1000 Sentences With "loggia" | Random Sentence Generator

A loggia paved with Saltillo tiles leads to the front door.

We wandered out of the Loggia together and lingered, looking over the sunlit piazza.

The home's main entrance is reached through a square loggia with a wall fountain.

The 6,299-square-foot duplex includes a 986-square-foot private garden and a loggia.

Outside, by the Loggia of the Knights, we watched a panel judge traditional Fugassa bread.

Ceiling heights at Park Loggia are higher and finishes finer than the norm in AvalonBay properties.

The Large Piano from the Movie BIG Wow, Robert Loggia stepped on you, join the club. 14.

In 1549, Andrea Palladio clad the exterior in white limestone, creating a loggia and his signature arches.

When you stand in the theater's loggia, you can look down l'Avenue de l'Opéra to the Louvre.

At the top of the building, a triple-height loggia surrounds mechanical spaces, but there's a perimeter walkway.

Three sets of French doors open to a loggia offering views of the pool and a crepe myrtle grove.

In the loggia, there is an accountant's standing desk piled with garden books — evidence of yet another love, horticulture.

Beyond the living area are a bathroom, two cellars used for storage and a study opening to another loggia.

"You are almost in a big loggia," said Susan Breitenbach, an associate broker with the Corcoran Group, who has the listing.

Today the stone-and-wood structure needs new doors, windows, and stairs; floors sag and the loggia could use a paint job.

Even with rain falling in the loggia of the university courtyard where the show was held, the mood was celebratory, even redemptive.

Three bays with glass doors topped by fanlights open to a long, brick-faced front entrance that was once an open loggia.

Bishop Malone's resignation was first reported on Monday by Whispers in the Loggia, a blog run by Rocco Palmo, a church analyst.

Dinner parties are staged in the enclosed loggia that runs the length of the apartment, the mix of guests cast as carefully as his films.

A carriage house on the property was converted into a three-car garage, with a brick loggia on top that provides an outdoor dining area.

The film is known for its classic scene in which Hanks and Robert Loggia play duets by dancing on a toy store's foot-operated electronic keyboard.

The car safely parked, we found the town's main square and Venetian Loggia, a huge arcaded structure completed in 1628 that is one of the city's administrative centers.

Between his father's estrangement, his mother's vague yet ultimately fatal heart ailment, and his wealthy growling grandfather being the legendary Robert Loggia, the kid's got a lot on his plate.

The late great Robert Loggia is, unsurprisingly, great as Sam Cutler, the dickish father-in-law who tries to buy his way out of everything short of his daughter's death.

Tom Hanks's playful performance helped earn this scene, in which his character performs a duet with Robert Loggia on a giant floor piano, a beloved place in pop culture history.

But this request to preserve files, first disclosed by Whispers in the Loggia, a site that closely follows the Catholic hierarchy, suggests that federal investigators are throwing a very wide net.

Pontormo's double-sided drawings represent four key scenes depicted in paintings that once occupied a loggia (a covered exterior gallery) at Villa Castello and which were lost after the Medici dynasty ended.

In 1999, also to raise money for a relative's health care, the family sold the studio's mural set by Maxfield Parrish that depicted Renaissance troubadours and young revelers along a Tuscan loggia.

One year he invited Harrison Ford, Lorne Michaels and Jack Nicholson, who gathered for cocktails and canapés in the columned loggia on his Bel Air estate, overlooking an azure pool set in an acre of rolling lawn.

Neighborhoods such as Ditmars-Steinway, which have large populations of immigrants from the Mediterranean, tend to be lush with visible gardens, while Spanish-tile roofing and terrace spaces that stretch like Italian loggia appear among Tudor-style homes in Auburndale.

At 100 Vandam Street, a project that COOKFOX has designed for real estate developer Jeff Greene, there will be outdoor rooms, setback terraces, loggia balconies and what the architects are calling "sky garden planters," filled with native perennials, grasses and ferns.

Entitled "Sbiadito," or sun-faded, like the timeworn statuary of the villa's loggia that houses her works, her show features a series of Watkins's vases, reclaimed from flea markets and painted with her signature Cubist women in a pastel palette.

In a PEOPLE exclusive look at a new spot for CNN's latest six-part show The Movies, Tapper, 50, and Blitzer, 71, dueled on the famous Walking Piano performing "Chopsticks" — just as Tom Hanks and Robert Loggia did in the 1988 movie Big.

On the afternoon of my last day, I went to the Loggia dei Lanzi and wandered from sculpture to sculpture: The Rape of the Sabine women; Menelaus holding the dead body of Patroclus; Achilles, sword raised, about to rape a Trojan girl.

Compass, the real estate firm handling sales and marketing for the building, expects to begin sales later this month, with one-bedrooms starting at about $2 million and prices running up to about $14 million for a four-bedroom penthouse with a private loggia.

They returned it to its original stone facade, replaced the wooden front door with a glass one, and "blew out the roof of the first floor loggia" to create more natural light in the home with two glass-and-iron doors that open onto a patio.

Race up the south entrance stairs, pause beneath the arches of the loggia, run your hands along the soft limestone pillars, and imagine a metamorphosis occurs: The vermilion walls peel away, fine dentils recede into flatness, turrets and towers, with their finials and conical caps, transform themselves into concise pyramids.

We're in Washington, DC, where hundreds of thousands have gathered near the National Monument to commemorate the 20th anniversary of the "War of '96," and to salute the surviving heroes of 1996's original Independence Day (including a sadly waxen Robert Loggia, who must have died three minutes after filming his cameo here).

The main entrance, on the middle level, opens onto a kitchen with wood cabinetry, ceramic tile countertops, a center island with a cooktop and an oven, exposed shelves, a slanted ceiling with exposed antique beams, a skylit dining area, a fireplace and a staircase that ends on a loggia overlooking the grounds.

As it happens, Stallone needs a bit of a pep talk at that moment, largely because he sold his truck and bet all the cash on himself, and also because he turned down a deal from Loggia that would have given him $500,000 and a brand new rig to never see his son again.

"May the one who gives us his peace end the roar of arms, both in areas of conflict and in our cities, and inspire the leaders of nations to work for an end to the arms race and the troubling spread of weaponry, especially in the economically more advanced countries," Francis said from the loggia of St. Peter's Basilica overlooking the flower-decked square below.

It was 1967 — after the Pierre had become a co-op, with full-time residents purchasing their apartments and hiring the first in a series of hospitality companies to manage the restaurants, ballrooms and transient-room operations — when the artist Edward Melcarth gave the Rotunda Room its trademark mural: a Renaissance loggia peopled with mythological characters and, seemingly, whomever else he fancied throwing in.

After paying a fee, checking my phone and everything in my pockets, I climbed several flights of stairs to a loggia, where an assistant strapped me into a belt with a Velcro loop for holding a potted bean plant, helped me into a sack that covered feet and backside, instructed me to lie flat, cross my arms and keep my head down, and gave me a shove.

Palazzo della Loggia (the Loggia palace, or the Loggia) is a Renaissance palace situated in the eponymous piazza in Brescia.

Giuseppe La Loggia Giuseppe La Loggia (May 1, 1911 – March 2, 1994) was an Italian politician.

The first floor has a loggia with a coffered ceiling. This is surmounted by another smaller loggia.

Loggia dei Militi The Loggia dei Militi (Italian: "Soldiers' Loggia") is a historical building in Cremona, northern Italy. As reported by an inscription on its façade, it was built in 1292. The Loggia was the seat of assemblies for the local "Società dei Militi". It is constituted by two rectangular rooms.

Robert and wife Audrey at the 2012 Miami International Film Festival Loggia was married to Marjorie Sloan from 1954 to 1981, with whom he had three children. Loggia and Sloan were divorced in 1981. In 1982, Loggia married Audrey O'Brien, a business executive and the mother of his stepdaughter Cynthia Marlette. Loggia and O'Brien remained married until his death in 2015.

Occasionally a loggia would be placed at second floor level over the top of a loggia below, creating what was known as a double loggia. Loggias were sometimes given significance in a facade by being surmounted by a pediment. Villa Godi has as its focal point a loggia rather than a portico, plus loggias terminating each end of the main building.Copplestone, p.

Loggia del Mercato Nuovo The Loggia del Mercato Nuovo (), popularly known as the Loggia del Porcellino (), is a building in Florence, Italy. It is so called to distinguish it from the (; "old market") that used to be located in the area of today's Piazza della Repubblica.

The courthouse incorporates some prison cells and dungeons, which had been built in the 16th century. The building is also linked to a loggia known as Herald's Loggia, from which town criers used to announce decrees to the people. The loggia also predates the courthouse, and it is believed to date to the 17th century.

This can most simply be described as a recessed portico, or an internal single storey room, with pierced walls that are open to the elements. Occasionally a loggia would be placed at second floor level over the top of a loggia below, creating what was known as a double loggia. Loggias were sometimes given significance in a facade by being surmounted by a pediment. Villa Godi has as its focal point a loggia rather than a portico, plus loggias terminating each end of the main building.

Photo of the Loggia with the Vanvitelli roof. The Loggia is a large building, three bays wide by five bays long, the front forming a loggia while the back was for offices. It is 30 metres wide and 47 metres long, 20 metres tall with 18 metres of roofing. It was constructed atop foundations that covered and channelled the Garza brook.

Until recently, a bronze sculpture, Chandelier by John Jagger, hung from the ceiling of an elliptical loggia at the entrance. The loggia is distinguished by a series of metal columns and the moat that surrounds it.

The loggia, windows, and other openings were covered with cinderblocks and brick.

The Loggia del Papa is a 15th-century Renaissance architecture, open-air arcade in Piazza of the same name in Siena, region of Tuscany, Italy. Loggia Coat of arms of Pius II with 5 crescents on cross surmounted by tiara. The Loggia was erected by the Pope Pius II in honor of his family, whose Palazzo Piccolomini (delle Papesse) stands nearby on Banchi di Sotto, where it converts into Via di Pantaneto, that runs on the lower flank, to the left when facing the loggia. To the right is the baroque church of San Martino.

There is a large loggia with eight arches of twin capitals. The loggia has the panorama over the city and was used as a place for leisure and socializing. The loggia is accessed through a room called Royal Hall or Noble Hall which has a total area of 130 square meters used for receptions by monarchs. Stonemasonry, brick and concrete were used in the construction.

To the rear, cabinets--smaller general-purpose rooms used variously as auxiliary bedrooms, sick rooms, or sewing rooms--flank the loggia. Rooms are entirely en suite, each opening out onto gallery or loggia via French (glazed double) doors. Gallery and loggia function as outdoor covered hallways, replete with stairways, and overhung by a steep, double-hipped and dormer roof. Fireplaces, normally with French wraparound mantels, are interior.

48 and two mascarons. The loggia is the backdrop to a citrus garden.

It starred Scott Bakula as Jay Prochnow and Robert Loggia as Gordon Vette.

Loggia degli Osii. Detail with the statues. The Loggia degli Osii is a historical building of Milan, Italy. It is located in Piazza Mercanti, a central city square of Milan that used to be its centre in the Middle Ages.

The Loggia Rucellai in 1880 The loggia was completed before 8 June 1466, the date of the wedding-feast of Giovanni's son Bernardo Rucellai and Nannina de' Medici, the daughter of Piero di Cosimo de' Medici and elder sister to Lorenzo il Magnifico. At the feast, 500 guests were seated on a dais which occupied the loggia and the whole of the piazza and the street in front of Palazzo Rucellai.

The Hall of the General Council of the Republic has a Flemish painting and a fresco of the Lucchese Freedom. Above the Loggia delle Guardie is the Ammannati Loggia, decorated with grotesques and stucco. The Staffieri Hall has frescoes by Luigi Ademollo.

Minor alterations and repairs were carried out in 1891 and 1894. The Federation Queen Anne style loggia was added in 1897 by Walter Liberty Vernon, with first-floor extensions to the loggia added in 1917. Further modifications were made in 1929, 1938 and 1979-80.

Minor alterations and repairs were carried out in 1891 and 1894. The Queen Anne style loggia was added 1897 with first-floor extensions over the loggia added in 1917. Further modifications were made in 1929, 1938 and 1979-80, details of these are not known.

The Loggia del Bigallo- The Loggia del Bigallo is a late Gothic building in Florence, region of Tuscany, Italy. It stands at the corner of Piazza San Giovanni and via Calzaioli; tradition holds the site near the Baptistry of Florence was donated by a benefactor.

Now the Missouri History Museum, and only slightly altered, the monumental structure, rather simply but elegantly arranged in two long wings around a central columned loggia, houses the collections of the Missouri Historical Society. The central loggia included Karl Bitter's huge sculpture of Thomas Jefferson.

National Trust pamphlet, undated, c. 1960s The detached Italianate ambulatory or loggia built by Knight survives.

The building of the ex Loggia Comunale is located in Alcamo, in the province of Trapani.

During the last renovation in 1991, the loggia was restored to its appearance before the postwar modernisation.

Painting of the Piazza Della Signoria and Loggia Dei Lanzi, 1830 by Carlo Canella The Loggia dei Lanzi, also called the Loggia della Signoria, is a building on a corner of the Piazza della Signoria in Florence, Italy, adjoining the Uffizi Gallery. It consists of wide arches open to the street. The arches rest on clustered pilasters with Corinthian capitals. The wide arches appealed so much to the Florentines that Michelangelo proposed that they should be continued all around the Piazza della Signoria.

In 1975, the postal and telephone functions area was subdivided and private letter boxes were installed in the front loggia. A disabled access ramp at the northern end of the loggia was constructed 1980s, with removal of the loggia infill. Construction of na ew free-standing private letter box building to north of main building took place in 1990, including covered link to original north side entrance. In 1997, the post shop was refurbished, including new display units, angled counters, lighting, carpet.

Palazzo Ducale. Ammannati's loggia. The Ducal Palace (Italian: Palazzo Ducale) is a palace in Lucca, Tuscany, central Italy.

Palazzo della Loggia, Brescia City Hall. Province and of the Prefecture of Brescia. Since local government political reorganization in 1993, Brescia has been governed by the City Council of Brescia, which is based in Palazzo della Loggia. Voters elect directly 32 councilors and the Mayor of Brescia every five years.

In later shows, the giant heads of Robert Loggia, Ted Koppel, and Bruce Willis have also made an appearance.

The Lodoiga, an old Brescian statue with a controversial history, has been re-installed in the Loggia since 2011.

Its facade on Mosley Street has a three-bay pedimented loggia with four Ionic columns set slightly forward and steps between the columns. Under the loggia are two entrance doors and three square windows at first floor level. The Charlotte Street facade has an entrance into the loggia with a square window above and another on the first floor. A five- bay colonnade of Ionic semi-columns has tall sashed windows on the ground floor in each bay and square window above at first floor level.

The loggia porch is reached from the front gardens via a wide masonry stairway. The loggia incorporates five bays that establish the central section of the frontal concave facade. The front is highlighted by five arched windows.Mariano G. Coronas Castro, Certifying Official; Hector M. Santiago, State Architectural Historian, Puerto Rico Historic Preservation Office.

Cellini was the first to integrate narrative relief into the sculpture of the piazza.Weil-Garris, On Pedestals, p. 411. As the Perseus was installed in the Loggia, it dominated the dimensions of later pedestals of other sculptural works within the Loggia, like Giambologna's The Rape of the Sabine Women.Weil- Garris, p. 413.

The Affleck House is a Usonian house constructed of brick and cypress. It is sited in a natural amphitheater on a sloping lot. The main entrance opens into an entry foyer, which is connected to a main skylit loggia. A light well in the floor of the loggia opens onto a stream below.

White was also the architect when the loggia was enclosed in 1903 to create vaulted garden room with lattice ceiling.

Enrico La Loggia (born 25 February 1947) is an Italian politician, former Minister of Regional Affairs from 2001 to 2006.

Detail of the staircase loggia. Hermes fountain in the courtyard The main building is a square, three story sandstone structure. The south facade is symmetric around the large open air staircase and main entrance loggia into the upper story. The upper story has four sets of windows on each side of the main entrance.

Retrieved 11 November 2014. Leicester also built a loggia, or open gallery, beside the great keep to lead to the new formal gardens.Stokstad, p.80. The loggia was designed to elegantly frame the view as the observer slowly admired the gardens, and was a new design in the 16th century, only recently imported from Italy.

Loggia is an Italian surname. In Italy, it occurs over the North and Sicily, with higher concentrations in the areas surrounding Turin, and in the areas between Agrigento and Butera, suggesting Sicilian origins.Cognomi. GENS. Accessed November 15, 2006. Branches of the Loggia family can also be found in the Philippines and the United States.

Freemason, he was a member of the Loggia Tito Vezio of Rome, in which it was begun around 1875; in 1877 he represented the Loggia The Light of the Balkans of Belgrade, belonging to the Great East of Italy, to the Masonic General Assembly of Rome. He died on July 15, 1915 in Rome.

The Loggia before conversion to a private house in 2002 The loggia was added to a pre-existing banqueting house dating from 1705. Vanbrugh's new front turned that axis of the building ninety degrees so it would relate to the main house to the south west and the Great Terrace that provided a long promenade into the woods beyond. Designs for the loggia date to between 1716 and 1720 and drawings of the building exist in both the collections of Bristol Records Office and the Victoria and Albert Museum.

The doorway has a Tudor arched surround and a studded door. A ground-floor loggia with a balustrade forms a porchway.

There are two levels to the main postal section, and one to the original loggia wing, rear wing and court house.

The chapel is constructed in red brick with stone trimmings and has a slate roof. It was built against an early 17th-century stone loggia which forms its west face. The loggia provided an entrance for the Wilbraham family to the west gallery of the chapel. It consists of an arcade of three segmental archivolts supported by Doric columns.

In 2010, Loggia was awarded the Ellis Island Medal of Honor in recognition of his humanitarian efforts."Ellis Island Medal of Honor", NYU News and Publications, May 10, 2015. Retrieved 2015-12-05 On December 17, 2011, Loggia was honored by his alma mater, the University of Missouri, with an honorary degree for his career and his humanitarian efforts.

The Red Maple Leaf is a 2016 Canadian-American crime drama film written and directed by Frank D'Angelo and starring James Caan, Robert Loggia, Martin Landau, Paul Sorvino, Kris Kristofferson, and Mira Sorvino. The film is dedicated to the memory of Loggia and Doris Roberts. Then Martin Landau died just 10 months after the film's release.

Hotel Gleason/Albemarle Hotel, Imperial Cafe is a historic hotel and commercial building located at Charlottesville, Virginia. It was built in 1896, and has a three-bay, three-story pressed-brick facade raised above the ground-floor recessed loggia in the Late Victorian style. The loggia is supported on four Corinthian order columns. The hotel closed in 1976.

La Loggia (; ) is a comune (municipality) in the Metropolitan City of Turin in the Italian region Piedmont, located about south of Turin.

The Upper Prep pupils have access to a grassed area known as the Loggia garden south of their classrooms in Middle School.

The church and Summer Palace are connected by a distinctive loggia, or roofed gallery. The palace is structured around a central hall.

Loggia are common and prominent public structures in Florence; to cite two examples, Loggia dei Lanzi, or the Loggia del Grano. For the final proposal at the competition, the architect Arata Isozaki and Andrea Maffei replicate this traditional form for both its historic but also functional aspects: providing cover and protection from the elements when necessary yet also establishing a new public reference point for Florentine people. The light trapezoidal cover of the loggia, narrows where it connects to the museum, and references, according to the architects, brunelleschian themes from Renaissance. The structure intended to allow the public to interact with the city by providing not only necessary programme and space for the museum's expansion, but to allow for a constant flow of people through a neglected space within the current fabric of the city.

The centers of each of the porches are loggias; the rear one was originally open, but was closed in some time after 1994. The southwest cabinet room has an entrance from the front loggia but no entrance into the interior of the house while the northwest cabinet room opens into the northern main room but has no entrance from the loggia. The southeast cabinet room is a kitchen, and the northeast cabinet room is a bathroom which was originally open only to the northern main room but a second door was added into the rear loggia some time after 1994, possibly when the rear loggia was enclosed. Atop the first floor lies a small attic which was originally inaccessible, but a ship's ladder was installed after 2012 to provide access.

They reconstructed the old building, adding a courtyard, a loggia, kitchens and stables.Ballerini, Isabella. The Medici Villas: The Complete Guide. (2003) Florence: Giunti.

The lions are a work of Wilhelm von Rümann, added in 1906 in imitation of the Medici lions of the Loggia dei Lanzi.

The four East Campus dormitories were designed by William Rawn Associates and feature a modern, LEED-certified design constructed from Iowa limestone. All three campuses feature dormitory buildings connected by loggia, an architectural signature of the college. The loggia on South Campus is the only entirely closed loggia, featuring walls on all sides, while the loggias on East and North campus are only partially closed. From the time that the first dorm opened in 1915 until the fall of 1968, the nine north campus dorms were used exclusively for male students, and the six south campus dorms reserved for female students.

The ramp, an innovation in the Palladian villas, was necessary for transportation to the granaries by wheelbarrows loaded with food products and other goods. The wide ramp leads up to the loggia which takes the form of a column portico crowned by a gable – a temple front which Palladio applied to secular buildings. As in the case with the Villa Badoer, the loggia does not stand out from the core of the building as an entrance hall, but is retracted into it. The emphasis of simplicity extends to the column order of the loggia, for which Palladio chose the extremely plain Tuscan order.

Building of the new house in the style of a castle began in 1801. It was designed mainly by the Earl in collaboration with the architect William Turner of Whitchurch. The design was symmetrical; the entrance front facing west and consisting of two castellated blocks, between which was a single-storey loggia. Behind the loggia was the full-height entrance hall.

The loggia forms an arcade of segmental arches carried on cylindrical columns with crocketed capitals. Behind the loggia are round-headed entrances and segmental-headed windows. The outer bays project forward, their lower storey is rusticated, and it contains a square-headed window with voussoirs. In the upper floor, each bay contains a tall round-headed window with moulded imposts.

One of the most significant interior spaces is the atrium. It is located in the center of the 1892 portion of the building and extends from the second to fourth floors. The atrium is enclosed by a three-level loggia. Each level of the loggia is supported by cast-iron columns that are adorned with acanthus and anthemion leaf motifs.

A central student resource center separated A and B sections. This separation would eventually allow females to be housed in A section, while the remaining sections remained all male. An open air loggia on the ground-floor (level six) at the hilltop overlooked an assembly quadrangle designed to accommodate cadet formations. The canteen, one floor below the loggia, faced the formation area.

Antonio di Vincenzo (1350 − 1401/1402) was an Italian architect, active mainly in his native Bologna in a Gothic style. In 1384, he designed the Palazzo della Mercanzia (Loggia of Merchants) in Bologna, which is built in brick and terracotta. The shrine crowns a pair of arches. The loggia partially collapsed under the bombing of 1943, but was faithfully rebuilt after the War.

The original kitchen walls are of brick, and there is a bricked up window opening, as well as a new window. Two large, double hung windows illuminate the retail area. Access to the retail area is still from the loggia and by a set of timber doors. An access ramp has been built into the loggia, directly up the stylobate from Wynyard Street.

The park was first laid out during Forwood's ownership. It included paths, a small summer house and a bridge. The gardens as they are now, were planned by Thomas H. Mawson and the 1st Viscount. The kitchen garden contains a loggia dated 1912, and there is another loggia to the southeast of the house; both were designed by Lomax-Simpson.

From the reception vestibule a metal staircase to the right arrives at the upper level loggia. The reception vestibule opens into the main bar area. Evidence suggests that later openings have been made in the wall between the main bar area and the west pavilion. The stair from here arrives at the upper loggia which connects to the dining area.

The courtyard of Palazzo Gerardi, showing the first floor loggia to the right and displaying the Gherardi coat of arms on the back wall.

The film, Mercy Mission: the Rescue of Flight 771, starred Robert Loggia as Gordon Vette and Scott Bakula as Jay Perkins (changed from Prochnow).

The Perellos Fountain was once also at the Valletta Marina and is now found under the loggia of the Palace of the Grand Master.

Farnham: Ashgate, 2012. To enhance the Loggia, late antique fragments in marble, probably brought from Salamis, were placed as seats each side of the entrance.

This work increasingly incorporated classical architectural forms (e.g., Model Holding Mirror, 1982; Reading in the Loggia, 1996) that functioned as both color fields and backgrounds.

Oxford University Press. Web. 2 Apr. 2016. Crucifixion by Ottaviano Nelli. The loggia is decorated with frescoes describing the legend of the "Founding of Rome".

Frescoes of the Verona Cathedral 1503 Giovanni Maria Falconetto (c. 1468–1535) was an Italian architect and artist. He designed among the first high Renaissance buildings in Padua, the Loggia Cornaro, a garden loggia for Alvise Cornaro built as a Roman doric arcade. Along with his brother, Giovanni Antonio Falconetto, he was among the most prominent painters of Verona and Padua in the early 16th century.

The windows in the lateral blocks have Gothic-style arches and contain Y-tracery. In the loggia the windows each have two lights under almost circular heads. Above and behind the loggia the upper storeys of the entrance hall also contain Y-tracery. On the right side of the entrance front is a square five-storey tower, which is linked to an octagonal turret containing arrow slits.

The property was used by the free painters for meetings and storage space and in 1972 the loggia in its gardens was turned into a permanent gallery space - the Loggia Gallery and Sculpture Garden. In 1973 'Trends' moved to the Mall Galleries, Pall Mall and exhibited there until the next decade. Membership by the mid 1970s had grown rapidly and was at a peak of nearly 500.

In the original arrangement, the main entrance was through the north facing loggia which was open.Coffin David, The Villa in the Life of Renaissance Rome, Princeton University Press 1979, p. 91 Today, visitors enter on the south side and the loggia is glazed. Chigi also commissioned the fresco decoration of the villa by artists such as Raphael, Sebastiano del Piombo, Giulio Romano, and Il Sodoma.

Loggia dei Mercanti. The Loggia dei Mercanti ("Merchants' Lodge") is a historical palace in Ancona, central Italy. The palace was begun in 1442 by architect Giovanni Pace, also known as Sodo, in an economically flourishing period for Ancona. It was built near the port, which was the trade point of the mercantile republic in medieval times, in order to provide a meeting point for the traders.

Brunelleschi's design was based on Classical Roman, Italian Romanesque and late Gothic architecture. The loggia was a well known building type, such as the Loggia dei Lanzi. But the use of round columns with classically correct capitals, in this case of the Composite Order, in conjunction with a dosserets (or impost blocks) was novel. So too, the circular arches and the segmented spherical domes behind them.

The Rathauslaube – as the Renaissance style Loggia is called – is a replacement of a previous loggia on the same location. The council initiated a lengthy design process in 1557, which lasted until 1562. In July 1567 the council approved the design by Wilhelm Vernukken from Kalkar to be built, with construction lasting from 1569 to 1573.Isabelle Kirgus: Die Rathauslaube in Köln (1569–1573), Bouvier, Bonn, 2003 The loggia consists of a 2-storey, five-bay long and two-bay deep arcade, which functions as entrance to the councils main hall (Hansasaal) at ground level, and as balcony for the main hall on the upper floor.

The exterior wall of the enclosed loggia contains 4 four over four double-hung sash windows which break the original symmetry of the facade. The front door and most of the interior doors contain four recessed panels, the door between the northern main room and the bathroom has five panels, and the door from the bathroom to the enclosed rear loggia is a modern six-panel door. The rear door present at the back of the central passageway when the house was listed on the National Register in 1994 did not include any panels and was likely not original. The current rear door of the enclosed loggia has four panels.

George Carpetto, "Giuliana Cavaglieri Tesoro." In Italian Americans on the Twentieth Century, ed. George Carpetto and Diane M. Evanac. Tampa, FL: Loggia Press, 1999, p.372.

Archaeologists have found partial remains of a coquina and brick fireplace in the north room. The loggia contained a stairway to the second floor and bedrooms.

He was buried, with other illustrious people from Livorno, in the loggia next to the church Santuario della Madonna di Montenero in the village of Montenero.

The film stars Glenn Close, Jeff Bridges, Peter Coyote and Robert Loggia, who was nominated for the Academy Award for Best Supporting Actor for his performance.

Forget About It is a 2006 American comedy film directed by BJ Davis starring Burt Reynolds, Robert Loggia, Charles Durning, Raquel Welch, Richard Grieco and Kimberley Kates.

Mistrial is a 1996 American drama film written and directed by Heywood Gould and starring Bill Pullman, Jon Seda, and Robert Loggia. The film aired on HBO.

380px The Loggia Palace () is a Venetian Gothic palace in Koper, a port town in southwestern Slovenia. It is the only preserved Gothic town hall in Slovenia.

All flats are in the southern part of the complex. The flat area is between 70 m² and 535 m², and each contains a balcony or loggia.

The significant components of Traralgon Post Office include the main postal building of 1886 and the extension of the loggia to Kay Street undertaken in the 1920s.

The name Loggia dei Lanzi dates back to the reign of Grand Duke Cosimo I, when it was used to house his formidable landsknechts (In Italian: "Lanzichenecchi", corrupted to Lanzi), or German mercenary pikemen. After the construction of the Uffizi at the rear of the Loggia, the Loggia's roof was modified by Bernardo Buontalenti and became a terrace from which the Medici princes could watch ceremonies in the piazza.

On the loggia-style facade of the upper two floors, each bay is separated by a Corinthian column. An entablature is located at the top of the loggia, wrapping along both sides. The 36th Street annex is the same height as the original building. The base is composed of a storefront, topped by three sets of sash windows, corresponding to the height of the base in the original building.

In the righthand group is a self-portrait of the artist with some of his relatives. The loggia in the background could be a representation of the Ospedale di San Paolo (St. Paul's Hospital), which was then under construction in the same square as Santa Maria Novella. The two buildings on the sides are examples of typical edifices of 15th-century Florence, characterized by rustication and an upper loggia.

Castello Estense, seat of the Duke, received major damage and became unfit for use. The Palazzo della Ragione (town hall) partially collapsed, as did the enclosure walls of both Loggia dei Banchieri and Loggia dei Callegari, in front of the Dome. Palazzo Vescovile (the Bishop's Palace) was destroyed, and had to be rebuilt. Minor damage was inflicted on the Cardinal Palace, Palazzo del Paradiso, Palazzo Tassoni and Duke Alfonso's personal palace.

Located on a prominent corner site, the post office is a symmetrical two-storey brick building with a hipped roof and projecting stuccoed single-storey arched loggia. The side elevation has cement rendered banding. A corner addition above the loggia has a hipped roof extended from the bracketed eaves, wide brick-arched window openings, a Dutch gable and Federation Arts and Crafts lettering in cast cement.Australia Post Historic Properties Survey - NSW.

Loggia del Bigallo, Florence; sculpture attributed to Alberto Arnoldi Alberto Arnoldi (or di Arnoldo) was a 14th-century Italian sculptor and architect. He was born in Florence. In 1364, he made the colossal group of the Madonna and Child with two angels (originally attributed by an error of Giorgio Vasari to Andrea Pisano) for the Loggia del Bigallo in Florence. Arnoldi worked at this group from 1359 to 1364.

Arte Cultura Ferrara Website. Across from the garden and fountain is a loggia. Its frescoed ceiling depicts a vine arbor with grapes, from which peer animals such as birds, squirrels, and monkeys. It was restored in 1938 by the painter Augusto Pagliarini.Arte Cultura Ferrara Website. It is said that in this loggia was first represented l'Aminta by Torquato Tasso, a friend of Marfisa.Pro Loco Ferrara, entry on Palazzina.

Statue of Michele di Lando, Loggia del Mercato Nuovo, Florence The loggia was built around the middle of the 16th century in the heart of the city, just a few steps from the Ponte Vecchio. Initially, it was intended for the sale of silk and luxury goods and then for the famous straw hats,Capecchi G., Baldini L., Agostiniani L. (2003). Palazzo Pitti: la reggia rivelata. Giunti, page 512.

The property is surrounded by a 4-foot plastered masonry wall with an 18-inch high wrought iron railing above. The small, diagonal front chamfered gate is also built in wrought-iron. The frontal facade consists of a concave shape and incorporates a podium porch, Ionic columns, a recessed loggia, and a cornice with a battlement parapet above. The raised loggia porch incorporates concrete balustrades the full length of the balcony.

Torre dell'Orologio, Brescia Close-up of the clock face The Torre dell'Orologio is a 16th-century tower located on the Piazza della Loggia, Brescia, Italy. It houses an astronomical clock. The tower was constructed between 1540 and 1550 to the design of Lodovico Beretta, a Brescian architect, one of the designers of the Palazzo della Loggia. Its astronomical clock was installed between 1544 and 1546, probably replacing a previous mechanism.

Of the original structures, the long dormitory hall, the Corsia is accessed by Via Palazzuolo. The Loggia (1489-1496) on the piazza is supported by Corinthian columns, and was influenced by Brunelleschi's Loggia for the Foundling Hospital at Piazza Santissima Annunziata. In the spandrels are medallions of Franciscan saints by Andrea della Robbia. In the center is a bust of Ferdinando I de'Medici (circa 1594) by Pietro Francavilla.

The oldest, main facade overlooking piazza Mazzini is in neoclassical style. On the ground floor there is the "Loggia delle grida" or "Loggia della Magnifica Comunità" where the neighborhood was located. A commemorative plaque on the right of the entrance recalls the battle of Solferino on June 24, 1859 and the French marshal François Certain de Canrobert. On the first floor there are four windows with a central balcony.

Other building features include the four-arched arcade loggia with skillion roof form finished with corrugated galvanised iron roofing; cast iron Corinthian order pilasters to loggia on sawn bluestone plinths; Four clock faces and mechanism manufactured by Charles Prebble; timber post and picket fences; round-arched timber-framed double-hung sash windows and four-panelled timber doors throughout; moulded timber architraves; dressed bluestone thresholds; polished timber stair and balustrade.

The loggia in front of the entrance of the museum was entirely frescoed with plant motifs and completed by the wonderful stucco baskets filled with fruits and vegetables.

Coldblooded is a 1995 American black comedy/thriller film about hitmen directed by Wallace Wolodarsky and starring Jason Priestley, Peter Riegert, Robert Loggia, Kimberly Williams and Janeane Garofalo.

Detail of the loggia. Photo by Paolo Monti, 1975. Fondo Paolo Monti, BEIC. The Villa was first built by the Mozzoni family in 1400 as a hunting lodge.

Tamworth Post Office still retains the features which make it culturally significant, including the prominent clock tower, arcaded loggia, stucco wall finish and the cast-iron spiral staircase.

In 1523, with Giulio de' Medici's ascension to Pope Clement VII, work restarted and the apartment and garden loggia were completed that year. The decorations of the Villa are by Giulio Romano and Baldassare Peruzzi, both major architects in their own right; Giovanni da Udine completed the bas-reliefs in stucco, inspired by the classic Ancient Roman reliefs unearthed from the then rediscovered Domus Aurea of Nero; and finally, both Giovan Francesco Penni ("il Fattore") and the Florentine sculptor Baccio Bandinelli worked there too. Aside from the Raphael loggia, the villa's greatest artistic element is the salone painted by Giulio Romano, with its magnificent vaulted ceiling. Ceiling decoration of one bay of the garden loggia (Giovanni da Udine, c.

A fourth "hidden" floor under the roof was for servants; with almost no windows, it is quite dark inside. The palace contains an off-center court (three sides of which originally were surrounded by arcades), built to a design that may have been adapted from Brunelleschi's loggia at his Spedale degli Innocenti. In the triangular Piazza dei Rucellai in front of the palace and set at right angles to it is the Loggia de' Rucellai, which was used for family celebrations, weddings, and as a public meeting place. The two buildings (palace and loggia) taken together with the open space between them (the piazza), form one of the most refined urban compositions of the Italian Renaissance.

The ceiling in the loggia was painted deep blue.Woolley, C. Leonard, Excavations at Tell el-Amarna, The Journal of Egyptian Archaeology, Vol. 8, No. 1/2 (Apr., 1922), pp.

The Right to Remain Silent is a play by Mark Fauser and Brent Briscoe that was adapted for a television film in 1996 starring Robert Loggia and Lea Thompson.

The Ladies' Palace (Loggia delle Dame), built by Bramante, was reserved to the Duchess and the ladies of the court. A building for the breeding of falcons (Falconiera) and stables for horses (Scuderie) were also part of the castle. The Falconiera was connected to the Ducal Palace through a loggia elevated over the ground. The tower of the castle (Bramante Tower) was modeled after that of the Milan Castle, designed by Filarete.

The loggia extends into the living/dining space, which is cantilevered out over the small stream. The living room revolves around a large fireplace, and is adjoined by the dining area. A small kitchen is a two-story space, with a small stairway leading downward to the lower level bedroom. The main bedroom wing is raised half a story above the loggia, with a hallway/gallery on one side and three bedrooms and two baths.

Raised course lines for the ground and first floor divisions provide the springing points for all arches. The original basement areas are defined by coursed rock-faced bluestone walling. The loggia provides access to bays of private letter boxes and the entrance doors at each end of the loggia space have been replaced. Added in 1890, the central four-stage tower has clock faces surmounted by pediments with a small mansard roof behind.

The house's exterior double loggia is rare. The house is not a proclamation of status as such a house once would have been; it is instead a "theatre of delight".

The Diary of Preston Plummer is a 2012 American drama film written and directed by Sean Ackerman and starring Trevor Morgan, Rumer Willis, Erin Dilly, Christopher Cousins and Robert Loggia.

The Don's Analyst is an American television film that starred Robert Loggia, and premiered on Showtime on September 6, 1997. It predated the very similarly plotted 1999 movie Analyze This.

They all have significant, modern restorations. The Feldherrnhalle in Munich, commissioned by King Ludwig I of Bavaria to honor the tradition of his military, was modelled after the Loggia dei Lanzi.

The interiors of the palazzo are visitable thanks to guided tours on Saturday and Sunday. The park is open every day, with free entrance. Genovese loggia in the internal court yard.

Parts of the 1987 film Hot Pursuit with John Cusack, Wendy Gazelle, Robert Loggia, Jerry Stiller, and Ben Stiller (in his first starring role) were filmed in and around the area.

The birth of Romulus and Remus The Loggia di Romolo e Remo is an unfinished, 15th century fresco by Gentile da Fabriano depicting episodes from the legend in the Palazzo Trinci.

Donatello's Judith and Holofernes was already placed in the Loggia dei Lanzi in the westernmost arch.Cole, p. 217. Judith had been cast in bronze, but in several sections jointed together.Cole, 220.

The extension to the right has on first floor Ionic 3-bay loggia with arched central bay, a further extension to right terminates in a rendered pavilion possibly concealing water tower.

The city was awarded a gold medal for its resistance against Fascism in World War II. On 28 May 1974, it was the seat of the bloody Piazza della Loggia bombing.

Academy Award nominee Robert Loggia voiced the player's commanding officer, Admiral Petrarch, and Admiral Bosch was voiced by Ronny Cox. Kurtwood Smith and Stephen Baldwin participated in bit roles as well.

Giunti Editore S.p.A. is an Italian publishing house founded in Florence in 1956. The company is based in Villa La Loggia, in via Bolognese, and affiliated offices in Milan. Giunti S.p.

Loggia del Grano, Florence The Loggia del Grano is a 17th-century rectangular building with an open ground floor arcade, located on Piazzetta del Grano, at the corner of via de' Neri and via de' Castellani, just southeast of the Palazzo Vecchio, in Florence, region of Tuscany, Italy; the portico served as the marketplace for grains while the upper stories were used for storage. The loggia was commissioned in 1619 by Grand Duke Cosimo II de'Medici from the architect Giulio Parigi, pupil of Bernardo Buontalenti. The bust of the Grand Duke stands on the facade on Via del Neri. In the 19th century, the upper structure was converted into a theater,Walks in Florence and Its Environs, Volume 1, by Susan Horner, page 276.

His loggia of the Palazzo degli Uffizi by the Arno opens up the vista at the far end of its long narrow courtyard. It is a unique piece of urban planning that functions as a public piazza, and which, if considered as a short street, is unique as a Renaissance street with a unified architectural treatment. The view of the Loggia from the Arno reveals that, with the Vasari Corridor, it is one of very few structures that line the river which are open to the river itself and appear to embrace the riverside environment. The Uffizi Loggia In Florence, Vasari also built the long passage, now called Vasari Corridor, which connects the Uffizi with the Palazzo Pitti on the other side of the river.

These had to be isolated and cooperation with the communists (the second biggest party in Italy and one of the largest in Europe), which was proposed in the historic compromise by Aldo Moro, needed to be disrupted. Gelli's goal was to form a new political and economic elite to lead Italy away from the danger of Communist rule. More controversially, it sought to do this by means of an authoritarian form of democracy. La loggia massonica P2 (Loggia Propaganda Due), Associazione tra i familiari delle vittime della strage alla stazione di Bologna del 2 agosto 1980. The list of P2 members is in the final report of the Italian Parliamentary commission of inquiry: Relazione di Maggioranza (Anselmi), Commissione parlamentare d’inchiesta sulla Loggia massonica P2, July 12, 1984.

Externally, this included the removal of a wood shingled roof that was evidently in the 1879 design and its replacement with an asymmetrical timber roof clad in corrugated galvanised iron, and the addition of a balcony and an arcaded loggia to Wynyard Street. The Wynyard Street frontage is marked at ground level by a five-bayed arcade, enclosing a loggia behind four of its arches and having the fifth, on the frontage's right, filled in by a double stilted arched window and face brick tympanum. The arches are in dressed stucco, and the piers and spandrels are all in face brick. The loggia is terminated compositionally by a moulded string course, with a face brick parapet under the first floor balcony.

Palazzo del Capitanio in Vicenza The palazzo del Capitaniato, also known as loggia del Capitanio or loggia Bernarda, is a palazzo in Vicenza, northern Italy, designed by Andrea Palladio in 1565 and built between 1571 and 1572. It is located on the central Piazza dei Signori, facing the Basilica Palladiana. The palazzo is currently used by the town council, inside the Sala Bernarda. It was decorated by Lorenzo Rubini and, in the interior, with frescoes by Giovanni Antonio Fasolo.

In 1996, he was the official candidate for the office of President of the Senate, but is defeated by former Minister of the Interior Nicola Mancino. From 2001 to 2006, La Loggia is appointed Minister of Regional Affairs in the Berlusconi II Cabinet and the Berlusconi III Cabinet. In 2006 and 2008, La Loggia is elected to the Chamber of Deputies with Forza Italia and then with the People of Freedom, holding his seat until 2013.

250px The façade has two tall bell towers with two orders in the right one, and three (including the first in Romanesque style, in the left one, which are joined by a small loggia surmounted by a tympanum. Most portals and windows have Gothic pointed arches (as also Frederick II's Castel del Monte has). The loggia houses a small statue of the Immaculate Virgin, while two statues of Sts. Peter and Paul are located at the tympanum sides.

The three arches facing the Piazza della Loggia were Filippo Grassi's contribution from 1492, supporting the frontal loggia. The white Botticino marble facade is vertically composed of two distinct architectural sections. The lower section, completed in 1501, there are a series of columns and pillars interspersed with pendentives. These hosted the important cycle of the thirty Caesars, twenty-four of which were sculpted by Gasparo Cairano, the pre-eminent exponent of sculpture in Renaissance Brescia, and six by Tamagnino.

In 1914, the Vanvitelli roof was replaced by a reproduction of the original roof. Old entrance through the staircase portal of the Loggia. Another building was added between 1503–1508 located on the northern side of the loggia, containing the staircase leading to the upper hall. The entrance at street level was another work by Gasparo Cairano; it contains a plaque from 1177 a conviction for treason and perjury, taken from the basilica of San Pietro de Dom.

The second unit, which is directly in the rear of the first, is somewhat smaller, being two stories high with a large basement. In the area between the buildings on the mauka side is the spacious swimming poole, 31 by 61 feet. On the makai side of the loggia is a court which can be used for parties and dining. Entrance from the loggia to the rear building is directly into the Elizabeth Fuller Memorial Hall.

Furthermore, the city loggia was the only construction feature that was depicted on the previous logo of the Konzerthaus. The reception counter and the cloakroom are located on the ground level. The foyer, with its diffuse light at daytime and its bright light at nighttime (similar to natural daylight), on the first floor provides enough space for receptions and exhibitions. The supporting columns end, similar to the columns of the loggia, in a transom, which is permeable to light.

