It's a guy who knows the tax code looking out for number one.
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Axe thinks he's a cowboy and that means Axe is always looking out for number one.
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Only Trump can revive it -- with a singular focus on looking out for number one again.
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Bronn says he's looking out for number one only, but it's doubtful that he'll turn on Jaime now.
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IS THAT, YOU THINK, AN INDICATION THAT MAYBE – I MEAN, GLOBALIZATION IS IMPORTANT, BUT THEN AGAIN SO IS LOOKING OUT FOR NUMBER ONE IN THIS CASE, WHETHER IT'S BRITAIN OR THE UNITED STATES.
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" To find these individuals, she placed an advertisement in underground Boston newspapers calling for "charming, aggressive, carefree people who are impulsively irresponsible but are good at handling people and looking out for number one.
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Omarosa was clearly looking out for number one when she was navigating her improbable way through some of the most powerful hallways in America, and it seems likely a lot of White House officials are doing the same.
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Echo has caught Bellamy and "Don't worry about his name he's about to die" in the woods and discovered that Skaikru is looking out for number one, ostensibly still calling it a "plan B" and also wants to make everyone a Nightblood.
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They believed that the environment could and should be forced to yield quick financial returns. Thus everyone was looking out for number one at the expense of the cooperative ventures. Farms were scattered and few villages or towns were formed. This extreme individualism led to the failure of the settlers to provide defense for themselves against the Indians, resulting in two massacres.
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"Looking Out for Number One" is a single by American singer Laura Branigan. It was to have been the second single from her scheduled debut album, which is commonly referred to as Silver Dreams. The album was canceled due to a contract lawsuit with her management"Laura Branigan Discography at Discogs" Discogs and to this day remains unreleased officially. However a selection of the tracks from the canceled album, including this single, were later included on a re-release of the Branigan album.
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Combat Assault Vehicle is named after the war machines that walk the battlefields of the galaxy. The date is 2274 and the fragile peace the galaxy has known for the last 11 years has been shattered. The second Galaxy War has started and every galactic government is looking out for number one, damn the rest of the galaxy. Fueled by a decade of clandestine wars, secret agendas and unprecedented military preparation, the racial, religious and nationalistic governments across the galaxy have begun grabbing resources, nationalizing UCORs and Mercenaries and folding everything into vast war machines capable of intergalactic domination and destruction.
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The track tells the story of an ant colony in a beautiful forest called Ants'hillvania (a pun on Pennsylvania). The colony is filled with kind, fun-loving, and virtuous ants, led by their village leader, the CommandAnt. The ants value work and each other, and live by "the Wisdom from Above", or in other words, the word of God, which keeps their colony together through hard times. However, the CommandAnt's young teenage son, Antony, is restless and tired of the same old settings of his life, and strives to explore the world and become rich and famous without expending labor and looking out for number one.
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Its follow-up, "Can I Trust You with My Heart", became Tritt's third Billboard number one in early 1993. The album's next three singles did not perform as well on the charts: the title track (a cover of an Elvis Presley song), peaked at 13, followed by "Looking Out for Number One" at number 11 and "Worth Every Mile" at number 30. T-R-O-U-B-L-E became the second album of his career to achieve double-platinum certification. Stephen Thomas Erlewine of AllMusic thought that T-R-O-U-B-L-E followed too closely the formula of It's All About to Change, but said that the songs showed Tritt's personality.
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While Dee was recovering in the hospital, one-time Doobie Brothers member Michael McDonald was brought in to help out with the recording sessions; he wrote lyrics and sang back up on "Long Way Back," a forthcoming track for their next album. In 1988, their third album was finally released: Racing After Midnight, produced by Ted Templeman (of Van Halen fame) and Jeff Hendrickson. That album made the top 10 in Canada, but was not as successful in the U.S. Singles included "Love Changes Everything," "Looking Out for Number One," "Cold Look" (Europe only), and "It's Over Now." By now, while Grehan was still the primary songwriter, Dee and Preuss frequently co-wrote with Grehan.
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In 1979, after a chance meeting with manager Sid Bernstein on her return from Europe, Branigan was signed by Ahmet Ertegun to Atlantic Records. The strength and range of her voice actually impeded her career for several years while the label went through the process of categorizing her as a pop singer, and her 1981 single "Looking Out for Number One", from her unreleased album Silver Dreams, made a brief appearance on the U.S. dance chart, reaching No. 60. Two other early Atlantic singles, "Tell Him" and "Fool's Affair", followed. None of these three singles (or the B-side, "When") were included on her first album, but all four songs were eventually released on CD over 30 years later in 2014 as bonus cuts on a U.S. CD reissue of Branigan's first album.
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He also falls in love with Jean, but his way of life and lack of any morality beyond looking out for number one make a permanent relationship all but impossible. Riled at a judge's snub, he determines to bring his Barbary Coast crowd to the opening night at the Opera House, which the Judge has opened as an alternative place of amusement to the gambling dens. A gambler, Paul Morra, shoulders his way into the judge's box and on a flimsy excuse, murders him. The outrage provokes a public outcry, and when Morra is arrested and jailed and a lynch mob gathers, crying for his blood, Bat arranges his release, not so much because he likes him as because he owes him a debt of gratitude for having started him on the upward rise.
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