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74 Sentences With "look out onto"

How to use look out onto in a sentence? Find typical usage patterns (collocations)/phrases/context for "look out onto" and check conjugation/comparative form for "look out onto". Mastering all the usages of "look out onto" from sentence examples published by news publications.

Large windows throughout the home look out onto prime Village views.
These look out onto a pretty busy street, but they're all covered up.
The windows of the Crimson Drawing Room look out onto the Berkshire countryside.
Several oversize windows look out onto the grounds, which are wooded, with a large pond.
Generally, painters use their medium to look out onto a world, whether real, imagined, or digitally constructed.
Now they look out onto the nearly 15-foot-high earthen berm built by Mr. Trump's people.
Visitors look out onto free-floating ice in the Ilulissat Icefjord during unseasonably warm weather near Ilulissat, Greenland.
I stop near Fanning Springs State Park and look out onto the Suwannee River for a few minutes.
Glass walls mean you can look out onto the pool and the rest of the woodland you're surrounded by.
Just inside the front door is a vestibule with three large windows that look out onto the front porch.
The salvaged windows of her little home do not, however, look out onto a misty forest, or a community garden.
Entry-level Classic rooms look out onto a muraled wall, so if you crave city views, plan to spend more.
Partially veiling the windows that look out onto 26th street are lavender drapes with a matching valence and tasseled tie-backs.
Walls have been removed, so natural light floods the stairways and upstairs atrium, allowing visitors to look out onto the park.
The master suite has a floor swathed in white Scandinavian fox fur and its windows look out onto a $1.8 million sculpture.
Sunshine streams into the double-height living space, where no fewer than eight sash windows look out onto a palatial Chelsea Square.
"We thought that if we bought it we could look out onto the lights each evening," she said, breaking into a smile.
The windows will somehow look out onto space, families will get tours of the bridge, and "port day" will connect to Galaxy's Edge.
Just outside the dining room, you'll find the porch, where you can look out onto the back yard and catch some California rays.
Long trestle tables that look out onto a forest of brilliant green palms and towering gray eucalyptus trees make up the work space.
We live on the sixth floor, right above tree level, and every morning I sit on the windowsill and look out onto Central Park.
I see how directors might not clue in to the lack of diversity of their work because they look out onto an inclusive set.
But the view there was just as mesmerizing as the figures, which look out onto a misty, magnificent gorge spliced by the Magdalena River.
But I still remember what it was like to look out onto a grey, angled concrete world from the seventeenth floor of a tower block.
Those orb-like eyes look out onto Eleanor Antin's "100 Boots" as if avidly following the postcards depicting the boots' adventures from California to New York.
She set herself up between the posts, turned her back to the net and took a moment to stand there and look out onto the field.
There is also a master bedroom suite with a spalike marble bath with a whirlpool tub and a wall of windows that look out onto the yard.
The 3,731-square-foot apartment on the third floor has two bedrooms and two baths, with high ceilings and oversize windows that look out onto the cobblestone street.
The spacious living room, anchored by a gas fireplace, and the nearby dining area look out onto a large landscaped atrium, which is the showpiece of the home.
The coops' rear windows look out onto Wallabout Bay, where there used to be an artificial island called Cob Dock that housed the Navy's first messenger-pigeon fleet.
Its restaurant serves up delicious Mediterranean fare (for when you're steak-frites'd out), and its many balconies look out onto Villa Frochot, the former estate of painter Toulouse-Lautrec.
An apartment with windows that look out onto a brick wall — or some other bleak backdrop — was the most dreaded, with an average score of 4.24 out of six.
Huge windows look out onto exquisite outdoor spaces that range from a tennis court and cabana to 338 acres of orchards, ponds and an organic garden with a greenhouse.
But in this bucolic scene sits an alien building: a blocky, almost pre-fab structure with a white rotunda, speckled with dozens of windows that look out onto the grounds.
The glass doors and windows along with the porch would look out onto the ocean, and I'd wake up every morning to see the sun rise over the Atlantic Ocean.
Located by a ravine in Toronto, Canada, my studio windows look out onto a forest and I feel nature's presence despite the fact I am in the centre of a large metropolis.