Domenico V. Ripa Montesano, Vademecum di Loggia, Rome: Edizione Gran Loggia Phoenix, 2009, .Vittorio Gnocchini, L'Italia dei Liberi Muratori, Mimesis-Erasmo, Milan-Rome, 2005, p.145. On 12 May 1725, he became companion and Grand Master in the same day. On 11 May 1728, the Grand Master of the Premier Grand Lodge of England William Reid designated the brothers Geminiani for constituting in Naples the first Italian regular masonic Lodge, directly affiliated to the English Freemasonry.

Carlo Maderno designed the palaceHoward Hibbard, Carlo Maderno and Roman Architecture, 1580-1630, 1971. at the beginning of the 17th century for Asdrubale Mattei, Marquis di Giove and father of Girolamo Mattei and Luigi Mattei. He was also the brother of Ciriaco Mattei and Cardinal Girolamo Mattei. It was Maderno who was responsible for the extravagantly enriched cornice on the otherwise rather plain stuccoed public façade, the piano nobile loggia in the courtyard and the rooftop loggia or altana.

The Foundling Hospital defines the eastern side of the Piazza Santissima Annunziata, the other two principal facades of which were built later to imitate Brunelleschi's loggia. The piazza was not designed by Brunelleschi, as is sometimes reported in guide books. The west façade, the Loggia dei Servi di Maria, was designed by Antonio da Sangallo the Elder in the 1520s. It was built for the mendicant order, the Servi di Maria, but is today a hotel.

The north facade's loggia is respectful of the older downtown architecture, being flush with the original Main Street storefronts. The open-air front portion of the loggia contains a large fountain. The large, curved portion towards the top of the building is an open-air observation deck. The outermost point of the circle has space for a few people at a time to be surrounded by glass, allowing for views of the Ohio River and Main Street.

The Loggia Rucellai is an Italian Renaissance loggia in Florence, Italy. It stands opposite Palazzo Rucellai in the Via della Vigna Nuova, and faces onto Piazza de' Rucellai. It was built by Giovanni di Paolo Rucellai in the 1460s; it may have been designed by Leon Battista Alberti, but this attribution is disputed. Originally intended as a place for the Rucellai family to have weddings and other celebrations, it is now glazed and used as a shop.

The balcony overlooking Piazza Paolo VI, called the Loggia delle Grida, can be seen near the tower. It was destroyed by the French forces in 1797 and rebuilt in the 20th century.

The Madonna della Loggia is a painting attributed to the Italian Renaissance artist Sandro Botticelli, dating to c. 1467. A tempera on panel work, it is located in the Uffizi, Florence, Italy.

The series stars James Belushi, Dana Delany, Robert Loggia, Kim Cattrall, Bebe Neuwirth, David Warner, and Angie Dickinson. The episodes were directed by Kathryn Bigelow, Keith Gordon, Peter Hewitt and Phil Joanou.

The Provincetown Post Office Building on Commercial Street, still the town's only post office, was built in 1930. It is a brick two-story building with a loggia of three rounded arches.

However, his idea was rejected by the Weddells, and the loggia was completed without the staircase in 1946. Bottomley was paid $10,764 and received a ten percent commission for his drawings and construction.

Casa Romei, Ferrara A baldresca is an architectural element supporting a loggia. The element is of the medieval tradition and looks like a shelf with a supporting function. A baldresca has no columns.

Schwartz also designed a back-lit mural composed of images of HUD-financed building projects to be installed on the granite wall under the loggia, but this was canceled due to cost concerns.

The Piazza was only formalized in the 19th century with the addition of a tall loggia (1887) designed by Archimede Vestri. Behind the loggia is screened the medieval Palazzo Ballati with its tall crenelated tower. In number 15 Piazza Indipendenza is the Teatro dei Rozzi designed in 1816 by Alessandro Doveri and enlarged in 1874. The piazza itself was enlarged in the early 19th century by demolition of the church of San Pellegrino; hence it was previously called Piazza San Pellegrino.

As a student and assistant of Raphael, he was responsible for most of the "decorative" (i.e. non-narrative) elements of the major Raphaellesque projects in Rome, and he was a specialist in fresco and stucco grotesque decorations. These included the stucco work in the Loggia di Raffaello (Vatican, 1517–1519) and the heavy fruit-laden wreaths in the loggia di psiche in the Villa Farnesina. He also assisted in the construction of a few monumental fountains, which are now destroyed.

The former United States Post Office and Custom House building is located at the southern end of downtown St. Albans, on the west side of South Main Street at its junction with Stebbins Street. It is a two-story L-shaped brick building with Colonial Revival styling. The main facade is nine bays wide, with a three-bay entrance area recessed behind a three-arch loggia. A narrow metal balcony runs above this loggia, with tall doubled windows above each arch.

One of the building's most appealing features is a two-story colonnade supported by monumental Tuscan columns. The colonnade faces the courtyard and supports the loggia on the first and second stories, while simple, square piers support the third-level loggia. Wrought-iron balusters are located on the first and second floors on portions of the colonnade. Decorative elements within the courtyard, including colorful mosaic tiles and urns, emphasize the Mediterranean Renaissance Revival style of the building, which blends classical and exotic motifs.

The east elevation has a verandah with a deep central loggia created by the projection of the northern and southern wings beyond the east cross wing. This loggia has two pairs of cast iron columns, centrally located along the line of the verandah wall, supporting a timber truss beam. The ceiling to this space has timber boarding, raked at the sides, with a central pendant lamp. Each projecting wing has a square timber bay with sash windows to floor level.

Salvatore Loggia was born in Staten Island, New York City, New York, on January 3, 1930, to Biagio Loggia, a shoemaker born in Palma di Montechiaro, Province of Agrigento, Sicily, and Elena Blandino, a homemaker born in Vittoria, Province of Ragusa, Sicily. He grew up in the Little Italy neighborhood, where the family spoke Italian at home. He graduated from New Dorp High School before taking courses at Wagner College. In 1951, he earned a degree in journalism from University of Missouri.

In 1979, the architects Weisberg, Castro Associates, following designs prepared in 1978 by the architect James R. Lamantia (1923–2011), restored the northern half of the structure, a renovation undertaken by the Central Park Community Fund and financed in part by Revlon, Inc. The renovated building reopened on November 17, 1979. In 1981, the newly formed Central Park Conservancy rebuilt the loggia that had been demolished in 1955. The loggia was designed by James R. Lamantia and the firm of Russo + Sonder.

A side entrance for Postal Telegraph employees was also provided on Murray Street in the original design. The side entrances on Broadway were removed in a 1937–1938 renovation, as were the small storefronts under the loggia on either side of the entrance. The storefront on the left, at the Murray Street corner, was restored between 1990 and 1991. The 2nd and 3rd stories on Broadway are clad with glass bricks and recessed within a loggia supported by four columns.

In 1941, Virginia Weddell hired architect William Lawrence Bottomley and purchased antique stone columns from the Spanish Duke of the Infantado to reconstruct an ancient Spanish loggia on the southwest elevation of the house. Bottomley was able to incorporate the existing parapets, finials and pierced railings and posts from the north library bay windows into the loggia design, with a ceiling, reconstructed from a sixteenth-century house on the grounds of a manor in Knole, Kent, England. Wall tiles were used which indicated the use of gunpowder on the original property. Bottomley, however, was quite critical of his own work and believed his loggia was too symmetrical and lacking in the quality of picturesqueness and romance that the rest of the house displayed and proposed an octagonal stairway be added on the outside corner.

Entrance to the grand stairs of the Palazzo della Loggia (1503–1508) By 1508, construction work was completed at the north of the Loggia,This is the year reported on the front of the bridge towards the square, probably indicating the date of completion of work. which contained the staircase to access the upper level of the public building. The construction is designed as a body in itself, separated from the main building by a path and connected to it by a covered overpass, a configuration that has come down to us intact. The contribution of Cairano, who at that point returned to the Loggia after at least five years of a stellar career elsewhere, is the portal to the ground floor of the annex and in some ornamentation on the overpass.

White Mile is a 1994 American made-for-television thriller-drama film directed by Robert Butler and starring Alan Alda, Peter Gallagher and Robert Loggia. It originally premiered on HBO on May 21, 1994.

In 2010, Loggia was diagnosed with Alzheimer's disease. He died on December 4, 2015, of complications from the disease, at his home in the Brentwood neighborhood of Los Angeles, at the age of 85.

LeGros married actress/photographer Kristina Loggia in 1992 and together they have two sons. Their son Noah is also an actor.Noah Le Gros Checks In by Stephen Schaefer, The Boston Herald, July 8th 2020.

It has a red hipped roof topped by a skeletal glazed dome. It features a pedimented projecting central bay and entrance loggia. It was listed on the National Register of Historic Places in 1982.

The Lady Lever Memorial is in the form of a loggia at the west end of the church. It is in three bays, and is richly decorated, with buttresses, pinnacles, niches, and an embattled parapet.

Castel Goffredo Town Hall (also called Palazzo della Ragione) and Loggia della Magnifica Comunità are located in Piazza Mazzini in Castel Goffredo, in the Province of Mantua (Italy). It is the seat of the municipality.

It relates exceptionally well to No.164, adjoining, and the Court House opposite. The building is unusual in combining a Free Classical palazzo form with an attached stuccoed loggia. The loggia compares with that on the post office at Narrabri (1879) and possibly that at Richmond (1875) but is enriched by upper- level additions with the Dutch gable motif. The place has a strong or special association with a particular community or cultural group in New South Wales for social, cultural or spiritual reasons.

Perseus with the Head of Medusa by Benvenuto Cellini Perseus with the Head of Medusa, in the Loggia dei Lanzi, Florence Perseus with the Head of Medusa is a bronze sculpture made by Benvenuto Cellini in the period 1545–1554. The sculpture stands on a square base which has bronze relief panels depicting the story of Perseus and Andromeda, similar to a predella on an altarpiece.Shearman, “Art or Politics,”. It is located in the Loggia dei Lanzi in the Piazza della Signoria in Florence, Italy.

The subject building then housed other government offices. It has been said that under the direction of Walter Liberty Vernon Government Architect 1890-1911, the single storey portico was added, to match the portico on the post office which was adjacent; but this has not been verified (Heritage Office File). Stylistically the Telegraph Office (former CBA building) loggia is in harmony and well integrated with its own facade design. The Armidale Post Office loggia was added in 1897 designed by Vernon (Heritage Office File).

Its facade consists of a rusticated lower floor below the piano nobile portico, a loggia with a three-quarter eight-columned Corinthian colonnade supporting a triangular pediment with armour decorations by Stepan Pimenov and Vasily Demut-Malinovsky. The entrance staircase is flanked by two Medici lions, specially cast for the palace in 1824. The arches and windows of the first floor are decorated with stone lion heads. The facade facing the Mikhailovsky Garden consists of a large loggia-colonnade, while Corinthian colonnades decorate the building's wings.

Together, the three parts measure long and occupy the entire south side of the block between Bay Street in the east and York Street in the west. The facade of the Front Street entrance includes 22 colonnaded loggia constructed with limestone. The exterior Front Street façade is laid out in an ashlar pattern, constructed with smooth beige Indiana and Queenston limestone. The colonnaded loggia which faces Front Street features 22 equally spaced Roman Tuscan columns made from Bedford limestone, each high and weighing 75 tons.

In keeping with the concept of the marine villa, rooms opening onto the verandahs and loggias feature French doors. By 1902 Bomera was extended at its eastern side in the Federation style by the addition of a servants' wing, bridging the gap between the stables and the house, and reflecting the line of the open loggia added in the 1870s. This was removed in 1941 with the exception of two rooms adjoining the house. The two storey loggia appears to have been infilled at this time.

Loggia del Grano Chiarissimo d'Antonio Fancelli (died 1632) was an Italian sculptor and architect of the late-Mannerist and Baroque periods, mainly active in Tuscany. Domenico Pieratti and Giovanni Battista Pieratti were his pupils. It is unclear how he fits into the large pedigree of Tuscan sculptors including Cosimo and Luca Fancelli. When Cosimo II de' Medici built the Loggia del Grano in Florence, Chiarissimo Fancelli provided a bust of Cosimo, and a fountain on the corner of the building, the Fontana del Mascherone.

It was reported to be in good physical condition as of 1 July 1999. Although the building has had numerous modifications the integrity of the original palazzo form with 1897 Queen Anne loggia, remains visually intact.

Over the decades Frank Duncan and his family added some extensions to suit their needs: a bedroom, a garage, and loggia (outdoor covered patio area), modest in scale, and in materials harmonising with the original house.

Armed and Dangerous is a 1986 American comedy film directed by Mark L. Lester and starring John Candy, Eugene Levy, Robert Loggia and Meg Ryan. It was filmed on location in and around Los Angeles, California.

The present statue is a copy of the original now kept in the Bargello. Before the statue of Bacchus, the site had a statue of Centaurus, also by Giambologna, now moved to the Loggia della Signoria.

Also in this age the Romanesque-style octagonal tambour, featuring a circular loggia with small columns, was added over the arms' crossing. Starting from 1512, Bramantino built the Trivulzio Mausoleum, which obstructs the Palaeo- Christian façade.

A notable example of the use of baldrescas is in the Casa Romei (a 15th-century building located in Ferrara, known precisely for a peculiar mixture of medieval and Renaissance elements), where they support the east loggia.

The Pope awaited his son in the loggia above the entrance to the Vatican Palace, in the company of Cardinal Juan de Borja, Cardinal Giovanni de San Giorgio, Cardinal Juan Lopez, Cardinal Cesarino, and Cardinal Alessandro Farnese.

The exhibition follows a thematic order: history, landscapes, portraits, views of Naples. Other halls of the castle, such as the Hall of Charles V and the Loggia Room, are finally destined for temporary cultural exhibitions and initiatives.

In 1514 the possession of the city was returned, after a quarrel with the brothers, to Giovanni Francesco II Pico della Mirandola: the ceremony took place right under the loggia of the Palazzo della Ragione. In 1573, on the occasion of a dispute between the guardians of the heirs of Ludovico II Pico, a document was read in public under the loggia of the Palazzo della Ragione, opposite the square. No other evidence can be found until the 18th century, although the palace is well recognizable in the topographic maps of the 16th-17th centuries.

The loggia on the yard is still decorated with a cycle of Renaissance frescoes representing the life of King Solomon, alternated with tondi representing women and winged putti.Gigli (1992) p. 120 Behind the loggia there are several rooms decorated during the Renaissance with frescoes and elaborated coffer ceilings, the most notable of them being the one decorated with the coat of arms of the house of Cesi. In 1950 a living room at the ground floor has been decorated with ten frescoes representing the seats of the Salvatorian order around the world.

The painting depicts a bedroom where an Annunciation takes place following an unusual scheme: the angel is on the right, holding a white lily, and has got in from a loggia which opens to a garden (the hortus conclusus). His right arm is pointing at the Father God who has shown in a cloud and is blessing Mary from inside the loggia. Mary is portrayed in the left foreground, looking at the spectator and raising her hands in a surprised gesture. Stylistically, Lotto used expressive gestures and somewhat under-size heads.

The large arcades of the loggia are open on three sides of the building. The second level, corresponding to the late sixteenth century, houses large pilasters framing big windows in series, each corresponding to the arch of the loggia below, and encompassing the four faces of the building. The original roof made of wood covered with lead sheets, in the shape of a boat's hull, was destroyed in a fire in 1575, in which three paintings by Titian were also lost. Until 1769 when a ceiling by Luigi Vanvitelli was installed, a temporary cover remained.

From the same side, a door leads to a ladder and then to the magnificent loggia known as the Loggia Carolina built in oriental style. The staircase of the tower leads through a drawbridge to a small room with small windows and a stalactite ceiling, which was the bedroom of Count Cesare Mattei. Here, the original furniture and pipes owned by the count are still preserved. There is also the ‘Vision’s Staircase’ (Scala delle visioni) which is allegorical depiction in the vault representing the new homeopathic science winning over traditional medicine.

Erlangen station, about 1910 The now listed station building was designed by Eduard Rüber and built as a single-storey sandstone building. It consisted of an open central building which had waiting rooms for passengers as extensions to the north and south. Between 1868 and 1870, the first reconstruction was carried out by Friedrich Bürklein, in which the entire building was enlarged and the veranda was converted into an open loggia with Renaissance Revival elements. The loggia was enclosed in 1919 and it was replaced in the 1950s by a modern waiting room.

Bomera is a two-storey, Italianate styled marine villa located above Cowper Wharf Road, concealed at street level by the large retaining wall, but prominent from the water. It reflects the design and planning of classically influenced double pile houses erected in the first half of the nineteenth century. Such houses often featured a single storey loggia between projecting bays and an entrance vestibule wider than other circulation areas. At Bomera the loggia is expressed at ground floor level on the north side with the first floor expression of the verandah continued in cast iron.

Perhaps this is the reason for the return of Tamagnino to Brescia. A tantalising project was the commission of the Palazzo della Loggia, in which he participated between November 1499 and June 1500. Sculptural works that had begun at the Loggia in 1492, when Tamagnino had left Brescia, were now the hegemony of Gasparo Cairano, for some years considered as a court sculptor by the Brescian grandees, both public and private. The two artists, therefore, a decade after their mutual debut, now returned to compete for the most prestigious commission in Brescia of the moment.

Fedi is best known for his sculpture of the Rape of Polyxena, or Pyrrhus and Polyxena (unveiled 1866), in the Loggia dei Lanzi in Florence, Italy. Fedi had a studio at 89 Via de Serragli. He also completed two of the statues of illustrious Tuscans, Niccola Pisano and Andrea Cesalpino, for the Loggiato degli Uffizi which is adjacent to the Loggia dei Lanzi. His other works included a sculptural group of the Fury of Atamante, King of Thebes, The Genius of Fishing, Hope Nourishing Love, Hyppolite and Dianora del Bardi, and Castalla persecuted by Apollon.

A stair loggia with a deck above opened onto a sidewalk between the main building and Fountain Circle; the loggia was enclosed and access to the deck removed sometime after 1934. The northwest side was originally an open courtyard overlooking the Big Spring, but further additions now cover the entire area. The basement was used to house slaves who were being kept as collateral for mortgages by their owners. Windows on both floors on the Fountain Circle side are the same as those on the second floor of the main building.

The first floor residence is accessed via the western side walkway to an internal staircase with turned timber balustrade. The first floor, consisting of rooms along the loggia with a passage behind, has sash windows to the rear with a bathroom at the western end. A kitchenette has been added above the staircase and is accessed from the loggia. The ground floor is accessed via a central foyer with painted double timber doors, with etched glass panels and sidelights with a timber pedimented surround, which leads into the nightclub space.

The first floor loggia consists of three arched bays with rendered balustrade, separated by pilasters supporting deep cornices on either side of a raised central rounded pediment surmounted by a shield. Sash windows open onto the loggia, with a door at the eastern end. The rear of the building has metal framed hopper windows with a two-storeyed, skillion roofed amenities addition on the western side, and a single-storeyed carport/loading area with roller doors beside. Internally, the central foyer splays open off a short hall and has a shop at the rear.

A gable vent of curved tiles sits below the low pitched gable roof clad with Marseilles tiles. Within the west loggia, a stairtower sits between the formal entrance and the minor entry porch which has a decorative roof edge capping of round tiles. The upper loggia has two sets of paired open round arches screened with timber blinds. At ground level in each of the end pavilions, a projecting central bay capped with round roof tiles is flanked by pairs of casement windows decorated with wrought-iron window grilles.

An extensive hardwood dance floor survives. The dining area and the meeting room open to the front balcony and east loggia which offer a fine prospect to the old Exhibition Building, the RNA showgrounds and lower Victoria Park. The living quarters of the east pavilion are accessed from the east loggia and include a bathroom, kitchen, living room, bedroom, storage area, balcony and rear verandah entrance to Herston Road. In contrast to the restrained decoration of the public areas the living quarters has a number of decorative cornices in an Art Deco style.

Silvio Berti (31 January 1856 – 29 July 1930) was an Italian freemason, politician and lawyer. He was the 7th mayor of Florence.scheda senatoFulvio Conti, Firenze massonica. Il libro matricola della Loggia Concordia (1861-1921), Firenze, Ed. Polistampa, 2012.

The Believers is a 1987 American crime thriller horror film directed by John Schlesinger, released in 1987 and starring Martin Sheen, Robert Loggia and Helen Shaver. It is based on the 1982 novel The Religion by Nicholas Conde.

A specific contract for his work in painting the ceiling of the Loggia della Corte de Mercanti in Siena is known. Documenti per la storia dell'arte senese, raccolti ed illustrata. Volume 3 by Gaetano Milanesi. (1856) Page 217.

In the piazza in front of the church is a bronze statue of Angelo Celli, by Angelo Biancini, erected in 1959, in front of the loggia built in 1885.Comune of Cagli Tourism entry. Region of Marche, tourism site.

Robert Loggia reprised the role of Nick Mancuso for the NBC series, Mancuso, FBI, which lasted one season in 1989-1990. Charles Siebert and Randi Brooks also reprised their roles from the miniseries and became part of the cast.

He was described by director and critic Harold Clurman as "universally acclaimed the finest American actor in the generation which followed John Barrymore; the Lunts are absolute angels." Harold Clurman. The Collected Works. Ed. Marjory Loggia and Glenn Young.

Windows of the second floor are richly decorated. There is Hermes's head on each keystone. Pillars are decorated with stucco work of caduceus. The central window on the second floor is designed as a loggia with a small balcony.

The other chambers of the complex included a ward for female patients, an oratory or prayer room, a pharmacy, and a kitchen. There was an upper floor with a number of rooms as well as a loggia or balcony.

Villa Medici The villa's Loggia dei leoni, including copies of the original Medici lions The French Academy in Rome () is an Academy located in the Villa Medici, within the Villa Borghese, on the Pincio (Pincian Hill) in Rome, Italy.

It was founded in 1995 by Ferdinando Adornato and Ernesto Galli della Loggia, as a liberal-democratic inspiration foundation that bridged between the left opposition (formed by the Democratic Party of the Left) and that of the Centre (composed by the Italian People's Party), to build a new alternative to the Centre-right coalition of Silvio Berlusconi. The first steering committee included: Ferdinando Adornato, Antonio Baldassarre, Augusto Antonio Barbera, Rodolfo Brancoli, Carlo Azeglio Ciampi, Franco Debenedetti, Diego Della Valle, Ernesto Galli della Loggia, Alfio Marchini, Mino Martinazzoli, Vittorio Merloni, Angelo Panebianco, Sergio Romano, Cesare Romiti, Giorgio Rumi and Marco Tronchetti Provera. The official organ of the foundation was the monthly "Liberal". In 1998 Galli della Loggia left «Liberal» and the foundation, at the behest of its president Adornato, gradually approached the centre-right coalition, up to the adhesion of the same Adornato to Forza Italia.

L'impero dei Salvo According to the pentito (Mafia turncoat) Francesco Campanella, Antonio Mandalà and La Loggia in the 1990s agreed on the master plan for the shopping centre they wanted to develop in the town of Villabate, which aroused the interests of politicians and the Mafia. 'Villabate: Schifani e La Loggia concordarono il Prg con il boss', La Repubblica (Palermo edition), May 11, 2006 Schifani, La Loggia and the civil engineer Guzzaro -– the consultant who advised the town -– would share the consulting fees for drawing up the master plan. The master plan of the town of Villabate was designed under specific instruction of Antonino and Nicola Mandalà (Antonino’s son who was responsible for the logistics to keep the fugitive Mafia boss Bernardo Provenzano at largeMafia men get 300 years in jail, BBC News, November 16, 2006). They conspired with the local Mafia families and politicians to skim from the public contracts.

On the death of his uncle, Cardinal Scipione Borghese took up residence and undertook changing the garden to a loggia and hanging garden.Blunt, Anthony. Guide to Baroque Rome, Granada, 1982, p.167. Falda's engraving of the Porto di Ripetta in the 1660s showing the loggia, gardens and gate as seen from the Tiber side, is published by Blunt, 1972, p.254, illustration 104 In 1671-76 Carlo Rainaldi added new features for Prince Giovan Battista Borghese; the most extensive changes were made on the newly raised ground floor of the long wing extending towards the Tiber, ending with river views, which the Borghese found the most congenial dwelling spaces: Rainaldi added the columnar loggia to Ponzi's end facade (illustration, right), and on the interior a richly stuccoed oval chapel, and the narrow barrel-vaulted galleria, the highly charged Cortonesque decorative details of which were designed by Giovan Francesco Grimaldi (1606-1680).

Giuseppe La Loggia was lawyer and university professor of labor law at the University of Palermo. Son of Enrico La Loggia, Undersecretary of Finance in 1921, one of the proponents of the Sicilian Statute, and father of the former minister Enrico La Loggia. He was elected deputy to the Sicilian Regional Assembly among the ranks of the Christian Democracy in 1947, and remained so until 1967. He immediately became Assessor for agriculture and forests in the first and second Alessi governments (from 30 May 1947 to 8 March 1948 and from 9 March 1948 to 11 January 1949) and later Assessor for finance in the first and second Restivo governments (from 12 January 1949 until the end of the legislature and from 20 July 1951 until the end of the legislature). From 1955 to 1956 he held the role of President of the ARS.

Holy Man is a 1998 American comedy-drama film directed by Stephen Herek, written by Tom Schulman, and starring Eddie Murphy, Jeff Goldblum, Kelly Preston, Robert Loggia, Jon Cryer, and Eric McCormack. The film was a critical and commercial failure.

The remaining stories are composed of six pairs of windows, one on each level. The ground-level arcade and attic loggia do not stretch around to this annex. The top of the facade contains a parapet below the original cornice.

East Campus dormitories connected by Grinnell's distinctive loggia. The residential part of campus is divided into three sections: North Campus, East Campus, and South Campus. North and South Campus' dormitories are modeled explicitly after the residential colleges of Oxford and Cambridge.

At the center of the castle stands the main tower. The courtyard of the castle ends with a terrace towards the village and the Lake Maggiore. On this side stands out a loggia open for public announcements to the village.

It was reported to be in good physical condition as at 1 July 1999. The building has been substantially extended along Kiewa Street and the original loggia filled in and a clocktower added. The major additions respect the original design.

In 1929, Grigore Cerchez has achieved the functional completion of the north-eastern corner of the palace, having created a loggia at the library's level. Above the library, a large storage area was built as an annex to the royal dormitory.

Revenge of the Pink Panther (1978) pitted Clouseau against the French Connection. It is the last in which Sellers played Clouseau. He died two years after its release. With co-stars Robert Webber, Dyan Cannon, Tony Beckley and Robert Loggia.

Ferruci, Francesco. "Italian Romanticism: Myth vs. History." MLN 98.1 (1983): 111-117: 113. In the late nineteenth century, a sculpture of the popular leader Michele di Lando was placed in a niche on the façade of the Loggia del Mercato Nuovo.

The building is four stories high, with a basement. It is high from sidewalk to roof ridgeline. The main entrance is set back from the southwest corner, at an obtuse angle. It is a loggia one bay wide and deep.

When Lynch told him to use his imagination, Blake decided to cut his hair short, part it in the middle, and apply white Kabuki make-up on his face. He then put on a black outfit and approached Lynch, who loved what he had done. Actor Robert Loggia, who had previously expressed interest in playing the role of Frank Booth in Lynch's 1986 mystery film Blue Velvet, was cast as Mr. Eddy and Dick Laurent. Lynch recalled that, upon learning of Dennis Hopper's casting as Booth, Loggia launched a profanity-laden rant at him, which would eventually become Mr. Eddy's road rage scene.

It has undergone restorations by Ludovico Salvetti, to a model by Pietro Tacca (1640) and by Stefano Ricci (about 1830). On the back of the Loggia are five marble female statues (three are identified as Matidia, Marciana and Agrippina Minor),Giovanna Giusti Galardi, The Statues of the Loggia Della Signoria in Florence Sabines and a statue of a barbarian prisoner Thusnelda from Roman times from the era of Trajan to Hadrian. They were discovered in Rome in 1541. The statues had been in the Medici villa at Rome since 1584 and were brought here by Pietro Leopoldo in 1789.

The house has a traditional Creole plan on both floors, with three rooms across the front and two rear rooms flanking the loggia. On the first floor, the dining room, with a black and white checkered marble floor, occupies the center of the house. To the right of the dining room is an art studio, and to the left is a pantry/service work area that was used later as a kitchen. None of the ground floor rooms are accessed by interior hallways, and must be entered via the front gallery or the loggia in the rear.

Son of former President of Sicily Giuseppe La Loggia, Enrico graduated in Law at the Bocconi University in Milan and taught State Accounting at the University of Palermo. He practices the profession of a cassation lawyer and an official auditor. He is elected for the first time in the city council of Palermo with the Christian Democracy in 1985 and is appointed councilor for cultural heritage, from 1987 to 1991, and councilor for urban police, from 1991 to 1992. In 1994, La Loggia joined Silvio Berlusconi's Forza Italia, with which he is elected Senator in 1994, in 1996 and in 2001.

With the Temple du Change, he was entrusted with completely recasting a 16th-century market exchange building housing a meeting space housed above a loggia. Soufflot's newly made loggia is an unusually severe arcading tightly bound between flat Doric pilasters, with emphatic horizontal lines. He was accepted into the Lyon Academy. A more creative trip to Italy was made when the mature Soufflot returned in 1750 in the company of the future Marquis de Marigny, the talented young brother of Madame de Pompadour, who was being groomed for his future as director of the King's Buildings (Bâtiments du Roi).

West-facing facade While the northern facade looks rather closed because of its pink-gray granite colonnade and its adherence to the consistently large height of the buildings on Bertoldstraße, the western side offers a wide glass front and includes the main entrance. The northern facade also features a sharp-cornered, grey concrete loggia at a height of approximately 20m. The loggia is carried by several columns and is supposed to be an outdoor representation of the inner spatial structure. It is intended to create the feeling of entering the concert hall itself when simply entering the square in front of the building.

The palace of King Manuel I, and his successors until King Henry I of Portugal, was a true palace of the Portuguese Renaissance. Done in the Manueline style, among others, the palace included various wings, loggia, balconies, gardens, and courtyards. The main loggia of the palace, facing the Terreiro do Paço, followed the style employed by King Manuel I at many of his palaces, most notably at the Royal Palace of Évora. The hallmark of the palace, not just in the Manueline era but in all its history, was its Tower of the King, in the southern wing.

The Feldherrnhalle on the Odeonsplatz Lions at the Feldherrnhalle by Wilhelm von Rümann Statue commemorating the Franco-Prussian war inside the Feldherrnhalle The Feldherrnhalle (Field Marshals' Hall) is a monumental loggia on the Odeonsplatz in Munich, Germany. Modelled after the Loggia dei Lanzi in Florence, it was commissioned in 1841 by King Ludwig I of Bavaria to honour the tradition of Bavarian Army. In 1923, it was the site of the brief battle that ended Hitler's Beer Hall Putsch. During the Nazi era, it served as a monument commemorating the death of 16 members of the Nazi party.

Two matching polygonal towers in the center are connected to the polygonal south turret by an open loggia that opens the main rooms of the house to the views of the Blue Ridge Mountains in the distance. The loggia is decorated overhead with terracotta tiles set in a herringbone pattern. The self-supporting ceramic tile vault and arch system was used extensively inside and outside of Biltmore, and was patented by Rafael Guastavino, a Spanish architect and engineer who personally supervised the installation. The limestone columns were carved to reflect the sunlight in aesthetically pleasing and varied ways per Vanderbilt's wish.

One of the loggias. On either side of the mausoleum are small rectangular chambers (4 by 2 meters) that open to the outside through richly- decorated loggias. The eastern loggia room has doorways opening onto both the central mausoleum chamber (via another intricate archway) and the southern Grand Chamber, while the western loggia connects only to the southern chamber. The loggias are triple-arched: a cedar wood canopy forms an arch resting on stucco-carved pillars that in turn rest on marble columns, with smaller muqarnas-carved arches crossing the space between the columns and the main walls of the structure.

The Annunciation, by Sebastiano Mainardi is located in the Baptistry Loggia beside the church. In the Baptistery Loggia to the south of the church are several small frescoes of saints, and a major work, The Annunciation, previously attributed to Ghirlandaio but now believed to be the work of Sebastiano Mainardi and dated to 1482. In front of The Annunciation stands the font, which was removed from the church and placed in this position in 1632. It is hexagonal, with a sculptured relief on the side, that to the front being the Baptism of Christ, with the two adjoining panels containing kneeling angels.

Under the inscription "READY AYE READY" it is recorded that the stone was laid on 1 December 1925 by the Chairman of the Metropolitan Fire Brigade Board and lists members of the board. The asymmetrical south elevation contains three bays of casement windows and a loggia to the ground floor and a verandah enclosed with casement and louvre windows to the upper level. The lintels of the windows are picked out in cream. The pillared loggia is reached by a flight of wide concrete steps from the garden and forms the main entrance to the south side of the upper level.

Coat of arms of Pope Innocent III, in the "Palazzo del Commendatore" Palazzo del Commendatore (Italian for "Palace of the Knight Commander"), a 16th-century enlargement of the complex, was erected under the pontificate of Pius V and dedicated to Monsignor Bernardino Cirillo, Commendatore from 1556 to 1575, regarded as one of the most famous Commendatori of the institute. The palace overlooks a quadrangular courtyard bordered by a double loggia with arches resting on doric columns in the lower loggia and on ionic columns in the upper one. The ceiling of the lower portico is a ribbed vault, the one of the upper portico is wooden; the area of the courtyard houses an impluvium, on the model of the houses in ancient Rome. The central arch of the lower loggia hosts a fountain erected by Paul V as a decoration for the Palace of the Vatican and later moved to the Palazzo del Commendatore by Alexander VII.

The heart of the garden was a courtyard surrounded by a three-tiered loggia, which served as a theater for entertainments. A central exedra formed the dramatic conclusion of the long perspective up the courtyard, ramps and terraces.Attlee, 2006: 21 The Venetian Ambassador described the Cortile del Belvedere in 1523: "One enters a very beautiful garden, of which half is filled with growing grass and bays and mulberries and cypresses, while the other half is paved with squares of bricks laid upright, and in every square a beautiful orange tree grows out of the pavement, of which there are a great many, arranged in perfect order....On one side of the garden is a most beautiful loggia, at one end of which is a lovely fountain that irrigates the orange trees and the rest of the garden by a little canal in the center of the loggia."Cited in Attlee, 2006: 21.

Annibale Maggi was a Venetian architect of the Renaissance period. He designed and help build the loggia del Consiglio in Padua in 1493, and was the architect of the house of San Giovanni degli Specchi. Also known as Annibale Bassano or da Bassano.

American Virgin is a 2000 comedy film directed by Jean-Pierre Marois. Its plot is about a young woman, Katrina Bartalotti (Mena Suvari), the daughter of an adult film director (Robert Loggia), who agrees to lose her virginity onscreen to spite her father.

The loggia leads into the double-height entrance hall. This has blind arcades on the side walls. Opposite the entrance is an open arcade leading to a north-south passage. Beyond this is the ante-room with its large, canted bay window.

The loggia on the left tower is an addition from the 16th century, while the fountain at the bottom of the same tower was completed in 1621. In front of the arch is Palazzo Gallenga Stuart, seat of the University for Foreigners Perugia.

There, the Ken Olsen Science Center was named after him in 2006, and dedicated on 27 September 2008. Its lobby features a Digital Loggia of Technology, documenting Digital's technology and history, and an interactive kiosk to which former employees have submitted their stories.

The house's front entrance is surrounded by an arched porch with a balcony on its roof. A loggia is located above the entrance on the house's third level. The house was added to the National Register of Historic Places on January 29, 1987.

The Central rail station, in Iași, built in 1870, had as a model the architecture of the Doge's Palace. On the central part, there is a loggia with five arcades and pillars made of curved stone, having at the top three ogives.

Elvira Hancock is a fictional character in the 1983 American mob film Scarface, portrayed by Michelle Pfeiffer. This proved to be her breakthrough role. She is the mistress of Frank Lopez (Robert Loggia) and after his death, becomes the wife of Tony Montana (Al Pacino).

The word satram (సత్రం) is still used for such type of resting places in Telugu states. In West India the form used is chowry or chowree (Dakhan. chaori). A pillared hall, a shed, or a simple loggia, used by travellers as a resting-place.

The museum is located on the ground floor and the first floor of Palazzo della Loggia. On the ground floor it is possible to see objects from old collections, such as mosaic, marble reliefs, glass and ceramics from the Bronze Age and Classical periods.

The eastern bay has a two-storey height faceted bay window. The loggia has round columns and cement extrados. The building is encircled with a deep cornice with scrolled brackets and dentils, surmounted by a parapet with circular motifs. The parapet supports five pediments.

The base of the building is surrounded by an arched colonnade supported by Ionic columns. The entrance is set into a loggia behind three arches of the Grand Boulevard facade. It intersects the arcade to form a large elevator lobby with a coffered ceiling.

The house's design includes a steep gable roof with intersecting gables on either side, an ashlar limestone exterior, and a recessed loggia supported by columns at the front entrance. The house was added to the National Register of Historic Places on February 25, 2004.

New International Encyclopedia, 1905 He was appointed court painter and inspector of the gallery at Mannheim, and in 1844 decorated the loggia of the Trinkhalle (pump room) at Baden-Baden with 14 compositions illustrating legends of the Black Forest region. The paintings survive in situ.

However, Cairano's attention was not directed to Salò, which he visited rarely, or even to San Pietro in Oliveto, which was mainly run by Sanmicheli, but to two works of greater importance and resonance: the grand staircase of the Loggia and the arch at Sant'Apollonio.

In Oliver Stone's TV mini-series Wild Palms (1993), the title of the fifth and final episode, directed by Phil Joanou, was "Hello, I Must Be Going". The Marx Brothers song itself was sung by the character Senator Anton Kreutzer (played by Robert Loggia).

It is located in Piazza San Domenico, in the quarter of La Loggia, within the historic centre of the city. The church hosts the burials of many figures of Sicilian history and culture. For this reason it is known as the "Pantheon of illustrious Sicilians".

The Old Supreme Court is constructed in face sandstock brick with rendered moulded details and slate roofing. The exterior materials include brick and render, with slate roofing. The building is in a good condition. Major additions designed by Barnet include the loggia, later timber additions.

It is dominated by a three window four Corinthian column loggia. The columns are supported on pedimented brackets and finish in an entablature incorporating spiral [urn]s. The individual windows are topped by decoration and the north-west corner is chamfered.Aussie Heritage Retrieved 20.6.

He began the forensic activity in Mantua at the office of the lawyer Ennio Avanzini, already a member of the Constituent Assembly and the Chamber of Deputies. In the meantime he became provincial secretary of the Christian Democracy until in 1955 he moved to Palermo, where from 1946 his uncle Cardinal Ernesto Ruffini exercised his pastoral activity. In Palermo he married Zina Maria La Loggia, daughter of Giuseppe La Loggia, then President of the Sicilian Regional Assembly. He continued to practice the profession of lawyer until 1963, the year in which, having been elected to the Chamber of Deputies, he renounced all professional duties.

The non-Griffin designed garage and loggia built post World War II from rock faced stone blocks, which were extant at the front or street-side of the Duncan house in 1989, were built close to the excavated earth of the slope. The additions to the house from have been built in the place of the old garage and loggia. The extension brings the house forward toward the street, and the carport fronts onto the street. The extension and carport have been designed with reference to the original house, using a flat roof, protruding block corners, smooth walls recessed from the block-like corner piers, and chevron motif french doors.

The new design was projected by the architect Andrea Scala. Opposite the Loggia del Lionello is the Loggia di San Giovanni, a Renaissance structure designed by Bernardino da Morcote. Other noteworthy monuments in the square are the Fountain by Giovanni Carrara, an architect from Bergamo (1542); the Columns bearing the Venetian Lion and the Statue of Justice (1614), the statues of Hercules and Cacus and the Statue of Peace (1819) which was donated to Udine by Emperor Francis I to commemorate the peace Treaty of Campoformido. The square has been known by a number of names including Plàzze dal Vin, Plàzze dal Común, and Piazza Contarena.

In 1484, the city authorities of Brescia decided to dedicate a new building to its citizens to express good governance. It was planned to replace the original loggia and to add to the monumental architecture of the Piazza della Loggia, which was coming up at the same time. The function of the building during the Venetian domination of Brescia was to host the hearings of the Venetian Podestà, whose Consiglio Cittadino and the Collegio dei Notai demonstrated the centrality of the building in city life, both geographically and politically. The first proposal was by Tomaso Formentone, an architect from Vicenza, who designed a wooden model.

The current complex is the result of a series of additions and restorations of the original 13th-century edifice, which corresponds to today's corsia di Sant'Atto, a large ward with big windows now existing in a 16th-century renovation. In the 15th century the wing and the current façade were added, with the Renaissance arcaded loggia built in 1502, inspired by the Ospedale degli Innocenti at Florence. The loggia is decorated by a ceramic glaze frieze executed from 1525 by Santi Buglioni: it portrays the seven works of mercy, mixed with scenes of the Virtues. A panel was replaced in 1586 by a new one, not in ceramic glaze.

The themes were inspired by the Stanze of the poet Angelo Poliziano, a key member of the circle of Lorenzo de Medici. Best known are Raphael's frescoes on the ground floor; in the loggia depicting the classical and secular myths of Cupid and Psyche, and The Triumph of Galatea. This, one of his few purely secular paintings, shows the near-naked nymph on a shell-shaped chariot amid frolicking attendants and is reminiscent of Botticelli's The Birth of Venus. This same "Galatea" loggia has a horoscope vault that displays the positions of the planets around the zodiac on the patron's birth date, 29 November 1466.

The main entrance to the building is via the ground floor loggia which is heavily decorated with painted cement rendered arches, columns and balusters and secured with cast iron grilles. Tessellated tiles line the floor. Additional arched entrances to bar areas are located either side of the loggia with a further entrance located off Waghorn street which currently opens into a more recently constructed beer garden that is fenced off from street access. The ground floor verandah to Brisbane and Waghorn Street elevations has timber posts, a cast iron valance and a recently replaced steel roof structure with curved Colorbond roof sheeting and slotted ogee guttering.

His first studies were in his native Academy, then he moved to Rome to study perspective and decoration under professor Annibale Angelini at the Accademia di San Luca. In 1856, with Alessandro Mantovani, he worked on part of the restoration of the frescoes of the Vatican Loggia. From 1860 to 1864, he worked in Florence. He completed decorations in Civitavecchia, L'Aquila, at Teatro Comunale of Todi (where he worked alongside Alfonso Morganti), Teatro Comunale of Todi, ceiling frescoes and the Teatro Imperiale of Pesaro. In 1876, his former master Mantovani, obtained for him another commission to fresco a third Vatican Loggia, with frescoes depicting vedute of Rome.

A CREATE Box on the CREATE Cart in the Uible Loggia Families with young children can check out a Family Backpack from the help desk in the Art Connections Interactive Center on the north end of the museum. Each Family Backpack contains materials and activities geared toward younger visitors and families to help them discover and understand the meaning, moods, and elements of art while at the museum. Family Backpacks are currently available in four themes: Animals, Color Splash, Gardens, and My Family. Visitors can create their own art while exploring the galleries and gardens by visiting the CREATE Cart in the Uible Loggia.

The balcony only covers four of the arches, and is supplanted by a stuccoed parapet above the infilled window arch. Examination of the fabric indicates that the bricks for the stylobate entrance are a different colour to those of the loggia. Historic photographs indicate that originally there was a loggia of four arches, the fourth arch was infilled by the window form, and subsequently an additional bay was constructed and the window form was repositioned in this archway opening, after the upper level balcony was constructed. The balcony roof is integrated into the main roof, has exposed rafters and is supported on a set of thirteen turned columns.

A small timber-framed porch had also been constructed over a rear access door to the wing at the northwest corner of the building. Unspecified repairs and renovations again took place in 1948. It would appear that the extension of the mail room at the southwest corner of the building may have occurred at this time, which included opening up the southwest corner of the original mail room and installation of supporting steel beams. Around this time bays of private letter boxes were installed within the arched former window openings of the front loggia; this work may have included re-paving of the loggia with terrazzo.

