Said in low tones, it is a small hut or hiding place.
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The Soundbuds Curve headphones sounded good with clear high and low tones.
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Vocal cords grow brittle; high notes start to quaver; low tones hollow out.
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People still spoke of the tornadoes in low tones like fate were listening.
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High tones and low tones were both crisp, and the bass wasn't too overbearing.
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Depending on where the dot is, the high tones, low tones, and bass will change.
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Some professionals, above, told us they speak in low tones, hoping to be less intimidating.
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Her Azucena is a creation of soaring high notes, fluttering trills, seductive legato, chilling low tones.
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He began to cycle through a presentation, speaking in low tones, but firmly about decade-old realization.
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They were draped over one another's chairs, fanning themselves with papers and conducting sideline conversations in low tones.
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On EDM tracks, the base packs a punch without being distorted, and other high and low tones aren't lost.
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My writer friends, speaking in low tones by candlelight over wine, began to discuss the possibility of moving to another country.
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There is a clear definition between high and low tones, as the deeper chimes are contrasted against the backing drum beat.
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One of the men, tired of the poem, began to speak in low tones, and Marcos smacked him on the head.
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The role of Polifemo has an enormously wide vocal range that took Mr. Tines from chesty low tones to falsetto-like highs.
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She sang with unforced power and rich colorings throughout the wide range of her voice, from chesty low tones to gleaming top notes.
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You get a well-balanced experience that keeps high and low tones at a similar level with a slight emphasis on deeper bass tones.
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Gone are the days when contempt for political rivals and their supporters was mostly communicated behind closed doors, in low tones not meant to be overheard.
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Lunch at Ruchi is usually busy with financial workers on lightning breaks, Russians muttering to one another in low tones, and the occasional group of magazine staffers.
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She tore into fraught phrases, one moment leaping to high notes that blazed with steely sound and power, then the next dipping down to smoky, throbbing low tones.
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You don't want the drums to overpower the rest of high and low tones (the guitar and vocals in this case), so they managed to strike a delicate balance.
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The shadow of horror master John Carpenter looms large, as the composers use woozy digital strings, warbling lead synths lines, lonely reverberated piano, and ominous droning low tones to evoke an enticingly dark atmosphere throughout the season.
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In the opening statement for the defense, Bruck, who seems almost congenitally soft-spoken, addressed the jury in such low tones that some family members had to lean forward in their seats in order to hear him.
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"It's a masterful job of homage, and all those pulsating synths and cavernous low tones give the film much of its swagger, and they promise to intensify your own, far less exciting commute as well," said Sean O'Neal in The AV Club.
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"Reflection" gives an illusion of narrative, not process, with suspenseful stretches of near-stasis — though never silence, as echoes linger — punctuated by moments when a few notes in sequence take on the gravity of a melody, or when high and low tones arrive together like a rustle of wind through a forest.
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As this visible wavelength drifts and shifts, shudders and bends, responding to air currents in the room, a video camera transmits images to an audio interface that translates motion into sound — you hear a rhythmic drone, high-pitched sustained notes, and louder low tones that sound like something from deep underwater or outer space.
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Photo: Sam Rutherford (Gizmodo)Next, while gaming in wireless mode, the the headset's haptics added extra impact to explosions and all sorts of other low tones, although I wish Hypersense did a little bit more to enhance high-pitched sound effects like laser beams or broken glass, which don't trigger Razer's haptics to quite the same effect.
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The organ consists of ten rectangular wooden pipes of varying lengths, which, when connected to a compressed air source, generate low tones from E to … not quite E. Asked about the notes the pipes are able to play, Buerhaus says she followed directions "up to a point" to produce something close to a chromatic scale, but that eventually she started to build smaller pipes to produce tones with a microtonal relationship to one another.
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JPG Variations are the same as above, but with High and Low tones swapped.
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High tones and low tones are reconstructed for Proto-Rma, as well as for Proto-Prinmi.
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Three tones are marked as high [á], mid [ā], or low [à]. Low tones are unmarked when written.
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The Manenguba languages are tonal. All the languages have a very similar tonal system.Hedinger (1984a), pp. 76–80. There are high tones (H), low tones (L), and contour tones (rising and falling).
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A high tone is marked with an acute accent (´), and a low is marked with a grave accent (`) or not marked at all. Low tones are more common in the Suban language.
