124 Sentences With "looks back to" | Random Sentence Generator

Here, CNBC looks back to eight controversies surrounding the award.

Sometimes, art looks back to the '80s because people love the '80s.

As its title suggests, this is an exhibition that looks back to look ahead.

Even as the group looks back to "Mezzanine," Massive Attack is living in the present.

One looks back to a "better time" for a white majority constituency now threatened by demographic change and immigration.

This charming graphic memoir looks back to 1972, when the author/illustrator, then known as Cindy, was in seventh grade.

ET, which will likely be full of predictions for the night ahead and nostalgic looks back to the previous year's fashion.

Artist's Questionnaire As he prepares for a new solo exhibition in New York, Angel Otero looks back to his childhood home.

Art Review In this year's whimsical edition, the 11-year-old art fair looks back to lesser-known work from the 1960s.

Lu Rile, a photographer and the feisty narrator of this debut novel, looks back to the most important moment in her career.

An installation by the United States-born, Beirut-based Marwa Arsanios looks back to a modernist space-age fantasy, but one that has unraveled.

Miles Teller has one of his most prized possessions back to perfection ... his classic Ford Bronco looks back to normal after a scary crash.

Specifically, it looks back to Mr. John's sensational American debut on a double bill with Mr. Ackles in 1970, at the Troubadour in Los Angeles.

Their film, The Last Resort looks back to a time when South Beach was home to the largest cluster of Jewish retirees in the country.

Here, one looks back to history to identify the various and sundry bubbles that brought both great risks and rewards to investors and suckers alike!

The show looks back to the audition process for what became a very famous show: GLOW: The Gorgeous Ladies of Wrestling, which ran from 1986-1990.

Danny, who is in his early 30s, looks back to a place and to people with whom he has shared a huge part of his past.

The iPhone turned 10 on Tuesday, so the trio looks back to when it was first announced and discuss what will happen with smartphones in the future.

From the vantage-point of the late 1950s, he looks back to Blitz-wrecked London and seeks to understand the "omissions and silences" that haunted his disrupted childhood.

" The one new Los Lobos song, "Christmas and You," looks back to reverb-heavy 1950s R&B to "wonder if you really miss me on this Christmas Day.

But one hopes the game looks back to Medal of Honor, the series it effectively replaced, which found within World War II's large-scale battles smaller, more intimate stories.

Jessie Daniels, a sociologist who has studied white supremacy extensively, looks back to the early part of the twentieth century, when the Ku Klux Klan saw opportunity in motion pictures.

Titled "Views from Here: A Panel Discussion About Being Based in LA," this week's talk looks back to a 1997 review written by artist Michelle Grabner of the Eagle Rock Show.

Instead, Close looks back to a conversation she had, only days after taking the job, with one of Wooden's former players, John Vallely, a member of the Bruins' 1969 and 1970 title teams.

THE LAST RESORT This documentary looks back to the 1970s, when Miami Beach was (even more of) a haven for Jewish retirees, helped by the work of two photographers who captured the scene.

The "Get Out" mystery comes into a bit more focus, however, when one looks back to 2016, when the Globes tapped "The Martian" -- a science fiction film starring Matt Damon -- as best comedy.

Sadly, there seems to be only one candidate here: a metal tubing armchair by Mr. Fischer that looks back to modernist masters like Mies van der Rohe and Le Corbusier, but adds extra curves.

Way also serves as series writer of Doom Patrol, and his unique vision looks back to the psych-out comics of the late 80s and 90s to bring forth a new take on the medium.

Timothée Chalamet Donates Woody Allen Movie Salary To Time's Up, RAINN Stars brought colorful looks back to the SAG Awards, but continued to show their support of the movement by wearing Time's Up pins and other meaningful accessories.

To celebrate the nightclub's 40th anniversary this year, co-founder Ian Schrager looks back to the Studio's history with a new coffee table book, out now, and an upcoming documentary to be released at the end of the year.

The supersized final episode (the preview cut is 97 minutes) looks back to the days after the 9/11 attacks, when a separation between the White House and the Justice Department that had existed since Watergate began to break down.

Mendelberg looks back to George H.W. Bush's 1988 attacks on Michael Dukakis for furloughing murderer Willie Horton, which weren't explicitly racial, but she argues compellingly that tying Dukakis to a black murderer successfully appealed to white voters who already held racially conservative views.

If one looks back to the debate on Manchin-Toomey, a bill that would have effectively closed gun shows and imposed new gun control, that debate showed the value of the filibuster to slow legislation in order to allow the American people to have a say.

John WilliamsDaily Books Editor and Staff Writer THE BUTCHERING ART: Joseph Lister's Quest to Transform the Grisly World of Victorian Medicine, by Lindsey Fitzharris (Scientific American/Farrar, Straus & Giroux, $27.) Fitzharris, a medical historian, looks back to when Lister revolutionized medicine through one deceptively simple notion: Cleanliness.

A man who is supposedly filming the video mentions to Montell — while she is still in character — that saying "accept someone for who they are" is using "they" instead of "he or she," to which Montell says, "Oh ... well, huh," and looks back to the camera, clearly confused.

Before their departure, Singleton lingers over the funny and painful details of their lives at home and at work, sketching a portrait of working-class black life that looks back to the radical neo-realism of the L.A. Rebellion and forward to the businesslike striving of the "Barbershop" franchise.

Although Millie Peartree was born in the Bronx, her restaurant looks back to the Southern cooking of her mother, Millie Bell of Savannah, Ga. Deliveries of seafood — whiting, catfish, fist-size curls of shrimp — come in daily, to be dredged in cornmeal and strategically deployed seasonings, then fried to order.

I think of him as being something like the Angel of History, as imagined by the philosopher Walter Benjamin, an omniscient being who looks back to the human disasters of the past and sees them repeating themselves in the present and future, which is exactly what's happening in this country right now.