On the West Brighton estate, Samuel Denman's Grade II-listed Hove Club (1897) is another Jacobean-style red-brick building with prominent gables, which also features buttresses rising to form chimneys, a loggia entrance, stone mullions and transoms, Art Nouveau-style windows and ornate interior timberwork.

A flight of stairs led to a set of small entry rooms. Beyond the smaller rooms was a large room referred to as a loggia. It is a large covered space, open on the side. The walls were whitewashed, and colors were used to accent the space.

The terrace was used primarily for the drying of fruit and vegetables suspended from a wire called a 'trihard' when forming a trellis that covered a rustic pergola. Where it formed a loggia, columns supporting a canopy covered with tiles, it was called a 'galarié' or 'soulerie'.

The total area of the five-storey building of 61,000 m². Rostrum accommodate up to 6000 spectators, there are VIP loggia and sector for press. Among the infrastructure facilities for athletes: massage room, sauna, restaurant for 48 people, 9 cafes at 447 locations and 13 diners rooms.

The three-storey building has P-configuration. In house’s inner wings facing a backyard there were rented premises. Architect organically combined elements of Renaissance, Barocco and Classicism in decoration of façade. Central part of the front façade is accented with pilaster side with a double- deck loggia.

Nurses on the Line: The Crash of Flight 7 (also known as Lost in the Wild) is a 1993 American made-for-television drama film starring Lindsay Wagner and Robert Loggia. It was aired on CBS on November 23, 1993. It is set in Catemaco, Veracruz, Mexico.

The Loggia by Vasari at the Piazza del Municipio Castiglion Fiorentino Castiglion Fiorentino () is a small, walled city in eastern Tuscany, Italy, in the province of Arezzo, between the cities of Arezzo and Cortona. It is known for its annual festivals and its Etruscan archeological site.

The Deal is a 2005 political thriller film directed by Harvey Kahn, starring Christian Slater, Selma Blair, Robert Loggia and Colm Feore. The movie was filmed in 2004 and based in Boston, Massachusetts. The film was released only in limited cinemas of USA and United Arab Emirates.

San Juan de la Peña. Loggia in the monastery. Capital in the monastery. The monastery of San Juan de la Peña is a religious complex in the town of Santa Cruz de la Serós, at the south-west of Jaca, in the province of Huesca, Spain.

A further grant of £2.7 million was awarded in 2018, for conservation and opening up of currently closed areas of the park from 2020. The Loggia, Minerva’s Temple and the Edwardian toilets will be restored, and a café and toilets are planned for near the play area.

Its Palladian features include a facade characterised by a triple-arched loggia. The roof is capped with period clay tiles, and the structure is of brick covered with stucco, typical of Palladio who was able to achieve great buildings with what are commonly regarded as inferior materials.

Over the former loggia area the ceiling is a flat board-lined ceiling. The ceiling then rises much higher over the main public space and beyond, with fibre or plasterboard linings, the original ceiling rose ventilators. The cornices are curved metal, probably corrugated galvanised and painted iron.

These included Goddards and Tigbourne Court in Surrey, Deanery Garden in Berkshire and Little Thakeham in Sussex.Nairn, Pevsner and Cherry (1995), pp. 378–80. This series of designs established Lutyens's reputation.Wilhide (2012), pp. 24–25. View from southeast, towards the loggia, 1921 The celebratedGradidge (1981), pp.

On 17 March 1981, a list composed by Licio Gelli was found in his country house (Villa Wanda). The list should be contemplated with some caution, as it is considered to be a combination of P2 members and the contents of Gelli's Rolodex. Many on the list were apparently never asked if they wanted to join P2, and it is not known to what extent the list includes members who were formally initiated into the lodge. Since 1981, some of those on the list have demonstrated their distance from P2 to the satisfaction of the Italian legal system. On 21 May 1981, the Italian government released the list.Elenco degli iscritti alla Loggia P2 The Parliamentary Commission of Inquiry headed by Tina Anselmi considered the list reliable and genuine. It decided to publish the list in its concluding report, Relazione della Commissione parlamentare d’inchiesta sulla Loggia massonica P2. Relazione di Maggioranza (Anselmi), Commissione parlamentare d’inchiesta sulla Loggia massonica P2, 12 July 1984. The list is in book 1, tome 1, pp 803–874 and 885–942, and in book 1, tome 2, p.

Facade with loggia, to the left stands Palazzo Grassi. San Samuele is a church in Venice, northern Italy. It is located in the eponymous campo near Palazzo Grassi and Palazzo Malipiero. The facade is set back on the campo, but faces and is visible from the Grand Canal.

Tampa, FL: Loggia Press, 1999, p.373. She was then appointed research professor at Polytechnic Institute of New York University in Brooklyn, New York in 1982 and retired from there in 1996. She died on September 29, 2002 in Dobbs Ferry, New York at the age of 81.

The two-storey Bath stone building is in the Palladian style with four square angle towers each of three storeys. The main entrance is via a loggia of five round-headed arches. The interior includes a large hall and a staircase with stone treads and wrought iron balusters.

This is largely the same arrangement as the original, except that in LeBrun's design, the "shaft" comprised the sixth through 30th floors. The 31st through 38th floors comprise the tower's "capital". The 31st through 33rd floors are arranged as a loggia with arcades containing five arches on each side.

The palace is a example of 19th century architecture, with elements of Polish Renaissance and Baroque decorations including arcaded loggia in the courtyard, added by architect Gabriel Słoński around 1567. The general layout of the palace established by the mid 17th century remains the same despite later renovations.

In 1923 he was made a Senatore del Regno (Senator of the Kingdom). In 1928 Bistolfi produced the Monumento ai Caduti (war memorial) for Casale Monferrato. Bistolfi died at La Loggia, in the province of Turin, on 2 September 1933. He was interred in the cemetery of Casale Monferrato.

The eighth floor contains two round-arched windows in each bay. The upper half of this floor contains moldings with Celtic and Byzantine-style guilloché designs. The ninth story contains a loggia with rectangular windows each separated by two terracotta spiral columns, while the attic contains a ovolo molding.

The complex of Novalesa includes a monastic building proper, and the abbey church. Cloister view. Fresco of the Stories of St. Eldradus and St. Nicholas. The abbey is accessed through a portal leading to a first court, with a three-span portico with groin vaults, surmounted by a loggia.

The bow has a ground floor double staircase leading to an Ionic colonnaded loggia (with the Truman Balcony at second-floor level), known as the south portico. The more modern third floor is hidden by a balustraded parapet and plays no part in the composition of the façade.

"The First Prince... and His Patrons", Whispers in the Loggia, March 15, 2009 McCloskey busied himself primarily with a visitation of the entire diocese, and was also instrumental in the conversion of Isaac Hecker, founder of the Paulist Fathers, and of James Roosevelt Bayley, later Archbishop of Baltimore.

Two south-facing drawing rooms were connected by double doors, allowing them to be joined into one large space.Kirk (2005), p. 136. The south elevation, which had three gables, also featured a large balcony with a canvas awning, built over a loggia. It overlooked a terrace for outside dancing.

After Goldsmith's time, it was converted from a single-family residence to a multi-family residence. In 1982, the Goldsmith Building was listed on the National Register of Historic Places, due to its historically significant architecture; key to this designation was its loggia, which is almost unknown in Cincinnati.

Sometimes erroneously referred to as Loggia dell' Orcagna because it was once thought to be designed by that artist, it was built between 1376 and 1382 by Benci di Cione and Simone di Francesco Talenti, possibly following a design by Jacopo di Sione, to house the assemblies of the people and hold public ceremonies, such as the swearing into office of the Gonfaloniers and the Priors. Simone Talenti is also well known from his contributions to the churches Orsanmichele and San Carlo. The vivacious construction of the Loggia is in stark contrast with the severe architecture of the Palazzo Vecchio. It is effectively an open-air sculpture gallery of antique and Renaissance art.

The frontal section of the church consists of a loggia and portico with twin arches, above which are three alcoves. The central alcove contains a statue of Christ, whilst the sides contain statues of St Bede and St George. Between the alcoves are two large mosaics depicting the miracle of the fishes and Jesus giving the keys of the Kingdom of Heaven to St Peter. Photos of the church Memorial to the dead of the Arandora Star In the loggia are two wall memorials: one, installed in 1927, to veterans (mostly Italian Britons) of World War I; and the other, installed in 1960, to 446 Italians who lost their lives on the SS Arandora Star in 1940.

The Wharf Street loggia was enclosed in 1875-77 by contractors J and J Rooney to increase accommodation and improve lighting and ventilation. A further storey was added to the corner tower in 1879-80, allowing the installation of a four dialled clock and bells, which was officially started on 9 December 1879 (the clock was dismantled in 1935). The first country telephone exchange was opened in Maryborough in November 1882, and a new wing constructed to house the expanding operation in 1885, as well as the enclosure of the Bazaar Street loggia. As a result of the enclosure of both loggias, the ground floor offices were not protected from the summer heat.

The gardens were opened in 1592 by Leonardo Valmarana (date and name are displayed in the Loggia Valmarana) and covered the area bounded by the extension of the Corso Palladio and the course of the Seriola Canal, ditch that since the opening was equipped with a bridge of wood that would allow crossing. Open to the public at the behest of Leonardo, they were later closed for a couple of centuries. Inside the park, on the west side, there is also the Lombard loggia of the seventeenth century, with three arches, built by Baldassarre Longhena. In the nineteenth century the park was transformed into an English garden and, only from the following century, it was reopened to the public.

Codazzi was an important inventor of the genre. Alessandro Salucci was a prominent contemporary practitioner of the genre whose work was influenced by Codazzi.Alessandro Salucci (Florence 1590–1655/60 Rome) and Jan Miel (Beveren-Waes 1599–1664 Turin), An architectural capriccio with an ionic portico, a fountain, a two story loggia, a Gothic palace and figures on a quay at Christie's A contemporary practitioner in Naples was Gennaro Greco.Gennaro Greco, View of Vesuvius from the harbour mole at Naples with bystanders at Dorotheum Vienna on 17 October 2012 lot 841 Portico with loggia by the sea, with boats and figures Luciano's work was originally very close to that of his presumed master Codazzi.

The central bay and loggia of the south entrance The north façade has three bays separated by windows and features a loggia, typical of early 17th-century houses, with a central arched entrance to accommodate coaches. The central bay is crowned by an ornamental pierced parapet below a niched Dutch gable, which shelters a small statue of Lord Zouche or James I. There are small obelisks at either side of the gable. Thorpe originally intended the main entrance of the house to be on this side, building on the gatehouse of the earlier Foxley house. The southern façade was described by Nikolaus Pevsner as "among the most fanciful pieces of Jacobean design in [England]".

The countertops are made of Monel, and the narrow oak flooring continues into the large kitchen designed to facilitate grand-scale entertaining. Accessed through an arched opening on the north wall of the foyer, located under the winding staircase, is the entry into the loggia, adjacent to the west of the kitchen in the rear wing, that leads to the game room at the north end of the rear wing. The enclosed loggia features a low groin-vaulted ceiling of brick and cement stucco, herringbone-laid brick flooring, and centered on a round-arched fireplace surround with a mirrored inset above the mantel. Opposite the fireplace are three double door arched openings to the terrace.

The skillion roof form of the loggia was altered to a parapet form. Between the 1940s and 1960s, it underwent phases of general refurbishment of the building including lighting, strapped plaster ceilings at ground floor level, acoustic ceilings at first floor level; construction of first floor amenities area north of main stair; alterations to door opening from first floor stair hall to front room; construction of timber-framed partition to create passage to clock tower access at first floor level; fire escape stair constructed in rear yard. The northern bay of the loggia was infilled and incorporated into the internal space at some stage prior to 1957. An automatic telephone exchange was constructed in the rear yard 1968.

The principal double storey wing extends parallel to Mollison Street with the original single-storey service wing forming a T-shaped plan towards the centre of the site. The asymmetrical double-storey postal wing is the principal element in the composition, and is screened at street level by a (now parapeted) four-bay loggia. The main roof is hipped slate and is complemented by a mansard clock tower roof which retains original cast iron widow's walk and flagpole. The main entrance to the building is from the loggia via the ground level of the clock tower which contains wrought iron gates with narrow slot openings on all visible faces at the ground and first levels.

The frieze reads Gentilibus suis Picolomineis (Family of Piccolomini). The design is attributed to Antonio Federighi. Construction began in 1462, and was completed within the year. The Via di Pantaneto flank of the loggia has a series of heraldic shields with the Piccolomini emblems, five supine crescent moons on a cross.

Moving the action from a lifeboat to a spaceship's escape capsule in the year 2169, the remake starred Ron Silver, who also directed, Robert Loggia, and CCH Pounder. The film was aired on the Fox channel in the United States. The film credited Hitchcock and Harry Sylvester for the story.

Bust of Giuseppe Longhi, on the loggia at the first floor of the Palace of Brera at Milan Bonaparte at the Arcole Bridge on 17 November 1796 based on the painting by Antoine-Jean Gros, 1801 Giuseppe Longhi (13 October 1766 – 12 January 1831) was an Italian printmaker and writer.

The windows have three wooden casements with small leaded panes; those to the attic are under gables. There are two Tudor arched doorways with plank doors to south and east fronts. There is a wooden round arched loggia to the east front and a gabled porch to the south front.

It was supposed to be just a normal night at the police station for rookie cop Christine Paley (Thompson). This is a report of about eight different types of arrests which can happen in a normal month. Lt. Mike Brosloe (Loggia) leads her through one of the most unusual first shifts.

The Woodward facade has a five-bay loggia, with a parapeted front gable. Above that are rounded windows with tracery framed by a rounded arch. The church also features a 120-foot campanile with many narrow arcades. The church is topped by an 8-foot copper figure of the Archangel Uriel.

They are driven by the clock mechanism, and strike the hours. Under the clock, the long portico in white stone was created in 1595 by the Brescian architect Piermaria Bagnadore. The passage underneath the tower, connecting the Piazza della Loggia and the Via Beccaria, was created in 1554 by Lodovico Beretta.

In the early 20th century the Post Office loggia was extended again, reaching closer to the former telegraph office. Although it has not been confirmed exactly which building copied which, it is certain that through much of their early history the two buildings were linked in their function and form.

Raffaele De Caro Raffaele De Caro (29 March 1883 - 4 May 1961) was an Italian politician. Started in Freemasonry in the Loggia Manfredi of Benevento on 18 October 1911, he became Mason Master on 9 November 1912 and after his death he was named after a Masonic lodge of Benevento.

The front facade features a three-bay loggia formed by arches with voluted keystones, springing from Tuscan order columns. This building served as the main post office for Greenville until 1969. It currently serves as a U.S. Courthouse. It was added to the National Register of Historic Places in 1986.

The dome The Church of Saint George of the Genoese (Italian: Chiesa di San Giorgio dei Genovesi or simply San Giorgio dei Genovesi) is a Renaissance church of Palermo. It is located near the port of La Cala, in the quarter of the Loggia, within the historic centre of Palermo.

There is no additional floor it. Kitchen and Badzelle are identical with those of 1-room apartments. ;3-bedroom apartments :Flats each with about 68 m². On a long flat floor are bathroom and kitchen, a room, and at the end of the living room with access to the loggia.

The Romanesque structures remained pretty untouched, and frescoes of religious subject were also added. Various altars and chapels have been erected between the 14th and 15th centuries. The small loggia on the north-eastern tower of the façade was built in 1455; the opposite one, in Mannerist style, is from 1522.

However, when lightning struck the bell tower on 11 August 1537 and the loggia underneath was once again damaged, it was decided to completely rebuild the structure. The commission was given to the sculptor and architect Jacopo Sansovino, the proto (consultant architect and buildings manager) of the procurators of Saint Mark de supra.

Man with a Gun (also known as Hired for Killing) is a 1995 Canadian crime- thriller film directed by David Wyles and starring Michael Madsen, Jennifer Tilly, Gary Busey and Robert Loggia. It is loosely based on the novel The Shroud Society by Hugh C. Rae.The Laser Disc Newsletter, Issues 149-160, 1997.

The Mediterranean villa features exotic woods, imported marble and ornate stained glass windows. Constructed in the shape of a Maltese Cross, its long center section contains an 18-foot (5.45 m) wide solarium connecting the north and south wings. A loggia connects the east with the west. Walls are stucco coated double brick.

The 1925 alterations may have been by the Australian Government under John Smith Murdoch's leadership. The alterations included: 1869 (clock); 1878 (loggia enclosure); 1879-80 (tower alterations); 1885 (alterations to Bazaar Street); 1886 (awning and sunshades); 1896 (balcony); 1906 (internal alterations); 1925 (internal alterations); 1948 (telephone exchange building); 1950s (extensions); 1979 (refurbishments).

Built from brick, the house is three storeys high with five windows in the centre and two-storey, three window wings with modern additions to the east. Historic England describes the doorcase as featuring a "dentilled pediment and entablature above Tuscan pilasters" and notes the Tuscan loggia built on the garden front.

See List of organisations with a British royal charter The Institute occupied various premises (including the beautiful Loggia Ruccellai, where the sister of Lorenzo the Magnificent was married in 1460) before settling into the Palazzo Antinori in 1923. The Library and classrooms were located in this elegant but austere building until 1966.

Trapezoidal wings also jut from the narrow sides of the octagon. The loggia across the facade has central round arched opening with a parapet. This does not lead to an entrance, instead backing the fireplace and its corbeled stone chimney. The roof original used slate, but this has been replaced with asphalt shingles.

An italianate cornice spans the roof-line between the rusticated quoins. At the first level, a recessed loggia is created by an arcade of segmental arches supported by diminished Doric columns on pedestals. Balusters enclose the arcade. The central bay is separated from the rest by a one-storey pair of rusticated pilasters.

Pope Benedict XVI revived some of these traditions. One example was the playing of the Papal Anthem on brass instruments from the loggia of the interior of Saint Peter's Basilica to announce the arrival of the Pope, followed by the chanting of "Tu Es Petrus" by the Sistine Chapel Choir when appropriate.

The "basement" of the main building is divided exactly in half by and entered through an oval chamber directly beneath the White Hall. The walls of this chamber are covered with more trophies of arms. After 1771, the apartments were made up by a loggia, a vestibule, two cabinets, and a bedroom.

The two side sections have two stained glass, ogival windows. In the upper sectors are blind double mullioned windows and, in the centre, is an equestrian statue of the Roman emperor Trajan. The Loggia was damaged by the Allied bombings during World War II, and was restored in the late 20th century.

It was completed probably around 1266. A detail of the Loggia of the Papal Palace of Viterbo. The massive façade, facing the central piazza San Lorenzo which is dominated by the Duomo, is approached by a wide staircase completed in 1267. The top of the palace walls is decorated with square merlons.

"It's a good mystery on its own terms," he said. "I think the story is really more effective as an original. Because there wasn't an agreement with Loggia and Close, we had always designed the project to go either as a sequel or on its own terms."Klady, L. (9 August 1987). "OUTTAKES".

Detail of the George Street facade highlighting the Corinthian column loggia The building is located at 600 George Street, Sydney on the western half of the block bounded by Wilmot Street and Central Street to the sides and Pitt Street to the rear. It is a prominent feature of the entertainment sector's streetscape.

The Rape of the Sabine Women by Giambologna at the Loggia dei Lanzi The 16th-century Italo-Flemish sculptor Giambologna sculpted a representation of this theme with three figures (a man lifting a woman into the air while a second man crouches), carved from a single block of marble. This sculpture is considered Giambologna's masterpiece.Liam E. Semler, The English Mannerist Poets and the Visual Arts 1998, , page 34. Originally intended as nothing more than a demonstration of the artist's ability to create a complex sculptural group, its subject matter, the legendary rape of the Sabines, had to be invented after Francesco I de' Medici, Grand Duke of Tuscany, decreed that it be put on public display in the Loggia dei Lanzi in Piazza della Signoria, Florence.

Arnautoff's mural series was in the historical Roth building, all were medically-themed murals done in the recessed under a loggia with four panels of modern medicine and other panels showing primitive medicine, and additionally he four painted medallions of Joseph Lister, Hippocrates, Louis Pasteur, and Wilhelm Röntgen are on the exterior wall of the loggia. The four murals done in color feature modern medicine and depict Luther Emmett Holt, William Osler, and Harvey Cushing. The unveiling of this mural caused a traffic jam and some controversy, in part because on of the murals showed a doctor examining a female patient whose bare breasts were at eye-level. Like his other works in the Bay Area, the murals were frescoes.

The Villa Medici followed Leon Battista Alberti's precepts that a villa should have a view "that overlooks the city, the owner's land, the sea or a great plain, and familiar hills and mountains", and that the foreground have "the delicacy of gardens".Cited in Attlee, 2006: 14 The garden has two large terraces, one at the ground floor level and the other at the level of the first floor. From the reception rooms on the first floor, guests could go out to the loggia and from there to the garden so the loggia was a transition space connecting the interior with the exterior. Unlike later gardens, the Medici Villa did not have a grand staircase or other feature to link the two levels.

The porch itself was flanked by two large circular windows, and surmounted by a shallow balcony onto which opened three more rectangular windows. There was also an entrance at 300 Fulton Street (now Cadman Plaza West). The Pierrepont St. side featured a tall, central loggia, topped by a triangular pediment supported by columns, and flanked by a pair of transepts with stained glass windows, in which the private offices of the bank were located. Above the loggia, running around the walls about two thirds of the way up on each side of the building, was a large cornice moulding of dark stone, above which ran a row of rectangular windows, highlighted at each end by a circular window with a decorative border.

The Villa Medici followed Alberti's precepts that a villa should have a view 'that overlooks the city, the owner's land, the sea or a great plain, and familiar hills and mountains,' and that the foreground have 'the delicacy of gardens.'Cited in Attlee, 2006: 14 The garden has two large terraces, one at the ground floor level and the other at the level of the first floor. From the reception rooms on the first floor, guests could go out to the loggia and from there to the garden so the loggia was a transition space connecting the interior with the exterior. Unlike later gardens, the Villa Medici did not have a grand staircase or other feature to link the two levels.

These are works in which the boundary between the maturity of Cairano's art and the work of the studio is blurred, and discernment depends on an analysis of Cairano's development from his earliest works, such as the Sanctuary of Miracles and the Loggia,See, for the references to the models of Loggia, the roundel with the Scene of the battle of the Martinengo mausoleum, while for the latest evolution of the Apostles, see the statues of St Peter and St Paul in the crown of the same monument as well as the Saint inserted in cycle of the dome of Santa Maria dei Miracoli. Zani 2010, pp. 109–110, 137–138, 140–141. combined with clear attempts at cultural update.

The popularity and success of these technical classes, which would in time lead to the establishment of the Maryborough Technical College, meant that a timber class room extension was added to the rear of the building in 1895. J & J Rooney's tender of was accepted on 11 January and the extension was completed in June 1895. In April 1896 a verandah and ground floor loggia was added to the eastern side of the School of Arts to the design of local contractor Charles Crystall from partnership, Crystall and Armstrong. The tender of another local contractor, Henry Neale, for was accepted for the construction of the verandah and loggia and the cast iron balustrading was sourced from the local Albion Foundry.

The original Horses inside the St Mark's Basilica The replica Horses of Saint Mark The Horses of Saint Mark (), also known as the Triumphal Quadriga, is a set of Roman bronze statues of four horses, originally part of a monument depicting a quadriga (a four-horse carriage used for chariot racing). The horses were placed on the facade, on the loggia above the porch, of St Mark's Basilica in Venice, northern Italy after the sack of Constantinople in 1204. They remained there until looted by Napoleon in 1797 but were returned in 1815. The sculptures have been removed from the facade and placed in the interior of St Mark's for conservation purposes, with replicas in their position on the loggia.

On the right is a wide roofless loggia with a seven-bay arcade, supported by slender doubled columns and decorated with crests and reliefs. Within the loggia is a 15th-century fountain, made with material of various ages, sporting the coat of arms of the Gatti family. Viterbo remained the residence of the papacy for twenty-four years, from 1257 to 1281. After Alexander IV, the palace was the residence of Urban IV, then housed the papal election of 1268-1271 which elected Gregory X (the longest papal election in Church history), the residence of John XXI (who died in the building in 1277 when his study collapsed), and the residence again of Nicholas III and Martin IV, who moved almost immediately to Orvieto in 1281.

The central bay is flanked by a pair of arched entrances, and the ground floor dado is defined by heavily rusticated banding and voussoirs to each of the three arched openings at that level. The central bay has since been opened to the flanking porches to provide a continuous ‘loggia’ in front of private letter box bays. The northern porch provides the main entrance to the present post shop, a conversion of the former mail room, which is defined by a roof lantern. The southern porch has been screened by a covered walkway on the south side, linking the front loggia with a 1960s wing to the south of the main building which is also fronted by private box bays.

The corners are quoined with Kasota limestone, quarried in Minnesota, that resemble Italian travertine. This stonework also decorates the doors and windows. In the rear of the house, a loggia showcasing five arches with Corinthian columns, highlights a terrace overlooking the formal gardens. The roof features wide eaves and is covered with oversized Italianate tiles.

He designed the Palazzo delle Papesse and the nearby Loggia del Papa (1462–63).Encyclopedia Treccani, entry on architect. He may have contributed to the design of Santa Maria delle Nevi. Federighi is considered as the architect who reintroduced the heavily foliated carving and the antique pagan imagery into the vocabulary of Sienese Quattrocento sculpture.

Over the portal is a large marble rose window, flanked by mullioned windows. The façade terminates in a loggia with small marble columns. The bell tower, on the right side, dates to the 14th century, while the octagonal upper part is from the 17th century. The Gothic interior has a nave and five aisles.

The library was built to Peter Hersleb Classen's own design, presumably assisted by Andreas Kirkerup. The facade has rustication on the ground floor and a loggia with eight columns, showing influence from Ancient Roman architecture. The central library hall is two storeys high and surrounded by double galleries. It contains a bust of Classen.

In 1513 Vasari constructed a nine arch loggia (Logge del Vasari) in Piazza del Comune, overlooking the valley. The Logge were restored once between 1560 and 1570 and then again in the first part of the 20th century. Nearby is the Castello di Montecchio, which once was given to the British mercenary John Hawkwood.

The cars went into parc ferme and could not be touched for eight hours. From 18.00, the cars left the Piazza Loggia in Brescia to drive back over the Gavia and Stelvio, through Austria, up the German autobahn and back to arrive at Spa, a claimed total distance of 3203 km, at 16.47 on Sunday.

Franqueville was provided with a letter of introduction from Archduke Ferdinand of Austria. Francavilla became his master's main assistant in the carving of marble, including the masterpiece of the Rape of the Sabines displayed in the Loggia dei Lanzi, Florence. His first independent commissions were extended to him through Giambologna, who become overwhelmed with requests.

It is now owned by the government of the province of Lombardy. The interior has a rectangular court with a double loggia, frescoed walls (c. 1540-1630) and an octagonal well. In the first floor, all the rooms are frescoed with mythological themes, most of them from the Aeneid, the Orlando Furioso and the Bible.

Designed by Barry in the High Victorian style, it was added after the fire. A slender bell tower also rises from the west wing. At the rear is a loggia with a vaulted ceiling supported by Tuscan columns. The western end of this wing is a single-storey extension by Thomas Bower dating from 1896.

Beside it, on the left, is one of three wash drawings by Battaglini da Imola from 1529 (the other two are beside the main altar). In the piazza in front of the church is a bronze statue of Angelo Celli, by Angelo Biancini, erected in 1959, in front of the loggia built in 1885.

At the south end of the east wing is a "handsome" two-storey, five-bay stone "portico or loggia" with paired Doric columns on the lower storey and paired fluted Ionic columns above. The east wing then jumps back with six bays facing west until it joins the south wing.Pevsner and Pollard, pp. 218–220.

Belmont Hotel is a historic hotel building located at Belmont in Allegany County, New York. The three story brick building was constructed in 1890. The first floor features cast iron storefronts and arcaded loggia. Located adjacent to the Allegany County Courthouse, the hotel played an important role in the county's social, business, and political affairs.

Bals–Wocher House is a historic home located in Indianapolis, Indiana. It was built in 1869–1870, and is a three-story, Italianate style brick dwelling with heavy limestone trim. It has a low hipped roof with deck and paired brackets on the overhanging eaves. It features stone quoins and an off-center arcaded loggia.

The first floor contained hall, vestibule, smoking lounge, dining room, kitchen, loggia, garden room and cabinet. In the second floor, there were bed rooms, dressing rooms and bath room. The tower held the billiard room whereas storage rooms were found in the basement. Mrs. Egeberg suffered from a weak health and was partially paralyzed.

A beautifully crafted wood-and-metal door can be notice at the main entry. The name Villa Flora is related to murals adorning the gone loggia. The interior of the building is adorned with painted friezes - birds and flowers. Also survived until today a magnificent woodwork and panelling, the ceiling with gold decorations, all made in papier-mâché technique.

Directed by Joseph Papp, the cast included Madeline Kahn as Chrissy, Robert Loggia as her husband Al, Charles Durning as her father Harold, and Mary Woronov as a dancer named Susan. The creative team included Santo Loquasto (scenic design), Theoni V. Aldredge (costume design), and Martin Aronstein (lighting design).In the Boom Boom Room. Playbill Vault.

The palace was owned after the Piccolomini by the Libelli (also known as Loli) family, then in 1730 by the Marsili Family. The pointed arches at street level with internal rounding are characteristic of Sienese Gothic. It is likely the windows in the higher floors were at one time not rectangular. The interior has a loggia-courtyard with columns.

However, this deprived him of the support of the Venetian doge and of the traditionally Guelph Trevisan nobility. Rizzardo was also missing the administrative capabilities and the charisma of his father. On April 5, 1312, while playing chess, Rizzardo was fatally wounded in the loggia of his palace. Dante Alighieri accused the city's nobles of the feat.

In 1577, along with Pietro Marone, he painted the nave of the Duomo Vecchio of San Pietro. He also painted in the Sala del Consiglio of the Palazzo della Loggia (signed 18 July 1588). He painted a Nativity once in the sacristy of the church of Santa Maria dei Miracoli in Brescia. He died in Brescia in 1614.

Noli me Tangere with St Michael Archangel trouncing Satan in foreground'' The church was erected in 1362 by the Confraternity of Sant'Angelo, and the Façade has a loggia attributed to the architect Francesco di Giorgio Martini. The interior has an altarpiece depicting Noli me tangere by Timoteo Viti.Pesaro and Urbino, site of the Province tourism office.

The freer-style Romantic garden is bordered by woods to the west and is crossed by winding paths. It also has designed set-pieces: a Doric loggia overlooking the Via Cassia, a monument recalling Roman pyramid sepulchres (e.g. Pyramid of Cestius) and a hypogeum-grotto, overlooking a small pond. In 2015, the villa served as a retirement home.

4-12; see also p. 128, n.2 for Mormando's conjecture about the reason for the non- execution of the Benediction Loggia commission (which Domenico Bernini apologetically attributes to a serious illness on his father's part). The two most recent and comprehensive discussions of Bernini's training and production as a painter are Francesco Petrucci, Bernini pittore.

Jablin both produced and directed the irreverent mob-comedy The Don's Analyst, which stars Kevin Pollak, Robert Loggia, Joe Bologna, Sherilyn Fenn, and Angie Dickinson. The film proceeded the similarly themed, "Analyze This" & "The Sopranos" by over a year. Jablin is also currently developing several comedy features. He is attached to produce and direct the independent film Power Failure.

Carignano (; ) is a comune (municipality) in the Metropolitan City of Turin in the Italian region Piedmont, located about south of Turin. Carignano borders the following municipalities: Moncalieri, Vinovo, La Loggia, Piobesi Torinese, Villastellone, Castagnole Piemonte, Osasio, Lombriasco and Carmagnola. The Sanctuary of Valinotto, a masterwork by the architect Bernardo Vittone, lies within the territory of the town.

The Camp Salmen House is located on the shores of Bayou Liberty in St. Tammany Parish, west of Slidell, Louisiana, USA. It is a French Creole cottage, circa 1830. The house was built with a brick core, wood frame post rooms, a cabinet/loggia, and front gallery. The entire structure, including the front gallery, is approximately 1,692 square feet.

Sections A and C are 2 1/2-story parapeted gable front sections located on the northern and southern sides of the courtyard and Section D is a 1-story parapeted half gable roofed loggia. It was built as a company store for the local mining community. It was listed on the National Register of Historic Places in 1990.

The left aisle of the church was richly decorated with frescoes and a loggia with an iconostasis. The frescoes were the works of a number of artists, including Giovanni and Antonio Sparapane, and Domenico di Jacopo. The right aisle was not richly decorated, but its floor was engraved with an unrealized project for a bell tower.

The vegetable motifs are also present in the white frames of the upper level, showing a blind loggia with five arcades, in which are contained unusual geometrical decorations. Also particular are the side columns, having a zigzag pattern. The central arcade houses a small rose window. The exterior sides are characterized by false columns with Lombard bands.

The wedding feast was famous for its opulence: 500 guests were seated on a dais which occupied the Loggia Rucellai and the whole of the piazza and the in front of Palazzo Rucellai, the family palace built by Giovanni Rucellai to designs by Leon Battista Alberti. Bernardo and Nannina had four children: Cosimo, Pietro, Palla and Giovanni.

Council of the gods from the Loggia di Psiche, Villa Farnesina, with Pluto holding a bident and Neptune a trident In Western art of the Middle Ages, classical underworld figures began to be depicted with a pitchfork.Cook, Zeus, vol. 2, p. 803. Early Christian writers identified the classical underworld with Hell, and its denizens as demons or devils.

In a scene depicting a council of the gods, the three brothers Jove, Pluto, and Neptune are grouped closely, with a Cupid standing before them. Neptune holds the trident. Elsewhere in the loggia, a putto holds a bident.Richard Stemp, The Secret Language of the Renaissance: Decoding the Hidden Symbolism of Italian Art (Duncan Baird, 2006), p.

The frigidarium, the last stop in the bathhouse, was where guests would cool off in a large pool. Roman Theatre Netzer discovered the Roman Theatre just before his death in late 2010. A loggia, or a theatre box, was discovered. This means that when Herod or other notable officials went to see a play, they would receive luxury treatment.

Florence: A Portrait. Jonathan Cape Ltd, page 103. The focal point of the loggia is the Fontana del Porcellino (; "fountain of the piglet"), actually a copy of a bronze wild boar by Pietro Tacca from the sixteenth century marble. In 2008 the Pietro Tacca's masterpiece was replaced with a modern copy cast by Ferdinando Marinelli Artistic Foundry in 1998.

The prevention and removal of surface dirt and corrosion products are the primary concerns of conservator- restorers when dealing with copper or copper-alloy objects. Perseus with the Head of Medusa, bronze, by Benvenuto Cellini, in the Loggia dei Lanzi gallery on the edge of the Piazza della Signoria in Florence; picture taken after the statue's cleaning and restoration.

The roundhouse portion of the building complex is long with a local limestone exterior and an iron loggia interior. The roundhouse is actually a tetracontagon (40 sides). A steel truss structure supports wood-sheathed steel rafters, covered on the exterior by tar paper. The locomotive shop is attached to the north side and is with two stories.

The ultimate source for all such neo-Palladian five-bay villas with recessed loggia entrances under a pediment, is Palladio's own Villa Emo. Apthorp had been appointed to the Governor's Council the previous year, a position he held right through the British occupation of New York, until the 1783 evacuation, earning him the fierce opprobrium of his Patriot neighbors.

The resemblance is said to be "striking" at Anneux British Cemetery, Cambrai, and the Tuscan loggia motif recurs at several other cemeteries as well.Geurst, p. 198. Spalding's memorial became relatively obscure, and was not covered extensively in any publication about Lutyens's works until the publication of Tim Skelton's Lutyens and the Great War in 2008.Skelton, p. 11.

Thusnelda statue in Loggia dei Lanzi, Florence. Triumph of Germanicus, by Karl von Piloty, 1873 Thusnelda ( 10 BC – unknown) was a Germanic noblewoman who was captured by the Roman general Germanicus during his invasion of Germania. She was the wife of Arminius. Tacitus and Strabo cite her capture as evidence of both the firmness and restraint of Roman arms.

The Earl Stein House is a low brick Prairie School house with an L-shaped floor plan. The house has a low-pitched copper clad hip roof, accentuated with a massive chimney. A long narrow loggia leading to the main entryway between the wings. The house has an upper level, and a basement that opens into the rear yard.

Today, owned by the Italian State, it accommodates the Accademia dei Lincei, a long-standing and renowned Roman academy of sciences. Until 2007 it also housed the Gabinetto dei Disegni e delle Stampe (Department of Drawings and Prints) of the Istituto Nazionale per la Grafica, Roma. The main rooms of the villa, including the Loggia, are open to visitors.

Sash windows are visible in the wall to the rear of the loggia created. The top floor is similar in form, but the arches are separated by consoles. The area above these was originally profusely decorated with swags of moulded render, but is now plain. The roof is concealed by a simple parapet of rendered brick.

Again for the Borghese family, he helped restore the Capella Paolina in Santa Maria Maggiore and the Loggia of Lanfranco in the casino. He also painted for the Church of San Marco and the Palazzo dei Conservatori. In 1774-1778 Corvi completed a canvas cycle for the Swiss Abby of Solothurn. Corvi joined the artists’ Accademia dell'Arcadia.

In 1824, Marmaduke also assumed the surname Langley. He died in 1851, unmarried, and Wykeham Abbey has remained in the Dawnay family since. The house was considerably expanded in the 19th century; 1835 is the year marked on a datestone and the loggia was added in 1839. There were further additions in 1904 enlarging the house.

The Paine Mansion at 49 Second Street applied the same style, with arcaded entrance loggia and corner tower, to a home. The brick drugstore annex at 155-157 River Street is a particularly representative commercial example of the style.Peckham, p. 149 In 1893 the World's Columbian Exposition in Chicago popularized the Classical and Renaissance revivals and Beaux-Arts style.

It incorporates styles from the Aesthetic Movement and the Renaissance. In the painting, three women wearing simple, Renaissance-style aesthetic dresses are dancing in a garden on a summer evening. On the right of the dancing women, a musician of an indiscernible gender is standing under a loggia. A mill pond can be seen behind the women.

In 1588, Del Duca returned to Sicily, and settled in Messina, where he completed a number of late mannerist structures, such as San Giovanni dei Gerolamini and the Loggia dei Mercanti. He died in Messina. Jacopo del Duca is a character in Manuel Mujica Láinez's Bomarzo, a novel about the Orsini family and its sacred grove of monsters.

Hall County Courthouse in Memphis, Texas is a historic courthouse built in 1923. It was listed on the National Register of Historic Places on October 1, 2008. The four story, red brick building is a Classical Revival design with Beaux Arts influences. Each facade of the building features a two-story loggia with paired Corinthian columns.

A piazza (deck) the length of the house faced the ocean, and a covered section cantilevered out over the rocks. The parlor was surrounded on three sides by the piazza and an L-shaped covered porch. Stairs led down from the loggia to a series of terraces. The second floor contained bedrooms for the Blacks and their guests.

The Hungarian capital became the first centre of Renaissance north of the Alps. The king rebuilt the palace in an early Renaissance style. The cour d'honneur was modernised and an Italian loggia was added. Inside the palace were two rooms with golden ceilings: the Bibliotheca Corviniana and a passage with the frescoes of the twelve signs of the Zodiac.

A small loggia connects to the eastern entrance. To the ground and first floors, rooms are accessed from cruciform corridors with stairs to the west and the south. The intersection of the corridors are decorated with rendered masonry arches, and many of the ceilings are timber- boarded. The first floor bay windows are framed internally by a flat arch.

LeGros was born in Minneapolis. His mother was a teacher and his father was a real estate broker.James LeGros Biography (1962-) He was raised in Redlands, California, and attended the Professional Conservatory at South Coast Repertory in Costa Mesa, California, as well as the University of California, Irvine. LeGros is the son-in-law of late actor Robert Loggia.

See Zani 2010, p. 93, note 30. and such a long presence can be justified only by admitting the existence of significant local commissions. There is reason to believe that the Sanmicheli organisation should have deeper roots in Brescia during the two years mentioned, ranging from the construction of dei Miracoli to that of the Loggia.

The images depict a series of frescoes by Raphael's workshop in the Vatican loggia. As a painter, his most important work are the frescoes in the church of San Giovanni Evangelista, Reggio Emilia, which are based on Correggio's earlier works. In this church, he executed the decoration of the dome and pendentives. The dome fresco represents the parousia, i.e.

The cucumber symbolizes the promise of resurrection and redemption. The peacock symbolizes associated immortality, because it was believed that its flesh never decayed. An oriental carpet adorns the loggia on the first floor of the Mary's house. The bottom portion of the painting features the coats of arms of Pope Sixtus IV and the local bishop, Prospero Caffarelli.

The panel is divided in two by a central column. It uses a geometrical perspective to show a complex architecture including several edifices and an open loggia. There are several elements suggesting the influence of Flemish painting, by which Lippi was influenced during his stay in Padua. These include the glass ampulla in the foreground, symbolizing the Holy Spirit.

In 1987, the school was the setting for Echoes in the Darkness, a Joseph Wambaugh book detailing the murder of a teacher and her two children for insurance money, allegedly by the head of the English department and the former principal. This was later converted into a made-for-TV movie starring Stockard Channing, Peter Coyote and Robert Loggia.

The entry is defined by an arched gabled entry portico with twisted "barley sugar" columns. The exterior is rendered with smooth white stucco. The gabled roof of the building is clad with red painted wide gauge corrugated iron roof which simulates terra cotta tiles. Along the outside of the nave is an arcaded arched colonnade loggia.

The tower is 75.6 metres high, dominating the city. There are 240 steps to be climbed to reach the top of its six floors. This great structure has become the symbol of the city. In Porto, Nicolau Nasoni was also responsible for the construction of the Misericórida Church, the Archbishop's Palace and the lateral loggia of Porto Cathedral.

In 1920, Balbo was initiated in the regular Masonic Lodge "Giovanni Bovio", affiliated to the Gran Loggia d'Italia. Subsequently, he received the degree of Orator in the Masonic Lodge" Girolamo Savonarola" in Ferrara Rosario F. Esposito, La massoneria e l'Italia. Dal 1800 ai nostri giorni, Rome: Edizioni Paoline, 1979, p. 362., joined by various other party officials.

He presented these large scale tridimensional acrylic painting in a series of important one-man exhibitions: at the Studio d'Arte Condotti in Rome; at the Galleria Blu in Milan; at the La Nuova Loggia in Bologna; and at Christian Stein, Turin. This period concluded with the exhibition of his last "room-works" at the XXXVI Venice Biennale in 1972.

In the 1700s, the present palace was built by the abbot Ercole Visconti. A sober urban facade (1740) and walls of brick were intended to be flanked by four towers, but only one was built. The imposing tower was later topped with Neo- renaissance style loggia. By 1810, the palace was bought by the Prinetti family.

Instead a three-storey building was designed by Charles Harcourt Masters. The foundation stone was laid in 1796 and the building was ready by 1799. Visitors entered the gardens through the Hotel. Projecting from the rear of the building at first floor level was a conservatory and a semi-circular Orchestra with a wide covered loggia below.

A loggia with three arches fronts the house, ornamented with projecting squared beams. The driveway goes through the leftmost arch, flanked by a retaining wall, on its way to the rear of the house. The interior was converted for apartments. with The Castle was placed on the National Register of Historic Places on July 10, 1979.

An exterior staircase is located on the left side of the front gallery that is hidden behind green painted louvered panels that are found on each side of the gallery. Three pedimented dormers are found on the gabled roof, that is pierced with two symmetrical brick chimneys on the ridge line that flank the central dormer. The north facing rear facade features a central, two level open loggia that is enclosed on three sides by the house, flanked with double fenestrations on each level. The loggia is accessed on the ground floor by triple brick archways, where to the left, a narrow staircase leads to the second level with double white columns helping to support the frieze at the top of the house, and enclosed by a banister.

