classical music, is a stick zither.

The librettist, Giulio Rospigliosi, became Pope Clement IX in 1667. The part of Sant'Alessio lies extremely high and was meant to be sung by a castrato. The accompanying orchestra is up-to-date, dispensing with the archaic viols and using violins, cellos, harps, lutes, theorbos, and harpsichords. The opera includes introductory canzonas which function as overtures; indeed they are the first overtures in the history of opera.

However the Spanish did not object to the Americans learning to play European instruments. The Americans took their drum rhythms and incorporated them into music on the lutes to "preserve the original beats of Danza rhythms." They used the Spanish instruments to "preserve their own songs, rhythms and sacred knowledge." They copied the lute, and the mandolin (or its predecessors the vandola or gittern).

The Taverner Consort and Players were led until the early 1990s by baroque violinist John Holloway. The ensemble has collaborated with noted early music practitioners such as singers Emma Kirkby, Emily Van Evera, Evelyn Tubb, Rogers Covey-Crump, and instrumentalists Nigel North, Francis Baines and Anthony Bailes. The players' orchestral make-up typically includes instruments such as baroque violins, viols, lutes, theorbo and chamber organ continuo.

He was inducted into the NAIA Hall of Fame in 1995 and the College Football Hall of Fame in 2005. Westering coached 26 NAIA and NCAA First Team All-Americans. After Westering retired, his son, Scott, took over as head football coach of the Pacific Lutheran Lutes where he went 74-54 in 14 seasons including two NCAA Division III National Playoff Berths in 2012 and 2013.

On that subject he says: "I think it was well-received partly because I set out specifically to tell a story that could be picked up and read by people who did not usually read comics, and partly because the reader could in some way participate in the same process of discovery I went through in its creation.""An Interview with Jason Lutes" at Silver Bullet Comics.

Mothers were responsible for taking care of the children, while the father provided the family's income. Music and dance were popular entertainments for those who could afford them. Early instruments included flutes and harps, while instruments similar to trumpets, oboes, and pipes developed later and became popular. In the New Kingdom, the Egyptians played on bells, cymbals, tambourines, drums, and imported lutes and lyres from Asia.

Stringed instruments were prominent in Middle Age Europe. The central and northern regions used mainly lutes, stringed instruments with necks, while the southern region used lyres, which featured a two-armed body and a crossbar. Various harps served Central and Northern Europe as far north as Ireland, where the harp eventually became a national symbol. Lyres propagated through the same areas, as far east as Estonia.

Musical instrument development was dominated by the Occident from 1400 on, indeed, the most profound changes occurred during the Renaissance period. Instruments took on other purposes than accompanying singing or dance, and performers used them as solo instruments. Keyboards and lutes developed as polyphonic instruments, and composers arranged increasingly complex pieces using more advanced tablature. Composers also began designing pieces of music for specific instruments.

Plectra for psalteries and lutes can be cut similarly to writing pens. The rachis, the portion of the stem between the barbs, not the calamus, of the primary flight feathers of birds of the crow family was preferred for harpsichords. In modern instruments, plastic is more common, but they are often still called "quills". The lesiba uses a quill attached to a string to produce sound.

It was given its name by early white settlers for the park-like nature of the vast Garry Oak and blue camas flower prairie, and the many meandering creeks crossing it. In 1890, Norwegian-Americans from the Midwest chose this area as the site of their new college, which today is Pacific Lutheran University, home to 3,500 full-time students and to the Lutes.

The Tigers defeated the Lutes of Pacific Lutheran University. It would be the first time any school would win three consecutive tournaments; a feat only repeated once, by Kentucky State, in 1970, 1971, and 1972. It was also the first tournament that didn't feature an upset in the championship game and first time a "true" number 1 seed won the tournament since seeding began in 1957.

Two different styles of soundholes are present in illustrations. One type looks like the soundholes on lutes, a circle cut from near the center of the soundboard in a large, elaborate circular carving called a rose. The citole roses are not as elaborate as the lute roses would be in later centuries. This type is visible in the images from the Queen Mary Psalter and the Ormesby Psalter.

Other significant Mississippian-era rock patches appear in two areas around the watershed. The first is located near the north-western border of the watershed, near Lutes Mountain and Cornhill. The second ranges from the east of the Memramcook River to the west of Hillsborough, in Beech Hill. The Petitcodiac River watershed also features karst topography, where gypsum and limestone around Mississippian rocks dilute into the circulating groundwater.

Singer-songwriter Sting has also played lute and archlute, in and out of his collaborations with Edin Karamazov, and Jan Akkerman released two albums of lute music in the 1970s while he was a guitarist in the Dutch rock band Focus. Lutenist/Composer Jozef van Wissem composed the soundtrack to the Jim Jarmusch film Only Lovers Left Alive. Lutes of several regional types are also common in Greece: laouto, and outi.

The history of modern mandolins, mandolas and guitars are all intertwined. The instruments shared common ancestor instruments. Some instruments became fashionable widely, and others locally. Experts argue as to the differences; because many of the instruments are so similar but not identical, classifying them has proven difficult The Cantigas de Santa Maria shows 13th century instruments similar to lutes, mandores, mandolas and guitars, being played by European and Islamic players.

The tradition is rooted in the Otomi, Jonaz, Chichimeca, and Caxcan tribes. As Christians tried to supress the native's religion, the instruments became a tool to preserve music. Early Concheros dancers were able to incorporate the precolumbian dance and drum rhythms into the music made on the guitars and lutes. A traditional conchero can tell which step should be carried out by how the melody is being strummed on the conchas.

This picture of musical bow to harp bow is theory and has been contested. In 1965 Franz Jahnel wrote his criticism stating that the early ancestors of plucked instruments are not currently known. He felt that the harp bow was a long cry from the sophistication of the 4th-century BC civilization that took the primitive technology and created "technically and artistically well-made harps, lyres, citharas and lutes".

For his 1607 opera L'Orfeo, Claudio Monteverdi lists duoi (two) chitaroni among the instruments required for performing the work. Musicians originally used large bass lutes (c. 80+ cm string length) and a higher re-entrant tuning; but soon created neck extensions with secondary pegboxes to accommodate extra open (i.e. unfretted) longer bass strings, called diapasons or bourdons, for improvements in tonal clarity and an increased range of available notes.

The art development team was founded by Francisco Muñoz, and directed by Richard Kettering with Hogne Håskjold as the director of terrain art. The current set of portraits were designed primarily by Kathrin Polikeit and Emilien Rotival, replacing the older set of comic-style portraits done by Jason Lutes. Most artwork is stored in the portable network graphics format and all are licensed under the GNU General Public License.

John Webb, to be painted on a backshutter for the first performance of The Siege of Rhodes (1856) The European Renaissance saw older forms evolve into commedia dell'arte, an Italian tradition where raucous clowns improvised their way through familiar stories, and later, opera buffa. In England, Elizabethan and Jacobean plays frequently included music, with performances on organs, lutes, viols and pipes for up to an hour before and during the performance.

They play, generally solo, a variety of lutes (xalam or molo), flutes and fiddles and, like the Fula, carry on the griot tradition of caste-based praise singers and musicians. Songhai traditional music was the topic of extensive study in the late colonial and early independence period.See the works of Jean Rouch, as well as Bernard Surugue. Contribution a l'etude de la musique sacree zarma songhay (Republique du Niger).

Caroline in the City centers around fictional cartoonist Caroline Duffy (Lea Thompson), who makes a rival strip. The relationship between Caroline and Cathy is described as "oily rag, lit cigarette". In the season 1 episode "Caroline and the Bad Back", Caroline hurts her back and is unable to meet a deadline. To prevent the newspapers from double running Cathy strips, Del (Eric Lutes) and Richard (Malcolm Gets) create one for Caroline.

He was born in Campbellton, New Brunswick, the son of Raymond Daniel Doucett and Catherine Ila Lutes. In 1964, he married Jane Mary Crosby. He served as a school board trustee and municipal councillor for Jacquet River. Doucett was Chairman of the New Brunswick Electric Power Commission from 1987 to 1990 and later was Minister of Commerce and Technology and then Minister to the New Brunswick Regional Development Corporation.

The last is singing, where natural vocal abilities are emphasized. The development of Romani music dates back to the playing of instruments such as lutes in the late 1400s in Hungary and Italy. Roma would perform with non-Roma as entertainers in any aspect of performance. Eventually, as organized religion gained traction, performance became less emphasized and sometimes prohibited for non-Roma populations, so Roma filled all professional entertainment spots.

The El Molino and Fairmount operations merged in 1982 as the Huntington Medical Research Institutes. At that time research at the Pico Street location added clinical studies of magnetic resonance imaging (MRI). Earlier advances at Pico Street included development of methods for providing CT-scanner guidance of 3-dimensional brain stereotactic surgery systems.Shelden, C. Hunter, Gilbert McCann, Skip Jacques, Harold R. Lutes, Robert E. Frazier, Richard Katz, and Rudi Kuki.

Seats are surfaced in Moroccan leather. The walls are decorated in an elaborate pattern of azure and teal and salmon rise to a curved coffered ceiling, done in azure with silver stars amid intersecting imitation wood, from which a chandelier hangs. At the north end is the stage with a maroon-and-gold proscenium and red velvet curtain. Above it is an emblem with Roman legionnaires' helmets and lutes.

During the Nemanjić dynasty era musicians played an important role at the royal court, and were known as sviralnici, glumci and praskavnici. The rulers known for the musical patronage included Emperor Stefan Dušan and Despot Đurađ Branković. Medieval musical instruments included horns, trumpets, lutes, psalteries, drums and cymbals. Traditional folk instruments include the gajde, kaval, dajre, diple, tamburitza, gusle, tapan (davul), sargija, ćemane (kemenche), zurla (zurna), and frula among others.

The Igbo also play slit drums, xylophones, flutes, lyres, udus and lutes, and more recently, imported European brass instruments. Courtly music is played among the more traditional Igbo, maintaining their royal traditions. The ufie (slit drum) is used to wake the chief and communicate meal times and other important information to him. Bell and drum ensembles are used to announce when the chief departs and returns to his village.

The viola-de-cocho is a musical instrument of the group of short lutes, produced by master craftsmen. After choosing the wood, cut the trunk into two flat parts. With a cast the wood is scratch and on which is carved a sounding board. Once carved the body of the instrument, the soundboard is glued and then the bridge, fingerboard and pegs are placed, and, finally, the frets and strings.

The instruments most commonly employed include several varieties of two-stringed bowed lutes; the zixian (字弦) erxian（二弦） or touxian (头弦) the lead instrument in the Hakka style, shorter and higher-pitched than the erxian), the tihu (of lower pitch than the zixian, adapted from the Cantonese gaohu) and the big and small yehu (coconut shell body), as well as several types of plucked lutes: the pipa, large and small sanxian (a fretless bass instrument like the shamisen), qinqin (four-stringed with short, fretted neck and round body), ruan (four-stringed with long, fretted neck and round body) and meihuaqin. Other than this, the zheng (zither) and yangqin (a hammered dulcimer thought to derive from the Iranian santur) are played as well as percussion instruments: a hand-held wooden clapper (muban), a pair of "temple" blocks (daban and fuban) that mark the beat, and a small drum (zhegu). Cello is sometimes also used, particularly in the style performed in the area of Shantou.

Up until that point, the conventional wisdom was that the wooden- bodied plucked lutes exclusive to the West African griots, such as the Mande ngoni and the Wolof xalam, were the archetypes for the earliest forms of the banjo, first made and played by enslaved West Africans in the New World, from the 17th century on. Jatta's proposition that gourd-bodied non-griot folk and artisan lutes - like the Jola akonting (Senegal, Gambia, Guinea-Bissau), the Manjago buchundu (Gambia, Guinea-Bissau), the Gwari kaburu (Nigeria), and the Frafra koliko (Ghana), to name but a few - were the more likely candidates was revolutionary. Since then, many museums around the world have updated their collections to include the akonting and other members of the West African folk/artisan lute family, while banjo historians and ethnomusicologists have begun to broaden the range of their focus to include these instruments as well those used by griots.

A message posted on the band's official Myspace page in 2006 stated that the album was to be re-mastered and released at some time in the future. A date has yet to be announced. After the release of their third single Nightnurse were signed by Sanctuary Management, and were joined by drummer Dicki Fliszar, who replaced Alex Lutes. They went on to record 4 new demo tracks at Trident studios in South London.

" Yahoo!'s Kathleen Perricone gave "Scream & Shout" a mixed review, and said it was "not exactly worthy of all the hype", and Alicia Lutes of Hollywood.com criticized its lyrical meaning and repetitive production. Malene Arpe of Toronto Star wrote that it "is really terrible and rather than making you want to scream and shout, it sorta lulls you into a nice nap-like state of ceasing to care around the three-minute mark.

They produce a bass that differs somewhat in timbre from nylon basses. The lute's strings are arranged in courses, of two strings each, though the highest-pitched course usually consists of only a single string, called the chanterelle. In later Baroque lutes two upper courses are single. The courses are numbered sequentially, counting from the highest pitched, so that the chanterelle is the first course, the next pair of strings is the second course, etc.

The lute player either improvises ("realizes") a chordal accompaniment based on the figured bass part, or plays a written-out accompaniment (both music notation and tablature ("tab") are used for lute). As a small instrument, the lute produces a relatively quiet sound. The player of a lute is called a lutenist, lutanist or lutist, and a maker of lutes (or any similar string instrument, or violin family instruments) is referred to as a luthier.

Tom Hart began making mini-comics while living in Seattle in the early 1990s. Like many of his colleagues including Megan Kelso, Dave Lasky, Jason Lutes, Jon Lewis, and James Sturm he was an early recipient of the Xeric Foundation grant for cartoonists. His Xeric-winning book, Hutch Owen's Working Hard was 56 pages and self-published in 1994. His next book, New Hat, was published through Canadian publisher Black Eye Productions in 1995.

During Walter's three years of service Anna and her son lived in Ohio where Anna earned a living as a teacher. After Walter's return the family moved first to Indiana in 1869, and to Kansas in 1871, settling in Lincoln County in 1872. Wait was active in the suffrage movement in Kansas. In 1879 Wait, along with Emily J. Briggs and Sarah E. Lutes established the district branch of the Equal Suffrage Association.

The lahuta is used by Gheg Albanians of northernmost Albania (MalësiaSongs of the frontier warriors By Robert Elsie, Janice Mathie-Heck, p. 371) for the singing of epic songs or Albanian Songs of the Frontier Warriors. The instrument was very common in Kosovo and Albania, specially in the mountain regions such as Malsia. In Albanian types, the lutes head is often carved after a goats head or a hawk, the latter representing the Albanian flag.

The eleaotua is a musical bow played in Guam, also spelled eluaotuas, eleaotuchan, and elimau-tuyan. This gourd-resonating musical bow likely has common roots with the Brazilian berimbau, due to constant trade between Asia and South America in the nineteenth century, during which the instrument may have been introduced to the Chamorro people. The instrument also resembles various zither/boat lutes found throughout Southeast Asia (esp. in the Philippines) called kutiyapi.

The repeated cycle of plucking all strings creates the sonic canvas on which the melody of the raga is drawn. The combined sound of all strings, each string a fundamental tone with its own spectrum of overtones, supports and blend with the external tones sung or played by the soloist. The name of the instrument derives from Persian تنبور (pr. tanbūr) where it designates a group of long necked lutes (see tanbur).

Unlike the oud and other short-necked lutes, the laouto has a higher string tension due to its longer neck and hence is brighter in tone than the oud. It also has movable frets to permit the playing of the maqams. The laouto also tends to have only one sound hole (sometimes two) whereas the oud family tend to have three. Due to this, there are many similarities between the laouto and the oud.

In fact, Chinese tradition attributes many musical instruments from this period to those regions and countries. Cymbals gained popularity, along with more advanced trumpets, clarinets, pianos, oboes, flutes, drums, and lutes. Some of the first bowed zithers appeared in China in the 9th or 10th century, influenced by Mongolian culture. India experienced similar development to China in the Middle Ages; however, stringed instruments developed differently as they accommodated different styles of music.

Persian miniatures provide information on the development of kettle drums in Mesopotamia that spread as far as Java. Various lutes, zithers, dulcimers, and harps spread as far as Madagascar to the south and modern-day Sulawesi to the east. Despite the influences of Greece and Rome, most musical instruments in Europe during the Middles Ages came from Asia. The lyre is the only musical instrument that may have been invented in Europe until this period.