Addressing a world that is still (even after the precedent set by the presidency of Barack Obama) increasingly afflicted by institutionalized racism and all manner of bigotries, "A United Kingdom" looks back to mid-20th-century history to create a love-conquers-much-if-not-all tale of interracial marriage and international politics.

"When we show humility, God will deliver us," the sign says, above a passage from the Koran which says: "God made you victorious at the (battle of) Badr when you were but a humble (force)," referring to a battle from the early Muslim era which the ultra-hardline group looks back to with reverence.

It merges electronic dance music keyboards with Bee Gees falsettos in "Take the World by Storm," puts an R&B croon atop hints of Beethoven's "Moonlight" Sonata in "Better Than Yourself (Criminal Mind Pt. 2)," and looks back to 1970s and 1980s R&B (more Hall & Oates than Stevie Wonder) in "Strip No More" and "Drunk in the Morning," two songs that admit to boys-will-be-boys misbehavior.

In the opening sequence, the camera shows the Cleaver's front yard and June walks out of the house with a picnic basket. She then looks back to see Ward leaving the house with more picnic supplies. He looks back to see Wally who runs out looking back at Beaver who runs out of the house at full speed, closing the door behind him. They then get in their car while Beaver looks out the back window smiling.

She looks back to Drifter with deep anger in her eyes. Back in Drip Rock, a slick Corvette stingray enters the town square, now littered with the bodies of several yellow ties.

First born German monk Nyanatiloka Maha Thera. Buddhism in Germany looks back to a history of over 150 years. Arthur Schopenhauer was one of the earliest Germans who were influenced by Buddhism. Schopenhauer got his knowledge of Buddhism from authors like Isaac Jacob Schmidt (1779-1847).

Knights, peasants and town-dwellers are discussed here. The first chapter looks back to past when a knight performed his deeds for justice rather than for fame. Several chapters condemn knights who are dominated by love for single women. Condemnation of courtly love which Gower considers adulterous is deferred to Book VII.

However, he is interrupted at the last moment by hearing a sound nearby. He looks back to find Hana's eyes now open again. He throws the knife, hits the light switch, and falls to ground. When their friend Ibbe (Ahmed Saeed) knocks on the door and enter house, Zabeer tries to ease things up.

Charles Dickens, Letters, Letter to Dudley Costello, 25 April 1849. In fact, if the preoccupation with the adventures of an individualized hero, associated with a parade of comic or grotesque characters, looks back to Dickens's earlier novels, the interest in personal development, the pessimistic atmosphere, and the complex structure of Copperfield foreshadows the novels to come.

However, he is interrupted at the last moment by the shower curtain moving. He goes to investigate, and looks back to find Jenny's eyes now open again. The curtain moves again, and Taylor jumps back, hits the light switch, and falls to ground. The curtain is then pulled back and Taylor sees Jenny's bare foot touch the carpet.

The academy of fine arts situated in Nuremberg is the oldest art academy in central Europe and looks back to a tradition of 350 years of artistic education. Nuremberg is also famous for its Christkindlesmarkt (Christmas market), which draws well over a million shoppers each year. The market is famous for its handmade ornaments and delicacies.

'Lawn tennis and dirty tricks in a derelict loft by the Thames: Shunt looks back to Tennis' golden summer when McEnroe beat Borg in 1982' In 2000 Shunt made The Tennis Show at The Museum Of at the Bargehouse on the South Bank in London. The collective were joined by performers Ryo Yoshida, Nigel Barrett, Simon Kane, Tom Lyall and Amber Rose Sealey.

"Fiddle Festival looks back to its deep Celtic roots". Georgia Straight, by Tony Montague on March 12, 2008 Together they released six albums: Celtic Fiddle Festival (1993)," Kevin Burke, Johnny Cunningham, Christian Lemaitre Celtic Fiddle Festival". June Sawyers, CHICAGO TRIBUNE, December 30, 1993. Celtic Fiddle Festival: Encore (1998), Rendezvous (2001), Play On (2005), Equinoxe (2008), and Live in Brittany (2013).

Furthermore, the region played an important role during the period of enlightenment. It is the place where Goethe and Schiller spent their most productive years (see: Weimar Classicism). The first European porcelain was invented at Meissen by Johann Friedrich Böttger. The area has also been one of the regions with the earliest development of industrialisation in Germany and looks back to a long tradition of industry culture.

They slaughter the mule and smoke the meat, giving them enough food in their packs for several weeks. Then they set out to find the new bridge-building headquarters. Before they find it, they are surprised by a French patrol; they run for cover, but Dodd's two friends fall and are captured. From the safety of the rocks, Dodd looks back to see his friends hanged.

A curious Alice questions the logic of the story and is insulted by the Hatter. Angered, she turns to leave. No one notices her going, and she looks back to see the Hatter and March Hare trying to put the Dormouse in the teapot. Seeing a door with a tree in it, Alice goes through and finds herself back in the hall of doors.

Eventually, Carly was given a reverse serum that brought her looks back to where they were when she left. Jack treated her no different, and she felt safe and secure in his arms. The night before Jack and Carly were going to get married, they had a huge argument over her relationship with Craig Montgomery. Jack didn't approve of them spending so much time together.

Is there anything new I can say to express my love for you? No, sweet boy, there is nothing, but I must say the same things over again, like prayers to God, in order to keep eternal love fresh. The agedness of love disappears as it looks back to when it was first created, even though the passage of time would suggest it should by now have died.

In the earlier poem, death was somewhere in the future and life was to be enjoyed. In the later poem, the poet looks back to his past where the good memories are. He then clings to the present but cannot avoid the sense of a future that is shrinking every day. In "Viviendo", the poet is in the city, walking in the twilight surrounded by the hum of traffic.

