She looks away from his open mouth, sips her coffee.
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Shirtless and with a shaved head, Country looks away from the camera.
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Those questions of why one looks at or looks away from an artwork.
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In two follow-up images, Wilkinson is smiling as she looks away from the camera.
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He studiously looks away from the camera towards the screen, the image of a model Cannes attendee.
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With your palm down, Sphero looks away from you; with your palm up it looks toward you.
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This week's episode, "Vengeance is Mine," looks away from war and toward a reckoning with the past.
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In a seperate post , the actress shared a picture of herself baring it all as she looks away from the camera.
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Meanwhile, the alliance's role as the U.S. looks away from Europe and toward a rising China is still to be determined.
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For example, if someone who stutters looks away from the avatar during the moment of a stutter, they will be told this.
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In the picture, captioned "Bonjour Cannes," Fanning looks away from the camera demurely as she sits with her robe off her shoulders in a hotel room.
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When our society looks away from the complex story of the gender gap in tech, we fail to address the problem, because we don't understand it.
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Oftentimes, he looks away from his screen to check on something in the room around him or chat with Ito, who's also a highly proficient gamer.
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In the video titled "Message to Mr. Trump (why I climbed your tower)," the man is dressed in a hoodie and looks away from the camera.
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In the photo, Delevingne looks away from the camera as she grasps the bottom of her gold bedazzled mini dress, which has sheer mesh panels throughout.
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In the photo, the star looks away from the camera as she reveals a hint of her backside while maintaining some modesty by covering her chest with white bedsheets.
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If the driver looks away from the road too long, the car will issue a series of haptic, visual, and audio alerts until the driver turns his or her gaze back.
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Today China, tomorrow the world As Joffe looks away from China's shores he points to opportunities around 3D printing, health technologies and even the coming reality of cyborgs in the world.
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Lawrence looks away from the camera and explains: She was getting ready to meet Stone at the parties when Stone said she'd rather just come over and hang out at home.
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The scene shows a pink-clad performer with her arms firmly clasped as she looks away from a top-hatted patron who may be looming "ominously," as Ms. Jones put it.
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Dressed in a dark hooded sweatshirt and gray jeans, Sheikha Latifa -- the daughter of UAE Prime Minister Sheikh Mohammed bin Rashid Al Maktoum -- either looks away from the camera or towards Robinson.
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Unless they've taken the love of your life after repeated attempts to escape a time paradox and save the world -- in which case Amy Pond does the unthinkable and looks away from the angels.
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If the driver looks away from the road for more than a few seconds, the car starts beeping, the seat vibrates, and ultimately the car will flash its hazards and pull over if the driver doesn't regain control.
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The second level of the game. The player has to get to the tree by jumping on rocks that change position when the player looks away from them. The game is 3D first-person adventure game. It is set in dream world that player explores.
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Sean confesses his love for Cassie, who claims she feels the same way. When Sean returns to the club, Matt convinces Cassie to give him a last 'goodbye' kiss. Sean sees this, and reacts badly to it, giving Cassie the silent treatment as they drive off. Cassie, who is behind the wheel, continually looks away from the road until the car crashes.
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When the boyfriend looks away from her, she confronts him and gets back into the car. Thalia sees her boyfriend in the rear view mirror trying to be apologetic, but she takes one last look at him before driving away. Scenes of Thalia singing are shown, dancing in front of a car, dancing with a microphone and sitting on a chair.
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Mi-ho knows of Yo-han's crimes but looks away from them and encourages them. It is later revealed that Yo-han killed his father after he found him molesting Ji-ah, and Ji-ah killed her mother who was pimping her out to throw suspicion off Yo-han. In the end, Yo- han kills himself to protect Ji-ah.
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This is the first of the sparks to ignite the ground under the horses. The horse on the left has a face of agony and is crying out. The horse on the right is more accepting of his fate of oncoming death and looks away from the fire. The next spark to hit is the tan line that is right across the blue deers neck.
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The door is thrown down, and the hallway is filled with a bright, incandescent light, followed by a horrific growl. Pipes and the remains of the steel door shift around, as if being stepped on. Laura, unaware of what is happening, uses the video phone above her sleep chamber to contact one of her crewmates, Parker. Laura watches in confusion as Parker looks away from the monitor, to his room's entryway doors.
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German fashion photographer Jürgen Teller shot the album cover The artwork was photographed by German fashion photographer Juergen Teller. In the black-and-white cover, Minogue sports a 1960-style bouffant and looks away from the camera, with three men appear in the background. She wears a sleeveless minidress designed by Nobuhiko Kitamura for Japanese fashion brand Hysteric Glamour. It is a stretch lycra piece with multi-coloured vanity print, and has shoestring shoulder straps in the same fabric.