Also called: Kutyapi, Kutiapi (Maguindanaon), Kotyapi (Maranao), Kotapi (Subanon), Fegereng (Tiruray), Faglong, Fuglung (B'laan), Kudyapi (Bukidnon and Tagbanwa), Hegelong (T’boli) and Kuglong, Kadlong, Kudlong or Kudlung (Manobo, Mansaka, Mandaya, Bagobo and Central Mindanao), Kusyapi (Palawan) Similar instruments played throughout the region include the Sape of Sarawak and the Crocodile lutes of Mainland Southeast Asia. Although they share a similar name, the Kacapi of Sunda on Java is a zither, and not a lute.

Ancient Egyptians developed stringed instruments, such as harps, lyres and lutes, which required making thin strings and some type of peg system for adjusting the pitch of the strings. Ancient Egyptians also used wind instruments such as double clarinets and percussion instruments such as cymbals. In Ancient Greece, instruments included the double-reed aulos and the lyre. Numerous instruments are referred to in the Bible, including the horn, pipe, lyre, harp, and bagpipe.

The kora is by far the most popular traditional instrument. It is similar to both a harp and a lute and can have between 21 and 25 strings. There are two styles of playing the kora; the western style is found mostly in Senegal and The Gambia, and is more rhythmically complex than the eastern tradition, which is more vocally dominated and found throughout Mali and Guinea. Ngoni (lutes) and balafon (xylophones) are also common.

However, the production in his later years at Lisbon is quite distinct from his earliest. The orchestral writing continued to be as detailed as before, but instruments like recorders and lutes are no longer to be found. There is less use of separated sections for solo voices. Most pieces are now concertate, that is, with one or more soloists emerging from the choir for short passages, thus creating numerous distinct vocal textures.

The ensemble was typically made up of neys, flutes, and mandolins, variously complemented by violins, violoncellos, lutes, guitars, trombones and castanets. More traditional saz elements such as ouds, neys, kanuns and zills generally accompanied these instruments. The compositions performed featured makams closer to the melodic structures, keys and chords as defined by a western understanding of scale, i.e. major and minor, and generally were of peşrev, saz semâ'î, canzone, köçekçe and oyun havası performances.

These troupes perform at annual festival mostly in honor of patron saints-- especially in the Villa de Guadalupe, Amecameca, Chalma and Los Remedios. These are located north, east, south, and west of Mexico City, a remnant of the importance of the cardinal directions to indigenous people. Dancers dress in indigenous style garb that can include loincloths, feathered headdresses body paint and more. They are accompanied by indigenous drums, flutes and small lutes made from armadillo shells (showing European influence).

This image, unlike the other two mentioned, shows sound holes, an indication that this instrument had a wooden soundboard and not a skin top. Jean During, who wrote the 1988 Barbat article used by the Encyclopedia Iranica, cites two images of short lutes as being the oldest currently known. One is in Ḵaḷčayān (Uzbekistan), c. 1st century A.D. The other, "at the moment the oldest evidence of the existence of the barbaṭ," was at Dal’verzin Tepe, c.

His Hohenstaufen grandson Frederick II, Holy Roman Emperor (1194–1250) continued integrating Muslims into his court, including Moorish musicians.Roger Boase, The Origin and Meaning of Courtly Love: A Critical Study of European Scholarship, Manchester University Press, 1977, pp. 70–71. By the fourteenth century, lutes had disseminated throughout Italy and, probably because of the cultural influence of the Hohenstaufen kings and emperor, based in Palermo, the lute had also made significant inroads into the German-speaking lands.

The lute player either improvises ("realizes") a chordal accompaniment based on the figured bass part, or plays a written-out accompaniment (both music notation and tabulature ("tab") are used for lute). As a small instrument, the lute produces a relatively quiet sound. Medieval lutes were 4- or 5-course instruments, plucked using a quill as a plectrum. There were several sizes, and by the end of the Renaissance, seven different sizes (up to the great octave bass) are documented.

Route 128 is a provincial highway in the Canadian province of New Brunswick. The highway starts in Lutes Mountain as Homestead Road at Route 126. The road travels in a horseshoe pattern through two small communities before ending in the city of Moncton at an interchange with Route 15 (Wheeler Boulevard). In the community of Berry Mills, New Brunswick, the road is called Berry Mills Road and in Moncton, Route 128 is also designated Killam Drive.

Chairside CAD/CAM restoration typically creates and lutes(bonds) the prosthesis the same day. Conventional prostheses, such as crowns, have temporaries placed for one to several weeks while a dental laboratory or in-house dental lab produces the restoration. The patient returns later to have the temporaries removed and the laboratory-made crown cemented or bonded in place. An in-house CAD/CAM system enables the dentist to create a finished inlay in as little as one hour.

"The Matchmaker" is the third episode of the second season of American sitcom Frasier. It is noteworthy in being Joe Keenan's first episode produced on the show, after which he became a regular writer and eventually executive producer on the show. It won a GLAAD Media Award for its lighthearted satire of the various stereotypes surrounding gay men. It was also a breakthrough performance for Eric Lutes, leading to his casting as a regular on Caroline in the City.

The soundboard is often made of spruce or cedar wood, while the body is usually made of a harder wood such as maple or walnut. This is a practice consonant with the construction of other (round-backed) lutes. The 11 frets of the neck are removable (and can be re-positioned for differing intervals) and made of nylon (resembling the gut/nylon frets of the lute). Up to 9 wooden frets, mounted on the soundboard, are fixed.

The band played at the Hertals Rocks Festival in Belgium in October 2011, and at the 2012 Festival Internacional de Benicàssim in Spain. In April 2014, Pete Jones (formerly of Public Image Ltd, Cowboys International and Brian Brain) joined on bass guitar. In 2015, original drummer Mizon, original guitarist Herbage and guitarist Burnett all left the band and were replaced by drummer Alexander Lutes and guitarist Phil Thompson (formerly of Bug), leaving Roxy as the sole original member.

Petitcodiac in the Mi'kmaq language has been translated as meaning "bends like a bow". The early Acadian settlers in the region named their community Le Coude which means "the elbow". Subsequent English immigrants changed the name of the settlement to The Bend of the Petitcodiac (or simply The Bend). The Petitcodiac river valley at Moncton is broad and relatively flat, bounded by a long ridge to the north (Lutes Mountain) and by the rugged Caledonia Highlands to the south.

1605), published posthumously nearly three centuries later in 1884. For several centuries, Europe used a variety of tuning systems, including 12 equal temperament, as well as meantone temperament and well temperament, each of which can be viewed as an approximation of the former. Plucked instrument players (lutenists and guitarists) generally favored equal temperament"Lutes, Viols, Temperaments" Mark Lindley , while others were more divided.Andreas Werckmeister: Musicalische Paradoxal-Discourse, 1707 In the end, twelve-tone equal temperament won out.

Detour was nominated for the "Best New Series" Harvey Award in 1998. The Fall, a graphic novel that was written by Brubaker and illustrated by Berlin creator Jason Lutes was published by Drawn and Quarterly in 2001. This work had previously been anthologized in five parts in Dark Horse Presents in 1998. The story involved a convenience store clerk who gets involved in a ten-year-old murder mystery after he uses a stolen credit card.

It contains a 'choose your own adventure' short story by Rosie Šnajdr. It contains essays by Clementine Beauvais, Nicholas B. Clark, Margaret R. Higonnet, Carrie Hintz, Robert Kiely, Lisa Jarnot, Toby Mitchell, Eve Tandoi, Greg Thomas, and Ross Wolfe. It also re-prints Walter Benjamin's essay 'Berlin Toy Tour II', translated by Jonathan Lutes, and El Lissitzky's 'A Supremacist Tale About Two Squares', colourful socialist propaganda for children. The issue received notice on The Times Literary Supplement blog .

They also compete in the Teatro Falla for the awards. The choirs (coros) are larger groups that travel through the streets on open flat-bed carts or wagons, singing, with a small ensemble of guitars and lutes. Their characteristic composition is the "Carnival Tango", and they alternate between comical and serious repertory, with special emphasis on lyrical homages to the city and its people. The costumes are, by far, the most sophisticated and elaborate of all.

Viols are fretted in a manner similar to early guitars or lutes, by means of movable wrapped-around and tied-on gut frets. A low seventh string was supposedly added in France to the bass viol by Monsieur de Sainte-Colombe (c. 1640–1690), whose students included the French gamba virtuoso and composer Marin Marais. Also, the painting Saint Cecilia with an Angel (1618) by Domenichino (1581–1641) shows what may be a seven-string viol.

Water appearing to run uphill at Magnetic Hill The Magnetic Hill is an example of a gravity hill, a type of optical illusion created by rising and descending terrain. It is located at the northwestern edge (in the Magnetic Hill Area) of the city of Moncton in the Canadian province of New Brunswick. The general area is at the base of a ridge named "Lutes Mountain", which rises several hundred feet above the surrounding Petitcodiac River valley.

Earlier in the section he compared the lute to the mandore. "Now although the mandore has only four strings, nevertheless one plays it rather above all that is played in a lute, whose chorus it covers because of the liveliness and sharpness of its tone, which penetrates and so preoccupies the ear that the lutes have trouble being heard." He said that good mandore players were prone to speedy picking, blurring notes together in a rush of speed.

Bram Stoker's Legend of the Mummy, or simply Bram Stoker's The Mummy, is a 1998 American fantasy horror film based on Bram Stoker's 1903 novel The Jewel of Seven Stars. It features an ensemble cast including Academy Award Winner Louis Gossett Jr., Eric Lutes, Amy Locane, Lloyd Bochner, Victoria Tennant, Mary Jo Catlett, Aubrey Morris, and Richard Karn. Morris previously played Dr. Putnum in Blood from the Mummy's Tomb, the 1971 Hammer adaptation of the same novel.

A change between Renaissance and Baroque styles can also be discerned in the realm of orchestration, or instrumental groupings. As has been discussed above, instruments in the sixteenth century were grouped together in mixed-instrument or instrument-and-voice ensembles called consorts. With the exception of keyboards and lutes, all instruments were conceived and built this way, from rackets to recorders to sackbuts to crumhorns to viols. As the century went on, small mixed consorts of unlike instruments remained the norm.

Medieval lutes were 4- or 5-course instruments, plucked using a quill as a plectrum. There were several sizes, and by the end of the Renaissance, seven different sizes (up to the great octave bass) are documented. Song accompaniment was probably the lute's primary function in the Middle Ages, but very little music securely attributable to the lute survives from the era before 1500. Medieval and early-Renaissance song accompaniments were probably mostly improvised, hence the lack of written records.

The neck is the part of certain string instruments that projects from the main body and is the base of the fingerboard, where the fingers are placed to stop the strings at different pitches. Guitars, banjos, ukuleles, lutes, the violin family, and the mandolin family are examples of instruments which have necks. Necks are also an integral part of certain woodwind instruments, like for instance the saxophone. The word for neck also sometimes appears in other languages in musical instructions.

A lyrist on the Standard of Ur, The so-called lyres of Ur, excavated in ancient Mesopotamia (modern Iraq), date to 2500 BC and are considered to be the world's oldest surviving stringed instruments. Over time, the name in the wider Hellenic space came to be used to label mostly bowed lutes such as the Byzantine lyra, the Pontic lyra, the Constantinopolitan lyra, the Cretan lyra, the lira da braccio, the Calabrian lira, the lijerica, the lyra viol, the lirone.

Modern musicians have found many plucking techniques work well, these include southern European lyre techniques, guitar styles of finger picking, lute picking, harp techniques and use one or a mixture of these techniques when playing. Also plectrums were used, however no plectrums survive so their make up can only be surmised. Possibilities include quills made from bird feathers which were known to have been used to play medieval lutes, medieval Ouds used plectrums made animal horn and also wood is a possible material.

Musicologists have put forth examples of that 4th-century BC technology, looking at engraved images that have survived. The earliest image showing a lute-like instrument came from Mesopotamia prior to 3000 BC. A cylinder seal from c. 3100 BC or earlier (now in the possession of the British Museum) shows what is thought to be a woman playing a stick lute. From the surviving images, theororists have categorized the Mesopotamian lutes, showing that they developed into a long variety and a short.

String instruments can be divided in three groups ;Lutes : Instruments that support the strings via a neck and a bout ("gourd"), for instance a guitar, a violin, or a saz ;Harps : Instruments that contain the strings within a frame ;Zithers : Instruments that have the strings mounted on a body, frame or tube, such as a guqin, a cimbalom, an autoharp, harpsichord, a piano, or a valiha It is also possible to divide the instruments into categories focused on how the instrument is played.

Similarly to those in van Eyck's work, Lochner's angels often sing or play musical instruments, including lutes and organs.Corley, 90 He seemingly rejected some aspects of van Eyckian realism, notably in his depictions of shadows, and his unwillingness to apply transparent glazes. As a colourist, Lochner was more inclined towards the International Gothic style, even if this inhibited realism. He did not utilise the newly developed Netherlandish techniques of representing perspective, but rather indicated distance through the diminution of parallel objects.

Kankara sanshin The kankara () or kankara sanshin (literally "sanshin from a can") is a Japanese three-stringed folk plucked instrument, initially an improvised derivative of the Okinawan sanshin that was developed in the Ryukyu Islands during the Shōwa period. Like the wooden-bodied gottan, the kankara is an inexpensive alternative to other, professional Japanese lutes – namely the sanshin and the similar, albeit larger shamisen. Unlike the gottan, however, the kankara was invented much later and served a much different purpose historically.

Epiphone began in 1873, in Smyrna, Ottoman Empire (now İzmir, Turkey), where Greek founder Anastasios Stathopoulos made his own fiddles and lutes (oud, laouto). Stathopoulo moved to the United States in 1903 and continued to make his original instruments, as well as mandolins, from a factory at 35-37 36th Street in Long Island City, Queens, New York. Anastasios died in 1915, and his son, Epaminondas ("Epi"), took over. After two years, the company became known as The House of Stathopoulo.

The Khassonké heartland in Mali. The Khassonké (CAH-KES-SON-QUE) are an ethnic group of Mali's Kayes Region. Descendants of the Fula and Malinké Khasso kingdoms, they speak the Khassonke/Xaasongaxango language, a Manding language similar to Bambara. Their traditional musical instruments are the dundunba (a big cylindrical drum with two skins), the jingò (a small cylindrical drum with two skins), the tantanwò (a small drum), the tamandinwo (an aisselle drum), as well as lutes and harps and hunters' whistles.

Serbian gusle Excerpt of an accordion performance at the Pokrajinski festival of Sombor in 2010. Frula can be heard in this performance of a Serb folk song. The ethno genre encompasses both vocal and non-vocal (instrumental) music. Instruments include bagpipes, flutes, horns, trumpets, lutes, psalteries, drums and cymbals such as: Frula (woodwind), Diple (dvojanka, woodwind), Gajde (bagpipe), Zurna (woodwind), Duduk (woodwind), Tambura (lute), Tamburitza (lute), Gusle (lute), Kaval (šupeljka, lute), Davul (tapan, goč, drum), Bouzouki (šargija, lute), Tarambuke (drum).

EB/OHPC has been mostly discontinued and hence is mostly no longer available. It remains marketed under the brand names Primosiston in Ecuador and Peru, Dos Dias N in Argentina, and Lutes in Japan. It was previously marketed under the brand names Ostrolut in Austria; Primosiston (or Primosiston Inj. / Injection) (Schering) in Argentina, Germany, Mexico, Switzerland, and Venezuela; Primosiston Fuerte in Spain; and Syngynon in Germany, but these formulations have all been discontinued and hence are no longer available in these countries.

In July 1982, the magazine was sold Christianity Today, Inc., which changed the name to Ignite Your Faith in January 2006. Writers and editors who served at Campus Life and Ignite Your Faith include Philip Yancey, Warren Wiersbe, Dawson McAllister, Stephen R. Lawhead, Gregg Lewis, James P. Long, Chris Lutes, Dean Merrill, Harold Myra, Paul Robbins, and Tim Stafford. In January 2009, Christianity Today International announced that it was ending publication of Ignite Your Faith after the Spring 2009 issue.