They get back on friendly terms. Kristin explains that she doesn't wish to visit New York anymore, since it doesn't feel sincere and real anymore, having had the experience with Andrea already. Despite this, Andrea convinces Kristin to fly anyway. The next day, Kristin boards the flight to New York, Andrea watches the plane take off and looks back to not see Kristin coming up the escalator again.

18 and reigning champion Nicolás Almagro, Gil lost in the semifinals to Thomaz Bellucci. In result, he broke his shared record with Nuno Marques and became the sole holder of the highest ranking ever for a Portuguese player, at no. 82. alt=Fred Gil, with his back turned to the photographer, looks back to receive his towel. In early March, Gil played against Cyprus at the Davis Cup.

The Farmer and the Viper is one of Aesop's Fables, numbered 176 in the Perry Index.Aesopica site It has the moral that kindness to evil will be met by betrayal and is the source of the idiom "to nourish a viper in one's bosom". The fable is not to be confused with The Snake and the Farmer, which looks back to a situation when friendship was possible between the two.

Mary puts her hair up and struts to her Mustang. Outside the town, Mary fires at Drifter and Jack. Jack tells Drifter she won't be a problem because he modified the car's boosters while they were in Harry's Saloon. Mary kicks on her boosters, sending the vehicle into a violent donut spin before bursting into flames. Jack: “That’s not supposed to happen.” Drifter looks back to a soot-covered Mary to make sure she's alive.

Neolithic artefacts found in the village suggest ancient settlement, while the Lislaynan ecclesiastical settlement looks back to a thousand years of Christian witness. There was also a Norman settlement in the area, at Redhall, and at Brackenberg, now the centre of modern Ballycarry. An early Christian stone coffin lid which was uncovered at Redhall in the 18th century, was reinstated in the Templecorran cemetery and displays an early Christian cross engraved within an arc.

In his characteristic fashion, Hazlitt looks back to an earlier subject of these essays and compares Mackintosh with Coleridge. While the latter's genius often strays from reality, his imagination creates something new. Mackintosh, on the other hand, with a similarly impressive command of his subject matter, mechanically presents the thinking of others. There is no integration of his learning with his own thinking, no passion, nothing fused in the heat of imagination.

Notes to Chandos CD CHAN10447, 2008; and Southon, Nicolas. Notes to Alpha CD ALPHA600, 2011 ;Andante The slow movement, in E flat in 4/4 time, is a transcription of the Chant funéraire written to mark the centenary of Napoleon's death. The critic Roger Nichols comments, "In the measured repeated chords of the accompaniment and the long majestic cello lines it looks back to the successful Élégie, now coloured with more enigmatic harmonies".

She makes her way down the spiral staircase and eventually finds the Crawler. After a nearly fatal encounter, she continues down the stairs until she comes in sight of a door. Unable to continue she returns and passes the Crawler without further incident, but looks back to see the un-aged face of the lighthouse keeper within it. The book closes with the biologist stating she does not plan to return home.

Production values increased. From 1989 to 1998 The Truth Seeker was a wholly respectable publication, if one whose editorial focus was sometimes uncritically inclusive. This policy continued until 2013, albeit with an irregular publishing schedule. Since 2014 The Truth Seeker has been under a new editor, Roderick Bradford, and under the ownership of the Council for Secular Humanism. The Truth Seeker’s new editorial commitment looks back to the title’s greatest years of impact and significance.

Arbroath Abbey, showing The Round 'O'. The Abbey was built over some sixty years using local red sandstone, but gives the impression of a single coherent, mainly 'Early English' architectural design, though the round-arched processional doorway in the western front looks back to late Norman or transitional work. The triforium (open arcade) above the door is unique in Scottish medieval architecture. It is flanked by twin towers decorated with blind arcading.

The first ramparts system looks back to the 13th century and was imported from the Genovese system. In 1354 the city was occupied by Catalans, who restored and expanded the defensive system, back then in bad condition. Some features from the old walls were respected, but Ferdinand the Catholic, who wanted to grant more protection to the city, built the majority of them in the 16th Century. Along the walls, 7 towers and 3 forts are found.

In several ways, the film looks back to Godard's 1963 film Contempt, about the tensions among a multinational team on location making a film that will never be completed. That film also had Michel Piccoli as one of the male leads and was shot by Raoul Coutard. It too oscillated between the demands of art, in that case a debased commercial version of an immortal work, and of life. In Passion, the contrast between the two is clear.

How much Kyosai has added is plain when one compares his version with the one by John Tenniel on which it is based. The gated town in the background is almost identical, but Tenniel shows the two pots becalmed in an eddy near the mouth of an estuary.Thomas James, Aesop's Fables, a new version, London 1874, p.75 This in turn looks back to the various illustrations in Alciato's Book of Emblems, especially that of the 1591 edition.

On March 31, 2019, a teaser titled "#" was released on the group's official YouTube channel. The clip looks back to Loona's previous releases and teaser films and ends with the word "burn". It also features imagery of butterflies, as well as the symbols "++" and "xx". On May 31, a second teaser was released titled "La Maison Loona", with the phrase "delayed but someday" showed at the end. On December 13, a teaser titled "#1" was released.

The film includes numerous instances of "double takes", including one scene where Cocteau, walking past himself, looks back to see himself in what was described by one scholar as "a retrospective on the Cocteau œuvre". The New York Times called it "self- serving", noting that the pretension of the film was certainly intended by Cocteau as his last statement made on film: "as much a long-winded self- analysis as an extraordinary succession of visually arresting images".

The film is told in a flashback format with Gage, now living in the United States, returning to his native Greece to solve the mystery of his mother's death when he was a child. The film looks back to the effect of the 1940s Greek Civil War on the remote Greek village of his upbringing, and he investigates what happened to his mother after Communist guerrillas of the Democratic Army of Greece (ΔΣΕ) invade the village.