The New Exit for the Uffizi Gallery (), designed by architects Arata Isozaki and Andrea Maffei, was the project that won the closed international design competition launched in 1998 with the purpose of expanding the museum's exhibition space and creating a grand exit. Many world-renowned architects participated, among whom were: Mario Botta, Norman Foster, Gae Aulenti, Hans Hollein and Vittorio Gregotti. As part of the Grandi Uffizi initiative, a 60 million euro renovation and development project for the overall museum, the loggia's construction became a controversial subject for Florentines and thus has been at a standstill since its original scheduled completion date of 2003. The project was envisioned as a large steel and stone loggia that would echo its counterpart, the Loggia dei Lanzi on Piazza della Signoria.

A considerable leap in quality is evident here, compared to the Apostles of the church of Santa Maria dei Miracoli that had been carved just a few years earlier. The cycle of the Caesars is not only considerably grander in size but also a notable qualitative improvement over the previous production. The presence of these Caesars on the façade of the Loggia in Brescia is testament of an architectural and figurative leap, a full expression of classical art that has climbed from the earlier experiments at the Miracoli. Cairano, through the creation of the cycle and subsequent architectural ornamentation of the Loggia palazzo, becomes the fulcrum of commissions, both public and private, from Brescians keen to show off their descent from ancient Rome and to ride the wave of the local Renaissance.

The site is on the edge of the flat top of the Janiculum Hill, which here begins to slope steeply down terraces, and the large loggia built facing the view is on the same level as the front door on the other side of the house, which is reached by some gentle steps from the entrance courtyard. But below the loggia there is a considerable drop to the ground, and after a narrow garden terrace, another sharp drop to the next terrace below. To the side of the house a larger garden on a flat terrace also gives splendid views; unlike the house itself this is open to the public.Talvacchia Turini was a Papal official (the "datary") who was a close friend of Raphael, and supervised the building of his tomb in the Pantheon, Rome.

Prince Zygmunt Kazimierz Vasa in the palace's loggia, facing the Vistula River, 1644 Villa Regia ("Royal Villa"), 1656 The Kazimierz Palace was erected in 1637-41 for King Władysław IV in the mannerist-early Baroque style as a villa suburbana (suburban villa) christened the Villa Regia (Latin for "Royal Villa"), to the design of Italian architect Giovanni Trevano. It was constructed as a rectangular building with corner towers, a type of residence known as Poggio–Reale - Serlio after the Villa Poggio Reale in Naples. The Villa Regia had a magnificent loggia at its garden facade, with a wonderful view of the Vistula River and its opposite, Praga bank. It had four alcoves and two gardens — a flower garden at the front, and a botanical garden at the rear.

It is three storeys high and features three sets of three bays in either wing, with five inner sections. The outer two of the inner sections feature eight angular windows, aligned in rows of four on the first two floors and then a row of four windows on the top floor. The inner two sections have the same layout on the first and top floors with eight windows aligned in rows of four on the first floor and four windows on the top floor, but the ground floor features two arches, which form part of the central loggia. The stone central bay, wide, is emphasised by superimposed double decorated pilasters on all floors and the central archway of the loggia in the Doric, Ionic, and Corinthian orders, surmounted by a florid perforated pediment.

Villa Pisani, Montagnana By 1550, Palladio had produced a whole group of villas, whose scale and decoration can be seen as closely matching the wealth and social standing of the owners: the powerful and very rich Pisani family, bankers and Venetian patricians, had huge vaults and a loggia façade realised with stone piers and rusticated Doric pilasters; in his villa at Bertesina, the (briefly) wealthy minor noble and salt-tax farmer Taddeo Gazzotti had pilasters executed in brick, though the capitals and bases were carved in stone; Biagio Saraceno at Villa Saraceno had a loggia with three arched bays, but without any architectural order. In the Villa Saraceno as in the Villa Pojana Palladio was able to give presence and dignity to an exterior simply by the placing and orchestration of windows, pediments, loggia arcades: his less wealthy patrons must have appreciated the possibility of being able to enjoy impressive buildings without having to spend much on stone and stone carving. Palladio's reputation initially, and after his death, has been founded on his skill as a designer of villas. Considerable damage had been done to houses, barns, and rural infrastructures during the War of the League of Cambrai (1509–1517).

On the main facade there was an open loggia. It was later extended, standing complete in 1607 with four wings, clearly influenced by the Italian Renaissance style. The castle interior was modernised in the 1740s in the baroque style, at which time a large baroque garden was laid out, covering an area of 5 ha., with avenues of limetrees and hedgerows of beech.

Palazzo Piccolomini-Clementini, Siena The Palazzo Piccolomini-Clementini is a Gothic-style palace located on Via Banchi di Sotto #75 in the city of Siena, region of Tuscany, Italy. It is located across the street from the more imposing Renaissance-style Palazzo Piccolomini and the Loggia del Papa. The nearby Palazzo delle Papesse was also built by a Piccolomini family member.

The north facade has a gabled porch bay which includes an arched doorway with a stone monogram above. On each side of the entrance bay, there are two gables, with bays where the wings are set at an angle. The north-west wing includes a chapel, with a twin- arched loggia and its own porch. The east wing was previously the service wing.

Although legend has it that Salò has Etruscan origins, recorded history starts with the founding by ancient Romans of the colony of Pagus Salodium. There are numerous ruins of the Roman settlement, as shown by the Lugone necropolis (in via Sant’Jago) and the findings (vase-flasks and funeral steles) in the Civic Archaeological Museum located at the Loggia della Magnifica Patria.

It has an irregular linear plan. The entrance front is asymmetrical, in two storeys, with an off-centre porch. To the left of the porch is a timber-framed projection, and to the right is a staircase bay and a service bay. In the garden front are four timber-framed gables with a central loggia over which is a balcony.

Joseph Richter Villa The Joseph Richter Villa is in Łódź, Poland at Skorupki Street (formerly Placowa St.) 10/12, in Bishop Michał Klepacz Park. It is a listed historical monument.Historical monument listing Designed by Piotr Brukalski, the villa was constructed for Joseph Richter in 1888–89. The building, following the standards of the Italian Renaissance, has a loggia facing the garden.

Loggia and Palazzo Ballati in Piazza Indipendenza The Piazza or Piazzetta dell'Indipendenza is located just north of Piazza del Campo in the Terzo di Camollia in the city of Siena, region of Tuscany, Italy.Comune of Siena, entry on Piazza. It is located centrally at the intersection of Via delle Terme and dei Termini, about two blocks Northwest of the Piazza del Campo.

"2 Columbus Circle / Edward Durell Stone & Associates". ArchDaily marble-clad with Venetian motifs and a curved façade. It had filigree-like portholes and windows that ran along an upper loggia at its top stories. With architect Philip L. Goodwin, Stone had previously designed the Museum of Modern Art in the International style, which opened to the public on May 10, 1939.

Munkácsy's Apotheosis of the Renaissance seems like a building of the Renaissance with a dome, which is opened to the sky. In a loggia one can see the pope, below Michelangelo, Leonardo da Vinci and Raphael. Tizian gives lessons in painting, and Paolo Veronese stands on a framework. Personalized representations of fame and glory of the arts hover above - Pheme and Glory.

The traditional Maltese balcony is a wooden closed balcony projecting from a wall. By contrast, a 'Juliet balcony' does not protrude out of the building. It is usually part of an upper floor, with a balustrade only at the front, like a small Loggia. Modern Juliet balconies often involve a metal barrier placed in front of a high window which can be opened.

William C. Costopoulos, Principal Suspect: The True Story of Dr. Jay Smith and the Main Line Murders (Philadelphia: Camino Books, Inc., 1996). Echoes in the Darkness was adapted into a made-for-television mini-series in 1987. The television production starred Treat Williams, Peter Coyote, Stockard Channing, Peter Boyle, Gary Cole and Robert Loggia, and was directed by Glenn Jordan.

The main cloister gained many Manueline portals, and a second cloister, nicknamed the Claustro da Moura was built. Later in the century a gallery (loggia) in Mannerist style was added to the façade. An important legacy of the early 18th century is the refectory of the monastery, decorated by painted wooden panels on the ceiling and tile (azulejo) panels on the walls.

Favorite Son is a miniseries about political intrigue that aired on NBC (in three parts) in 1988 a week before that year's presidential election. It starred Harry Hamlin, Linda Kozlowski, James Whitmore, Robert Loggia, John Mahoney, Ronny Cox, and Jason Alexander. The miniseries was adapted from the 1987 novel of the same written by Steve Sohmer, who also wrote the teleplay.

A loggia above the windows allows patrons on the balcony level to look down into the lobby. Auditorium Beside the grand stairs are doors leading to the 2,898 orchestra-level seats. The auditorium is high and wide. An inner lobby wraps around the seating area and contains two oval stairways leading to upper seating levels and the lounges on the lower level.

Pandora's Clock (also known as Doomsday Virus) is a 1996 NBC miniseries based on a novel by John J. Nance about a deadly virus on a Boeing 747-200 from Frankfurt to John F. Kennedy International Airport. Directed by Eric Laneuville, the film stars Richard Dean Anderson, Stephen Root, Jane Leeves, Robert Loggia and Daphne Zuniga and the script closely follows the book.

Garden alt=A open stone structure with four columns supporting a lintel. Inside the loggia is a wooden seat. The of grounds surrounding the house have been largely restored to include the 18th-century pathways, the stream-glade and the 19th-century rock garden. The foundations exposed in the excavations show the plan of the former church and monastic buildings.

The broad, imposing red brick mansion has symmetrical wings flanking a central triangular pediment tympanum with circular stone relief, an Ionic-columned stone portico, arched brickwork, and a flat, parapet roof. An iron fence frames a circular drive in the front and intricate gardens and fountains in the back. The interior features arched doorways, a loggia and two-story sweeping staircase.

The house is constructed in sandstone with roofs of slate and lead. It is mainly in two storeys with a basement, and has towers rising to a greater height. The entire building has a battlemented parapet. The entrance front faces west and consists of two three-storey wings in three bays with a single-storey three- bay loggia between them.

His last works were for the church of Santa Cattaprina.M. Bryan Pantaleone's sons: Aurelio, Marcantonio, Benedetto, and Felice; also became painters. Of these, Marcantonio Calvi was the most distinguished painting with his brothers decorations in palazzo Doria, and by himself in Pegli, San Pietro d'Ancona, and other palaces of Liguria, including the loggia degli Spinola. He then moved to Venice.

This homage of King Manuel I to his predecessor King Edward mentions his motto Leauté faray tam yaserei ("I will always be loyal"). This motto is then repeated more than two hundred times in the arches, vaults and pillars of the chapels. The Renaissance loggia, added at about 1533, was probably meant for musicians. It is ascribed to the architect João de Castilho.

However, these challenges created interesting opportunities whereby exhibitions outside of London were staged and new blood was found. A new generation of artists joined the ranks and thus kept the group relevant and vital. Exhibitions continued to be held at the London venue of the Loggia Gallery although other suitable venues in London were harder and increasingly expensive to come by.

The Hotel Portinari in Garenmarkt 15 with its classical façade was formerly home to Tommaso Portinari, the administrator of the Florentine "Loggia de Medici" in the 15th century in Bruges. It contains eleven apartments for professors and forty student rooms, two "salons" in 19th-century style, the "salon du Recteur" with 18th-century wall paintings and a modern "Mensa" for students.

Interior of the Teatro. Longitudinal and composite building with articulated parts has a sober facade. The frontispiece is divided into 3 parts: 2 floors on mezzanine and a third floor on the central body. This central body is torn by a portico (entrance hall), and has a loggia at the ground level composed of 3 frontal arches and a lateral, in perfect round.

The most famous element of the ensemble is the corner tower: its height overlooks the area. This square tower bears a clock, topped by a columned part, crowned by a metal tented roof. The western frontage on Kruszwicka street is more eclectic. Between the tower and the facade, one can notice a loggia at mid-height with wooden elements are beautiful corbels underneath.

Francesco Tacconi (fl. 1464 – 1490) was an Italian painter of the Renaissance period, active in Cremona in the 15th century. He and his brother, Filippo Tacconi, executed several frescoes in a loggia in the Palazzo Pubblico of their native city. In 1464 their fellow-citizens exempted them from all taxes on account of these frescoes, which have since, however, been whitewashed over.

Above these is a strapwork decorated frieze and an overhanging moulded cornice. On each side are steps leading from the causeway to ground level. Richards describes the loggia as "perhaps the most original example in the whole of Cheshire". The north elevation of the body of the chapel has a door which gave tenants access to the ground floor of the chapel.

The building has undergone few changes since its construction. The seven-story building sits on a simple base of Mount Airy granite. The walls above are clad in large, smooth blocks of Indiana limestone laid in a regular pattern. Bays on the midsection of each elevation are divided by pilasters (attached columns) or colonnades that form a loggia (open-air, arcaded space).

In 1996 the U.S. General Services Administration (GSA) commenced a meticulous restoration following the recovery of approximately 16,000 artifacts that were discovered during preliminary archaeological work on the site. The exterior was restored to its 1940 appearance. Historically significant areas were identified for restoration or replacement. The second-story loggia, closed in the late 1940s or early 1950s, was reopened.

The mosque has been designed so that even when it is at its most crowded, everyone in the mosque can see and hear the imam. The royal kiosk is situated at the south-east corner. It comprises a platform, a loggia and two small retiring rooms. It gives access to the royal loge in the south-east upper gallery of the mosque.

The cathedral's south wall with the Loggia di Braccio on the left and the Fontana Maggiore in the foreground. Perugia Cathedral () is a Roman Catholic cathedral in Perugia, Umbria, central Italy, dedicated to Saint Lawrence. Formerly the seat of the bishops and archbishops of Perugia, it has been since 1986 the archiepiscopal seat of the Archdiocese of Perugia-Città della Pieve.

The current Oliveros House was the fourth structure to occupy the site at 59 St. George Street. The first building at the site was a wooden house, the second a tabby structure, and the third, again, a wooden house. It was a two-story house with a ground floor consisting of three rooms and a loggia area. The original flooring was apparently wooden.

Casa Bonet was built in 1887 by Jaume Brossa and was known as the Casa Torruella. In 1915, Delfina Bonet commissioned the architect Marcel·lí Coquillat to redesign the facade, remodelling it in an Italianate Neo-Baroque style with a two-storey loggia and neo-baroque ornamental details decorating the upper floor lintels. Today the building is occupied by the Barcelona Perfume Museum.

The central loggia/verandah space features three arched openings supported by masonry piers with pilasters and classical detailing. This classical detail is reflected in the arched detailing of the timber sash windows. The corners of the fine sandstone ashlar masonry are defined by quoins. The southern limit of the original building appears to have been defined by the central corridor.

The ball-room features a coffered timber ceiling and originally a glazed rooflight. The rectangular apse at the southern end held an organ. The ballroom features three bay clerestory lighting and classically detailed fireplaces in keeping with the overall Italianate idiom of the house. At the north east corner an open, two storey loggia, entered from the breakfast room, was also added.

Extra rooms and an enclosed staircase are to the rear. Its front facade has a three-bay entrance loggia with a "fairly full" entablature topped by the clapboarded second story. Above that is a full pediment with similar entablature. Elements salvaged from the original building include the loggia's columns, entablature and flushboarding, the pediment's detailing, and apparently some six over six windows.

It also possesses a capacious and delightful courtyard. Next to the Palazzo is a loggia with some remnants of Roman foundations. At once, the Palazzo's proprietor, Federico Cesi, housed the scientifically oriented Accademia dei Lincei here, attracting such teachers as Galileo Galilei. Today the Cesi's palazzo a small museum with a number of ancient artefacts, including Roman stone work from nearby Carsulae.

Frankie and Cacciatore, Jack's right hand men, are quick to follow his demands. Jack looks to his advice from his great Uncle Gaetano (Robert Loggia) during their weekly meetings. Uncle Gaetano is a survivor of the early gangster generations with valuable knowledge and wisdom. Uncle Gaetano is the only person Jack trusts because of the valuable advice he gives him.

Details. Photo by Paolo Monti, 1969 The façade of Palazzo Pisani Moretta is an example of Venetian Gothic floral style with its two floors of six-light mullioned windows with ogival arches, similar to those found in the loggia of the Doge’s Palace flanked by two single windows. The ground floor has two central pointed arched doorways opening on to the canal.

The North Building features four vaulted corner entrances, which are each three stories high and composed of loggias with on either side of the corner. Pink Tennessee marble is used as a decorative element on the floors and around the doors of each loggia. The middle of the 24th Street facade contains another entrance. The 25th Street side contains numerous loading docks.

The Lorillards, of tobacco fame, envisioned Belcourt as a seat for the Newport Jazz Festival. The lawns on Bellevue Avenue could accommodate over 10,000 and the masonry and stucco façade provided an acoustic background. The large central courtyard was the scene for concerts, with the open loggia providing further room for spectators. Inside, the massive rooms were used for workshops and lodging.

From 1547 to 1577 the house was owned by magistrate Jean Burnet. The main courtyard took on an idealized form (square) with the extensions of the wings. The entrance was closed off with a portico inspired by the loggia of the Hôtel d'Assézat (Doric columns, mixture of brick and stone). The coffers continue to show Burnet's arms and those of his wife.

It was designed by Filippo Brunelleschi, who received the commission in 1419 from the Arte della Seta. It was originally a children's orphanage. It is regarded as a notable example of early Italian Renaissance architecture. The hospital, which features a nine bay loggia facing the Piazza SS. Annunziata, was built and managed by the "Arte della Seta" or Silk Guild of Florence.

The Armadillos are thus forced to play ironman football. The team lacks experience and talent in all areas, especially at quarterback, placekicker, and the defensive line. Assistant coach Wally "Rig" Riggendorf (Loggia) finds Paul Blake (Bakula), a 34-year-old high school star who never attended college due to his father's death. Rig convinces him to enroll and become the Armadillos' quarterback.

The roof above is a jerkin-headed design, slightly off centre by an eave projection on the left (northeast) end. At each end, the balcony roof is closed with a weatherboard half-gable. The balcony ceiling is of painted timber boards. Internally the ground floor loggia has overpainted brick walls, and the positioning of now bricked up former doorways and windows is evident.

Eventually, these spaces became sculpture area, classrooms, and studios when the structure became a school. Beside the main staircase were to two principal drawing rooms, gallery, or loggia, and living rooms on the ground floor. The staircase has double Ionic pillars in gold paint finish - same with the gallery, which contains 8 Ionic shafts. The gallery was enclosed; with seven capiz windows.

St. Joseph City Hall is a historic city hall located at St. Joseph, Missouri. It was designed by the architectural firm Eckel & Aldrich and built in 1926–1927. It is a three-story, stone and concrete building in the Italian Renaissance Revival style. It features a concrete balustraded loggia on the second level, engaged columns, arched openings, and a red tile hipped roof.

Palace Courtyard with Loggia and Figures by Nicolaes de Giselaer Nicolaes de Giselaer, also Nicolaes de Geijselers, Nicolaes de Geyselers, Nicolaas de Gijselaer, Nicolaas de Gijzelaer, Nicolaes de Gyselaer, Nicolaas de Gyzelaer, Nicolaes de Ghyselaer (1583-c.1654) was a Dutch painter and draughtsman. De Giselaer was born in Dordrecht. Not much is known about his life, except through his works.

A loggia located in the south fortified tower has four opened doric columns that support a triangular pediment. In front of the palace there is a two-arm and symmetrical access road with the Monument to honour Silesian Legionnaires fallen for Poland, located between the arms of the road. The monument is designed by Jan Raszka and commemorates the fallen legionnaires of Silesia.

The Oratory of the Rosary of Saint Dominic (Italian: Oratorio del Rosario di San Domenico) is a Baroque oratory of Palermo. It is located near the Church of Saint Dominic, in the quarter of the Loggia, within the historic centre of Palermo. The oratory was founded in 1574. In the early 18th century Giacomo Serpotta realized a sumptuous stucco decoration.

The El Centro Main Post Office, in El Centro, California, was built in 1931. It was listed on the National Register of Historic Places in 1985 as U.S. Post Office-El Centro Main. It is Beaux Arts in style, with a large loggia across the front which is common to Italianate or Second Renaissance Revival style. It has classical Corinthian columns.

Tour entries for Pistoia.Pistoia e il suo territorio: Pescia e i suoi dintorni: guida del forestiero, by Giuseppe Tigri, Tipografia Cino, Pistoia (1853): page 221. The layout has affinities with the late 14th-century Palazzo Davanzati, with the ground floor having three ground story portals with rounded archways. The top floor on one side has a loggia supported by pilasters.

Historic American Buildings Survey photograph To accommodate the needs of the congregation, Wright divided the community space from the temple space through a low, middle loggia that could be approached from either side. This was an efficient use of space and kept down on noise between the two main gathering areas: those coming for religious services would be separated via the loggia from those coming for community events. The plan of Wright's design looks back to the bipartite design of his own studio built several blocks away in 1898: with two portions of the building similar in composition and separated by a lower passageway, and one section being larger than the other (the Guggenheim Museum in New York City is another bipartite design). Also for the Temple's architecture, Wright borrowed several attributes from his previous creation, the Larkin Administration Building.

It follows the Renaissance pattern of design on four floors: a hallway floor giving access to the palace from the fondamenta is surmounted by two Piano nobiles and a fourth story above them: :- the primo piano nobile, typical of Venetian neo-Renaissance style, is made of decorated columns and eight monofora windows of which four are component of an open loggia with balcony, this floor is hosting magnificent ceremonial rooms; :- the "secondo piano nobile" (secondary floor) has four monofora windows surrounding a large quadrifora closed loggia, it hosts more intimate reception spaces; :- the fourth story is of much simpler exterior design, it has eight square windows without applied decoration. The "U"-shaped back facade is made of two paralleled wings surrounding a large garden ending onto the back canal with a richly decorated crenated wall with arched gates to the Chiesa degli Ognissanti.

Because of this, al-Nasir was able to build a loggia on the side of the palace from which he could freely observe the activities in the stables and in the maydan (hippodrome) at the foot of the Citadel below, as well as a private door and staircase which gave him direct access between the palace and the hippodrome. The interior layout of the palace consisted of a large qa'a (reception hall) courtyard with two unequal iwans (vaulted chambers open on one side) facing each other and a central dome in the middle. The larger iwan, on the northwestern side, gave access to the outside loggia with views of the city, while the southeastern one gave access to the private passage to the Great Iwan. This also served as the throne room of the palace complex.

The "Loggia", already called so since 1493, was finished in the 16th century. The Tower Terrace sports a great view of the city through the round arcs. On the east side there is a stair tower. The wooden ceiling with shaped rosettes is descended from the time of Wilhelm V. There is a stone walled music platform on the south side of the room.

Over the main front elevation (on to Gdańska Street) stands a three-story avant-corps with a balcony, set beneath the gable and the pediment. The second avant-corps located on the northern side has an indoor loggia covered by a lean-to roof. Bricked railings are decorated with a stylized trefoil shapes. In facade decoration are also used volutes and obelisk-shaped pinnacles.

A stone recess in the atrium has a hole that was used for emptying chamber pots. Carved into the stone above this simple lavatory is "SI TE NOSTI CUR SUPERBIS" (Know what thou art,then why art thy proud?). On the eastern side, with its own entrance, was housing for travellers and paupers. Under the terrace of the loggia, in a small cell lived a Beguine nun.

The cavea, or seating area. The loggia or columned portico at the top conceals a staircase (visible in Scamozzi's floor plan) which originally served as the entrance to the cavea. The Teatro Olimpico ("Olympic Theatre") is a theatre in Vicenza, northern Italy, constructed in 1580–1585. The theatre was the final design by the Italian Renaissance architect Andrea Palladio and was not completed until after his death.

The Bell Inn is a grade II listed former public house in Hertford Road, in the London Borough of Enfield. The building dates from the second quarter of the 19th century. The facade has a projecting loggia with Roman Doric columns. It later operated under names including Bar FM, Chimes, the Texas Cantina and Club X Zone, and has since housed a Turkish restaurant.

Archimede Vestri (1846–1904) was an Italian patriot and architect, born in Siena. Along with his father, Giovanni, and his sister, Baldovina Vestri, they were forced to flee Siena and their home, Palazzo Vestri, in 1849. Baldovina was a well-known friend and supporter of Giuseppe Garibaldi. Archimede is best known for his design in 1887 of the Loggia at the Piazza Indipendenza, Siena.

Palazzo Piccolomini The Palazzo Piccolomini, also known as the Palazzo Todeschini Piccolomini is a Renaissance-style palace in the city of Siena, region of Tuscany, Italy. It is located on the Banchi di Sotto, at the corner with Via Rinaldini; uphill and west of the church of San Martino, the Loggia del Papa, and the Palazzo delle Papesse, which also built by a Piccolomini family member.

Blackstone-State Theater is a historic theatre building located at South Bend, St. Joseph County, Indiana. It was built in 1919, and is a four-story, Classical Revival style brick and terra cotta building. The first floor has four storefronts and the theatre entrance. The upper floors form a loggia that rises to the fourth floor and supported by four pairs of fluted columns.

In 1995, the Conservancy's Historic Preservation Crew replaced the painted wooden loggia of the castle, working from Vaux's designs, on the granite piers and walls that had survived. The same year, a $340,000 grant was distributed toward restoring the castle as the Henry Luce Nature Center. That restoration was completed in 1996. In 2018, the Central Park Conservancy conducted a second renovation of Belvedere Castle.

The courthouse was designed in the Beaux-Arts style by Sioux Falls architect Joseph Schwartz. The main facade has a loggia in the center that features eight columns from the second floor to the top of the third floor with recessed windows in between. The cornice runs below the wide band along the roofline, which is flat. The Bedford stone clad building measures approximately and is high.

Thusnelda statue in Loggia dei Lanzi, Florence. Arminio is brought to his place of execution but still breathes defiance to Rome (Aria: Ritorno alle ritorte). Segeste is astonished when Varo appears and releases Arminio from his chains so he can die in battle (Aria: Mira il Ciel). However Tullio enters with news that another German chieftain has defeated the Romans and Arminio is returned to prison.

Gladiator is a 1992 American sports drama film directed by Rowdy Herrington, and starring Cuba Gooding Jr., James Marshall, Brian Dennehy, and Robert Loggia. The film tells the story of two teenagers trapped in the world of illegal underground boxing. One is fighting to pay off gambling debts accumulated by his father. The second is fighting for the money to get out of the ghetto.

Metal plaque at the source of the Lemina Lemina source is at 1,382 m above sea level at Monte Faiè, a peak of Monte Freidour in the central Cottian Alps, at the boundary between the communal territories of Pinerolo and San Pietro Val Lemina. It flows for some 46 km, until entering the Chisola near the communes of La Loggia and Vinovo, some kilometers east to Turin.

The -story mansion is situated on a polygonal corner site along a street with other imposing residences. The facades of the building are composed of Harvard brick timed in limestone and white-painted wood. The exterior features an Ionic portico, a fanlight doorway, a side loggia, a piano nobile with iron balconies and arcaded windows. The ceremonial interiors are arranged around an open stair hall.

The main façade, together with the adjoining baptistery, is one of the most important monuments of Romanesque art in Europe. It has a portico with a narthex in the middle, to which a Renaissance loggia with three niches was added in 1491. This is surmounted by a large rose window, flanked by two orders of loggette ("small loggias"). The portal is probably from the early 12th century.

He apparently trained under Giuseppe Cesari d’Arpino. Baglione recounts that during the papacy of Sixtus V, Prospero was one of the many artists that decorated the Scala Sancta walls and ceilings with frescoes. He worked on the depiction of Moses parting the Sea and Isaac blessing Jacob. In the benediction loggia of San Giovanni Laterano, he depicted an episode in the Life of Constantine.

Liddell renovations including exchanging the Italianate facade with a Jacobean style in 1901. An east wing, added in 1909, was designed by Chepstow architect Norman Evill, a pupil of Edwin Lutyens; it included a billiard room, loggia, and belvedere tower. The north end of the house was also remodeled. Various stones were used during the renovation, including mauve Old Red Sandstone and yellow Bath stone.

The centre portion is recessed with a loggia of four arches, paved with Encaustic tiles. On the left wing, the bar entrance has a pediment flanked by Doric pilasters. The right wing contained the commercial and drawing-rooms and was finished with a two-storied bay-window. A massive cornice, with parapets and pediments, covers the front, left and right sides of the building.

The Breakfast Creek Hotel at twilight The 1889 building is extravagantly detailed. The Breakfast Creek Road frontage to the south has projecting end bays with vermiculated stone quoins which flank a ground floor loggia and first floor verandah. These bays have mansard roofs with crested widow's walks. The western bay has a doorway framed by pilasters and a pediment, with windows framed with pilasters above.

Before 1300 the nobles decided to build up a surrounding stone wall; this was possible because they parcelled out the urban pieces of land and then gave these pieces to the craftsmen and shopkeepers. In front of the drawbridge the public loggia was built. Meanwhile a well was dug by the Torre delle Ore. Now these interventions are difficult to find because of more recent constructions.

The Echo The Echo is a loggia at the end of the southeast axis of the building, with a facade of four piers of rusticated stonework, of which alternate courses are projecting and vermiculated, It has large vermiculated keystones at the heads of the three arches. It is attributed to Vanbrugh, its features being almost identical to a Vanbrugh design of 1722 for a single archway.

Nannina was brought to her husband's house five years later, on 8 June 1466. The wedding feast was famous for its opulence: 500 guests were seated on a triangular dais which occupied the loggia and the whole of the piazza and the street in front of Palazzo Rucellai. The couple had four sons, Cosimo, Pietro, Palla and Giovanni. Nannina de' Medici died on 14 May 1493.

Older prints of the palace note that the upper floors were part of an open loggia overlooking the River. In 1552, the palace was sold to the Del Nero family. In 1816, the palace was inherited by the Torrigiani. The rusticated stone portals, window arches, and corner pilasters, as well as the brackets of the first floor windows are characteristic of the Mannerist architecture of Baccio.

It was at the chateau that Leconte de Lisle wrote his work La Rose de Louveciennes.Topic Topos retrieved 31 October 2015. The poet died while staying at the chateau's classical garden pavilion in 1894. The mansion is designed on an "H" plan, with the two extending wings joined by an open loggia on the southern entrance facade, and on the northern garden facade by an orangery.

The general in his cape and sword, nearly steps off the pedestal. The plinth has two marble bas-reliefs, one of the arms of war, the other an episode in the Battle of San Martino. At the four corners are four figures symbolize politics, strategy, tactics, and fortifications. Florentines have contrasted this statue with Fedi's other masterpiece: the Rape of Polyxena (1865) in the Loggia dei Lanzi.

Frank Lopez is an aging Miami-based drug-lord (leading the Lopez Cartel), who asks Tony Montana and Manny Ribera to kill a former political aide to Fidel Castro. Frank Lopez is portrayed by Robert Loggia. At first, Frank is fond of his new men, but is later killed by Tony Montana after he suspects that Frank was responsible for the botched hit on his life.

Much of the ground structure is undecorated, above intricately decorated. The overwhelmingly vertical decoration of the facade is granted liveliness by horizontal convexity. In his will, this bachelor called this church his beloved daughter. He also renovated the exterior renewal of the ancient Santa Maria della Pace (1656–1667), and the façade (with an unusual loggia) of Santa Maria in Via Lata (appr. 1660).

The centre is constructed in sandstone ashlar with a slate roof. Its architectural style is mixed, with elements of Italian Gothic and French Renaissance styles together with "Victorian incised ornament". The building is in two storeys with attics and has a symmetrical nine-baysfront, excluding the towers. Running along the ground floor is a loggia incorporating a porte cochère in the central three bays.

The courthouse is a four-story structure composed of Grey Canyon Sandstone. In the center is a projecting loggia with three arches on the first story and eight Corinthian columns rising from the third floor to the top of the fourth floor. Projecting pavilions are located on each corner. A tall three-stage square clock tower capped with cupola rises from the center of the building.

The facade bears elements of the Victorian Italianate style as defined in Identifying Australian Architecture:Apperley et al, 1994:72 stuccoed facade, segmental arch window openings, arcaded loggia, and bracketed eaves. A pyramidal roof is another feature which typically appears on some Italianate buildings, usually on tower features. James Barnet built many regional New South Wales post offices and government buildings in the Italianate style.

They go on their first real date to the symphony and the chemistry between them becomes clear. Caroline introduces Elgin to the other man, John (Robert Loggia), who is already married. She is visibly shaken by this meeting and asks to spend a night with Elgin, because she doesn't want to be alone. Their love making is interrupted by David who says Elgin is late for work.

What remains of the latter, dating to the 12th century, is today the only example in Pistoia of a Romanesque structure in mixed stone and brickwork construction. The small columns are in stone, decorated with capitals featuring heads of lions and oxen, while the arches and the walls are in brickwork. In the 14th century it received a second floor with a loggia. Luca della Robbia's "Visitation".

He wrote and directed his second movie, Wide Awake. His parents were the film's associate producers. The drama dealt with a ten-year-old Catholic schoolboy (Joseph Cross) who, after the death of his grandfather (Robert Loggia), searches for God. The film's supporting cast included Dana Delany and Denis Leary as the boy's parents, as well as Rosie O'Donnell, Julia Stiles, and Camryn Manheim.

Herald's Loggia The Corte Capitanale is built in the French Baroque style. The façade is decorated by superimposed Tuscan and Corinthian pilasters, and a cornice along roof level. A balcony is located above the main doorway, and it is decorated with allegorical statues of Justice and Mercy. The inscription Legibus et Armis (by using laws and arms) is inscribed below the centrepiece of the façade.

It is one of the earliest skyscrapers built on pneumatic caissons and one of the oldest such buildings that remain standing. The building contains an interior steel frame structure with a curtain-walled facade. The top stories contain a loggia on the facade as well as a large metal cornice above the 20th floor. There are numerous band courses, balconies, and arched windows along the facade.

Architect Archie H. Hubbard, himself an early member of the fraternity, designed the house in the Italian Renaissance Revival style. The three-story brick building features a loggia on the two side facades and belt courses dividing the floors. The upper two stories of the building have distinctive diamond-patterned brickwork. The building was added to the National Register of Historic Places on August 28, 1989.

Although White was an associate producer in the film End of the Harvest, The Moment After was the first film that he produced. White also played the role of Adam Riley in the film. He has produced other films such as The Visitation, The Wager, and Hidden Secrets. In 2012, he produced the historical drama Apostle Peter and the Last Supper starring Robert Loggia and Bruce Marchiano.

A two-story loggia with a vaulted ceiling and columns surrounds the courtyard on three sides. Keystone pilasters support arched lunette windows above the public lobby's paired French doors. Quoins (corner blocks) and Doric columns add decorative elements to the space. The courtyard's interior walls are unplastered brick, as are the exterior walls that face toward the courtyard from the north, east and south wings.

Tampa, FL: Loggia Press, 1999, p.52 John's father, Antonino Bonica, a deputy Mayor and director of the postal service in Filicudi, eventually became a supervisor at the American Telephone and Telegraph Company. His mother, Angela Zagame, was a midwife and practical nurse. After his father died in 1932, the 15-year-old Bonica assumed responsibility of the household, by shining shoes and selling newspapers and produce.

Noteworthy is the internal court of the palazzo. The back of the palace, to the south, is defined by loggia on all three floors that overlook an enclosed Italian Renaissance garden with Giardino all'italiana era modifications, and views into the distant landscape of the Val d'Orcia and Pope Pius's beloved Mount Amiata beyond. Below this garden is a vaulted stable that had stalls for 100 horses.

On the left is a loggiato, supported by piers decorated with fanciful gilded candelabra. On the right is a cubic building connected through a double loggia to the landscape and the bright sky in the background. The foreground depicts the saints' funerals. Bernardino lies on a catafalque, which, thanks to its oblique perspective, increases the depth of the scene and the interaction between the characters.

Dominick Rugerio graduated from La Salle Academy in 1966. Ruggerio then attended Bryant College and earned his Bachelor of Science degree in 1974 from Providence College. He is a retired Administrator for the New England Laborers Labor Management Coop Trust. He is a member of the Board of Directors for the Wanskuck Librarym the Sons of Italy, Loggia Vittoria, and the DaVinci Center Development Committee.

More greenhouses were built and, by about 1880, 56 gardeners were employed. There were other building works in the grounds. Waterhouse created a grotto between the chapel and the stable yard, and designed the Parrot House and a loggia (now known as the Temple). The Chester architect John Douglas designed the Dutch Tea House in the Tea Garden, and a number of service buildings in the estate.

The Palazzo della Ragione ("Palace of Reason") is a historic building of Milan, Italy, located in Piazza Mercanti, facing the Loggia degli Osii. It was built in the 13th century and originally served as a broletto (i.e., an administrative building) as well as a judicial seat. As it was the second broletto to be built in Milan, it is also known as the Broletto Nuovo ("new broletto").

Especially noticeable are the mosaics in the loggia of the north façade. In summer a café is set up in the south west corner. The garden is also used for temporary exhibits of sculpture; for example, a sculpture by Jeff Koons was shown in 2006. It has also played host to the museum's annual contemporary design showcase, the V&A; Village Fete, since 2005.

The loggia illustrates Hilly's use of large arched openings in verandahs. The vestibule is centred on the western side to provide access to the central corridor. The ground floor level is expressed externally by a rusticated base. It is a rare building type within Sydney and forms an important association with the other villas Elizabeth Bay House, Tusculum, Rockwall, Jenner House and Tarana (adjacent).

The frontage was in three bays, three storeys high, with shops in each outer bay. The façade had a four-column Ionic portico, a balustraded balcony and a two-storey loggia topped by a tall sheer attic. The interior was decorated by the Frederick Crace Company of Wigmore Street, London. After the opening, The Times described it in detail: :The prevailing colour is a delicate French white.

Visitors entered the gardens through the Hotel. Projecting from the rear of the building at first floor level was a conservatory and a semi-circular orchestra with a wide covered loggia below. Two semi-circular rows of supper boxes projected from the sides of the building. The gardens were used daily for promenades and public breakfasts which were attended by Jane Austen among others.

Warwick Bryant, for The Princess Elizabeth, Duchess of Edinburgh and The Duke of Edinburgh between 1947 and 4 July 1949. The house has by design four reception rooms including a reception hall, dining room, a drawing room, and a Chinese room. Other room names during the royal tenure included a study, games room, and loggia and five main bedrooms. The nursery comprised two guest rooms joined.

Various nature, heritage, orienteering and tree trails are provided in the park. Play areas for children include a climbing frame named after HMS Endeavour, Captain James Cook's ship. The Captain Cook Birthplace museum is situated in the middle of the park and is open to visitors from April to November. The temple folly, loggia, Captain Cook memorial and Victorian estate complex are all listed buildings.

The Ferry Street side of the building is a five bay loggia at the second story level. This building is topped by a stone parapet, with a balustrade over the entrance. The building was described in the 1972, as "one of the finest examples of Italian Renaissance style in this country". The building also boasts a tiffany glass window depicting the Venetian scholar and printer Aldus Manutius.

The wakala is a commercial extension of the caravansarai, consisting of a floor of various storerooms. The facade of wakala is built by stone, along with the entry portal of the sabil-kuttab. The south-facing entrance opens into a loggia and there is a wooden balcony leading into the kuttab. Inscriptions are seen on many parts of the building including the facade and entry portal.

The six boxes that had been in the center of the house until the beginning of the nineteenth century were therefore rebuilt. However, the Imperial Austrian Royal Government then returned, and on 22 August 1849 ordered reconstruction of the loggia in its original form. The decorations were entrusted once again to Giuseppe Borsato who, now over 70, remade them to a richer design than before.

He was confirmed as secretary in the party's 18th congress, held in Rome in February 1980, and in the 19th, held in Milan in March 1982. Longo was also minister for Economic Balance in Bettino Craxi's first cabinet. In 1984 he had to resign first from his government position, and later (1985) as secretary, after the Loggia P2 scandal, whose members list included him since 1981.

He relied heavily on the artists of his Bolognese workshop, such as Cino di Bartolo, for assistance in this project. While working at the Porta Magna, he was asked in 1434 by the Sienese to design the Loggia di San Paolo, close to the Piazza del Campo. He was not able to finish this commission. At his death he had only finished the capitals and six niches.

1.1); see also Wilde Tosi, ed. Il Magnigico Agostino Chigi (rome 1970). Details of the decorations of the Loggia di Psiche in the Villa Farnesina, Agostino Chigi's villa in Rome. Chigi, "indisputably the richest man in Rome",Ingrid D. Rowland, "Render Unto Caesar the Things Which are Caesar's: Humanism and the Arts in the Patronage of Agostino" Renaissance Quarterly 39.4 (Winter 1986: 673-730).

Despite the fact that metals are generally considered as relatively permanent and stable materials, in contact with the environment they deteriorate gradually, some faster and some much slower. This applies especially to archaeological finds. Perseus with the Head of Medusa in the Loggia dei Lanzi gallery on the edge of the Piazza della Signoria in Florence; picture taken after the statue's cleaning and restoration.

The Fondaco dei Turchi Along the Canal, the number of "fondaco" houses increased, buildings combining the warehouse and the merchant's residence. A portico (the curia) covers the bank and facilitates the ships' unloading. From the portico a corridor flanked by storerooms reaches a posterior courtyard. Similarly, on the first floor a loggia as large as the portico illuminates the hall into which open the merchant's rooms.

The entrance is reached by three limestone steps. The architrave of the entrance loggia is topped by a fruit-and-swag draped escutcheon. Smooth, variegated marble double-columns, topped by composite capitals, stand above the architrave.The National Register of Historic Places nomination form lists the capitals as Ionic, but a visual inspection clearly shows both scrollwork and acanthus leaves, which indicates a composite order.

The north façade and some windows > to the other sides were modified throughout the end of the 19th century.” At the turn of the 19th to the 20th centuries, the house was completely renovated and remodelled. The main courtyard received arcades on both wings, one of them with a glazed loggia. The north wing became an extra floor for the extended family and services.

The north facade of the Café is characterized by two arcades with Doric columns. There are four lions carved by the Roman sculptor Giuseppe Petrelli. In the square in front of the Cafe, Jappelli, had designed a fountain with a statue of Hebe by Canova, but the project was never realized. A staircase leads to the right loggia on the top floor, or Piano Nobile.

The parish Church of St. Ignatius together with the college was given to the Jesuits in 1627. The construction of a villa with a loggia (Libosad) was started to the northeast of the center in 1630. There was a Baroque garden in front of it and a park around. It is connected with the town by a 1.7 km-long alley of linden trees.

Two Doric columns carry an entablature and the balcony. Built onto the eastern side of the villa (facing towards the park) there is also a two-storey Loggia, but this is somewhat narrower. The semicircular arched foyer is one of the most significant features of this villa. This foyer/vestibule can be assigned to the themes of Sebastiano Serlio (1475–1554) and Andrea Palladio (1508–1580).

The façade is covered with gray stone from Ornavasso. The interior has a vaulted nave separated by the divisory wall (the nuns followed the mass from a grating) and flanked by groin-vaulted chapels, which are surmounted by a serliana loggia. Interior view (nuns' side). The most important artwork of the church is the cycle of frescoes from the 16th century covering the walls.

Other design features include a porte-cochère that opens into a side garden, an orangery, loggia, and sunporch. Exterior materials are granite and glazed brick. Bronze entry doors were fabricated by Bonachek of New York, with other doors in steel with bronze hardware. Windows were fabricated of steel and bronze by International Casement Company, now Hope Windows, which features the home in their promotional materials.

The upper loggia, in correspondence to the fountain, shows a big clock surrounded by the coat of arms of the family of Cardinal Ludovico Gazzoli. The face of the clock is framed by the figure of a snake touching its own tail, symbol of eternity; on both sides there is a cross with two horizontal axes, symbol of the Holy Spirit. The entrance of the Spezieria On the left of the main entrance of the courtyard there is the door of the ancient Spezieria (spicery) of the Hospital, lately restored and still containing its wonderful and a rich collection of fine pictures. On the right of the main entrance are the Accademia Lancisiana and the grand staircase, giving access to the first floor of the Palazzo and to the upper loggia, which shows a plaster impression of a low-relief by Antonio Canova depicting a lesson of anatomy.

The exterior's main feature are the three apses (the central polygonal and the side ones semicircular), characterized by large coat of arms. Opposite a three-storey loggia with Renaissance arches, a semicircular auditorium has been built; the classical theatre festival of Alcantara is held here in the summer. The interior has a nave and two aisles. The cloister, in Gothic-style, has a square plan with two floors.