Holly O'Neil (played by Sammi Hanratty) – First appeared in "Have a Nice Trip", Holly is the child of a conman named Harry (played by Eric Lutes), and later went to "Camp Heaven On Earth". Like her father, Holly enjoys conning – she conned Zack, Maddie, Cody, and various Tipton staff members during "Have a Nice Trip". She is living with neighbors since her father is serving 3 to 5 years in prison. Holly has appeared in six episodes throughout the series.

Nonetheless, over the course of the twentieth- century, the sense of a single, island-wide Cretan musical tradition emerged. Although much Cretan music remains consciously close to its folk roots and an integral part of the fabric of many Cretans' everyday lives, it is also a vibrant and evolving modern, popular tradition that involves many professional and semi-professional musicians, numerous regional record companies and professional distributors, professional luthiers (especially of Cretan lyras and Cretan lutes), and Cretan kentra (clubs for dancing to live Cretan music).

In 1947 he became Director of Staff of the Munitions Board and in 1949 he was made commanding general of the Fourth Army. He retired from the Army in 1952. In 1955 he was appointed to a committee to advise the Office of Defense Mobilization on the availability of commodities related to national defense. For his services during World War II and its aftermath, Lutes received the Army Distinguished Service Medal with the Bronze Oak Leaf Cluster, Legion of Merit and Bronze Star Medal.

In the foreground a woman plays an organ and men wearing masks play on lutes and sing. On both sides of the larger niche are two plates with Latin texts from the second Book of Wisdom, which point to the need to enjoy life. The Sadeler engraving carries at the bottom a text from the book of Sirach which warns from the danger of wine, women and prostitutes. The scene depicted in the painting and engraving illustrate the vices that are condemned by Sirach.

The prologue, which includes the usual paean to Louis XIV, takes place in the palace of Fame (La Renommée) with Rumors (Rumeurs) and Noises (Bruits) dancing in attendance to the goddess. When Fame sings of "the glory and triumphant valor of the greatest of heroes," she is referring to Louis XIV. She is visited by Apollo with his retinue of Muses, who arrive from the sky, and Neptune with his retinue of Tritons, who arrive from the sea. Both groups are equipped with violins, lutes, and trumpets.

The jota tends to have a rhythm, although some authors maintain that the is better adapted to the poetic and choreographic structure. For their interpretation, guitars, bandurrias, lutes, dulzaina, and drums are used in the Castilian style, while the Galicians use bagpipes, drums, and bombos. Theatrical versions are sung and danced with regional costumes and castanets, though such things are not used when dancing the jota in less formal settings. The content of the songs is quite diverse, from patriotism to religion to sexual exploits.

At the bottom of the body is a tailpiece (縛弦) to anchor the strings.The Construction of Ruan ) , 中國民樂網, accessed October 26, 2009 For reference, see: The Construction of Ruan , 中國民樂網 Note that the frets on all Chinese lutes are high so that the fingers never touch the actual body—distinctively different from western fretted instruments. This allows for a greater control over timbre and intonation than their western counterparts, but makes chordal playing more difficult.

Two types of compound – bearing surfaces of peg are visible as shiny bands "Peg dope" (also peg paste, peg stick, peg compound) is a substance used to coat the bearing surfaces of the tapered tuning pegs of string instruments (mainly violins, violas, cellos, viols and lutes ). Manufactured varieties are generally sold in either a small stick (resembling lipstick), a block, or as a liquid in a bottle. Commonly used home expedient treatments may include soap, graphite, or talc. Peg dope serves two different (and almost conflicting) purposes.

He also imported the Renaissance musical styles from Italy, and recruited the best musicians and composers in France for his court. La Musique de la Grande Écurie ("Music of the Great Stable") was organized in 1515 to perform at royal ceremonies outdoors. It featured haut, or loud instruments, including trumpets, fifes, cornets, drums, and later, violins. A second ensemble, La musique de la Chambre du Roi ("Music of the King's Chamber") was formed in 1530, with bas or quieter instruments, including violas, flutes and lutes.

Though the drums are programmed, they are played using a keyboard rather than with a drum machine. Their sound has been described as "a particularly widescreen version of progressive black metal, a style that more recently has been infused with an almost medieval strain of twiddly folk music of the lutes 'n' flutes variety." The band's music is deeply influenced by the literature of J. R. R. Tolkien, particularly The Lord of the Rings. Most of the band's lyrics are derived from Tolkien's own works.

Hochbrucker was probably born in Mindelheim.Tremmel (2003), see above. From 1699 he lived and worked in Donauwörth, where he also built lutes and violas. Around 1720 Hochbrucker invented the pedal mechanism to play the harp, adding to the instrument five (later increased to seven) pedals and connecting them to the hooks for the C, D, F, G, and B strings, thus allowing the player to alter the strings sound of a semitone and greatly extend the range of the instrument for the extraction of sounds.

A mandora with the paper or carved wood rose over the sound hole Pictures and illustrations of the mandore show an instrument that at a casual look, appears very similar to lutes and the later mandolins. The mandore differs from the Neapolitan mandolin in not having a raised fretboard and in having a flat soundboard. Also It was strung with gut strings, attached to a bridge that is glued to the soundboard (similar to that of a modern guitar). It was played with the fingertips.

Chad is an ethnically diverse Central African country in Africa. Each of its regions has its own unique varieties of music and dance. The Fulani people, for example, use single-reeded flutes, while the ancient griot tradition uses five-string kinde and various kinds of horns, and the Tibesti region uses lutes and fiddles. Musical ensembles playing horns and trumpets such as the long royal trumpets known as "waza" or "kakaki" are used in coronations and other upper-class ceremonies throughout both Chad and Sudan.

The chirigotas are well known witty, satiric popular groups who sing about politics, new times, and household topics, wearing the same costume, which they prepare for the whole year. The Choirs (coros) are wider groups that go on open carts through the streets singing with an orchestra of guitars and lutes. Their signature piece is the "Carnival Tango", alternating comical and serious repertory. The comparsas are the serious counterpart of the chirigota in Cádiz, and the poetic lyrics and the criticism are their main ingredients.

It was also a pioneering instrument in England, introducing the populace to necked, plucked instruments, giving people the concepts needed to quickly switch to the newly arriving lutes and gitterns. Two possible descendant instrument are the Portuguese guitar and the Corsican Cetera, both types of cittern. It is known today mainly from art and literary sources. Early examples include Provençal poetry (there called the citola) from the 12th Century; however it was more widely displayed in medieval artwork during the 13th and 14th Centuries in manuscript miniatures and in sculpture.

Another line of lutes was widened, but not made any deeper. This line entered Europe, becoming the plucked fiddles (vielle, viola, giga, citole). Segerman also about the relationship between plucked fiddles and citoles, saying that telling a plucked fiddle from a citole was often "No more than guesswork." Connecting back to Winternitz's continuous development theory, Segerman said that a good way to link an instrument in medieval art to the citole identity was to look for some sign that there was thinking about the cithara-lyre in the design.

One of the few non-Japanese performers of the instrument, he has recorded as a soloist as well as with the cross-cultural jazz band of John Kaizan Neptune. The kokyū is similar to two Chinese bowed lutes with fingerboards: the leiqin and the zhuihu. In Japanese, the term kokyū may refer broadly to any bowed string instrument of Asian origin, as does the Chinese term huqin. Thus, the Chinese erhu, which is also used by some performers in Japan, is sometimes described as a kokyū, along with the kūchō, leiqin, and zhuihu.

Chris Egan was one of the top men’s tennis players in the Northwest Conference all four of his years at Pacific Lutheran University, and the 1995 PLU Man of the Year in sports. He is also the 2012 Alumnus of the Year in Sports. Coming to PLU out of Puyallup High School, Chris helped lead the Lutes to four consecutive Northwest Conference titles from 1992-95. During those three years, he played No. 1 or No. 2 singles, and represented the school at the 1994 and 1995 NAIA national tournaments.

The Sangam poems also give a detailed account of the day-to-day routine of the inhabitants of Madurai during this period: Long before dawn, musicians tuned their lutes and practiced upon them, pastry cooks cleaned the floors of their shops and toddy sellers opened their taverns for early customers. Minstrels went around singing their morning blessings. At sunrise, conch shells boomed and big drums resounded in temples, monasteries and the palace of the king. Flower-sellers and vendors of fragrant powders, arecanuts and betel leaves strolled the streets.

The Qanbūs of the Arabian and Malay peninsulae is considered by Sachs to derive its name from the komuz.The gambus (lutes) of the Malay world: its origins and significance in zapin Music, Larry Hilarian, Nanyang Technological University, Singapore, 06 Jul 2004 The five-string kopuz is also thought to have transformed into the six- string instrument known as the sestar or seshane by 13th-century mystic Rumi. The word "sestar" is mentioned in the poems of the 14th-century poet Yunus Emre. Evliya Çelebi describes the kopuz as a smaller version of the seshane.

With a seeming infinite number of possible pitches to create modes, musicians had to choose which notes to use, and which to play together. One way of bring order to the infinite number of tones was to examine music with mathematics. The Sumerians and Akkadians, the Greeks, and the Persians all used math to create notes used on lutes and lyres and other stringed instruments. Using the idea that a plucked or bowed string produces a note, they noticed the difference in tone when a string is stopped.

The Berry Mills Road follows a former rail line. When two rival lines, who had built within literally feet of each other, merged in the early 20th century, one was torn up and turned into a road bed. Route 128 was commissioned in 1965, taking over a small part of the former Route 30. It was extended north from Berry Mills in 1997 to Lutes Mountain along a former alignment of Route 2, and shortened in 2003 when the portion of Killam Drive east of Wheeler Boulevard was turned over to City of Moncton control.

Curt Sachs, a musical historian, placed the earliest lutes at about 2000 B.C. in his 1941 book The History of Musical Instruments. This date was based the archaeological evidence available to him at that time. The discovery of an apparent lute on an Akkadian seal, now in the British Museum, may have pushed the known existence of the plucked lute back to c. 3100 B.C. The lute's existence in art was more plain by the 2330–2000 (the 2nd Uruk period), when the art has sufficient detail to show the instrument clearly.

As noted earlier, the jota of Castile tends to be accompanied by guitars, bandurrias, lutes, dulzaina and drums. As the music plays, the dancers dance with hands atop their heads, accompanied at times by castanets. The jota of Castile has a more sober, less airy feel to it, while the steps are quicker and sharper than what is seen in the Aragonese version. The songs accompanying the jota, which are known for their wry humor, typically deal with life, love, weddings, (often giving advice to the newlyweds) or religion.

Tamburica ( or ) or Tamboura (, tamburica, meaning "little tamboura"; ; , sometimes written tamburrizza or tamburitza) refers to a family of long-necked lutes popular in Southern Europe and Central Europe, especially Croatia (of which it is the national string instrument), Bosnia and Herzegovina, Serbia, Slovenia, and Hungary. It is also known in Burgenland. All took their name and some characteristics from the Persian tanbur but also resemble the mandolin and guitar in the sense that its strings are plucked and often paired. The frets may be moveable to allow the playing of various modes.

Starry Nights in Western Sahara is an album compiled by filmmaker Danielle Smith, in the process of making one of her documentaries on Western Sahara. Starry Nights, published by North-American label Rounder Records, is the second compilation of Saharawi music released in the United States, after Sahrauis: The Music of the Western Sahara. The majority of the songs are sung by Umm Mekiya, a woman notorious for her voice. Songs range from traditional love songs to contemporary songs of political protest, accompanied with rhythmic clapping, lutes and tidinit.

Unlike modern guitars, which often use steel and bronze strings, vihuelas were gut strung, and usually in paired courses. Gut strings produce a sonority far different from metal, generally described as softer and sweeter. A six course vihuela could be strung in either of two ways: with 12 strings in 6 pairs, or 11 strings in total if a single unpaired chanterelle is used on the first (or highest pitched) course. Unpaired chanterelles were common on all lutes, vihuelas, and (other) early guitars (both Renaissance guitars and Baroque guitars).

The head coaches were Jeff Brubaker, Mike LaZazzera (1996), Bruce Cassidy (1997–98), Brian Curran (1998–99), and Alain Lemieux (1999–2000). Past players over the years included New York Ranger great, Ron Duguay, Brad Federenko, Andy MacIntyre, Sean Halifax, Eric Cloutier, Kurt Mallett, Rick Bennett, Tobias Ablad, Jason Clark, Mike Hall, Doug Evans, David Cunniff, Ronald Ozolinsh, Tim Chase, James Mooney, Nando Roberts, Steve Vezina, Marc Yakabuski, Marc Salsman, Craig Lutes, Patrick Clement, Ross Earl, Shane Doyle, Mick Kempffer, Joe Bonvie, Jason Smith, Johan Slirg, Stan Dovan, Brian Massa, and Dan Carney.

The lute on the Sphinx Gate at Alaca Höyük on the other hand has an octagonal soundbox with ten small sound holes, which is often referred to in general works as the earliest image of a guitar. While the strings with which the strings were tied to the head of the fingerboard were often left hanging loose in the Bronze Age, in Late Hittite times, they were tied to long cords which hung down and were tied to a knot underneath, as was also the case in contemporary Mesopotamian lutes.

Jar of Fools is a once-weekly comic strip by Jason Lutes that was compiled, first into a two-part anthology, and then a graphic novel. The work has received praise from The New York Times Book Review, Spin, Wired, and acclaimed comics creator Chris Ware."Jar of Fools" webpage at Drawn and Quarterly's website. Jar of Fools is the story of a tormented magician named Ernie Weiss (likely based on Harry Houdini, whose name was originally Ehrich Weiss"Fools of Wisdom" - An article on Metroactive Books about Jar of Fools.).

His brother, Howard, has died and he has become estranged from his girlfriend, Esther O'Dea. The story of the comic retells Ernie's struggles to get himself back on track and find himself, in part through the guidance of Al Flosso (likely also based on a real magician of the same name"Al Flosso" at the Magic Directory.). The strip first ran weekly in The Stranger, a weekly Seattle alternative newspaper. Lutes self-published a collection of strips at first, but in 1994, Black Eye Productions released the series in a two-part collected anthology.

He later related: > I went into one of the largest musical instrument stores in the country, and > the manager assured me that no such instrument existed. On another occasion > a maker of fine 12-string lutes (nylon strings) pictured for me a nightmare > of explosive force required to hold twelve steel strings in proper tension. > He envisioned bits of guitar and guitarist flying asunder. I have combed New > York City pawnshops and music stores and have received a variety of comments > ranging' from 'Sorry, we're out of them now.

They are kept inside very modern, circular cases in the center of the room, which match the rich decoration of the floors. Then there are the instruments: lutes; the harmony of flutes by Manfredo Settala of 1650, which represents a real unicum; the pochette, various little violins used as instruments by dance instructors, the ghironde, the serpentoni, the extraordinary series of horns and cornets from the 16th and 17th centuries, and finally, a unique performance instrument: the tiorba, which is in the shape of a khitára. Italian opera is the focus of the following room.

Caroline Duffy (Lea Thompson), a cartoonist who lives in Manhattan, spends a lot of time with dates and lovers, and meddles in the lives of her friends and neighbors. In the pilot episode, she has broken up with Del Cassidy (Eric Lutes), who quickly finds another date. She hires Richard Karinsky (Malcolm Gets) to be her new colorist, and he pretends to be her new boyfriend during a dinner to prevent her from being embarrassed over Del's moving on. During the first season, Richard develops feelings for Caroline.

Mechanical hurdy-gurdies allowed single musicians to play more complicated arrangements than a fiddle would; both were prominent folk instruments in the Middle Ages. Southern Europeans played short and long lutes whose pegs extended to the sides, unlike the rear- facing pegs of Central and Northern European instruments. Idiophones such as bells and clappers served various practical purposes, such as warning of the approach of a leper. The ninth century revealed the first bagpipes, which spread throughout Europe and had many uses from folk instruments to military instruments.

Bowed instruments such as the violin, viola, baryton, and various lutes dominated popular music. Beginning in around 1750, however, the lute disappeared from musical compositions in favor of the rising popularity of the guitar. As the prevalence of string orchestras rose, wind instruments such as the flute, oboe, and bassoon were readmitted to counteract the monotony of hearing only strings. In the mid-seventeenth century, what was known as a hunter's horn underwent transformation into an "art instrument" consisting of a lengthened tube, a narrower bore, a wider bell, and much wider range.