Lap twenty and Cadalora is starting to lose some ground to the top two once more. Doohan does not try any moves on Crivillé this time. Before lap twenty-one begins, Crivillé looks back to see the gap to his Australian teammate, then opens up a slight gap to him. A handful of Spanish fans now started to get past the fences to separate them from the track and were waving flags at the trackside where the tyre barriers are.

He proceeds to strike out the current batter, marking his eleventh strike-out of the game, and looks back to see that Tenley is gone. Ryan rushes to the airport where he catches Tenley before she boards her plane. They both profess their love for each other and she agrees to forego her job in San Francisco and stay. Ryan's dad and brother soon arrive with the scout Alexander, to tell him that his team won the game with a combined no-hitter.

Allowing that the god was "not quite as popular as others, because few people freely admit criticism, yet I dare say of the whole crowd of gods celebrated by the poets, none was more useful."Margaret Mann Phillips, The Adages of Erasmus: A Study with Translations, pp.34-5 Giordano Bruno's philosophical treatise The Expulsion of the Triumphant Beast (1584)Spaccio della bestia trionfante. Or the Expulsion of the Triumphant Beast, translated by William Morehead, London 1713 also looks back to Lucian's example.

The EuroLeague Basketball 2000–10 All-Decade Team consisted of 10 basketball players that were awarded and named to the EuroLeague's All-Decade Team, in recognition of the first 10 years of the league's competition, after coming under the control of the Euroleague Basketball Company competition,EuroLeague looks back to the future during 20th season. between the years 2000 and 2010.Parade of EuroLeague All-Decade nominees starts Monday. The EuroLeague is Europe's premier level men's professional club basketball league.

The book is written in the densest but also the most mature and insightful prose of James' final years. Contemporary critics especially appreciated the final chapter, the heartfelt and moving memorial to Minny Temple. The last paragraph of the chapter looks back to The Wings of the Dove, whose heroine Milly Theale was clearly inspired by Minny. This was one of the last books James saw through the press before his stroke in December 1915 and his death three months later.

The video shows Hillary, Charles and Dave looking back at their younger selves. When Hillary lies in the grass and walks through clothes lines she looks back her younger self running and dancing through a field and playing through clothes lines. Charles who is sitting by a pond looks back to his young self spending time with a girl he likes. As Dave walks along a dirt path he sees him riding a bike he was younger on that same path.

When wealthy Arthur Patterson (Donald Moffat) finds out that he is dying, he tries to make peace with his past. He looks back to his World War II years, when he was a soldier in France. There, he met a poor French girl, Solange Bertrand (Kim Thomson), whom he fell in love with. Solange married his good friend Sam (Bruce Abbott), though, and they settled in New York City after the War, where Sam worked as an actor on Broadway.

According to Jonathan M. Ladd, Why Americans Hate the Media and How It Matters, "The existence of an independent, powerful, widely respected news media establishment is a historical anomaly. Prior to the twentieth century, such an institution had never existed in American history." However, he looks back to the period between 1950 and 1979 as a period where "institutional journalists were powerful guardians of the republic, maintaining high standards of political discourse." A number of writers have tried to explain the decline in journalistic standards.

Then, just through a small pass, one looks back to the impressive northern face of Devil's Peak with its sheer forbidding cliffs. So begins a section of hiking trail that only Hong Kong could offer, with startling contrasts of country and city. On one hand there are dark heavy boulders, reddish earth, bracken, bamboos – and the sounds of birdsong. On the other, just a few hundred metres away, a line of tower blocks forms a barrier – and the rumble of city traffic comes up.

Although Cannan ceased writing for publication in the 1920s, in her final years she completed an autobiographical work entitled Grey Ghosts and Voices (1976). The book looks back to her Edwardian childhood, the war years and those years immediately afterwards. Further unpublished poems, from a handwritten notebook, were published in The Tears of War (2000) by her great-niece Charlotte Fyfe, which also tells the story of her love affair with Bevil Quiller-Couch through autobiographical extracts and the letters from Bevil to Cannan.

We belong both of us to a home-loving stock, and the peace and prosperity of every home in the land is at stake. On our action now depends the question whether our children shall curse or bless us; whether we shall live in their memory as promoters of civil strife, with all its miserable consequences, or as joint architects of a happy, prosperous, and united state. Each of us looks back to a noble past. United, we may ensure to our descendants a not unworthy future.

However, he states that this is really a "myth functioning as a memory" that literature has created in its representations of the past. As a result, when society evolves and looks back to these representations, it considers its own present as the decline of the simple life of the past. He then discusses how the city's relationship with the country affected the economic and social aspects of the countryside. As the economy became a bigger part of society, many country newcomers quickly realized the potential and monetary value that lay in the untouched land.

Director Satoru Kobayashi's all-color 1963 film, The Mysterious Pearl of the Ama, for example, looks back to Shintōhō's boundary-pushing female pearl-diver films of the mid-1950s, starring Michiko Maeda and Yōko Mihara.Sharp, p. 39. Kobayashi also directed ghost stories in the style of the films of Shintōhō's Nobuo Nakagawa, with titles like (1962), (1963), and (1964). Kobayashi continued to occasionally make films in this style for Ōkura as late as 1995 with starring actresses Nao Saejima and Yumi Yoshiyuki, who would become a prominent pink film director herself, releasing mainly through Ōkura.

Thus, the man witnesses the events taking place on the porch where another man pushes Christ and looks back to the preceding panel. The superimpose of diaphragm arch and partial elimination by frame happens to figures of all importance, including Christ, who is shown blocked by the left frame in the Romorse of Judas. In the Denial of Peter, a soldier stands at the wall that separate the interior and exterior space. The depiction of him turning to the left while pointing his sword to the right serves to connect two successive scenes.

