172 Sentences With "loses sight of" | Random Sentence Generator

Lippman never loses sight of Maddie's options and her obstacles.

It's great for comedy, and Sunny never loses sight of that.

But Trebek said he never loses sight of the show's real attraction.

"Cruelty and Humour" never loses sight of the art's brutality, nor its wryness.

The documentary never loses sight of the 168 who died in the bombing.

"Iowa," however, loses sight of Alicia as the Iowa Caucus becomes more important.

Any institution too heavily invested in the past loses sight of the present.

Check out the clip -- Ashley loses sight of the question ... all in good fun.

And French never loses sight of the idea she voiced in her very first sentence.

But The Hate U Give never loses sight of what makes the tough stuff worth enduring.

But "MC, Middle, Headliner" never once loses sight of the fact that Jason is an asshole.

But it also never loses sight of how the schemes these women undertake are just that.

That said, season three oddly loses sight of some of its best characters and their relationships.

Alto's Odyssey is a sequel that never loses sight of what made the original one so beloved.

And Ma hopes Alibaba never loses sight of its garage culture, regardless of how large it gets.

But he never loses sight of what is right, and he makes sure the reader doesn't either.

But Coco never gets so carried away with spectacle that it loses sight of its hero's emotional journey.

But if he loses sight of how much people really want to know, it could become a weakness.

In the meantime, Pissios never loses sight of one of the biggest lessons he learned from his uncle.

In helping his congregation spiritually prep for Christmas, Visker said, he sometimes loses sight of his own spiritual needs.

But... The Ranch sometimes loses sight of its central family because it gets too caught up with its supporting players.

Despite the many epic battle scenes, Jackson never loses sight of the human emotions at the heart of his story.

Hale fears this approach loses sight of the guiding ethos of the environmental movement: its "concern for nature" as such.

He loses sight of Kevin's fundamental humanity, and in doing so, misunderstands what can really make mental illness a terrifying ordeal.

Hillary, in Bill's telling, is idealistic and practical, someone who is so determined that she sometimes loses sight of everything else.

Somewhere along the way, Dark Phoenix loses sight of what it was trying to say about female anger or male arrogance.

Berg's skill is that he never loses sight of the fact that he's trying to do right by the people involved.

Constantly firing from her arsenal of digital tricks, Bennani never loses sight of the humble off-stage lives of her protagonists.

The article was "a nuanced portrait that never loses sight of the fact that women were victimized," the editor, Glenn Stout, wrote.

Apocalypse loses sight of that a bit, and at times it feels like it's cutting corners in exchange for gigantic action sequences.

In moments like this, Mr. Gunn loses sight of the insouciance and feeling that were crucial to making the first movie work.

He loses sight of the ball when it climbs above the overhang and he thinks it will land in the upper deck.

This dichotomy may sound heavy-handed, but the show never loses sight of the fact that it is essentially a love story.

Here, he fails to keep his butt to the baseline on the help side and loses sight of his man, Kelly Oubre.

And he never loses sight of the enduring traits of human nature, which—pace Marxist ideology—remain resistant to changes in material conditions.

But looking at it that way loses sight of the bigger picture: Ayotte is still down by 10 points against her Democratic opponent.

But through all the stories, asides, and jokes, Whistlestop never loses sight of the overall theme: presidential campaigns are a dirty, unpredictable business.

And because the writers never met a symbol they didn't like, Gabriel finally loses sight of God just as he literally goes blind.

The danger here is that in committing so fully to each character under the spotlight, Frumkin sometimes loses sight of the larger story.

Longworth never loses sight of the stark contrast between the abject poverty the cult was battling and their surreal brushes with Hollywood royalty.

There's one point of view that it's clear body-shaming and it loses sight of the fact that Tess is happy in her skin.

But the film, which never loses sight of Weiner's humanity, takes us to a place we never thought any politician would let us see.

Too often, the system loses sight of the single most important reason that healthcare exists in the first place: addressing the individual patient's needs.

As the China narrative swamps the American one, "Patriot Number One" loses sight of the mass of Chinatown immigrants who care nothing of politics.

"Star Wars: The Rise of Skywalker" tries so desperately to service the fan base that it loses sight of the story it&aposs telling.

For all the laughs, he never loses sight of the terrible longitudinal harm that African diasporic and Latine peoples have suffered in the New World.

But the trailer never loses sight of Jyn as its guiding force, and it doesn't let the weight of seven other movies overwhelm her story.

Zuckerberg calls Maguire the "internal and external spiritual leader" for the Connectivity Lab—he's on top of the science, but he never loses sight of Internet.

It's a solid weekend marathon — especially during the cold winter months — but it loses sight of some things that could have made it more than that.

But if Uber loses sight of who the end user is, winning the battle in London doesn't eliminate the risk of losing the entire war everywhere.

But it never treats its characters as symbols, or loses sight of their flawed humanity, making it really a poetic but poignant saga of surviving abuse.

There's action and space battles and aliens — but the story never loses sight of the characters or their interactions, which are the core of any Trek.

For a few brief seconds, the drone loses sight of the guy before swiveling around to the horrifying sight of the snowmobiler submerged in the freezing water.

A game that's funny, silly, dramatic, gory, and never once loses sight of its own status as a video game, explicitly acknowledging that it is being played?

Non-economists may find some of the charts and tables heavy going, but Gordon never loses sight of the real people and real lives behind those charts.

But the story gets sidetracked with the intrigue over Ashley's musical career, and it loses sight of the intimate details that make its early scenes so compelling.

Sir Nicholas, who has also been successful on Broadway and on film, never loses sight of the responsibility that comes with accepting several million pounds of public cash.

The film builds to a wild crescendo, employing impressive creature effects for a particularly out-there climax, but wisely never loses sight of the shared trauma buried underneath.

Molly's driven and eager, but sometimes gets so wrapped up in her vision of perfection that she loses sight of what the people around her are actually feeling.

She can slice and dice with the best of them but, unlike nearly everyone else on the show — Rick, specifically — she never loses sight of the big existential picture.

While Jamie and Claire's relationship takes something of a backseat, having settled into the comforting routines of a long marriage, it never loses sight of the series' fundamental intrigue.

But even as Selina sways to the twangy music with tears streaming down her face, Louis-Dreyfus never loses sight of the fact that she's here to make us laugh.

Somewhere along the way, though, Dark Phoenix loses sight of what it was trying to say about female anger, or male arrogance, or love or rejection or oppression or forgiveness.

There, amidst discussion of judges, tax reforms, and "failing" Obamacare, the men slipped in enough reassurances about their budding bromance to ensure no one loses sight of what's really important.

While many bemoan the limitations to democratic rule intrinsic to the relationship between the United States and Puerto Rico, this loses sight of the significant limitations within Puerto Rico itself.

Financially things are tight, says Iro, who lives with her mother, but she says if she loses sight of her dreams at such a young age, there is nothing left.

But Into the Spider-Verse impressively never loses sight of the fact that Morales is just a kid, just like Parker was when Lee and Ditko first created Spider-Man.

Killmonger threatens and kills anyone in his way, but Black Panther never loses sight of his main grievance — that Wakanda has the power to do something about the suffering it otherwise ignores.

She finds as much beauty in a complex mural as in an illegal tag and never loses sight of the urban and human context in which New York's outlaw art is embedded.

So confident is the film of its liberal credentials, and of the reflexive good will of an audience who shares them, that it gradually loses sight of why anyone could ever think otherwise.

This is why, for me, the second book is the most frustrating: In its desire to plunge the characters back into the Hunger Games arena, it loses sight of these larger satirical devices.

There is plenty here about tradecraft and risky missions gone awry, but Bergman never loses sight of the ethical questions that arise when a state insists it needs to kill in order to survive.

There are some serious story lines at play, but even when it's discussing post-traumatic stress or addictions or grief, the series never loses sight of the fact that it's a warm multicamera sitcom.

It's a throwaway line about a character we don't even know (who may have been created for the film), but it speaks volumes regarding Berg's approach, as he never loses sight of what matters most.

"I'd like to see us recover our sense that we are more alike than different," the senator says, suggesting that the American public too often loses sight of the ties that bind the country together.

Both novels are inspiring, not in spite of Tambu's hopeless situation but because through it all she never loses sight of herself while, at the same time, never underestimating the brutal reality of her predicament.

They must register all their drones and are banned from conducting night-time operations (unless they have a special waiver) or missions where the operator loses sight of the drone that he or she is controlling.

Boehner's a great guy to have a drink with, and I'm sure he mows a mean lawn, but he's entitled to no more absolution than any other powerful official who loses sight of the public interest.

The series somewhat clumsily turns central villain Whispers into a stand-in for all dark and fascist ideologies, but it never loses sight of his sad loneliness, or how he's visited that upon everybody around him.

In attempting to stick to the traits that made the original film succeed, Blair Witch gets stuck on the mechanics of the found-footage formula, and loses sight of the narrative vision that made the original film work.

It's too bad, then, that any close-up shots of men fighting White Walkers and wights are jerky and scattered, especially when the wights start to close in and Taylor loses sight of where all his lead actors are.

If nothing else, the hyperactive weekend at his golf resort proved that Trump is not going to be the kind of president who is so mired in running the country that he loses sight of his own political imperatives.

"Bergman never loses sight of the ethical questions that arise when a state, founded as a refuge for a stateless people who were targets of a genocide, decides it needs to kill in order to survive," our critic writes.

And she especially never loses sight of the fact that Manson himself was a ruthless sexual predator — he learned how to be a pimp in prison — and that the young, abused women of Manson's cult were Manson victims, too.

The Fall Part 2: Unbound doesn't follow the same path and suffers greatly for it, a game so weirdly desperate to be "bigger" and "deeper" it loses sight of what allowed The Fall to stand out in the first place.

Blending history and investigative reporting, Bergman never loses sight of the ethical questions that arise when a state, founded as a refuge for a stateless people who were targets of a genocide, decides it needs to kill in order to survive.

Trump focuses so much on winning individual news cycles, like a reality TV show star who thinks of each day as an episode, that he often loses sight of this long game amid a pandemic he likens to a war.

And perhaps most importantly, this politicking loses sight of the fact that thousands of people around the world were abused as children over the course of several decades by the priests in their communities, whom their parents and families trusted.

British Prime Minister Theresa May could try to avoid being so caught up in the hurly-burly of negotiations within Parliament and with the EU that she loses sight of what happens next and the many possible ways to influence the post-Brexit future.

But the beauty of the series is that amid all the chaos, amid all these events that are written in history books, showrunner Lisa McGee never loses sight of what's important: her girls growing up, and, of course, being able to see Take That live.

For all that Ms. Riley seizes and holds the spotlight, as required, one never loses sight of the collective implied in the title, which includes the piercing-voiced Ibinabo Jack as Lorrell, the third member of the rechristened Dreams and, like Effie, nobody's fool.

Dreyfuss never loses sight of who Madoff is, but he also never lets us forget the human toll of the situation — not to mention the fact that it's a little ridiculous how Madoff became a major fall guy for an economic catastrophe he didn't really play any part in.

