Valaam was the most important monastery of the Finnish Orthodox Church. The liturgic language was changed from Church Slavonic to Finnish and the liturgic calendar from the Julian to the Gregorian calendar. These changes led to bitter decade-long disputes in the monastic community of Valaam. New Valamo monastery in Heinävesi, Finland.
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Separated by an adorned grille from the main liturgic space, a St. Mary's Chapel is kept open during the daytime for private visits.
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Monatsschrift, xliv. 360 His son Elijah published the liturgic collection, Zivhei Shelamim, and wrote a short elegy on his father, which was used as the latter's epitaph.
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Nathan's father, R. Jehiel ben Abraham, aside from being an acknowledged authority on the ritual law, was, like the majority of the contemporary Italian rabbis, a liturgic poet.
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The cathedral contains a huge church treasure, mainly constituted by the Abbot Suger. It contains crowns (those of Charlemagne, Saint Louis, and Henry IV of France), a cross, and liturgic objects.
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It is one of the Psalmenlieder (psalm songs), which can be used in the Catholic liturgic instead of the psalm chant between the readings from the Old Testament and the New Testament.
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The same applies to the theoretical disciplines of theology as the exegetics and dogmatic theology (each with 8 works) and moral theology (2 works). Of the Latin writings, account 233 to theological topics, which include 211 (90.5%) of the liturgic works.
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Meir Eisenstaedter (Meir ben Judah Leib Eisenstädter, 1780-1852) was a nineteenth-century rabbi, Talmudist, and paytan (liturgic poet). He is best known as the author of Imre Esh (Words of Fire), the collection of his responsa published by his son in 1864.
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In 1718 the Chapel of the Sorrows was added, holding in its interior the image of Virgin of Sorrows by sculptor Felipe del Corral. The Chapel holds countless art pieces including an impressive altarpiece by Churriguera, paintings, sculptures, the pasos, liturgic vestments and silverware.
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The Italian operatic composers such as Galuppi and Sarti were involved in producing liturgies for the church service. The genre of the choral concerto (the cycle of three–four contrast movements) became traditional in liturgic music of Degtyaryov, Vedel, Bortnyansky, Berezovsky, Davydov, and Turchaninov.
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Musa ludens is a chamber music group from Slovakia, founded in 1981. Their repertoire contains Slovak and European middle age music, incl. old Slavonic liturgic songs and music from gothic till late renaissance. At concerts they wear traditional costumes and play replicas of Music Instruments of that time.
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It is one of the Psalmenlieder (psalm songs), which can be used in the Catholic liturgic instead of the psalm chant between the readings from the Old Testament and the New Testament. The song has been recommended for multi-religious events that Christians, Jews and Muslims attend together.
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Asturias synthesized the liturgic diction found in the ancient Popul Vuh with colourful, exuberant vocabulary. This unique style has been called "tropical baroque" ("barroquismo tropical") by scholar Lourdes Royano Gutiérrez in her analysis of his major works.Royano Gutiérrez, p. 113. In Mulata de tal, Asturias fuses surrealism with indigenous tradition in something called the "great language" ("la gran lengua").
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It follows the ancient Braga Rite celebrated in Portuguese, with churches having iconostasis, facing East, the icons are painted rather than sculpted. As in the Orthodox Liturgy, the bread of the Eucharist is leavened, and every member receives part of the wine and the bread. Children are baptized by immersion. It follows the Julian calendar of the Liturgic Year, like the Orthodox.
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It is known that de Brito composed numerous villancicos and cançonetas, most of them for the Christian feasts of Christmas and Corpus Christi. Unfortunately, these works were lost due to the devastation of the 1755 Lisbon earthquake. However, the most relevant in de Brito's work are the liturgic pieces: 4-, 5-, 6-, and 8-voice masses, motets, psalms, and hymns.
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The opening mass of the congress was celebrated on 31 July 1960 on the Odeonsplatz. About 80,000 people attended the mass. Cardinal Joseph Wendel adopted elements of the Liturgic Movement by celebrating the mass not with its back to the people (like in the Tridentinian Rite) but celebrating it looking toward the people and by reading the Gospel not in Latin but in German.
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Fifth–sixth century Coptic liturgic inscription from Upper Egypt. The Egyptian language may have the longest documented history of any language, from Old Egyptian that appeared just before 3200 BC to its final phases as Coptic in the Middle Ages. Coptic belongs to the Later Egyptian phase, which started to be written in the New Kingdom of Egypt. Later Egyptian represented colloquial speech of the later periods.
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The Reformation in Nassau-Weilburg was accelerated after Philip joined the Schmalkaldic League. Philip ordered the dissolution of the small Pfannstiel monastery and the sale of some valuable liturgic vessels from the Benedictine Abbey of Saint Walpurga in Weilburg. In 1540, Philip founded a free school in Weilburg, which quickly became a center of education. It was the forerunner of today's Gymnasium Philippinum Weilburg.
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The 2nd World and Légendes Souterraines are published in 1997. The album, called Obscura, is released at the beginning of the following year. In 1998, Estève is entrusted with the design of a soundtrack for a new Cryo production, a game of divine simulation called Deo Gratias. The composer makes up mystical atmospheres dealing with the original divine chaos, while including unusual pop sounds within some liturgic sounds.