Mussolini stood for classical tradition and, simultaneously, for modernism as it was conceived of by futurists and rationalists.Ernesto Galli Della Loggia, Der Marsch auf Rom In the years between 1935 and 1941, numerous buildings in the styles of Rationalismo and Novecento were erected within a area, and although many others were planned, they would never be realized. The buildings ranged from small, one-story apartments to giant high-rise office buildings.

The marble pedestal, also by Giambologna, represents bronze bas-reliefs with the same theme. This marble and bronze group is in the Loggia since 1583. The group The Rape of Polyxena, is a fine diagonal sculpture by Pio Fedi from 1865. The Rape of Polyxena Hercules and Nessus (1599), Florence Nearby is Giambologna's less celebrated marble sculpture Hercules and Centaur (1599) and placed here in 1841 from the Canto de' Carnesecchi.

The Buckingham is a historic apartment building located at Indianapolis, Indiana. It was built in 1909–1910, and is a three-story, "U"-shaped, Tudor Revival style brown-red brick building with limestone trim. It features four- sided turrets framing the three-bay entrance facade with loggia and oriel windows. Note: This includes and Accompanying photographs It was listed on the U.S. National Register of Historic Places in 1992.

It now serves as a contemporary art gallery and museum. In the second floor, a terrace faces the roofs of the medieval town offering a great view of the Duomo, while on the highest point of the palace a rooftop loggia offers a view of the surrounding landscape.Saatchi Gallery entry on Palace. There is also a Gothic-style Palazzo Piccolomini- Clementini across the street on Via di Banchi Sotto #75.

A Woman Called Golda is a 1982 American made-for-television film biopic of Israeli Prime Minister Golda Meir directed by Alan Gibson and starring Ingrid Bergman. It also features Ned Beatty, Franklin Cover, Judy Davis, Anne Jackson, Robert Loggia, Leonard Nimoy and Jack Thompson. A Woman Called Golda was produced by Paramount Domestic Television for syndication and was distributed by Operation Prime Time. The film premiered on April 26, 1982.

The building faces Loring Park on the north and is surrounded by residential buildings to the south, St. Mark's Episcopal Cathedral to the west, and the Woman's Club of Minneapolis on the east. It has a reinforced concrete structure and is faced with gray Bedford limestone and brick. The front entrance has a Palladian loggia style, with a tall archway flanked by Ionic columns and a porch behind it.

The tower had two floors and a mezzanine. On the first floor was the famous Sundial Room or Meridian Room, which was initially an open loggia. Pope Urban VIII had it enclosed and it was subsequently decorated with long sequences of frescoes painted between 1580 and 1582 by Simon Lagi and the two Flemish artists Paul and Matthijs Bril. Today the tower has paintings by Niccolò Circignani and Matteino da Siena.

A little further on, in Via Delle Belle Arti, stands the imposing new Palazzo Bentivoglio. It was built, starting in 1551, by Costanzo Bentivoglio, a descendant of a collateral branch (non- dominant) of the family. The architect Bartolomeo Triachini is attributed with the design of the majestic and beautiful later palace. The entrance leads into a spacious courtyard surrounded by a double loggia that was based on designs by Domenico Tibaldi.

He worked at the frescoes of some buildings by Andrea Palladio, like Villa Caldogno (with Giovanni Battista Zelotti), Casa Cogollo, and Palazzo del Capitaniato (his last work). He also decorated with Zelotti the Palazzo Porto Colleoni Thiene at Thiene. In 1572 he died by an incident when he was working at the ceiling of the loggia of the Palazzo del Capitaniato in Vicenza. One of his pupils was Alessandro Maganza.

The palace has been restored and reveals some of the luxury in which Raisuli lived. It includes a lavish reception room with zellij tilework, carved stucco, and painted wood like in other Moroccan palaces. The reception room also gives access to a large loggia and terrace overlooking the sea. Raisuli infamously claimed that he executed convicted murderers by forcing them to jump from this terrace onto the sea rocks below.

As a result, the loggia was completely abandoned and, in 1783 it was put on sale in order to devote the proceeds for the works of the new seat. In 1806, owing to the Jesuits’ return to Alcamo, the municipal authorities gave back the premises of the College and their seat was moved into Palazzo PalmeriniFrancesco Maria Mirabella: Alcamensia noterelle storiche con appendice di Documenti inediti p.28; Alcamo, ed.

The upper level under the cross gable originally had an open loggia, but this has since been enclosed. An ell extends to the rear, its gambrel roof oriented on the same axis as the transverse gable. The house was designed by John Calvin Stevens and built in 1886-87. Stevens was a proponent of an organic form of architecture, in which the building materials were harmonized with their surroundings.

A Wine Festival is held there annually at the beginning of July. Another festival, in memory of the destruction of the Arkadi Monastery, is held on 7–8 November. The city's Venetian-era citadel, the Fortezza of Rethymno, is one of the best-preserved castles in Crete. Other monuments include the Neratze mosque (the Municipal Odeon arts centre), the Great Gate ( or "Porta Guora"), the Piazza Rimondi and the Loggia.

Pandolfo I Malatesta also commissioned the frescos by Gentile Fabriano, and a few fragments of these have recently been found. Unfortunately, other frescos by Lattanzio Gambara which decorated the loggia were destroyed in the bombing of the Broletto and Piazza Paolo VI on 13 July 1944. The base of the pillars, which has recently been uncovered, shows the ground level at that period was lower than it is today.

The second story was rebuilt after a fire in 1442.H. Saalman, page 17. Its two arched bays are richly decorated with bas-reliefs of prophets, angels, the Virtues, a Christ giving the benediction and an Ecce Homo. In 1697, the arches were walled-up in order to provide more space for the oratory that is attached to the loggia; the masonry was removed in 1889, revealing the long-hidden decoration.

Facade Interior Santi Cosma e Damiano ai Banchi Nuovi is a deconsecrated church dedicated to Cosmas and Damian in Naples. It is sited on largo Banchi Nuovi and owes its name to the Banchi Nuovi, whose loggia previously occupied the church's site. The church was founded in 1616 and re-used the loggia's facade. It was extended later in the 17th century, including a scheme led by the engineer Luigi Giura.

Friedrich Solmsen, "The Powers of Darkness in Prudentius' Contra Symmachum: A Study of His Poetic Imagination," Vigiliae Christianae 19.4 (1965), pp. 238, 240–248 et passim. In the Renaissance, the bident became a conventional attribute of Pluto in art. Pluto, with Cerberus at his side, is shown holding the bident in the mythological ceiling mural painted by Raphael's workshop for the Villa Farnesina (the Loggia di Psiche, 1517–18).

Another oddity of the place is the so-called pietra dello scandalo (; "stone of shame"), a round spot marked in bicoloured marble at the centre of the loggia, which is only visible when no sales stalls are there. The design reproduces one of the wheels of a medieval Carroccio, symbol of the Florentine republic, on which the city's standard was hoisted daily.Mangone, Fabio (1994). La pietra dello scandalo.

The monumental conception of the loggia with three arcades on doubled columns recalls the Baroque style. The Italian style garden includes an aviary, a grotto, and a fountain by Adrian de Vries (c.1545-1626). After years of neglect after the war, the gardens have been reconstructed. Wallenstein would have dined in the huge sala terrena (garden pavilion) that looks out over fountain and rows of bronze statues.

Subsequent reconstructions led to the Gothic structure visible now. In 1506, the Piccolimini-Mandoli family acquired the building and refurbished the palace interiors, cortile, and loggia in a Renaissance style. In 1770, the owner Marcantonio Saracini undertook a restoration of the building that lasted until 1824, when Galgano, his son, inherited it. Preserving the original Gothic façade, the castle matches the characteristic curvature of this narrow medieval street.

Loggia of Palazzo Covelli De Marco. Maruggio (; ) is a village and comune in the province of Taranto, Apulia, southeast Italy. The village is located in a natural depression from the Gulf of Taranto, in the north-west part of Salento peninsula and it's one of the villages of South Italy where the Greek dialect Griko is spoken. The nearest villages are Torricella at , Sava at , Manduria at and Avetrana at .

Historical fine arts and ceramics; contemporary fine arts and printmaking collections are housed in the Anna Leonowens Gallery, founded in 1968. The gallery hosts exhibitions of the work of undergraduate and graduate students, faculty members, visiting artists and curators. The Port Campus hosts the Port Loggia Gallery. The university was also formerly home to the Seeds Gallery, a non-profit gallery where students and alumni could show and sell their work.

Immediately inside the entrance is a cloak room fitted with lavatory basin. The drawing room on the left is entered through sliding doors, which, thrown back, connect it to the hall. At the northern end on the right is the morning room, which opens onto a verandah by six casement doors, fitted with diapered lead light, supported by stone columns. The main bedrooms also lead onto this loggia.

"It's a good mystery on its own terms", he said. "I think the story is really more effective as an original. Because there wasn't an agreement with Loggia and Close, we had always designed the project to go either as a sequel or on its own terms." The film was distributed by Columbia Pictures between in the United States and Canada, with Rank Film Distributors handling foreign distribution.

In 1921, Bottai ended his studies at law faculty and became a freemason, member of the Gran Loggia d'Italia. At the same time he also started a journalist career in the Il Popolo d'Italia, the newspaper of the recently-founded National Fascist Party. During the March on Rome, Bottai was along with Ulisse Igliori and Gino Calza-Bini, the head of the Roman squadrismo, supporting the Blackshirts' political violence.

The church is preceded by an atrium enclosed by railings. It has a Latin cross plan, with a nave and two aisles separated by semicircular arches and several side chapels and the altarpieces belong to the Neoclassical-Romantic school. It was, however, reconstructed after suffering several fires, so few remnants of the original church, such as the bell-tower, remain. In 1870, the loggia and atrium were added.

Colonsay House The Loggia garden at Colonsay House Gardens Colonsay House is a Georgian country house on the island of Colonsay, in the Scottish Inner Hebrides. It is a Category B listed building, and is now in the ownership of the Barons Strathcona. The gardens are open to the public, and are listed on the Inventory of Gardens and Designed Landscapes in Scotland, the national listing of historic gardens.

Its famous garden is walled about, like a medieval garden, overlooked by the upper-storey loggias, with which Michelozzo cautiously opened up the villa's structure. Michelozzo's Villa Medici in Fiesole has a more outward-looking, Renaissance character. The property was purchased in 1417 by Cosimo de' Medici brother, Lorenzo. At the death of Giovanni di Bicci, Cosimo il Vecchio set about remodelling the beloved villa around its loggia-enclosed central courtyard.

The church of Sant'Agostino, consecrated in 1288, has a façade that is an example of Romanesque architecture with a Gothic overlay. The Marotti pipe organ was only installed in 1841. The annexed cloister, designed by the Lombard master Martino Tartaglia in 1492, has a portico surmounted by a loggia with small Corinthian columns. The church of S. Pancrazio features a main door that is a decorative tour-de-force.

The main portal is in Tuscan style (mid-15th century), and is surmounted by a Gothic lunette of the 14th century with a "Crucifixion". The loggia facing the second cloister has frescoes of Saints, a Madonna and, on the first floor, an Annunciation by Giusto d'Alemagna (1451). In the upper floor has a statue of "St. Catherina of Alexandria" and a marble tabernacle attributed to Domenico Gagini (15th century).

An arched opening adjacent to the loggia on this face opens onto the entrance vestibule. The openings house double timber doors which are framed and braced. The side wing is a simple structure with external parapet walls which step up the ends of the east and west faces. These walls are decorated with a high level band of smooth render, upon which are inscribed hexagonal shapes at regular intervals.

The Loggia Valmarana located inside the Salvi gardens, also called Valmarana Salvi gardens, was probably built in 1591 by a student of Andrea Palladio by the will of Gian Luigi Valmarana himself, who wanted this place become a meeting point between intellectuals and academics. Since 1994 it is part of the City of Vicenza and the Palladian Villas of the Veneto forming the World Heritage Site of the Unesco.

After community activist Eddie Rios (Seda), charged with the murder of two NYPD officers, one of them his ex-wife, is found not guilty due to legal technicalities, arresting detective Steve Donohue (Pullman) takes the judge, jury, and Rios hostage, and decides to have a new trial, presenting evidence that was not previously allowed. His captain Lou Unger (Loggia) tries to convince Donohue to end his hostage taking peaceably.

The central portal is decorated with highly sculpted travertine marble with a detached column with lions atop capitals, showing persisting Romanesque influences. The top of the tympanum has a sculpture of a lamb, a symbol of the guild of wool merchants, who patronized construction.Turismo Marche, entry on church. The east flank of the church encompasses the five arches of the Loggia dei Mercanti (1513), designed by Bernardino da Carona.

On the second floor, the Sala dos Reis (King's Hall) opens to the loggia overlooking the river, while a small corner fireplace extends from this floor to the third floor fireplace in the Sala das Audiências (Audience Hall). The ceilings of all three floors are covered in hollow concrete slabs. The fourth floor chapel has a vaulted rib ceiling with niches emblematic of the Manueline style, supported by carved corbels.

In 1463, during the siege of the city in order to expel its lord Sigismondo Pandolfo Malatesta, the artillery of Federico da Montefeltro, destroyed the attic of the monument. The fallen fragments were reused in the construction of the adjacent church and loggia of Saint Michael. The original appearance of the gate is recorded in the Renaissance bass relief carved on one side of the facade of the church.

The villa is in the form of a "U", which encompasses the central courtyard, enclosed by a wall on the street side, facing the farmhouse. The courtyard has a loggia, supported by arch-less Tuscan columns. The façade on the street is very simple, with some rectangular windows with stone frames. Here you will find the bust of the astronomer, with inscription (1843), and another plaque placed in 1942.

This bay breaks the podium for access to the main entrance and incorporates a round arch beginning at a point lower than the other arches. Inside the loggia the central doorway is flanked by rusticated segmental arches with full-height, double-shutter jalousies. A continuous string course separates the first floor from the second. At the upper level there are five rusticated openings similar to those of the first storey.

Sheltered by the arched portico, the museum's front wall consisted of a two-story curtain of glass windows with bronze mullions. Johnson identified Florence's Loggia dei Lanzi and Munich's Felderrnhalle as precedents for the "boxes with fronts" style portico. The main entrance lead directly into a two-story hall adorned with the same type of shellstone used on the exterior, teak wall coverings, and a floor of pink and gray granite.

Passing through the loggia (built in a 15th-century style, though erected in 1560), the interior has an elaborate main altar dating from the mid-17th century. Made from gilded and lacquered wood with great Solomonic columns, at its centre is the painting depicting Noli me tangere (1504), signed "THIMOTHEI DE VITE URBINAT. OPUS", a masterwork by Timoteo Viti, alongside his work in the mausoleum of the Dukes of Urbino.

One of Coquillat's most noted buildings was the Hotel del Histógeno Llopis on the Paseo de Rosales, Madrid, a project for the pharmaceuticals entrepreneur Adolfo Llopis Castelado. The hotel was built 1912-1914 in the Catalan Modernist style, and was highly acclaimed by his contemporaries. The building was heavily ornamented and featured a prominent loggia and balustrades, and was topped with an ornate cupola. The hotel was demolished in the 1970s.

English Renaissance: Hardwick Hall (1590–1597), a classic prodigy house. The numerous and large mullioned windows are typically English Renaissance, while the loggia is Italian. Burghley House, completed in 1587 Wollaton Hall, Nottingham, England completed in 1588 for Sir Francis Willoughby by the Elizabethan architect Robert Smythson. Elizabethan architecture refers to buildings of a certain style constructed during the reign of Queen Elizabeth I of England and Ireland from 1558–1603.

In 1956 he was elected President of the Sicilian Region. n October 1958, Giuseppe La Loggia, whose political action was supported by DC secretary Amintore Fanfani, was vehemently attacked by many of his party companions and was forced to resign as president of the region. Silvio Millazzo was elected President at his post, in whose government there were representatives of both the Italian Communist Party and the Italian Social Movement.

A scientific committee composed of academic historians produces a shortlist of books each year at the end of May. For the period 2017-2019, the committee is chaired by Tommaso Piffer and composed of Elena Aga Rossi, Roberto Chiarini, Ernesto Galli della Loggia, Paolo Pezzino, Silvio Pons and Andrea Zannini. The winner is selected by a group of 300 readers and the final result is announced in September in Udine.

Each of the sides has in the centre a gable of tracery protruding from the top of the porch. The porch on the south side, designed as the entrance to the park, is particularly complicated. Above the gate, a loggia with an overlying terrace leads from the bedroom of the Baroness. The porch's columns on the north front entrance copy the central projection of the south side in a simpler way.

The friars were given paintings in their cells for the sole purpose of praying. Even with the gold and azurite, the Annunciation in the north dormitory would have still been relatively dull because of its location in a convent. In the Annunciation Gabriel is seen approaching Mary outdoors in the cloister. Overlooking the loggia, an open- sided room of a convent that faces the outside, it is supported by columns.

The other central relief shows the Emperor with his court jester and his chancellor. The flanking reliefs show Moorish dancers engaged in "acrobatic and grotesque dancing"—a common form of popular entertainment of that time. The dancing shown in these outer reliefs is of Andalusian origin. The frescoes that adorn the interior of the loggia were also painted by Jörg Kölderer and show scenes from the aristocratic life of that time.

The Sala del Tricolore is located within the town hall of Reggio Emilia. The palace was built from 1414 to 1417. It began to be used as a meeting room of the municipal council of Reggio Emilia in 1434. It was enlarged in 1461 with the construction of the wing towards the modern via Farini and via Croce Bianca: this portion of the building also had an external loggia.

Canaye moved to press the Venetians to accept mediation by Cardinal François de Joyeuse.Bouwsma, p. 412. The interdict was lifted and formal reconciliation occurred in April 1607, with de Joyeuse as cardinal legate taking custody of the two priests at the centre of the dispute in his accommodation in the upper loggia at the Fondaco dei Turchi on the 21st.Juergen Schulz, The New Palaces of Medieval Venice (2004), p.

In Verona, Giocondo designed the for Maximilian I, Holy Roman Emperor. It is considered one of the finest buildings in Verona and is famed for the decorations of its loggia. Thomas de Quincey also attributes the church of Santa Maria della Scala to Giocondo. He was then summoned to Venice, along with a number of other well-known architects, to discuss the protection of the lagoons against the rivers.

This residence is an imposing two storeyed, rough cast rendered, brick building facing Walker Street. The building has a rectangular plan and corrugated iron clad hipped roof. The building has a centrally located, one storeyed arcaded projection from the front facade, which is formed by three arched openings forming an entrance loggia. Flanking this are two square headed openings, which also line the two stories of the other facades.

Save for the bold asymmetrical placement of the tower (which is a prime example of Richardson's disregard for architectural correctness and known for being one of his best tower designs), the building is noted for its general simplicity in design. The entranceway is a simple triple-arch loggia; other design elements on the front façade are limited to its windows and a quadruple-arch balcony off the Common Council chamber.

A bowl of flowers, watercolour by Vida Lahey (1939) Vida is known to have painted at least two paintings of the heritage-listed Lahey house, Wonga Wallen, Canungra in the late 1930s and Wonga Wallen Loggia at Canungra in the 1940s both in the collection of Ms Shirley Lahey. Another painting, Bedroom at St Lucia with Dobell portrait, c.1961, was painted by Vida in her St Lucia bedroom.

From the fourth to the ninth floors there is little decoration. The top two floors have groups of windows separated by Tuscan columns, giving the appearance of a loggia. The building was listed on the National Register of Historic Places in 1980. As of 2016 it is an apartment building known as Park Plaza that is part of the Grid District, a commercial urban redevelopment project in downtown Worcester.

He also widened the wings, and built new stables and service courts to the north and south, creating a symmetrical structure. The main part of the house was recessed and, together with the wings, a large forecourt was created. The front of the house itself was refronted in Jacobean style. Mullioned windows replaced sash windows, and a ground floor loggia, and turrets with ogee caps and shaped gables were added.

A further Bramantesque detail is the entablature that breaks forward over the columns, linking them above, while they stand on separate bases. The interior loggia formed by the arcade is frescoed with Raphaelesque grotesques, in the manner of the Vatican Logge. The gallery and upper floors were reached by five spiral staircases around the courtyard: the most important of these is the Scala Regia ("Royal Stairs") rising through the principal floors.

In 1969, the open loggia became a French salon. In 1975, they transformed the north-west reception room into a chapel with the addition of German Renaissance stained glass. In the early 1980s, the Tinneys built gate piers on Bellevue Avenue and installed gates that they had acquired from the Taylor estate in Portsmouth. The overthrow was altered to make the gates the tallest of any estate entrance in Newport.

A wide range of field manuals, including 30-31, can be accessed through websites that catalog U.S. field manuals. However, 30-31B is not among the field manuals published by the military. The "Westmoreland Field Manual" was mentioned in at least two parliamentary commissions reports of European countries, one about the Italian Propaganda Due masonic lodge, Commissione parlamentare d'inchiesta sulla loggia massonica P2 : Allegati alla Relazione Doc. XXIII, n.

The Castle of Simontornya The Tower was built in the 13th century by Simon (Son of Salamon) among the swamps of the Sió river. The name Simontornya means Simon's Tower. Nearly all owners of the castle made some alterations throughout the centuries.History of the Castle The Lackfi's built a new gothic wing in the 14th century, altered the old Tower, and added an arcaded loggia to the back-front.

The Dar al-Kebira, however, was abandoned and progressively transformed into a residential neighbourhood where the inhabitants constructed their houses within and between the former palace structures of Isma'il's time. In the early 19th century, Sultan Moulay Abd ar-Rahman added a loggia structure in front of Bab al-Mansur which served as a meeting place for ceremonies and the governor's tribunal, though this structure was later removed.

Above this colonnade is the enclosed balcony of the principal salon on the piano nobile. The columns and arches of this balcony have capitals which in turn support a row of quatrefoil windows; above this balcony is another enclosed balcony or loggia of a similar yet lighter design. The palace has (like other similar buildings in Venice) a small inner courtyard. The neighboring palace is Palazzo Giustinian Pesaro.

Soest ist eine besondere Stadt Verein für Geschichte und Heimatpflege Soest The spacious forehall with loggia is another highlight. This once formed a connection from the modern church square. The tower was under municipal ownership until the beginning of the 19th century and served as the municipal armoury (today it is the church Museum). Some of the military artefacts (crossbow bolts) can now be seen in the museum of the .

The Douglass House is a four-story Italian Renaissance hotel constructed of buff-colored brick. The hotel is built on a sloping lot, so that the structure height measured from street level increases from two stories in the rear to four stories in the front. The front facade features towers at the corners, which are not included in Ottenheimer's original architectural plans. A loggia with gold cupolas stretches across the front.

The two bay windows on either side of the balcony feature the same torches, swag, putti, panels, and molding similar to the rest of the third floor. Above the French doors is a large oval estucheon with fruit-and-drapery swag which mimics the estucheon over the doors to the loggia. A standing putto over each slit window supports the swag. All exterior walls are faced with white marble over stone.

Beneath the stage are music practice rooms. The music library features a white marble fireplace, dark stained timber joinery, and round headed arched openings fitted with French doors opening onto the loggia. Small stairways on the second floor give access to the tower rooms above. The plan of the building has large rooms connected to stairhalls and other rooms by loggias and walkways on the two external faces of the building.

"The choice is a compromise between two of Benedict's two most influential policy- movers—Bagnasco is a confirmed Ruini-ite, 'but Bertone likes him,' as one op put it."Whispers in the Loggia. 7 March 2007 On 27 June 2007, Archbishop Bagnasco, along with several other prelates, attended a briefing at the Apostolic Palace on Pope Benedict's impending motu proprio allowing wider celebration of the Tridentine Mass.Catholic World News.

Chester Dewey School No. 14 is a historic school building located at Rochester in Monroe County, New York. It was constructed in 1915-1916 and is a two- story, brown brick structure. The eclectic design freely combines elements and details inspired by the Italian Renaissance, including its eleven bay loggia. Note: This includes and Accompanying two photographs It was listed on the National Register of Historic Places in 1985.

By 1980, posting slips had been installed in the entrance doorway from the southern end of the loggia. The central section of the first floor had been repartitioned for use as a district office. In 1985, the former postmen's room (battery room) at the southeast corner of the building was converted to accommodate additional private letter boxes. This involved construction of a timber-framed partition wall throughout the space.

View of Mirandola (circa 1550) The origins of the medieval palace are not known, despite the fact that the building is one of the most important in the socio- political-economic history of the city. It can be assumed that the palace was probably built in the mid of 15th century by Gianfrancesco I Pico, who began the first phase of urban development of Mirandola. In any case, it is certain that during the Renaissance the Countess Giulia Boiardo (mother of famous philosopher Giovanni Pico della Mirandola) had built a loggia in what was then called Palace of Merchandise (Palazzo della Mercanzia) or Palace of Reason (Palazzo della Ragione). In fact, on the eastern facade of Curtatone street there is the following inscription: To build this loggia, a tax of eight quattrins was instituted for each biolca (2933.63 m²) of land owned; however, since the works cost less than expected, the advanced money was returned.

The citizens of Alcamo called ‘’loggia’’ the Town Hall; this custom was common in many Sicilian towns, and is also proved by several notary deeds.P.M. Rocca: Di alcuni antichi edifici di Alcamo; Palermo, tip. Inside the Loggia, the town administrators held their meetings; the building is often mentioned in some documents dating back to 1525.Roberto Calia: I Palazzi dell'aristocrazia e della borghesia alcamese; Alcamo, Carrubba, 1997 It was rebuilt in 1548,Ignazio De Blasi: Discorso storico della opulenta città di Alcamo situata a piè del Monte Bonifato e dell'antichissima cittù di Longarico; trascrizione del manoscritto originale e realizzazione di Lorenzo Asta; Alcamo, 1989 according to the design of the architect Domenico Vitale, in the same place where the old one stood. Thanks to the suppression of the religious order by the order of the king Ferdinand III of Sicily, in 1767 the Giurati moved into the Ex Jesuits’ College, so making use of more functional and large premises.

The walls of the upper loggia are entirely decorated with frescoes commissioned by Cardinal Teseo Aldrovandi to the painter Ercole Pelillo from Salerno; they show landscapes, panoplies and grotesques. The loggia gives access, through a double doorway, to the Apartment of the Commendatore, consisting of many rooms decorated with magnificent tapestries, ancient furniture and sculptures, among which a Virgin with the Child by Andrea del Verrocchio. The most eminent room is the Gala Hall, called Salone del Commendatore; this room was interely frescoed by the brothers Jacopo and Francesco Zucchi, who portrayed the history of the Hospital, from the dream of Pope Innocent III, to Pope Sixtus IV visiting the building sites, up to the whole, diversified endeavour carried out by the Institution (see the paragraph Corsia Sistina). Each scene simulates a tapestry bordered by draperies, on which the coats of arms of Santo Spirito, with its typical "Cross of Lorraine", and of the Aldrovandi family are alternately represented.

Sacrifice of Laocoön by Filippino Lippi Vertumnus and Pomona by Pontormo The most ancient fresco of the villa, belonging to the period of Lorenzo the Magnificent, is the so-called Sacrifice of Laocoön (according to Halm's interpretation) by Filippino Lippi, kept under the loggia at the first floor, once detached for restoration and now relocated, though it is rather faded by weather. The fresco is quoted by Vasari as "A sacrifice, fresh, in a loggia that remained imperfect" and which would go back to before Lorenzo's death, or in any case completed by 1494. The dominant theme of the first constructive phase Was the interpretation of the ancient in modern and decorative style and this fresco testifies to The kernel, as well as the frieze of the tympanum, maybe of Andrea Sansovino and the first decorated lunette in the salon of Leo X, that of Pontormo. Between 1519 and 1521, Depicts the Roman deities of Vertumnus and Pomona embedded in an unusual classical landscape.

Salvatore "Robert" Loggia (January 3, 1930 – December 4, 2015) was an American actor and director. He was nominated for the Academy Award for Best Supporting Actor for Jagged Edge (1985) and won the Saturn Award for Best Supporting Actor for Big (1988). In a career spanning over sixty years, Loggia performed in many films, including The Greatest Story Ever Told (1965), Revenge of the Pink Panther (1978), An Officer and a Gentleman (1982), Scarface (1983), Prizzi's Honor (1985), Oliver & Company (1988), Innocent Blood (1992), Independence Day (1996), Lost Highway (1997), Return to Me (2000), and Tim and Eric's Billion Dollar Movie (2012). He also appeared on television series including the Walt Disney limited series, The Nine Lives of Elfego Baca (starring role-1958), Mancuso, FBI (in which he starred-1989–1990), Malcolm in the Middle (2001), The Sopranos (2004), Men of a Certain Age (2011), and was also the star of the groundbreaking 1966–67 NBC martial arts / action series, T.H.E. Cat.

While, investments in new plants, based on robotics and information technology created unemployment.La crisi che ruppe il novecento During the decade, with the beginning of the so-called, "strategy of tension", the CGIL was the target of terrorist attack, perpetrated by neo-fascist groups. On 28 May 1978, a bomb exploded during a trade union rally in Piazza della Loggia, Brescia, killing eight people and wounding more than one hundred.Piazza della Loggia, 44 anni fa la strage a Brescia The bomb was placed inside a rubbish bin at the east end of the square. It was the beginning of the Years of Lead, a period of social and political turmoil that lasted from the late 1960s until the early 1980s, marked by a wave of both left-wing and right-wing political terrorism, which culminated with the kidnapping and murder of Christian democratic leader, Aldo Moro, in 1978 and Bologna railway station massacre in 1980.

Entrance of the amphitheatre from the Piazza Stesicoro. The excavated part of the amphitheatre is now accessed by an ironwork gate. In 1906 the gate was decorated with some fragments of marble columns which were originally part of the upper loggia, two fragmentary Ionic columns, and part of an architrave inscribed with AMPHITHEATRVM INSIGNE ("Eminent Amphitheatre"). The iron gate is at the centre, between the columns which have capitals, which support the architrave.

When the palazzo was demolished in order to create the Tiber's embankments, the frescos were removed and are now shown in the National Museum of Palazzo Venezia. For Bindo's suburban villa Vasari frescoed a vast loggia called the Vineyard, decorated with statues and burial marbles from Emperor Hadrian's Villa Adriana. Andrea Sansovino also gave Bindo as a gift a terracotta model of the statue of St. James he sculpted for the Duomo in Florence.

Other garden features include a Venetian-style loggia, a pergola with columns and arches styled after the Mosque–Cathedral of Córdoba, and a sunken Dutch garden containing a long canal. The gallery and other features provided viewpoints for Dubernet to watch her daughter Virginie Hériot, a competitive sailor, yachting in the bay below. The villa, together with its gardens, was registered as a monument historique in 1990. It is not open to the public.

Lightweight steel trusses span the full width of the swimming hall, resting on engaged brick piers. The roof has been reclad, and while the original roof fully covered the swimming hall, a large central portion of the roof is now open to the sky. The steel trusses appear to be original. Square timber columns support the timber balustrade and gallery of tiered timber seating, creating a loggia around the perimeter of the pool.

To the right side of the church is the prior with three arches supporting a loggia. The interior is characterized by pointed gothic arches supporting the roof. The presbytery is raised to accommodate a crypt that held the relics of the Saint and attendant monks. One of the pillars in the presbytery has a 14th century seal carved in the sandstone with the words Sigillum Sanctae Crucis Fontis avellanae, referring to the abbey.

The portico on the façade, now closed, is surmounted by a loggia added in 1952. The interior, over the high altar, houses a 14th-century crucifix attributed to Paolo Veneziano. San Samuele bears the distinction of being one of only a handful of Roman Catholic churches dedicated to an Old Testament figure. It is also unique in that its late-Gothic apse has remained intact despite the restructuring of its nave and façade in 1685.

Since 1976, the DeGolyer estate has formed the largest portion of the Dallas Arboretum & Botanical Gardens. The addition of the adjoining Alex and Roberta Coke Camp estate increased the size of the grounds to sixty-six acres. The Spanish-style DeGolyer Home was completed in 1940. The DeGolyer Garden Cafe/Loggia, located at the back of the DeGolyer Home, overlooks White Rock Lake and the tiered fountains and formal landscapes of A Woman's Garden.

The Metropolitan City receives large number of tourists every year. The capital city Florence has been recognised as UNESCO World Heritage Site. Major tourist attractions of the city are Piazza del Duomo, Duomo of Santa Maria del Fiore, the Baptistery of San Giovanni, Giotto's Bell Tower, the Loggia del Bigallo and Museo dell'Opera di Santa Maria del Fiore, Ponte Vecchio and many others. Sights in Barberino di Mugello include Cattani Castle and Palazzo Pretorio.

The first episode represents the expulsion of Joachim, the father of Mary, from the Temple of Jerusalem. A ceremony is taking place in which several figures are carrying lambs for sacrifice. However, Joachim was banned from attending due to his alleged sterility. Ghirlandaio set the scene in a sumptuous loggia of Greek cross plan, with a sequence of arches in the background and an octagonal altar in the middle, where the sacrificial fire is lit.

In front of that, he built a wonderful loggia of red marble. In front of the room, he built the Chapel of Sibyls, whose walls were decorated with paintings of the sybils. On the walls of the knights' room, not only the likeness of all the kings could be found, but also the Scythian ancestors. He also had a double garden constructed, which was decorated with columns and a corridor above them.

On the south side, a bay window with a loggia stands at its border with the neighboring building. The facades of the first and second floors are divided by pilasters with capitals and rich consoles, flanking a pair of windows on either side. The pilasters continue to the third floor above a circumferential belt cornice. The corner building originally had two Dutch gables which were not rebuilt after the Second World War.

Front of Hendrick's Grove Reformed Church Hedrick's Grove Reformed Church, also known as Hedrick's Grove United Church of Christ, is a historic Reformed church located near Lexington, Davidson County, North Carolina. It was built in 1921–1922, and is a large Romanesque Revival style brick structure. It features a pair of corner towers of uneven height joined by a central arcaded loggia. Also on the property is a contributing church cemetery with approximately 375 graves.

He created the court of the Palazzo Celesi, now part of the university. The design of the majestic and beautiful Palazzo Bentivoglio (1551) is attributed to Triachini. The Palazzo Nuovo, beside the complex of Rocca Isolani in the commune of Minerbio to the northeast of Bologna, was designed by Triachini with a faςade that features the motif of a loggia. This would become a common element of villas built in this period.

Facade on the side of Niyazi street and specially mentioned and not deep avant-corps which has three axis are divided into two floors with stylobates which are profiled through the whole corps. The central axis is striking with small dome as well. The whole composition of the façade is enriched with lightweight loggia-porticoes of the Ionic order, which is particularly noticeable. This method led to the creation of a composition with landscape.

The city hall's Renaissance style loggia of 1573 as seen from Rathausplatz The City Hall () is a historical building in Cologne, western Germany. It is located off Hohe Straße in the district of Innenstadt, and set between the two squares of Rathausplatz and Alter Markt. It houses part of the city government, including the city council and offices of the Lord Mayor.Most of the city administration has been moved to the so-called Stadthaus (i.e.

Recoleta, also known as Rothery, is a historic home located at Charlottesville, Virginia. It was built in 1940, and is a two- to three-story, "U"-shaped, Spanish Colonial Revival style dwelling. The house is constructed of stuccoed reinforced cinder block and has a red tile gable roof, arched openings, an exterior stair, a balcony, and steel-framed casement windows. The "U" contains a patio enclosed by a loggia with a garden front.

A clock tower, embellished with an arcade loggia, was covered with a bulbous spire typical for Warsaw mannerist architecture (an example being the Royal Castle). The district was damaged by the bombs of the German Luftwaffe during the Invasion of Poland (1939). The ancient Market Place was rebuilt in the 1950s, after having been destroyed by the German Army after the suppression of the 1944 Warsaw Uprising. Today it is a major tourist attraction.

The painting was one of the first portraits to depict the sitter in front of an imaginary landscape, and Leonardo was one of the first painters to use aerial perspective. The enigmatic woman is portrayed seated in what appears to be an open loggia with dark pillar bases on either side. Behind her, a vast landscape recedes to icy mountains. Winding paths and a distant bridge give only the slightest indications of human presence.

Colonna often stayed at Avezzano, where he had a fountain built and added a new floor in the castle, as well as a creating a loggia by the Fucine Lake. Later in his life he moved to L'Aquila, where he lived in the house now called the Palazzo Porcinari. He had seven children, including cardinal Ascanio Colonna, Fabrizio Colonna (the father of Marcantonio III Colonna and Filippo I Colonna) and countess Vittoria Colonna de Cabrera.

The hut-shaped façade has two orders of loggias: the lower one has three arcades of same span, which join the portico ones, which are slightly higher. The upper loggia was used by the bishops to bless the citizens. The Canons' bell tower The portico's arcade are supported by pillars, flanked by semi-columns. They have double archivolts, while the portico's upper frame is decorated with Lombard bands, which are repeated also on the façade.

In the fifteenth century, the procurators erected a second loggia, attached to the bell tower. Visible in La Piazzetta di San Marco (c. 1487), attributed to Lazzaro Bastiani, it was a lean-to wooden structure, partially enclosed, that consisted in a triple arcade supported on four stone columns. Over time, it was repeatedly damaged by falling masonry from the bell tower as a result of storm and earthquake but was repaired after each incident.

Giovanni di Paolo was an important patron of the arts, matched only by Cosimo de' Medici in fifteenth-century Florence. He commissioned the building of the Palazzo Rucellai, designed by Leon Battista Alberti, and the Loggia Rucellai. He built a villa at Quaracchi on the road from Florence to Pistoia. His most notable donation, the marble façade by Alberti for Santa Maria Novella, was but one of the family's commissions of public art.

Although the imperial French government sought a sense of monumentality, the projects of Grazioso Buttacalice for a triumphal arch and of Gaetano Pinali for a Corinthian portico were both deemed too radical and equally incongruous with the overall aspect of Saint Mark's Square.Franzoi, 'L'ala napoleonica', pp. 150–151Torsello, 'Il neoclassico nella Piazza…', pp. 191-193 Giovanni Antonio Antolini’s more modest design for a two-storey loggia with a grand staircase in the rear was accepted.

In the loggia, the frescoes have representations of Callisto, Jupiter, Jupiter in the Guise of Diana, and Calisto transformed into a Bear by June. The Great Room is filled with frescoes that were placed between Corinthian columns that rise from high pedestals. The events in the frescoes concentrate on humanistic ideals and Roman history alluding to marital virtues. Exemplary scenes include Virtue portrayed in a scene from the life of Scipio Africanus.

Interior Santa Maria della Catena is a church in Palermo, Sicily, Italy. The church was built in 1490-1520, designed by Matteo Carnilivari. The name derives from the presence, on one of the walls, of a chain (Italian: catena) which closed the Cala port. The work mixes late Renaissance style and Gothic- Catalan style, the latter especially visible in the three-part arcaded loggia located at the top of a staircase (added in 1845).

The right portal is decorated with classically inspired foliage, while the arch on the left one features an ornament of the Sicilian- Norman style. At the top is spread between a lion and a griffin, the loggia above the entrance has nine columns and ten arches. The semicircular apse is covered by pilasters and bands of arches. The interior has columns and pillars with romanesque capitals also carved with plant and zoomorphic motifs.

Building work started in 1717 and was only completed in 1772. The books were housed on the first floor to avoid damp and flooding, while the ground floor was designed as an open loggia. However, a bequest of paintings from General John Guise during the protracted construction of the library led to the enclosure of the ground floor to display them. The Christ Church Picture Gallery has since moved to a separate, modernist, building.

The loggia is crowned by a perfect terrace of balustrade in stonework. Here, the windows are framed by parastase, that supports a highlighted cornice. They also have a crown composed of panels with inscription and two high reliefs. At the level of the third floor, this same central body presents a clock surrounded by garlands and two windows, all of which is surmounted by two pinnacles and the Portuguese coats-of-arms.

Carley, Rachel. Biltmore: An American Masterpiece, (2012). Hunt sited the four-story Indiana limestone-built home to face east with a 375-foot facade to fit into the mountainous topography behind. The facade is asymmetrically balanced with two projecting wings connecting to the entrance tower with an open loggia to the left side and a windowed arcade to the right, which holds the Winter Garden that was fashionable during the Victorian era.

The largest bedroom, known as the Judge Clarke Woodruff Suite, is the only room that is accessed by the main staircase in the entry hall. The remaining four bedrooms, that are separated by a common sitting room, are accessed by a staircase that ascends from the rear loggia. The floor of these bedrooms were raised one foot when the house was renovated, as the addition had higher ceilings than the original house.

T.H.E. Cat is an American action drama that aired on NBC during the 1966–1967 television season. The series was co-sponsored by R.J. Reynolds (Winston) and Lever Brothers and was created by Harry Julian Fink. Robert Loggia starred as the title character, Thomas Hewitt Edward Cat. The series preceded the 1968–1970 ABC television series It Takes a Thief, which was also about a cat burglar who used his skills for good.

The south portico boasts Ionic columns and the north portico has Tuscan columns. The east wing was a service wing with an open loggia that was enclosed in the Nelson renovation of 1845. They added the woodwork in the parlor and original dining room, which is based on the designs of Minard Lefever's pattern books and has been called "some of the most beautiful examples of Greek Revival woodwork in the nation."Loth, Calder.

Inside the drawing room occupied the ground floor of the tower, with a sitting room above. The dining room was designed to hold views across the valley, and the asymmetric rooms allowed for a panorama of views. To allow easy access to the gardens, the servant's quarters were moved to a separate wing, but made to be less prominent. A chapel was added in approximately 1862, and the house's loggia was converted into a conservatory.

A plaque on the Osii Loggia in Piazza Mercanti ("Merchant square") in Milan, built in 1316 by Scoto da San Gimignano for Matteo I Visconti. Picture by Giovanni Dall'Orto In 1322 at Avignon, Pope John XXII raised the charge of necromancy against Matteo. Matteo refused to appear before the court in the papal city, citing his age and the precarious state of health. The next month the court convicted Matteo in absentia of necromancy.

It was commissioned by the mint of Florence Zecca Vecchia that same year. In 1383 Gerini again worked with Cione on a fresco of the Annunciation in the Palazzo dei Priori, Volterra. This fresco clearly shows the work of two very different artists: Niccolò di Pietro Gerini (design and very fine painting) and Jacopo di Cione (broadly painted saints and side decoration). In 1386 Niccolò frescoed the façade of the Loggia del Bigallo, Florence.

Parts of Radwan's mansion also still remain at the southern end of the covered market, on the western side of the street. Here, a stone portal leads to a courtyard that once was part of the palace. Here one can see some mashrabiya (wooden screen) windows and, on the southern side, a maq'ad or second-story loggia that once overlooked the house's courtyard. Some decorative marble along the walls of the maq'ad still remain.

The vault separates the lobby into two sections, each with its own set of elevator banks. The second through fifth stories are also divided into two portions by the vault. As constructed, the first floor was devoted entirely to public space, with two open loggias and the two portions of the lobby. The loggia under the southern wing still exists, with staircases leading to the subway from both the north and south.

Established 1760. Dated '1777' on front window sill, although the building was extended forward 1829–30. A red brick building in Flemish bond with ashlar sandstone quoins, Welsh slate roof, two storeys, three bays by five bays, and hipped roof. The loggia to the full width of the ground floor had ashlar pier to the left and five cast-iron columns on sandstone pedestals, the right column supporting the corner of the building.

The major axis travels east-west from the entrance through the court to the waterside terrace. The minor axis outlines the secondary movement to the gardens. Hoffman ingeniously designed the public rooms in a U-shape to indicate the suggested movement of guests from loggia to entrance, continuing around to the dining room, while providing the living room and dining room direct access to the waterside terrace.Maher, James T. The Twilight of Splendor.

The main apse is crowned by a loggia surmounted by two frieze with geometrical and vegetables patterns, and has blind arcades with semi-columns. The latter's capitals have also vegetable themes, with the exception of one, decorated by Angels with Last Judgement's Trumpets. The transept's apses have a structure similar to the main one. Notable is Giovanni da Campione's porch in the left transept, which is supported by columns departing from lions in Veronese marble.