Last year's Assassin's Creed Origins is an even bigger game than Far Cry 5, yet it never loses sight of its primary tension: Protagonist Bayek is torn between a quest for personal revenge and a larger responsibility to his community, and most of quests he takes on relate to one or both of those goals.

It's one of the rare shows that has genuinely been bolstered by the times: In an era of very dour shows about the dark times we live in, sometimes great (The Handmaid's Tale) and sometimes mixed (Westworld), Billions is pure pulp thriller, but in a way that never loses sight of how poisonous all the vipers within it are.

Just as the residents of Springfield are too blinded by misplaced rage to understand what, exactly, happened, Trump (and the base he whips up with his ludicrous comments on Kaepernick) loses sight of what Kaepernick's protests are really about (social justice and police brutality against African-Americans), twisting those actions from expression of free speech into something akin to treason.

"I'm pretty sure I hate you, I'm pretty sure I love you," he sings on "Bossa No Sé." Almost always cosmically vibrant, Cuco's songs oscillate between moods: They're grief-stricken, humourous, and searching (he is, at any given moment, foraging for love or drugs or enlightenment in one form or another), but he never loses sight of where he is.

When a man has pleonexia in his heart he loses sight of God in a mad desire to get.

Danger lies within cultural leveling such that indiscriminate acceptance of types of conduct and lifestyles. In this way one loses sight of the profound significance of the different nations, of the traditions of the various people, by which the individuals define himself in relation to life’s fundamental questions.

She is also able to defeat the soldiers of Reyna Dyangga. However, she loses sight of Banak, who is by that time, being captured by fishermen. Dyesebel immediately swims ashore and begs the magic conch-shell to help her. She rubs the shell and her tail transforms into human legs.

Lee displays three- dimensional characters. In the end, Lee fails because he loses sight of the goal of 'uplifting the race'. Olanyian says that they both failed due to their representations of women. He felt that both failed to see the intersectionality of gender and race, therefore not uplifting the race.

McNulty spots Stringer while taking his sons to Northeast Market and has them follow him. McNulty briefly loses sight of his sons, but they manage to write down Stringer's license plate number. Bunk disapproves of McNulty involving his sons in the operation. Meanwhile, Herc and Carver prepare for their sergeant's exam.

Butch chases Pluto through town and into a deserted carnival. The strong wind currents from the chase caused a poster of a belly dancer girl to belly dance. They went through the Tunnel of Love ride where Pluto reversed the chase. Butch loses sight of Pluto when Pluto goes into a hall of mirrors.

He then avoids her, aware that he is spreading the illness. Mi-reu calls Ji- goo to help search for the sick man, but they have no success. Rumours of the outbreak spread and people begin to panic. Ji-goo saves a woman who falls from an escalator, and loses sight of Mi-reu.

Bea's sister Elly Conway spots her in the Lassiter's Complex, but Elly soon loses sight of her. Bea's aunt Susan Kennedy notices her in the complex the following day and follows her until she stops. Bea admits that she was unsure whether to say hello or not. Susan persuades Bea to come home with her and see Elly.

Janina and Misha stay in Poland though because Janina refuses to leave and kicks Misha when he tries to take her away. Janina drags Misha to the Ghetto only to find the room where they had lived deserted. Janina runs in desperation to find her father, and Misha loses sight of her in the crowd of people.

The number of people in demonic looking costumes begins to freak Effy out. She blames Freddie and runs away. Freddie tries to follow with the help of Cook, but loses sight of her. Katie, who is dancing on a float, sees a distraught Effy and rescues her, and calls Freddie over to take care of her.

The past is always the main resource for coping with the present. An Amish businessman may look forward to plan for new markets for his products; however, he never loses sight of the past and its precious legacy. To give yourself under the church means to yield, to submit. Modern culture's aggressive individualism sharply contrasts with the Amish gelassenheit.

Kipp hears Julie's screams and rushes to her; Danvers flees. Kipp follows Danvers as he hastily leaves town and stops when he loses sight of Danvers but hears someone digging in the hills. He then hears a shot and finds Danvers dead next to an empty money box. Kipp now knows Danvers was one of the three robbers.

So Jetfire has the only alternative to follow "this brainless robot" reluctantly. On the way to Mars, however, he loses sight of Starscream and finds him only with the aid of the Air Defense Mini-Con Team. He invites Starscream to look for the Mini-Con together, but the latter refuses. Then Jetfire arrests and shackles Starscream for insubordination.

Maeve and the other hosts from the saloon shootout are brought to operations. Technician Felix manages to fix the code for the bird. He loses sight of it as it is flying all over the room and when he turns to look he finds it sitting on an awake Maeve’s finger. She tells him they need to talk.

The Königin Luise returns, and Charlie and Rose steam the African Queen out onto the lake in darkness, intending to set her on a collision course. A strong storm strikes which causes water to pour into the African Queen through the torpedo holes. Eventually the African Queen capsizes, throwing them both into the water. Charlie loses sight of Rose in the storm.

He tries to follow her, but the crowd impedes him. He nearly catches up with her in a park, after she leaves her shoes to walk barefoot on the grass. But he briefly loses sight of her, and the woman he accosts is not her. Jake returns to London the next morning to find that Lyrebird has won at long odds, 20-1.

" The magazine said that "Band Of Susans never loses sight of the passion that underscores the rigorous intellect of their music." Melody Maker said "this is the kind of record that puts everything else into perspective. Compared to all the turgid, overstrained rock that's been clawing its way from America these past years, Veil soars like Lindbergh's plane. A sublime, breathtaking fluency.

Another significant personality is the Ijele fan carrier of Akupe carrier. It is not really a masquerade but it plays crucial role of leading the Ijele with its symbolic powerful fan called Akupe. Once one Ijele loses sight of the fan and its carrier, it gets lost and it signifies danger. Ijele moves when the fan carrier move and also stops when it stops.

While some people want to do away with retribution, Lewis says that to do so would make all punishment unjust and any act to correct behavior would contradict itself. On another level, Lewis says that we experience a thirst for revenge. This passion though loses sight of the end in the means. He notes how biblical ancestors probably meant retribution when they spoke of God’s ‘vengeance’.

Because of the radiation, the DRADIS is blind and Hot Dog is unable to get a confirmation of the ship. He soon loses sight of Starbuck, who remains in hot pursuit of the Cylon. In orbit, Admiral Adama aborts the refuelling and orders the fleet to prepare for a jump. Starbuck dogfights the Cylon through the clouds, eventually entering a swirling storm into which the Cylon dives.

They part in tears, and Shouji meets up with Sachiko to look at fireworks. He tells her that he can only see things clearly from far away and that the closer things are, the more he loses sight of them. She assures him that that is the same for everyone and they hold hands while watching the fireworks. ; : :Played by: Saeko :Sachiko is Shouji's restaurant coworker who becomes his girlfriend.

Ivan Veramathiri opened to positive reviews by critics. Baradwaj Rangan wrote, "Ivan Vera Maathiri is several notches above your usual action movie. The coincidences are smartly woven in, the location shooting is nicely done, and some of the action, especially a chase down a busy road, is staged quite well. More importantly, the film never loses sight of the personal costs, the collateral damage, that come with vigilantism".

Shiva is immediately attracted to her. He subsequently spots Charulatha on various occasions and follows her, but loses sight of her each time. He even misses a job interview Priya has arranged for him. Later, as Shiva waits at the railway station to pick up a friend and owner of the Mitsubishi Lancer Shiva and his friends use, he is confronted by a tense Charulatha, accompanied by her uncle.

Cleve responds in a way he had never conceived possible, and finds his destiny. "I can confirm it," he declares suddenly, "Hunter got him." Two missions later Pettibone loses sight of Cleve, who does not return to base. Pell, back after his seventh kill, tells a correspondent interviewing him that Cleve was one of the best, who taught him everything about air combat, but never got lucky himself.

Brother Allbecker - Deputy Principal at Xavier's school who provides useful advice and encouragement to him. Ben Preston - the St Matthew's Rugby Coach brought in by the Old Boys Association especially to win the premiership. He is 'old school' and loses sight of responsibility to the boys in his care. Scott Watson - St Matthew's football team captain and Xavier's best friend until events between himself and Nuala cause them to fight.

Bourgeois society loses sight of the role of human action in the creation of social meaning. It thinks value is immanent in things and regards persons as commodities. The writings of Antonio Gramsci are also extremely important in the development of a humanist understanding of Marxism. Insisting on Marx's debt to Hegel, Gramsci sees Marxism as a "philosophy of praxis" and an "absolute historicism" that transcends both traditional materialism and traditional idealism.

The trip is the means for Victor and Thomas to explore their identities. Neither of them loses sight of his identity as an "Indian", but their perspectives differ. Victor is more stoic and Thomas is more traditional (and romantic to the point of watching the feature film Dances with Wolves countless times). Their dichotomy is portrayed all through the film; it results in Victor being irritated with Thomas, and Thomas being fascinated with Victor.

The kind doctor adopts her and three other orphans (Seiji Horie, Hideo and Kenichi), but Suzuno loses sight of the book itself. Ten years pass. Suzuno is in her last year of high school and has become a promising artist... but then finds the Universe in her school's library. This triggers her lost memories of her adventures inside the book, so she starts making research on its translator to see what's going on.

Protective single mother Marie Sambrell (Rosemarie DeWitt) loses sight of her daughter Sara at a playground; she is recovered shortly without incident. Fearing future crises, Marie signs up to participate in a trial of Arkangel, a revolutionary child monitoring system. An Arkangel representative administers Sara a neural implant. Via an included tablet computer, Marie can: monitor Sara's medical state, view her past and present vision and hearing, and censor obscenity and other stressful stimuli.

Snake is the first across the finish line, located on the harbor by Riverfront Stadium, followed closely by two preps. Mitchell loses sight of Blane and Jack, but catches up by jumping from a second-story parking lot and landing on a makeshift ramp provided by a flatbed truck. Jack falls, but Blane, with the finish line in sight, attempts to push Mitchell into the water. Mitchell stops short and Blane falls into the river.

One of these principles is the following: “When one considers from the onset thing to be different, one loses sight of what is common. When one starts from their common ground, on the contrary, the differences appear by themselves.” Billeter has abided by this principle in all his writings, in particular when examining Chinese history. What distinguishes most profoundly and continuously China's history from our own is, in his view, a distinctive conception of political power.

Zack later begins a university course and Boachie believed it was a "new journey" for the character following a "manic and crazy" period of the character's life. He added that Zack would remain living with the Lovedays because "he feels a responsibility to be there and be the manly figure in the house." University does not affect his relationship with Sonia. He "embraces" the journey to university but never loses sight of his love for Sonia.

The uniqueness of Nǃai may lie in its tight integration of ethnography and history. While it portrays the changes in Juǀʼhoan society over thirty years, it never loses sight of the individual, Nǃai. The film is credited with the introduction of the dialogical structure, whereby both the voices of the filmmaker and the subject are woven together to tell the story. It is also credited as the first ethnographic film to recognize the influence of modernity on the ǃKung people.

