But there are deep-seated leather chairs with ottomans, fake fireplaces and big glass windows looking onto the mountains.
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At the moment it is five floors of raw concrete with floor-to-ceiling windows looking onto the square.
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Likewise, I found myself "needing the air" when I was stressed, sitting on a kitchen chair looking onto my patio.
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In "A Magic Summer" (2017), we look into a narrow room dominated by a double window looking onto a calm sea.
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"My writing has always been much louder than I am," she said over coffee downstairs, in a cafe looking onto Central Park.
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Both of the sizeable bedrooms contain floor-to-ceiling glass windows looking onto an internal atrium with a custom landscaped green wall.
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The entrance of Equinox Highline doesn't feel glamorous, falling under the elevated park and looking onto 10th Avenue, but once inside, the location is striking.
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In the cozy hull, the seven-member ensemble, led by the violinist Mark Peskanov, tuned onstage in front of windows looking onto the Manhattan skyline.
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The main bedroom has a spacious balcony looking onto the front lawn, private enough to sit and compose music on, watch the sunrise or just read a book.
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I have had Hearth, a restaurant in the East Village, for more than ten years now, and all those years I've had a pastry door looking onto 1st Avenue.
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Looking onto remote, dusty cowboy country, its 55 minimalist, gray-washed rooms are outfitted with soft Australian sheepskin rugs and regional art by the Texas-based artist Mark Flood.
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Each of the four paintings is a domestic interior or, in the case of "The Rumble of Panic Underlying Everything" (2014), an enclosed patio looking onto three open rooms.
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Libra season is a time of transformation and new beginnings, but now that more planets are leaving Libra for Scorpio, you're looking onto broader horizons and preparing for a fresh start!
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In the Museum of Modern Art's expansive lobby, Siah Armajani's sculpture "Elements Number 30" is installed against a wall of windows looking onto the museum's sculpture court and a New York cityscape.
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This concern is immediately apparent in a large, square blue painting, "Untitled" (oil on canvas, 2522 by 222 inches, 26) on the front wall facing the gallery's window, looking onto the street.
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After dinner, everyone would sit for a while on the brown-stained bench looking onto a gravel yard, on which first one car stood parked, later two cars, and eventually a red jeep.
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In El Manar and Giza Bahriya, once among Sirte's best neighborhoods, houses looking onto the crystal blue Mediterranean are now crumpled piles of twisted metal and concrete, doors blasted from their metal frames.
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Patrick Philbin: As I mentioned the other day, in a representative democracy, elected officials almost always have at least one eye looking onto the next election and how their actions, their policy decisions, their actions in office will be received by the electorate.
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The new building on Pier 17, a largely transparent four-story sea-green structure adjacent to the 1885 cargo ship, Wavertree, will include patio restaurants from Jean-Georges Vongerichten and David Chang, as well as network studio space, a green room and a restroom with floor-to-ceiling windows looking onto the harbor.
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On a vacant field covered with the remains of the aquatic life of the Paleolithic Lake Cahuilla that once covered the area, the Colombian artist Ivan Argote created "A Point of View," a sculpture made of concrete staircases looking onto the sea and horizon, their geometric forms and circular position alluding to pre-Colombian and Brutalist architecture.
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The Townhouse on High Seas Court in the Cove Village development, in the Baltimore suburb of Essex, was not exactly the Cape Cod retreat that its address implied: It was a small unit looking onto a parking lot, the windows of its two bedrooms so high and narrow that a child would have had to stand on a chair to see out of them.
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The townhouse on High Seas Court in the Cove Village development, in the Baltimore suburb of Essex, was not exactly the Cape Cod retreat that its address implied: It was a small unit looking onto a parking lot, the windows of its two bedrooms so high and narrow that a child would have had to stand on a chair to see out of them.
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His more recent work often gives the sense of looking onto a private moment.
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The cloister, located to the right of the abbey and looking onto the façade, has a brightly coloured garden. The abbey is situated in a small valley known by medieval tradition as the valley of the nightingale.
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Changing of the Guard at the Government Palace The Changing of the Guard is a major tourist attraction at the Government Palace. It takes place at noon daily on the main esplanade looking onto the Plaza de Armas. There dedicated stands outside the palace for public viewing.
