Finally, she wrote captions below each lithographed vessel, describing the context in which it originally appeared.
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There is a lithographed copy of Johannes Itten's Einiges aus der Farbenlehre (Some aspects of color theory) (1930), an intimidatingly refined textbook illustrated with pasted-in watercolor samples.
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Yvette Dardenne, 279, from Belgium, walks among hundreds of vintage lithographed tin boxes, which are part of a huge collection displayed at her house in Grand-Hallet, Belgium.
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San Diego, Calif: Lithographed by Frye & Smith, ltd., pages 12-17.
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From 1945 there were three engraved signature-titles. After 1947 the three titles were lithographed.
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The Chalon heads were used until 1874 when the lithographed sideface stamps in various designs replaced them.
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Lion taught art at the Louisiana College and, late in his life, created lithographed Confederate sheet music covers.
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Compiled and lithographed by Mapping Section F.I.D. Cape Town, under the superintendence of Capt. P. H. du P. Casgrain.
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His work includes a large number of portraits, drawn and lithographed, and engravings from the works of contemporary artists.
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She lithographed Albrecht Dürer's "Verehrung der heiligen Dreieinigkeit" ('The Adoration of the Holy Trinity') in 15 sheets (begun 1821 in Vienna).
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Emil Hünten. Woodcut by Emil Johannes Hünten (19 January 1827 - 1 February 1902) was a German military painter. His works were often lithographed.
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And he gave him the story of Muhammad Hanafiah too. The text is known through at least 30 manuscripts and a lithographed edition in Singapore.
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Conrad Christian August Bøhndel (7 March 1779 - 18 December 1847 ) was a Danish painter and lithographer. He lithographed the Hans Brüggemann's altarpiece between 1824-1832.
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The Museum of Lithographed Tin Cans is a museum in Grand-Hallet in the Hannuit area in Belgium. De tin cans dating from 1868 to date were collected since 1988 by Yvette Dardenne, who is the owner of the museum. It is the largest collection of lithographed tins in the world. Het collection is spread over three buildings and is sorted into themes s much as possible.
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N.P. (Tehran: 1861). • Sharh al-'Arshiyya. Lithographed. N.P. (Tehran: 1861). • Sharh al-Ziyara al-Jami'a al-Kabira. Chapkhaneh Sa'adat (Kirman: 1972), 4 Volumes. • Rasa'il al-Hikma.
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Tin Christmas tree stands decorated with lithographed holiday icons manufactured by National Outfit Manufacturers Association were produced in the 1950s and have become collectibles of the era.
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In keeping with Islamic and Persian literary and academic tradition, a large number of his works take the form of commentaries on Surahs from the Qurʼan, important Hadiths of Muhammad or the Imams, or writing by earlier mystical or theological writers. The most comprehensive bibliography of Ahmad's known works identifies twelve wide subject areas addressed by individual works: • Sharh al-Fawa'id. Lithographed. N.P. (Tabriz: 1856). • Jawami' al-Kalim. Lithographed.
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He died at Broad Green, Croydon, Surrey, on 14 August 1822, his wife, a son, and two daughters surviving him. His portrait by Henry Perronet Briggs (1820) was lithographed.
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A lithographed edition was published by relatives of the Báb (the Afnáns) in Bombay, India, around 1299 AH (1882 CE) by the Ḥasaní Zívar Press.British Library. The Earliest Baháʼí Publication.
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Henry B. Sullivan, A Catalogue of Geological Maps of South America: With an index map, cat. no. 143a (1922:185). He also explored the Paraná basin and the pampas. Periodically Bravard lithographed his letters and distributed them to geologists in Europe.
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These paintings by Reiss became known more widely beginning in the 1920 and to the 1950s, when the Great Northern Railway commissioned Reiss to do paintings of the Blackfeet which were then distributed widely as lithographed reproductions on Great Northern calendars.
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Centrum för Vetenskapshistoria: När Vetenskapsakademien missade flyget He settled in Geneva in 1850. The "Cellar" at the Royal Swedish Opera. Tollin is at the counter, in the light-colored coat. There, he published scenes of the city that were lithographed by Auguste Viande (1825-1887).
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He was also an illustrator of monographs such as "Voyage de S.M. Louis-Philippe Ier Roi des Francais au Chateau de Windsor. Dedie A S. M. Victoria, Reine d'Angleterre." Ed. Pingret, Paris and Ackermann, London, 1846. Large folio, with 25 lithographed plates, some tinted.
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Julius Bien (27 September 1826, Naumburg - 21 December 1909, Manhattan, New York) was an American lithographer originally from Germany, as well as president of B’nai B’rith for more than three decades. He also produced a lithographed edition of John James Audubon's The Birds of America.
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Originally written in Persian, this book has already been translated into various languages. Manuscripts of the Kashf-ul-Mahjoob are preserved in several European libraries. It has been lithographed in Lahore, Indian Subcontinent. Reynold A. Nicholson is known for translating Kashf-ul-Mahjoob into English.
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Often the design of the stationery mimics the contemporaneous stamps, though with less variety and lower printing quality, due to the limitations of printing directly onto the envelope. Much later, 1947 in the U.S., letter sheets morphed into lithographed air letter sheets or aerograms.
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Strauss began manufacturing his own toys in 1918. He employed 50 workers at the East Rutherford, New Jersey factory. Tin lithographed operating cars, trucks, buses, boats and wagons were all part of the line. Mechanical dancers, musicians, and windup toys filled the Strauss shelves.
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In 1827, Seymour then found steady employment when his etchings and engravings were accepted by the publisher Thomas McLean. Learning to etch on the newly fashionable steel-plates, Seymour then first began to specialize in caricatures and other humorous subjects. In 1830, having mastered the art of etching, Seymour then lithographed separate prints and book illustrations; he was then invited by McLean to produce the 1830 caricature magazine called Looking Glass, as etched throughout by William Heath, for which Seymour produced four large lithographed sheets of illustrations, usually drawn several to a page, every month for the following six years, until his death in 1836.
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In the novel La caccia al tesoro by Andrea Camilleri, published in 2010, Inspector Montalbano receives an anonymous parcel containing a Lazzaroni lithographed box with the words "Fornitori della Real Casa" (literally "Suppliers of the Royal House") on it, a title formerly awarded to manufacturers who became official suppliers for the House of Savoy.On the web portal Lombardia Beni Culturali it is possible to visualize one of the historical Lazzaroni lithographed tin boxes with the writing "Fornitore della Real Casa". Also in 2010, some red tin boxes of Amaretti di Saronno appeared in a scene of the fantasy film Harry Potter and the Deathly Hallows – Part 1.
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In 1821 he published lithographed views of Eton. About 1826 his health broke down, and he ceased to practise as an artist. He became an architect and builder at Windsor, and resided at Clewer. Subsequently, he removed to the Isle of Wight, and died in 1866.
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None of the editions of Chubb's books exceed more than 200 copies, and some of his lithographed masterworks exist in only 30 or 40 copies, of which a mere six or seven are meticulously hand-coloured by Chubb. The dates and titles of Chubb's printed works are given below.
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1 real first issue 1870, pink, litho, cancelled at Asuncion. The republic of Paraguay issued its first stamps (1, 2, and 3 Reales) on 1 August 1870,Michel Südamerika 1984/85 catalog, page 575. featuring a standing lion raising a republican hat, lithographed by R. Lange (Buenos Aires).
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The "Nuremberg Style" of manufacturing toys on steel sheets with lithographed designs that were stamped out of the metal, formed, and assembled using tabs and slots, was perfected by Bing. This manufacturing method remained in widespread use well into the 1950s, long after the Bing company had been dissolved.
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He wrote his impressions about his journey through Hungary, Balkans, Turkey and Greece in a book with lithographed scenes and portraits drawn by himself. He was a close friend of Madame Tussaud. Her two sons published a book on their mother’s life and career in collaboration with Francis Hervé.
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The book was originally published in 1956 by Press of The Pilgrim, Kansas City, Missouri. And lithographed by Williams & Lawrence Lithographers also of Kansas City, Missouri. The first edition was limited to 1000 copies and each copy was a numbered edition. The book is still in print today.
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Bodmer was born at Munich in 1804. He first painted portraits under Stieler. In 1829 he lithographed the Madonna di San Sisto, after the engraving of F. Müller, and later two paintings after H. Hess, viz., Christmas Eve, and a small altar-piece; by these works he is favourably known.
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Mann, himself an author of Western fiction, proposed a series of reprints of Southwestern fiction, but the idea was tabled in 1950. The Press also made its first foray into publishing lithographed prints during Mann's tenure but, due to the marketing structure of the Press, sales for the prints were poor.
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37-41 # Difference between the first and re-engraved prints of Dowager Jubilee Issue, p42 - 43 # 3 cents Red Revenue stamps surcharged for postal use, p. 44-56 # Japan Lithographed "Imperial Chinese Post" the first imperial issue, p. 57-59 # "Chinese Imperial Post" the second imperial issue 1898 watermarked, p.
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In 1951, he was part of a group that visited the Moscow Patriarchate. Between 1941 and 1944, during The Holocaust, he safeguarded a number of Jews. His works include a lithographed New Testament course, as well as articles, sermons, reviews and pastoral letters in Legea Românească and, at Arad, Biserica și Școala.
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The series of lithographed Vues de Londres (Paris, 1862) were executed by his son, also Charles François de Riffardeau, duc de Rivière. The Mémoires posthumes, lettres et pièces authentiques touchant la vie et la moirt de Charles François, duc de Rivière, edited by Joseph Jacques, vicomte de Naylies, was published in Paris, 1829.
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A celluloid-type button is fastened to a garment using a pin on the back side of the button (in recently produced buttons, the pin generally fits into a safety-pin-style catch). A lithographed button may fasten with a pinback or with a metal tab which folds over a lapel or pocket. One of the most famous uses of campaign buttons occurred during the 1940 U.S. presidential election, when Wendell Willkie's campaign produced millions of lithographed slogan buttons in rapid response to news items about President Franklin D. Roosevelt. A Barack Obama supporter during the 2008 presidential election Recently, increasing advertising expenses and legal limits on expenditures have led many U.S. campaigns to abandon buttons in favor of disposable lapel stickers, which are much less expensive.
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Three-foot gauge in S scale (Sn3 gauge) is . In the 1920s and 1930s, toy trains were built of plated and lithographed tinplated steel. Since they were toys and not models per se, wheels and couplers were oversized. They were designed more for ease of use and robust service rather than pure fidelity of reproduction.
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A few 20.000 were in use in England alone that year. There were business connections "from Aachen to Königsberg and from Hamburg to Constance", but also to France, Holland, Switzerland, England, Poland, Lithuania, Russia, Italy, Spain and the USA. Lithographed instructions for use in French, English, Italian and Spanish were a matter of course.
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Major Robert Gill (1804–1879) was an army officer, antiquarian, painter and photographer in British India. He is best known for his paintings copying the frescoes of the Ajanta Caves. Gill was the first painter notes that Fide Jesus, a native, had drawn and lithographed these paintings before Robert Gill (c. 1836) those were published in 1847.
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The Four Annas stamps were lithographed by the Survey Office in Calcutta. Two colors were used, red for the frame and blue for the head. During production, the paper was first imprinted with the red frames, and then the sheets were laid out to dry overnight. The next day, the blue heads were added within the frames.
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The first bill stamps of Mauritius were issued on 28 March 1869. They were locally lithographed and imperforate, with values ranging from 1d to 16s8d in various colours. They were printed in triplets inscribed First, Second or Third of Exchange for use on triplicate documents. Later that year a new set portraying Queen Victoria was issued, also in triplets.
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A teetotum was no longer needed as a metal pointer could be attached to a lithographed card using a pop rivet. The pointer could then spin around to produce a random number.Angiolillo, Joseph A. Jr., owner of the game. The game board and box top were printed using lithography, making the game look like a work of art.
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He arranged the melody by Davorin Jenko for piano, wrote an interlinear translation and published it lithographed as an independent publication. The poem was originally titled "Naprej" ("Forward") and set to music in an inn in Vienna's Prater by Davorin Jenko, who was in anger over the German snub of the Slovene, on 16 May 1860.
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Also that year, he put out a French-language introduction to French and German stenography, lithographed in Bucharest. In addition to such contributions, Stahl preserved a passion for oral history and the history of Bucharest. He walked through the city, made notes of its interesting features, created stone rubs from old inscriptions, and interviewed senior citizens.Stahl, pp.
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He died at Munich on 25 January 1869. The Neue Pinakothek contains two of his pictures - Cimabue finding Giotto sketching a Lamb and Pilgrims to Loretto from the Roman Campagna. He painted a large number of portraits, among them those of Queen Hortense and of King Max I of Bavaria, and etched and lithographed many views of Rome.
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References , and do not say much about the teaching activity of Giacinto Morera: SomiglianaSee . describes once his teaching ability as incisive. However, his teaching is also testified by the lithographed lecture notes : according to the OPAC, this book had two editions, the first one being in 1901–1902.This first edition is the one which , and refer to.
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He later enrolled at the Ecole Normale d'Enseignement de Dessin and received lessons from Luc-Olivier Merson. His study of the decorative arts influenced his print making, influencing the strong lines and natural details that guided his art. The vast majority of Berthon's lithographed posters did not include advertisements and were meant to stand on their own.
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A sheet of Spiro forgeries of the Japanese 1872-75 Cherry Blossom stamps; includes forged cancels. Philip Spiro was the head of the German printing firm of Spiro Brothers of Hamburg who from 1864 to about 1880 produced around 500 different lithographed reproductions of postage stamps.Tyler, Varro E. (1976) Philatelic Forgers: Their Lives and Works. London: Robson Lowe, pp. 45-46.
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The illustration was lithographed and published in a weekly magazine called Liwayway under the name "Grupo de Filipinos Ilustres" and became popular among homes in the 20th century. Tolentino, a student at the university when he made the illustration, didn't earn any money from it but didn't seem to mind about it. Tolentino graduated in 1915 with a degree in Fine Arts.