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Usually about 2 octaves. Character of piece decides whether to use high tones more often or low tones, it depends on the intent of the song, for example, a song for woman, or for requiem.
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Like its neighbour Paicî, Cèmuhî is one of the few Austronesian languages which have developed contrastive tone. However, unlike other New Caledonian tonal languages, Cèmuhî has three tonal registers: high, mid, and low tones. Rivierre (1972, 1980).
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The results suggested that information presented by the women speaker was more easily recalled by all the members of the study. Researchers believe this to be a significant difference between genders because women's voices have better acoustics, ranging from low tones to high tones. Since their voices have this range, semantic encoding is increased for the pitches that stimulate the auditory component of the brain; this resonates better in the ear function. Since pitch ranges from low tones to high tones, it draws people's attention to the words attributed with the tone.
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Tones are not marked in the standard orthography used in Chichewa books and newspapers, but linguists usually indicate a high tone by writing it with an acute accent, as in the first syllable of . The low tones are generally left unmarked.
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In terms of structure, only refrains are sung, while the verses are spoken in low tones. The song ends with a long ringing alarm clock.Cachin, 2006, pp. 100-01. This song is included on Farmer's greatest hits album Les Mots in 2001.
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Kinyarwanda is a tonal language. Like many Bantu languages, it has a two-way contrast between high and low tones (low- tone syllables may be analyzed as toneless). The realization of tones in Kinyarwanda is influenced by a complex set of phonological rules.
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It had, nonetheless, a distinct tonal quality of its own. Richard Strauss states, in his edition of Hector Berlioz's Treatise on Instrumentation, that its tone "...had not the slightest similarity with the low tones of the bassoon" . Despite this distinction, the contrabass oboe never became popular or widely used, and few remain today.
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Hunziker et al. analyze it as a downstepped high tone: //H-L-H// is realized as [H-H-M]. This rightward shift on the tones is a general process in Sandawe. This analysis requires the assumption of floating low tones carried by consonant clusters, and thought to reflect a historical vowel which has been deleted.
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The membrane was caused to vibrate by singing loudly through a cardboard pipe, and the sand produced symmetrical Chladni patterns, named after Ernst Chladni, who had discovered this phenomenon in 1787. Low tones resulted in rather simple and clear pictures, while higher tones formed more complex structures.Deschin, Jacob (April 28, 1968). Science Vibrates to Make Pictures.
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Hunziker et al. (2008) transcribe seven surface tones: high , mid , low , high falling , mid falling , low falling , and rising (on long vowels only) High and low tones are fundamental. High falling tones are required in the underlying representation, for example in "water", but are also often due to a sequence of tones. As in Twi, mid tone does not occur initially.
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When in doubt, the brain chooses habit memory because it is automatic. Several researchers at the UCLA tested the hypothesis that distraction can change the way a task is learned. In their experiment, they played a series of high and low tones while asking subjects to do a simple probabilistic classification task. In the single task (ST) case, subjects only learned to predict the weather.
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Her music mainly deals with Tibetan themes but she is also influenced by Jazz, R-n-B, Rock-n-Roll and Latin music, which are all reflected in her work. She is able to shift quite easily from piercing high pitches to soft low tone. Her singing has distinctive Tibetan characteristics. She's able to shift freely from piercing high pitches to soft low tones.
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Like most Bantu languages, Fuliiru is tonal, with a two-way contrast between high and low tones. Morphemes can be underlyingly high (H), low (L), or toneless. Phonetically, high, low, mid, and falling tones can all occur; mid tones are the realization of an underlying LH sequence, and falling tones are the realization of an underlying HL sequence or an utterance-final H tone.
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Jemez has four tones: High, Falling, Mid, and Low. Word-initial syllables only have high or falling tone; other syllables have mid or low tones (though some syllables that follow a high tone also have high tone). Typically tri-syllablic words have tone patterns such as HHL, HML, HLM, HLL, and FLM. Some loan words do break these rules however, such as the Spanish loans for coffee, horse, and orange.
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Tonal patterns also play an important grammatical role in Chichewa verbs, helping to distinguish one tense from another, and relative clause verbs from main clause verbs. Tones are also used in intonation and phrasing. Conventionally Chichewa is said to have high tones (H) and low tones (L). However, it has been argued that it is more accurate to think of it as having high-toned syllables versus toneless ones.