Writing for The New York Times, Neil Strauss said: "Dog Man Star looks back to the era when glam- rock met art rock, with meticulously arranged songs sung with a flamboyance reminiscent of David Bowie and accompanied by anything from a 40-piece orchestra to an old Moog synthesizer." The Bowie influence was still omnipresent, however, unlike their debut, Suede focused on a darker and more melodramatic sound. Some critics compared the record to Diamond Dogs. With many noting "The Power" as the most obvious ode to Bowie.

Little that could be called Baroque can be identified in its cool classicism that looks back to the 16th century. Perrault's participation in its design established his reputation as an architect. Perrault also built an Observatory, the church of St-Benoît-le-Bétourné, designed a new church of Ste-Geneviève, and erected an altar in the Church of the Little Fathers, all in Paris. Perrault's design for a triumphal arch on Rue St-Antoine was preferred to competing designs of Le Brun and Le Vau, but was only partly executed in stone.

'Fable XLII, pp.210-11 Dodsley's conclusion is that 'He who is puffed up with the least gale of prosperity will as suddenly sink beneath the blasts of misfortune'. While the societal moral is the same, the oak's argument that 'one swallow does not make a summer' looks back to the emblematic story of the gourd and the pine tree. To confuse matters more, the same fable (the name of the tree apart) reappears as "The Oak and the Rose Tree" in John Trotter Brockett's Select Fables (Newcastle 1820), recycling one of Thomas Bewick's woodcuts.

He takes the money and returns home. Later, however, feeling remorse for leaving the wounded man and simultaneously desiring to know more of the circumstances surrounding the deal gone wrong and the money, he returns to the scene with a jug of water, only to find that the wounded man had since been shot and killed. When Moss looks back to his truck parked on the ridge overlooking the valley, another truck is there. After being seen, he tries to run, which sparks a tense chase through a desert valley.

Stubbins has a long history; its name (see below) looks back to the Middle Ages when people were carving new farms out of the heavily wooded countryside. Like other communities in Rossendale, Stubbins grew in the Industrial Revolution. The change to an industrial village began towards the end of the 18th century when a calico printworks was built on the site now occupied by Georgia-Pacific. The 19th century owners of the printworks began to give the village its present shape by building rows of terraced houses for their workers.

Roots rock is rock music that looks back to rock's origins in folk, blues and country music.P. Auslander, Liveness: performance in a mediatized culture (London: Routledge, 2008), p. 83. It is particularly associated with the creation of hybrid subgenres from the later 1960s including blues rock, country rock, southern rock, and swamp rock which have been seen as responses to the perceived excesses of dominant psychedelic and developing progressive rock.V. Bogdanov, C. Woodstra and S. T. Erlewine, All music guide to rock: the definitive guide to rock, pop, and soul (Backbeat Books, 3rd edn.

The "Hello, hello" line itself is reminiscent of similar lyrics in the song "Stories for Boys" from U2's debut album Boy; in Vertigo Tour concerts, the band frequently included a section of the latter song in their performances of "Vertigo." These concerts have also sometimes featured "Vertigo" played twice, once early in the show and again as a final encore; this also looks back to U2's early days, when they did not have enough songs to fill out an entire performance and had to repeat some at the end.

While in a bar, he receives a call from Claire, who tells him that she needs to talk to someone. Nathan says he can't and hangs up. He looks in the mirror and sees a vision of a disfigured Nathan, apparently suffering from burns all over his face, presumably due to the nuclear explosion in the first season.Greg Beeman's blog, Season 2 Episode 1 - "Four Months Later"Sharon Knolle for USA Today, "Stars of all wattage levels converge at Hot Hollywood bash" He turns away, then looks back to the mirror to see his normal reflection.

Leibniz Gottfried Wilhelm Leibniz (1646–1716) was both a philosopher and a mathematician who wrote primarily in Latin and French. Leibniz, along with René Descartes and Baruch Spinoza, was one of the three great 17th century advocates of rationalism. The work of Leibniz also anticipated modern logic and analytic philosophy, but his philosophy also looks back to the scholastic tradition, in which conclusions are produced by applying reason to first principles or a priori definitions rather than to empirical evidence. Leibniz is noted for his optimism - his ThéodicéeRutherford (1998) is a detailed scholarly study of Leibniz's theodicy.

At the end he drops her off "in a town that was so small, you could throw a rock from end to end. A dirt road main street, she walked off in bare feet", and laments "It's a shame I won't be passing through again." Jennings looks back to the seventies again with his reading of Gerry Rafferty's 1978 hit "Baker Street," which opens the album and substitutes a bluesy, Eric Clapton-sounding guitar solo for the original's famous saxophone tag line. Another interesting song choice is "Defying Gravity (The Executioner's Song)" written by cult hero Jesse Winchester.

Gundulić's Tears of the Prodigal Son is a religious poem structured in three laments. Every lament is prefaced by a convenient quote from the Gospel of Luke whence the plot itself is adopted from. Laments are titled in accordance with the three stages the prodigal son experiences: the Sin, the Comprehension and the Humility. The very beginning of the poem is marked by a brief dedication in prose to the Prisvijetlomu gospodinu Jeru Dživa Gundulića ("the lustrous sire Jeru Dživa Gundulića"), formally separated from laments, in which the author looks back to the glorious tradition of Dubrovnik's poetry and briefly announces poem's subject.

In the second part (the third 2 line and the last 12 line stanzas), the narrator writes as though at a distance from the horror: he refers to what is happening twice as if in a "dream", as though standing back watching the events or even recalling them. Another interpretation is to read the lines literally. "In all my dreams" may mean this sufferer of shell shock is haunted by a friend drowning in his own blood, and cannot sleep without revisiting the horror nightly. The second part looks back to draw a lesson from what happened at the start.