He does so with the help of the singing golden harp, who begins singing Willie to sleep. Mickey almost alerts Willie to his presence by sneezing after falling into a box of powder in Willie's pocket, but the same powder makes Willie sneeze and he loses sight of Mickey. Mickey frees his friends and they make a break for it with the harp. However, Willie wakes up from his sleep and spots them, giving chase all the way to the beanstalk.

While feeling weird about the gravity of what Seok-jin had told him, Nam-joon sees Jung-kook walking alone on the streets. Sensing incoming danger, he runs after Jung-kook but he loses sight of the boy through the thick crowd of pedestrians. Meanwhile, Seok-jin is also in search of Jung-kook while trying to recall which building rooftop the boy will fall from. After climbing up the wrong building and deducing the correct one, he rushes at the last minutes.

In 1950 Leigh Fermor published his first book, The Traveller's Tree, about his post-war travels in the Caribbean. The book won the Heinemann Foundation Prize for Literature and established his career. The reviewer in The Times Literary Supplement wrote: "Mr Leigh Fermor never loses sight of the fact, not always grasped by superficial visitors, that most of the problems of the West Indies are the direct legacy of the slave trade."Cooper, Patrick Leigh Fermor: An Adventure, 2012, p. 250.

The "Discussion of Ritual Propriety (禮 lĭ)" chapter gives rules of individual and social decorum. "Dispelling Obsessions" teaches that in focusing on only one aspect of a situation, one often loses sight of the larger purpose. "Proper Use of Terms" ( zhēngmíng): A name becomes proper for a situation through conventional usage, but once this is fixed it is improper to deviate from this norm. "Human Dispositions are Detestable" (xìng è 性惡) rejects Mencius's claim that people have a natural inclination toward goodness.

Set in what feels like 90's Britain with a heavily desaturated look that borders on monochrome, the story revolves around a paranoid, pregnant woman Neha (Sobhita Dhulipala) who babysits her late sister's kid, Ansh (Zachary Braz). The obsessive affection of a kid and paranoia of a childless young woman assumes terrifying proportions. Neha at one point loses sight of what is real and what is her nightmare. A curse of the past triggers her into meltdown and another miscarriage.

Apollo's scopes show no sign of the bogey and he chases after Starbuck, but he quickly loses sight of her. Starbuck again chases the Raider into the swirling storm, where the Cylon turns around and nearly collides with her. Suddenly, the Viper's cockpit canopy is punctured and Starbuck passes out as her fighter begins a wild spin. The cockpit alarms change to the alarm of a clock and the scene changes to Starbuck lying in bed in her apartment on Caprica.

He immediately questions Ettinger about why he ignored hooking up with the woman at lunch, and he gets upset and tries to throw Cupid out of his office. When Cupid shoots three arrows into Todd's heart, Todd asks why he did that and Cupid laughs and says: "Hopefully, I just screwed up your life." He then leaves Todd with a very curious look on his face. After work, Ettinger sees the woman again and gives chase but to no avail as he loses sight of her.

This argument, however, even with respect to the particular carrier which makes a misdelivery, loses sight of the practical object in view. In fact, the transactions of a railroad company are multitudinous, and are carried on [241 U.S. 190, 196] through numerous employees of various grades. Ordinarily the managing officers, and those responsible for the settlement and contest of claims, would be without actual knowledge of the facts of a particular transaction. The purpose of the stipulation is not to escape liability, but to facilitate prompt investigation.

Achak is separated from his family during the Second Sudanese Civil War when the Arab militia, referred to as murahaleen (which is Arabic for the deported), wipes out his Dinka village, Marial Bai. During the assault, he loses sight of his father and his childhood friends, Moses and William K. William K escapes. However, Moses is believed to be dead after the assault. Achak seeks shelter in the house of his aunt with his mother, who is frequently identified throughout the book with a yellow dress.

Ravi (Tarun), a school dropout and vagabond, falls in love with Swati (Aarthi Agarwal) the minute he sets his eyes on her, but loses sight of her in a sea of people and traffic. As only a possessed lover can, he tries to find her in a city of ten million people. Armed with just the first three letters on the license plate of her car, he tries to find her whereabouts. After tumultuous attempts and near hits and misses, he manages to find her.

Whitedimple (called Whitey) is able to interpret the message—for so it is. The message is: there are three other identical messages on other moons, a fifth hidden somewhere in the rings of Saturn which will give directions to a sixth artifact, of immense importance. Dazzled by Ogumi, Whitey loses sight of odd things going on around him, and is swiftly shipped off to Saturn to recover the rings artifact, despite an "accident" that nearly kills him. On arrival, Whitey is introduced to Junior Badille, his pilot.

Cook pleads guilty at trial and is imprisoned. In "Freddie", after Freddie clears the party out, Cook remains, having apparently escaped from jail prior to the beginning of the episode, saying he couldn't stick being stuck with "a million me's anymore". However, when seeing him, Effy begins to freak out, yelling at him to leave. Later, Freddie tries to follow a freaked out Effy who ran away from him, but loses sight of her in the large crowd, however he runs into Cook and asks him for help.

In the episode "Remember", Jessie appears as a member of the Alexandria Safe-Zone who gives supplies to newcomer Rick Grimes, who recently shaved his long beard and Jessie offers to give him a haircut. Later when the group explores the neighborhood Rick loses sight of Carl and Judith and runs into Jessie who shows a panicking Rick that they are just talking to some elderly residents. In the episode "Forget", Jessie, Pete, Ron, and Sam attend Deanna's party. In "Spend", Jessie is shown when Rick visits her.

As the driver takes the clients on the trip, he starts to lose control of the car, which starts driving on its own. It ends up following a man on a bicycle, who turns out to be one of the three criminals behind the two murders. It feverishly chases the unassuming man, horrifying the driver and the clients, who end up escaping when the car loses sight of the criminal and finally stops. The terror-stricken driver calls Pavalakkodi to pick up the car, warning her about the car's paranormal abilities.

Ned loses his temper and yells at Homer, an outburst that prompts security personnel to remove him from the church and permanently ban him from returning. He storms off, exasperated with Homer's crass behavior and lack of reverence. Homer loses sight of Ned and believes that he is lost in the desert; in reality, Ned has calmed himself by getting a cup of tea and going to see a movie. Homer rides into the desert on a camel in search of Ned, but becomes lost in a sandstorm and begins to succumb to dehydration.

However, remembering her duties to help retrieve the lamp, Aliyah-Din is forced to leave the Prince, although he attempts to stop her, The Prince soon loses sight of her, much to his dismay. At night, Aliyah- Din meets with Haman where they witness the cave opening. Haman instructs Aliyah-Din to touch only the lamp and nothing else as she enters the cave. Aliyah-Din enters a room and despite Haman's warnings, she picks what seems to be an innocent flower, unaware that it's actually a piece of treasure.

The story occurred in 720–752 AD (the period in which the Daibutsu of Tōdai-ji was built), during the Nara period. One-eyed and one- armed young man Gao, an ancestor of Saruta, turns into a murderous bandit when he is rejected by his village. He attacks a sculptor, Akanemaru, and the two men's paths diverge, but their fates remain linked. Akanemaru becomes obsessed with the Phoenix to the point that he loses sight of his original dreams, while Gao eventually finds a state of grace despite his continuing hardships.

The Torch #2 When the Torch is being forced to destroy a small European village, Toro attempts to escape. While he was still unable to completely activate his powers, he does manage to break the device they had been using to control the Torch. The Torch returns to kill and maim everyone who tried to control him, and Tom's powers are completely activated in the resulting fire.The Torch #3 Tom loses sight of the Torch in the melee, and flies to New York City in the hopes of finding him.

He loses sight of the boy in the heart of the city; then, exhausted and thirsty, he buys and eats some over-ripe strawberries and rests in an abandoned square, contemplating the Platonic ideal of beauty amidst the ruins of his own once-formidable dignity. A few days later, Aschenbach goes to the lobby in his hotel, feeling ill and weak, and discovers that the Polish family plan to leave after lunch. He goes down to the beach to his usual deck chair. Tadzio is there, unsupervised for once, and accompanied by an older boy, Jasiu.

Critical reception for the WWW Trilogy has been predominantly positive and the series has received praise from outlets such as Publishers Weekly, SF Site, and SF Signal. Much of the praise centered on its characters and technology, and in their review of Wake, the SF Site commented that "Even with such a focus on technology and culture, Sawyer never loses sight of his individual characters." Criticisms of the work tended to stem around Sawyer's usage of the trilogy to champion several different causes, which some reviewers felt detracted from their enjoyment of the work and did not help fully flesh out the characters.

Knowing how far Stephen will go, Martha sends Beth off to a relative in Denver, Colorado under a fake name. Stephen becomes enraged when he loses sight of Beth and mistakenly becomes preoccupied with another Elizabeth Knowlton (known as Liz); thinking he has tracked Beth down, Elizabeth receives packages in her mail from Stephen containing threats as well as a video of Beth. When Stephen attempts to break into her home one night, Liz sets out to locate Beth after recognizing her from the video. They both join forces to catch Stephen in the act, using Beth as bait.

3–4; p.9: "... Resnais's films are tempered with a concern for human character and feelings which never loses sight of the vital connection between the forms of the art and its human subjects". There is general agreement about Resnais's attachment to formalism in his approach to film; he himself regarded it as the starting point of his work, and usually had an idea of a form, or method of construction, in his head even before the plot or the characters took shape.Suzanne Liandrat- Guigues & Jean-Louis Leutrat, Alain Resnais: liaisons secrètes, accords vagabonds. (Paris: Cahiers du Cinéma, 2006). p.136.

Prominent Sith Darth Vader and Emperor Palpatine have become iconic villains in popular culture. Their personae are frequently used as exemplars of Machiavelianism, authoritarianism, brutality and evil in serious, humorous and satirical settings. Palpatine is archetypal as the "Evil Emperor"—a cunning tyrant who rules through deception, propaganda, fear and oppression. Although usually considered as a villainous "enforcer" of such power, Darth Vader has also been regarded as a tragic figure and cautionary study in the corruption of a hero who loses sight of the greater good and resorts to evil practices out of fear and desperation.

As Laura tries to contact the detective, the driver continues to rev his engine and drive around the front of the house, but soon drives away into the night. The following day, Stephanie is waiting on her mother to pick her up from gymnastics practice, but Laura is delayed by a passing freight train. As Laura arrives, the Charger appears and abducts Stephanie in front of her, prompting her to give chase, with kids still on the bus. After pursuing the car through town and down dirt roads, Laura loses sight of the car and is pulled over by a motorcycle cop.

When he sees the boys heading for the woods, he becomes concerned for Arthur's safety and sets off in pursuit but loses sight of them. Later Arthur is not in class, and Fr. Goddard questions Stanfield, who claims that while he and Arthur were together earlier, Arthur became unwell and returned to the school. In a desperate attempt to find Arthur, Fr. Goddard activates the fire alarm but the boy is also absent at the emergency roll call. Fr. Goddard again questions Stanfield and alludes to his confession, but he denies the conversation ever took place.