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One graduate student with whom Boring developed a student-professor relationship similar to the one Boring had had with Titchener was Stanley Smith Stevens. In 1936 the two published their research on tonal brightness. At the time it was known that tonal brightness varied with pitch; and, based on previous research, it was believed that high tones are bright and low tones are dull.Boring, E. G., Stevens, S. S. (1936).
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The contrabass clarinet is also sometimes known by the name pedal clarinet, this term referring not to any aspect of the instrument's mechanism but to an analogy between its very low tones and the pedal division of the organ. Subcontrabass clarinets, lower in pitch than the contrabass, have been built on only an experimental basis. The E contra-alto clarinet is sometimes referred to as the "E contrabass clarinet".
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The quarter repeater strikes the number of hours, and then the number of quarter hours since the last hour. The mechanism uses 2 chimes of different tones. The low tone usually signals the hours, and the high tone the quarter hours. As an example, if the time is 2:45, the quarter repeater sounds 2 low tones and after a short pause 3 high ones: "dong, dong, ding, ding, ding".
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When one particular tone is marked in a language in contrast to unmarked syllables, it is usual for it to be a high tone. There are, however, a few languages in which the marked tone is a low tone, for example the Dogrib language of northwestern CanadaHyman, L. (2000), "Privative Tone in Bantu". and certain Bantu languages of the Congo such as Ciluba and Ruund.Nash, J.A. (1994), "Underlying Low Tones in Ruwund".
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Han Hong (; Tibetan name Yangchen Drolma or Yangjain Zhoima , ), is a Chinese singer and songwriter of mixed Tibetan and Han ethnicity. She was born in Chamdo on September 26, 1971. Like her mother, a Tibetan singer, Han Hong is able to shift quite easily from piercing high pitches to soft low tones. Han Hong is one of the most popular Chinese female musicians who specializes in a variety of Chinese folk music.
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While both captives waited, they began to talk in low tones. With sharp canine hearing both had no trouble engaging in a conversation, even if they were separated by quite some distance. Dado revealed that his mother had a maternal craving for dog meat while pregnant with him - thus was the reason for his present condition. He sought various cures; to counteract his natural tendency to not sweat, he experimented with psilocybin mushrooms.
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Alternatively, one (or both) of the vowels may have started out low-toned and become high-toned due to the application of some rule; or perhaps there was a low tone between the two high tones that got deleted at some point. Regardless, the OCP claims that there can not have been two consecutive high tones (nor two consecutive low tones, etc.) in the underlying representation of the morpheme, i.e. in the morpheme's lexical entry.
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Some speakers add intonational tones also with the toneless word 'already', making not only the final syllable of itself high but also the last syllable of the verb which precedes it: : 'I have danced already'Stevick et al. (1965), p. 176. : 'I arrived a short time ago' Other speakers do not add these intonational tones, but pronounce with Low tones. Occasionally a verb which is otherwise low-toned will acquire a high tone in certain idiomatic usages, e.g.
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Greg Sage was born in Portland, Oregon, on October 21, 1952. His involvement with music began with cutting records at home as an adolescent, due to his father being involved in the broadcast industry. Sage’s first instrument was bass guitar, because of the low tones that made larger grooves in the vinyl records due to slower modulations. Basses were harder to find and much more expensive when Sage was in grade school, so he used guitar instead.
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Throughout the nineteenth century, many theories and concepts of hearing were created. Ernest Wever proposed the volley theory in 1937 with his paper "The Perception of Low Tones and the Resonance-Volley Theory". In this paper, Wever discusses previous theories of hearing and introduces volley theory using support from his own experiments and research. The theory was introduced as a supplement to the frequency theory or temporal theory of hearing, which was in contrast to the place theory of hearing.
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Bellecourt's birthplace is occupied by the largest and poorest of northern Minnesota's Ojibwe bands. In his youth, Clyde fought against the forces of authority, because he did not think they respected his family and other Indians. As a child, he could hear his parents speaking in low tones late at night in a language he did not understand. When he asked what they were saying, he was told to think about his education and do as well as he could.
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The croaking sound produced by male singers at the start of phrases in American country music is produced by moving from this to the modal register. Within choral music, when true basses are not available, choirs often rely on singers who can "fry" the low bass notes. Singers such as Tim Storms, Mike Holcomb and various other gospel basses use this technique to sing very low tones. Some styles of folk singing showcase the vocal fry register in the female voice.
