I imagine music affects the listener in a similar way.
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You're not going to be a good listener in that case.
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It affects the soul and the emotion of the listener, in a very direct way.
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"I really don't care for the weird openings," wrote Cameron Collins, a listener in St. Louis.
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It's deceptive, too, built around pop hooks, drawing the listener in for long enough to confound them.
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What a delightful new journey for the reader/listener in the sound and photography of this issue.
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Well, everybody's a pretty good listener in an interview, so you do that largely through reference checking.
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But the average listener in the states might not know what to do with that type of music.
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There's a certain amount of mental effort required by the listener in order to fully grasp its intricacies.
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It's just a consequence of life as an active and discerning viewer and listener in the year 2016.
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On today's episode: Ann Powers, a listener in Oregon, interviewed her two sons and one of their friends.
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The next step is separate personal sound zones for each listener in a room, in effect creating invisible speakers.
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The sound of the closed Aeons is stripped down and aggressive, with no niceties to ease the listener in.
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Solange is especially effective with pulling the listener in with plainspoken confessionals stating that your journey isn't a lonely one.
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What there needs to be is an accretion of minutiae that satisfies the listener in his or her own obsession.
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The band's sophomore LP, How to Be a Human Being, is chock-full of stories that ground the listener in visceral scenes.
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The format involves object-based spatial audio that places various elements of a music track around the listener in a virtual spherical environment.
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The listener, in the blue dress, holds her cigarette outside of their conversational space, as if acknowledging the importance of what's being said.
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But it's Savior's beguiling voice that really draws the listener in: Smouldering like Lana, offhand and confident, and gorgeous like sex rumpled hair.
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I want changes to happen without anybody actually hearing the changes, and have those shifts pull the listener in, to an even deeper level.
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His songs were filled with fluttering synths, sugary melodies, and a flow and rhythms that wash over the listener in the best possible way.
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For maternity leave and affordable daycare and reproductive justice and better health care and less college debt and equality for all and a Listener in Chief.
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Trump is often described as a good listener in private — but in public, he's as condescending to his allies and followers as he is to his enemies.
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Chuck Ragan and Chris Wollard's intertwining growls pleaded not only for attention, but besieged the listener in a melodramatic surround-sound symphony that could exhaust one's best defense.
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" Burton also notes that podcasting helps enhance the stories he selects: "What audio storytelling does is it engages the listener in a way that visual storytelling does not.
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The two voices in the duet grind against one another, throat to throat and tongue to tongue, letting the listener in on the erotic pleasure of vocal intimacy.
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The track's opening riff and consistent momentum draw the listener in immediately, so that the video becomes accompaniment to a killer song instead of an attempted mini-movie.
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Blackout drops the listener in the town of Berlin, NH with Simon — local radio DJ, husband, father of teenage twins — who has seen something strange in the isolated woods.
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If a band like Mineral laid out their feelings for the world to absorb, Hot Water Music bashed the listener in the face and made them swallow it whole.
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Each track plays out like a shadowy romance, with standouts such as "Polychrome" and "What Reason Do We Need" inviting the listener in only to evaporate like a dream.
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Specific sounds used on it, like the floating vocals on "Take Me Higher" or the gentle keys of "Dream," put the listener in a hazy loop of memories and future expectations.
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Then Ms. Murphy writes about what makes a bad listener: In writing a book about listening, I asked people from Brooklyn to Beijing what it meant to be a good listener.
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If Jarman, a multi-instrumentalist and poet, used to recite verses that challenged the listener in a playful, quizzical fashion — like a free-jazz Dalai Lama — Ms. Ayewa was doing something else.
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I definitely try to steer the listener in a general direction of where I'm coming from, but I prefer to write in layers, to leave that open to the person listening to it.
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It's hard to describe, but I could hear nuances in the music that seemed purposefully constructed so that only a listener in the same "frame of mind" would ever be able to hear them.
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The main riff on Tornado of Souls reels the listener in with a blazing, characteristic Mustaine lick, and part of the appeal of this riff is the lightning quick trill bridging the rest of the passage together.
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His music has the uncanny ability to suspend our sense of time as a linear trajectory, immersing the listener in a torrent of notes that seems to belong in equal measure to the past, present and future.
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Pushing past crime statistics to offer an in-depth look at "the shooting, the fallout, and the trial," the podcast provides daily updates and audio clips from the trial itself, leaving the listener in the jury box.
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I've been a Spotify listener in the past, but I've never been a power user of playlists which left me pretty vulnerable to switching if it made life easier with the HomePod and my AirPods, which it did.
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"Her practice is incredibly personal and heavily inspired by her parents' experiences as political refugees in Iran in the 1980s," she adds, cueing the listener in to the fact that even very conceptual modes can be highly subjective.