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View looking onto the River Clyde from a house in Trumpethill Trumpethill is situated between Midton and Levan and lies to the north of Gourock Golf Club, which stretches all the way behind to the back of Levan. The area has Moorfoot Primary School, one of three primary schools in Gourock.
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On the edge of the Vaucluse, looking onto the border with the Drôme and dozing between Bollène and Vaison-la-Romaine, Saint-Romain-de-Malegarde is a former outpost of the order of the Knights Templar, built on the left bank of the Aygues on the northern border of the Comtat Venaissin.
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Housed in the museum’s 1993 extension, this 20th and 21st century collection is predominantly focused on the most important examples of modern Danish art. A long corridor of paintings looking onto Østre Anlæg park works as a chronological overview of the work from this period, whilst the smaller galleries focus on specific artists or movements.
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The Brockwell Swimmers club was formed on 27 January 2016. The club is run by volunteers, is non-profit, CASC registered and is a members only club. Brockwell Swimmers run Water Polo at the Lido for a number of weeks in the summer. The Lido Café is an attached café/restaurant looking onto the pool.
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The Harrison apartments are valued at $14.5 million and number 44 residential units on the third and fourth floors, with south facing units looking onto the ballpark. There were originally three phases of residential included in the Harrison Square plan. The second and third phases are contracted to be completed after the prior phase has reached capacity.
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Farragut North station features unique architecture not seen in other stations throughout the system. Its mezzanine stretches across more of the platform and is longer than most, with an open depression looking onto the platform in the middle. There are two elevated mezzanines that serve different escalators and exits. Special buttress-like structures support these stretches of the mezzanine.
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The village has two cricket pitches and has been the home of Newport Cricket Club since 1990. A pavilion separates the two pitches with a small seating area in the pavilion looking onto one pitch. Cricket nets were installed behind the astroturf in 2003-04 for the summer months. There are also Cricket nets in the Tennis Centre for the winter.
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It was a long, low building with a bay window looking onto the front garden. It had been extended and altered many times during its long history. In the garden were rows of seats and tables beneath old trees, and a large but almost branchless tree stump carrying the pub's sign board. The sign was written on a whale's shoulderblade.
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The project starts from a photograph of Nasser looking onto an enthusiastic and proud Arab crowd during the signing of a sovereign union agreement between Egypt and Syria in 1958.Tracing the past: Exhibition explores representations of Nasser, by Sara Elkamel, Ahram Online, published on 22 May 2014 Oraib Toukan and Ala Younis collaborate on exploring film footage, discarded by the former Soviet Friendship Society in Amman.
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It crackled a bit > when you sat on it. Possums were declared a pest and the Government paid a > shilling a skin. The floor of the house was littered with possum skin rugs. > The windows in the front of the house looking onto the verandah had curtains > and the doorways had hanging screens made from reeds that grew in the salt > pan and along the creek.
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The studio contained a grand piano and an RCA cutting lathe for making 10-, 12-, and 16-inch disc recordings. The studio had a doorway that led to a much smaller step-up studio that also had a doorway that led into the control room. Each room had windows looking onto each other. The small studio was used for newscasts and/or celebrity seating during live interviews.
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When viewed from a single point, it seems that there are three parallel openings looking onto a single scene. The images are painted not on a two-dimensional surface but instead on three-dimensional wedges, as one moves, the lines of perspective of this 3-D surface change in a way different from that of a 2-D surface, creating a pleasantly disorienting effect of a shifting, swimming surface.
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It was released as the fourth and final single from Harem by Angel Records on 10 June 2003. The song contains prominent classical crossover and Middle Eastern pop musical characters. It is influenced by feelings of desperation and is lyrically about somebody who has lost somebody and is looking onto their relationship with somebody else. "Free" reached the #3 position on the US Hot Dance Music/Club Play charts.
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The cells and the corridors connecting them were arranged to prevent prisoners from communicating with each other. Windows were high up (the cells had ceilings) and grated and louvered to prevent prisoners from looking onto the street. Each cell had a mattress, a water tap, and a privy pipe. As a penitentiary, solitary confinement was the goal, but such facilities were available for about a third of those admitted.
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The two-story Lodge featured a wide front porch looking onto a lawn. Following its acquisition by the National Park Service, the club burned down on December 21, 1974. The two-room "casino", a separate building for games and cards, was repaired by the Park Service and used as a meeting place for students visiting the key. The caretaker's residence was rehabilitated for the use of the key's resident ranger.
