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"lotus-eater" Definitions
  1. any of a people in Homer's Odyssey subsisting on the lotus and living in the dreamy indolence it induces
  2. an indolent person

32 Sentences With "lotus eater"

How to use lotus eater in a sentence? Find typical usage patterns (collocations)/phrases/context for "lotus eater" and check conjugation/comparative form for "lotus eater". Mastering all the usages of "lotus eater" from sentence examples published by news publications.

A practiced lotus-eater, she finds the drug that will help her realize this ambition.
" Leaning back in his chair at The Nomad, Zimmern admits that he, like many of us, is "a lotus eater.
There's stuff happening on the right side in "Lotus Eater" by Mura Masa that habitually gets congealed into a middle-of-your-head mass of sound on most headphones.
The London duo are signed to Mura Masa's label (another connection to the Paul Brothers, having been one of the first acts to rise in their slipstream with his break-out tune "Lotus Eater" in 2014; and later, on his debut album, a collaboration with AK Paul).
The Lotus Eater is a 1921 American silent romantic drama film produced and directed by Marshall Neilan and released through Associated First National. The Lotus Eater starred John Barrymore with Colleen Moore as the female lead. The Lotus Eater is now considered lost.Progressive Silent Film List: The Lotus Eater at silentera.
It was aristocratic, enchantingly indolent, like the face of a happy lotus-eater.
About it were chairs and divans that would have satisfied a lotus-eater.
In this case I waited till I felt like a lotus-eater who could have stayed on forever.
Figuratively, 'lotus-eater' denotes "a person who spends their time indulging in pleasure and luxury rather than dealing with practical concerns".
He was still lost in the dreams of the lotus-eater when he heard something that resembled the rattling of his own noisy car.
His is the jam-band audience, and his new work is pure lotus-eater music with light-handed New Orleans grooves, singsong motifs and a gauzy, amiable funk.
The open hostility between director and star, with Burton cast as the feckless lotus-eater and Ritt as the injured unforgiver, fed Burton's sense of alienation and gave force to his performance.
At some point during "The Lotus Eater", a camera man stepped on the power cord to Fredrik Åkesson's guitar amplifier, resulting in no sound coming out from Åkesson's guitar. This moment was kept on the recording.
"The Lotus Eater" is a short story by British W. Somerset Maugham in 1935 and loosely based on the life story of John Ellingham Brooks. It was included in the 1940 collection of Maugham stories The Mixture as Before.
Simmons continued her film roles in Good Luck Chuck alongside Dane Cook and Jessica Alba. The film was critically panned. Simmons portrayed Lindsay Lohan in the television film Paparazzi Princess: The Paris Hilton Story. In 2010, Simmons had a small role as a lotus eater in Percy Jackson & the Olympians: The Lightning Thief.
Her name was never resubmitted. In 1847, Stebbins’ submitted oil copies to be displayed at the Pennsylvania Academy of Fine Arts. While Stebbins lived in Rome, she completed a number of statues including The Lotus Eater (1857-60), which was commissioned by British sculptor John Gibson, and Industry (1859) and Commerce (1859), which were both commissioned by Charles Heckscher.
Having all but given up acting, Neilan's directing successes led to him creating his own production company and between 1920 and 1926, Marshall Neilan Productions made eleven feature- length films almost all of which were distributed through First National Pictures. He received critical acclaim for directing and producing such films as Bits of Life and The Lotus Eater.
Nilsson in Raoul Walsh's 1915 film Regeneration Nilsson's modeling led her to getting a role in Kalem's 1911 film Molly Pitcher. She stayed at the Kalem studio for several years, ranked behind their top star, Alice Joyce, before branching out to other production companies. Films of special note are Regeneration (1915) Seven Keys to Baldpate (1917), Soldiers of Fortune (1919), The Toll Gate and The Luck of the Irish (both 1920), and The Lotus Eater (1921).Anna Q. Nilsson (Silentgents.
1926 (John Barrymore recalls the elderly woman telling him about Georgie when he was visiting Nassau (probably filming The Lotus Eater(1921).) It was 13-year-old Ethel's responsibility to see that her mother's remains were returned to Philadelphia for burial by Mrs Drew and Maurice, who met Ethel's train in Chicago.The Times-Philadelphia Thursday Morning "Mrs. Barrymore Buried"; July 13, 1893 In 1893, this coast-to-coast journey would have lasted a week.Familiar Chats with the Queens of the Stage page 312 by Alan Dale c.
He was successful and made Dinty with Moore, releasing near the end of 1920, followed by When Dawn Came. For all his efforts to win Moore away from Christie, it seems Neilan loaned Moore to other studios most of the time. He loaned her out to King Vidor for The Sky Pilot, released in May 1921, yet another Western. After working on The Sky Pilot on location in the snows of Truckee, she was off to Catalina Island for work on The Lotus Eater with John Barrymore.
Soon after the birth, he began rehearsals for Clair de Lune, which his wife had adapted from Victor Hugo's 1869 novel The Man Who Laughs. Barrymore persuaded Ethel to play the role of the Queen – it was the first time the two had appeared on stage together in over a decade. The play was a critical flop, although the presence of the siblings ensured that it ran for over 60 performances. In 1921, Barrymore portrayed a wealthy Frenchman in New York in the film The Lotus Eater, with Colleen Moore.
Production on the film began in June 1921"Morosco Company Will Start Shooting Scenes Here Today," Natchez Democrat, June 16, 1921, page 3. with Colleen's return from New York and Florida, where she was making The Lotus Eater with John Barrymore which was directed by Marshall Neilan. Upon her return to Los Angeles, she left again after a few weeks for location work at Natchez, Mississippi, which filled in for the fictional town of Appleborro."Slippy Magee is Story that Could Have Happened Here," Natchez Democrat, June 19, 1921, page 4.