Lancelot finally loses sight of Darien as he crosses Daniloth in the form of a white owl. Meanwhile, the Dalrei, the lios alfar, and the men of Brennin and Cathal are gathering on the plain to face Maugrim's army. Jaelle's view of men as lesser beings has been challenged by Kevin's unflinching sacrifice and she and Paul/Pwyll begin to tentatively shape a friendship. As they talk on the shore below Lisen's Tower, a ghostly ship appears to take all of them to Andarien in time to meet Aileron and the rest of the host of the Light.

He expresses to the reader how he loses sight of the outside inspirations he sought after as a child, and instead looks to himself. This can be seen when he states, "To stare, big-eyed Narcissus into some spring is beneath all adult dignity". In this quote he parallels himself to Narcissus, a hunter in Greek Mythology who is cursed to fall in love with his own reflection by the goddess Nemesis after he shuns Echo, an Oread nymph. The reader can see that for a short time after his college experience, Heaney relies on only himself for inspiration.

Lorna Sage remarks in her review of the novel that this deployment of "multiple contrasts and operlaps of its two heroes' careers" is "a technique at which Miss Murdoch has become so carelessly expert that one soon loses sight of its crude binary origins". Henry and Cato is one of several Murdoch novels that borrows elements from the thriller genre. The opening scene describes Cato getting rid of a revolver, which we later find out belonged to Joe, by throwing it off a bridge into the Thames. Later, Cato is kidnapped and held prisoner, and there are several acts of criminal violence in the book.

" James Southall of Movie Wave gave it three-and-a-half out of five stars, commenting that "The guitars, ostinato- based action and even the HORN OF DOOM which make up the opening track may be nothing fresh, but the composer pulls the familiar elements together better than any of his Remote Control peers (including the big boss) have done in a few years." Robert T. Trate of Mania.com gave the soundtrack a grade of A, calling it "a complete kick-ass thrill ride that has the muscle to back it up. Yet, with all the giant monsters and robots, it never loses sight of the heart behind its characters.

Her recent novel I Have Become the Tide, published in 2019 in India, includes three distinctive narratives that intertwine past and present in compelling ways to raise an urgent voice against the cruelties of caste, and the destructive forces that crush dissent. But they also celebrate the joy of resistance, the redemptive beauty of words, and the courage to be found in friendship and love. I Have Become the Tide is deeply political, but it never loses sight of humour, tenderness—or the human spirit. Her recent edited book, Battling for India: A Citizen’s Reader(co- edited with Salim Yusufji) was published in 2019 by Speaking Tiger in India.

Once Upon A Time is not Lost. The latter succeeded because it was able to flesh out its characters and make them real people trapped in fantastic circumstances, but OUAT is the exact opposite, transplanting characters from fantasy to reality. The fairybacks serve the same purpose as Lost’s flashbacks/forwards/sideways, attempting to flesh out the human side of these characters, but the fairy tale environment actively works against that goal. Especially when this show loses sight of the limitations that a network television budget puts on storytelling. I don’t know if there have been any episodes that have been as negatively affected by this show’s lacking visuals as 'Tallahassee,' which features some incredibly sloppy green screen work.

When the fullback took the snap, defensive players expected the play to hit the center of the line because the traditional role of the fullback was to grind out yardage between the tackles. Defensive players who rushed to stop the fullback at the guard-center gap might be totally surprised if the fullback slipped the ball to the nearby quarterback who was heading in another direction. Consequently, single-wing teams that could master the buck-lateral series of plays could be successful by always making the defense guess to where the ball was going. Of course, if the defense loses sight of the ball during the fakes or laterals, then the defense is at an extreme disadvantage.

One of the shortest stories relates the tale of a wealthy middle-aged businessman, Gregorius, who becomes depressed when he believes God has deserted him, and he comes up with a plan to build a Hell on Earth to summon Satan, believing that God will then sweep him (Gregorius) out of Satan's clutches and into his heavenly fold. In his vast Satanic Cathedral, Gregorious soon loses sight of his original intention of attracting God's attention, and he is captured after torturing hundreds of people to death in the well-equipped torture chambers. It is deliberately left ambiguous whether Gregorius went insane, or if he really did succeed in tempting Satan into taking residence in his own personal Hell.

" Justin Towell from GamesRadar also gave the game 4 out of 5 stars citing that it "You won't need to think much while you play it, but if you're talking about places to just cut loose and enjoy the breathtaking scenery, Australia is a fine place to do it." Luke Reilly for IGN gave the game a 9.5/10 saying it "never loses sight of the fact that tearing through postcard- perfect locations should be fun, and it puts the tools in our hands to keep it that way, always. This is the racing game I've been waiting for, and it's officially my favourite thing on four wheels. A fair dinkum triumph, mates.

Native Studies Review writes that Braiding Sweetgrass is a "book to savour and to read again and again." Heather Sullivan writes in the "Journal of Germanic Studies" that "one occasionally encounters a text like an earthquake: it shakes one’s fundamental assumptions with a massive shift that, in comparison, renders mere epiphanies bloodless: Robin Wall Kimmerer’s Braiding Sweetgrass is one of these kinds of books.” Sue O'Brian in "Library Journal" wrote "Kimmerer writes of investigating the natural world with her students and her efforts to protect and restore plants, animals, and land. A trained scientist who never loses sight of her Native heritage, she speaks of approaching nature with gratitude and giving back in return for what we receive.

Renuka Vyavahare of The Times of India gave the film a rating of 3 out of 5 and said that, "While the visuals and special effects lack finesse, the film compensates for it with its riveting story. Despite the hitches, this underwater thriller is worth a watch." Shalini Langer of The Indian Express gave the film a rating of 1.5 out of 5 saying that the film "could have been an engrossing crisis-at-sea drama but the film is so busy slaying Pakistanis that it loses sight of its core strengths." Prasanna D Zore of Rediff said that, "The Ghazi Attack is a riveting telling of a war story" and gave the film a rating of 4 out of 5.

The Rise of Chaos has received generally positive reviews from critics. AllMusic writer James Christopher Monger gave the album a rating of three-and-a-half stars out of five, and wrote, "Internationally, Accept's particular brand of workmanlike metal, a steely mix of muscular AC/DC-styled riffage and Motörhead-esque bad attitude, never truly went out of style, and The Rise of Chaos plays to those strengths via a ten-track onslaught that shows little in the way of innovation, yet never loses sight of the end goal, which is to rock with extreme prejudice." The album was honored with a 2017 Metal Storm Award for Best Heavy Metal/Melodic Album. It was also nominated for a German Metal Hammer Award for Best Album in 2018, but lost to Powerwolf's The Sacrament of Sin.

" Peter Hall of Cinematical.com said "The gore, the nudity, the language, the gags, the charactersit's all always on the rise. Just when you think things could not possibly get more ridiculous, that the film has peaked, Aja and screenwriters Pete Goldfinger and Josh Stolberg manage to ram another syringe of adrenaline into its heart." The Hollywood Reporter referred to the film as "a pitch-perfect, guilty- pleasure serving of late-summer schlock that handily nails the tongue-in-cheek spirit of the Roger Corman original" while stating "Jaws it ain'tAja exhibits little patience for such stuff as dramatic tension and tautly coiled suspense, and there are some undeniable choppy bits...but he never loses sight of the potential fun factor laid out in Pete Goldfinger and Josh Stolberg's script.

Research continues on using ADS-B for paired approaches to parallel runways, in which aircraft stay separated enough to avoid wake turbulence while also maintaining a precise relative position to ensure safe separation. Cockpit Display of Traffic Information Assisted Visual Separation is showing to enhance traffic situational awareness for air carriers. It allows the flight crew to continue a visual landing procedure using the electronic display to maintain separation if the pilot loses sight of traffic because of reduced visibility, which reduces time and distance flown. Although it can be used without it, a NASA-developed application called Traffic Aware Strategic Aircrew Requests (TASAR) could benefit from aircraft equipped with ADS-B In. TASAR suggests a new route or altitude change to save time or fuel, and ADS-B In can assist by enabling the software to determine what requests will likely be approved by air traffic control due to nearby traffic.

Thirteen other Fianna then mount the horse in an attempt to weigh the horse down as much as the Gilla, but still the horses refuses to budge. The Gilla then tells Finn and the Fianna that were he to serve the rest of his term under Finn's contemptuous frivolity, he would be pitied and mocked, so he tells them that he will be parting, and leaves the Fianna with such a fierce, thundering rapidity that it is compared to the speed of swallow and noise of a March wind over a mountain. As soon as the Gilla's horse loses sight of his master, he speeds off after him with fourteen of the Fianna on his back. Finn and the remaining Fianna then track the Gilla and his horse until they arrive at the sea, where another of the Fianna grabs the horse's tail as it alights over the water with the fifteen men.

The Allmusic review by Thom Jurek says "Playground is an exciting new chapter in Katche's evolution as a leader; but more than this, bodes well for the future of jazz: it never loses sight of itself, but moves the various threads of its subgenres further without stretching any of them to the breaking point". In JazzTimes Jeff Tamarkin wrote "Manu Katché must be the least egotistical drummer on the planet. Although he’s rarely out of earshot on Playground, and the vision is clearly his, there’s not a moment when he hogs the spotlight ... most of the star turns go to the Norwegian hornmen, Trygve Seim on tenor and soprano saxophones and trumpeter Mathias Eick, and to the Polish pianist, Marcin Wasilewski. But they too keep things in check, and Playground, despite brief flashes of intensity, often teeters toward the smooth-jazz chasm—it never quite falls in, but it comes awfully close".

The Scarecrow then uses Strange's mansion as a trap for Batman, but his attempt to use Strange's plan fails when he only learns of Strange's plan to use Crime Alley as the scene of a trap while ignorant of the reasons why that alley is so significant to Batman, with his "trap" merely consisting of luring Batman into the alley and decapitating a former classmate of Crane's in front of Batman. With Catwoman's help, Batman locates the Scarecrow's hideout and catches the Scarecrow in the cellar with Strange's body before the house is destroyed in a fire, but loses sight of Strange, with it being unclear whether Strange had actually survived the fall onto the weather vane-he claimed that he lured rats to himself by using his sweat so that he could eat themor if the Scarecrow and Batman were hallucinating from exposure to Crane's new fear gas, although Batman concludes that the subsequent explosion of the house has definitely killed Strange.Batman: Legends of the Dark Knight #137–141 Dark Moon Rising: Batman and the Monster Men, "Prey" and "Terror" all take place during Batman's early years. In the modern timeline, Strange returns in a four-part storyline called "Transference".