" Brandon Soderberg from The Village Voice was also impressed with the artistic creation. He said "Once you hear Pariss mish-mash (Diddy’s word) of sounds, all that producer-genius experimentalism makes some sense. Every song is full of swift change-ups and jarring musical detours; Diddy often interrupts these jagged dance tracks to emote... It's lots of fun, and though confessional in parts, it's overall far from the self-serious, petulant complaint-raps of say, Drake or Kanye. Paris looks back to dance music as soulful catharsis and emotionalism, not the cold thump that’s taken over as of late.

Despite early interest in the theatre, Joyce published only one play, Exiles, begun shortly after the outbreak of the First World War in 1914 and published in 1918. A study of a husband-and-wife relationship, the play looks back to The Dead (the final story in Dubliners) and forward to Ulysses, which Joyce began around the time of the play's composition. Joyce published a number of books of poetry. His first mature published work was the satirical broadside "The Holy Office" (1904), in which he proclaimed himself to be the superior of many prominent members of the Celtic Revival.

Johann Sebastian Bach, 1746 The Clavier-Übung III, sometimes referred to as the German Organ Mass, is a collection of compositions for organ by Johann Sebastian Bach, started in 1735–36 and published in 1739. It is considered Bach's most significant and extensive work for organ, containing some of his most musically complex and technically demanding compositions for that instrument. In its use of modal forms, motet-style and canons, it looks back to the religious music of masters of the stile antico, such as Frescobaldi, Palestrina, Lotti and Caldara. At the same time, Bach was forward-looking, incorporating and distilling modern baroque musical forms, such as the French- style chorale.

TET looks back to people in the Pleistocene era and the environment of evolutionary adaptedness (EEA), relating to their early-life supports and its relation to moral functioning. The long term breastfeeding, the constant holding or touching, the frequency of caregivers other than mother, multiage playgroups, and the quick responsiveness to cries during that era is the type of caregiving that supports our biological systems. Current caregiving such as hospital births, solo sleeping, and physical isolation are not the types of early life caregiving to which humans are adapted. TET also mentions "dearth of touch" or faulty serotonin receptors affects society, and how they affect our society.

He had worked in the city as an architect, but left little mark. These were also heavily illustrated and became essential reading, and quickly copied and translated around Europe.Summerson, 10–12 and see index The patrician humanist, clergyman and Venetian diplomat Daniele Barbaro was a patron of Palladio (Villa Barbaro), and Palladio illustrated his Italian translation of Vitruvius (1556). Palladio's own I quattro libri dell'architettura (1570), illustrated by himself, again had a huge influence across Europe.Burns, 25; Hartt, 634; Summerson, 43–45 and see index Vincenzo Scamozzi's main book L’Idea dell’Architettura Universale was published in 1615, and essentially looks back to Palladio; it was influential in spreading Palladianism.

Droste disagreed: she had no problem composing poetry in her head but had difficulty writing it down and the failure of her first book had not encouraged her to make the effort. Now she had a sympathetic reader in Schücking, she began to write in earnest, producing about fifty poems between October 1841 and April 1842.Atkinson pages 14—17 They include poems dedicated to Schücking, often on the theme of ageing (e.g. "Kein Wort", "O frage nicht"), and poems of self-analysis such as "Das Spiegelbild" ("The Image in the Mirror") and "Die Taxuswand" ("The Yew Hedge"), which looks back to her unhappy love affair with Straube.

As he cycles the man sings a song about how he does not envy the responsible, monotonous lives of older people. The girl blows a raspberry as she passes a queue of people at the bus stop; this starts a disagreement between the people at the stop which ends with a food fight. Cycling into a park, the man looks back to see if Kate is still following him, and loses control of the bike, running away down a hill and crashing through a large advertising hoarding. Climbing out, he is struck by the face of a model, "Julie" on the poster advertising Raleigh bicycles.

Max explains that corrupt police officers helped him fake his own death, so that he could steal the gang's money and make Deborah his mistress in order to begin a new life as Bailey, a man with connections to the Teamsters' union, connections that have now gone sour. Now faced with ruin and the specter of a Teamster assassination, Max asks Noodles to kill him, having tracked him down and sent the invitation. Noodles, obstinately referring to him by his Secretary Bailey identity, refuses because, in his eyes, Max died with the gang. As Noodles leaves Max's estate, he hears a garbage truck start up and looks back to see Max standing at his driveway's gated entrance.

In its form and structure, The Three Ladies of London looks back to the medieval allegory and the morality play, with characters who are personifications of abstract qualities rather than distinct individuals. The three ladies of the title are the Ladies Lucre, Love, and Conscience; the story shows Lady Lucre gaining control over Love and Conscience with the help of Dissimulation, Fraud, Simony, and Usury. Their regime of greed and deception penetrates the Baker's house, the Chandler's, Tanner's, and Weaver's houses too. Lady Lucre forces Lady Love into a marriage with Dissimulation; Lady Conscience protests vainly when Usury murders Hospitality ("Farewell, Lady Conscience; you shall have Hospitality in London nor England no more").

Despite working up the text for publication in the seventies, Rough for Theatre II clearly looks back to Waiting for Godot and Endgame rather than forward to the later plays. Had Beckett actually written the play later it would have borne a greater resemblance to That Time, Eh Joe or Ghost Trio, Morvan and Bertrand’s characters being reduced to disembodied voices. In these three plays, the central characters all smile inexplicably as does Croker, something Morvan notes but glosses over. The indifference to the plight of another is however the focus of a late play Catastrophe, where a director and his assistant are rehearsing the final preparation of an icon of suffering, the icon in question being a man standing silently on a plinth before them.