The theme song's tag line was, "And the legend was that / Like el gato, "the cat" / Nine lives had Elfego Baca." In 1966, the film Elfego Baca: Six Gun Law was released. It was directed by Christian Nyby and starred Robert Loggia as Elfego Baca. The film premiered in theaters in West Germany on May 20, 1966 and was later broadcast on American television with the title Elfego Baca: Attorney at Law.

The cows that provided the milk would be housed in the cottage's basement. However, after an incident regarding the sale of tainted milk, more stringent regulations were instituted in the 1860s. The game loans ultimately became the purview of the Children's Cottage. On the southern facade, a loggia or covered porch allowed visitors to enjoy the nearby Pond; the portion of the pond facing the Dairy is now occupied by Wollman Rink.

Florence was for once the birthplace of a new architectural form, and the facades of the Villa del Poggio Imperiale are austere even by the standards of Italian neoclassicism. The facade is severe and plain, the only variation and ornament being the five-bayed projecting central block. This block has a rusticated ground floor pierced by five arches leading to the inner courtyard. On the first floor is a glazed loggia, also of five bays.

The Loggia palazzo in Brescia At the end of the first decade of the century, the political climate in Europe was feverish: the War of the League of Cambrai had begun. The French, under Gaston of Foix, Duke of Nemours, had sacked Brescia in 1512, the town now in ruins and the myth of Brixia magnipotens shattered.See Zani 2010, pp. 24–25. with related notes to the text, bibliography and documentation cited.

Above the 6th through 11th floors, there are terracotta courses with alternating classical motifs. The courses above the even-numbered floors contain floral forms, while those above the odd-numbered floors contain rinceau friezes. A loggia extends across the 12th story on Broadway, with Ionic-style capitals atop the loggia's square columns, as well as Doric-style antae. The 13th story contains balconies between the corner bays, facing both Murray Street and Broadway.

The windows on the 13th through 15th stories are arched. The five center windows on the 14th story are recessed behind a colonnade with a balustrade, creating a loggia, although the two outer windows have their own slightly-projecting balconies. The 15th and 16th floors are situated within a steep copper-bronze pyramidal roof, and contain dormers. The 15th floor has a colonnade for the five center windows and dormers for the two outermost windows.

Here the openings are not strictly windows, as they enclose a loggia. Pilasters might replace columns, as in other contexts. Sir John Summerson suggests that the omission of the doubled columns may be allowed, but the term "Palladian motif" should be confined to cases where the larger order is present.Summerson, 130 Claydon House in Buckinghamshire (begun 1757); here the Venetian window in the central bay is surrounded by a unifying blind arch.

Panoramic view The mosque was designed by Guido Ferrazza, in a blend of the architectural styles of Rationalist, Classical, and Islamic. The minaret at its end, fluted and of Roman design, is visible from all parts of the city. It has two platforms and two balconies of the Italian rococo or late baroque style. Below the minaret, the mosque's fascia has a neoclassical loggia (exterior galleries), which is split in three parts.

He also frescoed a series of judges for a loggia in the court of justice in Ceneda. His shading is weaker; colors, brighter; and proportions of figures, less elegant, than those of Pordenone, of which he was likely the most accomplished of his pupils. His brother Girolamo Amalteo is supposed to have assisted him in his labors. His daughter Quintilia Amalteo had the reputation of an excellent portraitist; she married the painter Giuseppe Moretto.

Frognall is an example of the Italianate style mansion which is commonly associated with the boom period of Melbourne architecture in the 1880s, although it is unusual in the extent of its ornamentation. It has a particularly rich level of cement render detailing, including arcaded and balustraded loggia. The grandeur of the building is enhanced by its pedimented entrance and deep bracketed eaves. The tower is capped at each side by projecting broken pediments.

Pinto's Loggia There are indications of it being inhabited in antiquity. Bronze Age pottery was found in the area known as Stabal indicating presence of humans as early as 1500-800 BC. Punic tombs have been found at St Edward's Street and Tal- Bajjada. Also, some Ancient Roman remains were found in the valley of Wied il- Kbir. However, chances are that in these times, there were only small communities in the whereabouts of Qormi.

Necessary Roughness is a 1991 American sport comedy film directed by Stan Dragoti, his final film. The film stars Scott Bakula, Héctor Elizondo, Robert Loggia, and Harley Jane Kozak. Co-stars include Larry Miller, Sinbad, Jason Bateman, Kathy Ireland, Rob Schneider, and Fred Dalton Thompson. The film touches on an up-and-coming season at the fictional higher learning institution of Texas State University and its football team nicknamed the Fightin' Armadillos.

The Rhenish Gothic house is built on a hill in Lower Swell, approached by a long driveway and through an entrance with two stone pillars decorated with lion plinths.independent.co.uk The house, which includes a saddle roof and open loggia, has 55 rooms. The main hallway features a cantilevered staircase with wrought-iron balustrade and oak handrail which leads to a galleried landing. A formal drawing room has an open fireplace with a timber surround.

There is potential for recovering evidence of earlier buildings or structures, such as the previous building on the site used as a hotel. While the original interior fabric has been substantially altered, Kempsey Post Office retains the features which make it culturally significant, including the prominent tower with classical motifs, the pyramidal tower roof, the arcaded loggia, the stucco wall finish and polychromatic brickwork, along with its overall style, scale and location.

First Presbyterian Church Complex is a historic Presbyterian church located at Gouverneur, St. Lawrence County, New York. The complex consists of the Romanesque Revival style church (1892-1893) and Queen Anne style manse (1904). The church has a modified cruciform plan with a cross-gable roof and constructed of both roughhewn and smoothly dressed Gouverneur marble. The front facade features an entrance loggia, with unequal square towers with hipped roofs flanking it.

Renovations in the 1960s relocated the kitchen further to the south-east edge of the house, in the position formerly occupied by the maid's room. A round-arched loggia links the utility areas to the garage which provides accommodation for three cars. The second story accommodates four bedrooms, a bathroom and a sleepout. The expansive main bedroom is located directly above the lounge room in the north-east corner and has several built-in cupboards.

The Chiostro Grande ("Great Cloister") has a rectangular plan and was realized between 1426 and 1443. On the oldest side it has a two-storey loggia and a pit, dating to 1439. The frescoes of the Life of St. Benedict painted by Luca Signorelli and il Sodoma, located in the cloister lunettes under the vaults, are considered masterworks of the Italian Renaissance. The frescoes disposition follows St. Gregory's account of Benedict's life.

Loggia of the Palazzo Pendaglia The Palazzo Pendaglia is a 15th-century, Gothic-style palace located at Via Sogari #3, in Ferrara, Italy. In 2015, it houses an institute for training restaurant and hotel staff (Istituto Alberghiero "Orio Vergani"). Commissioned by the aristocratic Pendaglia family, in the 18th century it became property of the commune. During the Napoleonic era, it served as barracks, but has served as dormitory, nursing home, and school.

Christopher Hatton was rebuilding Kirby Hall in the same decade. For him Stone provided "6 Emperors heads, with their pedestals cast in Plaster, moulded from the Antiques" (£7 10s), a "head of Apollo, fairly carved in Portland stone, almost twice as big as life" and "one head carved in stone of Marcus Aurelius" still preserved set in the north front above the loggia (each £4).Colin Platt, The Great Rebuildings of Tudor and Stuart England (London:Routledge) 1994, p 87f.

La Villa Louis in Lion-sur-Mer, Normandy, France, was built in 1864 for Pierre Joseph Pasquet to be use as a Casino. In 1903 he married Elisa Auber, Daniel Auber's daughter, and modify the building to be use as a villa. The French architect Jean Alexandre Navarre add the first floor with the Art-Nouveau loggia on the sea side. The ceramics of the both side of the house are the works of Alexandre Bigot.

The main buildings originally stood to the south of this with two projecting wings. One room of the 16th-century remains in the east range; this has linenfold panelling. Opposite the hall range is the Jacobean range; the north side is castellated and has a loggia of seven bays on the ground floor. Stylistic features here appear to be of the mid 17th-century and suggest that the accepted date for the house of after 1712 is very unlikely.

The lower tier of the portico has a triple-arched sandstone loggia atop sandstone piers; the upper tier is of wood. The entryway is through a pair of arched doors under the portico. The bays beside the portico are slightly recessed, while the end bays project slightly. A wooden frieze and dentiled cornice fins across the top of the entire building, and the roof is crowned with an elaborate four-stage domed cupola topped with a statue of justice.

However, because of low ratings on the American and German versions of the show, ITV announced that the show will not be broadcast in the United Kingdom. ; The Robert Taylor Show (September 19, 1963) :NBC originally slated this Four Star series, starring actor Robert Taylor as a troubleshooter for the U.S. Department of Health, Education, and Welfare with George Segal and Robert Loggia, in its Thursday-night schedule. The series was later pulled before airing for unknown reasons.

Ricky Hayman (Jeff Goldblum) and Kate Newell (Kelly Preston) work at the Good Buy Shopping Network, a home shopping channel run by John McBainbridge (Robert Loggia). Sales have been down over the last two years under Ricky's management, and Kate was brought in to come up with new ideas. Ricky views Kate as a threat and she expresses her dislike for him as well. However, John has given Ricky an ultimatum to increase sales, or lose his job.

The loggia linking the former palace to the cathedral was built into an adjoining wing. The plans called for the entire three stories, already built on a slope, to be faced with white and black marble, as was completed for the first story (1718-1724) and for the Cathedral. The windows on the second and third floors have characteristic Gothic mullions. The facade windows do not correspond to those on the far side of the building.

Dimensions are 27.70 x 16.55 m. The floor is Basement + P + 1 + Attic, with a total height of 18.20 m. The southern façade facing the Miljacka River is an example of a representative city façade solved in the spirit of secession. The decoration of the facade develops from the bottom up, with the main emphasis being placed on a centrally placed wide outlet in the form of a loggia above which is a balcony and a dome.

Villa Madama is a Renaissance-style rural palace (villa) located on Via di Villa Madama #250 in Rome, Italy. Located west of the city center and a few miles north of the Vatican, and just south of the Foro Olimpico Stadium. Even though incomplete, this villa with its loggia and segmented columned garden court and its casino with an open center and terraced gardens, was initially planned by Raphael, and highly influential for subsequent architects of the High Renaissance.

Above it in the gable is an ocular window. To the left of the façade and visible from both the forecourts of the Upper Church and the Lower Church is the Benediction Loggia in the Baroque style which was built in 1754, when the church was raised to the status of basilica. Internally, the Upper Church maintains Brother Elias' original simple aisleless cruciform plan. Like the Lower Church, there is a nave of four bays with ribbed cross-vaulting.

It fronts the now-busy Corso Vittorio Emanuele II, a few hundred yards from the front of the church of Sant'Andrea della Valle. The entrance is characterized by a central portico with six Doric columns, paired and single. Inside there are two courtyards, of which the first one has a portico with Doric columns as a basement for a rich loggia, which is also made of Doric columns. The column decorations gave the name to the palace, alle Colonne.

The scene depicts the Virgin Mary crowned by a hovering Angel while she presents the Infants Jesus to Rolin. It is set within a spacious loggia with a rich decoration of columns and bas-reliefs. In the background is a landscape with a city on a river, probably intended to be Autun in Burgundy, Rolin's hometown. A wide range of well detailed palaces, churches, an island, a towered bridge, hills and fields is portrayed, subject to a uniform light.

Here he painted frescoes for Loggia dei Mercantifoto14a and Palazzo Ferretti. In 1561, he met Cardinal Carlo Borromeo, who employed him in Milan mostly as architect in the nearly endless task of constructing the cathedral, working on various projects in the cathedral, the courtyard of the archiepiscopal palace (1564–70), San Fedele (1569–1579) and San Sebastiano (1577). In Milan he worked also as a civil architect, projecting the Spinola, Erba Odescalchi and Prospero Visconti palaces.

Page 13. The historic tie between France and Cyprus is evidenced by its parallels to French archetypes such as Reims Cathedral. Indeed, so strong is the resemblance, that the building has been dubbed "The Reims of Cyprus"; it was built with three doors, twin towers over the aisles and a flat roof, typical of Crusader architecture. Sometime after 1480, a meeting chamber, known as the Loggia Bembo, was added to the south-west corner of the cathedral.

Sponza Palace at dusk The atrium of the palace The Sponza Palace (), also called Divona (from dogana, customs), is a 16th-century palace in Dubrovnik, Croatia. Its name is derived from the Latin word "spongia", the spot where rainwater was collected. The rectangular building with an inner courtyard was built in a mixed Gothic and Renaissance style between 1516 and 1522 by Paskoje Miličević Mihov. The loggia and sculptures were crafted by the brothers Andrijić and other stonecutters.

The Ambassador's residence is a two-storey building built in Colonial style. The floor plan is rectangular, with a central front porch and gable projecting from the hipped roof demonstrating Neo-Palladian influence. The front façade, which faces the river, features a loggia running the entire length of the lower floor. On the upper floor, the central porch has three arched windows, divided by pilasters, above which the coat of arms of Portugal decorates the gable.

The reception area opened up into another loggia with large open windows on one side, and it may have been a space used in the winter when the sun would have warmed it. This space was decorated with a scene showing Akhenaten adoring the cartouches of the Aten. Another niche mentions the titles of Nakht and had the Hymn to the Aten inscribed on it. Off the main hall was an entrance to another reception room.

The cathedral at Acqui which was established by Saint Guido. (The campanile dates from the 13th-15th centuries, however, and the loggia from the 17th) Saint Guido of Acqui (also Wido) (c. 1004 – 12 June 1070) was Bishop of Acqui (now Acqui Terme) in north-west Italy from 1034 until his death. He was born around 1004 to a noble family of the area of Acqui, the Counts of Acquesana, in Melazzo where the family's wealth was concentrated.

The coat of arms of the Alberti in the Torre degli Alberti loggia. The Alberti family was a major political family in Florence. The Alberti originated from the castle of Catenaia in Valdarno Casentinese, whence the presence of two chains (Italian: catena) in their coat of arms. They became established in Florence during the 13th century with judge Rustico Alberti and divided into different lines, who owned several houses and towers near the modern Ponte alle Grazie.

Under her is a frieze with small angels, and the signature by one Marchionne. In the vault are depictions of the Months of the school of Benedetto Antelami. The two side portals, of smaller proportions, have also decorated lunettes: they depict "Christ Baptized by John" on the right and, at the left, a vegetable motif. The 13th century apse has also two rows of loggia which recall the façade's structure, repeating the use of different style capitals.

Excavation under plaza area The project for the new exit of the museum continues to be a sensitive subject for Florentines. The project has been at a stand-still since 2003 when it was originally intended to be unveiled. The debate over the loggia became both a political argument as well as an aesthetic one. Ruins below the Uffizi were discovered not long after excavations began which made the project even harder to realize due to strict preservation policies.

The loggia of the papal palace The palace at Viterbo had been the residence of the Bishop of Viterbo until the 1250s. Alexander IV (1254–1261) enlarged the palace for use as a papal residence. A large three- storied addition was completed in 1266, during the reign of Clement IV (1264–1268). The palace was redecorated in the 1290s, and some of the new additions bear the Caetani coat-of-arms of Pope Boniface VIII (1294–1303).

The Archaeological Museum of Savona (Museo storico archeologico di Savona) is located in Palazzo della Loggia inside the Priamar Fortress. It presents the history of the Priamar promontory and the town of Savona. On the exposition are old collections of objects from around the Mediterranean and artifacts from the 20th century excavations of the fortress and its surrounding (especially ceramic products of the region). The museum has two floors and inside it is possible to see original excavation pits.

During Michael's seminar on famous disabled people, two pictures on the wall are of Tom Hanks: one from the 1994 film Forrest Gump, and one from the 1988 film Big, which Michael confuses for the 1993 film Philadelphia. During the scene, Kelly also name-drops Robert Loggia. In an attempt to get Dwight into Meredith's van, Jim tells him that they are going to Chuck E. Cheese, to which Michael replies that he is "so sick of" the restaurant.

Flanking the loggia are the sun room and living room where Marland displayed his collection of tapestries, paintings and works of art. The spacious ballroom features an ornate coffered ceiling that was gilded in $80,000 of gold leaf, and lit from imported Waterford crystal chandeliers with wrought iron bases that originally cost $15,000 each. To replace the ceiling and chandeliers today would cost an estimated $2 million. On the north wall are family portraits surrounding a large fireplace.

The ground floor was designed to house primarily retail establishments, with the YMCA entrance highlighted by an ornate entablature supported by twin columns on either side. Entrances to the retail establishments are also indicated by building bays that project out less prominently than the main entrance. The ground floor is built in limestone, while the upper floors are predominantly brick. The building originally had a loggia on top of the roof, but that was removed in the 1950s.

The hotel's porch featured elements of Tudor architecture, the main roof of the hotel was designed in a Second Empire style with a flat top and iron railings. The building features an asymmetrical floor plan, with an interior featuring arcaded central loggia, and projecting pavilions accented by oriel windows. The Empress was enlarged twice since it opened, with William Sutherland Maxwell designing the building's first expansion, from 1910 to 1912. The building's second expansion was completed in 1928.

The Fogg Library is a historic library building at 1 Columbian Street in Weymouth, Massachusetts. Built in 1897 to a design by Cutting, Carleton & Cutting, the Renaissance Revival stone building serves as a branch of the Weymouth Public Library. It was a gift of local businessman John S. Fogg. It has a steeply pitched gable roof with stepped ends in the Dutch Revival style, and a projecting gable section which houses the entry under a round-arched loggia.

Since then the house has been extensively renovated and has opened again as a conference and wedding venue, as well as a communal residence. It has been designated by Historic England as a grade I listed building. Buildings in the grounds include a Loggia, Brewhouse and Echo which are all grade I listed in their own right. The house is surrounded by parkland and an area of woodland bordering the suburbs of Shirehampton, Sea Mills and Lawrence Weston.

The mansion was built in the 15th century and is incorrectly considered to have been the home of Jean de Xaincoings, treasurer of the assets of Charles VII. The house was the property of René Gardette, a descendant of a family of silk merchants from Tours. The reworking of the facade that dates from the 16th century includes the addition of the porch and loggia and the left wing in early Renaissance style. The sub-basement contains Galloroman remains.

The columns of windows around the central pavilion, which is recessed further, are also set within a rusticated facade. The outer pavilions are set back beyond the 18th story to comply with the 1916 Zoning Resolution. The central pavilion contains a loggia between the 19th and 21st stories, also supported by Tuscan-style column pairs, and includes a mansard roof above the 22nd story. The roofs of the outer pavilions, above the 22nd story, are flat.

Entrance to the mansion is by three segmented arches under the portico, or more formally, by climbing a double curved staircase behind the three arches. The stairs rise to an open loggia beneath the portico which gives access to the mansion's principal entrance. The fenestration is designed to indicate the status of their floor. Thus, small windows indicate the domestic ground floor and secondary upper floor, while the windows of the first floor piano nobile are tall and large.

In the grounds is a Grade II listed garden loggia in yellow sandstone, possibly designed by James Wyatt. At its front are two Doric columns and two antae, and above these is a cornice with a fluted frieze. The side walls are built in stone, and the back wall is constructed internally of stone and externally of brickwork. Also in the grounds are several modern sculptures, and a sculpture trail has been designed in conjunction with these.

Among his other works is the design of the Church of the Madonna del Lino during 1604–1609. He also participated in the reconstruction of the church of San Domenico (1611) and the church of Sant'Angela Merici. He helped design the bell-tower of the church of San Giuseppe, the monumental portico in via Dieci Giornate and of corso Zanardelli at Piazza dell Loggia. He helped plan the enlargement of the church of Santissimo Corpo di Cristo (1620).

The name of Vittorio Alfieri was never registered in the official publications of the Piedmont Freemasonry. It is proved Alfieri was initiated in the regular Masonic Lodge "Vittoria" of Naples which was an obedience of the Gran Loggia Nazionale "Lo Zelo", founded in 1874-185 by aristocrat Freemasons closely linked to the queen Maria Carolina of Austria.^Vittorio Gnocchini, L'Italia dei Liberi Muratori. Brevi biografie di Massoni famosi, Roma-Milano, Erasmo Edizioni-Mimesis, 2005, p. 9.

Only a few houses in the sixth section had central heating. Instead, coal ovens with glazed tiles in attractive colours were installed in every living room and bedroom. In the kitchen there was a sink, a gas cooker with two burners, a larder beneath the window and in the corner of the kitchen or to one side of the loggia a built-in cupboard. There were coal-fired water heaters in the bathrooms, a toilet and a bathtub.

Ales Brzan is the current mayor, serving since 2018. The city of Koper is officially bilingual, with both Slovene and Italian as its official languages. Sights in Koper include the 15th-century Praetorian Palace and Loggia in Venetian Gothic style, the 12th- century Carmine Rotunda church, and St. Nazarius' Cathedral, with its 14th- century tower. Koper is also one of the main road entry points into Slovenia from Italy, which lies to the north of the municipality.

Church of Saints Peter and Paul Complex, now known as the Coptic Monastery of Saint Shenouda, is a historic Roman Catholic church complex located on the edge of the Susan B. Anthony neighborhood of Rochester, Monroe County, New York. The complex consists of the Italian Renaissance Revival style church (1911), former school (1912), rectory (1926), and rectory garage (1926). The church features a loggia and 145 feet tall bell tower. The school has been converted to 12 apartments.

The face of Mary makes the first female appearance in his oeuvre, less mediated than the male figures that Cairano was to apply in his cycle of the Caesars in the Palazzo della Loggia (Brescia). These considerations date the work to the last five years of the fifteenth century. The artefact, indeed, is the first private commission undertaken by Cairano, undertaken while he was in the midst of the construction of the church of Santa Maria dei Miracoli.

The YWCA Building at 1040 Richards Street, Honolulu, Hawaii, popularly called the Richards Street Y, is now officially named Laniākea, which means 'open skies' or 'wide horizons' in the Hawaiian language. It was designed by San Francisco architect Julia Morgan, who considered it one of her favorites. The building consists of two large units which are connected by a two-story loggia. The main building is three stories high and faces Richards St. with a frontage of 165 feet.

Sicilian Vampire is a 2015 Canadian horror drama film written, directed by and starring Frank D'Angelo. It also stars James Caan, Daryl Hannah, Paul Sorvino, and Robert Loggia. The film revolves around Santino "Sonny" Trafficante, a reputed mobster, who is bitten by a bat and turned into a vampire while at his hunting lodge. With his new abilities, Trafficante feels the need to right the wrongs in his life, while simultaneously trying to protect his loved ones.

The large octagonal chimneys reflect the design rather than being ostentatious. Thus, the design appears as a comfortable dwelling complete with loggia and conservatory. A lesser architect might not have been able to resist the addition of a small turret or pinnacle. Petre's ingenuity lay in knowing how to mix large windows and more comfortable features with the medieval, and then ascertaining the exact moment to halt the Gothic theme before it became a pastiche of the original.

The Lost Missile is a 1958 American science fiction film which was originally slated to be directed by William Berke, who was also executive producer of the film. The screenplay was co-written by John McPartland and the longtime science-fiction writer Jerome Bixby, and starred a young Robert Loggia. When William Berke suddenly died as filming was set to begin, his son Lester Wm. Berke (who had come up with the original story) took over the direction.

In Rome he established himself in a house and garden close to Castel Sant'Angelo, where he undertook some informal excavations and assembled a notable collection of antiquities, including Roman sculpture (including the Menelaus supporting the body of Patroclus that passed from his heir to the Medici and can be seen today in Loggia dei Lanzi, Florence) and inscriptions.Anna Maria Riccomini, La ruina di sı̀ bela cosa: vicende e trasformazioni del mausoleo di Augusto, 1996, pp 82-84, 96.

Several scholars have to analyze and understand the causes during the longlasting periods of terrorism. Italy has suffered more from such political terrorism than most other European countries, with the exception of Northern Ireland and the Basque Country in Spain. In the early 21st century, political scientist Ernesto Galli della Loggia analyzed the issue of the Italian peculiarity, concluding that Italian society is characterized by a trace of violence. This interpretation was controversial, with opinions arising on both sides.

The Count's House is particularly distinct for its two faces, a very unusual feature for a Greek Revival. The north facade, facing Waukegan Road, consists of a portico with full two-story columns of the Doric order. The south facade, facing Main Street, consists of two-story loggia with an upper balcony and several intricate mouldings. The six-over-six windows, balustrades, columns, door surrounds, and nearly all of the exterior moldings appear to be original.

The Camera Picta (Latin: "Painted Chamber") or Camera degli Sposi (Italian: "Bridal Chamber") is the most famous room of the palace, known for its frescoes executed by Andrea Mantegna, from 1465 to 1475, as attested by slab celebrating the end of the works. The painter's decoration creates an illusionistic space, as if the chamber was a loggia with three openings facing country landscapes among arcades and curtains. The painted scenes portrays members of the Gonzaga family.

The house is constructed of wooden logs painted Swedish red contrasted by white windows and balcony. The roof is ridged and plated in slate. The house combines symmetrical and asymmetrical elements. The western side is symmetrical with three windows, both gables are asymmetrical with bay windows on the ground floor and balconies on the 1st floor and the symmetrical garden facade to the east has a dominating loggia porch with a large covered balcony on top.

Other noted works include a statue of Dmitri Mendeleev on the loggia of the National Library of Azerbaijan in Baku, a monument to Jafar Jabbar in Sumgayit (1966) and a painting on canvas in the Milli Mejlis building featuring a portrait of Nizami Ganjavi. In addition to her sculpture, she was known for portraiture, with her most-known pieces being: Portrait of Sattar Bahlulzade, Portrait of Rasul Rza, Portrait of a student, and Portrait of Tughril.

In 1117, the church was dedicated to the Holy Trinity, but that same year, an earthquake devastated the town and required extensive reconstruction for both the church and monastery. The church was made a parish church in 1336, it was enlarged in the 16th-century with the addition of an atrium and a Loggia delle Convertite.Paris officia website. By the 1441, the abbey was abandoned by the Vallombrosans, and by 1536, it had become a prison.

A portico with eight arches was added to the entrance side towards the courtyard. A loggia was inserted in the north-eastern corner. The tower assumed the shape with the overlapping volumes, typical of the Sforza architecture, as it appears at the Castello Sforzesco in Milan. In 1496, Ludovico il Moro hosted in the castle the emperor Maximilian I. Later, and until the 20th century, it was used as an agriculture warehouse and home for the farmers.

Peter Mansbendel, a Swiss master woodcarver who immigrated to Texas in 1911, carved much of the interior woodwork. Bubi Jessen and Peter Alidi painted the tracery frescoes on the ceiling of the arched loggia on the north side of the building. In March 1933, the new building opened at West 9th and Guadalupe. This building served as the main library from 1933 until 1979, when construction of the John Henry Faulk Central Library next door was complete.

The central building of Chancellor's Court containing the Great Hall is named after Aston Webb. The main feature is a large dome that sits atop the entrance loggia. The two radial blocks to each side were to be teaching blocks for various engineering disciplines; but the easternmost was not built until the Bramall Music Building was added roughly a century later. The scheme also included the straight run of buildings to the north completing the 'D' shape.

Passages led from the courtyard to the great loggia from which views could be gained of the garden and Rome. A round tower on the east side was intended as garden room in winter, warmed by the sun coming through glazed windows. The villa overlooked three terraces, one a square, one a circle, and one an oval. The top terrace was to be planted in chestnut trees and firs while the lower terrace was intended for plant beds.

The ground floor has three arches to the central section, with one arch to either side, with coursed render expressing voussoirs and a vermiculated base. The central arches open to an entrance portico and are accessed via wide steps, with the side arches housing window displays. The first floor is composed similarly, with the three central arches originally to a loggia, but now glazed. These arches have expressed imposts, vermiculated keystones, and decorative mouldings to voussoir and abutments.

Passages led from the courtyard to the great loggia from which views could be gained of the garden and Rome. A round tower on the east side was intended as garden room in winter, warmed by the sun coming through glazed windows. The villa overlooked three terraces, one a square, one a circle, and one an oval. The top terrace was to be planted in chestnut trees and firs while the lower terrace was intended for plant beds.

On the south elevation—the longitudinal side and point of entry—the building resembles a long, low barn punctuated by vertical windows. Congregants enter at the southeast corner of the structure and turn west toward a loggia that acts as an interlude and a transition to the sanctuary space, visible beyond. Jaffe researched Judaism and its symbolism extensively and applied his understanding of the faith in a variety of ways. His simple exterior reflects Judaism’s desire to turn inward.

A typical house of this plan has an open loggia chamber at one end, whereas this house has a wood-frame veranda instead. The building was enlarged in 1777-78 Juan Andreu, who added the second floor, and installed windows into previously unglazed window openings. The house was acquired by Catalinas Llambias in 1854, in whose family it remained until 1919. It was given to the city in 1954, at which time it underwent a major restoration.

The complex and the oratory were commissioned by the Monsignor Leopoldo Bufalini as a school for girls. Construction in a Neo-Renaissance style took place 1877–1885, using designs by Giuseppe Partini.Giuseppe Partini (1842-1895): architetto del purismo senese, curated by Cristina Buscioni (1981).It was described as a jewel of Bramantesque architecture in Enrico Torrini's Guida The entry archways lead to a double ramp stairwell with loggia decorated by Giorgio Bandini and L Mazzuoli in 1875 -1880.

Frescoes in the ballroom Vigna Contarena has well-preserved 17th- century frescoes in the eastern side of the villa, including the ballroom, in the Stanzette affrescate ("Frescoed chambers") and in the Sala dei Fauni ("Chamber of the Fauns"). The ballroom was an interior loggia originally facing upon the back of the building. The room contains a series of frescoes taking inspiration from Greek mythology. In 1979 the ballroom was subjected to restoration procedures in order to restore the frescoes.

Ryland Hall is a historic academic building located on the University of Richmond campus in Richmond, Virginia. The building was originally built for Richmond College, which together with Westhampton College became the University of Richmond in 1920. It was designed by architect Ralph Adams Cram and built in 1913 in the Collegiate Gothic style. The brick, stone, and concrete building consists of two parallel wings, Robert Ryland and Charles Ryland halls, set apart by a connecting loggia.

As a group they were commissioned to value the statues of Faith and Hope by Giacomo di Pero created for the spandrels of the Loggia della Signoria in Florence. Lorenzo was commissioned to apply the blue enamelled ground and to gild the statues, work that provided him a steady income. A more significant project arrived In 1387 when Lorenzo was employed to decorate the cathedral of Florence. This was a major project already underway at the time.

Haskell and Penny 1981:295-95; earlier discussions of placing it in the Loggia dei Lanzi had never been acted upon. The feature which still draws most attention is the lifeless hanging left arm of the "Achilles" figure, seemingly dislocated, which was in fact part of the Tacca-Salvetti restoration."In fatti nel gruppo del Ponte Vecchio il torso della prima figura, ed il braccio sinistro della seconda è moderno." (Saggio istorico della Real galleria di Firenze (1779) vol.

Also commemorated here are Clive and Arnold Baxter, brothers who were killed on the same day, 25 January 1915, in the Brickstacks area of Cuinchy. Designed by J. R. Truelove, the memorial is a loggia surrounding an open rectangular court. The inscription is over the entrance, and given in both French and English. The memorial was unveiled on 22 March 1930 by Lord Tyrrell, a diplomat who was present in his role as British Ambassador to France.

The upper part of the façade has a loggia in Romanesque style. The interior includes a square hall and a smaller room housing the high altar. The tomb of Bartolomeo Colleoni (who died on November 2, 1475) is on the wall facing the entrance. It is decorated with reliefs of Episodes from the Life of Christ, statues, heads of lions and an equestrian statue of the condottiere in gilded wood, finished by German masters from Nuremberg in 1501.

Cairano's art and career began a rapid ascent following several other commissions for work within the sanctum of the Santa Maria dei Miracoli. On November 16, 1941, he was paid for two keystones for the vault of the old Duomo which was being built under the aegis of Bernardino da Martinengo. Cairano was given the sole commission for figurative sculptures in the new building. Two years later, in 1493, Cairano began work at the courtyard of the Loggia palazzo.

Particularly impressive is the double loggia with a view of the sea. The museum collects, researches, and studies the remnants of traditional culture in Macedonia and Thrace and presents them to the public in temporary exhibitions. The museum's collections consist of some 15,000 objects (woven textiles, embroidery, local costumes, tools, weapons, domestic articles, musical instruments and woodcarving, woodworking and metalworking equipment). It also has a specialized library, a photographic archive, a record library and a sound library.

He asked that her invitation be privately removed and resigned from the board on April 25, 2007, when Crow's performance was confirmed.Palmo, Rocco, Burke's Plea: No Crow , Whispers in the Loggia, April 25, 2007. Burke said that Donald Trump's victory in the 2016 United States presidential election was a win for anti- abortion causes. In an August 2019 interview, Burke criticized people who consider themselves members of the Church but disagree with its teaching on certain issues.

In 1926 the French introduced changes to the northern facade of the Grand Serail. Thus a lobed arch balcony above the decorated entrance replaced the northern arched gate, which was moved to the southern entrance. The new balcony became a loggia for high commissioners and prime ministers' speeches. The French also removed a crown from over the arch of the northern entrance because it contained an engraved marble tablet showing the symbol of the Ottoman Empire.

Balnagowan House was built under the name Wendon in the late 1920s by the Dublin developer George Linzell. Linzell commissioned the London architect, Harold Greenwood, to design the house. The house has a flat roof on a v-shaped plan, consisting of two wings set at a 90 degree angle to each other coming off a central section. It featured large steel frame windows and a loggia on the second floor which was accessible from two bedrooms.

On May 3, 2005 the Court of Cassation acquitted Zorzi from the accusation.Marketing di protesta contro Delfo Zorzi per non dimenticare piazza Fontana - la Repubblica In 2014, the supreme Court of Cassation also acquitted Zorzi from the accusation.Piazza della Loggia, processo da rifare dopo quarant'anni. Zorzi assolto a titolo definitivo - la Repubblica In September 2005 an article by the magazine L'Espresso accused Hagen of dealing furs in Italy via a series of firms under an assumed alias.

There is a forecourt with a Renaissance-style loggia, from 1677 on the western edge, and a chapel dating from the 15th century, with stained glass windows from 1577. Residential quarters built between the 18th and 20th centuries have undergone renovations and alterations. By the 19th century, a moat had been filled in. Gustave Courbet created a painting of the castle in about 1875, during the artist's self- imposed exile from France, living in neighboring La Tour-de-Peilz.

The house, kitchen block and laundry/dairy block were restored in 1984 or 1985. The Italian loggia, swimming pool and conservatory were added at this time. The sandstone courtyard was enclosed as a three-sided courtyard by the construction of a sandstone garage on former open space at the rear of the house. The verandah was rebuilt and enclosed along the north wall, and the northern wing was connected to the main homestead by a north-facing conservatory.

The principal façade of Ca' d'Oro facing onto the Grand Canal is built in the Bons' floral Venetian Gothic style. Other nearby buildings in this style are Palazzo Barbaro and the Palazzo Giustinian. This linear style favoured by the Venetian architects was not superseded by Venetian Renaissance architecture until the end of the 15th century, or later. On the ground floor, a recessed colonnaded loggia gives access to the entrance hall (portego de mezo) directly from the canal.

Design by Gerhard Schøning, ca 1774 The loggia; where the master rules over worldly goods as God's and the King's representative. There is little known about the Austrått estate ownership for the next two centuries. In the 14th century the Rømer (family) family became lords of the estate. Otte Rømer (ca 1330–ca 1411) was probably the first owner from this lineage. A member of the State Council, Jep Fastulvsson was the owner from about 1400 until 1428.

He spent some time in Italy, copying the old masters and painting portraits. In 1821 he was in Rome, making copies of Raphael's arabesque decorations in the Vatican loggia for John Nash's gallery in Regent StreetAfter Nash's death they were sold to the South Kensington Museum (now the Victoria and Albert Museum). and the following year he returned there, this time in the company of his friend William Etty, another a former pupil of Thomas Lawrence.Gilchrist 1855, p.

Another hidden temple, the "Round Temple", has a curved loggia. Nearer the house, screening the service wing from view, is a Roman triumphal arch, the "Temple of Apollo", also known (because of its former use a venue for cock fighting) as "Cockpit Arch", which holds a copy of the famed Apollo Belvedere. Close by is the "Temple of Diana", with a small niche containing a statue of the goddess. Another goddess is celebrated in the "Temple of Venus".

Years later, when Melissa became increasingly unstable, Joseph eventually went to live with Cole in Australia. ;Douglas Channing – Stephen Elliott (1981–1982) :Angela's estranged first husband and father of Julia, Emma and Richard. He is owner of The San Francisco Globe newspaper, and following his death he bequeaths half of his shares to his illegitimate son Richard. ;Tony Cumson – John Saxon (1982, 1986–1988)/ Robert Loggia (1982) :Julia's husband and Lance's father who was driven away by Angela.

Warburton House, also known as the Warburton Hotel and The Lucy Eaton Smith Residence, is a historic hotel located in the Rittenhouse Square East neighborhood of Philadelphia, Pennsylvania. It was designed by noted New York architect Arthur Loomis Harmon (1878–1958) and built in 1926. It is an 11-story, "U"-shaped, steel frame and brick building with cast stone and granite trim in an Italian Renaissance Revival style. It has a stepped back form and rooftop loggia.

Built in 1867 according to the project of engineer Guglielmo Prosperi and realized by the Basile brothers, it has three floors oriented towards the square of Civitanova Alta. The ground floor, characterized by a loggia with the ingress at the centre, hosts the Roman gravestone where ancient Civitanova name Cluentensis Vicus is carved. Wide stairs lead to the board room frescoed with Aeneid depictions dedicated to the poet Annibal Caro as well as portraits of noble citizens.

She was renamed HMS Waterwitch and after several years of service sunk in Singapore harbour in 1912. In 1902 the Jameses built a house in the adjacent village of Chilgrove, as a retreat from West Dean, named Monkton House. It was designed by Edwin Lutyens, brick built and featuring loggia with deep balconies or sleeping porches. This unusual feature may have been influenced by William's experience of living in hot climates where this arrangement is more common.

It incorporates an L-shaped quarters juxtaposed behind the arcaded front to Maitland Street, and two parallel wings running back across the site to the rear and the later Telephone Exchange. The arcaded front originally comprised four arches, with the c.1914 addition adding two more. The arcaded front was originally a verandah but now, in its filled-in form, comprises the main public hall, the entry porch and an enclosed return loggia housing the PO boxes.

Both this street and the Brienner Straße, which begins at the south end of the square, lead to the adjacent Wittelsbacherplatz, also designed by Klenze. The Feldherrnhalle is a copy of the famous Loggia dei Lanzi in Florence. The Odeonsplatz is served by the U Bahn station of the same name and by the Museenlinie (museum line) of the Munich bus system. Since 1972, the southern end of the square has been part of the central Munich pedestrian zone.

The façade is articulated by pilaster strips, blind arches, oculi (small circular windows), lozenges and mullioned windows. In the interior the intarsia pavement lies over a crypt with groin vaults and Roman capitals, perhaps the relic of an ancient market loggia later turned into a Christian temple. It houses a Roman sarcophagus, remains of frescoes and a Crucifix on panel from the 13th century. In the rectory are frescoes from the 13th and 15th centuries and 18th century stuccoes.

The wide façade was completed in 1178: it has three loggia floors and three portals, whose doors were sculpted by Luchino Bianchino in 1494. Between the central and the right doors is the tomb of the mathematician Biagio Pelacani, who died in 1416. The Gothic belfry was added later, in 1284-1294: a twin construction on the left side had been conceived, but it was never begun. Beside the Cathedral lies the octagonal Baptistery of Parma.

A two-storey, stuccoed brick Victorian Italianate post office with a corner clock tower/campanile, and a corrugated iron clad roof. The building is located in a visually prominent position, near a major intersection. The main facade to High Street has a round arched loggia at street level surmounted by a balcony with cast iron column supports. Openings to the windows and doors have heavily moulded arched lintels and quoins are expressed by grooved mock ashlar jointing.

The capitals also precisely adhere to classical models, known from engravings. The erudite architecture—its source can also be traced to the treatises of the royal architect Sebastiano Serlio—expresses order and regularity. On the deaths of Castagnié and Bachelier the construction work stopped; it was restarted in 1560 under the direction of Dominique Bachelier, son of Nicolas. He undertook the creation of the loggia and the passageway, which divided up the courtyard, and the street gate.

Prizzi's Honor is a 1985 American black comedy crime film directed by John Huston from a screenplay written by Richard Condon and Janet Roach based on Condon's 1982 novel of the same name. It stars Jack Nicholson, Kathleen Turner, Robert Loggia, William Hickey, and Anjelica Huston. In the film, two highly skilled assassins, after falling in love, are hired to kill each other. It was the last of John Huston's films to be released during his lifetime.

The striking north elevation consists of a polychrome arched loggia to the ground level opening from the building to the garden and swimming pool area. Verandahs to the first and second floors are divided into bays by brick piers and infilled with painted timber slat balustrading. These verandahs overlook the garden and swimming pool. The associated grounds of the Edith Cavell Block form part of the larger residential precinct associated with the Lady Lamington Nurses' Home, Superintendent's Residence and Ward 15.

The portico entrance contains a marble and sandstone memorial commemorating the laying of the foundation stone by the Governor, Sir Matthew Nathan. Dramatically posed on the west ridge at the summit of the steeply sloping Hospital site, the Edith Cavell Block affords sweeping views across to the north of Brisbane. The building is a three- storey, H-shaped, facebrick building with a partial basement. The south elevation is symmetrical about a projecting central bay with a polychrome arched loggia entrance at ground level.

The construction of the Loggia del Mercato Nuovo near Ponte Vecchio in the 16th century led to the renaming of the market here to the Mercato Vecchio. The actual marketplace here was a long, low building in an oval rectilinear plan, with an overhanging roof to shelter the customers and the stalls placed on either side. Other shops and stalls were sited in the piazzetta. The area was a maze tightly packed streets and buildings in addition to the marketplace.

In 1546, the Council of One Hundred chose a 40-year-old local architect, Andrea Palladio, to reconstruct the building starting from April 1549. Palladio added a new outer shell of marble classical forms, a loggia and a portico that now obscure the original Gothic architecture. He also dubbed the building a "basilica", after the ancient Roman civil structures of that name. The Basilica was an expensive project (some 60,000 ducats once finished) and took a long time to complete.

The upper floors feature more Corinthian columns and a loggia with statues. The top floor is crowned by a clock tower guarded by life-sized statues of Venus, Aphrodite and Apollo carved in Italian marble. Above the clock rises a 195-foot lightning rod made from Fuentes's own plow share. Copper lanterns approximately twelve feet tall hang from chains hooked to stands bolted to the exterior walls between the white arches of the balconies, adding a Moorish touch to the already eclectic design.

Instead, visitors would enter through the more elaborate portal from the north, which take them into the villino's loggia and would allow them to proceed through the gardens and across the various levels as Pinsent intended. The orange garden Upon entering through the villa's gate, one comes upon the orange garden. There, citrus trees were once planted, but were later replaced by ivy geraniums wrapped around metal nets. Proceeding then through two arches in the west wall, one enters the winter garden.

He appeared as Sheriff Bascom in the 1954 episode "Black Bart" of Stories of the Century. In 1958, Jolley appeared on ABC's Walt Disney Presents in the role of Sheriff Adams in the episode "Law and Order, Incorporated", with Robert Loggia as Elfego Baca. His then 32-year-old son, Stan Jolley, was the art director of the segment. Others in the episode were former child actor Skip Homeier and Raymond Bailey, later the banker Milburn Drysdale of CBS's The Beverly Hillbillies.

Before 1660, this building to the Northeast flank of the Cathedral entrance housed the canons and the rector or the cathedral, while the bishop lived in a palace at the southwest flank of the church. This building was joined via a loggia to the cathedral. The site was reconfigured in the mid 17th-century, during the reign of the Pope Alexander VII (1655-1667), when the bishop's palaze was razed, and this palace was enlarged and refurbished. Construction persisted for nearly a century.

Loggia of Gran Guardia and column Marciana The square arose in the fourteenth century with the demolition of an old district that stretched in front of the church of San Clemente, promoted by Ubertino from Carrara. The square was designed to give importance to the tower and access to Palace on the east side, that he was building. It became the scene of tournaments and courtship. According to tradition it was from the noblemen or signori Carrara that the square took its name.