Lippman never loses sight of Maddie's options and her obstacles. from The New York Times
Lippman never loses sight of Maddie's options and her obstacles. from The New York Times
It's great for comedy, and Sunny never loses sight of that. from Vox
But Trebek said he never loses sight of the show's real attraction. from Politico
"Cruelty and Humour" never loses sight of the art's brutality, nor its wryness. from Economist
The documentary never loses sight of the 168 who died in the bombing. from The New York Times
"Iowa," however, loses sight of Alicia as the Iowa Caucus becomes more important. from Mashable
Any institution too heavily invested in the past loses sight of the present. from Vice
Check out the clip -- Ashley loses sight of the question ... all in good fun. from TMZ
And French never loses sight of the idea she voiced in her very first sentence. from The New York Times
But The Hate U Give never loses sight of what makes the tough stuff worth enduring. from Mashable
But "MC, Middle, Headliner" never once loses sight of the fact that Jason is an asshole. from Vox
But it also never loses sight of how the schemes these women undertake are just that. from Vox
That said, season three oddly loses sight of some of its best characters and their relationships. from Vox
Alto's Odyssey is a sequel that never loses sight of what made the original one so beloved. from The Verge
And Ma hopes Alibaba never loses sight of its garage culture, regardless of how large it gets. from CNBC
But he never loses sight of what is right, and he makes sure the reader doesn't either. from The New York Times
But Coco never gets so carried away with spectacle that it loses sight of its hero's emotional journey. from Mashable
But if he loses sight of how much people really want to know, it could become a weakness. from Mashable
In the meantime, Pissios never loses sight of one of the biggest lessons he learned from his uncle. from CNBC
In helping his congregation spiritually prep for Christmas, Visker said, he sometimes loses sight of his own spiritual needs. from CNN
But... The Ranch sometimes loses sight of its central family because it gets too caught up with its supporting players. from Vox
Despite the many epic battle scenes, Jackson never loses sight of the human emotions at the heart of his story. from CNN
Hale fears this approach loses sight of the guiding ethos of the environmental movement: its "concern for nature" as such. from The New York Times
He loses sight of Kevin's fundamental humanity, and in doing so, misunderstands what can really make mental illness a terrifying ordeal. from The Verge
Hillary, in Bill's telling, is idealistic and practical, someone who is so determined that she sometimes loses sight of everything else. from New Republic
Somewhere along the way, Dark Phoenix loses sight of what it was trying to say about female anger or male arrogance. from Mashable
Berg's skill is that he never loses sight of the fact that he's trying to do right by the people involved. from New Republic
Constantly firing from her arsenal of digital tricks, Bennani never loses sight of the humble off-stage lives of her protagonists. from Hyperallergic
The article was "a nuanced portrait that never loses sight of the fact that women were victimized," the editor, Glenn Stout, wrote. from The New York Times
Apocalypse loses sight of that a bit, and at times it feels like it's cutting corners in exchange for gigantic action sequences. from Vox
In moments like this, Mr. Gunn loses sight of the insouciance and feeling that were crucial to making the first movie work. from The New York Times
He loses sight of the ball when it climbs above the overhang and he thinks it will land in the upper deck. from The New York Times
This dichotomy may sound heavy-handed, but the show never loses sight of the fact that it is essentially a love story. from Hyperallergic
Here, he fails to keep his butt to the baseline on the help side and loses sight of his man, Kelly Oubre. from Vice
And he never loses sight of the enduring traits of human nature, which—pace Marxist ideology—remain resistant to changes in material conditions. from Economist
But looking at it that way loses sight of the bigger picture: Ayotte is still down by 10 points against her Democratic opponent. from New Republic
But through all the stories, asides, and jokes, Whistlestop never loses sight of the overall theme: presidential campaigns are a dirty, unpredictable business. from Mashable
And because the writers never met a symbol they didn't like, Gabriel finally loses sight of God just as he literally goes blind. from The New York Times
The danger here is that in committing so fully to each character under the spotlight, Frumkin sometimes loses sight of the larger story. from The New York Times
Longworth never loses sight of the stark contrast between the abject poverty the cult was battling and their surreal brushes with Hollywood royalty. from Vox
There's one point of view that it's clear body-shaming and it loses sight of the fact that Tess is happy in her skin. from TMZ
But the film, which never loses sight of Weiner's humanity, takes us to a place we never thought any politician would let us see. from New Republic
Too often, the system loses sight of the single most important reason that healthcare exists in the first place: addressing the individual patient's needs. from The Hill
As the China narrative swamps the American one, "Patriot Number One" loses sight of the mass of Chinatown immigrants who care nothing of politics. from The New York Times
"Star Wars: The Rise of Skywalker" tries so desperately to service the fan base that it loses sight of the story it&aposs telling. from Business Insider
For all the laughs, he never loses sight of the terrible longitudinal harm that African diasporic and Latine peoples have suffered in the New World. from The New York Times
But the trailer never loses sight of Jyn as its guiding force, and it doesn't let the weight of seven other movies overwhelm her story. from The New York Times
Zuckerberg calls Maguire the "internal and external spiritual leader" for the Connectivity Lab—he's on top of the science, but he never loses sight of Internet. from Wired
It's a solid weekend marathon — especially during the cold winter months — but it loses sight of some things that could have made it more than that. from Vox
But if Uber loses sight of who the end user is, winning the battle in London doesn't eliminate the risk of losing the entire war everywhere. from TechCrunch
But it never treats its characters as symbols, or loses sight of their flawed humanity, making it really a poetic but poignant saga of surviving abuse. from Buzzfeed News
There's action and space battles and aliens — but the story never loses sight of the characters or their interactions, which are the core of any Trek. from Vox
For a few brief seconds, the drone loses sight of the guy before swiveling around to the horrifying sight of the snowmobiler submerged in the freezing water. from Vice
A game that's funny, silly, dramatic, gory, and never once loses sight of its own status as a video game, explicitly acknowledging that it is being played? from Vice
Non-economists may find some of the charts and tables heavy going, but Gordon never loses sight of the real people and real lives behind those charts. from The New York Times
But the story gets sidetracked with the intrigue over Ashley's musical career, and it loses sight of the intimate details that make its early scenes so compelling. from The Verge
Sir Nicholas, who has also been successful on Broadway and on film, never loses sight of the responsibility that comes with accepting several million pounds of public cash. from Economist
The film builds to a wild crescendo, employing impressive creature effects for a particularly out-there climax, but wisely never loses sight of the shared trauma buried underneath. from Buzzfeed News
Molly's driven and eager, but sometimes gets so wrapped up in her vision of perfection that she loses sight of what the people around her are actually feeling. from Vox
She can slice and dice with the best of them but, unlike nearly everyone else on the show — Rick, specifically — she never loses sight of the big existential picture. from The New York Times
While Jamie and Claire's relationship takes something of a backseat, having settled into the comforting routines of a long marriage, it never loses sight of the series' fundamental intrigue. from Mashable
But even as Selina sways to the twangy music with tears streaming down her face, Louis-Dreyfus never loses sight of the fact that she's here to make us laugh. from Vox
Somewhere along the way, though, Dark Phoenix loses sight of what it was trying to say about female anger, or male arrogance, or love or rejection or oppression or forgiveness. from Mashable
There, amidst discussion of judges, tax reforms, and "failing" Obamacare, the men slipped in enough reassurances about their budding bromance to ensure no one loses sight of what's really important. from Mashable
While many bemoan the limitations to democratic rule intrinsic to the relationship between the United States and Puerto Rico, this loses sight of the significant limitations within Puerto Rico itself. from The Hill
Financially things are tight, says Iro, who lives with her mother, but she says if she loses sight of her dreams at such a young age, there is nothing left. from Reuters
But Into the Spider-Verse impressively never loses sight of the fact that Morales is just a kid, just like Parker was when Lee and Ditko first created Spider-Man. from Vox
Killmonger threatens and kills anyone in his way, but Black Panther never loses sight of his main grievance — that Wakanda has the power to do something about the suffering it otherwise ignores. from Buzzfeed News
She finds as much beauty in a complex mural as in an illegal tag and never loses sight of the urban and human context in which New York's outlaw art is embedded. from Vice
So confident is the film of its liberal credentials, and of the reflexive good will of an audience who shares them, that it gradually loses sight of why anyone could ever think otherwise. from New Yorker
This is why, for me, the second book is the most frustrating: In its desire to plunge the characters back into the Hunger Games arena, it loses sight of these larger satirical devices. from Vox
There is plenty here about tradecraft and risky missions gone awry, but Bergman never loses sight of the ethical questions that arise when a state insists it needs to kill in order to survive. from The New York Times
There are some serious story lines at play, but even when it's discussing post-traumatic stress or addictions or grief, the series never loses sight of the fact that it's a warm multicamera sitcom. from The New York Times
It's a throwaway line about a character we don't even know (who may have been created for the film), but it speaks volumes regarding Berg's approach, as he never loses sight of what matters most. from Mashable
"I'd like to see us recover our sense that we are more alike than different," the senator says, suggesting that the American public too often loses sight of the ties that bind the country together. from CNN
Both novels are inspiring, not in spite of Tambu's hopeless situation but because through it all she never loses sight of herself while, at the same time, never underestimating the brutal reality of her predicament. from The New York Times
They must register all their drones and are banned from conducting night-time operations (unless they have a special waiver) or missions where the operator loses sight of the drone that he or she is controlling. from Economist
Boehner's a great guy to have a drink with, and I'm sure he mows a mean lawn, but he's entitled to no more absolution than any other powerful official who loses sight of the public interest. from New Republic
The series somewhat clumsily turns central villain Whispers into a stand-in for all dark and fascist ideologies, but it never loses sight of his sad loneliness, or how he's visited that upon everybody around him. from Vox
In attempting to stick to the traits that made the original film succeed, Blair Witch gets stuck on the mechanics of the found-footage formula, and loses sight of the narrative vision that made the original film work. from Vox
It's too bad, then, that any close-up shots of men fighting White Walkers and wights are jerky and scattered, especially when the wights start to close in and Taylor loses sight of where all his lead actors are. from Vox
If nothing else, the hyperactive weekend at his golf resort proved that Trump is not going to be the kind of president who is so mired in running the country that he loses sight of his own political imperatives. from CNN
"Bergman never loses sight of the ethical questions that arise when a state, founded as a refuge for a stateless people who were targets of a genocide, decides it needs to kill in order to survive," our critic writes. from The New York Times
And she especially never loses sight of the fact that Manson himself was a ruthless sexual predator — he learned how to be a pimp in prison — and that the young, abused women of Manson's cult were Manson victims, too. from Vox
The Fall Part 2: Unbound doesn't follow the same path and suffers greatly for it, a game so weirdly desperate to be "bigger" and "deeper" it loses sight of what allowed The Fall to stand out in the first place. from Vice