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There have been two published editions of the Safvat as-Safa. The first was a lithographed edition prepared by Mirza Ahmad ibn Hajj Karim Tabrizi and published in Bombay in 1911. This has traditionally been the standard edition used by scholars, who call it the Bombay lithograph. The second published edition appeared in 1994 in Tehran, edited by Ghulam Reza Tabataba'i Majd.
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Th Houtsma E.J. Brill's First Encyclopaedia of Islam, 1913-1936 reprint 1987 Page 515 MIR KHAWAND. historian, author of the Rawdat al-Safa' ("Garden of Purity"). He was ... It was lithographed in Bombay 1848, in Tehran 1852; a Turkish translation appeared at Constantinople in 1842; partial translations were made by Jenisch, Mitscharlik, Wilken, Vullers, Shea (O. T. F. series), Rehatsek (T.
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The plates were drawn and lithographed by Elizabeth Coxen Gould. A few of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear, however, was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates.
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There are two Timberlake galleries, including one located in at 1714 East Center Street Extension in Lexington, North Carolina. The other is located at 946 Main Street in Blowing Rock, North Carolina. The galleries offer original and signed lithographed artwork by Timberlake, as well as home furnishings and other items created or designed by him and licensed by various manufacturers.
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Some popular Marx tooling is still used today to produce toys and trains. A company called Marx Trains, Inc. produced lithographed tin trains, both of original design and based on former Louis Marx patterns. Plastic O scale train cars and scenery using former Marx molds were previously produced by MDK and are now marketed under the "K-Line by Lionel" brand name.
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His new brand of society weekly was to carry satirical caricatures of the men of the day lithographed by Vincent Brooks.Vanity Fair, 18 September 1912, p.364, from the text accompanying Frederick Vincent Brooks's cartoon. At a time when Punch magazine was still primarily using wood blocksAppelbaum, Stanley & Kelly, Richard, 1981, Great Drawings and Illustrations from Punch 1841–1901, pp.x-xi.
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Illustration of 13 microorganisms viewed under a microscope, from Agnes Catlow's 1851 book Drops of Water. Plate signed in Latin "Painted and lithographed by Achilles". An illustration by Walter Hood Fitch from Agnes Catlow's book Popular Greenhouse Botany (1857). Catlow was one of a group of mid-Victorian-era women scientific writers who published mainly for children, helping to bring science education into the home.
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His Lottery Ticket was exhibited at the Philadelphia Centennial Exhibition in 1876. Goodall typically painted small subject-pictures, such as The Daydream, The Cradle Song, Waiting for the Ferry-boat, and The Tired Lace-maker. A number of these were lithographed in a series entitled Walter Goodall's Rustic Sketches. Goodall also made drawings from pictures in the Vernon Gallery for engravings published in The Art Journal.
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XI The publishing of Moravian Duets represented very important turning point in the shaping of Dvořák's career.Šourek (2004), p. XI Arrangements for the first publication were managed by Jan Neff himself before Christmas 1876, under the title "Duets for Soprano and Contralto, with Piano accompaniment". The edition was lithographed by the firm of Emanuel Starý, Prague, and Neff gave this edition to Dvořák as a gift.
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There are various different Persian manuscripts in Iran, Vienna, Paris, and London. A Persian edition was published in Paris in 1843 as Histoire des Samanides par Mirkhond. It was published fully in Persian in 1843 (Paris) and lithographed in Mumbai (1848 or 1852). The standard edition used in scholarship is the Persian edition Tarikh i Rawzat al-Safa (7 vols) by Abbad Parviz (Tehran, 1959).
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He was a member of the Sketching Society, and his Enchanted Isle was lithographed for the set of Evening Sketches issued by it. His portraits of Lady Audley, Anna Maria Gulston née Knowles, Richard Miles the collector, George Frederick Cooke, Harriot Mellon, Louisa Brunton, and others were engraved, some of them by himself in stipple. His miniature self- portrait belonged to the Corporation of London.
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In 1929 the company added girls' toys and toy vehicles, as well as lithographed novelty toys in 1936. Metal toys were banned during World War II because the metals were needed for the war effort. The company survived by producing wooden toys and die-cut cardboard "build your own" play sets during the war. All Metal Products also manufactured en bloc clips for the M1 Garand rifle.
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A quotation from a paper by Jan Łukasiewicz, Remarks on Nicod's Axiom and on "Generalizing Deduction", page 180, states how the notation was invented: > I came upon the idea of a parenthesis-free notation in 1924. I used that > notation for the first time in my article Łukasiewicz(1), p. 610, footnote. The reference cited by Łukasiewicz is apparently a lithographed report in Polish.
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Like many Europeans of his generation, Jacobs shared in the Philhellene sympathy for the Greek War of Independence, which took place when he was in the early stage of his artistic career. This was manifested in his painting very sympathetic pictures of "Greek Freedom Fighters". Jacobs was also a portrait painter. Lithographed portraits by him include those of Goethe, Karl Gottlieb Bretschneider and Döring.
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Nor does Sidney Pollard in his "Genesis of Modern Management" note any discussion about the nature of major principles of organization occurring in Great Britain before the 1830s, the data at which he stops his analysis.Chandler, Jr. (1977; p. 104-105) McCallum's work drew national and international attention. Chandler (1977) recalled that :Poor had McCallum's organization chart lithographed and offered copies for sale at $I a piece.
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The following year, 1827, a Handbuch für Schmetterlingsliebhaber (Handbook for Butterfly Collectors) appeared under his name, and he also started a much larger work on Lepidoptera. This latter appeared in fascicles, each of 10 quarto plates lithographed by Meigen himself. It went as far as the Euphalaenae, where lack of funds brought it to a close. He colored the plates in a few copies.
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122 and 279 and see pp. 123 and 191–194, probably 'Abdu-r Rashīd al-Tattawaī, Farhang-i Rashīdī (1653–1654), Abu Tahir Zulfiqar 'Ali Murshidabadi, ed. (Calcutta: Asiatic Society of Bengal, 1872) (s.v. marzbän or marzbān (unclear which) (in "al-Tattawaī", "T" has accent on top and up to left)), and probably Munshī Tek Chand 'Bahār', Bahār-i 'Ajam ((1739–1740) (Nawal Kishor, lithographed ed.
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This was the illustration of Ferdinand von Mueller's Eucalyptographia: a descriptive atlas of the Eucalypts of Australia and the adjoining islands. In 1882, during the preparation of the work, von Mueller named Eucalyptus todtiana (Coastal Blackbutt) in honour of Todt, stating Two years later, the work was published, with Todt's contribution being over seventy lithographed illustrations. He died in Melbourne on 10 July 1900.
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He also filled various public offices in Westminster. He died at Ealing on 19 October 1863, aged 84, and was buried at Kensal Green cemetery. There are portraits of Nichols by J. Jackson, in watercolour, about 1818; by F. Hopwood, in pencil, 1821; by John Wood, in oil, 1836; and by Samuel Laurence, in chalks, 1850. The last was lithographed by J. H. Lynch.
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Prefixed to the first volume is a portrait of the author, lithographed by Day & Son. A portrait of him, in oil, painted by Dr. Woodhouse, is in the possession of Mrs. Cooper of Cambridge, widow of Charles Henry Cooper. Gunning also prepared a new edition of Adam Wall's Ceremonies observed in the Senate House of the University of Cambridge, Cambridge, 1828, and wrote a pamphlet on Compositions for Degrees, 1850.
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He lithographed and published twelve heads from studies by Rubens, and in 1832 some views of Bolton Abbey, drawn from nature on stone. His watercolor of the collection of Benjamin Godfrey Windus (1835) shows the Turner pictures on the walls. (John Ruskin studied those Turners while writing his Modern Painters.)Lionel Lambourne, Victorian Painting, London, Phaidon Press, 1999; p. 27. Davis painted the interiors of the Louvre as well.
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8: (Leipzig: Coutan–Delattre, 1912), p. 522 As early as 1835, a drawing by Georg Decker of the composer Wenzel Müller was lithographed by F. Wolf.Constantin von Wurzbach, Biographisches Lexikon des Kaiserthums Oesterreich: Moll—Mysliveczek (1868), p. 413 He began to exhibit watercolours in 1837 and in the early 1840s was accepted as a student at the Academy of Fine Arts, where he learnt to paint in oils.
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Initial printings of Spectropia were made in New York City by James G. Gregory, and in London by Griffith and Farran. With sixteen large lithographed platesNorris, pg. 23. (thirteen of which were hand- coloured), Spectropia includes several sections; namely an introduction, directions, and one called "Popular and Scientific description." The writing, spanning over eleven pages in addition to the plates makes for a total of twenty-seven pages.
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Lithograph of Kupuldhara Tulao, Benares by Prinsep (1834) James Prinsep continued to take an interest in architecture at Benares. Regaining his eyesight, he studied and illustrated temple architecture, designed the new mint building at Benares as well as a church. In 1822 he conducted a survey of Benares and produced an accurate map at the scale of 8 inches to a mile. This map was lithographed in England.
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Iris meda, botanical illustration drawn by Matilda Smith and lithographed by J.N. Fitch The Latin specific epithet meda refers to Media (a region of Persia). Similar to Apis mellifera meda (the Persian honey bee or Iranian honey bee). It was first found in Persia, and then described and published by Austrian born botanist Otto Stapf in Denkschr. Acad. Wein (Denkschriften der Akademie der Wissenschaften = Memoranda of the Academy of Sciences) vol.
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Only one surviving lithographed copy of this book exists today, which is in the Moezzi family archives. Bahram Mirza Moezzeddoleh is the founder of the Moezzi family. The Moezeddoleh title was reduced to Moezzi under the new law decreed by Reza Shah Pahlavi after the 1925 coup and ultimately the end of the Qajar dynasty. He died at the age of seventy six in 1882, leaving 82 progeny.
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Though British rule in India began effectively in the mid-eighteenth century i.e.1860s, the first adhesive stamp was issued in 1852, 12 years after the first Penny Black was issued in England. This was the Scinde Dawk. It was followed by the East India company lithographed issues and a long series of engraved stamps portraying Queen Victoria, King Edward VII, King George V, and King George VI.
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The reprints were lithographed (instead of typographed as were the 1934 printings) on a thin paper, roughly perforated. Macau participated in the Empire issue of 1938, with 17 values. In 1948, a new definitive series consisted of 12 values with different pictorial designs depicting local scenery. Subsequent issues included many of the common design types issued for all the Portuguese territories, with some commemoratives for anniversaries in Macau.
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According to Edward Force, Gama is the acronym for Georg Adam MAngold, who started the company in Fürth in 1882 making tinplate mechanical toys (Force 1990, pp. 127: Rixon 2005, p. 34). Most toy production up through World War II and up until the late 1950s was lithographed tinplate. In the early 1940s, toy tanks were popular and offered in various sizes including 3.5 and 7 inches in length.
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Marx produced dollhouses from the 1920s into the 1970s. In the late 1940s Marx began to produce metal lithographed dollhouses with plastic furniture (at the same time it began producing service stations). These dollhouse were variations of the Colonial style. An instant sensation was the "Disney" house, featured in the 1949 Sears catalogue. The popularity of Marx dollhouses gained momentum, and up to 150,000 Marx dollhouses were produced in the 1950s.
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A variety of other atlases and maps for educational or scientific purposes. In 1856 Johnston published the "School Atlas of Astronomy". In 1861 Johnston published the first edition of the Royal Atlas of Modern Geography with 48 maps. By 1914 the atlas had gone through 12 editions and morphed into the Johnston's Handy Royal Atlas of Modern Geography with 61 colour lithographed maps and an index of 84 pages.
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His more famous works include Ornithologia danica, Danmarks Fugle (Birds of Denmark or "national birds"), produced during 1847–1852, and his collection titled Skandinaviens Fugle (Birds of Scandinavia) which are descriptions of birds accompanied by lithographed drawings of the birds on hand-coloured plates. His works became very popular and spread public interest in Danish birds and bird spotting. In 1832 he married Christine Ploug-Nissen (b. July 21, 1878).
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100c, 1872, the "nadir of Mexican stamp design", Veracruz overprint and invoice number 50 and year '72 On 2 April 1868, Mexico issued a new series, also depicting Hidalgo. These were lithographed and issued both imperforate and perforated, in values of 6c, 12c, 25c, 50c, and 100c. This issue has been less popular with collectors and has been called "the nadir of Mexican stamp design." Pulver pp. 18–20.
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Ferdinand Strauss Company was an American toy company, founded in the early 1900s, based in New York, New York, that made inexpensive toys, including wind-up mechanical toys, out of lithographed tin. One of its early products was Trixo the climbing monkey. In later years, Strauss would be known as "The Founder of the Mechanical Toy Industry in America". Strauss came to the United States from a German region of Alsace.
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Nearly all were auto-lithographed on stone with hand-drawn lettering. During this period, he carried out a wide range of work for other publishers and worked extensively also on package design. Faber gave Freedman his first major commission, an assignment to design and illustrate Siegfried Sassoon's Memoirs of an Infantry Officer. Published in 1931, the book was the subject of controversial reviews but brought him into prominence.
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All other known, surviving complete sets appear to include reprints and lithographed substitutes making up the shortfalls. Those listed as being in American universities usually comprise the 1862 lithographic reprints, either that or their catalogues are referring to one of the harlequin copies held either by the U.C. Berkeley or the Ernst Mayer Library or the on-line copies freely accessible via the Biodiversity Heritage Library. In March 1911, after a lengthy search, C. Davies Sherborn and J. Hartley Durrant of The Entomological Society of London could locate only one properly complete set free of reprints and lithographed replacements, namely that held by the Linnaen Society library (see above). In 1947 Richard E. Blackwelder investigated the five sets then known to be held in the United States, the results of his enquiries were published by The Smithsonian as the Smithsonian Miscellaneous Collections, Volume 107, Number 5, entitled "The Dates and Editions of Curtis' British Entomology".