Costiuente square with the background of the town hall The palace has a load-bearing masonry structure with a quadrangular plan 18 m long and 14 m wide, which develops over a height of 16 m divided into four floors above ground (ground, mezzanine, first, and attic). The entire building is visually divided vertically into three parts in an east-west direction, corresponding to the three different phases of construction: the Renaissance loggia, the medieval core and the 18th century southern portico.

He painted a cycle of frescoes on the History of the Apocalypse that decorated the Loggia of Brescia, until they were destroyed by bombing in 1944. In these years the artist returns to Brescia to work with Romanino in a series of generally lost frescoes for Sant'Eufemia and Saint Lorenzo in Brescia. He painted altarpieces for the abbey of Saint Benedict in Polirone.all but one lost He also decorated Palazzo Mayo in Cadignano (Lama Mocogno, in collaboration with Giulio and Antonio Campi).

The site had an odd shape because of the street intersection on which it faced, and Hewitt considered it an "interesting problem". He chose the terrace and the loggia as a solution to the grade on which the building faced, and it gave the building a monumental effect. Ground was broken for the building on March 1, 1923. Construction was finished the next year, with the first tenants moving in in January 1924 and with the move complete on March 15, 1924.

In the oval court, they transformed the loggia planned by Francois into a Salle des Fêtes or grand ballroom with a coffered ceiling. Facing the courtyard of the fountain and the fish pond, they designed a new building, the Pavillon des Poeles, to contain the new apartments of the King. The decoration of the new ballroom and the gallery of Ulysses with murals by Francesco Primaticcio and sculptured stucco continued, under the direction of the Mannerists painters Primaticcio and Niccolò dell'Abbate.Salmon, p. 9.

He was the pupil of Raphael, whom he helped in the execution of the famous Raphael Cartoons. Vincidor is further said to have been one of those pupils of Raphael who carried out the frescoes in the Vatican Loggia under his direction. On Raphael's death in 1520 he traveled to Flanders. At Antwerp he formed a friendship with Albrecht Dürer (1521); the German master painted his portrait, and refers to him in his Journal under the name of Thomas Polonais.

Instead it was focused on revitalizing the area by Piazza Castellani, which had become an afterthought. The loggia was designed as a piece that would settle amongst the existing buildings, yet stand in contrast as a modernist addition to the city. The simplicity allowed the architects to create a continuous space, one that would blur the interior with the exterior. Pietra serena was chosen to pave the ground of the exterior sloping plane and outdoor areas, visually merging the space.

Other peculiar characteristics of the manor house are the use of the serliana and, above the windows, lunettes and gables, generally painted or decorated. The covers of the loggia above the main entrance and that of the tower are wooden coffered ceilings. Other interesting elements of the Italian floral or Art Nouveau style are, for example, the wrought iron with their decorations and the dormer windows on the upper floor that go over the cornice of the building interrupting the eaves.

Freemasonry in Greece originated at the end of the 18th century on the Ionian Islands. At the time they were ruled by Venice and at Corfu in 1782 the Loggia Beneficenza was founded practicing the Rectified Scottish Rite, under the jurisdiction of Verona. Freemasonry was suppressed in 1785 in Venice and the Lodge closed. After Napoleon Bonaparte conquered the Venetian Empire, the lodge was revived in 1797 in Corcyre, until 1800 when the Russian Empire established the Septinsular Republic and suppressed Freemasonry.

The aesthetics of the building were altered with the creation of fourth floor with smoothed stone blocks, and the sealing of the third floor loggia to make further rooms. The river facade has an awkward positioning of windows relative to the other sides. The former gardens extended east along the riverbank; they were mostly sold off, and now house an Evangelical Lutheran church on Via de'Bardi, built in 1901.Palazzo Spinelli, Repertorio delle Architetture Civile di Firenze, entry by Claudio Paolini.

At its largest, the associated plantation encompassed about acres, but in modern times includes fewer than acres. Fire gutted the original house in 1841, and it was reconstructed in the Greek Revival style by 1843, with an unusual transverse hall plan, facade that makes the 2.5 story structure look only 1.5 stories, and the addition of a loggia, cross-gable roof with a wrought iron balustrade and Greek Revival detailing. The surviving wash house also dates to this mid-19th century era.

The edifice has a Gothic style portico and loggia in the façade; not usual for the Milanese Gothic structures is the white and black marble decoration: this, more common in Genoa at the time, is perhaps a homage to Matteo Visconti's wife, Valentina Doria. The two loggias are surmounted by a series of triple mullioned windows, housing statues. These were realized by Ugo da Campione and his son Giovanni, by other masters from Campione d'Italia and Tuscany, in the 14th century.

Olivia with the saints Elias, Venera and Rosalia, 13th century. According to the hagiographic legend, Olivia was the beautiful daughter of a noble Sicilian family, born around 448 AD. Local hagiographers state that she was born in the Loggia district of Palermo. From her early years she devoted herself to the Lord while declining honors and riches, and loved to give charity to the poor. In 454 AD Genseric, king of the Vandals, conquered Sicily and occupied Palermo, martyring many Christians.

The vestibule is paneled in marble and lighted by two windows that opened onto the cour royale. In 1701, in order to provide more light to the staircase, the south wall opposite the windows was opened, thus creating a loggia from the vestibule. During the latter part of Louis XIV's reign, the Queen's staircase and the vestibule served as entrance to the appartement du roi, the grand appartement de la reine, and the apartment of Madame de Maintenon.Félibien, 58; Piganiol, 118; Verlet, 209.

During his year in the fifth grade, ten-year-old Joshua Beal (Joseph Cross) begins a personal search to find answers about life and death — a journey triggered by the passing of his beloved grandfather (Robert Loggia).Wide Awake Yahoo! Movies. Josh attends Waldron Mercy Academy, a private Catholic boys' school. The adults in his world have not been able to convince him that his grandfather is in good hands, so he sets out on a personal mission to find God.

In 1995, Trump granted ownership of Trump Plaza to his new publicly traded company, Trump Hotels & Casino Resorts (later Trump Entertainment Resorts). The company also acquired the Trump Regency hotel. The East Tower opened in two phases, in October 1995 and February 1996. The expansion continued with the May 1996 opening of Trump World's Fair, a $48-million renovation of the Trump Regency with an added casino, connected to Trump Plaza by a loggia across the Atlantic City Convention Hall.

In 1395 a fire destroyed the cathedral's ceiling, which was rebuilt in the following years and was substantially renovated in the early 16th century. In the same period the aisles were added and the central nave was enlarged. In Baroque times the St. Horosia Chapel, the loggia and the cloister were added, while the interior received an altarpiece and other decorations. In the late 18th century one of the apses was demolished and rebuilt, and the central apse was renovated.

Several bays project from the main body of the home, and wrapped around the whole is a balustraded, colonnaded loggia. A carriage house in the rear is clearly visible from Woodward. At one point, this structure was converted into a concert hall capable of seating 200. The interior has 49 rooms, including a large oak-paneled hall designed for large parties, an oval dining room done in mahogany, a lobby done in English oak, and a white and gold music room.

The Palladian window or "Palladio motif" is Palladio's elaboration of this, normally used in a series. It places a larger or giant order in between each window, and doubles the small columns supporting the side lintels, placing the second column behind rather than beside the first. This is introduced in the Basilica Palladiana in Vicenza,Summerson, 129-130 where it is used on both storeys; this feature was less often copied. Here the openings are not strictly windows, as they enclose a loggia.

The architect J. J. Wild employed a free Classical Revival style architectural motifs in the form of two projecting end pavilions and a central tower, unified at ground floor level by an arcaded loggia surmounted by balustrading. The cast iron fencing at the sides is in very good condition. The Town Hall survives substantially intact as shown in an illustration of 1882, except that the cement render has been painted. The facade of the rear 1915 wing survives in its original condition.

As Chicago Tribune architectural critic Paul Gapp wrote (Arts and Books, July 31, 1983), "The architectural style is an eclectic mélange of Italian, Spanish and Pardon-My-Fantasy put together with passion." The actual style is called atmospheric. The dark blue, cove-lit ceiling with "twinkling stars" and moving cloud formations suggests a night sky. The plaster ornamentation of the sidewalls, round towers, faux- marble loggia and ogee arched organ chambers are, by Hollywood standards, reminiscent of the walls surrounding an Italian courtyard.

The Hamburg architectural firm of Peter Schweger and Partners planned the building of the Kunstmuseum Wolfsburg as a transparent urban loggia with an extensive overarching glass roof over the open Hollerplatz. The central exhibition hall is 16-meter high with a quadratic ground plan measuring 40 meters on each side. Its flexible possibilities allow for an individualized architecture conceived to meet the specific needs of each show. The hall is two-storied on three of its sides and enclosed by further exhibition spaces.

The château features 440 rooms, 282 fireplaces, and 84 staircases. Four rectangular vaulted hallways on each floor form a cross-shape. The château was never intended to provide any form of defence from enemies; consequently the walls, towers and partial moat are decorative, and even at the time were an anachronism. Some elements of the architecture—open windows, loggia, and a vast outdoor area at the top—borrowed from the Italian Renaissance architecture—are less practical in cold and damp northern France.

Access to this basement area is provided by two steep, narrow concrete stairs bounded by Brisbane Tuff retaining walls. The stairs on the western or Wickham Street side are protected by a simple, compressed fibre cement canopy erected in 2000. The Brisbane Tuff loggia on the western side of the podium was erected as a tramway shelter in 1938. The bronze figure of Robert Burns stands on a tapered dressed sandstone pedestal with a rusticated granite base and thistle- patterned cornice.

The Farmers & Merchants Bank building has been established as Los Angeles Historic-Cultural Monument #271. The facade of the building at night in 2014 Much of the original banking room remains, including light fixtures, a central skylight, and the loggia with its Victorian-style railings. Operating as a bank until its closure in the late 80s, the building now functions primarily as a special events and banquet facility and film location. The building is slated for renovation by developer Tom Gilmore and Associates.

Abraham L. Erlanger, theatrical producer and a founding member of the Theatrical Syndicate, constructed the St. James on the site of the original Sardi's restaurant. Designed by architects Warren and Wetmore (one of two firms that designed Grand Central Terminal), the theatre's simple brick facade is dominated by a large cast iron loggia, masking the fire escapes from the auditorium over the expansive street front. The gilded, landmarked auditorium is ornate, with two balconies. It opened in 1927 as The Erlanger Theatre.

The doorway is currently not used, and the internal planning has changed. The first floor elevation is composed of a central recessed section which continues to the parapet, with an arch with expressed extrados and keystone flanked by wall sections which appear as oversized pilasters each with a central window. The arch opens to a recessed loggia with projecting curved balcony with a wrought steel balustrade, and each window has non-original glass louvres. Expressed drip moulds frame the arch and window openings.

The entrance itself is a covered area acting like an extension of the public street and can be approached from either Yeo Street or Cavendish Road. Slender concrete columns sit on the horizontal ground floor slab and support the overhang to the entrance. In the north-east corner of the site there is a garden court with flower beds and pool, and on the roof a solarium and loggia with planting boxes is provided.A Portfolio of Flats – Harold H Le Roith, Architect.

The balustrade coping is rendered and painted a light brown colour. The arches have white tuck pointed, rubbed red brick detailing, matching the rubbed red brick flat arches to the openings of the rear buildings and upper floor. Richmond Post Office is substantially intact and retains the features which make it culturally significant, including architectural details such as the arcaded loggia, distinctive use of freestone, bi-chrome brickwork and cast iron lace, along with its overall scale, form and style.

The baptistery is located to the side of the Cathedral, as it was typical of the early Christian structures, and can be visited from the Loggia of the old City Hall Palace. It has an octagonal interior dating to the 5th century. The current appearance dates from a late 19th-century restoration work, carried on by Alfredo D'Andrade. During those works, the original basin vaulted roof, built with the Byzantine-Ravennate technique of the "tubi fittili" (terracotta tubes), was completely destroyed.

Malta Public Library, Valletta, painting by Charles Frederick de Brocktorff Public lecture at the main hall The library building was designed by the Polish-Italian architect Stefano Ittar, and it is an early example of neoclassical architecture in Malta. It has a symmetrical façade with Doric and Ionic columns. The first floor is supported on a loggia, with the main doorway in the centre. A balustraded balcony is located above the doorway, and it is supported by Doric and Ionic columns.

The different windows of the room permitted a view of the Castles of Arnad and Verrès as well as of the Villa Castle in Challand. This space was probably used as a signalling tower. In case of danger, the lords of manor would have been able to take securer refuge in the more easily defended Verrès Castle. To reach the last room that can be visited on this floor, it is necessary to pass through a loggia covered with a cross vault.

A bronze tomb statue of Marianus Soccinus the Elder (a noted Sienese jurist) for the church of San Domenico is housed at the Uffizi in Florence. For the Loggia della Mercanzia, Vecchietta sculpted life- size figures of St. Peter and St. Paul (c.1458-1460), which Vasari praised as "wrought with consummate grace and executed with fine mastery."Vasari, "Vite" Vecchietta also crafted a silver statue of St. Catherine of Siena at the time of the saint's canonization in 1461.

The Catherine Palace in Moscow Moscow's longest colonnade consists of 16 dark columns set in a loggia Lefortovo Park in 1892. The Catherine Palace is a Neoclassical residence of Catherine II of Russia on the bank of the Yauza River in Lefortovo, Moscow. It should not be confused with the much more famous Catherine Palace in Tsarskoye Selo. The residence is also known as the Golovin Palace, after its first owner, Count Fyodor Golovin, the first Chancellor of the Russian Empire.

Unlike most cathedrals, the cathedral of Perugia has its flank on the city's main square,The Piazza IV Novembre commemorates the armistice, actually signed 3 November 1918, between the Kingdom of Italy and Austria. facing the Fontana Maggiore and the Palazzo dei Priori. This side is characterized by the Loggia di Braccio commissioned by Braccio da Montone (1423), an early Renaissance structure attributed to Fioravante Fioravanti from Bologna. It formerly formed part of the Palazzo del Podestà, which burned in 1534.

Alexander Macdonald, Letters to the Argyll Family (Edinburgh, 1839), p. 62 In the more peaceful 1590s Archibald Campbell, 7th Earl of Argyll, rebuilt the east range of the castle to link the south range with refurbished guest chambers in the tower. The new work consisted of a fine two-arched loggia facing the courtyard, with a façade of polished ashlar masonry above. Behind this were galleries, fashionable additions to the accommodation within the castle, and new stairs to north and south.

Detail of the surviving (southern) half of the loggia 1870 photo by Felix Bonfils showing the Tomb of Benei Hezir to the left of the Tomb of Zechariah. The tomb dates to the second century BCE, the Hellenistic period and the time of the Hasmonean monarchy in Jewish history. Architecturally the so-called Tomb of Zechariah postdates the complex, and the Tomb of Absalom is considered to have been erected even later. The tomb is effectively a burial cave dug into the cliff.

They brought back Italian paintings, sculpture and building plans, and, more important, Italian craftsmen and artists. The Cardinal Georges d'Amboise, chief minister of Louis XII, built the Chateau of Gaillon near Rouen (1502–10) with the assistance of Italian craftsmen. The Château de Blois (1515–24) introduced the Renaissance loggia and open stairway. King Francois I installed Leonardo da Vinci at his Chateau of Chambord in 1516, and introduced a Renaissance long gallery at the Palace of Fontainebleau in 1528–1540.

Lambertenghi subsequently sold the villa to his friend, Giuseppe Arconati Visconti, grandfather of Luchino Visconti."Villa del Balbianello" Friends of FAI retrieved May 20, 2016 Visconti made improvements to its gardens and the loggia. To this day the balustrade in front of the church bears the Visconti emblem of a serpent with a man in its mouth. During the period of Visconti ownership, the villa hosted politicians and writers Giovanni Berchet, Alessandro Manzoni, Giuseppe Giusti, as well as the artist Arnold Böcklin.

The operas were performed on the stone loggia which overlooks the flower garden, designed and planted by Lady Ottoline Morrell when she owned the Manor during and after the First World War and entertained her famous Bloomsbury guests there e.g. T.S. Eliot, Virginia Woolf, Betrand Russell, W.B.Yeats. Sound-proofing screens were later erected around the theatre in response to complaints from a group of Garsington residents living near the Manor. In 1996, they won £1,000 compensation for noise disturbance caused by the operas.

He now had to reorganise his business and set up closer ties with the contacts he made during his work at the Loggia, including co- workers and other artists in and around Brescia, looking for major commissions. However, his path appeared to lead him increasingly toward sacred art. In 1504, the canon of the Basilica of San Pietro de Dom, Francisco Franzi of Orzinuovi bequeathed the construction of a chapel in the cathedral. Nothing further is known of this commission.

Certainly the altar was carved after 1506,On the base of the left column there is an effigy of Pope Julius II inferred from the obverse of a medal of Caradosso and Gian Cristoforo Romano cast after 1506. See Zani 2010, p. 125. given its high quality and artistic originality, indeed the highest level of art in the Brescian period, and evokes several features of Cairano's earlier work on the Loggia and front-yard of San Pietro's church in Oliveto.

The Sanmicheli, according to the interpretation of the historical sources of the time, would be the designers and site managers of the facade of the sanctuary of Miracoli (see the former Historical Archive of Santa Maria dei Miracoli, today the Brunelli Archive in the parochial registry of Bassano Bresciano, not accessible, mazzo 1, n. 1, see Guerrini 1930, pp. 211–218 for a transcription); several works of the Loggia (Baldassarre Zamboni, Collectanea de rebus Brixiae, Queriniana Library, Ms. H. III. 2 M. ).

The identification, in this case, is also based on a variety of stylistic and documentary evidence as reported by Giorgio Vasari in his Lives on Jacopo Sanmicheli. See Zani 2010, pp. 93–94 and notes to the text. With the Loggia, however, the mature talent of Cairano broke into the Brescian art scene, and his powerful sculptural sequence of the Caesars testifies to the decline of the Sanmicheli, whose ornate style was no longer of interest to the municipality and nobility.

The Loggia of Palazzo Sacchetti towards the Tiber, once overlooking the river The main façades of the palace overlook Via Giulia and Vicolo del Cefalo, where there are 9 windows.Pietrangeli (1981), p. 44 Both façades are made of brick with travertine windows, while the portal on Via Giulia is made of marble, and is surmounted by a balcony surrounded by fine bronze balustrades. On the ground floor, which is attributed to Sangallo, there are 6 windows of the inginocchiato () type.

Two subsequent owners altered the home further: the kitchens and bathrooms were modernized, the front loggia enclosed, and a black iron gate was added to the entryway. In addition, a master bathroom was added in the last fifteen feet of the main floor veranda, the living room inglenook and dining room breakfront were removed, and a second chimney and furnace were added.Arthur Heurtley House, (PDF), National Historic Landmark Nomination Form, HAARGIS Database, Illinois Historic Preservation Agency. Retrieved 25 May 2007.

In 1978, archaeologists led by Dr. Carter Hudgins and the Virginia Department of Historic Resources excavated the foundations of Robert Carter I's Georgian mansion at Corotoman. The archaeology undertaken also confirmed a single-pile house of 40 by including a loggia that measured 10 by . The mansion's foundations were found to be thick. Considerable rubble was unearthed at Corotoman, including white marble pavers, fragments of dressed stone and rubbed brick, Delft tile, Chinese porcelain, tankards, and over 1,000 wine bottles.

On the opposite side of the building, a semicircular loggia made up the facade and the entrance on the street. Arches were used throughout the structure, including arched windows adorning each side of the towers in sets of three, arched doorways at the base of each tower on the shoreline, and a large arch situated in the center. The boathouse stood on its site on North Carroll Street in the Mansion Hill Historic District for 33 years until it was demolished in 1926.

Céfiro y Psyché, Sala de Psiche, Palazzo del Te, Mantua Rinaldo's birth and death dates are unknown. We know that he was born in Mantua, and he was among those charged with decorating the Palazzo del Te in Mantua. In this work he assisted with the Sala dei Venti, the Camera delle Aquile (1527) and the Loggia di David (1531). During part of 1531 he is documented as collaborating with Giulio Romano in decoration of the Castello di San Giorgio of Mantua.

The facade of 253 Broadway is made of light stone on the first four stories, and of light-gray brick and terracotta on the remaining stories. The design of 253 Broadway emphasizes horizontal layering, with sill courses between each story, three intermediate cornices, and a large bronze cornice at the top. The lowest levels are recessed behind the main facade, while the loggia on the twelfth story is taller than on 256 Broadway. The facade of 256 Broadway is of Tuckahoe marble.

The building is of flint with ashlar quoins. The principal feature of the church is a three-stage tower, built in 1458, which closes the vista to the north of Reading's old Market Place. The interior of the church contains several interesting items, including a memorial to John Blagrave, the 16th- century English mathematician, and a 1522 font used for the christening of Archbishop Laud. In 1619, a six-arched loggia known as Blagrave's Piazza was erected along the south wall in 1619.

Wilson laid out a 3-story Neoclassical-styled building clad in red brick and trimmed in brownstone, with a monumental portico supported by four Corinthian columns. Wilson added quoins, a loggia wing, and a dentilated copper cornice. Inside is a mahogany staircase with a Tiffany-designed window on the landing, some parquet floors, ten fireplaces, a music room, and a billiard room. The floors were carefully constructed to absorb noise with layers of deafening quilts and two inches of mineral wool.

At the intersection of the two halls was the main staircase to the top floor, making three turns between each floor. The balustrade was made of American oak. Immediately above the staircase was a dome of cathedral glass, while at each half-flight of stairs was a loggia made entirely of tile, separated from the main house by glass, and opening upward to the air. The main entrance was at the north side of the house, by the porte-cochère.

John H. Adams House, also known as Davis Funeral Home, is a historic home located at High Point, Guilford County, North Carolina. It was built in 1918, and is a two-story, five bay, stuccoed frame structure in the Italian Renaissance style. It has a low pitched, deck-hipped roof with terra cotta, widely overhanging boxed eaves, and a three-bay recessed upper porch or loggia with semi-circular arches. It was listed on the National Register of Historic Places in 2001.

The doors are set under an arched glass fanlight with the sidelights placed in straight-topped transoms to either side. The front of the house also has a "family" entrance to the left of the tower, entered through a small arched loggia. The rear elevation has a centrally placed set of entry doors that enter the building behind the main staircase. The rear of the house also has an exterior service entry that opens into the servant's hallway and staircase.

Marco Loggia is a US-based Italian neuroscientist who specializes in brain imaging. He is an associate professor at Harvard Medical School, and directs the Pain and Neuroinflammation Imaging Laboratory, located at the Athinoula A. Martinos Center for Biomedical Imaging, Massachusetts General Hospital (MGH). He is also the associate director of the Center of Integrative Pain NeuroImaging (CiPNI) at MGH. He is known for his work on brain mechanisms of pain, especially using functional magnetic resonance imaging (fMRI) and positron emission tomography (PET).

According to the Italian historian of Freemasonry Aldo Alessandro Mola, Cuccia was initiated to the highest degree of the Gran Loggia d'Italia.Aldo A. Mola, Storia della Massoneria Italiana, Bompiani, Milan, 1992, p. 744 Given that Cuccia was the son-in-law of Alberto Beneduce, a Master Mason, since 1906 Vittorio Gnocchini, L'Italia dei liberi muratori, Erasmo editore, Rome, 2005, p. 33 and the Primo Gran Sorvegliante of the Grand Orient of Italy during the presidency of Ernesto Nathan this view becomes more reliable.

The film starred Charleene Closshey, Academy Award nominee Robert Loggia, Naomi Judd, Tyler Ritter, Greer Grammer, Booboo Stewart and Jake Sandvig. Culver was nominated for Best Director at the California Independent Film Festival, where the film also received Best Picture and Best Actress nominations. It later played at AMFM Fest, receiving the Audience Choice Award. The film was distributed by Arc Entertainment. In 2015, Culver was hired to direct his first full length documentary film “Radical Kindness: The Life of Monsignor John Sheridan”.

Andrea Palladio always designed his villas with reference to their setting. If on a hill, such as Villa Capra, facades were frequently designed to be of equal value so that occupants could have fine views in all directions. Also, in such cases, porticos were built on all sides so that occupants could fully appreciate the countryside while being protected from the sun, similar to many American-style porches of today. Palladio sometimes used a loggia as an alternative to the portico.

The Church of Saint Ignatius (Italian: Chiesa di Sant'Ignazio or Sant'Ignazio all'Olivella) is a Baroque church of Palermo. It is located in the ancient neighbourhood of the Olivella, in the quarter of the Loggia, within the historic centre of Palermo. The church belongs to the Congregation of the Oratory of Saint Philip Neri and was built starting in 1598. It is located near the former house of the congregation, now Regional Archeological Museum Antonio Salinas, and the Saint Catherine Oratory.

In Padua, musical ensembles such as the Amici della Musica di Padova, the Solisti Veneti and the Padova-Veneto Symphony are found. Concerts are often held in the historic Loggia Comaro, built in 1524. As well, the city is the site of the Teatro delle Maddalene, the Teatro delle Grazie, the Giuseppe Verdi Theater, and the Cesare Pollini music conservatory. Rovigo is well known for its love of opera and is the site of the famous Teatro Sociale, built in 1819.

He gave it a gatehouse entrance with an arched portal, surmounted by a tufa loggia dated 1642, that can be accessed by crossing a bridge with three arches overlooking the moat, then crossing a drawbridge. The entrance leads to a vast space enclosed by a wall marked with corner towers at three levels. Within this space, on the east side, the count build a main building containing dwellings for the farmer and his staff, and stables, pigsties, etc. topped with haylofts.

The Greek geographer Strabo described the Musaeum and Library as richly decorated edifices in a campus of buildings and gardens. > The Mouseion is also part of the palaces, possessing a peripatosAn open > loggia for walking and talking. and exedraThe curved seat of an exedra is > more accommodating to a group conversation than a bench in a straight line. > and large oikos, in which the common tableOikos signifies "household" in the > broadest sense; an English analogy might be a university "commons".

Above this level are paired arched lancet openings in each elevation of the third level and clock faces at the fourth level. Each face of the mansard roof is punctuated by a small louvered gablet. Simple struck and moulded string courses define the walls throughout the building and the lines of the 1890s and 1920s additions to the south are reflected in the later loggia parapet. Fenestration throughout is regular and repetitive with single window openings with arched heads and moulded archivolts.

Talvacchia The Villa Lante al Gianicolo (1520–21) was a smaller suburban villa in Rome, with a famous view over the city. Romano made the whole building suggest lightness and elegance to exploit the ridge-top position and overcome the rather small Roman footprint. The orders are delicate, with Tuscan or Doric columns and pilasters in pairs on the main floor, and extremely shallow Ionic pilasters above, whose presence is mainly conveyed by a different colour. Alternate loggia openings are heightened by arches above the entablature.

It is accessed by two sets of L-shaped stairs leading from the Waldheim Street to an entrance loggia, which has three brick archways and a concrete balustrade of large square piers and decorative balusters. Additional entrances of concrete stairs diagonally project from the northern elevation at the junction of the range and lateral wings. These stairs have metal balustrades and enclosed, one-storey, face brick landings. Rear of brick school building as seen from the school grounds, 2015 The building is elegantly composed with classical detailing.

In 1907, Cavallero was initiated in the regular Masonic Lodge "Dante Alighieri" of Turin, which was affiliated to the Grand Orient of Italy.Vittorio Gnocchini, L'Italia dei Liberi Muratori, Mimesis-Erasmo, Milan- Rome, 2005, p. 65. Subsequently, he become a member of the Scottish Rite Serenenissima Gran Loggia d'Italia located in Rome, where on 15 August 1918 he received the 33rd and highest degree.Luigi Pruneti, ììAquile e Corone, L'Italia il Montenegro e la massoneria dalle nozze di Vittorio Emanuele III ed Elena al governo Mussolini, Florence.

The body of the church is demarcated at its four corners by large, full-height tapered buttress-like forms, within which access is gained to offices and other accommodation on the upper floors. These "buttresses" are punctured by rectangular and circular window openings and broken by projecting tiled porch roofs at the first storey level. Further, the church itself is arched, lit through large arched, quasi- Byzantine windows and crowned with a continuous tiled roof loggia. Art Deco features can be seen in the ornate window styles.

The Sala del Concistoro (Hall of the Consistory) is a large hall on the third loggia of the Apostolic Palace in the Vatican City. The room is in the residential wing of the palace, added by Pope Sixtus V. It was decorated by Pope Clement VIII. Clement's coat of arms feature on the ceiling of the hall. In the Lives of the Artists, Giorgio Vasari describes Gianfrancesco Penni as the painter of large parts of the designs for Raphael's tapestries in the Sala del Concistoro.

The Houw Hoek Hotel, previously called the Houw Hoek Inn, is a hotel on the N2 national road between Grabouw and Botrivier in South Africa, close to the summit of the Houwhoek Pass, on the Overberg branch line. It is one of the oldest licensed hotels in the country, with a ground floor dating from 1779. The hotel has seen many changes and expansions. Twenty-four new double rooms were added in 2018, and construction on a loggia is expected to be completed by May 2019.

Sandberg also replaced the museum's heavy, rather uninviting doors with a glass entrance. In 1934, Baard turned the loggia above the museum's main entrance into an exhibition space and had several galleries repainted in light colors. When Röell took over in 1936, he installed light wall coverings inside some of the galleries and had new doorways put in on the upper-floor galleries. Then, in 1938, Röell had the polychrome staircase whitewashed and replaced the yellow glass in the skylight with lime-washed glass.

The Great Hall (Sala Granda), as its name suggests, is the largest room in the entire building and is located above the loggia of the Pico. It was built during the works of 1928-1929, demolishing the walls that separated three distinct rooms. The room is decorated with an elegant inlaid wooden coffered ceiling, from which hang wrought iron chandeliers. Until the reopening of the castle and the civic museum, it housed the paintings of the Pico family and other paintings from the churches of Mirandola.

As in other van Eycks, the depiction of the space is not as straightforward as it first appears. Comparison of the floor-tiles with other elements shows that the figures are only about six feet from the columned loggia screen, and that Rolin might have to squeeze himself through the opening to get out that way.Harbison, p. 100 Many van Eycks show an interior space that is actually very small, but the depiction is subtly managed to retain a sense of intimacy, but without feeling constricted.

Along Fifth Avenue and 36th Street (respectively located to the east and north), the facade is made up of three horizontal segments: the base on the lowest two stories; the middle four stories; and the loggia-like attic section on the highest two stories. The sections of the facade are divided by three sets of string courses. The facades to the south and west, which face other buildings, are made of brick. The entirety of the base originally had an arcade of arches running along it.

From its earliest days, it was hailed as "The Most Beautiful Bridge in Dixie." It has long been a symbol of the nation's oldest city. It gets its name from two Carrara marble Medici lions statues that are copies of those found in the Loggia dei Lanzi in Florence, Italy. The statues were a gift of Dr. Andrew Anderson (1839–1924), the builder of the Markland House, who spent the last decade of his life putting works of art in public places in the Ancient City.

The Christmas Adventure offers ice skating, cross-country skiing, an Enchanted Forest, Santa's Grotto and a giant, snowflake-shaped yew tree maze. Other seasons offer adventure playgrounds, boating, pedal go-karts, motorised scooters and a range of themed events. The mansion house itself is constructed of stone in the style of a Palladian villa and features a cantilevered staircase, 18th and 19th century furniture and works of art. Features of the grounds include a dovecote, lodges, a ha-ha, a walled garden and thatched timber loggia.

Armidale City Centre with post office to the right, 2005 The Armidale Post Office is associated with the historical development of the town's civic core and is part of an important precinct centred on the Beardy/Faulkner Streets intersection. It is also associated with Colonial Architects Barnet and Vernon who both contributed to the present appearance of the building. An outstanding public building on a key corner site. The building itself is unusual in combining a Victorian Free Classical palazzo form with an attached stuccoed loggia.

Yungaba is constructed as a symmetrical cruciform plan dominated by a substantial central entrance loggia which is flanked by two three-storey towers. These elements define the entry core of the building and the commencement of the two wings which extend to the north and south of the core. The building is a two-storey load-bearing brick structure with timber-framed floors and roof. The roof form consists of intersecting gable roof forms punctuated by the pyramidal roofs of the two three-storey towers.

These larger windows are unified along the full length of the facade extending on to the pavilions by a balustrading beneath them which continues the line of the balustrading protecting the central loggia. The roofline is concealed by a high parapet concealing the roofs themselves and broken only by the portico's pediment. This pediment is echoed as a smaller pediment over both of the two- storied pavilions. In contrast to the Palladianism of the West front, the East front is austere in its neoclassicism.

La Loggia Casa Editrice, Sansepolcro, Italy, 2007. Balthazar began painting the series that he calls ‘Cooks’ in 1991. The first examples were painted on small wooden panels and usually included a larger figure sitting to one side. Often inspired by medieval painting there is a comic quality to these painting which despite their origins in religious iconography speak of humanity’s eternal role as actors on the stage of life, sometimes play acting with great humour and other times acting out the gravest of tragedies.

Raised to be visible from the center of Vigevano, it was completed in 1491. The loggia connecting the Falconiera to the main body of the castle The 14th and 15th centuries were a period of great transformation for Vigevano. The adjacent piazza of the city (Piazza Ducale) was constructed and other buildings erected: the Rocca Vecchia (or Rocca di Belriguardo) and the Palazzo Sanseverino (or Rocca Nuova). The nearby Rocca Vecchia was connected to the castle through a covered and elevated road (Strada Coperta).

Săvulescu designed the church, and his project team included his friend and fellow architect Ziegfried Kofszynski, engineer Dimitrie Dobrescu and the painter Umberto Marchetti, who supervised the interior decorations. Săvulescu's last creation was the Communal Palace of Buzău, the landmark building of Buzău. Construction lasted from 1899 to 1903 on the Italian Renaissance style town hall, which features towers and loggia-style balconies. It represents some of his most elaborate work, blending styles in an art nouveau arrangement with motifs which appear on other local buildings.

Palace of Iturbide (L'Illustration, 1862) Doorway into the building This Mexican Baroque building was designed and begun by Francisco Antonio Guerrero y Torres and finished by his brother-in-law Agustín Duran between 1779 and 1785. The building has three floors and a mezzanine, showing Italian influence in its Baroque design. Its façade of tezontle and cantera stone is flanked by two fortified towers at the ends of the façade. It has a central gallery or loggia, which is now closed to the public.

His concern for architectural preservation is also evident in the appearance of Jackson Square in his view of the Cabildo from St. Peter Street. One sees beyond the arches of the loggia into the greenery of the Square, the equestrian statue of Andrew Jackson, to the lower Pontalba Building and an outbuilding that no longer exists. Woodward printed the name of the Cabildo in block letters to underscore the historical importance of the structure, a device he used in another image of the Cabildo's gate.

The George N. Frost house is nestled on acres of idyllic farmland and is a superb example of the Italianate Villa architectural style. The octagonal wing is typical of the style, and the small arched windows in the transom over the doorway are sometimes dubbed 'tombstone lights.' Jewel Helen Conover compares the intricate porch to "an Italian loggia of the Renaissance." The house was carefully restored to National Register standards in the early 1990s and later converted into the Cherry Creek Inn Bed and Breakfast.

Originally above the portal there was a Latin inscription referring to Averardo Serristori, now moved on the side facing Via della Conciliazione. A new Latin inscription, which recites "AD CHRISTIANAM PUERORUM UTILITATE" ("For the Christian profit of the children"), coming from the destroyed school in Piazza Pia, near Castel Sant'Angelo, has been put in its place.Gigli (1992) p. 106 Internally, the palace still maintains the original, large square Renaissance yard with a loggia with arches bearing up on pillars, and an open gallery, also with arches.

The ceremony took place in the loggia of St. Peter's Basilica in the presence of the pope, the College of Cardinals and the Roman Court. The Bull was read first in Latin by an auditor of the Sacred Roman Rota, and then in Italian by a Cardinal Deacon. When the reading was over, the pope flung a lighted waxen torch into the piazza beneath. The Bull contained a collection of censures of excommunication against the perpetrators of various offences, absolution from which was reserved to the pope.

The central scene portrays the meeting between the king and the ambassadors. In the background is a centrally planned temple and other imaginary buildings, resembling those of contemporary Venice. On the left, in the foreground under a loggia, is a marine panorama with a galleon. Outside the proscenium is a man wearing a red toga, a hint at the didascalos, a narrator figure of the Renaissance theatre who described or commented on the play to the audience, usually in the person of an angel.

Internal view of the loggia. The building was built as a county hall for Berkshire, Abingdon being Berkshire's county town; it was to serve as the principal sessions house and adminsitrative home for the Justices of the county. The county hall was designed in the Baroque style by Christopher Kempster who trained with Sir Christopher Wren on St Paul's Cathedral. It stands on large pilasters with a sheltered area beneath for use as a market or other municipal functions and was completed in 1683.

The Cloisters form a grouping of four bedrooms above the refectory and, along with the Doge's Suite above the breakfast room, were completed in 1925–1926. The Doge's Suite was occupied by Millicent Hearst on her rare visits to the castle. The room is lined with blue silk and has a Dutch painted ceiling, in addition to two more of Spanish origin, which was once the property of architect Stanford White. Morgan also incorporated an original Venetian loggia in the suite, refashioned as a balcony.

According to the plans of Gerolamo Frigimelica and Preti, it would have had to open to an airy atrium of access and onto the upper floor. In the facade is a great, classic pediment supported by six mighty semi-columns of the Corinthian order. A second construction to connect atrium, the loggia, and the episcopal palace would have opened to a covered ramp on the right, but was left unfinished. During the First World War a bomb hit the upper part of the facade.

The House at 152 Suffolk Road in the Chestnut Hill area of Newton, Massachusetts is a rare local example of the Spanish Mediterranean style of Colonial Revival architecture. The house, built in 1904, is set apart from more typical Colonial Revival structures by its use of ceramic tile as roofing, stucco walls, and a Mediterranean-style loggia. The house was listed on the National Register of Historic Places in 1986, and included in an expansion of the Old Chestnut Hill Historic District in 1990.

Jewish Center of Coney Island, also known as the Jewish Center of Brighton Beach, is a historic synagogue and community center located in the Brighton Beach neighborhood of Brooklyn, Kings County, New York. The synagogue was built in 1929–1930, and is a four-story-with-basement trapezoidal shaped building in the Renaissance Revival style. The front facade is clad in golden- colored stone and features a grand staircase and second story loggia. The building is capped by a hipped roof of red tile.

Two of the elevators are fast and lead visitors to the café on the upper floors, while the third is slower and leads to the residential levels. The stairway terminates at the tenth floor. The façade is adorned by a four-metre (13 foot) tall sculpture of a woman, the work of the Slovenian sculptor Lojze Dolinar, to help alleviate the connection between the tower and the lower bank next to the tower. Sculptures in the loggia were designed by the Slovenian sculptor France Gorše.

The chateau is situated near the northern end of a 1.5-km long north–south axis with the entrance front facing north. Its elevations are perfectly symmetrical to either side of this axis. Somewhat surprisingly the interior plan is also nearly completely symmetrical with few differences between the eastern and western halves. The two rooms in the centre, the entrance vestibule to the north and the oval salon to the south, were originally an open-air loggia, dividing the chateau into two distinct sections.

From 1836 to 1838, the master builder and architect Daniel Pfister erected a regular, block-like structure, divided by Ionic columns and pilasters with Ionic capitals. During the 1907 conversion, the hotel was extended by two storeys, preserving the architectural style of the original building. Instead of the formerly continuous loggia, all the rooms behind the main façade were fitted with verandas and the pillars on the ground floor were narrowed down. The new floors were joined together by pillars with plant capitals that spanned several storeys.

After that, the Clonmel Assizes was held in the building, and it was there that Father Nicholas Sheehy, the anti-Penal Laws agitator, was tried in 1766. He was hanged, drawn and quartered. In about 1810, the ground floor, a loggia of open arches, was converted into shops, a basement excavated and additional floors inserted. In the 1990s the Office of Public Works began to restore its original form and the open arcade of sandstone columns is once again a feature of the streetscape.

The entrance front has three Gothic arches forming an open loggia. The sunken bathing pool is on the ground floor, and a changing room is above. A passage at the rear of the bath house leads through to the Bradford Gate, a genuinely medieval porch recovered from a demolished manor house in Bradford-on-Avon and erected at Corsham in 1967. The passageway ceiling is decorated with the remnants of patterns of moss and fir cones in a rustic style, which date from Browns's original construction.

In the middle of the courtyard there is a nymphaeum adorned with stuccoes. On the left there is an overhang caused by the chapel added by the Acquaviva family, probably made by Agostino Ciampelli to a design by Pietro da Cortona. The Sacchetti coat of arms was added later. On the side towards the Lungotevere the palace ends with a loggia once overlooking the river, created by the Ceuli and modified by the Sacchetti, adorned with a colossal marble head (possibly Juno)Pietrangeli (1981), p.

Intended as a showcase for the products of the Reynolds Metals Company, the Executive Office Building incorporated aluminum, the company's principal product, wherever possible, principally in the building's exterior cladding, but even in interior furnishings and finishes, where carpets and draperies incorporated aluminum fibers. The three story building rests on an elevated podium. The lowest level appears as an open loggia with slender aluminum-clad columns. Windows span from slab to slab at all three levels, more deeply inset at the first level to reveal the columns.

The main structure sits on a raised platform that conceals the loading dock and service entrances. It contains 26 usable floors, a double-height mechanical penthouse, and one floor below ground, reaching a height of The lobby rises two stories from the base and is enclosed by glass panels framed in chrome. Accent panels have the same hexagonal design as the window frames on the upper stories. The lobby walls are recessed from the building facade to create a loggia on all four sides of the building.

Work to demolish the Hall started in May 1960, but on 6 June a fire broke out and tore through the building. The ten fire appliances sent to tackle fire were hampered by the lack of water supply in the area, and the building was destroyed. The hall's conservatory continued to be open to the public for a number of years, but was eventually demolished in the mid-1990s. A stone loggia next to the museum is all that is left of the hall.

The new owners completed a $27 million renovation on January 17, 2017. The Wimberly Interiors of New York City oversaw the redesign of the 415 guest rooms, while Amanda Jackson of Dallas firm Forrest Perkins oversaw the design of the lobby, loggia, and courtyard. A metallic art piece was installed over the lobby bar and lounge, both of which received Modern furniture as well. The courtyard (open only in warm weather) underwent an even more fundamental renovation, with a new irrigation system and entirely new plantings.

In 1495, the sculpture was placed on the Piazza della Signoria, at the side of main door the Palazzo Vecchio, in memory of the expulsion of Piero di Lorenzo de' Medici from Florence and the introduction of the Florentine republic under Girolamo Savonarola. This time, this statue symbolized the expulsion of the tyrannical Medici. The statue was later moved to the courtyard inside the Palazzo Vecchio, and 1506 into the Loggia dei Lanzi. In 1919, it was then placed on the left side of the Palazzo Vecchio.

If on a hill, such as Villa Capra, facades were frequently designed to be of equal value so that occupants could have fine views in all directions. Also, in such cases porticos were built on all sides so that occupants could fully appreciate the countryside while being protected from the sun. Palladio sometimes used a loggia as an alternative to the portico. This can most simply be described as a recessed portico, or an internal single storey room, with pierced walls that are open to the elements.

Along the garden front, starting from the eastern end, were a loggia, the Big Room, a circular drawing room fronted by a broad bow window, a glass-domed hall known as the Winter Garden, a dining room fronted by another bow window, and a smoking room. The bow windows continued up the facade, and the circular drawing room was surmounted by a circular bedroom. There was a semicircular dip in the centre of the facade, probably in order to let light into the glass dome.

Moulay Abd ar-Rahman's 19th-century loggia visible in the back Begun in the later years of Moulay Isma'il's reign, the gate was finished in 1732 by his son Moulay Abdallah. The gate's purpose was more ceremonial than defensive, aiming to impress visitors. Its name comes from the architect and designer of the gate, Mansour al-'Alj (the "Victorious Apostate"), a former Christian slave who converted to Islam. Another ornate gate, Bab Jama' en-Nouar, also stands a short distance to the southwest along the same wall.