Blending history and investigative reporting, Bergman never loses sight of the ethical questions that arise when a state, founded as a refuge for a stateless people who were targets of a genocide, decides it needs to kill in order to survive. from The New York Times
Trump focuses so much on winning individual news cycles, like a reality TV show star who thinks of each day as an episode, that he often loses sight of this long game amid a pandemic he likens to a war. from Washington Post
And perhaps most importantly, this politicking loses sight of the fact that thousands of people around the world were abused as children over the course of several decades by the priests in their communities, whom their parents and families trusted. from Vox
British Prime Minister Theresa May could try to avoid being so caught up in the hurly-burly of negotiations within Parliament and with the EU that she loses sight of what happens next and the many possible ways to influence the post-Brexit future. from The Hill
But the beauty of the series is that amid all the chaos, amid all these events that are written in history books, showrunner Lisa McGee never loses sight of what's important: her girls growing up, and, of course, being able to see Take That live. from Vox
For all that Ms. Riley seizes and holds the spotlight, as required, one never loses sight of the collective implied in the title, which includes the piercing-voiced Ibinabo Jack as Lorrell, the third member of the rechristened Dreams and, like Effie, nobody's fool. from The New York Times
Dreyfuss never loses sight of who Madoff is, but he also never lets us forget the human toll of the situation — not to mention the fact that it's a little ridiculous how Madoff became a major fall guy for an economic catastrophe he didn't really play any part in. from Vox
Last year's Assassin's Creed Origins is an even bigger game than Far Cry 5, yet it never loses sight of its primary tension: Protagonist Bayek is torn between a quest for personal revenge and a larger responsibility to his community, and most of quests he takes on relate to one or both of those goals. from Vice
It's one of the rare shows that has genuinely been bolstered by the times: In an era of very dour shows about the dark times we live in, sometimes great (The Handmaid's Tale) and sometimes mixed (Westworld), Billions is pure pulp thriller, but in a way that never loses sight of how poisonous all the vipers within it are. from Vox
Just as the residents of Springfield are too blinded by misplaced rage to understand what, exactly, happened, Trump (and the base he whips up with his ludicrous comments on Kaepernick) loses sight of what Kaepernick's protests are really about (social justice and police brutality against African-Americans), twisting those actions from expression of free speech into something akin to treason. from Mashable
"I'm pretty sure I hate you, I'm pretty sure I love you," he sings on "Bossa No Sé." Almost always cosmically vibrant, Cuco's songs oscillate between moods: They're grief-stricken, humourous, and searching (he is, at any given moment, foraging for love or drugs or enlightenment in one form or another), but he never loses sight of where he is. from Wired
When a man has pleonexia in his heart he loses sight of God in a mad desire to get.
Danger lies within cultural leveling such that indiscriminate acceptance of types of conduct and lifestyles. In this way one loses sight of the profound significance of the different nations, of the traditions of the various people, by which the individuals define himself in relation to life’s fundamental questions.
She is also able to defeat the soldiers of Reyna Dyangga. However, she loses sight of Banak, who is by that time, being captured by fishermen. Dyesebel immediately swims ashore and begs the magic conch-shell to help her. She rubs the shell and her tail transforms into human legs.
Lee displays three- dimensional characters. In the end, Lee fails because he loses sight of the goal of 'uplifting the race'. Olanyian says that they both failed due to their representations of women. He felt that both failed to see the intersectionality of gender and race, therefore not uplifting the race.
McNulty spots Stringer while taking his sons to Northeast Market and has them follow him. McNulty briefly loses sight of his sons, but they manage to write down Stringer's license plate number. Bunk disapproves of McNulty involving his sons in the operation. Meanwhile, Herc and Carver prepare for their sergeant's exam.
Butch chases Pluto through town and into a deserted carnival. The strong wind currents from the chase caused a poster of a belly dancer girl to belly dance. They went through the Tunnel of Love ride where Pluto reversed the chase. Butch loses sight of Pluto when Pluto goes into a hall of mirrors.
He then avoids her, aware that he is spreading the illness. Mi-reu calls Ji- goo to help search for the sick man, but they have no success. Rumours of the outbreak spread and people begin to panic. Ji-goo saves a woman who falls from an escalator, and loses sight of Mi-reu.
Bea's sister Elly Conway spots her in the Lassiter's Complex, but Elly soon loses sight of her. Bea's aunt Susan Kennedy notices her in the complex the following day and follows her until she stops. Bea admits that she was unsure whether to say hello or not. Susan persuades Bea to come home with her and see Elly.
Janina and Misha stay in Poland though because Janina refuses to leave and kicks Misha when he tries to take her away. Janina drags Misha to the Ghetto only to find the room where they had lived deserted. Janina runs in desperation to find her father, and Misha loses sight of her in the crowd of people.
The number of people in demonic looking costumes begins to freak Effy out. She blames Freddie and runs away. Freddie tries to follow with the help of Cook, but loses sight of her. Katie, who is dancing on a float, sees a distraught Effy and rescues her, and calls Freddie over to take care of her.
The past is always the main resource for coping with the present. An Amish businessman may look forward to plan for new markets for his products; however, he never loses sight of the past and its precious legacy. To give yourself under the church means to yield, to submit. Modern culture's aggressive individualism sharply contrasts with the Amish gelassenheit.
Kipp hears Julie's screams and rushes to her; Danvers flees. Kipp follows Danvers as he hastily leaves town and stops when he loses sight of Danvers but hears someone digging in the hills. He then hears a shot and finds Danvers dead next to an empty money box. Kipp now knows Danvers was one of the three robbers.
So Jetfire has the only alternative to follow "this brainless robot" reluctantly. On the way to Mars, however, he loses sight of Starscream and finds him only with the aid of the Air Defense Mini-Con Team. He invites Starscream to look for the Mini-Con together, but the latter refuses. Then Jetfire arrests and shackles Starscream for insubordination.
Maeve and the other hosts from the saloon shootout are brought to operations. Technician Felix manages to fix the code for the bird. He loses sight of it as it is flying all over the room and when he turns to look he finds it sitting on an awake Maeve’s finger. She tells him they need to talk.
The Königin Luise returns, and Charlie and Rose steam the African Queen out onto the lake in darkness, intending to set her on a collision course. A strong storm strikes which causes water to pour into the African Queen through the torpedo holes. Eventually the African Queen capsizes, throwing them both into the water. Charlie loses sight of Rose in the storm.
He tries to follow her, but the crowd impedes him. He nearly catches up with her in a park, after she leaves her shoes to walk barefoot on the grass. But he briefly loses sight of her, and the woman he accosts is not her. Jake returns to London the next morning to find that Lyrebird has won at long odds, 20-1.
" The magazine said that "Band Of Susans never loses sight of the passion that underscores the rigorous intellect of their music." Melody Maker said "this is the kind of record that puts everything else into perspective. Compared to all the turgid, overstrained rock that's been clawing its way from America these past years, Veil soars like Lindbergh's plane. A sublime, breathtaking fluency.
Another significant personality is the Ijele fan carrier of Akupe carrier. It is not really a masquerade but it plays crucial role of leading the Ijele with its symbolic powerful fan called Akupe. Once one Ijele loses sight of the fan and its carrier, it gets lost and it signifies danger. Ijele moves when the fan carrier move and also stops when it stops.
While some people want to do away with retribution, Lewis says that to do so would make all punishment unjust and any act to correct behavior would contradict itself. On another level, Lewis says that we experience a thirst for revenge. This passion though loses sight of the end in the means. He notes how biblical ancestors probably meant retribution when they spoke of God’s ‘vengeance’.
Because of the radiation, the DRADIS is blind and Hot Dog is unable to get a confirmation of the ship. He soon loses sight of Starbuck, who remains in hot pursuit of the Cylon. In orbit, Admiral Adama aborts the refuelling and orders the fleet to prepare for a jump. Starbuck dogfights the Cylon through the clouds, eventually entering a swirling storm into which the Cylon dives.
They part in tears, and Shouji meets up with Sachiko to look at fireworks. He tells her that he can only see things clearly from far away and that the closer things are, the more he loses sight of them. She assures him that that is the same for everyone and they hold hands while watching the fireworks. ; : :Played by: Saeko :Sachiko is Shouji's restaurant coworker who becomes his girlfriend.
Ivan Veramathiri opened to positive reviews by critics. Baradwaj Rangan wrote, "Ivan Vera Maathiri is several notches above your usual action movie. The coincidences are smartly woven in, the location shooting is nicely done, and some of the action, especially a chase down a busy road, is staged quite well. More importantly, the film never loses sight of the personal costs, the collateral damage, that come with vigilantism".
Shiva is immediately attracted to her. He subsequently spots Charulatha on various occasions and follows her, but loses sight of her each time. He even misses a job interview Priya has arranged for him. Later, as Shiva waits at the railway station to pick up a friend and owner of the Mitsubishi Lancer Shiva and his friends use, he is confronted by a tense Charulatha, accompanied by her uncle.
Cleve responds in a way he had never conceived possible, and finds his destiny. "I can confirm it," he declares suddenly, "Hunter got him." Two missions later Pettibone loses sight of Cleve, who does not return to base. Pell, back after his seventh kill, tells a correspondent interviewing him that Cleve was one of the best, who taught him everything about air combat, but never got lucky himself.
Brother Allbecker - Deputy Principal at Xavier's school who provides useful advice and encouragement to him. Ben Preston - the St Matthew's Rugby Coach brought in by the Old Boys Association especially to win the premiership. He is 'old school' and loses sight of responsibility to the boys in his care. Scott Watson - St Matthew's football team captain and Xavier's best friend until events between himself and Nuala cause them to fight.
Bourgeois society loses sight of the role of human action in the creation of social meaning. It thinks value is immanent in things and regards persons as commodities. The writings of Antonio Gramsci are also extremely important in the development of a humanist understanding of Marxism. Insisting on Marx's debt to Hegel, Gramsci sees Marxism as a "philosophy of praxis" and an "absolute historicism" that transcends both traditional materialism and traditional idealism.
The trip is the means for Victor and Thomas to explore their identities. Neither of them loses sight of his identity as an "Indian", but their perspectives differ. Victor is more stoic and Thomas is more traditional (and romantic to the point of watching the feature film Dances with Wolves countless times). Their dichotomy is portrayed all through the film; it results in Victor being irritated with Thomas, and Thomas being fascinated with Victor.
The kind doctor adopts her and three other orphans (Seiji Horie, Hideo and Kenichi), but Suzuno loses sight of the book itself. Ten years pass. Suzuno is in her last year of high school and has become a promising artist... but then finds the Universe in her school's library. This triggers her lost memories of her adventures inside the book, so she starts making research on its translator to see what's going on.
Protective single mother Marie Sambrell (Rosemarie DeWitt) loses sight of her daughter Sara at a playground; she is recovered shortly without incident. Fearing future crises, Marie signs up to participate in a trial of Arkangel, a revolutionary child monitoring system. An Arkangel representative administers Sara a neural implant. Via an included tablet computer, Marie can: monitor Sara's medical state, view her past and present vision and hearing, and censor obscenity and other stressful stimuli.