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Monkstown ( - 'the town of the monk', formerly anglicised as Ballinvannegh) is a village in County Cork, Ireland, in the old barony of Kerrycurrihy. It lies 14 kilometres southeast of Cork city on the estuary of the River Lee, facing Great Island and looking onto Monkstown Bay. For census purposes, Monkstown is combined with the nearby town of Passage West, and the combined area has a population of approximately 5,800 residents.
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The hotel opened in 1914. It was developed by Sotirios Anargiros, a visionary Greek benefactor who was responsible for much of the development of the island. After a 5-year renovation, the hotel re-opened in 2009. Apart from the historic wing, which houses 38 rooms, an annex with 17 rooms looking onto the Mediterranean garden and a 17 meter lap pool, and a 300 square meter spa has been added was added.
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A music video for the song was shot on May 9, 2007 between 5 and 7 a.m. in Los Angeles, California and directed by Jesse Dylan. It features Furtado on a beach during both daytime and nighttime, singing the song while sitting on a tree stump, lying on the sand and holding a white sheet, which she lies under. Furtado is also shown walking on the shore, weeping and looking onto the ocean.
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The Izadkhast Caravanserai is located in Izadkhast in Fars Province central Iran. It was a caravanserai or roadside inn on the ancient Silk road and served caravaners and travelers to rest and recover during journeys. It is situated in the historical complex of Izadkhast, lying in a natural low basin looking onto the Izadkhast castle situated in the high bedrock. Its construction dates to the early 17th century during the reign of the Shah Abbas.
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Mandarin Oriental, Miami is located on the southern tip of Brickell Key, a , man-made island, looking onto Biscayne Bay. The island was built in 1943 and today is home to numerous commercial and residential buildings. Due to the lack of natural beach along the island's edge, Mandarin Oriental, Miami brought in 260 tons of white sand from Lake Welles in Orlando to build the hotel's private beach, More than 3,500 Visitors Participate in Real Estate Finance Conference.
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By the 19th century some 150 people were known be living there. In 1937 a Slum Clearance programme was implemented, which removed most of the slum housing at the back of the site. By the 1950s the front of the hall building looking onto King Street had been adapted for use as a butcher's shop, with a rectory situated behind it, and the Old Barge pub at the southern end. In 1954 the building it was warded Listed Building status: Grade 1.
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Also still visible are the pillars supporting the base of the bartizans (watch towers), parts of the portcullis in its housing and door panels from the 16th century. Under the Gothic arch vault can be seen the start of the staircase leading to the upper floors. Four towers remain. The facade looking onto the courtyard dates from the 15th century and has moulded windows as well as the openings made in the 18th century at the end of the building.
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Royal Crescent 15-23, Edinburgh The grave of James Maidment, Dean Cemetery, Edinburgh He was born in London about 1795; his father was a solicitor. Called to the Scottish bar in 1817, he soon took a high position as an advocate in cases involving genealogical inquiry, and was much involved in disputed peerage cases. In 1832 he lived at 103 Princes Street looking onto Edinburgh Castle.Edinburgh Post Office directory 1832 He moved soon after to 10 Forres Street on the Moray Estate in west Edinburgh.
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In the late 19th century, the very rich of New York began building mansions along the stretch of Fifth Avenue between 59th Street and 96th Street, looking onto Central Park. By the early 20th century, this portion of Fifth Avenue had been nicknamed "Millionaire's Row", with mansions such as the Mrs. William B. Astor House and William A. Clark House. Entries to Central Park along this stretch include Inventor's Gate at 72nd Street, which gave access to the park's carriage drives, and Engineers' Gate at 90th Street, used by equestrians.
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Looking onto C.S.I.R.O. land (Samford) Samford Village contains a mix of historical buildings, restaurants, shops and services. Samford's heritage as a village servicing farming communities is apparent from the facilities which include an equipment hire business, hardware and produce stores, as well as banking, shopping, medical, chiropractic, fitness, legal and accounting. A tourist attraction is the Samford Valley Historical Museum.Samford Valley Historical Museum Located in the heart of the village, John Scott Park is the frequent venue of community cultural activities such as free concerts and holiday celebrations.