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Winslet at the alt=A casual Kate Winslet looks away from the camera. To avoid typecasting in historical dramas, Winslet sought out films set in contemporary times. She found it in the science fiction romance Eternal Sunshine of the Spotless Mind (2004), in which she played the neurotic and impetuous Clementine, a woman who decides to erase memories of her ex-boyfriend (played by Jim Carrey). Unlike her previous assignments, the role allowed her to display the quirky side to her personality.
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Singer wrote that Elisabet wears "thick and artificial eyelashes" even when she is not acting. Scholar Egil Törnqvist noted that when Elisabet is onstage as Electra, she looks away from the theatre audience and breaks the fourth wall by looking at the camera. According to Törnqvist, Elisabet makes a fist, symbolizing her revolt against the notion of meaningful performance. Singer concluded that although Elisabet develops a very personal relationship with Alma, she cannot shed her persona as an actress and will remain lonely with "the hopeless dream of being".
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In the pool, the picture shows a possibly female or childish body in an upside-down position with only the waist and legs above the water level. The person appears to be diving or is drowning. In the foreground is an armless stature-like figure that appears to have been made out of clay, throwing a shadow in the direction of the pool, similar to another shadow originating from outside the picture. The person looks away from the pool and bears a handlebar mustache resembling that of Ernst's father, but also has features which could be interpreted as female.
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Staying true to the gameplay mechanic of previous games featuring Boo, if Mario looks away from Boo, it will attempt to move closer and attack Mario. However, if Mario retains eye contact with Boo, it will become translucent and impervious to attack. King Boo (left) and Luigi (right) in Luigi's Mansion: Dark Moon promotional artwork In the 2001 GameCube launch title, Luigi's Mansion, the Boos were given the role of primary villains, alongside other miscellaneous ghosts of the mansion. The game's primary antagonist is King Boo, their king who leads the Boos of the mansion and who is responsible from trapping Mario inside a portrait.
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The EP consists of seven tracks in total with Hoya and Dongwoo participating in the composition of several songs on the EP. The title track, Fly Again is a dub-step song which serves as an intro track. The promotional track, 예뻐 (Pretty) is an upbeat love song about how in love they are with such a beautiful girl that they even hate it when she looks away from them. The third track, 어디안가 (Aren't You Going Somewhere?) is a song with the influence of '80s pop and features vocalist Yang Da Il. The fourth track, 부딪쳐 (Bump) is a song with a R&B; rhythm labelmate, Lovelyz's Su-jeong.
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Ferris Bueller Night at Wrigley Field, October 1, 2011. Wrigley Field is featured in two interwoven and consecutive scenes. In the first scene, Rooney is looking for Ferris at a pizza joint while the voice of Harry Caray announces the action of a ballgame that is being shown on TV. From the play-by-play descriptions, the uniforms, and the player numbers, this game has been identified as the June 5, 1985, game between the Atlanta Braves and the Chicago Cubs. The batter rips a foul ball into the left field stands, and as Rooney looks away from the TV briefly, the TV cameras show a close up of Ferris a moment after catching it.
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Shepherd with a flute, or Boy with a Pipe, is a painting in oil on canvas of perhaps 1510–15, in recent decades usually attributed to Titian, though in the past often to Giorgione. It is now in the Royal Collection, and in 2018 was in the King's Closet at Windsor Castle.Whitaker and Clayton, 185; RC Since at least 1983 it has been called Boy with a Pipe ('The Shepherd') by the Royal Collection;Shearman and Whitaker and Clayton, 185 use this title, as does RC in December 2018 previous titles the collection recognise include Shepherd with a pipe, and The Shepherd.RC A boy or young man now in a loose white shirt looks away from the viewer out of the picture space, apparently "lost in thought".
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Critically acclaimed, the film's cast was nominated for the Screen Actors Guild Award for Outstanding Performance by a Cast. On stage, Williams played Varya in a 2004 production of Anton Chekhov's drama The Cherry Orchard, alongside Linda Emond and Jessica Chastain, at the Williamstown Theatre Festival. The theater critic Ben Brantley wrote that "she cannily plays her natural vibrancy against the anxiety that has worn the young Varya into a permanent high-strung sullenness." alt=A headshot of Heath Ledger as he looks away from the camera The German filmmaker Wim Wenders wrote the film Land of Plenty (2004), which investigates anxiety and disillusionment in a post-9/11 America, with Williams in mind. Kevin Thomas of Los Angeles Times praised Wenders' thoughtful examination of the subject and took note of Williams' screen appeal.
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