Snake is the first across the finish line, located on the harbor by Riverfront Stadium, followed closely by two preps. Mitchell loses sight of Blane and Jack, but catches up by jumping from a second-story parking lot and landing on a makeshift ramp provided by a flatbed truck. Jack falls, but Blane, with the finish line in sight, attempts to push Mitchell into the water. Mitchell stops short and Blane falls into the river.
One of these principles is the following: “When one considers from the onset thing to be different, one loses sight of what is common. When one starts from their common ground, on the contrary, the differences appear by themselves.” Billeter has abided by this principle in all his writings, in particular when examining Chinese history. What distinguishes most profoundly and continuously China's history from our own is, in his view, a distinctive conception of political power.
Zack later begins a university course and Boachie believed it was a "new journey" for the character following a "manic and crazy" period of the character's life. He added that Zack would remain living with the Lovedays because "he feels a responsibility to be there and be the manly figure in the house." University does not affect his relationship with Sonia. He "embraces" the journey to university but never loses sight of his love for Sonia.
The uniqueness of Nǃai may lie in its tight integration of ethnography and history. While it portrays the changes in Juǀʼhoan society over thirty years, it never loses sight of the individual, Nǃai. The film is credited with the introduction of the dialogical structure, whereby both the voices of the filmmaker and the subject are woven together to tell the story. It is also credited as the first ethnographic film to recognize the influence of modernity on the ǃKung people.
He does so with the help of the singing golden harp, who begins singing Willie to sleep. Mickey almost alerts Willie to his presence by sneezing after falling into a box of powder in Willie's pocket, but the same powder makes Willie sneeze and he loses sight of Mickey. Mickey frees his friends and they make a break for it with the harp. However, Willie wakes up from his sleep and spots them, giving chase all the way to the beanstalk.
While feeling weird about the gravity of what Seok-jin had told him, Nam-joon sees Jung-kook walking alone on the streets. Sensing incoming danger, he runs after Jung-kook but he loses sight of the boy through the thick crowd of pedestrians. Meanwhile, Seok-jin is also in search of Jung-kook while trying to recall which building rooftop the boy will fall from. After climbing up the wrong building and deducing the correct one, he rushes at the last minutes.
In 1950 Leigh Fermor published his first book, The Traveller's Tree, about his post-war travels in the Caribbean. The book won the Heinemann Foundation Prize for Literature and established his career. The reviewer in The Times Literary Supplement wrote: "Mr Leigh Fermor never loses sight of the fact, not always grasped by superficial visitors, that most of the problems of the West Indies are the direct legacy of the slave trade."Cooper, Patrick Leigh Fermor: An Adventure, 2012, p. 250.
The "Discussion of Ritual Propriety (禮 lĭ)" chapter gives rules of individual and social decorum. "Dispelling Obsessions" teaches that in focusing on only one aspect of a situation, one often loses sight of the larger purpose. "Proper Use of Terms" ( zhēngmíng): A name becomes proper for a situation through conventional usage, but once this is fixed it is improper to deviate from this norm. "Human Dispositions are Detestable" (xìng è 性惡) rejects Mencius's claim that people have a natural inclination toward goodness.
Set in what feels like 90's Britain with a heavily desaturated look that borders on monochrome, the story revolves around a paranoid, pregnant woman Neha (Sobhita Dhulipala) who babysits her late sister's kid, Ansh (Zachary Braz). The obsessive affection of a kid and paranoia of a childless young woman assumes terrifying proportions. Neha at one point loses sight of what is real and what is her nightmare. A curse of the past triggers her into meltdown and another miscarriage.
Apollo's scopes show no sign of the bogey and he chases after Starbuck, but he quickly loses sight of her. Starbuck again chases the Raider into the swirling storm, where the Cylon turns around and nearly collides with her. Suddenly, the Viper's cockpit canopy is punctured and Starbuck passes out as her fighter begins a wild spin. The cockpit alarms change to the alarm of a clock and the scene changes to Starbuck lying in bed in her apartment on Caprica.
He immediately questions Ettinger about why he ignored hooking up with the woman at lunch, and he gets upset and tries to throw Cupid out of his office. When Cupid shoots three arrows into Todd's heart, Todd asks why he did that and Cupid laughs and says: "Hopefully, I just screwed up your life." He then leaves Todd with a very curious look on his face. After work, Ettinger sees the woman again and gives chase but to no avail as he loses sight of her.
This argument, however, even with respect to the particular carrier which makes a misdelivery, loses sight of the practical object in view. In fact, the transactions of a railroad company are multitudinous, and are carried on [241 U.S. 190, 196] through numerous employees of various grades. Ordinarily the managing officers, and those responsible for the settlement and contest of claims, would be without actual knowledge of the facts of a particular transaction. The purpose of the stipulation is not to escape liability, but to facilitate prompt investigation.
Achak is separated from his family during the Second Sudanese Civil War when the Arab militia, referred to as murahaleen (which is Arabic for the deported), wipes out his Dinka village, Marial Bai. During the assault, he loses sight of his father and his childhood friends, Moses and William K. William K escapes. However, Moses is believed to be dead after the assault. Achak seeks shelter in the house of his aunt with his mother, who is frequently identified throughout the book with a yellow dress.
Ravi (Tarun), a school dropout and vagabond, falls in love with Swati (Aarthi Agarwal) the minute he sets his eyes on her, but loses sight of her in a sea of people and traffic. As only a possessed lover can, he tries to find her in a city of ten million people. Armed with just the first three letters on the license plate of her car, he tries to find her whereabouts. After tumultuous attempts and near hits and misses, he manages to find her.
Whitedimple (called Whitey) is able to interpret the message—for so it is. The message is: there are three other identical messages on other moons, a fifth hidden somewhere in the rings of Saturn which will give directions to a sixth artifact, of immense importance. Dazzled by Ogumi, Whitey loses sight of odd things going on around him, and is swiftly shipped off to Saturn to recover the rings artifact, despite an "accident" that nearly kills him. On arrival, Whitey is introduced to Junior Badille, his pilot.
Cook pleads guilty at trial and is imprisoned. In "Freddie", after Freddie clears the party out, Cook remains, having apparently escaped from jail prior to the beginning of the episode, saying he couldn't stick being stuck with "a million me's anymore". However, when seeing him, Effy begins to freak out, yelling at him to leave. Later, Freddie tries to follow a freaked out Effy who ran away from him, but loses sight of her in the large crowd, however he runs into Cook and asks him for help.
In the episode "Remember", Jessie appears as a member of the Alexandria Safe-Zone who gives supplies to newcomer Rick Grimes, who recently shaved his long beard and Jessie offers to give him a haircut. Later when the group explores the neighborhood Rick loses sight of Carl and Judith and runs into Jessie who shows a panicking Rick that they are just talking to some elderly residents. In the episode "Forget", Jessie, Pete, Ron, and Sam attend Deanna's party. In "Spend", Jessie is shown when Rick visits her.
As the driver takes the clients on the trip, he starts to lose control of the car, which starts driving on its own. It ends up following a man on a bicycle, who turns out to be one of the three criminals behind the two murders. It feverishly chases the unassuming man, horrifying the driver and the clients, who end up escaping when the car loses sight of the criminal and finally stops. The terror-stricken driver calls Pavalakkodi to pick up the car, warning her about the car's paranormal abilities.
Ned loses his temper and yells at Homer, an outburst that prompts security personnel to remove him from the church and permanently ban him from returning. He storms off, exasperated with Homer's crass behavior and lack of reverence. Homer loses sight of Ned and believes that he is lost in the desert; in reality, Ned has calmed himself by getting a cup of tea and going to see a movie. Homer rides into the desert on a camel in search of Ned, but becomes lost in a sandstorm and begins to succumb to dehydration.
However, remembering her duties to help retrieve the lamp, Aliyah-Din is forced to leave the Prince, although he attempts to stop her, The Prince soon loses sight of her, much to his dismay. At night, Aliyah- Din meets with Haman where they witness the cave opening. Haman instructs Aliyah-Din to touch only the lamp and nothing else as she enters the cave. Aliyah-Din enters a room and despite Haman's warnings, she picks what seems to be an innocent flower, unaware that it's actually a piece of treasure.
The story occurred in 720–752 AD (the period in which the Daibutsu of Tōdai-ji was built), during the Nara period. One-eyed and one- armed young man Gao, an ancestor of Saruta, turns into a murderous bandit when he is rejected by his village. He attacks a sculptor, Akanemaru, and the two men's paths diverge, but their fates remain linked. Akanemaru becomes obsessed with the Phoenix to the point that he loses sight of his original dreams, while Gao eventually finds a state of grace despite his continuing hardships.
The Torch #2 When the Torch is being forced to destroy a small European village, Toro attempts to escape. While he was still unable to completely activate his powers, he does manage to break the device they had been using to control the Torch. The Torch returns to kill and maim everyone who tried to control him, and Tom's powers are completely activated in the resulting fire.The Torch #3 Tom loses sight of the Torch in the melee, and flies to New York City in the hopes of finding him.
He loses sight of the boy in the heart of the city; then, exhausted and thirsty, he buys and eats some over-ripe strawberries and rests in an abandoned square, contemplating the Platonic ideal of beauty amidst the ruins of his own once-formidable dignity. A few days later, Aschenbach goes to the lobby in his hotel, feeling ill and weak, and discovers that the Polish family plan to leave after lunch. He goes down to the beach to his usual deck chair. Tadzio is there, unsupervised for once, and accompanied by an older boy, Jasiu.
Critical reception for the WWW Trilogy has been predominantly positive and the series has received praise from outlets such as Publishers Weekly, SF Site, and SF Signal. Much of the praise centered on its characters and technology, and in their review of Wake, the SF Site commented that "Even with such a focus on technology and culture, Sawyer never loses sight of his individual characters." Criticisms of the work tended to stem around Sawyer's usage of the trilogy to champion several different causes, which some reviewers felt detracted from their enjoyment of the work and did not help fully flesh out the characters.
Knowing how far Stephen will go, Martha sends Beth off to a relative in Denver, Colorado under a fake name. Stephen becomes enraged when he loses sight of Beth and mistakenly becomes preoccupied with another Elizabeth Knowlton (known as Liz); thinking he has tracked Beth down, Elizabeth receives packages in her mail from Stephen containing threats as well as a video of Beth. When Stephen attempts to break into her home one night, Liz sets out to locate Beth after recognizing her from the video. They both join forces to catch Stephen in the act, using Beth as bait.
3–4; p.9: "... Resnais's films are tempered with a concern for human character and feelings which never loses sight of the vital connection between the forms of the art and its human subjects". There is general agreement about Resnais's attachment to formalism in his approach to film; he himself regarded it as the starting point of his work, and usually had an idea of a form, or method of construction, in his head even before the plot or the characters took shape.Suzanne Liandrat- Guigues & Jean-Louis Leutrat, Alain Resnais: liaisons secrètes, accords vagabonds. (Paris: Cahiers du Cinéma, 2006). p.136.
Prominent Sith Darth Vader and Emperor Palpatine have become iconic villains in popular culture. Their personae are frequently used as exemplars of Machiavelianism, authoritarianism, brutality and evil in serious, humorous and satirical settings. Palpatine is archetypal as the "Evil Emperor"—a cunning tyrant who rules through deception, propaganda, fear and oppression. Although usually considered as a villainous "enforcer" of such power, Darth Vader has also been regarded as a tragic figure and cautionary study in the corruption of a hero who loses sight of the greater good and resorts to evil practices out of fear and desperation.