Larracey 32 The Settlers consisted of eight families: Heinrick Stief (Steeves); Jacob Treitz (Trites;, Matthias Sommer (Somers); Jacob Reicker (Ricker); Charles Jones (Schantz);The German Origins of Charles Jones, aka Johann Carl Schantz, of Philadelphia, Pennsylvania and Monckton, New Brunswick By Rick Crume, with genealogical research by Dawn Edlund, November 2008 George Wortmann (Wortman); Michael Lutz (Lutes; and George Koppel (Copple). There is a plaque dedicated in their honor at the mouth of Hall's Creek. They renamed the settlement "The Bend". The Bend remained an agricultural settlement for nearly 80 more years.

Born in Dorchester, Dorset, Galpin was educated at Sherborne and Trinity College, Cambridge, where he studied organ under Sterndale Bennett. He was ordained in the Church of England in 1883, became as a recent graduate of that year curate at Redenhall with Harleston in Norfolk; and went on to be a curate at St Giles in the Fields, London. As vicar of Hatfield Regis in Essex during the 1890s, Galpin organised concerts with instruments from his collection, including recorders, lutes and serpents. Subsequently, he was vicar at Witham, and then Faulkbourne.

Both Jonson and Jones received their standard fee of £40 for the masque, though a "dancing master" Nicholas Confesse who taught the ladies their choreography was paid £50, and his assistant Jacques Bochan got £20. Ferrabosco received £20, and musical assistants Robert Johnson and Thomas Lupo earned £5 for arranging the songs for lutes and violins. The five boys who played the Sphinx, Cupid, and the Graces got £2 apiece, but the twelve actors (male) who played the she-fools got only £1 each.E. K. Chambers, The Elizabethan Stage, Oxford, Clarendon Press, 1923; Vol.

Kings and other leaders of the people were customarily acclaimed in songs and fanfares, and very elaborate musical services in the Temple, described in the Bible, were important parts of worship. There are, for instance, descriptions in the Bible of an orchestra consisting of nine lutes, two harps, and a cymbal. In other parts there are accounts of all-women choirs combined with singing and dancing to the men's percussion accompaniment. Werner adds that the choir's repertoire consisted of psalms, canticles, and other poetic passages from Scripture, although it may have contained some noncanonical texts.

Issues 9–16 have been compiled in Berlin Book Two: City of Smoke, published in 2008.Back to the City - Jason Lutes on Berlin 2, Newsarama, October 1, 2008 In the second volume, the relationship between Marthe and Kurt disintegrates, partly due to the influence of Kurt's former lover Margarethe. Marthe develops a relationship with fellow art student Anna. Gudrun's daughter Silvia struggles to stay alive by herself; Elga was apparently taken in by her father, but Silvia refuses to join the Nazis and blames the Communists for Gudrun's death on Blutmai.

Yoke lutes are defined as instruments with one or more strings, arranged parallel to the sound board and attached to a yoke lying on the same plane as the sound table, composed of two arms and a crosspiece. Most of the instruments of the lyre family are played by plucking the strings, but some involve the use of a bow instead. The sound box can be either bowl-shaped (321.21) or box-shaped (321.22). In the first case, the resonator is often a turtle shell, while the sound board is made of leather.

Parker's Cement, Plaster of Paris and Fusible fluxes (a clay and Borax mixture in 10:1 proportion, mixed to a paste in water) could all be used as lutes, rendering heat protection and air-tightness. Stourbridge clay mixed with water could withstand the highest heat of any lute. Hard cement was also commonly used to join glass vessels and fix cracks; it was composed of resin, beeswax and either brick dust or "bole earth", or red ochre or venetian red. Soft cement, made of yellow wax, turpentine and venetian red, was also used for repair.

Pantagruel is an international Early Music ensemble specialising in semi- staged performances of Renaissance music. The group was formed in Essen, Germany at the end of 2002 by the English lutenist Mark Wheeler (Lutes, Citterns & Gittern) and the German born Dominik Schneider (Renaissance Recorders & Flutes, Gittern & Vocals). With the arrival of the Scottish Soprano Hannah Morrison in 2004 the ensemble began to perform throughout Europe. Recent Pantagruel performances have taken place at the Münster Baroque Festival, Utrecht Early Music Festival, Aachen Bach Festival and the National Portrait Gallery in London.

' Kui said, 'I smite the (sounding-) stone, I gently > strike it, and the various animals lead on one another to dance.' Second, "Yi and Ji" (益稷, tr. Legge 1865:87-9) elaborates the first account. > Kui said, 'When the sounding-stone is tapped or struck with force, and the > lutes are strongly swept or gently touched, to accompany the singing, the > progenitors (of the Di) come (to the service), the guest of Yu is in his > place, and all the princes show their virtue in giving place to one another.

Some Yoginis named Aditi, Agneyei, Ajita, Aparna, Bhayankari, Bhimachandi, Chandi, Damani, Dhriti, Gandhari, Ganga (yogini), Jaya, Kapalini, Kauberi, Medha, Rati, Raudri, Rudrani, Saraswati (yogini), Sarvamangala, Shankari, Shanti, Siddhida, Swaha, Swadha, Varuni, Vijaya, Vrishaba Vahana and Yakshini came out from the Goddess as well. Also Mahasaraswati, Chandavigrah, Savitri and Trishi came out. Some other Goddesses named Mrityu Devi, Saranyu, Vayu Devi and Ganeshi came out of the Goddess successfully. When the Shaktis destroyed one hundred Aksauhini forces, Mridangas, conch-shells, lutes and other musical instruments were sounded in the battle-field.

The women's section of the Ohio State Bar awards the Nettie Cronise Lutes Award annually, to women lawyers who have "improved the legal profession through their own high level of professionalism and who have opened doors for other women and girls". In 2013 an Ohio Historical Marker honoring Nettie and Florence Cronise as the first women to be accepted to the bar in Ohio was erected in Tiffin. Also in 2013, Court Street between Washington and Jefferson streets was given the honorary street name N. & F. Cronise Way.

The Center For Cartoon Studies offers a Master of Fine Arts degree, both one and two-year certificate programs, as well as summer programs. Each term, roughly 14 well known cartoon artists and others in the field come to CCS as visiting faculty and guest lecturers. The visiting faculty lecture, critique, and discuss with students of the school the student work and their own. Past visiting faculty have included Alison Bechdel, Ed Brubaker, Ivan Brunetti, James Kochalka, Jason Lutes, Scott McCloud, Seth, Art Spiegelman, Craig Thompson, and Chris Ware.

The music is performed with chants, plucked and bowed string instruments and drums. This music is now grouped into a category of Uyghur Muqam music, although the instruments and musical characteristics are very different from the Uyghur 12 Muqam. The plucked-string instruments used to perform Dolan Muqam, Dolan Meshrep or Dolan Pls are different from their counterparts in Uyghur folk music and usually contain a large set of sympathetic strings that resonate with certain key tones, similar to the lutes and fiddles of India and the near east.

In terms of adult proceedings, it is possible for members of the public to commence proceedings without the authorization of police and the Crown Attorney; however, that is not the case with youth. While comparing the Youth Offenders Act to the Youth Criminal Justice Act, the former focuses more on a youth's choice to retain counsel and the role of lawyers in the criminal justice system. In terms of the JDA, more focus was placed on a youth being viewed as a misguided individual who required guidance from the courts.Tustin, L. & Lutes, R. (2005).

Curt Sachs defined the word lute in the terminology section of The History of Musical Instruments as "composed of a body, and of a neck which serves both as a handle and as a means of stretching the strings beyond the body". His definition focused on body and neck characteristics and not on the way the strings were sounded, so the fiddle counted as a "bowed lute". Sachs also distinguished between the "long-necked lute" and the short-necked variety. The short necked variety contained most of our modern instruments, "lutes, guitars, hurdy-gurdies and the entire family of viols and violins".

Eric Lutes (born August 19, 1962) is an American actor, known for his roles as Del Cassidy on Caroline in the City, Jerry Stanton in Switching Goals, and Jake Carlson on So Little Time, starring both Mary-Kate Olsen and Ashley Olsen. His career started with several commercial spots. He then moved to New York City and appeared in many off-Broadway productions before finally making the move to Los Angeles where he landed the role on Caroline in the City. He also played the KACL station manager, Tom Duran in the second season of Frasier and has appeared in numerous TV movies.

238px Chitarra Italiana (; 'Italian guitar') is a lute-shaped plucked instrument with four or five single (sometimes double) strings, in a tuning similar to that of the guitar. It was common in Italy during the Renaissance era. According to Renato Meucci, the designation of 'Italiana' followed the introduction to Italy of the flat-backed development of the instrument – referred to as chitarra alla spagnola (literally 'Spanish guitar'); to distinguish between the two versions. It is believed to have descended from panduras, the Mediterranean lutes of Antiquity, and to be related to north African quitra (or kwitra).

She went on to study music in Paris and Berlin, and she met Arnold Dolmetsch in England in 1933. Dolmetsch sold her a lute from 1600 that he had restored himself. In 1935 she performed at the Dolmetsch Early Music Festival in Haslemere, and soon afterward returned to New York, where she began her concert career. Her career as a lutenist was cut short in the 1950s by repetitive stress syndrome brought on by the modern heavily built Hermann Hauser lutes that she played, but her condition allowed her to continue to play early keyboards and sing.

As mentioned above, the oud belongs to the family of short scale lutes. The widest interval that can be stopped between the open string and the end of the fingerboard is a fifth (quint); though it is possible to play wider intervals on the same string by stopping tones on the top of the corpus. Although Bashir has not invented this slightly unorthodox technique, he has integrated it into his style in an exemplary manner. Also, before Bashir, the usage of flageolets did not belong to the traditional playing techniques of the oud, even though this technique actually is characteristic for stringed instruments.

There are many regional styles, depending on the local tone contours and preferred instrumentation and melodies.B., Rachel, Lam, M. B., Cullen, A. et al (2007). The music that accompanies a lam lao performance may also include various types of percussion, fiddles, lutes, xylophones, or oboes as well as some that are more characteristic of classical ensembles. Lyrics are drawn from old poetry, classical stories, or improvised according to the complicated tonal rhyming patterns of the verse and can range from topics as serious as religious sermons and Jataka tales to sometimes bawdy verses about love and sex.

Unlike most Naxi music, dongjing uses Chinese titles, Chinese instruments, heterophonic sizhu style, and Chinese gongche notation. Often, the orchestra will include the wooden fish (muyu), the pipa, sugudu, and sanxian lutes, the reed pipe, and the guqin and guzheng zithers. In the pre-1949 rituals, participants had to be male, virtuous and honorable (usually this meant that membership was hereditary), and they had to donate to the association. Because of these requirements, and as evidenced by the Sinicized repertoire, performances and rituals could be seen as asserting the Dongjing members' elite status within the Naxi community.

Led by Hadradmy Ould Meidah, the group supported her desire to modernize traditional music, making it more accessible to the wider world. They toured with her in 2004 and 2005 and worked with her on her second album, Dunya (Life), which sought to reclaim her musical heritage. Produced by Marabi Records in 2003, the album contained twelve songs which blended harps, lutes and skin drums with electric guitar and bass, and traditional genres like serbat, which usually focuses on a single minor chord, with jazz. Malouma's album, Nour (Light), was released in France on March 8, 2007 in celebration of International Women's Day.

Vihuela bodies were lightly constructed from thin flat slabs or pieces of wood, bent or curved as required. This construction method distinguished them from some earlier types of string instruments whose bodies (if not the entire instrument including neck) were carved out from a solid single block of wood. The back and sides of common lutes were also made of pieces however, being multiple curved or bent staves joined and glued together to form a bowl, made from cypress with a spruce or cedar top. Vihuela (and violas da gamba) were built in different sizes, large and small, a family of instruments.

Designation of the parts of the charango Traditionally a charango was made with a dried armadillo shell for the back and wood for the soundbox top, neck etc. While still common, this is no longer the norm: rather they are now typically made of wood, with the bowled back merely imitating the shape of the armadillo shell. Unlike most wooden lutes, the body and neck are typically made of a single block of wood, carved into shape. The charango's ten strings require quite a large headstock, often approaching or even exceeding the size of its diminutive sound box.

However, in 1670, at the age of twenty-six, Louis XIV decided to give up dancing. As a result, Lully revised the format of the court ballets to please the King as a spectator, rather than dancer. For his new tragédie-ballet, Psyché, performed before the King on January 17, 1671, the performance included dancing, singing, acting, orchestral music, and immense visual spectacles created by stage machinery. At one point in the performance, three hundred performers were on or suspended above the stage, singing, dancing, or playing lutes, flutes, trumpets, cymbals, violins, the harpsichord, the hautbois and the théorbe.

Before the food was served, basins were provided along with aromatics and cones of scented fat were lit to spread pleasant smells or to repel insects, depending on the type.Encyclopedia of Ancient Egypt; banquets Lily flowers and flower collars were handed out and professional dancers (primarily women) entertained, accompanied by musicians playing harps, lutes, drums, tambourines, and clappers. There were usually considerable amounts of alcohol and abundant quantities of foods; there were whole roast oxen, ducks, geese, pigeons, and at times fish. The dishes frequently consisted of stews served with great amounts of bread, fresh vegetables and fruit.

Instead, Euridice, his second opera is most-often heralded as the history-making work. The new form of opera also borrowed, especially for the librettos, from an existing pastoral poetic form called intermedio; it was mainly the musical style that was new. The instrumentation for an opera from the Camerata composers (Caccini and Peri) was written for a handful of gambas, lutes, and harpsichord or organ for continuo. Other composers quickly began to incorporate the ideas of the Camerata into their music, and by the first decade of the seventeenth century the new "music drama" was being widely composed, performed and disseminated.

After spending the bulk of his life in Virginia, and graduating from the College of William & Mary, Lasky moved to Seattle in 1992. He quickly found a circle of young comic book artists—including Megan Kelso, Tom Hart, Ed Brubaker, Jon Lewis, and Jason Lutes—drawing and publishing their own work. With them, Lasky aspired to take clichéd or neglected genres of comics and revitalize them with the lessons learned from the first wave of alternative comics. Lasky's first two full-length comic books, Arrabbiata Comics and Monster City Comics, were created in collaboration with printmaker Paul Bonelli under the name Fistball Productions.

A luthier ( )Oxford Dictionaries is a craftsperson who builds and repairs string instruments that have a neck and a sound box. The word "luthier" is originally French and comes from the French word for lute. The term was originally used for makers of lutes, but it came to be used already in French for makers of most bowed and plucked stringed instruments such as members of the violin family (including violas, cellos, and double basses) and guitars. Luthiers, however, do not make harps or pianos; these require different skills and construction methods because their strings are secured to a frame.

The cylinder-back is a style of mandolin manufactured by the Vega Company of Boston, MA between 1913 and roughly 1925. The design patent (US patent number D44838) for the instrument was issued on November 4, 1913 to David L. Day, who was director and chief acoustical engineer for the stringed instrument division of the Vega Company. The unique design feature of the cylinder-back instruments (originally referred to as mando-lutes by their manufacturer) is a cylindrical bulge running longitudinally along the back plate, from the tailpiece to the neck heel. This bulge increases the internal volume of the instrument.

A digital single, "On My Own (Again)", was released in 2015 by J.A.M. UK. A new Department S full-length album, When All Is Said and All Is Done, produced by Jones, was released by Westworld Recordings on 27 May 2016. In 2017, Alan Galaxy (previously with Lipstick Torpedo, Snide, and the Wigs) replaced Lutes on drums. In 2017, the band released the 45 Revolutions: Singles 1980 - 2017 compilation on Westworld. June 2019 saw the departure of both Galaxy and Jones who were replaced by Simon Bowley (of Eddie And The Hotrods) and Mike Lea respectively.

When the Pharaohs of Egypt conquered Southwest Asia in around 1500 BC, the cultural ties to Mesopotamia were renewed and Egypt's musical instruments also reflected heavy influence from Asiatic cultures. Under their new cultural influences, the people of the New Kingdom began using oboes, trumpets, lyres, lutes, castanets, and cymbals. Unlike Mesopotamia and Egypt, professional musicians did not exist in Israel between 2000 and 1000 BC. While the history of musical instruments in Mesopotamia and Egypt relies on artistic representations, the culture in Israel produced few such representations. Scholars must therefore rely on information gleaned from the Bible and the Talmud.