A public dedication ceremony for the Extraterrestrial Highway was held in Rachel in April 1996. State dignitaries at the ceremony were joined by studio executives and Independence Day stars Jeff Goldblum, Robert Loggia, Bill Pullman, and Brent Spiner. Nevada Governor Bob Miller presided over the ceremony, speaking with humorous space references and unveiling special "Extraterrestrial Highway 375" and "Speed Limit Warp 7" signs for the highway. The event concluded with several guests placing items related to Nevada and the film into a time capsule commemorating the occasion.

Although Walter had envisioned plain-colored walls hung with oil paintings, Captain Montgomery C. Meigs, Superintendent of Construction, directed Brumidi to carry out an elaborate decorative scheme based on Raphael's Loggia in the Vatican. Brumidi's classical training in Rome gave him a thorough understanding of ancient Roman, Renaissance, and Baroque styles, symbols, and techniques of wall painting. Brumidi created the overall design for the corridors and directed its execution by artists of many nationalities. His immediate assistants included Joseph Rakemann, Albert Peruchi, and Ludwig Odense.

" Montini took the name "Paul" in honour of Paul the Apostle. The white smoke first rose from the chimney of the Sistine Chapel at 11:22 am, Cardinal Alfredo Ottaviani in his role as Protodeacon, announced to the public the successful election of Montini. When the new pope appeared on the central loggia, he gave the shorter episcopal blessing as his first Apostolic Blessing rather than the longer, traditional Urbi et Orbi. Of the papacy, Paul VI wrote in his journal: "The position is unique.

Stevens was born in Brighton on the south coast of England. Beginning in 1961, she studied painting privately in London with the Polish émigré artist Marian Bohusz- Szyszko in London and then the two worked together for some 15 years. Stevens had solo exhibitions at several commercial galleries including the Alwin Gallery, the Woodstock Gallery and both the Loggia and Barrett Galleries. She also had exhibitions in Amsterdam, Dublin, Durham, Eastbourne and at the Gardner Arts Centre at the University of Sussex in Brighton during 1973.

In 1861, when the house was owned by Edward's son Arthur Henry Davenport, most of the central part of the house was destroyed by fire, leaving only the wings, the loggia, and part of the front wall. Blore had by then retired and Anthony Salvin was commissioned to rebuild the house. He kept generally to Blore's plans, but gave the entrance front three shaped gables rather than the central attic. At the rear of the house the garden front was rebuilt in Jacobean rather than Neoclassical style.

Meyerheim was a friend of the Borsig family, owners of the Borsig-Werke, a company that manufactured railroad locomotives. He produced many illustrations and designs especially for them. A major attraction at the Great Berlin Art Exhibition in 1912 was a series of seven huge images, painted on copper, that he had done for the Borsigs in 1873/76. The panels were called "Lebensgeschichte einer Lokomotive" (Life History of a Locomotive) and were originally intended for the garden loggia at their home in Alt-Moabit.

On the ground floor of the square building are the 13th-century arches that originally formed the loggia of the grain market. The second floor was devoted to offices, while the third housed one of the city's municipal grain storehouses, maintained to withstand famine or siege. Late in the 14th century, the guilds were charged by the city to commission statues of their patron saints to embellish the facades of the church. The sculptures seen today are copies, the originals having been removed to museums (see below).

The large Neo-Romanesque church of the Purification of Our Lady was designed by Oton Iveković and built in 1920 on the site of an older church which was built in 1666. Beside it is a "loggia", a baroque building surrounded by columns on all sides. In the village there are several old patrician summer houses, and nearby there are several small early-medieval churches. The Ante Cefera cultural and performing society in the village nurtures the music and local folk dance called Kumpanija.

Mancuso was based on Loggia's portrayal of the character in the NBC political miniseries Favorite Son, starring Harry Hamlin, which had aired the previous fall to high ratings. Apparently much of the audience for the former show had turned in to see Hamlin; Mancuso was cancelled at the end of the season. However, selected episodes were rerun by NBC as part of its summer prime time lineup in 1993. Loggia earned an Emmy nomination as outstanding lead actor in a dramatic series for his performance.

Loggia was born in Italy, where he obtained a Laurea (a five-year degree equivalent to a B.Sc. plus a M.Sc.) in Experimental Psychology at the Universita’ Vita-Salute San Raffaele (Milan, Italy). In 2008 he was awarded a Ph.D. in Neurological Sciences by McGill University in Montreal, QC (Canada), under the mentorship of Prof. M. Catherine Bushnell. He then held the position of Research Fellow at Harvard Medical School until 2013, when he became faculty at Harvard Medical School and Massachusetts General Hospital.

A string course with Greek decorative carving is set between the first and second floors, and acts as the window sill for the second floor windows and as the balustrade for the entrance loggia. The second and third floor exterior walls have stone quoins as well. Between each window on the second floor is a panel inlaid with variegated marble and surrounded by egg-and-dart moldings. The base of the panel is decorated with scrollwork, and the top by a bas-relief urn.

The dark stained timber stair, beyond this entrance, is dog legged with half-landings at each turn. On the first floor, this stair arrives in a room between a concert hall and a music library. The concert hall has a coffered plaster ceiling with recent mouldings and round headed arched windows with vertical sash fittings, opening onto the loggia spaces. At the north eastern end of the hall is a timber stage accessed via wide shallow stairs from the main body of the room.

Of more importance were the alterations he made in Basilica di San Giovanni in Laterano (c. 1586), where he introduced into the loggia of the north facade an imposing double arcade of wide span and ample sweep, and probably added the two-story portico the Scala Santa. This predilection for arcades as essential features of an architectural scheme was brought out in the fountains designed by Domenico and his brother Giovanni, e.g. the Fontana dell'Acqua Paola, or the Fontana di Termini planned along the same lines.

Bracci In the words of one historian, the College of Cardinals was On 17 August in the evening, Lambertini was elected Pope, receiving the ballots of more than the required two-thirds of the fifty-one Cardinals present. Lambertini accepted his election and took the name of Benedict XIV in honour of his friend and patron Pope Benedict XIII. It had been one of the longer conclaves, though far from the longest. Benedict was crowned a few days later in the loggia of the Vatican Basilica.

The Church of Saint Matthew (Italian: Chiesa di San Matteo or San Matteo al Cassaro) is a Baroque church of Palermo. It is located in the main street of the city, the ancient Cassaro, in the quarter of the Loggia, within the historic centre of Palermo. The church was built between 1633 and 1664 by the will of the Miseremini confraternity. The building was probably designed by the architect of the Senate of Palermo, Mariano Smiriglio, but was completed by Gaspare Guercio and Carlo D'Aprile.

Other structures with listed status include an ornate cast-iron lamp-post—the only survivor of more than 100 installed when Worthing first received electricity, and saved from demolition in 1975;Elleray (1985), §127. a K6 telephone kiosk in the Steyne, a seafront square; an 18th-century dovecote on a site where one has existed since the 13th century; and a recent addition: a 1989 sculpture by Elisabeth Frink consisting of four gigantic male heads cast in bronze and set on a stuccoed loggia.

216 Over time, it was repeatedly damaged by falling masonry from the bell tower as a result of storm and earthquake but was repaired after each incident. However, when lightning struck the bell tower on 11 August 1537 and the loggia underneath was once again damaged, it was decided to completely rebuild the structure.Morresi, Jacopo Sansovino, p. 213 The commission was given to the sculptor and architect Jacopo Sansovino, the immediate successor to Bon as proto to the procurators of Saint Mark de supra.

Access to visiting foreign dignitaries was allowed only by the Signoria, the executive body of the government, and ideally at high tide when it was not possible to distinguish the navigable channels in the lagoon.Gattinoni, Il campanile di san Marco in Venezia, pp. 96 and 98 On 21 August 1609, Galileo Galilei demonstrated his telescope to the procurator Antonio Priuli and other nobles from the belfry. Three days later, the telescope was presented to doge Leonardo Donato from the loggia of the Doge's Palace.

Distinctive elements of its design include prominent string courses and molding courses, plus a large loggia. The Goldsmith Building was erected in the Clifton neighborhood at a time when that neighborhood was expanding greatly. Large numbers of prosperous members of Cincinnati society built grand homes in the neighborhood, making it a highly distinctive portion of the city. The house did not long stay in the Goldsmith family; Moses died within a few years of its construction, and his heirs sold the property in 1912.

It may have been in 1515 that Morto returned to his native Feltre, then in a very ruinous condition from the ravages of war in 1509. There he executed various works, including some frescoes, still partly extant, and considered to be almost worthy of the hand of Raphael, in the loggia beside the church of Santo Stefano. He may have met Giovanni da Udine. Towards the age of forty-five, Morto, unquiet and dissatisfied, abandoned painting and took to soldiering in the service of the Venetian republic.

The two side portals on the west front are also his work, as is the lower loggia here and on the south side of the building. A second portal by Nicholaus with additions by Benedetto Antelami was present on the south side, but it was demolished during the 18th-century restorations. Some of the sculptures which decorated it are now on the piazza in front of the building (the supporting griffins), in the narthex and in the Cathedral Museum. The portal was used by pilgrims on their way to Rome.

The Metal Shop, also known as Aeronautical Lab B, was a historic building located at 1022 South Burrill Avenue on the campus of the University of Illinois at Urbana–Champaign. Built in 1895, the building served as a metal shop for the university's architecture and engineering students. Nathan Clifford Ricker, who later served as Dean of the College of Engineering, designed the building. The design was more functional than Ricker's other work on the campus; its only decorative element is a brick arched loggia in front of the entrance.

A high wall surrounded the housing complex, with defensive features such as a ravelin, and an altana (rooftop loggia) with merlons. The fishpond was created as a habitat for grey mullet, with a system to ensure a fresh supply of sea water. Above this is a small tower with the dovecot for birds, and a garden with flowers and trees for land animals. Hektorović himself said that his metaphysical construction began with the fishes in the pond, symbolizing Christ, and ended with the doves, which symbolized the holy spirit.

Each of the four main façades was dominated by a loggia decorated with four giant Tuscan columns spanning both main floors, with entablature and cornice above. Each canted corner had a single-storey entrance portico with two Ionic columns and balcony above, leading to a corner room, with diagonal corridors leading to the circular central hall. The house was surrounded at each diagonal by four identical two-storey rusticated pavilions, forming a cour d'honneur surrounded by a brick wall. The courtyard was surrounded by a landscaped park to the north, east and south.

There is a small loggia giving on to the courtyard. The Gherardi coat of arms is still visible on the back wall of the courtyard. Besides private habitations on the second floor, the building also houses the Florentine Campus of the Sapienza; Unitelma La Sapienza University of Rome and the Istituto di Lingua e Cultura Italiana Michelangelo on the first floor. The building is cited in the 1901 compendium of the Direzione Generale delle Antichità e Belle Arti, as a monumental building, classified as a national artistic monument.

By 1893 more space was again needed. Andrew Myles was employed as architect (Burnet was 79 by this time) to add billiard and card rooms. This extension added another storey accessed by a grand staircase, which in turn led to a junior billiard room (now reading room), senior billiard room, card room and other administrative spaces, on the first floor Myles extended the façade up to form an elegant space with exposed roof trusses and glazing at the apex and added a five windowed loggia above the entrance.

260x260px The residence is remains as it was built by Bartolomeo III, demonstrating his taste and cultural references. The project of the palazzo must be read as part of a more complex urban planning project, with the function of giving the new nobile residence maximum visibility in the region of Cesano. The palazzo is in late baroque Lombard style, and is notable for its Genovese loggia, its internal court yard, and its gardens all'Italiana. The building has a simple but elegant quadrangular structure, flanked by service buildings that complicate the plan.

South view from Giotto's bell The square The square Piazza del Duomo (English: "Cathedral Square") is located in the heart of the historic center of Florence (Tuscany, Italy). It is one of the most visited places in Europe and the world and in Florence, the most visited area of the city. The square contains the Florence Cathedral with the Cupola del Brunelleschi, the Giotto's Campanile, the Florence Baptistery, the Loggia del Bigallo, the Opera del Duomo Museum, and the Arcivescovile and Canonici's palace. The west zone of this square is called Piazza San Giovanni.

The studios were located on the eighth level of the Johnstone Hall complex, two floors above the Loggia. The next major format change occurred under programming director Woody Culp, changing to "progressive," in the spring semester of 1972. An article in The Tiger on November 12, 1971, states that the decision to change followed a telephone survey of listeners several weeks before, and that the response was favorable. This coincided with the national rise of previously under-valued FM stations all across the dial as a source of "underground" and alternative formats.

The sides of the façade on Via Giulia are decorated with two pilasters in the shape of large hermas with female breasts and falcon heads. The façade on the Tiber side features a three-arched loggia dating back to 1649. From 1814 Cardinal Joseph Fesch, uncle of Napoleon Bonaparte lived there, and from 1815 to 1818 he hosted his stepsister Laetitia Ramolino, the emperor's mother. In 1927 the Kingdom of Italy ceded the palace to the Hungarian State, which established it as the seat of the Hungarian Academy ("Accademia d'Ungheria").

Similarly, the early Renaissance architect Brunelleschi used Roman techniques and influenced Michelozzo. The open colonnaded court that is at the center of the palazzo plan has roots in the cloisters that developed from Roman peristyles. The once open corner loggia and shop fronts facing the street were walled in during the 16th century. They were replaced by Michelangelo's unusual ground-floor "kneeling windows" (finestre inginocchiate), with exaggerated scrolling consoles appearing to support the sill and framed in a pedimented aedicule, a motif repeated in his new main doorway.

Michelozzo had become a favorite of Cosimo due to his attention to tradition and his style for decoration. Michelozzo had studied under Brunelleschi and some of his work was influenced by the renowned architect and sculptor. However, Brunelleschi had proposed a design to Cosimo but was believed to be too sumptuous and extravagant and was rejected for Michelozzo's more modest design, although Brunelleschi's style can still be seen in the palazzo. The courtyard of the palazzo was based on the loggia of the Ospedale degli Innocenti, a Brunelleschian design.

Harbison, p. 112 There appears to be a series of illustrations of the Seven deadly sins distributed among the details of the painting. The reliefs just over Rolin's head show (from left) the expulsion of Adam and Eve from Paradise (Pride), the Killing of Abel by Cain (Envy) and the Drunkenness of Noah (Gluttony). Then the lion-heads on the capitals behind Rolin may stand for Anger, and the tiny squashed rabbits between column and base in the loggia screen for Lust (which they were considered to exemplify in the Middle Ages).

In 1772, he joined the Accademia di San Luca under the sponsorship of Mengs. In 1772, he and Mengs were commissioned to decorate the Papyrus room in the Vatican Library with themes from classic Roman frescoes, including grotteschi and other painted ornament, Starting in 1780, he led a team of artists replicating on canvas the Vatican Loggia designed by Bramante and Raphael. The commission had been communicated by Giacomo Quarenghi, the architect to Empress Catherine II of Russia. Quarenghi replicated the classic decoration gallery in the Hermitage in St. Petersburg.

Museum Lapidarium Situated on a peninsula, Novigrad has retained its medieval structure and layout, with narrow, winding streets and small shops. The fortifications belong to the medieval era: the town wall still stands with its battlements and two round towers. There are examples of secular architecture from the time of the Venetian empire, such as the town loggia and several houses built in Venetian Gothic style. The present church was built in the 15th and 16th centuries on the foundations of the 8th-century basilica of Saint Pelagius that had a nave and two aisles.

The sanctuary gained its name from eremitic cells (romitaggio) likely located here in prior to the 14th century. A tabernacle built at the site by the 15th century had acquired an icon of the Madonna and Child, depicting the veneration known as the Madonna della Neve (Madonna of the Snows) as painted by an unknown Sienese School artist. Legend holds the icon was found outside after a late spring snowfall. As veneration of the image increased, in 1460, Antonio Adimari, feudal lord of a nearby castle at Strozzavolpe erected an oratory with a loggia.

The Neo-Classical style building is constructed of red brick with granite trim. It faces north onto a quarter-mile long greensward while the building's rear elevation overlooks the Potomac. The ground plan of Roosevelt Hall is oriented on a cross-axis formed by the intersection of a domed central pavilion and wings extending laterally to the east and west, each consisting of 12 bays. The main pavilion is pedimented and, on the north (main) facade, is distinguished by a tall arched loggia featuring a distyle in antis Ionic screen.

Bernini self-portrait, c. 1665 Bernini's creations during this period include the piazza leading to St Peter's. In a previously broad, unstructured space, he created two massive semi-circular colonnades, each row of which was formed of four white columns. This resulted in an oval shape that formed an inclusive arena within which any gathering of citizens, pilgrims and visitors could witness the appearance of the pope—either as he appeared on the loggia on the facade of St Peter's or on balconies on the neighbouring Vatican palaces.

It probably stands on the site of a Roman temple that was dedicated to the goddess Venus. It was built during the reign of the Canossa family in the late 11th century. Inspired by the Holy Sepulchre church in Jerusalem and dedicated to the martyr St. Lawrence, it has a central plan and has maintained ancient features like the matronaeum (loggia for female faithful) and frescoes of the Byzantine school from the 11th-12th century. Another fresco fragment in the apse, portraying the Martyrdom of St. Lawrence, dates to the 15th century.

On its side are the figures of the Four Major Prophets, each bearing a roll with the text of their prophecies. The narthex was made by masters from Campione in the following century: it incorporates an older frieze portraying the Labours of the Months (late 12th century, inspired by that in the Baptistery of Parma). The four statues on the upper loggia, portraying the Madonna with Child and two bishops, are of the Tuscan school (1310). The columns of the narthex stand on two lions in Verona marble.

Blackman's design features an arcade loggia enclosing the front entrance and a square tower with a parapet roof designed to resemble elk antlers. The building's amenities included a bar and ballroom on the second floor, a bowling alley in the basement, and meeting rooms for the lodge. The third floor of the building housed rooms for the adjacent France Hotel; it was connected to the hotel by a stone walkway and cannot be accessed from the lower floors. The Elks used the building until the lodge filed for bankruptcy in 1978.

Following the Sacred Formula of Beatification, the banner revealing an image of a smiling John Paul II took place on the Central Loggia of St. Peter's Basilica. Pope John Paul II reigned as pope of the Roman Catholic Church and sovereign of the Vatican City State for 26 years from October 1978 to his death, on 2 April 2005. Since his death, many thousands of people have been supporting the case for beatifying and canonising Pope John Paul II as a saint. His formal beatification ceremony took place on 1 May 2011.

Today, the debate continues to divide the city in two, those who support the project and those who stand against it. The new changes within the Uffizi building have made the realization of the modern loggia even less of a possibility; thus creating what the media has coined as a "cultural wound". However, even to this day appeals are continuously made by groups of architects, artists and art collectors to build the project, all in the hope of introducing a modern project amidst the grandiose historic buildings of Florence's core.

The upper floor is characterized by a loggia to give light to the panoramic room with arches closed by windows interrupted by a niche. A large panoramic terrace is located on the west side of the villa. It is furnished with two large flowerbeds under which there is an exedra fountain with a semi- dome cap decorated with rays to simulate a shell. On the lower side of this facade of the building, there are thermal windows that recall those used by Andrea Palladio in Villa Foscari, called the "Malcontenta".

In 1266, Pallavicino was expelled from Cremona, and the Ghibelline rule ended after his successor Buoso da Dovara relinquished control to a consortium of citizens. In 1271 the position of Capitano del Popolo ("People's Chieftain") was created. In 1276 the Signoria passed to marquis Cavalcabò Cavalcabò; in 1305 he was succeeded by his son Guglielmo Cavalcabò, who held power until 1310. During this period many edifices were created or restored including the belfry of the Torrazzo, the Romanesque church of San Francis, the Cathedral's transepts and the Loggia dei Militi.

However, Cremona was assigned to Spain under the Treaty of Noyon (1513). Cremona fell to the new rulers only in 1524 when the Castle of Santa Croce surrendered. The French were finally expelled from the duchy two years later, with the Treaty of Madrid, and subsequently Cremona remained a Spanish dominion for many years. During that time several building improvements or additions were made, including the Loggia of the Cathedral's Porch by Lorenzo Trotti (1550) and the new church of San Siro and Sepolcro by Antonio Gialdini (1614).

The lower floor consisted of service rooms, while the upper floor was a suite of four apartments and a large loggia with double arches. All the rooms open onto the Third Courtyard through a monumental arcade. The colonnaded portico on the side of the garden is connected to each of the four halls by a large door. The pavilion was used as the treasury for the revenues from Egypt under Sultan Selim I. During excavations in the basement, a small Byzantine baptistery built along a trefoil plan was found.

"Scarface (Push It to the Limit)" is a song written by record producers Giorgio Moroder and Pete Bellotte and recorded by American musician Paul Engemann. It appeared on the soundtrack for the 1983 motion picture Scarface. This song appears in the movie in the montage sequence that demonstrates Tony Montana's rise in wealth and position after he kills Frank Lopez (Robert Loggia) and takes over as the head cocaine-trafficker in Miami. In the film, the song appeared in a slightly longer version, featuring a guitar solo during the instrumental break.

On the Spanish terracotta and stone facade, ornate loggia mask the fire escapes from the auditorium, mirroring the neighboring St. James Theatre across 44th Street. With 1,681 seats, the Majestic is one of the largest of the Broadway theaters, and has been home to primarily large musicals in its ninety year history. The venue hosted the 50th Tony Awards in 1996, on the set of Phantom. The Majestic was purchased by the Shubert brothers during the Great Depression and currently is owned and operated by the Shubert Organization.

On the Broadway facade, the side pavilions are wide, while the central pavilion is about wide. The Broadway facade contains decorative elements that signify the area's historic connections with the maritime industry, including "nautically-inspired sculpted elements", decorative keystones above the first- floor arches, decorative ship-themed roundels above the third-floor loggia, and carvings of seahorses with their riders above the pavilions' setbacks. Within the four-story base, the central section is recessed slightly. The first floor contains five double-height arches, set within rusticated masonry, facing east toward Broadway.

The center three arches, within the recessed central pavilion, lead to the Great Hall; the southernmost arch leads to the elevator lobby for the office space above; and the northernmost arch led to a banking area on the north side of the building. All the arches contain doors and windows with bronze frames. The third and fourth floors contain an Ionic- style loggia structure supported by Tuscan-style column pairs. Above the base, the facade is mostly composed of smooth limestone, except for rustication around the fifth story windows.

The city expanded dramatically in response to a housing crisis after World War II. Entire neighborhoods (Saburtalo, Dighomi) appeared on the outskirts of the city in a matter of decades, built with advances in mass-production technology. Georgian architects produced some of the Soviet Union's most interesting architectural achievements, including Tbilisi's 1975 Ministry of Roads and the 1984 Wedding Palace. Since the collapse of the Soviet Union, the urban landscape is largely characterized by unregulated construction. New towers occupy formerly public spaces and overcrowded apartment buildings sprout "kamikaze loggia" overnight.

The complex, as it was completed in 1562, comprised an elliptical cortile, two free-standing portals, and the loggia with its fountain. Rich sculptural stuccos, once supplemented by some fifty ancient Roman sculptures, enliven the exterior (illustration).They are not just as Pirro Ligorio designed them; Graham Smith, The Casino of Pius IV, Princeton, N.J., Princeton University Press, 1977, documents 17th-century restorations, replacements in 1824 and major renovations in 1931–35. A team of at least six major painters, including Federico Barocci, Federico Zuccari, and Santi di Tito and their assistants, frescoed the interiors.

Gentile later supported Christian Democrat Giuseppe La Loggia, who would become president of the autonomous region of Sicily from 1956–58. Chilanti, Vito di capomafia, p. 172 When Lucky Luciano was extradited to Italy in 1946, he once again teamed up with Gentile in organizing drug routes to the US. Gentile had very good connections with well-known drug traffickers in Sicily. His son was married to the daughter of Pietro Davì, one of the leading figures in cigarette smuggling and illicit drug trade in Palermo in the 1950s.

It is one of the best-preserved old towns in Crete. From circa 1250 the city was the seat of the Latin Diocese of Retimo, which was renamed Retimo–Ario after the absorption in 1551 of the Diocese of Ario and as suppressed only after the Turkish conquest. The town still maintains its old aristocratic appearance, with its buildings dating from the 16th century, arched doorways, stone staircases, Byzantine and Hellenic-Roman remains, the small Venetian harbour and narrow streets. The Venetian Loggia houses the information office of the Ministry of Culture and Sports.

The building was built with a concrete construction modeled from the production halls of Opel in Rüsselsheim, Zeiss in Jena and Wernerwerk in Berlin. It was possible to access all the floors through two stairs. The government of the city and the district finally approved a construction of eight floors with a loggia-like ninth floor, that later was closed. Due to the urban landscape that characterized the size of the building, the planning of the district government was initially rejected because of a simple and unsatisfactory exterior design.

Big is a 1988 American fantasy comedy-drama film directed by Penny Marshall, and stars Tom Hanks as Adult Josh Baskin, a young boy who makes a wish to be "big" and is then aged to adulthood overnight. The film also stars Elizabeth Perkins, David Moscow as young Josh, John Heard and Robert Loggia, and was written by Gary Ross and Anne Spielberg. It was produced by Gracie Films and distributed by 20th Century Fox. Upon release, Big was met with wide critical acclaim, particularly for Hanks' performance.

In his Archive of American Television interview. After the Crockett mini-series, Disney attempted to create other heroic characters, such as six episodes of The Saga of Andy Burnett (1957), starring Jerome Courtland as a pioneer who traveled from Pittsburgh, Pennsylvania to the Rocky Mountains. The Nine Lives of Elfego Baca followed in 1958, with Robert Loggia as New Mexico lawman Elfego Baca. Some thirteen segments of Texas John Slaughter aired in 1958-1959, based on real-life law enforcement officer John Horton Slaughter of Texas and starring Tom Tryon.

After several management and ownership changes, it went into receivership to the First National Bank of Council Bluffs in 1966 and closed in 1970. It originally had two restaurants: The Terrace Cafe and the Java Room, and a cocktail lounge named The Ruby Room. All were located on the lobby level, and both the Java Room and Ruby Room were accessible from the street as well as from the hotel. The Terrace Cafe featured a Loggia which looked out on Bayliss Park across the street, and was decorated in the Adam style .

It was built in 1321 by order of Matteo I Visconti, lord of Milan, who wanted a series of porticoes near the Palazzo della Ragione to house the judicial and notary activities of the city. The name derives from that of the Osii family, who held some palaces in the area before its construction. The Loggia was designed by Scoto da San Gimignano. Sentences and edicts were proclaimed by the Milanese judges from the Loggia's balcony (known as parlera), decorated with an eagle holding a prey, symbol of justice.

The rest of the base was built with the skyscraper itself; the main entrance is through a classical-style loggia at ground level. The facade is made of pearl-gray marble, gray limestone, and black granite. On the middle floors of the tower, there are ten window bays per floor on the north and south facades, and eight bays on the east and west facades. The two outer bays on each side are set within pearl- gray marble, and the windows between the outermost bays are accented by black granite strips between each floor.

Piazza Libertà Piazza Libertà, also known as Piazza della Libertà is the oldest square in Udine, in Friuli-Venezia Giulia region, Italy. The square sits in the open space below Udine Castle. In the square stands the town hall (Loggia del Lionello) built in 1448–1457 in the Venetian-Gothic style opposite a clock tower (Torre dell'Orologio) resembling that of the Piazza San Marco at Venice. It was begun in 1448 on a project by Nicolò Lionello, a local goldsmith, and was rebuilt following a fire in 1876.

Cathedral of the Assumption Koper's 15th-century Praetorian Palace is located on the city square. It was built from two older 13th-century houses that were connected by a loggia, rebuilt many times, and then finished as a Venetian Gothic palace. Today, it is home to the city of Koper's tourist office. The city's Cathedral of the Assumption was built in the second half of the 12th century and has one of the oldest bells in Slovenia (from 1333), cast by Nicolò and Martino, the sons of Master Giacomo of Venice.

Illustration 7: The palace in the 17th century. North is to the right of the picture. A: Entrance; B, C: State apartments, double loggia, and horse-shoe stairs; D: Future site of chapel; E, F: All Saints Tower; G: Serravalle; H: South Tower; K: Middle Tower; M: St Mary's Tower. Jean II was succeeded by his brother Lucien I. Peace did not reign in Monaco for long; in December 1506 14,000 Genoese troops besieged Monaco and its castle, and for five months 1,500 Monégasques and mercenaries defended the Rocher before achieving victory in March 1507.

Biffi has stated that an "ideology of homosexuality" threatens to marginalize whoever disagrees with the homosexual agenda, and that Catholics must prepare for persecution by homosexual activists and their allies. Cardinal Biffi also once said that the Italian government should favour Catholic immigrants to offset the number of Muslim immigrants to protect Italy's "national identity".Whispers in the Loggia blog He has denounced journalists as "rats". In 2007, Biffi expounded on many of his views by publishing Memorie e digressioni di un italiano cardinale (Memoirs and digressions of an Italian cardinal).

The Piazza della Loggia bombing was a bombing that took place on the morning of 28 May 1974, in Brescia, Italy during an anti-fascist protest. The terrorist attack killed eight people and wounded 102. The bomb was placed inside a rubbish bin at the east end of the square. In 2015, a Court of appeal in Milan issued a final life sentence to Ordine Nuovo members Carlo Maria Maggi and Maurizio Tramonte for ordering the bombing, closing one of the longest-running cases on terrorism during Italy's years of lead.

This included a multi-arched loggia below, with a first-floor long gallery 87 feet in length, set between two high turrets. It is likely that he made use of building materials from the demolition of the church of St Etheldreda at Histon, which occurred at around that time.'Madingley', An Inventory of the Historical Monuments in the County of Cambridgeshire, Volume 1: West Cambridgshire (HMSO, London 1968), pp. 176–188. The manor of Histon Eynsham, in which the church stood, had been sold to his father in 1550.

Cathedral interior, showing the arched vaulting of the naves and the dome As completed the cathedral is surmounted by a single dome on a high drum, with two double- tiered bell towers on either side of the loggia of the central entrance. The main entrance consists of a portico of six Doric columns, with the facades consisting of shallow panels and pilasters. The north and south entrances are surmounted by bas-relief panels sculpted by Fedot Shubin, depicting events from the Old and New Testaments. The cathedral occupies a cruciform floor plan, with three naves.

The second floor was made up of private suites, bedrooms, bathrooms, the servants suite, and a study. A third floor ballroom was also present in the Landon home and was used for storage during the Lilly's occupancy. At that time the estate also included a formal garden, greenhouse, tennis court, and several out buildings. Following the renovations of J.K. Lilly Jr., components of the main level included a great hall, game room, library, drawing room, loggia, dining room, kitchen, and servants quarters as well as an altered stair hall and entrance.

The facade of grey and white marble, decorated with colored marble inserts, was built by Master Rainaldo. Above the three doorways are four levels of loggia divided by cornices with marble intarsia, behind which open single, double, and triple windows. The heavy bronze doors of the facade were made by different Florentine artists in the 17th century. Contrary to what might be thought, from the beginning the faithful entered the cathedral through the door of Saint Rainerius, found in the transept of the same name, which faces the bell tower.

It has an arched colonnade or loggia around it on three sides and has two separate sets of stairs on either side so that each half of the house could be accessed independently. These entrance towers were originally tall but the top stage of each has been dismantled. There are two service wings around a courtyard and the building is two storeys tall throughout with a total of 60 rooms. There are small square windows on the upper floors designed to resemble the gunports of George Wyndham's ship, HMS Hawke.

He left Bologna for Rome in 1602 and became one of the most talented apprentices to emerge from Annibale Carracci's supervision. As a young artist in Rome he lived with his slightly older Bolognese colleagues Albani and Guido Reni, and worked alongside Lanfranco, who later would become a chief rival. In addition to assisting Annibale with completion of his frescoes in the Galleria Farnese, including A Virgin with a Unicorn (c. 1604–05), he painted three of his own frescoes in the Loggia del Giardino of the Palazzo Farnese c. 1603–04.

Hale, 463 It is the only major version where a Cupid stands at Danaë's feet, the other versions have an aged servant. Presumably once Titian introduced this in Philip II's version, he preferred it and used it thereafter. Danaë's bed seems to lie in an open loggia, or beside a large window. The base of a large classical column occupies the background of the centre of the painting, and to the right of that there is an elevated view of trees and distant hills, not very clearly defined.

Her Florentine masterworks include her sculptural tribute to West-Indian poet Louise de Favreau in the loggia of the Basilica of Santa Croce, which, according to De Fauveau scholar Silvia Mascalchi, was inspired by a poem the girl had written before her death at age seventeen. Santa Maria del Carmine's Monument to Anne de la Pierre, which the artist created in 1859 depicts a realistic portrait of Fauveau's mother. She was buried in the central chapel of the San Felice a Ema cemetery, on a hill south of Florence.

In the following century it was included in the reconquest of the papal patrimony by Cardinal Albornoz, who also had the mighty Rocca built. It was the work of Ugolino di Montemarte, known as il Gattapone. He was also author of the plans for the Loggia dei Priori and the Colonnade that faces out onto the Piazza dei Priori together with the 13th century Palazzo del Podestà and the 14th century fountain. In 1373 Narni was given as fief to the Orsini to whom it returned in 1409.

On November 19, 1996, Warfel was appointed the fourth Bishop of Juneau by Pope John Paul II. He received his episcopal consecration on the following December 17 from Archbishop Francis Hurley, with Bishops Michael Kaniecki, SJ, and William Skylstad serving as co-consecrators. Warfel was Chairman of the Committee on Evangelization within the United States Conference of Catholic Bishops from 1999 to 2002. He was later named Apostolic Administrator of Fairbanks on October 23, 2001, resigning upon the appointment of Donald Joseph Kettler on June 7, 2002.Whispers in the Loggia.

There is a long rectangular axis that runs across the estate in a north-south direction. The agricultural crop fields and tree groves were laid out and arranged along the long axis, as was the villa itself. The outer appearance of the Villa Emo is marked by a simple treatment of the entire body of the building, whose structure is determined by a geometrical rhythm. The construction consists of brick-work with a plaster finish, visible wooden beams seen in the spaces of the piano nobile, and coffered ceilings like that within the loggia.

The Feldherrnhalle was built between 1841 and 1844 at the southern end of Munich's Ludwigstrasse next to the Palais Preysing and east of the Hofgarten. Previously, the Gothic Schwabinger Tor (gate) occupied that place. Friedrich von Gärtner built the FeldherrnhalleFriedrich von Gärtner, New International Encyclopedia at the behest of King Ludwig I of Bavaria after the example of the Loggia dei Lanzi in Florence. The Feldherrnhalle was a symbol of the honours of the Bavarian Army, represented by statues of two military leaders Johann Tilly and Karl Philipp von Wrede.

When the papal government was restored, Agneni was forced to flee, and he went first to Savona, then Genoa (where he frescoed the Palazzo Rocca), then Florence, then Paris, and finally London, where he painted mythologic themes the ceiling of the Queen's loggia in the Royal Opera House at Covent Garden and Buckingham Palace. In 1859 and 1866, he returned to Italy to join the Garibaldini, in the quest for Italian independence and unity. He then returned to Florence, and finally to Rome in 1870–1871.Treccani Encyclopedia short biography.

The rear room has an original tall sash window with architraves, some original detailing such as picture rails, and evidence of early openings in the rear wall. The bar and seating area has a tiled floor, and the walls and ceiling are finished with compressed sheeting. The first floor houses a function room with three large openings onto the recessed loggia fronting Brunswick Street. The clerestory lights the rear of the space, and a door opens into the rear office which has a tall sash window and original details such as architraves and skirtings.

108 Upset by 'Sadat,' Egypt Bars Columbia Films Either way, one Western source wrote that Sadat's portrayal by Gossett "bothered race-conscious Egyptians and wouldn't have pleased [the deceased] Sadat," who identified as Egyptian and Northeast African, not black.Walter M. Ulloth, Dana Brasch, The Press and the State: Sociohistorical and Contemporary Studies, (University Press of America: 1987), p. 483 The two-part series earned Gossett an Emmy nomination in the United States. He was portrayed by Robert Loggia in the 1982 television movie A Woman Called Golda, opposite Ingrid Bergman as Golda Meir.

The tower has four storeys, with fenestrations and battlements, the ground floor being occupied by a vaulted cistern. On the first floor, there is a south-facing rectangular door with arched windows on the east and north, and bartizans in the northeast and northwest corners. The southern part of the second floor is dominated by a covered veranda with a loggia (matacães), consisting of an arcade of seven arches, resting on large corbels with balusters. It is covered by laced stonework to form a porch, and its sloped roof ends in a sculpted twisted rope.

Costs escalated owing to difficulties developed during construction, which was supervised by Frank Lloyd Wright's son Lloyd Wright. The owners took over after the superstructure reached the windows and carried out various changes, deviating from Wright's original design. The house consists of two buildings, the main house and a smaller chauffeur's apartment/garage, separated by a paved courtyard. Unlike the vertical orientation of the other three block houses, the Ennis House has a long horizontal loggia spine on the northern side, connecting public and private rooms to the south, and is very large at .

The two main ceiling panels of the vault give his precise time of birth, 9:30 pm on that date. At first floor level, Peruzzi painted the main salone with trompe-l'œil frescoes of a grand open loggia with an illusory city and countryside view beyond. The perspective of the painted balcony and colonnade is very accurate from a fixed point in the room. In the adjoining bedroom, Sodoma painted scenes from the life of Alexander the Great, the marriage of Alexander and Roxana, and Alexander receives the family of Darius.

In the eastern wing of the Castle, which may not be visited, one finds a loggia roofed with a cross vault and positioned in a location corresponding to the chapel, some rooms and access spaces, and the stairs that lead to the roof of the castle. According to a legend, the ghost of Bianca Maria Gaspardone would appear on the roof on moonlit nights. Gaspardone was the first wife of René of Challant. Gaspardone abandoned her marriage René after only some months, having become tired of the long absences of her husband.

The northern expansion, toward the sea was defensive and ended at the ancient city walls. The northern façade, toward Pier Park, features a loggia or veranda reminiscent of those which were popular in the Renaissance, allowing a viewer to watch the port. The southern expansion was ornamental and opened into a plaza which both looked at the town and allowed the town to view the villa on display. The façade faces the Plaza de Camposagrado and features two square towers flanking a central building which was common at the time with the aristocracy of Asturias.

This later became a permanent exhibit in the Azerbaijan State Museum of Art, named after Rustam Mustafayev. In 1938, Fuad Abdurahmanov began to work on Fuzûlî’s statue opening a pantheon of eminent Azerbaijani poets and writers established on Nizami Museum’s loggia in Baku. A contest for the best pictorial portrait and monument of Nizami Ganjavi declared in connection with 800th anniversary had a great importance at the end of the 1930s. As a result of the contest, the project was awarded to Fuad Abdurahmanov and architects Sadig Dadashov and Mikayil Huseynov.

Flypaper is a 1999 crime film starring Craig Sheffer, Robert Loggia, Sadie Frost, Talisa Soto and Lucy Liu. It was written and directed by Klaus Hoch. Greed, lust and fate bring together a motley collection of oddballs and lowlifes for some rather sticky situations in Hoch's twisted neo-noir debut. Three separate but interconnected stories, all set on a deceptively sunny day in California and centered on one million dollars in cash, inspire Hoch's quirky characters to commit acts both devious and depraved in an attempt to make the big score.

The Avero House is a two-story rectangular block with an open loggia on the southeastern portion of the lot. The walls are made of coquina stone laid in roughly horizontal courses with lime mortar, which are plastered both inside and outside. At the flat roof, there is one coquina masonry chimney with two flues. Although the house was apparently built around 1749, the first detailed information on its layout does not appear until a map from 1763, which depicts it as having a U-shaped floor plan.

Tim and Eric's Billion Dollar Movie is a 2012 American comedy film co-written, co-directed, and co-produced by Tim Heidecker and Eric Wareheim. The film is both Heidecker and Wareheim's feature directorial debuts. The film stars Heidecker and Wareheim with a supporting cast which includes Zach Galifianakis, Will Ferrell, John C. Reilly, Ray Wise, Twink Caplan, Robert Loggia, and Will Forte. After wasting their billion-dollar film budget on a short film, Heidecker and Wareheim try to pay back the money by re-opening an abandoned shopping mall.

Picture Windows was a television miniseries that aired on Showtime in 1994.Review by Variety It comprised six short films inspired by works of art and directed by prominent filmmakers such as Joe Dante, Norman Jewison, John Boorman, Jonathan Kaplan, Peter Bogdanovich, and Bob Rafelson, respectively. It included performances by a number of notable actors, Robert Loggia, Steve Zahn, John Hurt, Alan Arkin, and George Segal. Co-creator David Wesley Wachs also wrote and directed a 20-minute pilot titled The Life of Art based on the painting Hitchhiker by Robert Gwathmey.

The Stanley St frontage has paired windows to the ground floor either side of a set of three windows surmounted by the central feature of the elevation; an arch with dentils over small cartouches around a large, elaborate cartouche bearing the words POST & TELEGRAPH OFFICE. The more recently added metal WOOLLOONGABBA POST OFFICE, also appears on the Stanley St elevation. The loggia above has brick spandrels and columns with rounded cement capitals. The openings to the Hubert St elevations have dentils to the ground floor, and single scrolled brackets and sills to the first floor.

The walls of the central unit are made of dark-brown sandstone, carefully hewn and laid in courses of random height, with architectural trim in light-colored limestone. It is possible that the exterior may originally have been stuccoed though no trace remains. The north or entrance façade is approached from the forecourt by a flight of steps leading to a recessed loggia, whose square columns, faced with four Roman Doric pilasters, define three rectilinear openings. The projecting central pavilion is of rusticated limestone, with three windows in the second story and a crowning pediment.

The first testimonies were related to the sacred performances of the Passion of Christ which were located in the Loggia del Giuramento, and were a central moment in the life of the citizens because the entire population was involved in the spectacular staging.Cesare Orselli, Toscana: una scena incantata. Guida ai luoghi dell'opera, Firenze, Giunti, 2007-2008. Beginning in the 1500s, the Chappell of the Cathedral became the main musical organization, next to the single parishes and churches of the Dominican order and of San Filippo, the latter attended by nobility.

The latter were philanthropists with industrial wealth -- a major infrastructure engineer/railway developer and family founded in carpet manufacturing respectively. The hall is a house significantly open to the paying public and the estate, , surrounds the village and the attractions at Fritton Lake. The hall's façades, paintings, reception rooms and grounds are a display of wealth and artisanry, including a yew hedge maze and features to the gardens from across Europe. The 1843-built three-storey mansion with loggia and square belvedere tower has been critically acclaimed as "an Anglo-Italian architecture masterpiece".

After completing his studies in Paris, he wrote the tragedy, "The Master Builder" (Ο Πρωτομάστορας), based on a popular Greek folkloric myth. Medallion honoring Kazantzakis in the Venetian loggia of Heraklion Through the next several decades, from the 1910s through the 1930s, Kazantzakis traveled around Greece, much of Europe, northern Africa, and to several countries in Asia. Countries he visited include: Germany, Italy, France, The Netherlands, Romania, Egypt, Russia, Japan, and China, among others. These journeys put Kazantzakis in contact with different philosophies, ideologies, lifestyles, and people, all of which influenced him and his writings.

Across from the church is the town hall, or Palazzo Comunale. When Corsigniano was given the status of an official city, a Palazzo was required that would be in keeping with the "city's" new urban position, though it was certainly more for show than anything else. It has a three-arched loggia on the ground floor facing the Cathedral and above it is the council chamber. It also has a brick bell tower that is shorter than its counterpart at the cathedral, to symbolize the superior power of the church.

Vida was awarded the Society of Artists (NSW) Medal in 1945, in appreciation of good services for the advancement of Australian art, the Coronation Medal in 1953 and in 1958 honoured with an MBE for services to art. Vida is known to have painted at least two paintings of the house, Wonga Wallen, Canungra in the late 1930s and Wonga Wallen Loggia at Canungra in the 1940s both in the collection of Ms Shirley Lahey. Another painting, Bedroom at St Lucia with Dobell portrait, c.1961, was painted by Vida in her St Lucia bedroom.