Entering the Haarbocht, Crutchlow makes a mistake and almost runs into Márquez but just manages to avoid him, ending his hopes for a second place. Rossi has no problems throughout the lap, exits the last corner, looks back to see how far back Márquez is and as the near entire grandstand stand on their feet to cheer and congratulate him, he raises his arm and crosses the line to win the race - his first and only of the season and the first since the 2010 Malaysian Grand Prix. Behind him is Márquez is second and Crutchlow in third place. Fourth is Pedrosa and Lorenzo comes home a superb fifth after struggling with a broken left collarbone only 36 hours earlier.

Even though he studied at the Sibelius Academy, he was mainly self-taught in composition. Usually his compositions are divided into three style periods: a neo-classical early style from 1948 to 1958, a relatively short middle period twelve-tone style from 1959 to 1966, and a late "neo-Romantic" style of free tonality which also used aspects of his earlier style periods, which began in 1967 and lasted for the rest of his life. Most of his early music is chamber music, and includes a Piano Trio and a Piano Quintet; the style is contrapuntal and influenced by Bartók, but looks back to Renaissance and Baroque models as well. In the second style period he wrote the first two of his four symphonies.

Alcock 1963 p. 31-32. Examining the remnants of these hearths, excavators came to the conclusion that there was both a blacksmith and a jeweller active on the site, and that these skilled craftsmen were likely migrants from Ireland who had come to the area looking for work, where the lord of Dinas Powys had employed them.Alcock 1963 p. 47, 59. It was amongst some of these hearths that excavators found the burial of a human child approximately five years old, which they believe dates to this period, and that "Slight though the grave was, the body had obviously been laid out with care. It recalls the burials found within, or immediately adjacent to, Romano-British settlements, and clearly looks back to native, pre-Christian traditions" despite probably being a Christian burial.Alcock 1963 p. 30.

The Reflections upon Ireland are structured as a set of letters, written between Petty and an unknown friend, in which the topics, already noted in the Proceedings between Sankey and Petty are treated in more detail. Map of Ireland, 1695; based on Petty's Down Survey maps. The first nine pages, printed in italic, consist of a letter of the unknown friend, M.H., in which he looks back to the time of their common period as students, to the time that Petty became a professor in Oxford, and to the time he became the chief physician to the governors of Ireland. But now he has heard that one Sankey "(I judge the same that I knew a Foot-ball-Player in Cambridge)" has accused him of fraud and bribery.

An unseen narrator (who we gradually come to learn is telling the story of his mother and step-father's romance) looks back to the year 1956, in the Elm Park neighborhood of Staten Island, New York, to one Buddy Visalo (Michael Rispoli), an Italian guy with "Ralph Kramdenesque" dreams. Buddy is a wannabe crooner (with a voiceover provided by Andrew Poretz). Buddy had nearly been discovered by Arthur Godfrey ten years earlier (shown in flashback) when he performed at a USO show while in the service. His fiancée, Estelle (Kathrine Narducci), gave him a Hobson's choice: “Who's it gonna be, Buddy, Arthur Godfrey or me?” In a decision he’ll live to regret the rest of his life, he chooses Estelle, and over the next 10 years tries all sorts of schemes to get ahead. “I just wanna be somebody!” he’ll declare.

Historic American Buildings Survey photograph To accommodate the needs of the congregation, Wright divided the community space from the temple space through a low, middle loggia that could be approached from either side. This was an efficient use of space and kept down on noise between the two main gathering areas: those coming for religious services would be separated via the loggia from those coming for community events. The plan of Wright's design looks back to the bipartite design of his own studio built several blocks away in 1898: with two portions of the building similar in composition and separated by a lower passageway, and one section being larger than the other (the Guggenheim Museum in New York City is another bipartite design). Also for the Temple's architecture, Wright borrowed several attributes from his previous creation, the Larkin Administration Building.

This compression of the socio-political liberal hegemony provided the opportunity for a 'collective Oedipal revolt' against the liberal inheritance, promoted by "Die Jungen" (the Young Ones), spreading from politics in the 1870s to literature and art in the 1890s. The chronologically compressed and socially circumscribed character of the Viennese experience created a more coherent context for studying the different ramifications of its high culture (p. XXVI). The second essay, "The Ringstrasse, its critics, and the birth of urban modernism" looks back to explore the liberal cultural system in its ascendancy through the medium of urban form and architectural style ... but it looks forward too … to the critical responses on the part of two leading participants in it -- Otto Wagner and Camillo Sitte -- reveal the emergence of conflicting tendencies, communitarian and functionalist, in modern thought about the built environment (p. XXVIII).

John Finnie Mr Olim is a novel by Ernest Raymond, published to critical acclaim "The New Novels", article by Anthony Burgess in the Yorkshire Post, 27 July 1961, p4 by Cassell in 1961. It is often used by teacher training colleges to encourage students to analyse successful teaching (Mallinson,1968). In his retirement, Davey La Tour looks back to his schooldays- specifically to his first year at St Erkenwald's, a public school in west London. There he meets the fearsome Dr Hodder,Liddell Hart in a letter to the editor of "The Pauline" confirms that the character of Dr Hodder was based on the real life High Master of St Paul's during Raymond's time, Frederick William Walker: King's College (London) Liddell Hart Centre for Military Archives LIDDELL 6/1962/1 Jan 1-Mar 31, 1962 High Master, and his form master, the equally volatile Mr Olim.

Lucan is also an important model for the writing of historical epic, geographical excursus, and Stoic tone, although Silius' approach toward the gods in much more traditional.von Albrecht, p. 984. The poem opens with a discussion of Juno's wrath against Rome on account of Aeneas' treatment of Dido and of Hannibal's character and upbringing. Hannibal attacks Saguntum and receives a Roman embassy. In Book 2, the Roman legation is heard at Carthage, but Hannibal takes the city after the defenders heroically commit suicide. The Carthaginians are catalogued, Hannibal crosses the Alps, and Jupiter reveals that the Punic War is a test of Roman manliness in Book 3. In 4 and 5 the Romans suffer defeat at Ticinus, Trebia, and Lake Trasimene. Book 6 looks back to the exploits of Marcus Atilius Regulus in the First Punic War, while Book 7 describes Quintus Fabius Maximus Verrucosus' delaying strategy.