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The two stained Munich windows in Peterhouse Chapel, representing the Nativity and the Ascension, were subscribed for as a memorial to him. There is a portrait of him in the hall of Peterhouse, given by his brother, the Rev. Thomas Smyth (1778–1854), fellow of Oriel College, Oxford, from 1800 to 1813, and vicar of St. Austell. This portrait is lithographed in the fifth edition of his English Lyrics, edited by his brother in 1850.
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Frederick William Lock (active 1841-1863) is known primarily as a Canadian painter of portraits and landscapes. His medium was predominately pastel chalk crayon on paper. Many of Lock's pastel portraits were executed on "dark paper" so that the subject's faces often came out relatively dark-skinned, an unusual technique. A few of his landscapes were lithographed, notably of Niagara Falls and of The Thousand Islands, while others were in pencil, ink and in watercolor.
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Lithographed portrait of Dora d'Istria. Her first work was La vie monastique dans l'Église orientale ("Monastical Life in the Eastern Church") (Brussels 1855; 2.ed., Paris 1858), in which she called for the abolishment of monastic orders. It was followed by La Suisse allemande ("German Switzerland") (Geneva 1856, 4 vols.; German, 2. ed., Zürich 1860, 3 vols.), a description of Switzerland and its people with a passage describing a climb up the Mönch.
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In order to achieve colour quality which would not weaken through the printing process, lithographs of the illustrations were prepared in England by Paul Jerrard & Son and hand-coloured in Australia. The book contains 20 hand- coloured lithographed plates. There were an estimated 100 copies made of the original edition of Wildflowers of South Australia, and it is quite difficult to obtain. In 2014 a copy of the book sold at Christie's for $3,750.
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In the late-1960s, Chein entered into a licensing agreement to produce "Peanuts" characters, which continued through the early-1970s. In the mid-1970s, Chein sold its Renwal division and focused upon manufacturing lithographed sheet steel housewares such as kitchen canister sets and wastebaskets, under the brand Cheinco. They also produced licensed metal containers for food brands such as Heinz, Sunkist and Maxwell House. In 1979, toy manufacturing was phased out entirely.
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1 real provisional stamp of the Pacific Steam Navigation Company Peru declared independence from Spain in 1821 and decisively defeated colonial forces at the Battle of Ayacucho in 1824. Peru began using lithographed stamps in 1857 that initially were provided by the Pacific Steam Navigation Company. Most copies of Peru's PSNC stamps in circulation are forgeries. So called Trencito, a commemorative stamp from April 1870, one of the first in the world.
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L'Écuyère, lithograph from L'Estampe Moderne (1897). Ranft was born in Plainpalais and began studying painting and drawing in Geneva, under the direction of Eugene Etienne Sordet (1836-1915), who taught him the art of landscape painting. He then moved to Paris, where he attended the workshops of Gustave Courbet and Augustin-Alexandre Dumont, a sculptor who taught him engraving. Ranft then created many lithographed plates, including posters and etchings, while continuing with landscape painting.
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Manufacturer Georges Huard founded Jouef in 1944 toward the end of World War II. The traditional home of the company was in Champagnole, France. In the early 1950s, as with many manufacturers, the company abandoned the use of lithographed tinplate for trains in favour of plastic injection moulding. The first Jouef electric train in HO scale, 1955. In 1979, Jouef opened a factory in Limerick, Ireland, but the ill-fated venture closed in 1981.
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Here Tait had a studio and painted works such as Arguing the Point, in which there is an excellent portrait of Jonathan Bellows. Many of these pictures were lithographed by Currier and Ives. Among other famous guests were Dr. Bethums, a cousin of James Russell Lowell, and Mr. Ashman, chairman of the convention which nominated Abraham Lincoln. In 1892, the Lake House was purchased by J. S. Kirby who changed the name to "Banner House".
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The text was by Nicholas Aylward Vigors and the illustrations were drawn and lithographed by Gould's wife Elizabeth Coxen Gould. Most of Gould's work were rough sketches on paper from which other artists created the lithographic plates. This work was followed by four more in the next seven years, including Birds of Europe in five volumes. It was completed in 1837; Gould wrote the text, and his clerk, Edwin Prince, did the editing.
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It was a labor Oster carried alone, packaging and sending the records to buyers and reviewers, with artworks lithographed by hand. Other artists of the label included Reverend Pearly Brown, Louisiana Honeydrippers and the duo Butch Cage and Willie B. Thomas. By the end of the 1960s its catalogue was sold to Arhoolie Records. In 1963 Oster went as a visiting professor to the University of Iowa, College of Liberal Arts and Sciences.
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He performed for five seasons with theatre companies in Philadelphia and Boston. Afterward, he retired from the stage and set up an engraver's office in Boston. His most important early work was a series of etched and lithographed character portraits of well-known American and British actors. In the years between 1829 and 1849, he published nine numbers of his annual comic Scraps, made of four plates, each containing nine or ten separate humorous sketches.
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Many of these pre-war trains operated by clockwork or battery power and were made of lithographed tin. The sizes of the cars varied widely, as the standard for O gauge was largely ignored. Dorfan went out of business in 1934, while Ives was bought by Lionel, and Hafner and Joy Line were bought by Marx. Hornby withdrew from the U.S. market in 1930 after selling its U.S. factory to the A. C. Gilbert Company.
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Marx continued to make clockwork and battery-powered trains and lithographed cars into the 1970s, along with more realistic offerings that were sometimes difficult to distinguish from Lionel. Sakai re- entered the U.S. market after World War II, selling trains that were often nearly identical to Marx designs and sometimes undercutting Marx's prices, from 1946 to 1969. A company called American Model Toys brought out a line of realistic, detailed cars beginning in 1948.
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Jakob Schlesinger was recognized as a great painter and excellent copyist, with a fondness for art from the 16th century. In 1821 he traveled to Dresden and reproduced Raphael's Sistine Madonna for the Speyer Cathedral. In 1834 he lithographed, for the Karlsruhe Art Club the heads of Saint Barbara and the Pope, separately. He is also known for landscape portraits and pictures of fruit and flowers, though in academic cool manner, but very thoroughly elaborated.
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The design consists of the tughra, the emblem of sovereignty, for the then current ruler Sultan Abdülaziz, over a crescent bearing the inscription in Ottoman Turkish Devleti Aliye Osmaniye, or "The Sublime Ottoman Empire". Between some of the stamps there is a control band with the words Nazareti Maliye devleti aliye, or "Ministry of Finance of the Imperial Government".Passer 1938, pp. 7-14. The stamp was designed and lithographed at the Constantinople mint,Passer 1938, p. 51.
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All five sets examined by Blackwelder were found to be made-up, including several lithographed copy plates. As of 1 December 2019, eleven, complete, original, first edition copies, two with partially coloured plates, have been located and positively identified. Beyond these there are twenty other known examples, either incomplete or made up from later editions and reprints. The finest, most accurately illustrated and precisely coloured entomological (and botanical) publication ever produced is now also one of the rarest.
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Production cels were sometimes sold after the animation process completed. More popular shows and movies demanded higher prices for the cels, with some selling for thousands of dollars. Some cels are not used for actual production work, but may be a "special" or "limited edition" version of the artwork, sometimes even printed ("lithographed") instead of hand-painted. These normally do not fetch as high a price as original "under-the-camera" cels, which are true collector's items.
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Some unique cels have fetched record prices at art auctions. For example, a large "pan" cel depicting numerous characters from the finale of Who Framed Roger Rabbit sold for $50,600 at Sotheby's in 1989, including its original background. Disney Stores sold production cels from The Little Mermaid (their last film to use cels) at prices from $2,500 to $3,500, without the original backgrounds. Lithographed "sericels" from the same film were $250, with edition sizes of 2,500–5,000 pieces.
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His best known book is the famous Saints from Fes (Salwa al-Anfās), or Kitāb salwat al-anfās wa-muḥadatha al-akiyas mi-man uqbira min al-ʿulamā wa al-ṣulaḥa bi-Fās, lithographed Arabic edition originally 1898.Julie Scott Meisami, Paul Starkey, Encyclopedia of Arabic Literature. Routledge, 1998 , see entry on Al-Kattani, p. 428 He also wrote al- Azhār al-ʻāṭirat al-anfās bi-dhikr baʻḍ maḥāsin quṭb al-Maghrib wa- tāj madīnat Fās ().
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A lithographed circular received from Bravard is remarked in Charles Lyell's letter of 13–14 February 1860 to Charles Darwin, (Darwin Correspondence Project: on-line). After his unexpected death in the Mendoza earthquake of 1861, his remarkable collection of fossils disappeared. At the turn of the twentieth century, an auction of unclaimed crates by the Buenos Aires customs office revealed the collection, which was handed over to the Museo Nacional de Ciencias Naturales, Buenos Aires.Parodiz 1981:117.
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During the following years, this ministry was executed by Amin-almolk, as the minister and Mirza Rahim as the deputy. In 1882, a lithographed booklet named "the Tariff of the Great Post Office of Iran" was published. There were some maps from all of the telegram offices, post offices, pony post roads and post network in that time in this booklet. According to the content of the booklet, in Iran there were 7 main and 5 secondary post lines.
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34–45 Soon after, Marx fabricated an injection mold of Hudson's more precise model and marketed this simplified version as a more inexpensive mechanized toy. It was available as a police car in grass green or a fire chief car in bright red. The clear windows of the original were replaced with a single, stamped metal piece with lithographed images of cartoonish policemen or firemen. The police version even had a shotgun protruding through the windshield.
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Each species has detailed notes on its habitat in the Andes, and these were written by Lehmann. Some of his original, hand-written descriptions are in possession of his family in Popayán, as well as a letter from Miss Woolward. The plates were lithographed by Florence herself – the hand-coloured plates depict all the Masdevallia species at life-size. Originally 250 copies were planned, but it appears that only 150 were actually issued, with 100 being bound.
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In the preparation of the latter work he was assisted by his daughter (a pupil of John Sell Cotman), who drew and lithographed the figures of the various species noted. Brightwell, who was a good Italian scholar and a remarkably able etcher, owed little to teachers, and followed her own methods. She went little into society. Her philanthropic spirit was shown in her exertions and contribution of £180, for the Brightwell lifeboat put on the Norfolk coast at Blakeney.
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The Ornithology of Australia comprises three volumes (of an uncompleted set) of lithographed, hand-coloured, illustrations of Australian birds with accompanying text. It was authored by Silvester Diggles of Brisbane and was originally issued in 21 parts, each part containing six plates (126 plates in all) with short descriptive letterpress, in imperial quarto format, with the leaves of the plates 39 cm in height. The parts were printed for the author by T.P. Pugh.NLA online catalogue.
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Kern, Rusty (2015) "Marx Toy Kings", Volume 1. Blurb Publishing Company. By utilizing techniques of mass production and revitalizing old designs as much as possible – Marx utilized some of his toy train tooling developed in the early 1930s until 1972 – Marx was able to sell a broad line of inexpensive toys. All US-made toy trains would come from a plant in Girard, Pennsylvania, which produced millions of lithographed tin and plastic toy trains. By 1951, the Marx company had 12 factories worldwide.
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Unlike his teacher Fresez, Liez did not master portrait painting but became Luxembourg's most talented graphic artist of the 19th century. His paintings range from his "Death of John the Blind" to landscapes but also include flowers, stations of the cross and horses in their stables. His landscapes depict scenes from Luxembourg, the French Ardennes and the surroundings of Dresden. His most famous work is his view of the City of Luxembourg from the Fetschenhof which he drew, painted and lithographed in 1870.
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By now Payne was working directly for Tudor Games as head of Product Development. He began taking the game boards to new heights with more realistic fields and lithographed, crowd scene backgrounds complete with scoreboards. Payne used a softer plastic material to develop the Triple Threat Quarterback (TTQB) that can run, pass, and kick. In 1967 Tudor introduced its new flagship Model 620, complete with an improved metal playing surface, cardboard backdrop scoreboard, NFL-style goal posts and NFL painted teams.
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The next great work he undertook was the deciphering of the Avesta manuscripts brought to France by Anquetil-Duperron. By his research a knowledge of the Avestan language was first brought into the scientific world of Europe. He caused the Vendidad Sade, to be lithographed with the utmost care from the manuscript in the Bibliothèque Nationale, and published it in folio parts, 1829–1843. From 1833 to 1835 he published his Commentaire sur le Yaçna, l'un des livres liturgiques des Parses.
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It consists of an "operating table", lithographed with a comic likeness of a patient (nicknamed "Cavity Sam") with a large red lightbulb for his nose. This could be a reference to classic cartoons, where ill characters' noses turn red. In the surface are a number of openings, which reveal cavities filled with fictional and humorously named ailments made of plastic. The general gameplay requires players to remove these plastic ailments with a pair of tweezers without touching the edge of the cavity opening.
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In 'Street Angels,' the setting enhances the mise– en–scéne in the way that it features people leaning out of windows and watching alleys. When the shot return to the balcony, it signals the narrative beginning. Many shots in 'Street Angel' are from second–storey windows, reminding viewers of the composition of the lithographed illustration and the view from the box seats in stage theatres. Also, the shots between Xiao Hong and Xiao Chen’s second–floor rooms maintain the practice of theatrical spectatorship.
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A > fast or slow ball can be pitched, and the batter is liable to be 'fooled' by > changes of pace. Nothing like it was ever seen before in toy games. The > invention is to be shown in Hudson's window after Thanksgiving, and will > surely attract great attention. The game featured a painted ball field with children peeking over the one-and- a-half inch outfield wall as well as lithographed images of Zimmer and 18 other players, including 11 Hall of Famers.
