A lunette window near the ceiling splashed the canvas with light at an angle similar to that of the implicit light source in Caravaggio's composition.
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The main facade includes a protruding, full height central gable, its pediment featuring an Adamesque lunette window, fishscale slates, and a heavy wood cornice. The school closed in 1989. See also: It was listed on the National Register of Historic Places in 1996.
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The church is built in brown brick with a slate roof. Its plan consists of a three-bay nave and a chancel. The entrance is at the west end through a gabled porch. The doors are in a semicircular arched doorway above which is a lunette window, and over that is a clock face in the tympanum.
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Preparatory study for the Coronation of the Virgin on the vault.The oblong shaped chapel consists of a sail-vaulted anteroom and a narrower, barrel-vaulted chancel with the altar. The space is lit dimly by light coming through a lunette window on the back wall. The arched entrance is closed by a balustrade of colourful marble.
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The central window has tall, narrow, two-over-four double-hung sash. Its face has a half-timbered appearance, although the section on either side of the windows is faced in clapboard rather than stucco. Above it is a two-paned semicircular lunette window. The bay is topped with a steeply pitched gabled roof and finial.
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Above the centered entrance is a lunette window. In 1912 the building was converted to a rectory. The second elementary school was built in 1912, a 2.5-story Romanesque Revival building designed by Erhard Brielmaier and Sons in a style rather old-fashioned for 1912, to match the other buildings. The building has some Gothic-style decorations, and an oculus in each gable.
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Edward Saeger House is a historic home located at Saegertown, Crawford County, Pennsylvania. It was built about 1845, and is a large, two-story squarish clapboard clad frame dwelling on a stone foundation in the Greek Revival style. The front facade features a pedimented gable with a distinctive lunette window and second story verandah. An addition was built about 1866.
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Several sculptural features and artworks adorn the conservatory. The ornate beveled glass lunette window found just above the entry is original to 1912. In 1981, the conservatory added a hand blown and stained green glass canopy designed by Richard Spaulding and entitled “Homage in Green” to the entry vestibule. Additional green glass pieces, also designed by Spaulding, were added in 1982 and 1995.
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The triangular gable pediment has a lunette window in its tympanum. The interior space is predominantly filled with slip pews, although some original box pews survive in the galleries. The interior ceiling was painted with a trompe-l'œil coffered ceiling in 1848. left Portsmouth's Episcopalian congregational history dates to 1638, when a church was established in the Strawbery Banke area.
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In 2001 the interior of the church was renovated and the statues and frescoes were embellished. A new parish hall was completed in 1999 and the office addition was completed in 2006. The rectory is a 2½-story, brick residential building. It features a full-size porch on the front, segmental arched windows, a lunette window and a corbelled brick frieze.
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The flanking bays have sash windows topped by similar louvers. The main gable is fully pedimented, with a narrow eyebrow lunette window at the center. The square tower rises above the ridge line, beginning with a plain section, above which is an open belfry with pilastered posts. This is topped by a smaller square section with narrow windows, with an octagonal spire at the very top.
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A lunette window is centered in the front wall between the two sets of entrance doors. A wide wooden entablature with dentils extends across the front and sides of the church's walls. The gable roof is surmounted by a wooden belfry, constructed with Gothic Revival stylistic characteristics. The church's interior is dominated by Potts' trompe-l'oeil frescoes which display various hues of brown, tan, and yellow.
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On either side of the large pediment, the roof is pierced by a dormer window with round-arch and a parapet. A similar pediment with a lunette window also graces the rear elevation of the mansion. A flush chimney rises from each gable end of the main block. The mansion's design reflects the late Georgian style of Tidewater, Maryland and the Greek Revival style.
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Miss Welch is reported to have been a great intellectual, using Ardenham house as a literary salon. The large square red bricked edifice is of a simple design - a three bayed front of three floors. The severity of the facade is only alleviated by a porch with tuscan columns, with a tripartite window above, and above that a tripartite lunette window. The roofline is hidden by a broken parapet.
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The fieldstone Methodist Episcopal Church building was built in 1826 with a simple pedimented roof and round arched windows., p. 93 The building is made of Manhattan schist from a quarry on nearby Pitt Street. The exterior is marked by three windows over three doors framed with round arches, a low flight of brownstone steps, a low pitched pediment roof with a lunette window and a wooden cornice.
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Lunette window above the main entrance. The Center for Urban History is located on Akademika Bohomoltsia Street off of Ivana Franka Street. The Center is not far from Soborna Square and the Danylo Halytsky Monument and about a ten-minute walk from Rynok Square. The building was developed by the renowned Ukrainian architect Ivan Levynskyi and is considered to be one of Lviv's best preserved clusters of Art Nouveau architecture.
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The Lime Street front and the middle and right bays on the Skelhorne Street front contain bow windows on each of the top two floors. Between the floors is inscribed "CROWN" "HOTEL" in elaborate lettering. The top two floors of the left bay in Skelhorne Street are occupied by a complex panel containing, in three lines, "WALKERS ALES WARRINGTON". Each of the attics contains a lunette window over which is an elaborate architrave.
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The Brewhouse The Brewhouse, by Vanbrugh, can be dated, on the grounds that it shows no Palladian influence, to 1718 or earlier. Such features as the huge keystone, set above an arched doorway, and the prominently-silled lunette window above, are typical of Vanbrugh's style. The machicolated arcade across the moulded parapet of the centre is a feature unique to Vanbrugh at this date, also found at Vanbrugh Castle, and is a precocious example of the Gothic Revival.