Lyres were the principal instrument, as musicians used them to honor the gods. Greeks played a variety of wind instruments they classified as aulos (reeds) or syrinx (flutes); Greek writing from that time reflects a serious study of reed production and playing technique. Romans played reed instruments named tibia, featuring side-holes that could be opened or closed, allowing for greater flexibility in playing modes. Other instruments in common use in the region included vertical harps derived from those of the Orient, lutes of Egyptian design, various pipes and organs, and clappers, which were played primarily by women.

Christian and Muslim playing lutes in a miniature from Cantigas de Santa Maria of Alfonso X In the history of Western classical music, Medieval music was the first and longest era, from approximately the 5th to 15th century. Followed by the Renaissance music, the two eras comprise what is usually termed as Early music, proceeding the common practice period. The era loosely corresponds to the Middle Ages, beginning with the fall of the Western Roman Empire and ending with the Renaissance and Age of Discovery. Musicologists generally divide the era into early (500–1150), high (1150–1300), and late (1300–1400) Medieval music.

Although records are minimal, it is known that between 3000 and 2300 BC organized temple music with singers existed in Sumer and Babylonia, the oldest cultural groups in Mesopotamia. Excavations have uncovered several musical instruments, including harps, lutes, double oboes, and a few others. Because of the political interrelations between the Hebrews and the Semitic nations of Babylonia, Assyria, and the Hittite empire, there were similarities between the Hebrew music of the Judean people and the others. Jewish music began in the early years of tribal life, and the "references to music in the Bible are numerous," writes Ulrich.

Instruments used range from Indian tablas to long-necked lutes. Afghanistan's classical music is closely related to Hindustani classical music while sourcing much of its lyrics directly from classical Persian poetry such as Mawlana Balkhi (Rumi) and the Iranian tradition indigenous to central Asia. Lyrics throughout most of Afghanistan are typically in Dari (Persian) and Pashto. The multi-ethnic city of Kabul has long been the regional cultural capital, but outsiders have tended to focus on the city of Herat, which is home to traditions more closely related to Iranian music than in the rest of the country.

In the early 1990s, Caliber launched three new imprints, Gauntlet and Iconografix. Gauntlet was an action-based line whose leading titles were U.N. Force, Berzerker (featuring work from Rob Liefeld and Angel Medina), Patrick Zircher's Samurai Seven, and Serpent Rising (based on the stage play). Iconografix dealt with more obscure and cutting-edge material that included humor comics as well as comics often referred to as the "slice of life." Included here were the first issues of Ed Brubaker's Lowlife, Meatcake from Dame Darcy, Bound & Gagged from Michael Aushenker, and a number of projects from Dave Cooper, Jason Lutes, and Matt Howarth.

At the initial performance, half of the singers were from the papal choir, and there were several soprano parts sung by other castrati. The accompanying orchestra is up-to-date, dispensing with the archaic viols and using violins, cellos, harps, lutes, theorbos, and harpsichords. The opera includes introductory canzonas which function as overtures; indeed they are the first overtures in the history of opera. Dances and comic sections mix with serious arias, recitatives, and even a madrigalian lament, for an overall dramatic variety which was extremely effective, as attested by the frequent performances of the opera at the time.

Prabhupada's biographer Satsvarupa Dasa Goswami thus describes the Mantra-Rock Dance audience: > Almost everyone who came wore bright or unusual costumes: tribal robes, > Mexican ponchos, Indian kurtas, "God's-eyes," feathers, and beads. Some > hippies brought their own flutes, lutes, gourds, drums, rattles, horns, and > guitars. The Hell's Angels, dirty-haired, wearing jeans, boots, and denim > jackets and accompanied by their women, made their entrance, carrying > chains, smoking cigarettes, and displaying their regalia of German helmets, > emblazoned emblems, and so on – everything but their motorcycles, which they > had parked outside. The Avalon Ballroom (pictured) served as the Mantra-Rock Dance venue.

Retrieved August 10, 2009. After graduating from the university's school of music in brass instruments, Heitman continued his involvement with the Daddies, recording on every one of their albums to date and remaining the band's only constant member alongside Perry. At the height of the Daddies' mainstream popularity, Heitman received an endorsement from Bach. When not touring with the Daddies, Heitman sits in with many local Oregon jazz and horn sections and has played in such Oregon-based bands as Swing Shift, The Essentials, Satin Love Orchestra, Caliente, Lutes and Keller and The Omar Torrez Band.

Ephraim Segerman also talked about plucked fiddles. A theory of stringed instruments with fingerboards was explained in his 1999 paper, A Short History of the Cittern, where part of the paper explained the existence of short lute-like instruments in Central Asia, and mentioned their entry in Europe around the 8th century. Citing Werner Bachman's 1969 book, The Origins of Bowing, Segerman mentioned that in Central Asia short lutes were invented that were as wide as they were deep, much longer than wide, with 3-5 strings and plucked with heavy plectrum. Some were widened and deepened further, becoming the barbat and entering Europe as the oud.

He performed in the coffee shops in Crema, and then in Lombardy's other cities, building his reputation. In 1852 on December 2, 1852 at the Teatro Regio in Parma, he have a performance that was noticed. Eventually Vailati was invited and performed in England, Portugal, Sweden, Norway and Germany, which was a rare accomplishment for any mandolinist in the middle of the 19th century. According to historian Paul Sparks, there was a decline in the use of the mandoline and mandolino (French and Italian mandolins) after 1815, and a general disinterest in plucked instruments "during the second and third quarters of the nineteenth century" to include harps, lutes, and guitars.

It was as part of the Neapolitan mandolin family. The Greek laouto or laghouto (long-necked lute) is similar to a mandocello, ordinarily tuned C3/C2–G3/G2–D3/D3–A3/A3 with half of each pair of the lower two courses being tuned an octave high on a lighter gauge string. The body is a staved bowl, the saddle-less bridge glued to the flat face like most ouds and lutes, with mechanical tuners, steel strings, and tied gut frets. Modern laoutos, as played on Crete, have the entire lower course tuned to C3, a reentrant octave above the expected low C. Its scale length is typically about .

The neck is made of light wood, with a veneer of hardwood (usually ebony) to provide durability for the fretboard beneath the strings. Unlike most modern stringed instruments, the lute's fretboard is mounted flush with the top. The pegbox for lutes before the Baroque era was angled back from the neck at almost 90° (see image), presumably to help hold the low-tension strings firmly against the nut which, traditionally, is not glued in place but is held in place by string pressure only. The tuning pegs are simple pegs of hardwood, somewhat tapered, that are held in place by friction in holes drilled through the pegbox.

Lutes were made in a large variety of sizes, with varying numbers of strings/courses, and with no permanent standard for tuning. However, the following seems to have been generally true of the Renaissance lute. A 6-course Renaissance tenor lute would be tuned to the same intervals as a tenor viol, with intervals of a perfect fourth between all the courses except the third and fourth, which differed only by a major third. The tenor lute was usually tuned nominally "in G" (there was no pitch standard before the 20th century), named after the pitch of the highest course, yielding the pattern from the lowest course to the highest.

Roger Boase, The Origin and Meaning of Courtly Love: A Critical Study of European Scholarship, Manchester University Press, 1977, p. 70-71. Frederick II made visits to the Lech valley and Bavaria between 1218 and 1237 with a "Moorish Sicilian retinue". By the 14th century, lutes had disseminated throughout Italy and, probably because of the cultural influence of the Hohenstaufen kings and emperor, based in Palermo, the lute had also made significant inroads into the German-speaking lands. By 1500 the valley and Füssen had several lute-making families, and in the next two centuries the area hosted "famous names of 16th and 17th century lutemaking".

They were made for Vuillaume by Honoré Derazey (1794–1883) and sold to the public to supply the demand for older instruments. These instruments can be distinguished from the originals, however, by discrepancies in the labels of the violin, and more importantly, the workmanship and type of the instrument. Because no violin has ever been actually discovered to have been made by Tieffenbrucker, the current belief is that "Duiffopruggar" never actually made any violins, but rather that he made almost only lutes and sold different instruments of other makers, and his name was used to sell a brand of commercial instruments made for Vuillaume.

After finishing a series of concerts of New York State colleges sponsored by ESP, Sun Ra decided to assemble a number of stringed instruments bought from curio shops and music stores. Ukuleles, Mandolins, Kotos, Koras, Chinese Lutes and 'Moon Guitars' were handed out to his reed and horn players in the belief that 'strings could touch people in a special way, different from other instruments.' The point was that the Arkestra didn't know how to play them - Sun Ra called it 'a study in ignorance.' > 'Next they prepared a number of homemade instruments, including a large > piece of tempered sheet metal with an "X" chiseled on it.

In his paper which summarized what was known about early examples of Asian harps and lutes, focusing on images and literature for his sources, Michael Nixon pointed out that one image of the barbat from Sasanian Iran (estimated origin in his paper 3rd-7th centuries A.D and 7th-8th centuries A.D. by the British Museum) resembled other images of the barbat from Sasanian and Gandharan sources. He said that the instrument itself resembled these and was held in the same manner. The instrument also resembled an image from a door-lintel bas-relief from the Gupta period in Padmavati Pawaya, India.(240-605). A.D.) The Ganharan image he points to (c.

The music throughout the album features Amazing Blondel's unique blend of their own compositions with folk themes and renaissance music. The album's cover art (credited to Visualeyes) suggests a historical setting around the Civil War period, but the music has more of the vitality of the Elizabethan period. A variety of instruments were used, but the central sound is of the two lutes, played by Gladwin and Baird, with wind instruments played by Wincott. The "Fantasia Lindum" sequence, which makes up the first side of the album, is the band's musical tribute to the city of Lincoln, the Lincolnshire countryside and the mediaeval Lincoln Cathedral.

Praetorius described the sound of the mute cornett as "Still und lieblich" ("soft and lovely") and modern professional performers have amply demonstrated these qualities. The sound of the mute cornett is more flute-like than the regular cornett and far less incisive. The mute cornett's piano is very soft indeed and it may be used in consorts of soft instruments like recorders, flutes, viols and lutes. In Michael Praetorius's Polyhymnia caduceatrix et panegyrica of 1619, three mute cornetts are specified in choir I of the motet, Erhalt uns Herr bei deinen Wort, however, Praetorius suggests that the mute cornetts may be replaced by transverse flutes (i.e. "Fiffari").

In The History of Musical Instruments, Sachs talked about a second kind of short lute found in the "Islamic Near East", carved from a single piece of wood, no distinct neck and a pegbox that was sickle shaped. There was also a kind with "an inferior stringholder". The instruments that would become the gambus with sickle shaped pegbox traveled east "as far as the Celebes in Southeast Asia and southwards to Madagascar off the east coast of Africa". Another scholar thinks they traveled across the Indian ocean as well on Yemeni ships, as the Yemeni quanbus The gambus is among the last of the family of skin-topped lutes.

A popular instrument with court musicians, minstrels, and amateurs, the gittern is considered ancestral to the modern guitar and possibly to other instruments like the mandore and gallichon. From the early 16th century, a vihuela shaped (flat- backed) guitarra began to appear in Spain, and later in France, existing alongside the gittern. Although the round-backed instrument appears to have lost ground to the new from which gradually developed into the guitar familiar today, the influence of the earlier style continued. Examples of lutes converted into guitars exist in several museums, while purpose-built instruments like the gallichon utilised the tuning and single string configuration of the modern guitar.

The artwork is confused, and those who are trying to reproduce the art in color have had to work to bring out legible images. One interpretation of the "magician-hunter" image considers his hunting-bow to be a musical bow, used as a single-stringed musical instrument. Whether the bow in the cave illustration is a musical instrument or the hunting tool in a paleolithic hunt, musicologists have considered whether the bow could be a possible relative or ancestor to chordophones, the lutes lyres, harps and zither families. Curt Sachs said that there was good reason not to consider hunters' bows as likely musical bows.

Chaozhou string music is made up of mostly plucked and bowed string instruments, and on some occasions, wind instruments are used. The most characteristic instruments are the rihin (), tihu () and yahu (all two- stringed bowed lutes), the sanxian, pipa, ruan, guzheng, and yangqin. The number of instruments and performers in the ensemble is flexible and depends on the availability of instruments and musicians to play them - but for an even and balanced texture only one of each instrument is preferred. Chaozhou drum music includes the big drum and gong, the small drum and gong, the dizi set drum and dong and su drum and gong ensembles.

In June 1766, Captain John Hall arrived from Pennsylvania armed with a land grant and a charter from the Philadelphia Land Company (one of the principal investors of which was Benjamin Franklin to establish Monckton Township on the site of the previous Acadian settlement of Le Coude. On Captain Hall's ship, the "Lovey", captained by Nathaniel Shiverick, were eight immigrant Pennsylvania "Deutsch" families. The Settlers included Heinrich Stief (Steeves), Jacob Treitz (Trites), Matthias Sommer (Somers), Jacob Reicker (Ricker), Charles Schantz (Jones), George Wortmann (Wortman), Michael Lutz (Lutes) and George Copple. There is a plaque dedicated in their honour at the mouth of Hall's Creek.

He continued his studies at the Schola Cantorum in Basel, Switzerland with lutenist Eugen Müller-Dombois. Schneiderman specializes in the performance practice and repertoire of 18th century lutes and 19th century guitars.John Schneiderman's web site, biography section His discography includes works by lutenists Sylvius Leopold Weiss, Bernhard Joachim Hagen, Karl Kohaut and Adam Falckenhagen and guitarists Napoléon Coste and Johann Kaspar Mertz. Schneiderman is currently the director of guitar and lute studies at the University of California, Irvine, and nearby Irvine Valley College, and he has been on the faculties of Orange Coast College, California State University, Long Beach, and the San Francisco Conservatory of Music.

This 2009 photo shows music production using a digital audio workstation (DAW) with multi-monitor setup. Music technology is the study or the use of any device, mechanism, machine or tool by a musician or composer to make or perform music; to compose, notate, play back or record songs or pieces; or to analyze or edit music. The earliest known applications of technology to music was prehistoric peoples' use of a tool to hand-drill holes in bones to make simple flutes. Ancient Egyptians developed stringed instruments, such as harps, lyres and lutes, which required making thin strings and some type of peg system for adjusting the pitch of the strings.

The Joint Advisory Board of the Pacific Command, meeting on August 27, 1949. Left to right: Rear Admiral John E. Gingrich, U.S. Navy; Admiral Arthur W. Radford, Commander in Chief, Pacific; Aurand; and Brigadier General Harold Q. Huglin, U.S. Air Force Soon after he reached the United States, Aurand went to see Eisenhower, who was now the Chief of Staff of the Army. Aurand had thought of retirement, but Eisenhower offered him his old post of commanding general of the Sixth Service Command, and he accepted. In February 1946, Lieutenant General LeRoy Lutes, who had succeeded Somervell as the Chief of Army Service Forces, asked him to perform another assignment.

Lutes noted that the First Army's commander, Lieutenant General Courtney Hodges, was "a man intolerant of supply shortcomings, who has not studied supply and does not intend to". Given that Bradley, Hodges, Patton and Simpson had all attended the Command and General Staff College and Army War College, this pointed to a deficiency in the Army's training of senior officers. The battle of Normandy had been won, but there remained a lingering impression that even more could have been accomplished, given the resources available. The supply shortages that occurred were not invariably the fault of COMZ; many had their origins back in the United States.

A baroque guitar by Joachim Tielke in the V&A; Museum, London, UK. Bell cittern by Joachim Tielke in the V&A; Museum, London, UK. Joachim Tielke (14 October 1641 – 19 January 1719) was a German maker of musical instruments. He was born in Königsberg (now Kaliningrad), Duchy of Prussia a fief of Kingdom of Poland, and died in Hamburg. A publication was dedicated to him by Günther Hellwig. Hellwig lists the total number of 139 instruments still existing of Tielke's oeuvre, with lutes, angelicas, theorboes, bell citterns (Ger Hamburger Cithrinchen), guitars, pochettes, violins, viole d'amore without sympathetic strings, barytons, viole da gamba, and bows.