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Hortus Musicus in Luxembourg, 2008. Joint concert of Hortus Musicus and Ellerhein choir in Brussels, 2008. Hortus Musicus is an Estonian ensemble that was established in 1972 by Andres Mustonen, a violin student of the Tallinn State Conservatory. Hortus Musicus specialises in performing early music, including 8th–15th-century European forms such as Gregorian Chant, Organum, Medieval Liturgic Hymns and Motets, the Franco-Flemish School, and Renaissance Music (including French chansons, villanelles and Italian madrigals).
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Amram ibn Salameh ibn Ghazal ha-Kohen ha-Levi was a Samaritan liturgical poet of late antiquity. A number of prayers by him are incorporated in a liturgy, a fragment of which is in the Bodleian Library at Oxford, England. They consist of hymns for the Ten Days of Repentance, for both the morning and the evening services, as well as liturgic poems for the seven days of Sukkot, morning and evening.
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Boece, Hector. 1522. Episcoporum Murthlacen et Aberdonen vitae (Paris), p.92. There are no public memorials to him apart from references in two stained glass windows by eminent twentieth-century artists – Charles Eamer Kempe and Douglas Strachan. Galloway, when he is recalled is most often remembered as the “architect” of Greyfriars John Knox Church on Broad Street, Aberdeen; the Bridge of Dee; liturgic marks and sacrament houses in Aberdeenshire churches; see, Holmes, S. M. (2015).
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This is commonly known as the Written Torah. It can also mean the continued narrative from all the 24 books, from the Book of Genesis to the end of the Tanakh (Chronicles). If in bound book form, it is called Chumash, and is usually printed with the rabbinic commentaries ('). If meant for liturgic purposes, it takes the form of a Torah scroll (Sefer Torah), which contains strictly the five books of Moses.
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The church's original furnishing has changed in the 18th century. The main, the columned altar of St. Catherine from year 1727 (and restored in 1887) has been preserved from the original seven Baroque altars installed at that time. Along with the altar, the painting of St. Catherine's betrothal with Christ has been preserved until today, which is attributed to painter J.G. Grossmayr. The altar paintings were originally changed according to the liturgic periods of the year.
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The brotherhood of the Virgin of Anguish has the mission of promoting the devotion to the Blessed Virgin Mary, mainly through the celebration of several Holy Week processions in the city. The members of the brotherhood celebrate several masses as well, following the Estatutos o constitutions of the own association and the liturgic calendar of the Roman Catholic Church. Any baptized Catholic individual can become a member; however, family tradition is very important to belong to the Anguish.
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The precise date of the origin of the Freising Manuscripts cannot be exactly determined; the original text was probably written in the 9th century. In this liturgic and homiletic manuscript, three Slovene records were found and this miscellany was probably an episcopal manual (pontificals). The Freising Manuscripts in it were created between 972 and 1039, most likely before 1000. The main support for this dating is the writing, which was used in the centuries after Charlemagne and is named Carolingian minuscule.
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He managed to gather the Orthodox Serb community in Rome and found the Serbian-Orthodox Municipality in Rome. He secured the permission from the Ecumenical Patriarch Spiridon to hold liturgic service in the local Greek Church of Saint Andrew in Serbian. In 1991 Dedeić held a discussion with Croatian expert Dr Marin Kinel on Serbo-Croatian relations, in the outcome of the war. Miraš Dedeić became a proponent of Serbian nationalism, he magnified Slobodan Milošević as the savior of the Serb people, reintegrating Kosovo and Vojvodina.
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The crucifix scene was designed to show the mass as a re-presentation of the passion. Holmes claims: The panel that is now visible, in the ruins, is a copy made in the early 20th century after the original had been removed for restoration and lost in 1903! The original installation would have been painted and decorated with coloured wires. The Cross is adorned with the liturgic sign INRI. That is, IESVS·NAZARENVS·REX·IVDÆORVM (Iesus Nazarenus, Rex Iudaeorum) "Jesus the Nazarene, King of the Jews" (John 19:19).
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Title page of the Holy and Godly Gospel Book (1723, now in the monastery's library) printed during the reign of Nicolae Mavrocordat. Byzantine music notation style in an 1823 "Book of Hymns at the Lord's Resurrection" from the monastery's library. The monastery's library has over 8000 books of theology, byzantine music, arts and history. There are patristic, biblical, dogmatic, liturgic, historical, homiletic, catechetic writings, classic languages dictionaries and textbooks, studies on Byzantine art and Orthodox iconography, and on the Romanian history and civilization of the 18th century.
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In collaboration with Alois Kaiser, Samuel Welsh and I. L. Rice he published "Zimrath Yah: Liturgic songs consisting of Hebrew, English and German psalms and hymns systematically arranged for the Jewish rite with organ accompaniment" (1873). He also published "Kol Zimroh: A hymn book for temples and Sabbath schools and adapted for choirs and congregational singing" (1885) and "The Temple Service: Containing all the music required for the Union Prayer Book for Jewish worship" (1895). Morris was a maternal great-grandfather of conductor James Levine.