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Entrance Front of the London Station by C.F. Cheffins, published 3 April 1837. In 1830, Cheffins started making lithographs, which were published in magazines such as an engraving representing the London Terminus of the London and Birmingham Railway, at Button Grove, in an 1837 issue of John Limbird's The Mirror of Literature, Amusement, and Instruction. The engraving was reduced from a drawing by Thomas Allom and lithographed by Cheffins. The structure was being erected at the time of the publication.
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The earliest toy trains were made of lead and had no moving parts. Some had wheels that turned, but these had to be pushed or pulled. A few of the early 19th-century push toy trains were made of tinplate, like the large, durable, stylized locomotive toys in the U.S., which were painted red and gold and decorated with hearts and flowers. Around 1875, technological advancements in materials and manufacturing allowed tin to be stamped, cut, rolled, and lithographed faster than ever before.
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Toy trains from the first half of the 20th century were often made of lithographed tin; later trains were often made mostly of plastic. Prior to the 1950s, there was little distinction between toy trains and model railroads—model railroads were toys by definition. Pull toys and wind-up trains were marketed towards children, while electric trains were marketed towards teenagers, particularly teenaged boys. It was during the 1950s that the modern emphasis on realism in model railroading started to catch on.
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Born at Edgbaston, Birmingham, on 13 February 1840, he was the son of Charles Bailey, by his wife Mary Elizabeth, daughter of John Eglington of Ashbourne. His parents removed during his childhood to Lancashire. Educated at Warrington Grammar School, he entered in his teens the counting-house of Ralli Brothers in Manchester, and continued there till 1886. He completed his education by attending evening classes at Owens College, Manchester, learned Pitman's shorthand, and contributed articles to short-hand manuscript or lithographed magazines.
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The second volume appeared in 1859. It contained ‘Subjects,’ and gave an account of works bearing on the scriptures, a list of commentators on every book, and a list of all the sermons on every verse of the Bible. Darling had then an assistant in his son. A promised third volume of ‘General Subjects in Theology’ was never published. Another work bearing his name is ‘Catalogue of Books belonging to Sir William Heathcote at Hursley Park, 1834,’ lithographed in imitation of manuscript.
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Hafner's new ownership faced the same difficulties, and by 1956 was out of business and in liquidation. Louis Marx and Company purchased the Hafner tooling, then shipped it to its subsidiary in Mexico, where it was used to produce inexpensive windup and battery-powered sets. Many Marx collectors believe Louis Marx's primary motivation for the purchase was to eliminate another competitor from the marketplace. The clockwork locomotives and colorful lithographed tinplate rolling stock placed Hafner at the low end of the market.
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Illustration from Sketch of the History of the Knights Templars (1840) by James Burnes A narrative of his visit to Sindh, sent in by Burnes as an official report to the resident at Cutch, was a contribution to the geography of India. It was published in book form, as Narrative of a Visit to Scinde, in 1830. He wrote also a Sketch of the History of Cutch (lithographed for private circulation, 1829), and a Sketch of the history of the Knights Templar.
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Withers' only cast-iron building stands at 448 Broome Street, Manhattan. When A. J. Bicknell published Withers' Church Architecture (1873),Withers, Church architecture: plans, elevations, and views of twenty-one churches and two school-houses, photo-lithographed from original drawings, with numerous illustrations shewing details of construction, church fittings... (Bicknell: New York) 1873. it was a sign that Withers' reputation was secured. Among his prestigious commissions was the "William Backhouse Astor, Sr. Memorial Altar and Reredos" (1876–77) at Trinity Church.
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43 One earlier and much sought after tin toy was an open Amos 'n Andy Ford Model T four door, as well as another Model T with driver apparently on a European jaunt and hauling a trunk at the rear with the names of various European cities on it. This model was produced in a variety of liveries.Richardson & Richardson 1999, pp. 43, 63 Lithographed tin tanks, airplanes, police motorcycles, tractors, trains, luxury liners, and rocket ships were all produced in bright colors.
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Pre-war train sets from makers such as Hornby were almost entirely 0 gauge, either clockwork or electric, with the electric sets using a three rail system. Both the track and rolling stock were made from pressed, lithographed tinplate, with a few pieces of die-cast zinc or turned brass. The third rail was insulated from the tinplate sleepers by insulating fibre washers. Post-war, there was a shift from 0 gauge to half- size scales of H0 and 00.
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The unit mounts between the lamp housing and the barrel assembly of a Source Four fixture, meaning that it is placed directly in front of the source, or lamp and before any optics or beam shaping devices. Inside the unit, four micro-lithographed dichroic filters are gradually saturated from 0-95%. The optional Studio Dichroic color filters are gradually saturated from 0-100%. Wheel colors are standard CMY, having one wheel each for cyan, magenta, and yellow, as well as one green wheel.
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In 1882, he published The Paradise of Georgia (საქართველოს სამოთხე; St. Petersburg, 1882), a voluminous lithographed edition of biographies of important Georgian Orthodox Christian saints. In the 1880s, he served at the famous Iviron Monastery on Mount Athos. In 1882 he published also The Passion of Eustathius of Mtskheta. In 1898, he clashed with the office of Russian exarchate at Tiflis over his criticism of Russification and was removed from Georgia to Moscow where he died of pneumonia on May 10, 1900.
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Make Way for Ducklings is a children's picture book written and illustrated by Robert McCloskey. First published in 1941, the book tells the story of a pair of mallards who decide to raise their family on an island in the lagoon in Boston Public Garden, a park in the center of Boston. Make Way for Ducklings won the 1942 Caldecott Medal for McCloskey's illustrations, executed in charcoal then lithographed on zinc plates. As of 2003, the book had sold over two million copies.
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Other notable works included Nausicaa and Ulysses, Saint Jerome in the Desert, and 'A View of Tivoli. He also produced some small pictures, in the style of the realistic school, such as Campo Vicino (1845), which was lithographed by Anastasi; The Temple of Antoninus and Faustina (1846), a View of the Cascades of Tivoli, and a Park Interior, which rivalled photography in their neatness and sharpness of effect and minuteness of detail. He died in Paris in 1852. View of Badajoz from the San Cristobal heights.
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The Bahar-i Danish (Spring of Knowledge) was a Persian collection of romantic tales adapted from earlier Indian sources by Inayat Allah Kamboh of Lahore in 1061 A.H./1651. The book was partially translated into English by Alexander Dow in 1768 or 1769, and Jonathan Scott translated it completely in 1799. The Persian text was also lithographed several times in the 19th century. One of the tales in the Bahar-i Danish provided Thomas Moore with the plot of his 1817 verse-novel Lalla-Rookh.
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Mettoy Playcraft Ltd was the name of a range of toys manufactured in Northampton and Fforestfach Swansea, between the 1930s and 1980s. The Mettoy (Metal Toy) company was founded in 1933 by German émigré Philip Ullmann and was later joined by South African-born German Arthur Katz who had previously worked for Ulmann at his toy company Tipp and Co of Nuremberg. The firm made a variety of lithographed metal wind-up toys. Both Jewish, they moved to Britain following Hitler’s rise to power in 1933.
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Märklin's older trains are considered highly collectible, and Märklin's current offerings enjoy premium status among hobbyists. Although Märklin is best known for its trains, from 1914 to 1999, the company produced mechanical construction sets similar to Meccano and Erector. Between 1967 and 1982, the company produced a slotcar system called Märklin Sprint. Märklin also produced numerous other toys over the years, including lithographed tinplate toy automobiles and boats. From 1909 until well into the 1950s they sold a range of alcohol-burning model steam engines.
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According to Patricia Price, "Narcotrafickers have strategically used Malverde's image as a 'generous bandit' to spin their own images as Robin Hoods of sorts, merely stealing from rich drug-addicted gringos and giving some of their wealth back to their Sinaloa hometowns, in the form of schools, road improvements, community celebrations." Spiritual supplies featuring the visage of Jesús Malverde are available in the United States as well as in Mexico. They include candles, anointing oils, incense, sachet powders, bath crystals, soap and lithographed prints suitable for framing.
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Male wintering in Karnataka, India Jerdon but described by Edward Blyth. This image is from Jerdon's 1843-47 Illustrations of Indian Ornithology and was lithographed by C.V. Kistnarajoo based on an illustration by S. N. Ward of the Madras Civil Service, the background foliage was added by Captain S. Best of the Madras Engineers. Males of this thrush are conspicuously black and white. Mostly black on the upper parts it has a long white supercilium, and white tips to the wing coverts, tertials, rump and tail.
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These pieces can be identified with a tiny impressed "85" for the year of manufacture. There was also a selection of six conical sugar sifters, again hand-painted, with the exception of the aforementioned Crocus which was lithographed. Whilst the purists still scoff at these pieces some 30 years later they are actually a very accurate representation of the originals they were copied from and in themselves are now becoming sought after not least because they allow collectors to acquire excellent pieces and a more affordable price.
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He added that "the notion of security space means that we cannot remain indifferent to what is happening in these two key positions of a sea so closely linked to our existence." The history of the 19th and 20th centuries was synthesized by Gheorghe I. Brătianu as "a struggle for the Black Sea between Russia and Europe". The course on the Black Sea Question will be lithographed, for the use of students, by the editor Ioan Vernescu. The book about the Black Sea will be printed posthumously.
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Redhead Betty Boop in Color Classic Poor Cinderella (1934) The lithographed films for home use that were available in Europe in the first decades of the twentieth century were multi-coloured, but the technique does not seem to have been applied for theatrically released animated films. While the original prints of The Adventures of Prince Achmed featured film tinting, most theatrically released animated films before 1930 were plain black and white. Effective color processes were a welcome innovation in Hollywood and seemed especially suitable for cartoons.
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Viewed February 19, 2014.A small number of ten cent stamps were perforated and released for use by the Confederate Post Office Department in 1864, but perforation quality was often poor and the experiment was abandoned as unsuccessful . Moreover, while U. S. stamps had always been steel engraved, the first Confederate issues did not employ this state-of-the-art technique, instead being lithographed (1861) and typographed (1862), before steel engraving finally was adopted in 1863. More innovations in technology and organization would develop during wartime.
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In 1841 through 1849, Lady Eveline joined Sir James Edward Alexander while he was being stationed in London, Ontario during his Canadian tour. During this time her husband was in the 14th Regiment of Foot and aide-de-camp to Sir Benjamin D'Urban and Sir William Rowan. While stationed during the Canadian tour, she created a sketch depicting her surroundings which was of the military steeplechase and was lithographed. This came to be one of her most known works, the first military steeplechase to occur North America in May 1843.
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Autumnal Scenery, a landscape view of Amherst Hitchcock made drawings for more than 200 plates and 1,000 wood-engraved or woodcut illustrations for Edward's professional publications. The subjects included landscapes, geologic strata, specimens, and more. The most well known appear in her husband's seminal works, the 1833 Report on the Geology, Mineralogy, Botany, and Zoology of Massachusetts and its successor, the 1841 Final Report produced when he was State Geologist. For the 1833 edition, Pendleton's Lithography (Boston) lithographed nine of Hitchcock's Connecticut River Valley drawings and printed them as plates for the work.
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The Royal School in 1853, lithographed by Paul Emmert Kīnaʻu entered the Chiefs' Children's School (later renamed the Royal School) on February 26, 1844 at the age of two as its sixteenth and last pupil. He was the youngest with Victoria Kamāmalu and Lydia Kamakaʻeha, both being four years older. He was chosen by Kamehameha III to be eligible for the throne of the Kingdom of Hawaii. He was taught in English by American missionaries Amos Starr Cooke and his wife, Juliette Montague Cooke, alongside his royal cousins.
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"Yuri Ovsyannikov, Russian Folk Arts and Crafts (Moscow: Progress Publishers). By the beginning of the 18th century it became an important trading post, with 182 houses and 57 shops; during the 19th century lithographed lubok prints were produced in large numbers until competition from book publishers in Moscow and St. Petersburg proved too great. The 19th century also saw the development of textiles, market gardening, boat building, carpentry, and other industries. "By 1897 Mstyora was a town with over four thousand inhabitants, and the site of periodic fairs at which books and prints were sold.
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He published a series of textbooks on algebra, geometry and trigonometry, analytical geometry, and calculus. He wrote treatises on natural science for the use of his pupils; some of these were lithographed and others were privately printed at Woodstock: Theoretical Mechanics in 1873; Animal Physics in 1874; and Principles of Cosmography in 1878. At Georgetown Observatory, in 1850, Sestini made a series of sunspot drawings, which were engraved and published (44 plates) as "Appendix A" of the Naval Observatory volume for 1847, printed in 1853. The work was republished in 1898.
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Carl Maria's musical education was extended by a mastering of lithography which he learned in the workshop of Alois Senefelder, the inventor of the process, and Franz Gleißner (autumn 1799). A set of his Variations for the Pianoforte was lithographed by Weber himself. In 1800, the family moved to Freiberg in Saxony, where Weber, then 14 years old, wrote an opera called Das stumme Waldmädchen (The Silent Forest Maiden). It was produced at the Freiberg and Chemnitz theatres and later in Saint Petersburg (1804), Vienna (1805/1805) and Prague (1806).
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In 1853, Lock began working from Brockville, Ontario, located on the River St. Lawrence, at the foot of the Thousand Islands. There he painted two river views of the town, and numerous portraits of prominent citizens and leaders in the community. That winter of 1855-56 Lock traveled westward to Niagara where he painted at least three views of the falls (two of which were lithographed in color(accessed 2016-02-17), and (accessed 2016-02-17)), and a graphite sketch of the falls. In 1856 Lock and Emily Chaffey (b.
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The name "Warburton" has been shared between two townships over the years. The mining town of "Yankee Jim's Creek" was located on the gold-bearing slopes of Mount Little Joe. Hostile terrain, fire, drought, flood, steep slopes, unsustainable roads, crime and easier pickings for miners further upstream put an end to "Old Warburton". Land was surveyed and sold in the valley below in 1884 (1884 Selections (on the Upper Yarra), Woori-Yallock and Warburton, County of Evelyn [cartographic material] lithographed at the Department of Lands and Survey, Melbourne by W. J. Folwarczny, 2.4.1884.Melbourne:Dept.