Horn expected that Donovan, the Beatles, the Beach Boys and Mia Farrow would appear in it. According to Mike Dolan, another of the TM students, when a film crew from Lutes' company Bliss Productions arrived later in April, Lennon and Harrison "were more than a little pissed" and made a point of staying out of sight. Horn said that the arrival of the film crew was the catalyst for the discontent that resulted in the last two Beatles' premature departure from Rishikesh. In Massot's recollection, the crew was led by producer Gene Corman, who subsequently pleaded with Massot to use his influence with Harrison and Lennon to ensure the Beatles' participation.

However, on April 12, George Harrison and John Lennon, the two Beatles most committed to TM, abruptly left the ashram in Rishikesh, signaling the band's split with the Maharishi. Some witnesses said that Lennon and Harrison's departure was in reaction to the Maharishi's alleged sexual impropriety towards some of his female students; others cited the arrival of Lutes, accompanied by a film crew to film the planned documentary, after he had signed a contract with Four Star Television on the understanding that the Beatles would appear in the production. The Beatles' disenchantment with the Maharishi and the Spiritual Regeneration Movement had a detrimental effect on the guru's standing among music fans.

The Denis d'or was reported to have 14 registers, most of which were twofold, and its complex mechanism fitted in a symmetrical wooden cabinet equipped with a keyboard and a pedal. It was about long, wide, and high. Basically, it was a chordophone not unlike a clavichord—in other words, the strings were struck, not plucked. The suspension and the tautening of the allegedly 790 metal strings was described as more elaborate than a clavichord. The mechanism which had been worked out by Diviš was such that the Denis d’or could imitate the sounds of a variety of other instruments, including chordophones such as harpsichords, harps, lutes and wind instruments.

The mulberry wood neck of the instrument is fixed to the body and there is a mulberry nut at the top leading to five carved wooden winders for the strings. The instrument is not very loud, and is played by strumming the top course of strings with the forefinger while allowing the finger to also play the drone strings. It is related very much to instruments from Central Asia and similar long necked lutes (although not with the strange middle string arrangement which seems to be a regional invention) can be found over the border in the neighbouring countries to the West and North.

The Academy's library contains over 160,000 items, including significant collections of early printed and manuscript materials and audio facilities. The library also houses archives dedicated to Sir Arthur Sullivan and Sir Henry Wood. Among the Library's most valuable possessions are the manuscripts of Purcell's The Fairy-Queen, Sullivan's The Mikado, Vaughan Williams' Fantasia on a Theme by Thomas Tallis and Serenade to Music, and the newly discovered Handel Gloria. A grant from the National Heritage Memorial Fund has assisted in the purchase of the Robert Spencer Collection—a set of Early English Song and Lute music, as well as a fine collection of lutes and guitars.

With lutes, small and large, let us give her a friendly welcome). The harmonious sound of the lute (琴) and the psaltery (瑟) playing together (琴瑟和鸣) is a metaphor for a compatible match between a man and woman. (My aunt's) character was as exemplary as that of the Queen of King Wen.Translator’s note: “歸妹袂良” is an anecdote from the Book of Changes (《易经》：“帝乙归妹，其君之袂，不如其娣之袂良”). King Zhou’s father of the Shang Dynasty married his sister to King Wen of the Zhou state, a federal lord to the Shang Dynasty.

Rob Sheffield of Rolling Stone considered that the show's ensemble focus has turned Piper into "dead weight" and "nobody would argue that an early parole for her would hurt the show". As he reviewed season 2, The Huffington Post Canada entertainment editor Chris Jancelewicz, opined that "Schilling's deadpan expressions and snap comedic timing help us empathize and grow to love her" as her character became more understandable. Alicia Lutes of MTV wrote that as of Season 2 the show is about Piper understanding herself and her capabilities better "even if those abilities put her further in the muck" and not about her possible reformation.

Music was greatly enjoyed throughout this era, as seen through quite a few family evenings including musical performances. Children were taught to sing and dance at a very early age and became used to performing in public during such evenings. Keyboard instruments such as harpsichords, clavichords, dulcimers and virginals were played. Woodwind instruments like woodys, crumhorns, flutes and stringed instruments such as lutes and rebecs were also widely used. Court dances included the pavane and galliard, the almain and the volta, whilst among popular dances were the branle, The Barley-Break (a setting by William Byrd is in My Ladye Nevells Booke), Nobody’s Jig (of which a version was set by Richard Farnaby) and the Shake-a-Trot.

Lutes are an extremely important part of Badakhshani music, especially the three-stringed shortneck lute played with a wooden plectrum; this is called the Pamiri rubab. Other varieties of lute in Badakhshan include the komus, a three-stringed but unfretted lute played by the Kyrgyz of eastern Badakhshan, the tanbur, a seven-stringed lute with sympathetic strings, the setar, with three melody strings and a number of sympathetic strings; the imported Afghan rubab and Azerbaijani tar are also a major part of Badakhshan's lute heritage . Other instruments include the ney, a kind of flute, and the Ghaychak, a spiked fiddle; the circular frame drum daf is also common, as is the accordion, brought by Russians.

The đàn gáo ("coconut shell fiddle") is a bowed string instrument, a part of the traditional Vietnamese orchestra. It is similar to the đàn hồ.Terry E. Miller, Sean Williams The Garland handbook of Southeast Asian music Routledge 2008 Page 263 "Three other bowed lutes have different resonators: đàn cò phụ "subordinate fiddle," with its slightly larger resonator; đàn gáo or đàn hồ .." The instrument originated from South Viet Nam, and is used in entertainment contexts. It can be played alone, as part of an orchestra, or to accompany cải lương (Vietnamese folk opera). The instrument’s name can be broken down as “đàn” meaning string instrument, and “gáo” literally translated as an aged coconut shell used as a scooper.

Sephardic music, including pan-Sephardic music which may not necessarily be Judeo-Spanish, is primarily vocal. Instruments, when they are used, are played to accompany songs. the choice of Instruments used by Sephardim has generally reflected the instruments used in the host culture: (Greek, Turkish, Moroccan, etc.) The instruments most commonly played are plucked lutes (fretless: oud, the Middle Eastern lute; and in Turkey fretted saz or sometimes mandolin or the cumbus), kanun or santur (plucked or hammered Middle Eastern zither), violin and hand drums (frame and goblet). For weddings and other celebrations, musicians might also be hired from the Muslim community, as skilled Jewish musicians are also hired by the Muslim community.

During this period, the movement began making increasing claims about the powers of TM and the TM-Sidhi program, including the reduction of crime by the practice of "Yogic flying". According to Nancy Cooke de Herrera, an early teacher of TM and a TM-Sidhi practitioner, Charlie Lutes, former President of the Spiritual Regeneration Movement, saw the introduction of the TM-Sidhi program as a financial ploy to increase income in the wake of declining public interest in TM. In England, the Maharishi Foundation bought Mentmore Towers in Buckinghamshire, Roydon Hall in Maidstone, Swythamley Park in the Peak District and a Georgian rectory in Suffolk, and his income was reported at six million GBP per year in 2008.

He performed frequently for Iraqi radio and television, and performed in concert in China, Iran, Egypt, Germany, England, and the United States. He has performed publicly as recently as 1997. He made only one full-length recording, for Decca Headline, "Salman Shukur - oud", HEAD 16 PSI, recorded in Rosslyn Hill Chapel in London in 1976 by James Mallinson and Stanley Gooddall, notes by John Haywood, released in 1977, and a brief excerpt of his solo oud performance in Rast Iraq can be heard on the Tangent Record series Music In The World Of Islam: Lutes (re-issued by Topic Records). For this recording, Salman Shukur used an oud built by the son of Ustad Ali, Mohammad Ali.

The cemetery was founded in 1872 by the Spencer Butte Lodge No. 9 of the Independent Order of Odd Fellows. The cemetery is located adjacent to the campus of the University of Oregon but is not affiliated with the college. It is situated across University street from McArthur Court and is behind the Knight Library. In at least three sessions of the Oregon State Legislature, bills were introduced which would have allowed the University of Oregon to condemn the property, remove graves, and build on the land; the last attempt was in January 1963 with the submission of studies presented to the University of Oregon by the Springfield architecture firm of Lutes and Amundson.

Pear-shaped lutes have been depicted in Kusana sculptures from the 1st century AD. The pear-shaped pipa may have been introduced during the Han dynasty and was referred to as Han pipa. However, depictions of the pear-shaped pipas in China only appeared after the Han dynasty during the Jin dynasty in the late 4th to early 5th century. Pipa acquired a number of Chinese symbolisms during the Han dynasty - the instrument length of three feet five inches represents the three realms (heaven, earth, and man) and the five elements, while the four strings represent the four seasons.應劭 -《風俗通義·聲音》 Fengsu Tongyi (Common Meanings in Customs) by Ying Shao.

String-bending for example may be used to produce a glissando or portamento. Note however that the frets on all Chinese lutes are high so that the fingers and strings never touch the fingerboard in between the frets, this is different from many Western fretted instruments and allows for dramatic vibrato and other pitch changing effects. In addition, there are a number of techniques that produce sound effects rather than musical notes, for example, striking the board of the pipa for a percussive sound, or strings-twisting while playing that produces a cymbal-like effect. The strings are usually tuned to A-D-E-A, although there are various other ways of tuning.

Lawes was born in Salisbury, Wiltshire and was baptised on 1 May 1602. He was the son of Thomas Lawes, a vicar choral at Salisbury Cathedral, and brother to Henry Lawes, a very successful composer in his own right. His patron, Edward Seymour, Earl of Hertford, apprenticed him to the composer John Coprario, which probably brought Lawes into contact with Charles, Prince of Wales at an early age. Both William and his elder brother Henry received court appointments after Charles succeeded to the British throne as Charles I. William was appointed as "musician in ordinary for lutes and voices" in 1635 but had been writing music for the court prior to this.

Buddhist iconography throughout East and South-East Asia depict short-necked lutes being played by celestial beings as well as the Hindu goddess Saraswati, who led such divine musicians. Avatars of Sarasvati, "the biwa-playing Hindu goddess of music, wisdom, and eloquence", also play the lute in Tibetan and Chinese iconographic displays; such avatars correspond to Benzaiten, a Japanese deity known for holding a biwa in her benevolent arms.De Ferranti: 29 Japanese iconography indicates two female lute-playing deities: the aforementioned Benzaiten and Myōonten; their identities are often fused together, but both have their roots in the continental Asian tradition, and can be traced from Sarasvati through various forms.De Ferranti: 30-2.

This heavy vehicle traffic soon took its toll of the road network. Although the supply system was functioning satisfactorily on the even of the launch of Operation Cobra on 25 July, the outlook was uncertain. It was apparent that the Brittany ports would not be taken on schedule. Brigadier General Royal B. Lord, the chief of staff of COMZ, informed Major General Leroy Lutes, his counterpart at ASF, that he expected that Cherbourg would eventually be able to handle a day, but others regarded this forecast as optimistic, and even with Quiberon Bay in operation, there might not be enough port capacity to maintain the planned troop numbers until D plus 180.

Notable past winners of the Xeric Grant include Megan Kelso (1993), David Lasky (1993), Jason Lutes (1993), Adrian Tomine (1993), Tom Hart (1994), Jessica Abel (1995), Bebe Williams (1995), James Sturm (1996), Ellen Forney (1997), Jim Ottaviani (1997), Gene Yang (1997), Dawn Brown (1998), Jason Little (1998), David Choe (1999), Nick Bertozzi (1999), Jason Shiga (1999), Farel Dalrymple (2000), Anders Nilsen (2000), Leland Purvis (2000), Jordan Crane (2001), Brian Ralph (2001), Hans Rickheit (2001), Donna Barr (2002), Derek Kirk Kim (2002), Sonny Liew (2002), Lauren Weinstein (2002), Josh Neufeld (2004), Karl Stevens (2004), Fred Van Lente and Ryan Dunlavey (2004), David Heatley (2005), Jeff Lemire (2005), Jesse Moynihan (2006), and Blaise Larmee (2009).

Ophthalmology in Ancient Egypt Parts of turtles were used to grind eye paint, which was applied both as a cosmetic and to protect eyes from infection and over-exposure to sun, dust, wind, and insects.Photo of Turtle Palette The flesh of Trionyx was eaten from Predynastic times to as late as the Old Kingdom, and later the flesh of turtles began to be considered an "abomination of Ra" and the role of these animals became an evil one. Turtle carapaces and scutes from Red Sea Turtles (Chelonia Imbricata) were used in rings, bracelets, dishes, bowls, knife hilts, amulets, and combs. Land tortoise carapaces from Kleinmann's tortoise were used as sounding boards for lutes, harps and mandolins.

In the 1960s, scholars and writers began to seriously examine the traditional music of West Africa in their search for the roots of the blues, jazz, and the other music forms that had emerged in the African diaspora. However, in this quest there was very little study and documentation of West African stringed instruments done other than in the overall context of general musical and cultural traditions. For the most part, the only stringed instruments to receive specific attention were those of the griots, such as their plucked lutes (e.g. the Mande ngoni, the Wolof xalam, the Fula hoddu, the Soninke gambare, and the kora (the 21-string harp-lute of the Mandinka griots).

Madagascar: Early 20th century distribution of musical instruments with African, Indonesian or European origins Instruments in Madagascar were brought to the island by successive waves of settlers from across the Old World. Over 1500 years ago, the earliest settlers from Indonesia brought the oldest and most emblematic instruments, including the tube zither () which evolved into a box form () distinct to the island. Later settlers from the Arabian peninsula and the eastern coast of Africa contributed early lutes, whistles and other instruments that were incorporated into local musical traditions by the mid-16th century. The influence of instruments and musical styles from France and Great Britain began to have a significant impact on music in Madagascar by the 19th century.

The so-called wandervogellaute has been a late heir to that development. From another source on tuning: Two tunings are reported: a ‘galizona’ or ‘colachon’ is tuned A'( or ) -B'( or ) -C-D-G-c-e-a, and, under a separate heading, ‘mandora’ is given as D ( or ) -E ( or ) -F-G-c-f-a-d' (i.e. the same tuning but a 4th higher) or E-A-d-g-b-e' (identical to that of the modern guitar) The playing technique for the mandora involves the same basic right-hand finger style as for all 18th-century lutes and, because of the tuning intervals of the upper five courses, a left-hand technique that is similar to that of the 18th-century guitar.

A conservator will need to examine the structure of the instrument to see if stress cracks from the tension of the strings have begun to develop. # Musical Bows # Harps # Lyres # Lutes # Zithers Aerophones - Aerophones are instruments that require air passing through, or across, them to create sound. Most commonly constructed of wood or metal, a conservator will need to examine the innards for mold or debris that will prohibit air from passing easily through the instrument. # Brasswinds - The most commonly known is the trumpet # Woodwinds - The most commonly known is the flute # Free-Reed - The most commonly known is the accordion # Free - Free instruments are unique to the aerophone category due their reliance on air passing around the instrument, rather than through it.

Formed in 1996 by lead singer and previous Pollyanna Frank and Sister George front-woman Ellyott Dragon (born: Sharon Ben-Ezzer), Nightnurse's original line up consisted of Ellyott on guitar and vocals, Charlotte Hatherley on guitar, Ben Drakeford on bass guitar and Alex Lutes on drums. After playing only 6 gigs together the band were signed to ex Creation Records boss Tim Abbott's Better Records label. In 1997 the band's profile was raised considerably after winning the NME 'Best New Band' award having been together for a just few months. They achieved some success with their debut single "Golem" which received a small amount of radio play on BBC Radio 1 and video play on MTV Europe but did not chart.

The pear-shaped pipa is likely to have been introduced to China from Central Asia, Gandhara, and/or India.The pipa: How a barbarian lute became a national symbol Pear-shaped lutes have been depicted in Kusana sculptures from the 1st century AD. The pear-shaped pipa may have been introduced during the Han Dynasty and was referred to as Han pipa. However, depictions of the pear- shaped pipas in China only appeared after the Han Dynasty during the Jin Dynasty in the late 4th to early 5th century. A small pipa was found in murals of tombs in Liaoning (遼寧) province in northeastern China. The date of these tombs is about late Eastern Han (東漢) or Wei (魏) period (220–265 AD).