Only the bottom halves of the book pages have been soaked in dense, murky pigments; hence altogether the panels suggest windows that look out onto the foreboding horizon of DuBois's turbulent sea.
Now, as Zuckerberg prepares to deliver his keynote address at the company's annual developer conference Tuesday morning, he'll look out onto a world -- and a competitive landscape -- transformed from last year's confab.
Presented as the final event of the artists' residencies at the Camera Obscura in Santa Monica, the performance will begin at the viewing platform tower, where visitors will look out onto dancers on the beach.
It's a bright and airy 800-square-foot space with opening skylights for light and ventilation, French doors and windows that look out onto my native plant garden, and lots of shelf and storage space.
Mr. Stone, a three-time Oscar winner, paid $4.35 million for 4003D, a 1,982-square-foot apartment with three bedrooms, four baths and floor-to-ceiling windows that look out onto New York Harbor and the Statue of Liberty.
Standing in front of Giacomo Balla's "Velocità astratta," 1913, with its Futurist waves of pummeling speed, there is a certain melancholy in being able to look out onto Lingotto's rooftop, still paved with the curving asphalt where Fiat used to test its cars.
The studio is on the ground floor of a building that once housed the American Guernsey Cattle Club, and the windows look out onto a quintessential New England town, but my work has nothing to do with the view or the surrounding bucolic countryside.
"The workers came one day, emptied out the lake and cut down all the trees," says Sina, the son-in-law of Sok Sabay Resort's owner, standing on a veranda that used to look out onto a picturesque pond and now sits next to a construction site.
HBO rents space from Sony for the production of "Silicon Valley," and Judge was there putting together the first episode of the new season, working from a room with blackout curtains over windows that would otherwise look out onto a small warren where the R.V. from "Breaking Bad" is parked — alongside, somewhat less impressively, Walter White's Pontiac Aztek.
I am taken back to the large living room windows of my friend's apartment at SQS 308 — considered to be the model housing block in the city — that look out onto Burle Marx's arrangement of local plants of the arid sertão; tree branches curve outside the window, laden with plump flowers, providing the fluid, lyrical counterpoint to the rational modernist architecture.
Parking is limited as it lies next to private houses which look out onto the park.
During Mason's lifetime, painted or decorated paper covered the thin pine paneling on the walls. The two windows look out onto Mason's garden.
The building also contains a cafeteria, library, home economics classroom, and auditorium. The design incorporates glass walls and office windows that look out onto corridors and common areas to allow for continuous monitoring of student activity.
A small farming village and tourist spot on the coast of the Pays de Caux, situated some northeast of Le Havre, at the junction of the D11 and D211 roads. Imposing limestone cliffs look out onto the English Channel.
The main staircase is beautifully carved from stone and features three huge statues which look out onto the gardens from their seats. These depict Sir John Bankes and Lady Bankes, the defenders of Corfe Castle, and their patron, Charles I.
The building contained 16 apartments plus four artists' studios. Each apartment had its own toilet. The parlor (public room) was in the front because it had the most light and occupants could look out onto the street. Behind that were bedrooms, then the dining room in the middle.
The school was built in two phases, in the late 1970s and early 80s. A purpose built science block was added in 2004. Playing fields look out onto open land beyond the northern edge of the town. The buildings have been well maintained; recently, the school was awarded funds by the EFA to upgrade heating, roofing, and security.
276 The chef patron of the restaurant is Stuart Giles, who had previously worked at Ramsay's Boxwood Cafe. Since September 2015 the executive chef is Andrew Winstanley. The interior is decorated with a marble bar, above which hangs a painting by Barnaby Gorton worth £90,000. There are large windows at one end of the restaurant, which look out onto the airport itself.
They had a son, Robert, and two daughters, Rachel and Clare. He purchased an old Methodist chapel in Burnham Overy Staithe in North Norfolk and converted it into a studio where he could look out onto the beautiful marshes and landscape and paint. He used to paint in the early hours of the morning because he liked the light best at that time.
The hotel has 129 rooms, a curving double staircase, a high coffered ceiling, mosaic tile floors and glowing copper sconces atop mahogany pillars in the lobby. It also has a spa that offers massages, and a fitness center. The Colonnade Ballroom, with floor-to-ceiling windows facing the ocean, seats up to 270 guests. The lobby and pool look out onto the Pacific Ocean.