As Laura tries to contact the detective, the driver continues to rev his engine and drive around the front of the house, but soon drives away into the night. The following day, Stephanie is waiting on her mother to pick her up from gymnastics practice, but Laura is delayed by a passing freight train. As Laura arrives, the Charger appears and abducts Stephanie in front of her, prompting her to give chase, with kids still on the bus. After pursuing the car through town and down dirt roads, Laura loses sight of the car and is pulled over by a motorcycle cop.
When he sees the boys heading for the woods, he becomes concerned for Arthur's safety and sets off in pursuit but loses sight of them. Later Arthur is not in class, and Fr. Goddard questions Stanfield, who claims that while he and Arthur were together earlier, Arthur became unwell and returned to the school. In a desperate attempt to find Arthur, Fr. Goddard activates the fire alarm but the boy is also absent at the emergency roll call. Fr. Goddard again questions Stanfield and alludes to his confession, but he denies the conversation ever took place.
Lancelot finally loses sight of Darien as he crosses Daniloth in the form of a white owl. Meanwhile, the Dalrei, the lios alfar, and the men of Brennin and Cathal are gathering on the plain to face Maugrim's army. Jaelle's view of men as lesser beings has been challenged by Kevin's unflinching sacrifice and she and Paul/Pwyll begin to tentatively shape a friendship. As they talk on the shore below Lisen's Tower, a ghostly ship appears to take all of them to Andarien in time to meet Aileron and the rest of the host of the Light.
He expresses to the reader how he loses sight of the outside inspirations he sought after as a child, and instead looks to himself. This can be seen when he states, "To stare, big-eyed Narcissus into some spring is beneath all adult dignity". In this quote he parallels himself to Narcissus, a hunter in Greek Mythology who is cursed to fall in love with his own reflection by the goddess Nemesis after he shuns Echo, an Oread nymph. The reader can see that for a short time after his college experience, Heaney relies on only himself for inspiration.
Lorna Sage remarks in her review of the novel that this deployment of "multiple contrasts and operlaps of its two heroes' careers" is "a technique at which Miss Murdoch has become so carelessly expert that one soon loses sight of its crude binary origins". Henry and Cato is one of several Murdoch novels that borrows elements from the thriller genre. The opening scene describes Cato getting rid of a revolver, which we later find out belonged to Joe, by throwing it off a bridge into the Thames. Later, Cato is kidnapped and held prisoner, and there are several acts of criminal violence in the book.
" James Southall of Movie Wave gave it three-and-a-half out of five stars, commenting that "The guitars, ostinato- based action and even the HORN OF DOOM which make up the opening track may be nothing fresh, but the composer pulls the familiar elements together better than any of his Remote Control peers (including the big boss) have done in a few years." Robert T. Trate of Mania.com gave the soundtrack a grade of A, calling it "a complete kick-ass thrill ride that has the muscle to back it up. Yet, with all the giant monsters and robots, it never loses sight of the heart behind its characters.
Her recent novel I Have Become the Tide, published in 2019 in India, includes three distinctive narratives that intertwine past and present in compelling ways to raise an urgent voice against the cruelties of caste, and the destructive forces that crush dissent. But they also celebrate the joy of resistance, the redemptive beauty of words, and the courage to be found in friendship and love. I Have Become the Tide is deeply political, but it never loses sight of humour, tenderness—or the human spirit. Her recent edited book, Battling for India: A Citizen’s Reader(co- edited with Salim Yusufji) was published in 2019 by Speaking Tiger in India.
Once Upon A Time is not Lost. The latter succeeded because it was able to flesh out its characters and make them real people trapped in fantastic circumstances, but OUAT is the exact opposite, transplanting characters from fantasy to reality. The fairybacks serve the same purpose as Lost’s flashbacks/forwards/sideways, attempting to flesh out the human side of these characters, but the fairy tale environment actively works against that goal. Especially when this show loses sight of the limitations that a network television budget puts on storytelling. I don’t know if there have been any episodes that have been as negatively affected by this show’s lacking visuals as 'Tallahassee,' which features some incredibly sloppy green screen work.
When the fullback took the snap, defensive players expected the play to hit the center of the line because the traditional role of the fullback was to grind out yardage between the tackles. Defensive players who rushed to stop the fullback at the guard-center gap might be totally surprised if the fullback slipped the ball to the nearby quarterback who was heading in another direction. Consequently, single-wing teams that could master the buck-lateral series of plays could be successful by always making the defense guess to where the ball was going. Of course, if the defense loses sight of the ball during the fakes or laterals, then the defense is at an extreme disadvantage.
One of the shortest stories relates the tale of a wealthy middle-aged businessman, Gregorius, who becomes depressed when he believes God has deserted him, and he comes up with a plan to build a Hell on Earth to summon Satan, believing that God will then sweep him (Gregorius) out of Satan's clutches and into his heavenly fold. In his vast Satanic Cathedral, Gregorious soon loses sight of his original intention of attracting God's attention, and he is captured after torturing hundreds of people to death in the well-equipped torture chambers. It is deliberately left ambiguous whether Gregorius went insane, or if he really did succeed in tempting Satan into taking residence in his own personal Hell.
" Justin Towell from GamesRadar also gave the game 4 out of 5 stars citing that it "You won't need to think much while you play it, but if you're talking about places to just cut loose and enjoy the breathtaking scenery, Australia is a fine place to do it." Luke Reilly for IGN gave the game a 9.5/10 saying it "never loses sight of the fact that tearing through postcard- perfect locations should be fun, and it puts the tools in our hands to keep it that way, always. This is the racing game I've been waiting for, and it's officially my favourite thing on four wheels. A fair dinkum triumph, mates.
Native Studies Review writes that Braiding Sweetgrass is a "book to savour and to read again and again." Heather Sullivan writes in the "Journal of Germanic Studies" that "one occasionally encounters a text like an earthquake: it shakes one’s fundamental assumptions with a massive shift that, in comparison, renders mere epiphanies bloodless: Robin Wall Kimmerer’s Braiding Sweetgrass is one of these kinds of books.” Sue O'Brian in "Library Journal" wrote "Kimmerer writes of investigating the natural world with her students and her efforts to protect and restore plants, animals, and land. A trained scientist who never loses sight of her Native heritage, she speaks of approaching nature with gratitude and giving back in return for what we receive.
Renuka Vyavahare of The Times of India gave the film a rating of 3 out of 5 and said that, "While the visuals and special effects lack finesse, the film compensates for it with its riveting story. Despite the hitches, this underwater thriller is worth a watch." Shalini Langer of The Indian Express gave the film a rating of 1.5 out of 5 saying that the film "could have been an engrossing crisis-at-sea drama but the film is so busy slaying Pakistanis that it loses sight of its core strengths." Prasanna D Zore of Rediff said that, "The Ghazi Attack is a riveting telling of a war story" and gave the film a rating of 4 out of 5.
The Rise of Chaos has received generally positive reviews from critics. AllMusic writer James Christopher Monger gave the album a rating of three-and-a-half stars out of five, and wrote, "Internationally, Accept's particular brand of workmanlike metal, a steely mix of muscular AC/DC-styled riffage and Motörhead-esque bad attitude, never truly went out of style, and The Rise of Chaos plays to those strengths via a ten-track onslaught that shows little in the way of innovation, yet never loses sight of the end goal, which is to rock with extreme prejudice." The album was honored with a 2017 Metal Storm Award for Best Heavy Metal/Melodic Album. It was also nominated for a German Metal Hammer Award for Best Album in 2018, but lost to Powerwolf's The Sacrament of Sin.
" Peter Hall of Cinematical.com said "The gore, the nudity, the language, the gags, the charactersit's all always on the rise. Just when you think things could not possibly get more ridiculous, that the film has peaked, Aja and screenwriters Pete Goldfinger and Josh Stolberg manage to ram another syringe of adrenaline into its heart." The Hollywood Reporter referred to the film as "a pitch-perfect, guilty- pleasure serving of late-summer schlock that handily nails the tongue-in-cheek spirit of the Roger Corman original" while stating "Jaws it ain'tAja exhibits little patience for such stuff as dramatic tension and tautly coiled suspense, and there are some undeniable choppy bits...but he never loses sight of the potential fun factor laid out in Pete Goldfinger and Josh Stolberg's script.
Research continues on using ADS-B for paired approaches to parallel runways, in which aircraft stay separated enough to avoid wake turbulence while also maintaining a precise relative position to ensure safe separation. Cockpit Display of Traffic Information Assisted Visual Separation is showing to enhance traffic situational awareness for air carriers. It allows the flight crew to continue a visual landing procedure using the electronic display to maintain separation if the pilot loses sight of traffic because of reduced visibility, which reduces time and distance flown. Although it can be used without it, a NASA-developed application called Traffic Aware Strategic Aircrew Requests (TASAR) could benefit from aircraft equipped with ADS-B In. TASAR suggests a new route or altitude change to save time or fuel, and ADS-B In can assist by enabling the software to determine what requests will likely be approved by air traffic control due to nearby traffic.
Thirteen other Fianna then mount the horse in an attempt to weigh the horse down as much as the Gilla, but still the horses refuses to budge. The Gilla then tells Finn and the Fianna that were he to serve the rest of his term under Finn's contemptuous frivolity, he would be pitied and mocked, so he tells them that he will be parting, and leaves the Fianna with such a fierce, thundering rapidity that it is compared to the speed of swallow and noise of a March wind over a mountain. As soon as the Gilla's horse loses sight of his master, he speeds off after him with fourteen of the Fianna on his back. Finn and the remaining Fianna then track the Gilla and his horse until they arrive at the sea, where another of the Fianna grabs the horse's tail as it alights over the water with the fifteen men.
The Allmusic review by Thom Jurek says "Playground is an exciting new chapter in Katche's evolution as a leader; but more than this, bodes well for the future of jazz: it never loses sight of itself, but moves the various threads of its subgenres further without stretching any of them to the breaking point". In JazzTimes Jeff Tamarkin wrote "Manu Katché must be the least egotistical drummer on the planet. Although he’s rarely out of earshot on Playground, and the vision is clearly his, there’s not a moment when he hogs the spotlight ... most of the star turns go to the Norwegian hornmen, Trygve Seim on tenor and soprano saxophones and trumpeter Mathias Eick, and to the Polish pianist, Marcin Wasilewski. But they too keep things in check, and Playground, despite brief flashes of intensity, often teeters toward the smooth-jazz chasm—it never quite falls in, but it comes awfully close".
The Scarecrow then uses Strange's mansion as a trap for Batman, but his attempt to use Strange's plan fails when he only learns of Strange's plan to use Crime Alley as the scene of a trap while ignorant of the reasons why that alley is so significant to Batman, with his "trap" merely consisting of luring Batman into the alley and decapitating a former classmate of Crane's in front of Batman. With Catwoman's help, Batman locates the Scarecrow's hideout and catches the Scarecrow in the cellar with Strange's body before the house is destroyed in a fire, but loses sight of Strange, with it being unclear whether Strange had actually survived the fall onto the weather vane-he claimed that he lured rats to himself by using his sweat so that he could eat themor if the Scarecrow and Batman were hallucinating from exposure to Crane's new fear gas, although Batman concludes that the subsequent explosion of the house has definitely killed Strange.Batman: Legends of the Dark Knight #137–141 Dark Moon Rising: Batman and the Monster Men, "Prey" and "Terror" all take place during Batman's early years. In the modern timeline, Strange returns in a four-part storyline called "Transference".