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Jacob's Ladder, looking onto The Castle (situated between the gardens and the swimming pool). The Castle is the main government building of the British Overseas Territory of Saint Helena, Ascension and Tristan da Cunha, located in Jamestown on the island of Saint Helena. A Grade I-listed building, the oldest parts of the complex date to 1708, but it was largely reconstructed in the 1860s because of termite damage. It does not have the appearance of a typical castle, though historically the site was part of the East India Company fortifications of Jamestown.
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A statue on Compo beach commemorates this plan of attack with a crouching Minuteman facing away from the beach, looking onto what would have been the rear of the troops. A sign on Post Road East also commemorates this event. The Town of Westport was officially incorporated on May 28, 1835, with lands from Fairfield, Weston and Norwalk. Daniel Nash led 130 people of Westport in the petitioning of the Town of Fairfield for Westport’s incorporation. The driving force behind the petition was to assist their seaport’s economic viability that was being undermined by neighboring towns’ seaports.
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The Palace seen from the Tiber riverside Inspired by late Renaissance and Baroque architecture, the building is 170 meters by 155 in size and is completely covered with Travertine limestone. Above the façade looking towards the River Tiber it is surmounted by a great bronze quadriga, set there in 1926, the work of the sculptor Ettore Ximenes from Palermo. Ten large statues of notable jurists adorn the ramps before the main façade and the internal courtyard. The upper part of the façade looking onto the Piazza Cavour is ornamented with a bronze coat of arms of the House of Savoy.
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After his death the property was inherited by his cousin Pietro Stampa di Ferentino. In the following years, the palace hosted numerous high-ranking members of the Papal States, such as the Cardinal Viviano Orfini in 1820 and was also the birthplace of Eugenio Pacelli, later Pope Pius XII . The building was originally three- storey and a fourth one was added in the 19th century. The facade of the palace looking onto Via Orsini is characterised by cornices underlying windows with trefoil designs, adorned with seashells at the first floor, capitals at the second and female heads at the third.
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The interior and exterior act as one single form; looking out of the house you are surrounded by a smooth white texture complemented by a sea of blue, looking onto the house from the exterior you are surrounded by a sea of blue complemented by a smooth white textured form. Internally, walls lead to floor-to-ceiling windows with views of the sea. Block says, “When the house is too smooth and perfect, it looks banal” and further refers to the term Wabi-sabi. The brick rendering in the living space for example contrasts with the smooth plastered wall opposite.
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The interior design has been described as excellent. The principal rooms are lined with Spanish mahogany, which the Gordon brothers had sent back from Madeira where they had made their fortune in the wine trade. The main north entrance leads into and east–west aligned entrance hall, with a cantilevered staircase that gives access to the upper floors. The dining room, looking onto the garden, is lined with mahogany, and features a fireplace with white a marble chimney piece and an unusual steel basket grate by James Fraser of Banff, which has a curved, decorated front which can be retracted to avoid soiling from overheating.
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The next scenes depict a statue of Jesus Christ, Del Rey looking onto the distance and a phone smashing into pieces as it hits the floor, hinting at Del Rey's realization that her girlfriend has killed herself. Feeling at fault for her lover's death, Del Rey spreads her arms wide mimicking the statue of Jesus Christ and jumps off the cliff. The last scenes show both women in happier times, Del Rey turns to see King and smiles; both women are seen pouting and glancing seductively over their shoulders towards one another. As the women embrace, the smoke in the atmosphere gathers and they disappear.
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Studio A was the main studio (81 ft × 80 ft within fire lanes) in size, with three separate control rooms looking onto the studio floor: a production gallery, a combined vision/lighting gallery and sound control gallery. The studio opened with EMI 2001 cameras and was host to many programmes from London and locally produced programmes. During the early 1990s, the BBC technical resource department toured the UK's other BBC, ITV and Channel 4 studios to find new cameras to replace the ageing Link Electronics Ltd 125 colour cameras, which replaced the EMI 2001s in 1983. Sony Broadcast BVP-370s were chosen and during this period asbestos was removed from the studio, gallery spaces and air plant.
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Manette Street, looking onto Greek Street Foyles on Manette Street in 1976 Manette Street is a small street in the Soho area of London, linking the Charing Cross Road to Greek Street. Dating from the 1690s, and formerly named Rose Street, it is now named after the fictional character of Dr Manette in Charles Dickens' A Tale of Two Cities, who is described in the book as living on a quiet street corner "not far from Soho Square". Buildings on the street include the Pillars of Hercules pub. The House of St Barnabas has a chapel and garden facing onto Manette Street, and an entrance to The Borderline nightclub is accessed from Manette Street.