Cabbopotamus-kun is a large hippopotamus/cabbage who has huge crush on Lettuphant, who runs away from him, considering him too huge and unrefined for her. Cherrodent-kun is a small pink mouse/cherry, who loves to hang out (literally) with his twin sister, also named Cherrodent. His sister gets extremely upset when he gets lost in episode 4. Peachmingo-chan is flamingo/peach who considers herself highly beauteous, and loves beautiful things (such as Lotus Eater's tail flower), but abhors dirt, hence is unable to speak to Lotus Eater.
In 1867, she exhibited work in the Boston gallery of De Vries, Ibarra & Co. Whitney moved to Rome in 1867. While there, she worked in the city and took long vacations in Europe, including two trips to Munich for further study, including learning foundry techniques for working in bronze. In Rome, she was able to make works using nude male models, where it was not considered improper for a woman. Her works from this period include Chaldean Shepherd at Smith College Museum of Art and Lotus Eater at Newark Museum.
The film was shot in part in Florida, Marshall Neilan and his troupe having chartered a yacht in New York and sailing south.“John Barrymore Visits Everglades Club,” Palm Beach Post (Florida), March 16, 1921, p. 4. Returning to New York after Florida, interiors for The Lotus Eater were shot at the old Biograph studio in the Bronx. Portions of the film were completed at Santa Catalina Island, though Barrymore was not there, as he was busy with the play Clair de Lune which had opened on April 18.
One of the musical labels that Loathe has been assigned to the most is the metalcore fusion genre. In an interview with Distorted Sound Magazine, the band were referred to as being part of the latest movement within the genre, along the likes of Code Orange and Ocean Grove. They have also been grouped with similar bands such as Lotus Eater, Modern Error, Holding Absence and God Complex, noted as a new wave of bands within the genre. The band often uses the dynamic of clean and unclean vocals.
On October 9, 2016, Foster the People played at the Rocking the Daisies Music Festival, performing three new songs from their upcoming third studio album: "Lotus Eater", "Doing It For The Money", and "Pay the Man". On April 5, 2017, the band announced a world tour set to start in the summer. On April 27, 2017, the band released an EP, III, composed of three songs from their upcoming third studio album ("Pay the Man", "Doing It for the Money", and "SHC"). With this release, it was announced that their next full album would be released in June or July.
In 2016, Foster the People performed three brand new songs at the Rocking the Daisies Music Festival, "Pay the Man", "Lotus Eater", and "Doing It for the Money", and announced that they would be on their upcoming third studio album. On April 5, 2017, the band announced a headlining summer tour in support of the album. The band released three brand new songs, "Pay the Man", "Doing It for the Money", and "SHC", in the form of the III EP on April 27, 2017. The tracks are also featured on the band's third studio album, Sacred Hearts Club, released on July 21, 2017.
At 16, Crossan started to make electronic songs using Ableton Live, and uploaded them to SoundCloud the following year under the alias Mura Masa, taken from Japanese swordsmith Muramasa Sengo. At 17, Crossan uploaded his first tracks, remixes and bootlegs to SoundCloud. The track "Lotus Eater" was picked up by BBC Radio 1 with Zane Lowe, Annie Mac, Huw Stephens and Phil Taggart all playing the song on their shows. After leaving Guernsey to study English literature at University of Sussex in Brighton, Crossan began playing his music live, with sold-out shows at the Green Door Store in Brighton and Electrowerkz in London.
Foster the People began promoting new music following extensive touring in support of their second studio album, Supermodel (2014), in late 2016. During the recording sessions, Foster described waking up each day and witnessing tragedies, traumatic events and political scandals in the news; citing that the band sought to create an album of joy amidst the chaos of current events. The band performed three brand new songs, entitled "Pay the Man", "Lotus Eater", and "Doing It for the Money", at Rocking the Daisies Music Festival, announcing that they would release their third studio album. On April 5, 2017, the band announced a headlining summer tour in North America in support of the album.
On October 3, Rise Records hosted a live stream album listening party with members of the band giving commentary on the album's tracks. The band toured as support on American rock band I Prevail's Trauma North American tour, from April 24 to August 9, 2019. The Beautiful Oblivion Tour is set to begin in the United Kingdom from October 7 to 17, with support from Lotus Eater, and will continue in North America from November 7 to December 15, 2019, with support from Polyphia, Sleep Token, and Lil Aaron. On December 12, 2019, it was revealed that Issues would embark on Dance Gavin Dance's headlining 2020 spring tour with Animals As Leaders, Veil of Maya and Royal Coda in March and April.
Brooks stayed at a pension in Heidelberg in 1890, where he formed a close relationship with the young Somerset Maugham. His relationship with Maugham was significant both as Maugham's first sexual experience and for forming his literary tastes: The character Hayward in Maugham's Of Human Bondage, an "esthete who is just back from Germany and admires Pater" and influences Philip, the young protagonist, is "obviously based on Ellingham Brooks". Five years later, Maugham and Brooks would cross paths again in Capri: Maugham disapproved of Brooks' indolent life in Capri, and based the protagonist of an unflattering short story, The Lotus-Eater, on him. In The Summing Up, Maugham called Brooks "Brown"Robert Calder, Willie: The Life of W. Somerset Maugham, p.

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