The long-necked lute traveled west as well as east. In the 5th century B.C. the Egyptian lute made it into Greek sculpture, recognizable as a pierced lute, stick running into an oval body, with triangular bridge at base of instrument and two lines of soundholes parallel to the stick, on either side of it. A century later at Mantineia, the pierced lute would be changed, with a broader neck, somewhat shorter than the earlier Egyptian style lute, but still a long-necked instrument, with the neck longer than the soundbox. A second version at Tanagra in 200 B.C. was carved from a single piece of wood, neck and soundbox, pear-shaped much as the short-lutes that later arrived from Central Asia.

Since 1977, Zacharopoulos has produced art critiques in: Artforum (New York); Artistes (Paris); Arti (Athens); Parkett (Zurich); Furor (Geneva); Faces (Geneva); Museumjournal (Amsterdam); Art e Dossier (Rome); Artstudio (Paris); Juliett (Trieste); Acrobat Mime Parfait (Bologna); Teuchos and Artime (both Athens). Numerous catalogues and theoretical publications listed in Zacharopoulos' bibliography,Denys Zacharopoulos Bibliography. with particular emphasis on the following artists: Gerhard Richter, Mario Merz, Gilberto Zorio, Iannis Kounellis, Per Kirkeby, Eugene Leroy, Michelangelo Pistoletto, Pat Steir, Carl Andre, Pierpaolo Calzolari, Jean-Pierre Bertrand, Marina Abramović, Lothar Baumgarten, Marisa Merz, Jean-Marc Bustamante, Matt Mullican, Thomas Schütte, Jan Vercruysse, Helmut Dorner, Geylan Gerber,[Harald Klingelhöller, Franz West, Jim Lutes, Tadashi Kawamata, Reinhard Mucha, Adrian Schiess, Herbert Brandl, Jimmy Durham, Michel François, Eran Schaerf, Xavier Noiret-Thomé.

The work, steeped in Protestant moralization and chiliastic attitudes, was both anti- Catholic and anti-Spanish and was studied in Zeeland both at home and Church as part of familial religious edification. The collection contained 76 songs (including Wilhelmus, which became the Netherlands' national anthem), and unusually for the time the songs were printed in musical notation (many similar collections named well-known tunes to which a printed text should be sung). Musical accompaniments were to be done by four-stringed citterns and seven-stringed lutes; the accompaniments were printed in tablature.Clement, Grove online Valerius' historical significance lies neither in his poetry's artistic expression, which was stunted and often bare, nor in the originality of his work, which is often viewed as derivative.

A number of musical instruments used in European music were influenced by Arabic musical instruments, including the rebec (an ancestor of the violin) from the rebab and the naker from naqareh The oud is cited as one of several precursors to the modern guitar. Muslim and Christian playing lutes. Miniature from Cantigas de Santa Maria by King Alfonso X Some scholars believe that the troubadors may have had Arabian origins, with Magda Bogin stating that the Arab poetic and musical tradition was one of several influences on European "courtly love poetry". Évariste Lévi-Provençal and other scholars stated that three lines of a poem by William IX of Aquitaine were in some form of Arabic, indicating a potential Andalusian origin for his works.

From the organological point of view, the Byzantine lyra is in fact an instrument belonging to the family of bowed lutes; however, the designation lyra (Greek: λύρα ~ lūrā, English: lyre) constitute of a terminological survival relating to the performing method of an ancient Greek instrument. The use of the term lyra for a bowed instrument was first recorded in the 9th century, probably as an application of the term lyre of the stringed musical instrument of classical antiquity to the new bowed string instrument. The Byzantine lyra is sometimes informally called a medieval fiddle, or a pear-shaped rebec, or a kemanche, terms that may be used today to refer to a general category of similar stringed instruments played with a horsehair bow.

The people of Mesopotamia preferred stringed instruments, as evidenced by their proliferation in Mesopotamian figurines, plaques, and seals. Innumerable varieties of harps are depicted, as well as lyres and lutes, the forerunner of modern stringed instruments such as the violin. Ancient Egyptian tomb painting depicting lute players, 18th Dynasty ( BC) Musical instruments used by the Egyptian culture before 2700 BC bore striking similarity to those of Mesopotamia, leading historians to conclude that the civilizations must have been in contact with one another. Sachs notes that Egypt did not possess any instruments that the Sumerian culture did not also possess. However, by 2700 BC the cultural contacts seem to have dissipated; the lyre, a prominent ceremonial instrument in Sumer, did not appear in Egypt for another 800 years.

On the review aggregator website Rotten Tomatoes, the first season has a 93% approval rating with 58 reviews, with an average rating of 6.97/10. The website's critical consensus reads, "You pairs thrilling drama with trashy fun to create an addictive social media horror story that works its way under the skin – and stays there." Review aggregator Metacritic gave the first season a normalized score of 74 out of 100 based on 29 critics, indicating "generally favorable reviews". Alicia Lutes of IGN gave the first season an 8.4/10, stating that it is "so insane, you're bound to be riveted and engaged if nothing else" and that the series is "a horrifying love letter to all those romantic ideals and expectations that have permeated our society".

This reduced damping again meant that their tops could vibrate more freely, contributing to the characteristic "humming" sound of viols; yet the absence of a sound post also resulted in a quieter and softer voice overall. It is commonly believed that C-holes (a type and shape of pierced sound port visible on the top face or belly of string instruments) are a definitive feature of viols, a feature used to distinguish viols from instruments in the violin family, which typically had F-shaped holes. This generality, however, renders an incomplete picture. The earliest viols had either large, open, round, sound holes (or even round pierced rosettes like those found on lutes and vihuelas), or they had some kind of C-holes.

Antoni de Literes (18 June 1673 Majorca – 18 January 1747 Madrid), also known as Antonio de Literes or Antoni Literes Carrión) was a Spanish composer of zarzuelas. As with other national forms of baroque opera, Literes's stage works employ a wide variety of musical forms – arias, ariettas and recitative (accompanied and unaccompanied) as well as dance movements and choruses, though here mingled with spoken verse dialogue. His use of the orchestra follows French and Italian practice in including guitars, lutes, and harpsichords amongst the continuo instruments. From 1693, after the exile of his predecessor Sebastián Durón, Literes became the Master of the Capilla Real of Madrid, playing the bass viol and soon being accounted the greatest Spanish court composer of his time.

The Cantigas de Santa Maria shows 13th century instruments similar to lutes, mandores, mandolas and guitars, being played by European and Islamic players. The instruments moved from Spain northward to France and eastward towards Italy by way of Provence. Beside the introduction of the lute to Spain (Andalusia) by the Moors, another important point of transfer of the lute from Arabian to European culture was Sicily, where it was brought either by Byzantine or later by Muslim musicians. There were singer-lutenists at the court in Palermo following the Norman conquest of the island from the Muslims, and the lute is depicted extensively in the ceiling paintings in the Palermo's royal Cappella Palatina, dedicated by the Norman King Roger II of Sicily in 1140.

Murphy's discography includes world première presentations of works of 18th century symphonists Stamitz, Richter, Abel, Reichardt, Schmitt ("The Dutch Haydn"), , and Zappa. His CD of Corelli's Concerti Grossi, made during the 2003 Utrecht Early Music Festival, was the first disc to ever present Corelli's own large scale, authentic orchestral soundscape, featuring Corelli's preferred instrumentation with lost of continuo instruments (cello, bass, organs, harpsichords, baroque lutes, baroque guitars, archlutes and theorbos) and improvisation and extemporisation. It was voted by Dutch national radio as one of the top 5 highlights in the 30-year history of the festival and was reviewed by the BBC Music Magazine as "the best of both worlds ... the NDA is a big band playing on period instruments". Murphy's CD albums for PENTATONE include Early Mannheim String Symphonies by Stamitz and Richter Vol.

Despite continuous – and often victorious – wars against the age's superpowers, the nearby Venice and the Papal States, Ferrara in the 16th century was a thriving city, a major hub for trade, business and liberal arts. World class music and painting schools, linked with Flemish artistic communities, were established in the late 15th and early 16th century, under the patronage of the House of Este. Musical instrument workshops, and especially the making of lutes, were a pride of the city and were considered preeminent. A new part of the city, named Addizione Erculea (Erculean Addition) had been built in the previous century: it is commonly considered one of the major examples of urban planning in the Renaissance, the biggest and most architecturally advanced town expansion project in Europe at the time.

During Dolmetsch's time at Chickering, he resided in a house in Cambridge, Massachusetts, partially of his own design, with the aid of architects Luquer and Godfrey. It was through Dolmetsch's work in Cambridge that a wealthy benefactress, Miss Belle Skinner, was able to restore a number of rare instruments, including a spinet owned by Marie Antoinette, which today comprise the founding collection of Yale's Collection of Musical Instruments. He went on to establish an instrument- making workshop in Haslemere, Surrey, and proceeded to build copies of almost every kind of instrument dating from the 15th to 18th centuries, including viols, lutes, recorders and a range of keyboard instruments. His 1915 book The Interpretation of the Music of the XVIIth and XVIIIth Centuries was a milestone in the development of 'authentic performances' of early music.

Dr Cheng Yu playing the P'ipa Cheng Yu is a Chinese musician. She is internationally renowned as a performer of the pipa, a Chinese four-stringed lute, She gained a BMus in China and an MMus in the United Kingdom. She completed her PhD studies at the School of Oriental and African Studies (SOAS) in London on Ancient Xi'an Music and regularly performs throughout the UK. She plays, records and researches widely on traditional and contemporary Chinese music as well as cross-cultural music collaborations in the UK, Europe and other places. In her recent project in 2005, she successfully re-created a modern version of the lost Tang Dynasty five-stringed pipa, based on the study of old Tang dynasty pipas and lutes from the East Asian cultures.

It has sometimes been speculated that Hans Holbein's Man with a Lute, a portrait of a man in French dress with a lute and music books, may be Van Wilder, though a rival claim has been made for John Dudley, the Lord High Admiral. On his death, which took place in London on 24 February 1554, Van Wilder was buried on the south side of the choir in his parish church of St Olave's Hart Street. His tomb was still in existence in 1733, but has since disappeared. An elegy in the poetry anthology known as Tottel's Miscellany (1557) praises Van Wilder's skill as a lutenist: Bewaile with me all ye that haue profest Of musicke tharte by touche of coarde or winde: Laye downe your lutes and let your gitterns rest.

The conservatory of the Pietà hospital was the only hospital to remain active until approximately 1830. All the other hospitals completely closed their musical activity during the first years of the nineteenth century. From an instrument inventoryPio Stefano book dated 1790 we learn that during that year the Pietà hospital had still “four violins with used bows, four cellos, seventeen violins, two marine trumpets [this may in fact refer to violino in tromba marina, six small violas, two viola d’amore, two mandolines, two lutes, one theorbo, four hunting horns with accessories, two psalteries with harmonic box, two cymbals, three flutes, two big cymbals with spinets, six spinets. Jean-Jacques Rousseau's account of 1770 conveys his impressions but has been over-generalized as a description of the institution over an entire century.

Two stringed lute, made in Gjakova Sharkhi, made in Gjakova Another craft, about which there are very few data available, is that of musical instruments production. We know only that in Gjakova used to live in the second half of the 19th century the well-known singer and musician Ramadan Gunga, who supported his family by his craft of a master of musical instruments production, such as sharkhis, two-stringed lutes, etc., that his beautiful sharkhis were decorated with a mother-of-pear eagle and with ivory spots, that he had a shop and that on the market day he played nice melodies to advertise his ware. We also know that his pupil and later his friend, the singer and instrumentalist, Din Bakija, had made himself a sharkhi and a personal box.

The Harp Consort is an international early music ensemble directed by Andrew Lawrence-King, specialising in Baroque opera, early dance-music, and historical World Music. The Harp Consort improvises within the distinct styles of baroque, renaissance and medieval music. The group takes its inspiration from the 17th-century harp consort formed in England at the court of Charles I: in contrast to the homogeneous string orchestra (also formed at this time), the Consorte brought together diverse types of solo instruments – harp, lutes, keyboards, strings – and voices, to create colourful new combinations in the fashion of the day. Like the 17th-century Consorte, The Harp Consort is formed around the accompanying instruments of the basso continuo and brings together an international team of musicians who create a rich variety of timbres.

The emphasis on the liturgical content of services under Charles I, associated with Archbishop William Laud, meant a need for fuller musical accompaniment.G. Parry, The Arts of the Anglican Counter-Reformation: Glory, Laud and Honour (Woodbridge: Boydell, 2006), p. 157. In 1626 the musical establishment of the royal household was sufficient to necessitate the creation of a new office of 'Master of the King's Music' and probably the most important composer of the reign was William Lawes (1602–45), who produced fantasia suites, consort music for harp, viols and organ and music for individual instruments, including lutes. This establishment was disrupted by the outbreak of civil war in England in 1642, but a smaller musical establishment was kept at the King's alternative capital at Oxford for the duration of the conflict.

The history of ganying spans over two millennia, going from an ancient cosmological theory to modern scientific terminology. Ancient texts use string resonance or sympathetic vibration between paired Chinese musical instruments as the most common analogy for (gan)ying "cosmic resonance". The Zhuangzi, Lüshi chunqiu (twice), Huainanzi (twice), and Chuci all mention plucking the classical pentatonic gong 宮 and jue 角 notes on the se 瑟 "a 25-string zither"; but the Chunqiu fanlu mentions the gong and shang 商 notes on either the se or qin 琴 "a 7-string zither". Joseph Needham (1962:130) notes both these instruments are commonly mistranslated as "lutes", but are actually "zithers", describing the qin as "a half-tube zither" and the se (which only survives in the descendent zheng 箏) as "a horizontal psaltery".

The bass type, similarly to the theorbo and other baroque lutes, has a vaulted body (shell) constructed of separate ribs, a flat soundboard with either a carved rose or one which is inset into the soundhole, and a bridge (without a saddle) consisting of a wooden bar acting as a string-holder glued to the soundboard. Unique to this instrument is the neck, which is long enough to allow for ten to 12 tied gut frets. The pegbox is either straight and set at a sharp angle to the neck (much like a lute pegbox), or gently curving and set at a shallow angle, either case being fitted with laterally-inserted tuning pegs (although sometimes a flat pegboard with sagittal pegs is found). The strings were of gut and are strung either singly or, especially on Italian instruments, in double courses.

The guitar player (c. 1672), by Johannes Vermeer The Baroque guitar (c. 1600–1750) is a string instrument with five courses of gut strings and moveable gut frets. The first (highest pitched) course sometimes used only a single string.Harvey Turnbull, The Guitar (From The Renaissance to the Present Day) (3rd impression 1978), London: Batsford (), p. 15: "Early lutes, vihuelas and guitars share one important feature that would have been of practical concern to the player; the frets, unlike the fixed metal frets on the modern guitar, were made of gut and tied round the neck" (Chapter 1 – The Development of the Instrument). The "Hispano-Italian guitar" was made fashionable in the 17th century by Italian actors, working in Paris. cIt was first an instrument of aristocrats, inspired by the actors, and later it became an amateur instrument.

The first college football game played in the Kingdome was also in 1976, between the Washington State Cougars and USC Trojans on October 9. With 37,268 in attendance, USC running back Ricky Bell rushed for 346 yards and set the Pac-8 single-game rushing record, and the Trojans won by nine points, The University of Puget Sound Loggers' and Pacific Lutheran University Lutes' success in bringing large crowds to the newly- opened Tacoma Dome in 1983, 1984, and 1985, enticed the Kingdome to move the rivalry game for the Totem Pole Trophy to Seattle. It was played in the Kingdome for two years – 1986 and 1987. While it was relatively successful for small college football, organizers realized that they would never get the 50,000 needed to fill the Kingdome and the game returned to Tacoma.

Campbell's final gig with National Health resulted in a total discouragement with rock music, and in subsequent years he would abandon the genre altogether, describing it as having "very limited powers of expression... a rather fixed, limited stratum of musical experience, and one that I no longer feel particularly drawn to." In 1977, he dropped his old school nickname of "Mont" in favour of "Dirk" and formed the two-guitar, flute and violin quartet Mozaic, which mostly played "pleasant, undemanding" Campbell pieces at weddings and social events. He also recorded an (ultimately unreleased) tape of other compositions, called Individual Extracts. In 1983, Campbell developed an overwhelming interest in world music and spent most of the next decade-and-a-half mastering a wide variety of wind instruments, harps and lutes from diverse cultures around the world.

