This is a different #MeToo, a compulsive drive to find love, or at least to stop the pain of lovelessness.
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The particular hell that Mr. Posner is excavating in this emotionally dense play, impeccably directed by David Cromer, would appear to be that of lovelessness.
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Not the "sublime" or transcendent, but the brutality, theatre, innocence, and confusion that made up their racist, sexist, sexy, and impossible city of love and lovelessness.
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Sumney will release Aromanticism—described as "a concept album about lovelessness as a sonic dreamscape," which sounds completely wonderful, and "seeks to interrogate the social constructions around romance"—via Jagjagwar.
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Michael Kiwanuka's second album, "Love & Hate," is a sustained, stylized plunge into despair: plaints of isolation, doubt, lovelessness, racial injustice, longing, hopelessness and a certain resolve despite it all, often set to mournful minor chords.
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A sonata is usually allegro, so for all the density of detail there's a cracking sense of pace, and the themes themselves are as haunting and sharply contrasted as they should be — love and lovelessness, heroism and banality, vision and narrowness.
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Heralded as a return to form, So Much Staying Alive And Lovelessness became the band's last on Jade Tree. Later that year, Joan Of Arc released In Rape Fantasy And Terror Sex We Trust on Perishable Records, featured collaborations with Califone's Tim Rutili and Ben Massarella, and was produced by Califone. Although the songs had been recorded during the same sessions as ... Lovelessness, they were darker and more collage-based. According to the website AllMusic, on In Rape Fantasy And Terror Sex We Trust "Joan of Arc ... once more surpassed themselves as artists".
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The order is non-profit and fights the eightfold misery like illness, abandonment, homelessness, hunger, lovelessness, guilt, indifference and unbelief. The Order of St. George venerates St. George as the patron saint of chivalry, while cultivating chivalry and a chivalrous outlook on life.
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In "Asignatura Pendiente" lovelessness, sacrifice and lived rewards are evidenced. The song has reached number five on the Billboard Hot Latin Song and number four on the Latin Pop Songs. "Juramento" it was the second international single and the fourth single from the album. It was released on September 15, 2003.
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So Much Staying Alive and Lovelessness is the fifth full-length album by Joan of Arc, released in 2003 by Jade Tree Records. Initially envisioned as a double-album, tracks recorded during the same sessions as So Much... were instead released as In Rape Fantasy and Terror Sex We Trust later that year.
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The song also features the album's recurring theme of independence, with Joi declaring "I can do whatever I want to do". "I Don't Mind" features a raga rock style and themes of resignation and acceptance. The a capella "If We Weren't Who We Were" has spiritual overtones and a theme of lovelessness. The closing track is a reprise of "Freedom".
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He described the album as "about reflection and resignation and coming to a sort of resolution". Jamie Stewart described five main subjects of Xiu Xiu songs: family, politics, sex, love and lovelessness, and suicide. The song "Bog People" is about family and loss, and was written late at night while Stewart was in a bout of sadness and loneliness during a thunderstorm.Pitchfork Interviews: Xiu Xiu.
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Although Zvyagintsev said he had no interest in politics, he incorporated a skeptical view of the police into the film. Themes include parental neglect, the state of lovelessness or nelyubov, and bleak environments. Loveless opened to critical acclaim and won the Jury Prize at the 2017 Cannes Film Festival. Critics viewed it as a gripping story of a family crisis and a statement on life in Russia.
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The music was influenced by the Motown Sound, Lee Hazlewood's collaborations with Nancy Sinatra and David Lynch's soundtracks. Haapalainen helped the band to modernize their sound and avoid the pastiche present in some of their earlier efforts. Campbell, who was dealing with a breakup and the death of her grandmother, wrote many of the songs to be about heartbreak and lovelessness. The lyrics also deal with escapism and feelings of loneliness.
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Nakul (Gulshan Devaiah) is a struggling writer based in Mumbai who is having a hard time coping with unemployment, lovelessness and personal guilt. This leads him on a suicidal path as he tries creative ways of ending his life. On one occasion he lies down in front of an incoming train, but is saved by a senile beggar who ends up dead instead. Nakul then jumps in a lake, but is saved by onlookers.
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" With the lyrics "If lovelessness is godlessness / Will you cast me to the wayside?", Jason King of Pitchfork described it as "foreclosing the possibility of finding lasting intimacy and love with a partner." The track is musically minimalist, prominently featuring Sumney's "nearly-a cappella" falsetto vocals which are backed by sustained synthesizer chords. Brian Josephs of Spin wrote, "Sumney is luminous here within the percussion-less drones' warmth—his falsetto angelic, his sentiments human.
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Amar sadh na mitilo () is a Shyama Sangeet or more specifically a Kali Bhajan composed by Kamalakanta Bhattacharya. In this song the poet indicates the futility of desire and explains the hardships he had gone through in order to get rid of the same. Also we see him dissatisfied by the lovelessness of the society and thus wants to escape this world and praying to Goddess Kali to give him shelter. Pannalal Bhattacharya was famous for singing this song.
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In Canada, it was a number-one hit on both charts.RPM - Library and Archives Canada, July 24, 1976 The melody of "Never Gonna Fall in Love Again" is based on the third movement (Adagio) from Symphony No. 2 by Russian composer Sergei Rachmaninoff. On his second solo LP, Boats Against the Current, Carmen had a subsequent Top 40 hit entitled "She Did It", a happy answer to the loneliness and lovelessness described in this song and its equally melancholy predecessor, "All By Myself".