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Unique Art Manufacturing Company was an American toy company, founded in 1916, based in Newark, New Jersey that made inexpensive toys, including wind-up mechanical toys, out of lithographed tin. One of its early products was a wind-up toy featuring two tin boxers. The company scored a hit in the 1940s when it acquired the rights to a popular comic strip and released the Li'l Abner Dogpatch Band for Christmas 1945. The windup toy featured Abner dancing, Pappy on drums, Mammy with a drum stick, and Daisy Mae playing piano.
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Woman with Peacocks by Louis Rhead Cover of first folio Blindstamp of L'Estampe Moderne L'Estampe Moderne appeared in 1897-1899 as a series of 24 monthly fascicles, each of 4 original lithographs, priced at 3 francs 50 centimes and printed by Imprimerie Champenois of Paris. Many accomplished European Art Nouveau painters contributed works to this publication. The richly lithographed prints had as blind stamp or embossed device, the imprint of a young woman's profile in the lower right corner. The prints are much sought after in the current art world.
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Jay Last's personal collection of commercial prints and ephemera has been donated to the Huntington Library in San Marino, California, as the Jay T. Last Collection of Lithographic and Social History. It contains over 185,000 printed paper artifacts, most of which date to America in the 19th and early 20th century. The collection includes images from over 500 lithographic companies. An important subset of the collection is the California Citrus Box Labels, more than 1000 lithographed labels from the California citrus industry in the late 1800s and early 1900s.
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J. Chein & Company was an American toy manufacturer in business from 1903 through the 1980s. It is best remembered today for its mechanical toys made from stamped and lithographed tin produced from the 1930s through the 1950s. Founded by Julius Chein in a loft in New York City, Chein's earliest toy production was a line of premiums for the Cracker Jacks snack line. The American Can Company provided the lithographic printing for Chein's early output until 1907 when Chein opened their own full production plant in Harrison, New Jersey.
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15 May 1864 issue, Michel #7, Scott #18 On 1 March 1864, Holstein, while under occupation by the German Confederation, issued a stamp, denominated 1¼ schillings, in blue and grey, lithographed, imperforate.This blue and grey stamp occurs with three major variations as Scott #15-#17, ; and Michel #5 Type I and II, and #6, That same day, the Austrian-Prussian occupying forces in Schleswig issued two stamps inscribed "Herzogth. Schleswig","Herzogth. Schleswig" is short for Herzogtum Schleswig, or "Duchy of Schleswig". a 1¼ schilling in green and a four schilling in carmine.
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Heart valves and fibrous connective tissue of the heart Bourgery paid great attention to the quality of the illustrations because they were meant to be "drawn to nature". Nicolas Henri Jacob was already established and later honored as a draftsman; he mastered lithographic techniques and also knew the subject of medical science quite well. He drew and lithographed 512 of 725 plates and 2196 illustrations out of 3750. There have been also other students and artists who collaborated with him, among which are Charlotte A. Hublier, Jean Baptiste Léveillé, Edmond Pochet, and others.
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The hundredth anniversary of the sinking of Empress of Ireland was commemorated in May 2014, by numerous events, including an exhibition at the Canadian Museum of History entitled Empress of Ireland: Canada's Titanic which moved to the Canadian Museum of Immigration at Pier 21 in 2015."Empress of Ireland Ship Sinking Exhibit Opens at Pier 21", CBC News, Nov. 24, 2015 Canada Post issued two stamps to commemorate the event. The Empress of Ireland domestic Permanent stamp was designed by Isabelle Toussaint, and is lithographed in seven colours.
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The toy cinematographs were adapted toy magic lanterns with one or two small spools that used standard "Edison perforation" 35mm film. These projectors were intended for the same type of "home entertainment" toy market that most of these manufacturers already provided with praxinoscopes and toy magic lanterns. Apart from relatively expensive live-action films, the manufacturers produced many cheaper films by printing lithographed drawings. These animations were probably made in black-and-white from around 1898 or 1899, but at the latest by 1902 they were made in color.
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They produced Bible cards or Sunday school cards, with lithographed illustrations depicting Bible stories and parables, more modern scenes of religious life or prayer, or sometimes just a Biblical text illuminated by calligraphy; these were linked to Biblical passages that related to the image. The reverse typically held a sermonette instead of a prayer. Imagery here was always the servant of text, and as such these Protestant cards tended to be replaced by tracts that emphasized message instead of imagery, and were illustrated with cartoon-like images if they were illustrated at all.
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He also held courses on the history of literary ideology and of modern Romanian literature, published a volume of studies (Cercetări de literatură română) and put together critical editions of the works of Dimitrie Bolintineanu (Scrieri alese, 1942) and Ion Heliade Rădulescu (Opere, vol. I-II, 1939 and 1943). He made plans for a wide- ranging history of modern Romanian literature, of which he managed to publish just the first volume, La Littérature roumaine a l’époque des Lumières (1945). He prepared a lithographed course book, Literatura română în epoca "Luminilor" și Literatura română modernă.
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In response to the "ET" overprints, Venizelos' Provisional Government ordered the engraving and printing of a new set of stamps from Perkins, Bacon and Co. Their design was based on the Iris stamps from the 1911 issue, with the additional inscription ΠΡΟΣΩΡΙΝΗ ΚΥΒΕΡΝΗΣΙΣ (Provisional Government). The set was lithographed on porous paper, with a perforation of 14½. It consisted of eleven values: 1 lepton, 5, 10, 25 and 50 lepta, 1 drachma and 2, 3, 5, 10 and 25 drachmae. A 4 drachmae value was also printed, but was only used as a revenue stamp.
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A circle made of 8 pieces of 45-degree curved O-27 track is smaller, with a diameter. Full-sized O cars sometimes have difficulty negotiating the tighter curves of an O-27 layout. Although the smaller, tin lithographed cars by American Flyer, Marx, and others predate the formal O-27 standard, they are also often called O-27, because they also operate flawlessly on O-27 track. Marx may have dedicated its entire line to 0-27, but the Lionel Corporation remains to produce O-27 track and trains.
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They were republished by the London Topographical Society in 1903 with the title "Plan of the road from Hyde Park Corner to Counter's Bridge". The folio's title page states that was "Made for the Kensington Turnpike Trustees by their Surveyor, Joseph Salway in the Year 1811. Lithographed on thirty sheets from the original drawings in the British Museum for the London Topographical Society by W. Griggs and Sons, Limited". The British Library has a copy of this publication in its collection and has made all of its lithographs available on its website.
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In collaboration with Otto Karl Berg (1815-1866), professor of pharmaceutical botany at Berlin University, Schmidt was published in Darstellung und Beschreibung in den Pharmacopoea Sämtliche Borussica offizinellen Gewächse aufgeführten (1853). Publisher: Arthur Felix, LeipzigOtto Karl Berg Schmidt both drew and lithographed the plates. Benjamin Daydon Jackson describes this work, a survey of plants used in the Prussian pharmacopoeia, as "A thoroughly good book, probably the very best of its class; both in text and illustrations". Berg and Schmidt also published the Pharmacopoea Borussica aufgeführten offizinellen Gewächse in 1846.
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Bodine's books were printed in Unitone, a printing technique where fine screen halftones are over-printed in such a way as to give an extra dimension to the pictures. The national lithographers’ trade association picked "My Maryland" in 1952 and "Chesapeake Bay and Tidewater" in 1954 as the ‘best lithographed book’ of their respective years. Two other Bodine books were "A Guide to Baltimore and Annapolis", 1957, with text by Harold A. Williams and "Baltimore Today, 1969", another guide book with text by James F. Waesche.Williams, p. 52.
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He was from early life an investigator of American paleontology and natural history, devoting himself to the study of the shells of the Tertiary and Cretaceous formations, and to existing species of mollusks. In 1831 he began the issue of a work on “American Marine Conchology,” and the year following published the first number of his “Fossil Shells of the Tertiary Formation,” which was never completed. A “Monography of the Family Unionidae” was issued between 1835 and 1847. The lithographed plates in his publications were in part his own work.
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In 1865 he was taken on by the Government's Survey Department, and in the same year he joined George Goyder's surveying team. He was a head of the survey team attached to Goyder's 1869 expedition to the Northern Territory that laid out the plan for the town of Port Darwin, lithographed by F. S. Crawford in 1869. The other surveyors were J. W. O. Bennett, A. Ringwood and W. M. Hardy. He was chosen as second- in-charge for Major Warburton's expedition which was to have left Adelaide in early September 1872 for Central Mount Stuart, and thence to Perth.
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The first lunch box decorated with a famous licensed character was introduced in 1935. Produced by Geuder, Paeschke & Frey, it featured Mickey Mouse, and was a four-color lithographed oval tin, with a pull-out tray inside. It had no vacuum bottle, but did have a handle. In 1950, Aladdin Industries created the first children's lunch box based on a television show, Hopalong Cassidy. The Hopalong Cassidy lunch kit, or "Hoppy", quickly became Aladdin’s cash cow. Debuting in time for back-to-school 1950, it would go on to sell 600,000 units in its first year alone, each at 2.39.
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Diagram of the Federal Government and American Union from 1862 lithographed by Ehrgott, Forbriger & Co. Ehrgott, Forbriger & Co. was a manufacturer of American Civil War lithography portraits and other documents, such as diplomas and maps, established in 1856 by Peter E. Ehrgott and Adolphus F. Forbriger in Cincinnati, Ohio. It was located at the corner of Fourth Street & Walnut, and the two men were the first to use a steam powered press west of New York City in the year 1868. The original name of the business did not have the "&Co.;", which was added in 1860.
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Martens exhibited pictures at various galleries including the British Institution and particularly at the Society of British Artists. Between 1828 and 1842, he showed no fewer than 34 water-colors at the latter, the majority depicting military scenes such as The Skirmish at Drumclog (1833–34), Out-post duty - English Hussars (1836), Charles I at the Battle of Naseby (1839) and Cavalry engagement at Benevente during Sir John Moore's Retreat (1842). The set of Sikh War lithographs published by Ackermann's in 1847 is particularly notable. Martens supplied water-color drawings which were then lithographed by John Harris.
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Unique followed with a Howdy Doody band several years later. Unique's president, Sammy Bergman, was a good friend of toy magnate Louis Marx, and the two men's companies at times cooperated, with Marx providing tooling to Unique and sometimes acting as a distributor for Unique's products. In 1949, Unique began producing lithographed tin O gauge toy trains, using tooling of its own design along with some recycled tooling from the defunct Dorfan Company. Unique sold its trains inexpensively, in boxed sets like Marx and also produced a circus set that was distributed on a car-by-car basis by the Jewel Tea Company.
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Marx saw this as a betrayal and responded with a new line similar in size to Unique's, but with lithographed rolling stock that looked more realistic. Unique found itself unable to compete, and withdrew its trains from the marketplace by 1951. Although Unique was unable to capture much of a piece of the toy train craze of the early 1950s, a tin typewriter toy introduced during the same time frame did take market share away from Marx, who had a similar toy. Marx responded by moving production of its typewriter toy to Japan in order to undercut Unique's price.
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Sylvanus Charles Thorp Hanley (1819–1899) was a British conchologistEntry at the UK National Archives and malacologist who published the first book on shells using the then new technique of photography. He authored Conchologia indica with William Theobald which was a treatise on the shells of British India. The plates were drawn and lithographed by George Brettingham Sowerby the younger, who was well known for writing and illustrating excellent works of natural history, especially conchological works. Sowerby became the best illustrator of conchological works of his time, illustrating such classics as Reeve's monumental twenty-volume Conchologia Iconica.
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In 1934, Duchamp made a new box that contained new preparatory notes for The Large Glass (The Bride Stripped Bare by Her Bachelors, Even), a collection of eight years of ideas, reflections, thoughts; 93 documents in total (written notes, drawings, photographs). The Large Glass had been badly damaged upon its return from an exhibition at the Brooklyn museum of art in 1926 to its owner, Katherine Dreier, who lived in West Reading, Connecticut. Duchamp repaired the glass in 1936. Each of those was lithographed and printed on paper that was similar to the paper he used in his preparations.
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The mansions of England in the olden time (New York: B. Hessling Co., 1912). He concentrated on the architectural aspects of the buildings, which, using the example of Joseph Strutt, he brought to life with the inclusion of groups of people. The volumes were very popular, with the lithographs circulated widely by newspapers, architects and other artists. The book was so effective it was claimed in Parliament that it was causing an increasing number of people to visit historical buildings. In 1846 he lithographed David Wilkie's Oriental Sketches and in 1848 a set of views of Windsor Castle from his own drawings.
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It became very popular, and led to many commissions for portraits, which he executed, in pencil. Various influential friends recognised Maclise's genius and promise, and were anxious to furnish him with the means of studying in London; but refusing all financial assistance, he saved the money himself and arrived in the capital on 18 July 1827. There he made a sketch of Charles John Kean, the actor, which, like his portrait of Scott, was lithographed and published, making the artist a considerable sum. He entered the Royal Academy schools in 1828, eventually being awarded the highest prizes open to students.
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The years that followed were occupied with a long series of figure pictures, deriving their subjects from history and tradition and from the works of Shakespeare, Goldsmith and Le Sage. He also designed illustrations for several of Dickens's Christmas books and other works. Between the years 1830 and 1836 he contributed to Fraser's Magazine, under the pseudonym of Alfred Croquis, a remarkable series of portraits of the literary and other celebrities of the time – character studies, etched or lithographed in outline, and touched more or less with the emphasis of the caricaturist, which were afterwards published as the Maclise Portrait Gallery (1871).
