This strikes me as the ultimate exercise in losing the plot.
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NONCITIZENS wasn't difficult once the top and the "Z" were in place, and then LOSING THE PLOT followed.
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"This is the sound of someone losing the plot / Making out they're OK when they are not," Cocker sings over a creaking, horror movie guitar.
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Resident Evil 7 starts losing the plot immediately after you make a moral decision of no actual consequence, leave the swamp, and stumble upon a wrecked ship.
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He did effective crowd work, charismatically told long stories, and nailed the punch at the end without losing the plot, and used the whole stage for energetic act outs.
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It was quite a hard period of time: I was in the DJ booth with thousands of people in front of me going crazy but I was thinking I was losing the plot.
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Macmillan's play features plenty of the jargon familiar to those in treatment, including a scene in which Emma, the actress careering through a breakdown — losing the plot while performing "The Seagull" — before seeking help.
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There are more than 150 symptoms of PMS, but the exact cause of it is unknown, which can make a woman feel like she's lost in her own Red Sea when she's losing the plot every month.
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Westworld There are points during "Westworld" when even non-casual viewers could be forgiven for losing the plot a little, mired in the assortment of timelines, puzzle pieces and shifting identities, if not some combination of the three.
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In an extended column, Graham presented a faux script draft of "Maverick Man" having a conversation with a psychiatrist, where he describes himself as "a one-dimensional character trapped in a needlessly complicated and unbelievable conspiracy thriller".Graham, Alison (17–23 May 2008). "Losing the plot". Radio Times (BBC Magazines): p. 63. Part 1 won the 9 p.m.
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After the 1983 All-Ireland Senior Football Championship Final between Dublin and Galway, when overcrowding on Hill 16 caused a few supporters to suffer injuries, the GAA decided to rebuild the Hill. See the section titled "Losing the plot". That work was completed in 1988, allowing a capacity of 10,000 spectators. In the mid-1990s, the GAA came up with a masterplan to rebuild the whole stadium.
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After the US gigs, the band went into Genetic Studios near Reading with producer Dave Allen as planned to complete the album with engineer Tim Baldwin. But the sessions at Genetic Studios dissolved, according to Gary Marx, into "madness of Eldritch walking into walls between vocal takes and us generally losing the plot. [Tim Baldwin] seemed to remember it fondly enough." Weakened by continuous amphetamine use, insomnia, malnutrition and hypoglycaemia, Eldritch collapsed in the studio one night.
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' I thought that was very sweet." Shepherd later said on 24 May 2012 that Michael is playing a "dangerous game" as his scam intensifies. Wright later reassured viewers that Jean will fight back against Michael and will not remain a victim. Wright commented: "This [story is] quite special, I think - it's the longest one I've ever had, but also it's taking advantage of someone with bipolar and making them feel like they are losing the plot - that's a tough story.
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' I thought that was very sweet." Shepherd later said on 24 May 2012 that Michael is playing a "dangerous game" as his scam intensifies. Wright later reassured viewers that Jean will fight back against Michael and will not remain a victim. Wright commented: "This [story is] quite special, I think - it's the longest one I've ever had, but also it's taking advantage of someone with bipolar and making them feel like they are losing the plot - that's a tough story.
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The move from Geary to Minna brought the gallery a larger and more consistent audience, as the gallery's change in location gave it greater independence from the numerous galleries at 49 Geary. With the demolition and on-going construction going on at the San Francisco MoMa next door, Clark decided to move her gallery once more, this time to 248 Utah Street in the Potrero Hill region of San Francisco. On September 7, 2013, the gallery opened its new location with an exhibition titled "This is the Sound of Someone Losing the Plot" curated by Anthony Discenza.
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This trend was briefly carried on during her tenure with the Heroes for Hire, when she "spoke" to the book's narrator and "fired" him for losing the plot. Other Marvel characters that have been written to directly "address" the audience include She-Hulk's friend Louise Mason, Uatu the Watcher (who narrates a majority of the issues of What If by speaking directly to the reader) and Deadpool. On occasion, this practice has also been used for Loki, Rick Jones, Wyatt Wingfoot, and Howard the Duck. The latest series has not acknowledged this primarily-humor-based quirk of She- Hulk's, save for a coda in (vol.
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Her 2014 play An August Bank Holiday Lark, a Northern Broadsides co-production with the New Vic Theatre, Newcastle-under-Lyme, won that year's UK Best New Play award from the UK Theatre awards for regional theatre. Set in Saddleworth at the start of World War I, it features the village's traditional rushbearing procession and morris dancing. McAndrew has written several plays for the Mikron Theatre Company, a touring company which in summer travels by canal boat. These include Losing the Plot (2012, set amongst allotment gardeners), Beyond the Veil (2013, allotments again, beekeeping and murder), Till the Cows Come Home (2014, on icecream making), and One of Each (2015, concerning fish and chips).
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" The book was recommended by the Chicago Review of Books, The Washington Post, Los Angeles Times, and BuzzFeed News. Her first book for young adults, Take the Mic: Fictional Stories of Everyday Resistance, was released in 2019 (Scholastic). It is an edited anthology that "aims to provide marginalized teens visibility and validation in stories of “everyday resistance.”" Wesley Jacques of the Bulletin of the Center for Children's Books described Take the Mic in a review: "...too many of the stories are didactic and wrenchingly contrived, losing the plot and characters to hammer the message. Still, the sheer variety in this collection’s earnest depiction of bravery in the face of painful adversity is inspiring, making for an admirably contemporary addition to many libraries and at-home bookshelves.
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The review in New Statesman appreciates Foulds for penning Clare's character that thinks in poems and also deemed Dr Allen and Tennyson's scenes together as awkward because of the historical nature of the book. Journalist and author Lionel Shriver notes that Foulds, who won Costa Poetry Award in 2008, keeps the book poetic without losing the plot. She also appreciates that despite featuring two poets with a background of mental asylum, the book does not "conjure insanity as an exalted state of literary enlightenment." The New Yorkers critic James Wood mentions that Foulds has created his own poems in the book; like "thick curds of summer cloud moving slowly over"; while narrating the two poets and not simply borrowing their works.
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