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It is an allegorical fable of the post- Holocaust world with its lovelessness and disharmony. Pravachakante Vazhi (The Path of the Prophet; 1992) emphasises the vision that intuition is perennial and it is one and the same always. This oneness of the revelation makes the ways of all prophets the same. This great education in spirituality is got in those barbarous days of Delhi when the Sikhs were maniacally hunted after and mercilessly butchered following the murder of Indira Gandhi.
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After Tom helps Andreas bury the body he gets back together with Annagret. She and Wolf's mother Katya become best of friends, and Wolf finds himself having great internal rages, which he dubs the "killer." After ten years of lovelessness together, Andreas leaves Annagret after his mother reveals Annagret is in love with another woman. He becomes an Internet celebrity and a wanted man in most countries of the world for his leaking of secrets, eventually settling his operations in a hidden paradise within Bolivia.
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Nihilism is to be understood here not as a philosophic > doctrine that there are no rational grounds for legitimate standards or > authority; it is, far more, the lived experience of coping with a life of > horrifying meaninglessness, hopelessness, and (most important) lovelessness. > The frightening result is a numbing detachment from others and a self- > destructive disposition toward the world. Life without meaning, hope, and > love breeds a coldhearted, mean-spirited outlook that destroys both the > individual and others. Black suffering is also examined by the Martinican philosopher and psychiatrist Frantz Fanon (1925–1961).
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Dr Alfred Jones is a civil servant at the National Centre for Fisheries Excellence. A shy, academic type, he is not attuned to the increasingly dull lovelessness of his marriage and why his chilly financier wife Mary has seized the chance to work abroad. When a rich Yemeni sheikh and angling enthusiast, Muhammad ibn Zaidi bani Tihama, offers to fund a scheme to populate the desert wadis of his country with Scottish salmon, Jones initially dismisses it as impossible and preposterous. The British Foreign and Commonwealth Office is, however, keen to spend the sheikh's money.
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However, after the construction the employer dishonours his promise, and Arap tried to fight, but he finds himself at the prison. The labour under an illusionment of Arap symbolizes the labor exploitation and lack of social security. Hacı has been imprisoned because of the double-crossing of a prostitute, whom he dreamed to live with. Hacı's drama does not only narrates loneliness and lovelessness. At the same time, it shows the by-products of the capitalist order, which develop alongside but which are not visible as long as one “keeps out”, like worthlessness, prostitiution, procuration, and bravado.
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Although his very first book, influenced by Symbolism, garnered acclaim in 1914, he took longer than the other Georgian symbolists from the Blue Horns group to attract recognition. Due to his preference for solitude, he gained the moniker of "Chevalier of the Order of Loneliness" from his cousin Titsian Tabidze. His next poetic collection Crâne aux fleurs artistiques (1919) made him the leader of Georgian poetry for several decades to come. Most of his writings were impregnated with themes of isolation, lovelessness, and nightmarish presentiments, as seen in his masterpieces "Without Love" (1913), "I and the Night" (1913), "Azure Horses" (1915), and "The Wind Blows" (1924).
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In Rape Fantasy and Terror Sex We Trust is the sixth full-length album by Joan of Arc, released in 2003 on Perishable Records. The songs were recorded in the same sessions as So Much Staying Alive and Lovelessness, and the album is thought to be something of a companion album to that record. The title track was created as an attempt by Tim Kinsella to capture the effect Bauhaus' The Sky's Gone Out had on him "when he was 10yrs old and accidentally bought it before he was ready to hear it". This is one of the few Joan of Arc albums not to receive a vinyl release.
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He told Pitchfork that Xiu Xiu songs are based around five topics: family, politics, sex, love and lovelessness, suicide, and how they are connected. With the departure of Lauren Andrews in 2003 – who wished to focus on her academic studies – Stewart was joined on stage by his "long-lost" cousin, Caralee McElroy in 2004. The two would tour relentlessly throughout that year, releasing not only the group's third LP, but also split recordings with This Song Is a Mess But So Am I and Bunkbed, along with the "Fleshettes" single – which featured a rendition of the Ten in the Swear Jar track "Helsabot" by McElroy.
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Film Journal writer Simi Horwitz also said Zhenya is a narcissist "guiding prospective apartment buyers through it as if [Alyosha] were not there". The story is told with "intense domestic detail" compared to the work of Ingmar Bergman and August Strindberg. In his review, Mark Kermode judged the police as "uncaring and ineffectual", saying this reflects a theme common throughout Zvyagintsev's work, but added the search-and-rescue team offered a contrast; "The volunteers are decent and driven, their stoical mission at odds with the dehumanising cycle of suburban life". Kermode added that Zhenya and Boris only become more resentful after Alyosha goes missing, escalating their "lovelessness", "the state ... in which (we are told) one simply cannot live".
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Hynes argued Boris and Zhenya do not develop as characters after Alyosha goes missing but are made aware of the "abyss" within themselves. Critic Leslie Felperin said the source of Zhenya's bitterness is revealed in her background when she visits her mother. Zhenya's mother may also live in a state of nelyubov ("lovelessness" in the English translation) according to critic Robert Koehler; the Russian word refers to a state of "anti-love" rather than the absence of love. The settings and weather also feature in the themes, which according to Horwitz are "rooted in a peculiarly Russian landscape, existential and literal", exemplified by the "bleak, snowy day" that forms the backdrop of the prologue.
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