The layout is small and curved in shape, with one wall consisting of large windows where visitors can look out onto the park. When Siemens AG took over as sponsor, the lounge was given the name "Base21." In 2012, the name was dropped and it is now simply known as the "Siemens VIP Center." In August 2017, Siemens quickly left the lounge, and Disney took it over.
Improving upon its predecessor inland aquarium, the Belle Isle Aquarium in Detroit, extensive use was made of designs by Mary Chase Perry Stratton, incorporating her custom-made Pewabic Pottery tile. The Oceanarium is done in a more modern style representing the Pacific Northwest, but one that blends with the older part of the building. "Whale Harbor", the Oceanarium's main tank, is backed by a wall of windows that look out onto Lake Michigan.
It includes New Buildings and Chamber. Chamber, the older section, includes rooms which look out onto School Yard, while New Buildings is on the reverse side and contains the majority of the boys' living spaces. The position of Master in College dates from 1846 when the New Buildings were finished, Long Chamber was divided up, and other long- overdue reforms took place. Prior to that the Head Master had been directly responsible for the Scholars.
The Great Hall was intended for more important receptions such as balls, formal dinners, and masquerades. The hall was painted in two colors and covers an area of approximately 1,000 square meters. Occupying the entire width of the palace, the windows on the eastern side look out onto the park while the windows of the western side look out to the palace plaza. In the evening, 696 lamps are lit on about a dozen chandeliers located near the mirrors.
Each of the floors is built so that it can easily be converted into one independent flat by closing a single door. This feature allows the married children of families to continue living in the same ancestral home they grew up in. Each floor also has its own separate street access. The rooms have many windows and each room has a corbel and framework which enables the women to look out onto the street without being seen.
In order to prevent the young pupils from distracting from training, all the windows of the establishment were thickly smeared with chalk, so there was no way to look out onto the street. Leaving the walls of the Elizabeth Institute, girls, as a rule, became governesses. Everyone noted that they were the wildest governess, since the presence of the man at the table led the girls into a terrible embarrassment. Girls were not adapted to life.
Interior of Windows on the World on November 4, 1999 World Financial Center from the Windows on the World dining room. The main dining room faced north and east, allowing guests to look out onto the skyline of Manhattan. The dress code required jackets for men and was strictly enforced; a man who arrived with a reservation but without a jacket was seated at the bar. The restaurant offered jackets that were loaned to the patrons so they could eat in the main dining room.
Like hotels, houseboats vary in degree of luxury and have been accordingly graded by the Department of Tourism. A luxury houseboat, like a luxury hotel, has fine furniture, good carpets and modern bathroom fittings, while the 'D category' (the lowest category) of houseboats, like low-budget hotels, is spartanly furnished. Like hotels too, houseboats vary widely in their locations. Some overlook the main road, others look out onto lotus gardens and others face tiny local markets and villages, which are also floating on the lake.
The new ACPL, opened on May 3, 2010, is a building, made with local Crab Orchard stone and craftsman-style detailing. At its center—and reaching two and a half stories—is the Carol Darling Reading Room, named for the ACPL’s former chair of the Board of Trustees, and one of its most active supporters, who died in 2008. Above this main room are balconies on the second floor that look out onto murals painted by Nashville artist Keith Tucker. These murals depict historical scenes of the county’s past and present.
This led him to create a one quarter round roof that is facing the street. This roof flattens out the apex and makes the two additional floors that look out onto the garden impossible to see from the street. The curved roof was an interesting choice because it was not a straight break from gabled roofs or a brand new innovative idea. Instead it was meant to demonstrate certainty of form and economy of space, proving that traditions can be manipulated or rid of completely, for a functional and non-aesthetic purpose.
The work spaces of the building are organized towards the back of the building with the separation of four different sized rooms to accommodate for the size of the work teams and assembly. These open work spaces are naturally ventilated and also receive North light and look out onto a view of the landscape. The faceted North wall takes advantage of the site slope so that the interior does not appear confined but rather relates more closely to the landscape setting in which it is placed. The current Connections facilities at Narre Warren is located in a collection of pre-existing school buildings scattered throughout the site.