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He may find a sympathetic listener in Mr Trump, especially if he harps on Mr Obama's mistakes, the machinations of a "deep state" bent on keeping Russia and America at loggerheads, and the manipulations of the fake-news media.
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In concert, she sometimes trained her attention on a single listener in the front row, casting the stranger as the vivid "you" of a song who in real life may have been Sam Shepard, James Taylor, or Leonard Cohen.
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It begins on an E minor to G major motion—the "major lift" that another Canadian icon once sang about—but reaches further upwards and lands on a B minor, placing the listener in less uplifting minor-key territory.
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"There are big advantages in being able to be anonymous, and one of them is that you have to rely on your other attributes in order to make progress and achieve things," he told the magazine New Zealand Listener in 2004.
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Argueta, who has a shaved head, a goatee, and a thick New York accent, couldn't believe that after nearly two decades calling on deaf ears to acknowledge Long Island's gang problem, he had found a sympathetic listener in none other than Donald Trump.
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The youthful innocence of these emotions and the sounds that carry them on strikes a chord that many modern pop acts tend to polish away, yet Human Leather leaves it raw and digs in deeper to really immerse the listener in pure feeling.
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Both tracks showcase the undeniable strength that City of Caterpillar possesses—the ability to wrap the listener in a sonic landscape that teeters on the edge of chaos—sweeping crescendos, fractured melody, and cinematic beauty that collapses into the harsh brutality of their punk roots.
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I'm always a better listener in a professional context than I am in private — once you've transcribed your own grating voice saying idiotic things in an interview a few hundred times, you start to be more careful — but I feel like I had a particular empathy that day.
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In 2016, however, the disgraced doctor began receiving some rather exclusive invitations in America: first to a meeting with a presidential candidate and then to an inauguration ball in Washington, DC. He had found a willing listener in Donald Trump, who has tweeted about the dangers of vaccines more than 30 times.
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Among the colour of "Bofou Safou", a tongue-in-cheek take on Malian men who prefer dancing to working, and the disorder of the album's title track, a musing on the country's political chaos, lie bluesy gems like "Ta promesse" and "Mokou Mokou", which lure the listener in with a satisfying lilt.
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Ava Trilling is a naturally gifted lead singer who already understands that she doesn't need to push her voice into unnatural territory for it to draw a listener in; Duke Greene and Ben Guterl have a seemingly innate understanding of each other's guitar styles; Noah Schifrin and Zach Lorelli form a subtly experimental rhythm section that never fully allows a song to settle.
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One evening, a steel-drum player, backed by a snare and an electric bass, performed an instrumental cover of Sam Cooke's "Bring It on Home to Me." Around eleven, as the musicians started tapping out the notes to "Signed, Sealed, Delivered," a listener in red jeans and a blue button-down leapt up to become their vocalist, singing through the chorus about a dozen times.
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After Go-Set, Meldrum wrote columns for Listener-In TV and then TV Week as their rock music reporter.
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If Father Rob identifies more, he got to spend a minute or so mocking the listener in whatever way he sees fit.
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She retired from the Listener in 2009. In 1987, she was a founding member of the New Zealand Guild of Food Writers.
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This 500 watt station could be heard for thousands of miles. In September 1928, Hugo Gernsback wrote about a listener in New South Wales, Australia.
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Phi has received numerous awards and honors, including multiple Minnesota State Arts Board Artist Initiative grants. He was also a featured listener in the award-winning documentary film The Listening Project.
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He moved to New York in 1901 and worked for the New York Evening Mail and New York Evening Post. While at the Mail, he worked alongside C. L. Edson and Rube Goldberg. Over the course of his career, he also authored several books. He wrote two companion books, The Listener in the Town and The Listener in the Country (Copeland and Day, 1896), John Brown (Beacon, 1899), The Ifs of History (1907), and Nomads and Listeners (Riverside, 1937).
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"No!" also serves to cancel a response, while "Yes!" encourages a response, as qualifying autoclitics can serve to assert a response. Quantifying autoclitics modify the reaction of the listener, in that all, some, and no affect the responses they accompany. A and the narrow a listener in on the response that follows and its relation to the controlling stimulus. For example, circumstances under which we say "book" vary from those where we say "the book," with the functioning to modify the listener's reaction.
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In 1936, Holcroft began writing for the Southland Times and became its editor. In 1949, Holcroft was offered the editorship of the New Zealand Listener in Wellington. He took up the appointment in June 1949.New Appointment.
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The first issue of TV-Radio Week published in Melbourne covered the week 5–11 December 1957, with popular GTV9 performers Geoff Corke and Val Ruff featured on the cover. In 1958, the title was shortened to TV Week. Around 1956, radio magazine Listener In first published in 1925 adapted with the times and began covering television and added “TV” to its title. As part of the Herald and Weekly Times (HWT) group, Listener In-TV had an affinity to the company's new television station Channel 7, HSV7.