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On Halloween in 1977 (specifically, the October 29, 1977, SNL episode), a neighbor complains about the Coneheads' choice of trick-or-treat handouts: six-packs and fried eggs. The Coneheads have a very fast, nasal, monotone speech and humorously strange language patterns, using needlessly technical dialogue. They refer to food as "consumables", and say "I summon you" to ask to speak to another person. The phrase, "Maintain low tones," is used towards Connie by Beldar in the film and in the original 1977 sketch.
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This can be seen in works ranging from Lilies (1866) to Dreamers (1879–82) to Midsummer (1887). These paintings relate sensory, bodily experience with consciousness itself, in ways aligned with the ideas of contemporary physiological psychologists like George Henry Lewes. Such depictions suggest Moore’s interest in the contemporary science of mind and experience, and he pursued related themes until his death. The chief charm of Moore's pictures lay in the delicate low tones of the diaphanous, tissue- like garments in which the figures were draped.
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A London reviewer is quoted to have written, "Her range comprises the soft female loveliness of a soprano and is equally fine in the low tones of a contralto. On each occasion that a peculiarly fine change from one range to another was accomplished by this incomparable singer the effect was as overwhelming as it was unexpected... Deceit, passion, love, fear and despair were expressed in each note."Quoted as from the London Morning Advertiser (of 1856, exact date not given) in Jachmann, trans. Trechman, Wagner and his first Elisabeth, p.
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Ruund (Ruwund), also known as Northern Lunda or Uruund, is a Bantu language of the Democratic Republic of the Congo and Angola. It is highly unusual among Bantu languages for allowing consonantal codas and for its reduced vowel system, in which short /e/ and /o/ have become [i] and [a] respectively, leaving only 3 short vowels. Another interesting feature of Ruund is that, as with the related Ciluba language, the tones of Proto-Bantu have reversed, so that High has become Low and vice versa.Nash, J.A. (1994), "Underlying Low Tones in Ruwund".
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Both Chalmers and Cameron combined an influence from Wilkie with an awareness of contemporary Dutch and French painting, with low tones and subdued colour. For Chalmers this can be seen in works such as the interior scene of The Legend (1864–67) and for Cameron in the old lady entering a cottage in A Lonely Life. For McTaggart attempts to balance figures and landscape can be seen his depiction of children on a hillside in Spring (1864).M. MacDonald, Scottish Art (London: Thames and Hudson, 2000), , pp. 120–1.
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Busa language has 32 letters (Aa, Ãã, Bb, Cc, Dd, Ee, Ɛɛ, Ɛ̃ɛ̃, Ff, Gg, Hh, Ii, Ĩĩ, Jj, Kk, Ll, Mm, Nn, Oo, Ɔɔ, Ɔ̃ɔ̃, Pp, Rr, Ss, Tt, Uu, Ũũ, Vv, Ww, Yy, Zz) and 25 digraphs (Aa aa, Ãa ãa, Ee ee, Ẽe ẽe, Ɛɛ ɛɛ, Ɛ̃ɛ ɛ̃ɛ, Gb gb, Ii ii, Ĩi ĩi, Kp kp, Oo oo, Ɔ̃ɔ ɔ̃ɔ, Uu uu, Ũu ũu, gw, mb, mp, nd, ng, nk, ns, nt, nz). High tones are marked with an acute accent (´) and low tones are marked with a grave accent (`).
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An English emigrant to Africa, John F. Carrington, in his 1949 book The Talking Drums of Africa, explained how African drummers were able to communicate complex messages over vast distances.Carrington, J. F. (1949), The Talking Drums of Africa, Carey Kingsgate Press. Using low tones referred to as male and higher female tones, the drummer communicates through the phrases and pauses, which can travel upwards of 4–5 miles. The process may take eight times longer than communicating a normal sentence but was effective for telling neighboring villages of possible attacks or ceremonies.
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After Paris, Atkinson worked for some time in Devon, England and in Holland before returning to Canada. He settled in Toronto. His paintings in Canada reveal that he never forgot what he had learned abroad: the low tones and subject-matter of the Barbizon school and the Hague school as well as the loose brushwork of a modified form of Impressionism. The light in his work might be hazy, but the forms are luminous and his use of colour, though muted, is brighter than that of his predecessors.