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The footprint is similar to a Greek Cross, and the gable roof projections, covered with asphalt, intersect at the center of the "cross". The entrance portico contains Ionic columns under an entablature, with a paneled wooden door behind a transom, and is accessed by a concrete-upon-brick stoop. At the entrance portico above the second story is a small lunette window. The windows around the house are six-over-six, double-hung, with brownstone windowsills.
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The focal point of the architecture is the altar. It was built of white and colourful marble in the shape of an aedicule adorned with two large Corinthian columns, two half-pilasters and a broken pediment. The Cerasi coat-of-arms is depicted in the center of the stained glass lunette window. From the outside the chapel is invisible because it is hemmed in by the neighbouring parts of the basilica and a narrow, walled courtyard.
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Heinrich Wenck who was employed by the national railway company had completed a number of station buildings, often working with his predecessor N.P.C. Holsøe, before he designed Esbjerg station in 1902. He was influenced by the rich, National Romantic style of Martin Nyrop which drew on stately Dutch Renaissance decorations and details. Features include a central gabled section with a large lunette window flanked by twin towers. At the time, lunettes were widely used for illuminating station halls.
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The door is flanked by sidelight windows, and is topped by a transom window. A gabled two-story bay projects from the east side, with a lunette window in the gable, and a two- story ell and garage extend to the rear. The Locke family history on this land dates to 1699, when James Converse bought a large tract of land in this area (then part of Woburn). Locke's descendants include Samuel Locke, who served as President of Harvard College in the 18th century.
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Oakfield Station is located adjacent to the railroad tracks formerly of the Bangor and Aroostook Railroad, at the end of Station Street, south of the town's rural village center. It is a single-story wood frame structure, nine bays in length and a single room deep, set on a modern concrete foundation. It has a gable-on-hip roof, where there are half- round windows and exposed rafters in the gable ends. The main facade faces southeast toward the track, with an off-center projecting bay topped by a gable with bracketed eave and lunette window.
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The sanctuary added by Soane at the west end has Ionic columns and a domed ceiling with gilded plaster. The marble altar is by Giacomo Quarenghi, who later worked in Imperial Russia; the painting behind it is by Giuseppe Cades, and stained glass in the lunette window above is by Francis Eginton. Pevsner describes in some detail the important collection of vestments, dating from the 15th century onwards. Ownership of the chapel was transferred to the Wardour Chapel Trust in the late 1890s, and the running costs and maintenance of this Grade I listed chapel are now funded entirely through voluntary donations.
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A nineteenth century galleried portico with white columns fronts the mansion. Rose Hill Mansion is approached by a driveway off an entrance road adjoining the northern boundary of Governor Thomas Johnson High School from the west side of North Market Street. The portico forms two porches: One is on the ground floor at the entrance level with four Doric columns supporting a structure between the columns and a roof consisting of an architrave, frieze and elaborate, carved cornice. The other is above on the second floor with four Ionic columns supporting the pediment lighted by a lunette window.
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It was then largely farmlands, settled by farmers mostly of German, Swiss, French and Dutch origins. In the early years, the town officers met once a year in homes or taverns, but in 1872 the town decided to build its own hall. For $1000, Louis Severin constructed the hall at the corner of what are now Bender Road and Port Washington Road, a fairly simple one-story frame building with a front porch supported by chamfered posts and a lunette window in each gable end. With Over the years the surrounding cities and suburbs annexed bits of the rural Town of Milwaukee until in 1950, the City of Glendale was incorporated out of half of the remainder.
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Farmers Bank of Fredericksburg, also known as The National Bank of Fredericksburg, is a historic bank building located at Fredericksburg, Virginia. It was built in 1819–20, and is a -story, rectangular red-brick building in the Federal style. It features a slate-covered front gable roof with a lunette window in the front pediment, wide cornice, three pairs of brick chimneys, and engaged pedestal columns with full entablature on the front facade. The front portion of the main floor had been used as a banking house since its construction, while the rooms at the rear and those on the second floor housed the bank's cashiers and their families from 1820 to 1920.
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The room features a large lunette window on the west wall looks out upon the West Colonnade, the West Wing, and the Old Executive Office Building. The room is used by first families as a less formal living room than the Yellow Oval Room. White House architect James Hoban's initial 1793 plan and 1814 reconstruction design both placed a double Imperial stair form here, with a single stair rising from the ground floor at the terminus of the Cross Hall and dividing to two stairs returning double runs to the east in the present space. Hoban's original plan was not built as designed, as Thomas Jefferson engaged Benjamin Henry Latrobe in 1803 to reverse the orientation of the stair.
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A church at the site was present by the mid-12th century, built initially in Romanesque-style and affiliated with a Benedictine monastery, derived and subsidiary to the Abbey of Fonte Avellana. By the 17th century, the church became property of the Bishop of Recanati. The gabled facade was refurbished in the thirteenth century: into the facade are inserted two Gothic round rose windows, one semicircular lunette window, and a rounded stone portal decorated with a bas-relief of the Madonna Enthroned with Archangels Michael and Gabriel (1253) sculpted by Mastro Nicola Anconetano. The bell- tower at the rear of the church dates to the 12th century, and was found to have 15th-century fresco fragments inside that are attributed to Pietro da Recanati.
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