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Almost all of his work is done in series, based on a theme. Recurring themes in his work are the Twelve Apostles, flowers, fruit, birds and female nudes. His depictions of women are often related to the concepts of desire and devotion, often with the body partially hidden to give a sense of looking onto a private scene. When the woman is completely shown, she often assumes monumental proportions with a solid anatomy. Female themes have included a series on “Señorita Tecuala,” a stereotype of tropical women from Nayarit and his wife, who was the inspiration for the series, “Natura: Flores para Mary” which was exhibited at the José Luis Cuevas Museum .
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The student rooms are divided according to the sides of the building: "Piazza" ("Square") on the western side, facing Piazza Borromeo, "Giardino" ("Garden") on the south side, "Vicolo" ("Lane") on the north side, looking onto Via Cardinal Tosi. The east side is called "Richini", as it is situated on a seventeenth-century garden designed by Francesco Maria Richini, and houses two auditorium-style rooms ("White Room" and "Mural Room") with private upstairs rooms for guests. The rooms are also divided into several levels: "Mezzanino" (mezzanine), "Nobile" (piano nobile), "Paradiso" (second mezzanine) and "Iperuranio" (attic). Also on the south side are "Sangiovannino alto" and "basso" ("Upper" and "Lower"), saved from the Church of San Giovanni in Borgo before demolition in the nineteenth century.
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In 1818, Peter Schermerhorn purchased the adjoining property to the south from the heirs of John Hardenbrook's widow Ann, and adding it to his wife's share of the Jones property—from which it was separated by Schermerhorn Lane leading to the Hardenbrook burial vault overlooking the river at 66th Street—named his place Belmont Farm. They at once moved into the handsomer Hardenbrook house looking onto the river at the foot of East 64th Street;The site, identifiable on the map "First Avenue, Sixty Seventh Street, Widow Hardenbrook 1830", Tuttle Farm Titles Directory 1877, is now the landscaped Peggy Rockefeller Plaza in the University's campus: (campus map). there he remained, his wife having died on April 28, 1845. The frame house survived into the age of photography, as late as 1911.
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The grave of Lord Lee, Dean Cemetery, Edinburgh He was born on 1 April 1830 one of seven children of Rev John Lee, then minister of Lady Yesters Church, at 131 Princes StreetEdinburgh and Leith Post Office Directory 1830–31 in Edinburgh looking onto Edinburgh Castle. In 1834 his father was made minister of the Old Church in St Giles Cathedral and the family moved to 12 Charlotte Square, which was then held by the Church of Scotland for use as a “manse”. In 1837 the family moved again when his father was made Principal of United College, St Andrews, returning to Edinburgh again in 1840 when his father became Principal of the University of Edinburgh. They then lived at 8 Queen Street in the New Town at their own expense. Lee’s life then entered a period of stability.
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In 1559 William had a new floor inserted at gallery level in the Great Hall, and added the two large bay windows looking onto the courtyard, built so close to each other that their roofs abut one another. The south wing was added in about 1560–62 by William Moreton II's son John (1541–98). It includes the Gatehouse and a third storey containing a Long Gallery, which appears to have been an afterthought added on after construction work had begun. A small kitchen and Brew-house block was added to the south wing in about 1610, the last major extension to the house. Fireplace in the Parlour with plasterwork overmantel displaying the royal arms of Queen Elizabeth I, circa 1559 with Caryatids on either side The fortunes of the Moreton family declined during the English Civil War.
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The church is a primitive Romanesque brick basilica; the original side-chapels were removed in the 14th century to make way for a new east end. The nave was vaulted in the Baroque period, and a new choir at the west end was added at the same time, as was a Baroque campanile. The conventual buildings are to the south of the church. The early Gothic chapter house in the east range has survived, with a square chapter room with nine bays from the early 13th century and symmetrical triforium windows looking onto the central courtyard and the site of the cloister, no longer extant, with the dormitory with bricked-up windows in the upper storey, as have the sacristy, the Fraternei and to the south the refectory building, as well as the lay brothers' block in the west, now converted for residential purposes.
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