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Why > didn't he go get Fred Astaire for a sparrin' pardner?" In 1960, a Los Angeles Times article described the scene at the Palm Room where a dollar bought admission to watch world bantamweight boxing champion Jose Becerra and welterweight Battling Torres training for fights to be held at the Coliseum: > "You enter the Alexandria Hotel and find the lobby liberally sprinkled with > knots of people, most of them Latin. They lounge lazily and converse in low > tones. But when the door marked 'Palm Room' is thrown open, the scene > suddenly becomes animated.
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For example, four o'clock would be sounded as a high tone followed by a low tone, whereas the hour of eleven o'clock would be sounded by two low tones followed by a high tone. The purpose is to conserve the power of the striking train. For example, "VII" would be a total of three strikes instead of seven, and "XII" would be four strikes instead of twelve. Clocks using this type of striking usually represent four o'clock on the dial with an "IV" rather than the more common "IIII",British Horological Institute , Workshop on Roman Numeral Clock Faces, 1999FAQ: Roman IIII vs.
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The Independent Roisin O'Connor praised "Bury a Friend" as "excellent", and also noted its "imperious" and "anthemic quality". She further commented on the successful use of Eilish's "formula": "murmuring in cool low tones over a pulsing beat". In a lukewarm review, Samantha Cantie of The Michigan Daily saw the song as "slightly disappointing". She wrote: "[A] letdown is her seeming embrace of making an abnormal creation because it’s cool, as opposed to creating something with the beauty of sound as a priority", and elaborated, stating: "The track is choppy, cutting from different melodies quite quickly – these melodies bump, but they’re fleeting".
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The half-quarter repeater can sound the time to half a quarter hour, or minutes. It strikes hours and then quarter hours, like the quarter repeater, then it uses a single tone in order to signal if more than half of the current quarter hour has passed. For example, if the time is 3:41 the mechanism will strike 3 low tones ("dong") to represent 3 hours, then 2 sequence tones ("ding-dong") to represent 2 quarter hours, then one high tone ("ding") to indicate that more than half of the third quarter hour has passed.
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The decimal repeater works like the minute repeater, but instead of chiming the quarter hours followed by minutes, it sounds the number of ten- minute intervals after the last hour and then the minutes. For example, if the time is 2:49 then the decimal repeater will sound 2 low tones representing 2 hours, 4 sequence tones representing 40 minutes, and 9 high tones representing 9 minutes: "dong, dong, ding-dong, ding-dong, ding-dong, ding-dong, ding, ding, ding, ding, ding, ding, ding, ding, ding". These repeaters, although first made more than 250 years ago, are very rare.
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The size of the jorongmok determines the quality of the tone: the wider the tube, the deeper and huskier it sounds; the narrower the tube, the harder and snappier it sounds. The two skin heads are lapped onto metal hoops placed over the open ends of the body and secured by rope counter-loops. The left head (book side) named gungpyeon is covered with a thick cowhide, horsehide, or deerskin to produce deep and low tones. The right side (chae side) named chaepyeon is covered with either dog skin or a lighter horsehide to produces higher tones.
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More than 30 WFS1 mutations have been identified in individuals with a form of nonsyndromic deafness (hearing loss without related signs and symptoms affecting other parts of the body) called DFNA6. Individuals with DFNA6 deafness cannot hear low tones (low- frequency sounds), such as a tuba or the "m" in moon. DFNA6 hearing loss is unlike most forms of nonsyndromic deafness that affect high tones (high- frequency sounds), such as birds chirping, or all frequencies of sound. Most WFS1 mutations replace one of the protein building blocks (amino acids) used to make wolframin with an incorrect amino acid.
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Se finisse tutto così is from his album Storie per cani sciolti released with the original title Valentina without you and Torno venerdì is from his debut album L'occasione. The track Timida has a delicious bossanova rhythm and as a review put it "between Elvis and flavors of Brazil".Gigio Rancilio, "Solito autunno, solita Mina", Avvenire del 18 ottobre 1995 The other track is Di vista which creates a dark and rarefied atmosphere. The "dark and deformed" Gino Castaldo, "Benedetta Mina, mamma voce", La Repubblica del 18 ottobre 1995 Donna donna donna written by, amongst others Cocciante and arranged by Christian Cappellutti is a "dramatic song with very low tones".