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Tendința de integrare în ritmul cultural occidental. Unedited fragments of this literary history were preserved as manuscript (Romantismul românesc) or lithographed courses (Eminescu în critica și istoria literară română; Poezia lui Mihai Eminescu). There remain in manuscript from his last years a series of literary projects and attempts: a partial translation of Dante Alighieri's Inferno; the poetry cycle Aur legendar; the opening of a novel with satirical elements, Într-o vară, la moșie; and numerous comedies, of which Bucătarul de la Salamandra (1946) and Regele din Propontide (1948-1950) were completed.Aurel Sasu (ed.), Dicționarul biografic al literaturii române, vol.
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He gradually gave greater attention to this more congenial work, and ultimately stopped working as an engineer to become the director of the journal Les Gens du monde. Gavarni followed his interests, and began a series of lithographed sketches in which he portrayed the most striking characteristics, foibles and vices of the various classes of French society. The letterpress explanations attached to his drawings were short, but were forcible and humorous, if sometimes trivial, and were adapted to the particular subjects. At first he confined himself to the study of Parisian manners, more especially those of the Parisian youth.
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Fortune Magazine in January 1946 had declared him "Toy King" suggesting at least $20 million in sales for 1941, but again in 1955, a Time Magazine article also proclaimed Louis Marx "the Toy King," and that year, the company had about $50 million in sales (Time Magazine 1955). Marx was the star article of the magazine with his picture displayed on the front cover. Marx was the initial inductee in the Toy Industry Hall of Fame, and his plaque proclaimed him "The Henry Ford of the toy industry." An O Gauge Marx lithographed train set made in the late 1940s to early 1950s.
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Kovodružstvo Náchod was established in 1950. Its vehicles ranged from tractors and military to everyday Škodas and politburo Tatras (Kovap website 2006). As seen below, varieties of the famous Tatra trucks were common. Some of the first KDN toys manufactured in the late 1960s and through the 1970s were either more conservative plastic construction vehicles like a cement mixer, a dump truck, and a road roller – or brightly colored lithographed tin tractors and forklifts among others. KDN also produced other toys and models in plastic for promotional purposes including the KDN Kino 85 working film projector.
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As the chief mode of study of butterflies was through pinned specimen collections, it was difficult to catalogue and communicate names and descriptions widely. Books on butterflies with plates that were either hand-painted, lithographed and printed have been a major tool in lepidopterology. These include the massive works by Adalbert Seitz. Unusual works like the Butterfly Fauna of Ceylon (1942) by Lionel Gilbert Ollyett Woodhouse (1888–1965) and Moths and Butterflies of the United States East of the Rocky Mountains (1900) by Sherman F. Denton made use of butterfly wing- prints where the illustrations incorporated the scales of the wings.
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Jordi Sort Viñas (born 1976) is a Catalan physicist working as an 'ICREA Research Professor' (Catalan Institution for Research and Advanced Studies) at the Autonomous University of Barcelona (UAB) in Spain leading the “Group of Smart Nanoengineered Materials, Nanomechanics and Nanomagnetism (Gnm3)” in the development of functional materials (thin films, nanoporous alloys and semiconductors, lithographed micro/nanostructures and nanocomposite/hybrid materials) for diverse applications. Sort received his PhD degree in Materials Science from UAB in 2002 (with qualification excellent cum laude, extraordinary award from UAB) later publishing more than 270 articles in peer- reviewed scientific journals that have received approximately 6600 citations.
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0 scale is one of the scales defined by the NEM as 1:45 scale. However, for historical reasons they use the number "zero" rather than the letter as the name for the scale. A situation similar to that in Britain exists in continental Europe, although the market revolves less around kits and more around expensive hand-built metal models for the deep-pocketed collector. Additionally, Czech Republic- based Electric Train Systems started manufacturing and selling lithographed tin 1:45 scale trains in 1991, citing O gauge's advantages over smaller sizes for non-permanent floor layouts and outdoor layouts.
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By the time he had retired, working especially between 1849 to 1862, he had set up easel all over Europe, recording views of historic monuments and their surroundings in over two thousand watercolours. The many surviving monuments today bear witness to the accuracy with which he portrayed them. Over a period of several years, he provided drawings for Voyage pittoresque dans le Royaume des Pays-Bas and Châteaux et monuments des Pays-Bas, lithographed by Jean Baptiste Madou. From 1851 to 1860 he published Souvenirs de Voyage, collections with views from Belgium, France, The Netherlands, and Germany.
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Several of them were lithographed by the firm of Aagard, Müller and Stapler in 1844. Due to the strong enmity between his uncle, the General, and José Tadeo Monagas, the General's friends and family were persecuted so Fernández had to go into exile in 1849, to New Granada. In 1850, upon the recommendation of Codazzi, he was appointed to the "Comisión Corográfica", where he provided illustrations for descriptions written by the historian Manuel Ancízar. He was, according to critics, the most qualified of the three painters who participated in the commission because he combined a skill for painting miniatures with a knowledge of topography.
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He was taught perspective and scene-painting by his father, and engraving by Mettenleiter and Karl Hess. In 1819 he resigned his post as scene-painter, and occupied himself only with architecture, for which he obtained subjects in the Netherlands, Italy, France, and England. As architect in charge, Domenico Quaglio was responsible for the neogothic style of the exterior design of Hohenschwangau Castle, summer and hunting residence of King Maximilian II of Bavaria, son of King Ludwig I of Bavaria and father of King Ludwig II. Quaglio died at Hohenschwangau in 1837. He engraved twelve plates of'Architectural Monuments’‘, and lithographed thirty Remarkable German Buildings of the Middle Ages.
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'Latchimi', plate from "L'Inde française" L'Inde française or "L'Inde française ou Collection de dessins lithographiés représentant les divinités, temples, costumes, physionomies, meubles, armes, et ustensiles, des peuples Hindous qui habitent les possessions françaises de l'Inde, et en général la côte de Cormandel et le Malabar" was a collection of 144 lithographed plates issued in 25 parts between 1827 and 1835 by J.-J. Chabrelie, and the first important French book on India. L'Inde française was about the French possessions in India, which were colonial possessions rather than mere trading posts. They included Pondichéry, Karikal and Yanaon on the Coromandel Coast, Mahé on the Malabar Coast, and Chandernagor in Bengal.
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Although his work at the academy lacked accuracy in drawing and harmony in color, his pictures were so very good that he was conferred an agré in 1812. A year later he painted the architect Christian Frederik Hansen and Count Heinrich Carl von Schimmelmann's portraits. He appears to have lived in the District of Schleswig, where between 1824-1832, he lithographed the panel compositions of the altarpiece (Der Bordesholmer Altar) at Schleswig Cathedral which was originally carved by Hans Brüggemann between 1514 to 1521. Considered a respectable piece of work at the time, his work comprised 34 plates with a translated text in German by Niels Laurits Høyen.
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From the very beginning, Jovanović's ambition was to create a collection of paintings and lithographs of Belgrade. He first painted and lithographed, and then when the new invention came along, photographed its historic buildings, its fortresses, garrisons, statues, shops and streets, and almost every notable Serb of his day. His technique was advanced for its time, and his figures were obviously posed, but the directness and sensitivity of his work demonstrate without a doubt that he immediately recognized the new medium—photography—as an art form. He sold some of his work to Vienna museums, private collectors, and some early photographs to painters for reference.
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The Salopians finally found a financier for their magazine and the first issue of Private Eye was published on 25 October 1961. Rushton put it together in his bedroom in Scarsdale Villas using Letraset and cow-gumming illustrations onto cards which were taken away to be photo- lithographed. He also contributed all the illustrations and the mast-head figure of Little Gnitty (who still appears on the cover, a blended caricature of John Wells and the Daily Express standard-head). One critic described the original lay-out of the magazine as owing much to "Neo-Brechtian Nihilism", although Rushton thought it resembled a betting shop floor.
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Some time later, Clause painted an oil painting of the party's camp at Clause's Brook. Believed to be based on a sketch by the expedition's artist Frederick Garling, it was etched and lithographed by the marine artist John Huggins, and published under the name Setting Camp of the Naval Survey Expedition at Clause's Lagoon, Western Australia. As Garling's paintings were considered part of the official correspondence of the expedition, they were not published, so Clause's painting was the only painting of the Swan River area to be published before the establishment of the Swan River Colony in 1829. Little is known of Clause's later life.
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He spent three months sketching the landscape and local people around Xanthus, Pinara and Tlos. He spent most of the rest of his life, after his return to England, working on watercolours, and a few oils, of Lycian subjects. The work he carried out at Lycia is considered to be among his finest.Khatib, H., Palestine and Egypt Under the Ottomans: Paintings, Books, Photographs, Maps and Manuscripts, I.B.Tauris, 2003, p. 119 In 1840 he again visited France, where he executed a series of sketches of Renaissance architecture, twenty-five of which were lithographed and published in 1841, in a folio entitled The Age of Francis I. of France.
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1906Shortly before his death in 1922, Elwes asked Arthur Grove, a friend and fellow lily expert, to undertake the task of producing a supplement. Dame Alice Godman, widow of Frederick DuCane Godman (whose first wife was Elwes' sister), agreed to underwrite the cost of the work (co-written by Grove and the botanist A.D. Cotton) and the first seven parts of the supplement were published between July 1933 and February 1940, with 30 hand-coloured lithographed plates, all but two by Lilian Snelling (1879–1972).Monogram background from Antiquarian Booksellers Association of America (ABAA) Two final supplements were published in 1960 and 1962 by William Bertram Turrill.
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After the Scinde Dawk, Colonel Forbes of the Calcutta Mint came up with an essay for a postage stamp depicting a lion and palm tree. This, and several other essays, were never printed because Forbes could not ensure an adequate supply with the limited machinery at hand. Postal history of India (retrieved 25 September 2006) Soon after, new, lithographed stamps printed by the Survey Office appeared in several denominations valid for use throughout British India as part of sweeping postal reforms. First Issues Collectors Club (Retrieved 25 September 2006) The British East India Company's posts are important, because the "Great Company" held sway over so much of the world's commerce in those days, extending across Asia and East Africa.
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In Germany, Brauer belonged to a Jewish youth movement, youth primarily drawn from assimilated Jewish families who had taken an interest in Zionism, and which called themselves Jung Juda (Young Judea). One of the fellow members of this group whom he had befriended was Gershom Scholem., p. 72 During the years of the First World War, 1915-1916, the two co-edited and published a lithographic magazine entitled, Die Blauweisse Brille ("Glasses in Blue and White"), in which three issues (50-100 lithographed copies) were printed in the printing press owned by Scholem's father, and which treated on the war from a Zionist-Jewish perspective, but written with a comical and humorous flair.
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There was one more contributor to the "City Scratchings" column: an unknown journalist who from 1912 to 1914 wrote as "The Quill", but had neither the wit of Sowden nor the wisdom of Gordon, and the column was never revived. Publishing innovations included a lithographed color supplement in the 22 December issue of 1893 which included a calendar and depictions of locations around Kapunda. From 1903 to 1911 a monthly photographic supplement was included, celebrating nearby towns and prominent people. From October 1916 to the end of 1917 the back page, inverted, was in the form of a separate newspaper The Midlands Gazette devoted to the Riverton region ("Circulating in Riverton, Saddleworth, Auburn, Rhynie, Tarlee, Stockport and Hamley Bridge").
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The great base of Nelson's Column is covered with them. Their number and variety are remarkable. Everywhere Lord Kitchener sternly points a monstrously big finger, exclaiming 'I Want You'".Taylor identifies this as Michael MacDonagh writing in 1935 and notes the "I want you" is not the words of the poster but of Montgomery Flagg's Uncle Sam One contemporaneous publication decried the use of advertising methods to enlist soldiers: "the cold, basilisk eye of a gaudily-lithographed Kitchener rivets itself upon the possible recruit and the outstretched finger of the British Minister of War is levelled at him like some revolver, with the words, 'I want you.' The idea is stolen from the advertisement of a 5c.
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Library and Archives Canada holds a forged, lithographed version of a stamp from 1870 that features an engraving of Queen Victoria."Postal Imposters" in Detecting the Truth: Fakes, Forgeries and Trickery , a virtual museum exhibition at Library and Archives Canada In 1897 the American Bank Note Company secured the contract to print stamps for Canada, which lasted until 1923. The company's first job was to print a series for the Diamond Jubilee celebrating the 60th year of Queen Victoria and the 30th year of confederation, the first commemorative stamps of Canada. The design was a side-by-side of the Chalon vignette of the young Victoria and the likeness photographed by Alexander Bassano in 1887.
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The subject of the 1840s tempera, lithographed later, is one of the oldest north European Eastern Orthodox churches, built in Kalozha (formerly Kolozha) in Hrodna, now in Belarus. At the time, an art critic admired its harmony and saw the composition and color execution of the river vanishing in foggy distance as a vehicle of a deep sadness, an expression of the inertia, "dull heaviness," that permeated the provinces. The potential documentary value of the painting increased when the Neman River undercut the bank near the church in 1853, and its southern wall collapsed, but the picture pays scanty attention to architectural detail. In a modern interpretation, its focus is on the broader significance of what it depicts.
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Pyro was the leading manufacturer of military "bin toys" in the early 1950s. Bin toys were relatively inexpensive items, usually an assortment of miniature green-plastic "army men", vehicles or accessories, packaged in poly bags, wholesaled in bulk, and sold "grab-bag-style" from large cardboard bins in retail stores. Pyro produced a vast array of toys for this market, including tanks, trucks, jeeps, amphibious vehicles, aircraft and field equipment. The company also offered some of these same products in more elaborate gift sets, featuring generous assortments with beautifully lithographed box art. (Examples: 6 US Army Mobile Units (#243); 21-piece US Army Set; 2 Army Tanks and 2 Army Jets set; US Army Tow Truck and Road Roller).