In Britain, most reviewers were initially confused by the single and predicted that the Beatles' creative advances might not be rewarded in record sales. The commercial qualities of "Penny Lane" ensured that it was the more favourably received of the two songs. Melody Maker said the brass parts were "beautifully arranged" and concluded: "Tinged with sentimentality, the number slowly builds into an urgent, colourful and vivid recollection of the Liverpool street that the Beatles remember so clearly." An editorial in The Times said: "'Penny Lane' looks back to the days when parochialism was not an attitude to be derided. While it may seem that the commonplace suburb is a pleasanter source of inspiration than a psychedelic ecstasy, it may also be that the song is instinctively satisfying a youthful appetite for simplicity ..." "Strawberry Fields Forever" / "Penny Lane" was the first Beatles single since "Please Please Me" in 1963 to fail to reach number 1 on Record Retailers chart (later the UK Singles Chart).

Her second book, SHOT: A personal response to Guns and Trauma is a memoir that looks back to a night in 1968 when she was shot in the back while walking home from a train station. The book questions the place of guns in our social world, and explores the intricate, surprising ways our minds deal with traumatic shock. Australian academic, Dr Gwyn Symonds, describes Bell’s text as “shaped by memory from her own precipitating violent injury” such that it “bristles with an authentic awareness of its trauma”. Critic and reviewer, Neil Jillett, writes that “Bell’s prose has an exquisite precision” and notes the book’s value in helping “those of us who have not had an abnormally traumatic experience to imagine the complex and permanent damage it can cause” In The Worried Well: The Depression Epidemic and the Medicalisation of our Sorrows Bell wonders why well over a million Australians now take antidepressant drugs.

Sabre duel of German students, around 1900, painting by Georg Mühlberg (1863–1925) The German school of swordsmanship, in general, faced a decline during the Renaissance as the Italian and Spanish schools, which tilted more toward the rapier and civilian dueling, took the forefront. The compendium compiled by Paulus Hector Mair in the 1540s looks back to the preceding century of work and attempts to reconstruct and preserve a failing art. The treatise by Joachim Meyer, dating to the 1570s and notable for its scientific and complete approach to the style (it is suggested that Meyer's students came to him with less military knowledge and therefore required more basic instruction), is the last major account of the German school, and its context is now almost entirely sportive. The use of the longsword continued to decline throughout the Renaissance period, marked by the increased effectiveness of the arquebus (a firearm) and the use of pike squares as a powerful implement of battle.

Wordsworth also included the daffodil in other poems, such as Foresight. In Yet the description given of daffodils by his sister, Dorothy is just as poetic, if not more so, just that her poetry was prose and appears almost an unconscious imitation of first section of the Homeric Hymn to Demeter (see Greek culture, above); Among their contemporaries, Keats refers to daffodils among those things capable of bringing 'joy for ever'; while Shelley looks back to the legend in his description of the flower; A. E. Housman, using one of the daffodil's more symbolic names (see Symbols), wrote the Spring poem The Lent Lily in his collection A Shropshire Lad, describing the traditional Easter death of the daffodil: Later Cecil Day-Lewis wrote: In Black Narcissus (1939) Rumer Godden describes the disorientation of English nuns in the Indian Himalayas, and gives the plant name an unexpected twist, alluding both to narcissism and the effect of the perfume Narcisse Noir (Caron) on others. The novel was later adapted into the 1947 British film of the same name. The narcissus also appears in German literature.

The Pinkie campaign was described by William Patten in The Expedition into Scotland of the most worthy Prince, Edward Duke of Somerset. A Welshman, Nicholas Bodrugan, added his Epitome of the title of the kynges majestie of Englande, which looks back to Geoffrey of Monmouth to justify English claims and seeks to reassure Scottish fears that the civil law of England was harsher than Scots law.Merriman, Marcus, The Rough Wooings, Tuckwell (2000), 265–291: These English pamphlets were reprinted in the EETS edition of the Complaynt of Scotlande, (1872) David Lindsay's poem The Tragedy of the Cardinal was published in London with an account of the death of George Wishart, with a preface encouraging religious reform by Robert Burrant.The Tragical Death of Dauid Beaton, Bishoppe of Sainct Andrewes in Scotland: whereunto is joyned the martyrdom of Maister George Wyseharte, John Day & William Seres, London (1548) In October 1548, Sir John Mason and other clerks were rewarded £20 for their archival researches into "records of matters of Scotland" for these tracts.

The initial version of the type in Byron's work, Childe Harold, draws on a variety of earlier literary characters including Hamlet, Goethe's Werther (1774), and William Godwin's Mr. Faulkland in Caleb Williams (1794); he was also noticeably similar to René, the hero of Chateaubriand's novella of 1802, although Byron may not have read this.Christiansen, 201–203 Ann Radcliffe's "unrepentant" Gothic villains (beginning in 1789 with the publication of The Castles of Athlin and Dunbayne, a Highland Story) also foreshadow a moody, egotistical Byronic "villain" nascent in Byron's own juvenilia, some of which looks back to Byron's Gordon relations, Highland aristocrats or Jacobites now lost between two worlds. For example, in Byron's early poem "When I Roved a Young Highlander" (1808), we see a reflection of Byron's youthful Scottish connection, but also find these lines: > As the last of my race, I must wither alone, And delight but in days, I have > witness'd before: These lines echo William Wordsworth's treatment of James Macpherson's Ossian in "Glen-Almain" (1807): > That Ossian, last of all his race! Lies buried in this lonely place.