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The abstract is the summary of the story that usually comes at the very beginning of a story. Labov notes that the orientation (introduction) serves to orient the listener in respect to person, place, time, and behavioral situation.
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Other plays were critically acclaimed. Milgrip's Progress was reviewed in the Listener, and by Gillian Reynolds in the Guardian. Twelve Tuesdays to Christmas was reviewed in the Listener. In 1977, Stanton's first book Treason For My Daily Bread was published.
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Philippa Jane Ussher (born 1953) is one of New Zealand's foremost documentary and portrait photographers. She joined the New Zealand Listener in 1977 and was chief photographer for 29 years, leaving to take up a career as a freelance photographer and author.
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79 The silent listener in this case is Wordsworth's sister Dorothy, who is addressed in the poem's final section. Transcending the nature poetry written before that date, it employs a much more intellectual and philosophical engagement with the subject that verges on pantheism.Geoffrey Durrant, p. 24.
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This design is intended for a domestic, small room setting. The speakers are equidistant from the listener and lie equally spaced on the circumference of a circle. The simplest Regular Polygon decoder is a Square with the listener in the centre. At least four speakers are required.
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The Penguin Guide to Jazz stated that the album is "almost sublime – unfussy, skilful, complex in tone". BBC Music Magazine commented that Bernstein's "fundamentally patient manner draws the listener in, in the conversational way of great post-bop music"."Heart's Content" (January 20, 2012). BBC Music Magazine.
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Parallel structure is like the derived conjunction analysis because it assumes several underlying complete sentences."Parallel Structures in Syntax." Lingua 75.2 (1988): 275-87. Print. In addition to providing emphasis, it is evident that parallel structure appeals to the reader or listener in a variety of ways as well.
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Clayson, p. 349.Huntley, p. 123. Author Ian Inglis comments that Harrison's lyrics here recall the Beatles' use of personal pronouns in songs such as "Love Me Do", "From Me to You" and "She Loves You" to effectively "include the listener in the song's narrative".Inglis, p. 50.
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Beal Wong was an American actor who acted in films from 1933 to 1962. Some of the films he appeared in were The Big Bluff, China, Women in the Night, Little Tokyo, U.S.A.. He also appeared in The Secret Code. He played the Chinese Radio Listener in Earth vs. the Flying Saucers.
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Note: various contemporary copies of Listener In, Radioprogram, Radio Times, Wireless Weekly and A.B.C. Weekly in the collection of Albert Isaacs (Melbourne). It still broadcast for three hours on Saturday and Sunday afternoons, even though amateurs were no longer permitted to do so after 1939. 3AK's hours of broadcast remained unaltered until 1954.
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David Colin Beatson (14 April 1944 – 21 September 2017) was a New Zealand journalist, media analyst and broadcast presenter. He was editor of the New Zealand Listener in the 1980s. He worked as Chief Press Secretary to 1990s New Zealand Prime Minister Jim Bolger. Beatson died on 21 September 2017, following a lengthy undisclosed illness.
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The station targets the listeners between 16 – 39 in the LSM group 3–7.The programming reflects a multi-cultural flavour targeted at the young black listener in township, high school, college and university and the community, made up of talk 40% and music 60% and includes features such as traffic reports, weather reports.
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Skinner notes that while audience control is developed due to histories with certain audiences, we do not have to have a long history with every listener in order to effectively engage in verbal behavior in their presence (p. 176). We can respond to new audiences (new stimuli) as we would to similar audiences with whom we have a history.
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The first camera she owned was a Hasselblad, using 24-image 120 film, purchased off a fellow student. Ussher joined the staff of the Listener in 1977 as chief photographer, and over nearly 30 years documented New Zealand politics and culture. She first gained acclaim for her 1984 exhibition of New Zealand sporting personality portraits, The Olympians.
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Lose your focus and the album quite literally turns to background noise. The guitars continually overlap into an ocean of riffs. They splash around and when one guitar isn't doing something the other is. Everything layers unto itself and make no mistakes that the intention hear is to deafen the listener in the most traditional of fashions.
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Madruz is presumably the listener in the poem. The other characters named in the poem – painter Frà Pandolf and sculptor, Claus of Innsbruck – are fictional. The poem is a representation of male and female relationships and their contrasting powers or lack thereof. Women in the past and even in some cultures today are considered pieces of property.
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In his personal life, Feluda is a common Bengali youth who has been brought up by his father's younger brother (Tapesh/Topshe's father) after his parent's death when he was only 9. His father, the late Joykrishna Mitra, used to teach Mathematics and Sanskrit at Dhaka Collegiate School. Feluda had a job in bank before his detective career. He finds an avid listener in his cousin Tapesh.