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In 1829 he drew a well-known portrait of the future Queen Victoria, aged ten years, and he later executed portraits in pencil or chalk of the queen and most of the royal family at various ages, besides prints after Franz Xaver Winterhalter's portraits. He turned from engraving to lithography. He produced in this medium Sketches from Gainsborough, and a series of copies of Sir Thomas Lawrence's portraits of George IV's cycle. He also lithographed several hundred pictures of the leading artists of the day, especially those of Charles Robert Leslie, Edwin Landseer, George Richmond, and his own special friend John James Chalon; in all 67 of his lithographs were exhibited at the Academy.
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Balfour took a special interest in languages and spent a lot of time learning local languages. In 1850 he published Gul- Dastah or The Bunch of Roses, a lithographed series of works by Persian and Hindustani poets. He also set up a Mohammedan Public Library in Madras and translated many works from Persian to English as well as English works (such as on astronomy) into Hindi, Tamil and Telugu. Based on his studies, he was sceptical of the state of indigenous scientific knowledge particularly in relation to health and in his Cyclopaedia suggested that Indians were so close to subsistence that they did not have the time or means to reflect accurately on their surroundings.
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He was nominated at the 17th Academy Awards, along with coworkers John Crouse and Nathan Levinson, for their work on the 1944 film The Adventures of Mark Twain.17th Academy Award nominees at Classic Film Guide The only other films Detlefsen is credited for are The Horn Blows at Midnight (1945), Escape in the Desert (1945), and Shadow of a Woman (1946), but he spent 20 years at Warner Brothers Studios, eventually rising to be in charge of the art department that created matte backdrops. Detlefsen then shifted to a career in calendar artwork. His art was lithographed into calendars, reproductions, playing cards, jigsaw puzzles, mats for tables, and even four-foot wide wall murals.
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Falconer is perhaps best known in the present day for his works on the Bostan, from which he published in 1839 a volume of selections, very neatly lithographed from his own transcript. In the Asiatic Journal, a useful periodical now defunct, he published a translation of part of the same poem, as well as selections from several of the Sufi poets, and a critical study of the Sindbad-Nameh. Falconer edited two important poems of Jāmi, the Tuhfat-ul-Ahrār and Salāmān u Absāl, for the Society for the Publication of Oriental Texts. The critical ability of these texts is attested by Francis Johnson in the preface to his edition of John Richardson's Persian Dictionary.
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It was followed in 1890 by a "Salon Tachyscope" for which the 180 centimeter long picture bands had to be attached to a base to form the zoetrope-type drum. Each strip had the appropriate amount of slots in between the lithographed pictures and the base could be turned into a vertical position. Anschütz produced two simplified versions in 1891. The zoetrope-type Schnellsehers were mainly made for people to use at home and Anschütz probably wanted to make his work available to many people through commercial exploitation, but he was very careful to keep the image quality high and chose to manufacture all image strips personally at his studio, which resulted in relatively small quantities.
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The Pinetum Britannicum, a descriptive account of hardy coniferous trees cultivated in Great Britain. Edinburgh and London: Ballantyne, Hanson & Co., for W. Blackwood & Sons, [1863]-1884\. Hand-coloured lithographic plates by William Richardson, James Black, R.K. Greville, and J. Wallace, lithographed by A. Murray, Robert Black, Fr. Schenk, J. M'Nab and M.T. Masters, 4 mounted albumen photographs by F. Mason, one lithographic plate of maps, and numerous wood-engraved text illustrations Lot 54: RAVENSCROFT, Edward James (1816-1890). The Pinetum Britannicum, a descriptive account of hardy coniferous trees cultivated in Great Britain. Edinburgh and London: Ballantyne, Hanson & Co., for W. Blackwood & Sons, and the author, [1863]-1884. - Featured on Artfact.com This botanist is denoted by the author abbreviation Ravenscr.
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Maclise was born in Cork, Ireland, the son of Alexander McLish (also known as McLeish, McLish, McClisse or McLise), a tanner or shoemaker, but formerly a Scottish Highlander soldier. His education was of the plainest kind, but he was eager for culture, fond of reading, and anxious to become an artist. His father, however, placed him in employment, in 1820, in Newenham's Bank, where he remained for two years, before leaving to study at the Cork School of Art. In 1825 it happened that Sir Walter Scott was travelling in Ireland, and young Maclise, having seen him in a bookseller's shop, made a surreptitious sketch of the great man, which he afterwards lithographed.
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The invention of colour lithography made it possible to reproduce coloured images cheaply, leading to a much broader circulation of the cards. An early centre of their manufacture was in the environs of the Church of St Sulpice in Paris; the lithographed images made there were done in delicate pastel colours, and proved extremely influential on later designs. Belgium and Germany also became centres of the manufacture of holy cards, as did Italy in the twentieth century. Catholic printing houses (such as Maison de la Bonne Presse in France and Ars Sacra in Germany) produced large numbers of cards, and often a single design was printed by different companies in different countries.
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In 1926, while a student of the Architectural College (PIGI) in Petrograd, he created the first real Suprematist architectural project. His immense influence on the students and professors of PIGI resulted in a series of collaborative works with his professors A.S. Nikolsky and G. Simonov that defined Lazar Khidekel’s groundbreaking role in developing Suprematist and Constructivist-Suprematist style as an ultimate trend of the Leningrad avant-garde architecture of mid 1920s - early 1930s. In the mid 1920s he envisioned his projects of the futurist cities such as Aero-city, Garden-city, City on the Poles and on the Water, that firstly young Lazar Khidekel defined in his 1920 hand lithographed manifesto “AERO. Articles and Projects”.
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Plantae Asiaticae Rariores is a horticultural work (alternative title Descriptions and figures of a select number of unpublished East Indian plants) published in 1830–1832 by the Danish botanist Nathaniel Wallich. Plantae Asiaticae Rariores was published in London, Paris and Strassburg between 1829 and 1832 and consisted of 3 volumes bound from the 12 original parts in folio size (21½ × 14½ inches) with 294 hand-coloured plates lithographed by Maxim Gauci. Wallich went on extended leave in 1828 to supervise the printing and hand-colouring of the illustrations in England. Foremost of the watercolour artists who executed the original paintings were two Indian artists, Vishnupersaud, responsible for 114 plates and Gorachand for 87.
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A few pages of Llona's Memoirs have been published, in which he speaks about his friendship with French writers, such as Pierre Benoit, Marcel Proust, Francis Carco, Henri Poulaille, Jean Galtier-Boissière, Jules Supervielle, Paul Morand, Pierre Mac Orlan, Jacques de Lacretelle, Julien Green and Roger Martin du Gard. He remained also a friend of the major NRF figures, like André Gide, Jean Schlumberger, Valéry Larbaud, André Ruyters and Jacques Rivière. Llona also had great friendship with the Belgian poet and designer Jean de Bosschère (1878–1953), who made a lithographed portrait of him. He also wrote an essay on the French writer Louis Thomas and befriended him and his opera singing wife Raymonde Delaunois.
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A map showing railway development and Cobb and Co's stagecoach routes in Queensland, "compiled & lithographed from official maps", shows the name "Collingwood" printed in an italic typeface, whereas the name "Winton" was obviously written on the map by hand. Clearly, it had been left off the "official maps". Cobb and Co needed to have Winton on the map to show its route leading there from Hughenden, which then continued to Cork – bypassing Collingwood. Collingwood was, however, served by a weekly horse-borne mail run between Winton and Boulia by that same year. It was also in 1885 that a postal receiving office – not a full post office – was established at "Collingwood, near Winton", in April.
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Upmann is sometimes credited with the invention of packaging cigars in cedar boxes to give to their customers. These original boxes were labelled with the H. Upmann name and contained other manufacturers' cigars, most likely as an advertisement for the operation, until the Upmanns bought their own cigar factory in 1844: the famous H. Upmann Factory, now known as the José Martí Factory, in Havana. Through the late 1800s, the H. Upmann brand gained international recognition at various exhibitions and won seven gold medals which still adorn the lithographed art on today's H. Upmann boxes, along with Hermann Upmann's original signature. In North America, Charles Landau became the exclusive agent for H. Upmann cigars for many years.
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George Foggo (1793–1869) was a historical painter, born in London on 14 April 1793. Foggo received his early education with his brother, James Foggo, in Paris, and joined him in London in 1819, after which the two were inseparably associated in their work and life. They founded a society for obtaining free access to English museums, public edifices, and works of art, of which the Duke of Sussex was president, Joseph Hume chairman of committees, and George Foggo honorary secretary. He also worked as a lithographer with his brother, and they lithographed their large picture of Parga and other original works; in 1828 he published by himself a set of large lithographs from the cartoons by Raphael.
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He then, having from a very early age had a propensity for drawing, entered the atelier of the distinguished painter Baron Gros, and soon began issuing the first of those lithographed designs which eventually brought him renown. His Grenadier de Waterloo, 1817, with the motto "The Guard Dies and Does Not Surrender" ()—a famous phrase frequently attributed to Cambronne but which he never uttered, and which cannot, perhaps, be traced farther than to this lithograph by Charlet—was particularly popular. It was only towards 1822, however, that he began to be successful in a professional sense. Lithographs (about 2000 altogether), watercolours, sepia drawings, numerous oil sketches, and a few etchings followed one another rapidly.
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Kellersberger's Map is a plat map created in 1854 of Rancho San Antonio on the northeastern shore lands, the Contra Costa of San Francisco Bay, in present day Alameda County, California. The area surveyed today comprises the entire extent of the cities of Berkeley and Albany, and the northern part of Oakland, including its downtown and waterfront. The map can be seen here: 1854 Map of the Vicente & Domingo Peralta Ranchos, Lithographed by Britton & Rey, courtesy of Barry Lawrence Ruderman Antique Maps Inc. Kellersberger's Map was created by surveyor Julius Kellersberger in order to facilitate the subdivision of a portion of the Mexican land grant lands of the Alta California era Rancho San Antonio following the Mexican–American War and U.S. statehood.
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The induced vortices have many applications in various aspects of electrokinetic microfluidics. There are many micro-mixers that are designed and fabricated based on the existence of their induced vortices in the microfluidics devices. Such micro-mixers which are used for biochemical, medicine, biology applications has no mechanical parts and only use conducting surfaces to generate induced vortices to mix the different fluid streams,M. Campisi, D. Accoto, F. Damiani and P. Dario, A soft-lithographed chaotic electrokinetic micromixer for efficient chemical reactions in lab-on-chips, J. of Micro-Nano Mechatronics, 5, (2009) 69-76A. D. Stroock, S. K. W. Dertinger, A. Ajdari, I. Mezić, H. A. Stone and G. M. Whitesides, "Chaotic mixer for microchannels," Science, 295, (2002) 647-651Y.
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Watson hired a British immigrant, William L. Breton, to illustrate the 1830 Annals. Based on Watson's own sketches, Breton's lithographed illustrations included the first published images of George Washington's President's House (demolished two years later), of the State House Tavern (opposite Independence Hall), and of a slave auction at the London Coffee House. Later editions of the Annals copied these lithographs as woodcuts, and then engravings. A scrapbook of Watson's notes for the 1830 Annals is housed at the Library Company of Philadelphia. It includes such curiosities as squares of fabric cut from dresses worn by Philadelphia ladies at the "Mesquianza", an elaborate May 1778 pageant and ball hosted by British officers during the Revolutionary War occupation of the city.
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Library of Congress image used as the frontispiece for the 150th Anniversary re-issue of Squier and Davis' Ancient Monuments of the Mississippi Valley Ancient Monuments of the Mississippi Valley (full title Ancient Monuments of the Mississippi Valley: Comprising the Results of Extensive Original Surveys and Explorations) (1848) by the Americans Ephraim George Squier and Edwin Hamilton Davis is a landmark in American scientific research, the study of the prehistoric indigenous mound builders of North America, and the early development of archaeology as a scientific discipline. Published in 1848, it was the Smithsonian Institution's first publication and the first volume in its Contributions to Knowledge series. The book had 306 pages, 48 lithographed maps and plates, and 207 wood engravings.
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After the Civil War, Americans developed increasingly efficient ways to manufacture playthings and quickly emerged as leaders in the manufacture of cast-iron banks; miniature boats and wagons of tin, cast iron, or wood; and lithographed optical toys and board games. Although the United States dominated commercial toy manufacturing by 1900, individuals continued to make playthings by hand for a variety of reasons. Some toys, like whistles made from spring willow twigs or dandelion stems, simply could not be commercially produced. While those who could not afford store-bought toys often created homemade toys, even the affluent sometimes chose to carve a miniature cradle or a hobby horse, or to stitch a doll dress or a puppet as a special gift.
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The marriage was short-lived, and in 1934 she married Ian Parsons, an editor at Chatto & Windus. During World War II she worked as part of the Fire Service, for a while as a Land Girl, and finally for Intelligence. Known professionally as T. Ritchie, she was the author and illustrator of Bells across the Sand — A Book of Rhymes with Pictures which was published by her husband's firm circa 1944, lithographed throughout, and printed by Chiswick Press in the same style and size as Puffin Picture Books. She also illustrated, and designed the cover for, The Three Rings by Barbara Baker (Hogarth Press, 1944), and designed the cover for the British edition of Newbery Medal winner Johnny Tremain (Chatto & Windus, 1944).
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The Half Anna Lithographed Stamps of India, a monograph by Smythies and Denys R. Martin appeared in 1927. Martin and Smythies also produced a pioneering study of the 1854 Four Annas, which won the 1932 Crawford Medal of the Royal Philatelic Society London. Other Smythies monographs appeared on the stamps of Nepal, written with L. E. Dawson and H. D. S. Haverbeck;Smythies, L. E. Dawson and H. D. S. Haverbeck The Postage Stamps of Nepal Collectors Club (1952) and on Jammu and Kashmir, written with L. E. Dawson. E. A. Smythies and L. E. Dawson, The Postage Stamps of Jammu & Kashmir Simplified Philatelic Society of India, The Mall, Lahore (1937) In 1956 Smythies' interest shifted to Canadian stamps and postal history.