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A DTMF selective signaling PMRS system uses a code sequence of discrete audible tones, representing numbers, transmitted at the beginning of each voice message to address the transmission to a specific station or group of stations. The DTMF (dual tone multifrequency) code is used, which is also universally used for touch-tone dialing in the worldwide public telephone network. The eight audio frequencies used in DTMF are 697, 770, 852, 941 Hz which are called the "low tones" and 1,209; 1,336; 1,477; and 1,633 Hz which are the "high tones". Pairs of one high and one low tone transmitted together represent a decimal number.
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Like many tone languages, the Tone Bearing Unit (Goldsmith, 1990, p. 44) is the “syllable” in Zo, whose tonal rhymes consist of i) Short/lax and Long/tense vowel quality ii) Glides (diphthongs, triphthongs) which are realized as Rising(H), Mid(M) and, Falling(L) and Low tones in isolation respectively. In terms of lexical phonology, the basic tonemes or underlying tones or lexical tones or inherent tonemes either have Lax (short vowel, monophthong) or Tense vowel (diphthong, triphthong) within them as the nucleus depending upon the syntactic constructions with respect to other tonemes in phrasal phonological environments in which they occur as in morphonotonemic processes.
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In each case, tone evolved from glottalic consonants at the ends of morphemes; however, the progression of these consonants into tones has not been consistent, with some related morphemes being pronounced with high tones in some Athabaskan languages and low tones in others. It has been posited that Navajo and Chipewyan, which have no common ancestor more recent than Proto- Athabaskan and possess many pairs of corresponding but opposite tones, evolved from different dialects of Proto-Athabaskan that pronounced these glottalic consonants differently. Proto-Athabaskan diverged fully into separate languages circa 500 BCE. Navajo is most closely related to Western Apache, with which it shares a similar tonal scheme and more than 92 percent of its vocabulary.
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The minute repeater works like the quarter repeater, with the addition that, after the hours and quarter hours are sounded, the number of minutes since the last quarter hour are sounded. This requires three different sounds to distinguish hours, quarters, and minutes. Often the hours are signaled by a low tone, the quarters are signaled by a sequence of two tones ("ding-dong"), and the minutes by a high tone. For example, if the time is 2:49 then the minute repeater will sound 2 low tones representing 2 hours, 3 sequence tones representing 45 minutes, and 4 high tones representing 4 minutes: "dong, dong, ding-dong, ding-dong, ding-dong, ding, ding, ding, ding".
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V is a baritone whose voice has received a generally positive critical reception, with particular praise to his vocal range and "husky" tone. He gained wider vocal recognition for his performance of his solo song Stigma, and was praised for his falsettos that showed off his vocal range and unique musicality. V's tonality on "Singularity" the opening track on BTS' Love Yourself: Tear, was noted as a prominent "tone setter" on the album by music critic Blanca Méndez. Karen Ruffini of Elite Daily stated in their article that "V... has no problem producing super soothing, low tones that are a key element in the overall sound for BTS," with Tamar Herman from Billboard also noting that V's lower range is a prominent piece of BTS' music.
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Commenting on his Brown Thomas exhibit, The Dublin Magazine noted: "This artist's palette in landscape is inclined to be over- sombre; in his portraits on the other hand, his low tones give depth and background, and his subjects are almost startling in their truth and reality – seen with a touch of humour which stops short of caricature." In 1960, Le Jeune moved to his studio at 38 Baggot Lane in Dublin, Ireland, where he lived and worked until his death in 1983. Jimmy, as he was known locally, was a regular visitor at Searsons pub and The Waterloo on Baggot Street. A year after he opened his Dublin studio, Le Jeune was appointed an associate of the Royal Hibernian Academy (RHA), an artist-based and artist-oriented institution in Ireland, founded in Dublin in 1823.
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Moffatt's work in film and video has included short films, experimental video and a feature film. The short films rely on the stylistic genre features of experimental cinema – usually including non-realist narrative scenarios often shot on sound stages echoing her work in still photography. Early works such as Nice Coloured Girls and Night Cries also use sound mixes that reinforce the 'fakeness' of the settings and use well-worn experimental cinema devices such as audio field recordings and low tones to provide atmosphere. Her short video works such as Artist (2000) use the cut up methodology of taking images from pre-existing sources and re-editing them into ironic commentaries on the material – Artist for example providing a commentary on the clichéd role of the artist in Hollywood cinema, and her Doomed (2007) – made in collaboration with the artist Gary Hillberg – a collection of scenes of destruction from disaster movies.
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