The windows look out onto the streets of the city so it is necessary to protect those inside with blinds. Secular residents of the surrounding community have direct access to the building of the church inside of which there is a closed off area for the monks or nuns. Inside the church, the pulpit becomes a central element because these congregations have as a main goal to instruct and speak directly to the faithful. There are other elements that distinguish convents from monasteries Female convents there are other elements that characterize them, as the existence of a wheel, the only element of contact the religious residents of the community have with the outside.
Feldberg, p. 166–167 It became the new entrance for the campus and was the first building constructed since the Clark Athletic Center was completed in 1979.Feldberg, p. 167 The building was designed by the Boston-based architectural firm Kallmann McKinnell & Wood and built by the Suffolk Construction Company at a cost of $80 million. Unlike the original Harbor Campus buildings, which were uniformly built of brick and faced inward, the Campus Center was designed such that its glass front would look out onto Boston Harbor, and the offices, food court, event space, student clubs, and activities space gave the campus a center of cohesion that was often lacking in the older buildings.Feldberg, p.
On the upper floors, there are a number of rooms available for rent; Harry has stayed in Room 11, which has a talking mirror and windows that allow him to look out onto Charing Cross Road. People often stay at The Leaky Cauldron when they come to London on shopping trips. The pub serves as a way of entering into Diagon Alley from the Muggle world for Muggle-borns and their parents (both of whom, until the first letter from Hogwarts, have no magical knowledge or means of entering). The rear of The Leaky Cauldron opens onto a little courtyard, in which a particular brick must be tapped three times to open a path to Diagon Alley.
To left of the patio, cut off from the rest of the Gallery was the Green Room, named for the same reason as the Blue Room. This room changed little since the Gallery opened and was the largest display area in the Gallery The room was tucked away from the rest of the Gallery because it was going to be used as the Master Bedroom. Lilly enjoyed her privacy and wanted the bedroom to be essentially off-limits to their guests. A large bay window was located next to the bedroom door (later covered by another display wall) so that Lilly could look out onto her garden patio, even when inside the room.
Probably similar to the alterations from two centuries ago, the renovation only profoundly changed the roof of the Lichtenstein House in its substance by imposing a wall dormer. The appearance of the front of the house was harmonised and architectural elements like windows and portals were converted to Baroque style. The rooms of the first floor, which look out onto the Römerberg, were furnished with high quality stucco on the ceiling, although the execution suggests that the stucco on the ceilings comes from the middle of the 18th century. The building changed its owner again in 1774 and descended to the Manskopf family, who were a family of wine merchants from Frankfurt, as inheritance (German: fideicommissum) for Leerse’s great-grandson Jakob Philipp Manskopf, who, as a consequence, had to call himself Leerse. They demanded to carefully renovate the building once again in 1777.
Bottisham is one of the group of villages in which the village colleges of Cambridgeshire were originally developed. Opened in 1937, Bottisham Village College was the second of Henry Morris' colleges. The first college was built at Sawston in 1930, and the idea of these magnificent buildings is to draw children over eleven from the villages round into an atmosphere in which they will develop a taste and a capacity for rural life and craftsmanship, with facilities for training themselves in whatever career they desire, and with opportunities for practising music or drama, cooking or needlework; the colleges also serve as adult educational and cultural centres — they act as a social focus for the life of the whole community. The buildings at Bottisham are charmingly planned so that all the principal rooms run round a curve and look out onto the playing field.
" By the mid-1980s Hall's presence in front of the camera had diminished as he began to look out onto the world from behind it. In 1987, Hall received funding from The Massachusetts Council for the Arts and Humanities and the C.A.T. Fund, WGBH TV, Boston to produce the videotape, Storm and Stress and the media installation, The Terrible Uncertainty of the Thing Described, which was the central element in his mid career survey, The Spectacle of Image, at the Institute of Contemporary Art, Boston, September 17 – November 8, 1987. Working with the videographer, Jules Backus (1944–1996), with whom he had collaborated on many of his videos, Hall accumulated mages of violent weather and extreme forms of technology. "Multiple video monitors and projections present televised imagery of storms, fires, floods, and industrial processes in a fast-paced confluence of the natural and the mechanical.

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