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326 It is possible that less expensive liturgies were taken care of by less wealthy individuals, but still conferred the prestige that such a position gave them: "the ideologies of expenditure (megaloprepeia) and of ambition (philotimia) which drive the liturgic ideal, give rise to individual strategies that allow each citizen, in accordance with his financial means and social priorities, to undertake, in a more or less extravagant manner, more or less burdensome liturgies".Ouhlen, p. 325 In fact, the net worth of each liturgist, and the percentage of his wealth committed to the liturgy, varied greatly,Baslez (ed.) 2007, p. 344 as the "liturgical class" itself varied greatly.
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Shur was born in Los Angeles, California but was raised in Seattle, Washington and Cincinnati, Ohio. His parents are the late Bonia Shur, who was a composer of Israeli and Jewish music and director of Liturgic Arts at the Hebrew Union College in Cincinnati, who had emigrated to the United States from Russia via Israel, and Fanchon Wechsler Shur, born in Chicago, Illinois, a former dancer and a choreographer. Shur attended middle school at The School for Creative and Performing Arts (SCPA) in Cincinnati. He graduated from Walnut Hills High School in Cincinnati, and studied jazz and composition for a year at the College Conservatory of Music in Cincinnati.
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The guttural sounds produced in this form make a remarkable sound, similar to Tuvan throat singing. Another polyphonic style of singing, more like the Corsican paghjella and liturgic in nature, is found in Sardinia and is known as cantu a cuncordu. Another unique instrument is the launeddas. Three reed-canes (two of them glued together with beeswax) produce distinctive harmonies, which have their roots many thousands of years ago, as demonstrated by the bronze statuettes from Ittiri, of a man playing the three reed canes, dated to 2000 BC. Beyond this, the tradition of cantu a chiterra (guitar songs) has its origins in town squares, when artists would compete against one another.
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Miles Kastendieck praised the sonoristic innovation and its relation on the work's overall success. German magazine Neue Zeitschrift für Musik considered it an "emotionally moving piece", while Martin Blindow, from Music und Kirche, stated that Utrenja was "one of the most important large choral works of our time", even though it was not intended for liturgic performance. Peter Benary, however, acknowledged the work's "dynamic extremes", although the tone clusters were used too often for his taste. Andrew DeRhen, from High Fidelity, considered that Penderecki missed the opportunity to give Utrenja a genuine Eastern flavor, and he used an international modernist style instead; however, other journals praised the composition for the same reason.
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The thrust of his argument was to push to the very limits the applicability of canonical scripture to establish institutionalised religion. Later works of special importance include Tetradymus wherein can be found Clidophorus, a historical study of the distinction between esoteric and exoteric philosophies. His Pantheisticon, sive formula celebrandae sodalitatis socraticae (Pantheisticon, or the Form of Celebrating the Socratic Society), of which he printed a few copies for private circulation only, gave great offence as a sort of liturgic service made up of passages from pagan authors, in imitation of the Church of England liturgy. The title also was in those days alarming, and still more so the mystery which the author threw around the question how far such societies of pantheists actually existed.
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After a brief period of inactivity a newer and renewed effort was initiated in March 2009 by Sam Raj (Samuel Raj), a renowned Baptist Preacher of Indian origin. Reverend Raj re-established the mission with a fresh approach to evangelism and mission; founded the First Tamil Church of Atlanta or FTC Atlanta and served as its pastor until March 2012. The service style is a mix of liturgic and contemporary worship styles and has both English and Tamil as the worship language. The Church has members of various denominations and new believers, and it associates itself with the Roswell Association, Georgia Baptist Convention and the Southern Baptist Convention and is sponsored by The Crabapple First Baptist Church, Alpharetta GA. The Church's mission is to serve as a mission base for ministry among the South Asian and Indian communities in the Atlanta and Greater Atlanta region.
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His work is distinguished by thoroughness, and reveals his synthetic ability as well as the vast extent of his reading. The only serious opposition to the views encountered by Buber has been in regard to his theory concerning the Tanchuma. Buber distinguished himself in other departments of literature. His first work was a biography of the grammarian Elias Levita, published at Leipzig in 1856. After this he edited the following: De Lates' Gelehrtengeschichte Sha'are Zion, Jarosław, 1885; Zedekiah ben Abraham's liturgic work, Shibbole ha-Leket, Wilna, 1886; Pesher Dabar, Saadia Gaon's treatise on the Hapax Legomena of the Bible, Przemyśl, 1888; Samuel ben Jacob Jam'a's Agur, introduction and additions to the Arukh, Breslau, 1888 (in Grätz Jubelschrift); Samuel ben Nissim's commentary on the Book of Job, Ma'yan Gannim, Berlin, 1889; Biurim: Jedaiah Penini's explanations of Midrash Tehillim, Cracow, 1891, and a commentary on Lamentations by Joseph Caro, Breslau, 1901 (in the Kaufmann Gedenkbuch); Anshe Shem, biographies and epitaphs of the rabbis and heads of academies who lived and worked at Lemberg, covering a period of nearly four hundred years (1500-1890), Cracow, 1895.
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