The Indiana Magazine of History was founded in 1905 as the Indiana Quarterly Magazine of History by George S. Cottman as "a magazine devoted to the preservation and collating of matter that is of real value to the historical student." In 1913, when Logan Esarey succeeded Cottman as editor, the magazine began its affiliation with Indiana University and adopted its current name. Under Esarey the journal started to focus on historical interpretation and analysis in addition to reproduction of printed sources. The transition was completed under the editorships of John Barnhart (1941 – 1955), who long-time associate editor Lorna Lutes Sylvester said brought an "aura…of sophisticated scholarship" to the journal, and Donald F. Carmony (1955-1975), whose service to Indiana University was recognized in 2002 by the creation of a chaired professorship in the IU history department.

The NDA's discography includes world première presentations of works of 18th century symphonists Stamitz, Richter, Schmitt ("The Dutch Haydn"), Graaf, Schwindl and Zappa. The groundbreaking NDA recording of Corelli's Concerti Grossi, made during the 2003 Festival of Early Music Utrecht, was the first disc to ever present Corelli's own large-scale, authentic orchestral soundscape, featuring Corelli's preferred instrumentation with a large variety and amount of basso continuo instruments (cello, bass, organs, harpsichords, baroque lutes, baroque guitars, archlutes and theorbos), together with improvisation and extemporisation. It was voted by Dutch national radio as one of the top 5 highlights in the 30-year history of the festival and was reviewed by the BBC Music Magazine as "the best of both worlds ... the NDA is a big band playing on period instruments". The NDA's CDs for PENTATONE include Early Mannheim String Symphonies by Stamitz and Richter Vol.

When Herbert's father died on 5 August 1648, he inherited his father's titles, Baron Herbert of Castle Island in the peerage of Ireland and Baron Herbert of Chirbury in the peerage of England, but little else. His younger brother, Edward, received the manor of Llyssin for life, while his own son, another Edward, received his grandfather's books and most of his personal property. Herbert himself, the elder son, got only his father's horses and was instructed to "make much of the white horse", while his wife, the new Lady Herbert, was bequeathed her father-in-law's viols and lutes. He was briefly a member of the House of Lords, until on 19 March 1649 it was abolished by an Act of Parliament that declared that "The Commons of England find by too long experience that the House of Lords is useless and dangerous to the people of England".

Of all the myriad variety of West African plucked lutes, the Jola akonting stands out as the one instrument today that bears the strongest resemblance to early North American gourd banjos. This is seen not just in its physiology but also in the traditional technique used to play the akonting, called o'teck (literally, "to stroke"), which is basically the same as the stroke, or frailing style, considered to be the oldest extant technique for playing the banjo. Both the akonting o'teck and the banjo stroke style are forms of down-picking, a technique in which the fingernail of a single finger – either the index or middle finger – is used to strike the individual melody strings in a downward motion, like a plectrum. This action is immediately followed by the player's thumb catching on the top short "thumb string" to create a rhythmic back-beat accompaniment.

The stanza then rehearses formulaic lines, drawn from the human context: The beautiful and good young lady Is a fine mate for the lord. The entire poem consists of a series of isolated episodes which can be linked into a continuous narrative. It alternates between natural images and human situations, two literally unrelated frames of reference. One set of formulaic lines refers to a male-female relationship: The beautiful and good young lady Is a fine mate for the lord. (3-4) ... The beautiful and good young lady Waking and sleeping he wished for her. (7-8) ... The beautiful and good young lady Zithers and lutes greet her as friend. (15-16) ... The beautiful and good young lady Bells and drums delight her. (19-20) Lines 9-12 intrude upon the formulaic scheme, making the poem asymmetrical: He wished for her without getting her.

Forrest Edward "Frosty" Westering (December 5, 1927 – April 12, 2013) was an American football coach. He served as the head coach at Parsons College in Fairfield, Iowa from 1962 to 1963, Lea College in Albert Lea, Minnesota from 1966 to 1971, and Pacific Lutheran University in Parkland, Washington 1972 from 2003, compiling a career college football coaching record of 305–96–7. Westering led his Pacific Lutheran Lutes teams to eight national championships, winning four: three NAIA Division II Football National Championship, in 1980, 1987, and 1993, and an NCAA Division III Football Championship in 1999. He retired as the ninth winningest coach in college football history. Westering was a recipient of the Amos Alonzo Stagg Award in 2013, was named the NCAA Division III Coach of the Year in 1999 and was named NAIA National College Football Coach of the Year in 1983 and 1993.

" Lutes noted how Cage's strength depended on Rita's guidance, as "she trains him, aids him, and protects him (and in turn the fate of humanity) time and time again." Tasha Robinson, writing a piece in The Dissolve about "strong female characters" that lack real purpose in films, said that Rita in Edge of Tomorrow was an exception. Robinson acknowledged that Rita existed to support Cage in his trials, but believed that "the story doesn't degrade, devalue, weaken, or dismiss her". In contrast, The Wires Esther Zuckerman criticized the inclusion of a romantic relationship in the film, and said of the two characters' kiss: "There's a case to be made that the kiss is simply an acceptance of their fate, but everything we know about Rita up until this point implies that she's a dedicated soldier, and making her a sudden romantic betrays her character.

Performances of Elizabethan and Jacobean plays frequently included the use of music, with performances on organs, lutes, viols and pipes for up to an hour before the actual performance, and texts indicates that they were used during the plays. Plays, perhaps particularly the heavier histories and tragedies, were frequently broken up with a short musical play, perhaps derived from the Italian intermezzo, with music, jokes and dancing, known as a 'jigg' and from which the jig dance derives its name. After the closure of the London theatres in 1642 these tendencies developed into sung plays that are recognisable as English Opera's, the first usually being thought of as William Davenant's (1606–68) The Siege of Rhodes (1656), originally given in a private performance. The development of native English opera had to wait for the Restoration of the monarchy in 1660 and the patronage of Charles II.

Yovan Tsaous is particularly noted for the unique instruments he played.A detailed illustrated analysis of the construction and fretting of these instruments, and of Tsaous' discography, is to be found in Kourousis, Stavros From Tambouras to Bouzouki - The History and Evolution of the Bouzouki and its first Recordings (1926-1932) Orpheum Phonograph ORPH-01 (2013) They were custom-built for him in Piraeus by the luthier Kyriakos Peismatoglou, and differed in one important respect from other plucked long- necked lutes in use in Greece at this time, in that they were not fretted according to the equal temperament division of the octave into twelve identical semitones. Instead theyAt least the two surviving instruments, the sazi and the baglamas. had sixteen frets to the octave, which permitted, among other things, the playing of microtonally different intervals such as the so- called three-quarter tone, and the neutral third, at certain positions on the fretboard.

The Seperewa instrument, historically known as Sanku, is attested to at least the 17th century, as the then newly established Asanteman empire incorporated elements of its heavily Mande- influenced northern predecessor state Bonoman into its musical repertoire. Various harp-lutes similar to the sanku were once exclusively played in northern Ghana (which culturally was much more heavily influenced by the Mali Empire and today is still inhabited by several Manden groups; the Ligbi, Bissa, Dyula and Wangara) eventually gave way to kologo and molo calabash-lute types instead. The harp-lute tradition since then was preserved predominantly among Akan groups in what became southern Ghana, with the only exception being the koriduo 6 string harp of the Dagari and Sisaala groups of northwestern Ghana. King Osei Tutu, the mythical founder of the Asante empire, was said to have loved the instrument so much that his successor Opoku Ware caused a replica of it to be made in his memory.

A talented singer, violinist and perhaps cellist, the 7th prince was a major patron of Beethoven, who dedicated his Third (Eroica), Fifth, and Sixth (Pastoral) symphonies to the Prince, as well as other works. It was the annual stipend provided by the Prince (and continued by his son until the composer’s death), Archduke Rudolf and Prince Ferdinand Kinsky, that allowed Beethoven the freedom to compose without dependence on commissions and time-consuming teaching. In addition to the manuscripts and printed music, the collections include musical instruments from house orchestras that performed in the various family residences at Jezeří and Roudnice nad Labem in Northern Bohemia, as well as in Vienna. Also on display are lutes from the 16th and 17th centuries by Maler, Tieffenbrucker and Unverdorben; a 17th-century guitar; violins of Italian, German and Czech origin (Gasparo da Salo, Jacob Stainer, Eberle, Hellmer, Rauch); contrabasses from Edlinger and Jacob Stainer; Guarneri and Kulik violoncelli; 18th-century Viennese wind instruments and a pair of copper martial kettledrums.

The Chronica provides a description of the triumph which Alfonso received upon his arrival in Toledo after the siege. It is not an historical description, but an extended allusion to passages in the Book of Daniel (3:7)"Therefore at that time, when all the people heard the sound of the cornet, flute, harp, sackbut, psaltery, and all kinds of musick, all the people, the nations, and the languages, fell down and worshipped the golden image that Nebuchadnezzar the king had set up." (King James Version) and the Gospel According to Matthew (21:9):"And the multitudes that went before, and that followed, cried, saying, Hosanna to the son of David: Blessed is he that cometh in the name of the Lord; Hosanna in the highest." (King James Version) > When his coming was announced, all of the leaders of the Christians, Moors > and Jews and all the commoners of the city went out to meet him with > tambourines, lutes, psalteries and many other musical instruments.

On guitars and lutes, the bridge can be flat, because the strings are played by plucking them with the fingers, fingernails or a pick; by moving the fingers or pick to different positions, the player can play different strings. On bowed instruments, the need to play strings individually with the bow also limits the number of strings to about six or seven strings; with more strings, it would be impossible to select individual strings to bow. (Note: bowed strings can also play two bowed notes on two different strings at the same time, a technique called a double stop.) Indeed, on the orchestral string section instruments, four strings are the norm, with the exception of five strings used on some double basses. In contrast, with stringed keyboard instruments, 88 courses are used on a piano, and even though these strings are arranged on a flat bridge, the mechanism can play any of the notes individually.

Lee, now the commander of the Mediterranean Theater of Operations, offered Aurand a position on his headquarters staff in Naples, and Lutes offered him command of the San Francisco Port of Embarkation. Aurand, still planning to retire, declined both offers, but when Eisenhower offered him the position of Director of Research and Development at the War Department, he accepted. Soon after taking over, Aurand submitted a $600 million budget for Army Research and Development, but two thirds of money was for projects related to the Air Force, and with impending creation of an independent United States Air Force and United States Atomic Energy Commission in 1947, the future of the Army Research and Development was unclear. In September 1947, the Research and Development Division was abolished and its functions given to the Service, Supply, and Procurement Division, which soon after was renamed the Logistics Division. Aurand became the first commander of the Logistics Division, and was promoted to the rank of lieutenant general on January 22, 1948.

Woodwinds (especially double reed instruments) and brass instruments were quickly found to be most useful outdoors, while brass instruments (especially trombones) were particularly effective in churches and large halls. Prior to the nineteenth century concert halls did not exist, and music for entertainment was reserved for the spacious chambers of the large homes of noblemen, or in palaces, where early stringed instruments such as viols, and lutes were gradually replaced by the more powerful violins (including violas and violoncellos) and guitars. By the sixteenth century woodcuts and other illustrations showed mounted fifers, and mounted bombard players and trombonists, especially in The Triumph of Miximilian (1512). In his eulogy Arte of Warre (1591) Garrard explains that "According to the stroke of the drum,...so shall they go, just and even, with a gallant and sumptuous pace..." Until the rise of the New Model Army, military musicians were solely employed as servants by the nobility, who often maintained their own private armies of armed men, and their minstrels.

Young akonting players like Bouba Diedhiou, a teenage radio performer from a rural Casamance village is carrying on the traditional style; also, Sana Ndiaye, best known for his work with the Dakar-based hip hop group Gokh-Bi System, is introducing the instrument to broader audiences. Thanks to the work of Daniel Jatta, as well as the vital efforts of Swedish banjoist/researcher Ulf Jägfors, British banjo historian Nick Bamber, American old-time country musician/scholar Ben Nelson, banjoist/ gourd musical instrument expert/builder Paul Sedgwick, and others, there is growing global awareness of the akonting and its siblings in the large diverse family of West African folk/artisan lutes, which have been hitherto overlooked. These instruments are just now beginning to get the international recognition and attention they deserve as living ancestors of the banjo. Many museums around the world have updated their collections to include the akonting and other members of the West African folk/artisan lute family, while banjo historians and ethnomusicologists have begun to broaden the range of their focus to include these instruments.

The Musée de la Musique features a collection of about items, comprising around musical instruments, instrument elements or pieces of art (paintings, sculptures, etc.) collected by the Conservatoire de Paris since 1793 as well as some archives and a library of written and audiovisual documents. The museum's collection, which opened to the public in 1864 and was relocated at the Cité de la musique in 1997, contains instruments used in classical and popular music from the sixteenth century to the present time including lutes, archlutes, almost 200 classical guitars,Les guitares classiques du Musée de la musique (almost 200 classical guitars) ; Instruments et oeuvres d'art – use search-phrase: Mot-clé(s) : guitare violins by Italian luthiers Antonio Stradivari,Instruments by Antonio Stradivarius at the Musée de la Musique, website of Philharmonie de Paris. the Guarneri family, Nicolò Amati; French and Flemish harpsichords; pianos by French piano-makers Erard and Ignaz Pleyel; saxophones by Adolph Sax, etc. The instruments are exhibited in five departments by period and by type.

Ray Abruzzo, Sasha Alexander, Eva Amurri, Curtis Armstrong, Annabelle Attanasio, Alexandra Barreto, Neill Barry, Angela Bettis, Jolene Blalock, Dennis Boutsikaris, Roger Aaron Brown, Sarah Wayne Callies, Samuel Carman, Willie C. Carpenter, Larry Cedar, Nick Chinlund, Shelly Cole, Bianca Collins, Joseph Culp, Vicki Davis, Alex Désert, Megan Dodds, Denise Dowse, Shane Edelman, Ethan Embry, Mark Damon Espinoza, Kim Estes, Nick Eversman, Rob Evors, Celia Finkelstein, Cali Fredrichs, Andrea Gabriel, Holly Gagnier, Adam Garcia, Troy Garity, Beau Garrett, Marcus Giamatti, Carl Gilliard, Ben Giroux, Jeremy Howard, JD Jackson, James Earl Jones, Orlando Jones, Sarah Jones, Paul Keeley, Doug Kruse, John Lacy, Katherine LaNasa, Andrew Harrison Leeds, Ana Lenchantin, Riki Lindhome, Eric Lutes, Tanner Maguire, Joshua Malina, David Marciano, James McCauley, Da'Vone McDonald, Doug McKean, Zoe McLellan, Jamie McShane, Gonzalo Menendez, David Monahan, Jonathan Murphy, Garikayi Mutambirwa, Trever O'Brien, Marnette Patterson, Artemis Pebdani, Jack Plotnick, Franka Potente, Esteban Powell, Laura Prepon, Anthony Tyler Quinn, Wes Ramsey, Kim Rhodes, Derek Richardson, Adam Rothenberg, Freda Foh Shen, Jon Seda, Noah Segan, China Shavers, Patrick St. Esprit, David Strathairn, Lee Tergesen, Desean Terry, Dale E. Turner, Bernardo Verdugo, Rick D. Wasserman, Charlie Weber and Jessica Whitaker.

Although the Brescian masters did not survive the plague, their prolific and accomplished output of instruments certainly did, as a letter from Fulgencio Micanzio to Galileo Galilei dated 1636 makes clear: "the instruments from Brescia are easy to buy..." and another document states "because you can find [them] on every corner...". Many Brescian stringed instruments are listed in inventories of musical instrument makers or instrument dealers in Europe, such as the list published by Francoise Lesure in 1954, wherein the following catalogue of instruments is recorded: 63 lutes from Padua, 17 from Venice, 24 violins from Brescia, 15 lots of strings of Firenze, 21 of Siena. It is also notable that the word "violino" appears in Brescian archival documents at least as early as 1530 and not in Cremona until some fifty years later. Quite a few of the Brescian violins were wonderfully decorated and many were superbly finished, while others retain some rough features of finishing, yet almost all of the authenticated surviving examples by da Salò, his workshop, or of his school or pupils, are noted for their beauty of tone and powerful projection.