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On 23 February Whewell wrote a general letter asking for support for the Prince because Powis would be "a Chancellor of St John's" and had estranged himself from the rest of the University. Whewell hand-wrote some letters but lithographed others,Cambridge Advertiser and University Herald, No. 432 (3 March 1847), p. 182. and the Master of St Johns Ralph Tatham complained that for him to do so was "unjust and unprecedented" since the assertion was wrong: Powis' committee contained 40 Trinity graduates. Whewell stood by his comments, on the grounds that Powis had not told the officers of the University that he was standing, and had replied with the resolution of a committee when they had got in touch with him.
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Daumier later in his career In addition to his prodigious activity in the field of caricature—the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3,958—he also painted. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of Christ and His Apostles (Rijksmuseum in Amsterdam), or in his Good Samaritan, Don Quixote and Sancho Panza, Christ Mocked, or even in the sketches in the Ionides Collection at South Kensington. There is a room-full of caricatures in the museum Am Römerholz in Winterthur. Don Quixote and Sancho Panza was found as part of the 2012 Munich Art Hoard.
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The Austrian Empire, between 1816 and 1867. The first postage stamp issue of the Empire of Austria was a series of imperforate typographed stamps featuring the coat of arms. At first they were printed on a rough handmade paper, but after 1854 a smooth machine-made paper was used instead. Issues between 1858 and 1861 used a profile of Emperor Franz Josef, then switched back to the coat of arms, in an oval frame. Four clichés of the 1850 issue had St. Andrew's crosses printed per pane so that an even multiple of gulden were paid per pane sold. The scarlet Red Mercury, or "rote Murkur," issued on March 21, 1856 is the rarest of the lithographed newspaper stamps authorized on September 12, 1850 which bore Mercury heads but no denominations.
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The first stamp of Argentina as a nation was a rather crude lithographed seal of the Confederation (Scott #1 to 4) in 1858, followed in 1862 by the seal of the Argentine Republic (Scott #5 to 7). From 1864 to the first commemorative in 1892 a total of 24 different designs were issued. The majority of these stamp designs were small portraits of famous men, principally of the Independence period. The stamps do not identify these heroes of independence, so they would have meant little to anyone who was not familiar with Argentine history. Bushnell has analyzed the “próceres” appearing on these stamps, and concludes that they were primarily of the “liberal” current in Argentine political history, reflecting the principal trend after the fall of the dictator Juan Manuel de Rosas in 1852.
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The image represented on the stamp may be hand-drawn or painted, lithographed or offset-printed, photographed, photocopied, etched, engraved, silk-screened, rubber stamped, or produced on a digital inkjet or laser printer. While the method of production is entirely the choice of the artist, creators who exclusively or primarily use rubber stamps are occasionally held in contempt by members of the artistamp community, some of whom refer to such producers as "bunny-stampers." The personal computer, personal printer and color photocopier have served to democratize the means of production of artistamps. It is no coincidence that the early 1980s explosion in artistamp creation paralleled the development and widespread use of color photocopiers, and that a similar surge followed the ubiquity of personal computers and inexpensive color printers.
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Lithographed by Edmund Walker, Toronto. (No image), Accessed 2015-12-31 1856: Niagara in Winter, (incorrectly dated 1861, but written verso "F.W. Lock 1856") Harvard Art Museums/Fogg Museum, Gift of Frederick R. Koch, Accessed 2015-12-31 1857: Niagara in Winter, 1857 Harvard Art Museums/Fogg Museum, Gift of Frederick R. Koch, Accessed 2015-12-31 1857: Portrait of Érasme Malhiot, Musée national des beaux-arts du Québec (National Museum of Fine Arts of Quebec), Accessed 2015-12-31 (Right click and select: Translate to English.) 1857: Posthumous Portrait of Charles Jones (1781-1840), Brockville, Canada West (Ontario), copied by F. W. Lock, from a prior portrait (undated). The Canadian Anglo-Boer War Museum, Goldi Productions, Mississauga, Ontario. A true color detail from that portrait at: Accessed 2016-02-15 A false color image at: Accessed 2016-02-13.
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He "created precise renditions of major monuments and urban spaces what are not about exotic strangeness but instead emphasize the capital's grandeur and order."Oles, Mexican Art and Architecture, p. 181. In 1841 he produced a valuable historical document in the form of a book of lithographs titled "Monumentos de Mejico, tomados del natural y litografiados por Pedro Gualdi pintor de perspectiva obsequio a los señores abonados", lithographed and published by Agustín Massé and Jean Decaen Callejon. The thirteen plates portrayed the 'Catedral', 'Plaza de So. Domingo y Aduana', 'Exterior de Na. Sa. de Guadalupe', 'Interior de la Universidad', 'Interior de la Mineria', 'Colegio de Mineria', 'Interior de Catedral', 'Santuario de Na. Sa. de Guadalupe', 'Paseo de la Independencia', 'Patio del convento de Na, S. de la Merced', 'Camara de los Diputados' and the 'Casa Municipal'.
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By means of seamless branching, the film could be viewed either with or without a newly created scene – a short conversation in the film replaced with a complete song ("The Morning Report"). A Special Collector's Gift Set was also released, containing the DVD set, five exclusive lithographed character portraits (new sketches created and signed by the original character animators), and an introductory book entitled The Journey. The Platinum Edition of The Lion King featured changes made to the film during its IMAX re-release, including re-drawn crocodiles in the "I Just Can't Wait to Be King" sequence as well as other alterations. More than two million copies of the Platinum Edition DVD and VHS units were sold on the first day of release. A DVD box set of the three The Lion King films (in two-disc Special Edition formats) was released on December 6, 2004.
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100 was released in a simplified version, without a security thread and with the back lithographed rather than engraved. Fearing that these poorer quality notes were forgeries, people avoided them to such an extent that after a few months Banco Central resumed issuing the older type of 100. As inflation gathered pace, Banco Central introduced cheques de gerencia (cashier's cheques, certified cheques, bank drafts) for 5000 and 10,000 pesos bolivianos in 1982. By the summer of 1983 notes of 1, 5, and 20 were no longer seen in circulation, which consisted of notes for 10, 50, 100, 500, and 1000 pesos bolivianos. Denominations of 5000 and 10,000 appeared sometime later. Hyperinflation left insufficient time to provide for regular banknotes, and 1984-1985 saw Banco Central release the simpler cheques de gerencia for 20,000, 50,000, 100,000, 500,000, 1 million, 5 million, and 10 million pesos bolivianos (printed by four different printers).
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Early Marx Trains and entry-level trains, usually made of lithographed tin plate, were not scaled at all, made to whimsical proportions about the same length of an HO scale ("half O") piece, but about the same width and height of an O scale piece. Yet all of these designs ran on the same track, and, depending on the manufacturer(s) of the cars, could sometimes be coupled together and run as part of the same train. After World War II, manufacturers started paying more attention to scale, and post-war locomotives and rolling stock tended to be larger and more realistic than their earlier counterparts. This has been reflected in the change of name from O gauge to O scale: gauge describes merely the distance between the rails, while scale describes the size ratio of a model as it relates to its real-world prototype.
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Naval warfare: The explosion of the Spanish flagship during the Battle of Gibraltar, 25 April 1607 by Cornelis Claesz van Wieringen, formerly attributed to Hendrik Cornelisz Vroom Bomarsund, Åland (during the Åland War), drawn by Edwin T. Dolby and lithographed by William Simpson Control of the sea is important to the security of a maritime nation, and the naval blockade of a port can be used to cut off food and supplies in time of war. Battles have been fought on the sea for more than 3,000 years. In about 1210 B.C., Suppiluliuma II, the king of the Hittites, defeated and burned a fleet from Alashiya (modern Cyprus). In the decisive 480 B.C. Battle of Salamis, the Greek general Themistocles trapped the far larger fleet of the Persian king Xerxes in a narrow channel and attacked vigorously, destroying 200 Persian ships for the loss of 40 Greek vessels.
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In reality, Charles Forde did not exist; the name was used as an alias for Charles Fulford, who had no scientific training. The beans were initially manufactured in America by Parke Davis & Co. of Detroit, until the Bile Bean Manufacturing Company set up a production facility in Leeds, England, trading under the name of C. E. Fulford Limited, which also sold other patent medicines, including the Zam-Buk ointment, Pep pastilles and later Vitapointe hair conditioner. The product sold by Fulford and Gilbert was not the first patent medicine marketed as "Bile Beans". A different type of Bile Beans was invented by James F. Smith, a chemist from Texarkana, Texas, in the 1870s or 1880s, and J.F. Smith & Co traded out of St Louis, Mo. The firm also produced a product called "Smith's Blood Beans", claimed to "purify the blood" and was "put up in packages similar to Bile Beans" with "sugar coating blood red in color", and a "wrapper [...] lithographed in red ink instead of black".
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"Hillside in the Philippines", by C.W. Andrews The text of the publication mostly related to the arts, history, geography, ethnography, and other sciences, while the illustrations offered reproductions of landscapes, seascapes, village life, costumes, portraits, and many other aspects of the Philippines and the Filipino people. Ilustración Filipina didn't delve much on political issues and focused instead on cultural and scientific subjects that were combined with its high-quality illustrations, that included many portraits and stunning views of emblematic places in the Philippines, such as the volcano at Albay or the Botocan waterfalls. Wenceslao Retana, in his "Aparato Bibliográfico de la Historia General de Filipinas", defined the publication as rather "unusual" in 1877 and praised its high quality. Each issue included one tinted lithograph whose images were in many cases drawn by Andrews, who on occasions would use original sketches by Charles Wirgman to create engravings that were later lithographed by Giraudier.
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Portrait of Bengough from A Caricature History of Canadian Politics (1886) Bengough told the following story of how he took up publishing: He had made a caricature of James Beaty, Sr., editor of the conservative Toronto Leader, and Beaty's nephew Sam found it so amusing that he made a lithographic copy for himself at the printer Rolph Bros. Impressed with his first exposure to lithography, and frustrated with the lack of opportunities to have his cartoons published, Bengough asked himself, "Why not start a weekly comic paper with lithographed cartoons?" His brother Thomas remembered a somewhat different story in which Bengough first began distributing copies of his cartoons on the street. Of his printed cartoons, only one of Liberal member Edward Blake has survived. In 1849–50 John Henry Walker's short-lived weekly Punch in Canada provided the first regular outlet for Canadian political cartooning; others such as The Grumbler (1858–69), Grinchuckle (1869–70), and Diogenes (1868–70) did not last long, either.
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In anxiety about Napoleon's planned invasion of the United Kingdom, Boswell also produced a map of his home county in 1804, which was later lithographed for private circulation. This map was produced mostly with reference to the government and resources of the county, containing: "the site of the beacons, and their communications with each other – the signal-posts erected by the Government— the depôts and places of assembly of the volunteer corps—the number of the inhabitants of the county comprising the volunteers actually serving—the number of persons capable of bearing arms, guides, conductors, &c.; and a general summary of the resources of the county as to the live and dead stock, the services to be per formed by individuals, supplies to be furnished, the number of mills and ovens, of boats and barges, &c.; the whole forming a most complete statistical account of the county in that year, compiled from the returns made under the Act for defence and security of the realm".
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Sort leads the “Group of Smart Nanoengineered Materials, Nanomechanics and Nanomagnetism (Gnm3)” at UAB, created in 2011 and now consisting of around 20 researchers (including Physicists, Chemists and Materials Science Engineers). The research activities of the group focus on the development of novel types of functional materials (thin films, nanoporous alloys and semiconductors, lithographed micro/nanostructures and nanocomposite/hybrid materials) for diverse applications (magnetic, mechanical, biomedical, catalytic), with an environmentally sustainable, cost- effective and energy efficient approach. Among his main scientific achievements, one can mention: (i) new approaches to control the magnetic behavior of materials at the sub-micrometer scale by non-magnetic means, i.e., taking advantage of local mechanical strain, ion irradiation/implantation or electric field (magneto-electrics), (ii) the discovery of a novel magnetization reversal mechanism called “exchange biased vortex” in circular magnetic structures with applications in magnetic data storage and spin- valves, (iii) the enhancement of the mechanical, magnetic and catalytic properties of environmentally-sustainable nanoporous materials for energy efficiency applications.
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The stamp was produced by the State Press of Buda by lithography, followed by an engraved set and newspaper stamps. There was no indication of language, but the face of Franz Josef appeared above the national emblem, for values 2 to 25 kreuzer. The 25 kreuzer image helps to distinguish the issues. 25 kreuzer engraved and lithographed (right stamp) The very first impression was of poor quality and most of it had to be destroyed. Only a small quantity of this impression was released, in August 1873, and stamps of this impression are rare (2 kreuzer dark yellow). In 1869, for the first time anywhere in the world, the Austrian and Hungarian post began to process Postal cards (not to be confused with postcards), which do not need a separate stamp (Korrespondenz Karte in German).See the article Postcard in Wikipedia The popularity of this method of communication is demonstrated by the delivery of over 2.5 million postal cards in 1871. By 1873 the figure reached 6.5 million and in 1900, an estimated 25 million items were delivered.
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Of the ninety-seven designs submitted, six were in a self-described "Elizabethan" style.Pevsner 1962:477 In 1838, with the Gothic revival was well under way in Britain, Joseph Nash, trained in A.W.N. Pugin's office designing Gothic details, struck out on his own with a lithographed album Architecture of the Middle Ages: Drawn from Nature and on Stone in 1838. Casting about for a follow-up, Nash extended the range of antiquarian interests forward in time with his next series of lithographs The Mansions of England in the Olden Time 1839–1849, which accurately illustrated Tudor and Jacobean great houses, interiors as well as exteriors, made lively with furnishings and peopled by inhabitants in ruffs and farthingales, the quintessence of "Merrie Olde England". A volume of text accompanied the fourth and last volume of plates in 1849, but it was Nash's picturesque illustrations that popularised the style and created a demand for the variations on the English Renaissance styles that was the essence of the newly revived "Jacobethan" vocabulary.
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