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The record was named an honorable mention on IGN's list of "Top 25 Metal Albums" and has been called "heavy metal for people who hate heavy metal." Canadian critic Martin Popoff criticized the "limp and lifeless" guitar sound and the unimpressive percussive display, which did not make a good service to the "tragic and beautiful BÖC compositions" on the album, leaving the listener "in muted bewilderment".
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In some nations such as Mexico, the United States and Spain, she studied as a listener in the performing arts schools. While she traveled, Prieto gained interest in acting. So she decided to take formal classes in Venezuela with Professor Luis Salazar, the founder of a school of acting training in the country. Rosario Prieto debuted as an actress on RCTV in the mid-1960s.
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Black Lives is characterized by dark, disjointed themes similar in spirit to "There's a Riot Goin' on" by Sly Stone and "Flowers of Romance" by PiL. The record documented a time of complete chaos and self-destruction for The Icarus Line. For better or worse, Black Lives at the Golden Coast brings the listener in to the disappointments and freedoms of living under the radar.
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Later, the Bushes established Marriage Repair, a counselling service.Bush, 83, 89-94, 107; Viewer & Listener. In the early 1990s, Bush prepared for ordination as an Anglican priest, but his bishop, Jim Thompson, refused to ordain him, telling Bush he did not like his "theological certainly" (158). In 1982, Bush became director of Mission England, which organised a Billy Graham evangelistic campaign in 1985 at Ashton Gate Stadium.
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The song received mostly favourable reviews from music critics. The Times of India's Bryan Durham picked the track as the best song from the album and felt that everything about the song is 'pitch-perfect'. Joginder Tuteja of Rediff.com felt that the simplicity in the tune of the song and the vocals by Aslam and Chinmayi is what hooks the listener in the song.
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Retrieved 16 March 2012 Hot Indie News described Still Chillin' as "without question yoga music" that "lends to an ambient, trance- like, meditative state".Hot Indie News: Still Chillin' , September 2007. Retrieved March 16, 2012 Awareness Magazine wrote that the music pulsed, "creating a rhythmic aura that transports the listener", in a way that was perfect for yoga.Awareness Magazine Jan/Feb 2000: Music Reviews.
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Two philosophical approaches to community radio exist, although the models are not mutually exclusive. One emphasizes service and community-mindedness, focusing on what the station can do for the community. The other stresses involvement and participation by the listener. In the service model locality is valued; community radio, as a third tier, can provide content focused on a more local or particular community than a larger operation.
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Children from each grade had to speak to a listener in the same grade that they could not see and have them build a matching set of stacked blocks. Each block had a different design imprinted on it. The results showed that as the game was played with older kids, the less errors were made throughout the game. The younger the kids were, the more errors were made throughout the game.
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East Meets West Music is the official recording label of the Ravi Shankar Foundation. With access to the sitar master's personal archive of thousands of hours of live performance audio, film footage, interviews, and studio masters, EMWMusic provides unique access for the listener. In addition to Ravi Shankar's personally selected source material from the archive, EMWMusic also hopes to provide a platform for new artists, projects, and collaborations.
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He also began writing articles on Gypsy lore and food for The Listener. In 1935 he published his first book, Romany Remedies and Recipes, followed in 1937 by an autobiography, A Romany Life. Both were published under the name Gipsy (sic) Petulengro. He also established a mail order business, Petulengro's Herbal Products in 1938 and this business was carried on by his grandson 'Paul Petulengro' right up until 1991.
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The band released The Quiet Lamb, containing 12 tracks and lasting over 75 minutes, on 8 November 2010. NME gave it a score of 8/10, describing it as "massive, pastorally apocalyptic music".Snapes, Laura (2010) "Her Name Is Calla - The Quiet Lamb", NME, 27 November 2010, p. 39 The Sun called it a "ten-track jewel of a record" that engages the listener "in a rare and beautiful way".
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First published in the Christian Science Monitor, it also appeared in the BBC magazine The Listener. In the article, he argued for the Christian Science view of humanity as "spiritual rather than material, incapable of corruption and error, no more subject to annihilation than his Maker". This article was first published in 'The Christian Science Monitor. His first book, Christian Science: Its Encounter with American Culture, was published in 1958.
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While in Cambridge Furbank became a close friend of the novelist E. M. Forster, and also of the mathematician Alan Turing, whose literary executor he would become. Furbank moved to London in 1953 and worked as an editor and librarian. He contributed reviews to The Listener. In 1972 he became a professor of the Open University In 1960 in London he married the poet and critic Patricia Beer.
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In 2008 she was awarded the Fiction award and the Montana medal for Fiction or Poetry at the Montana New Zealand Book Awards for Opportunity. Grimshaw received the 2008 Montana prize for Reviewer of the Year in recognition of her fiction reviews in The New Zealand Listener. In 2009 Singularity was shortlisted for the Frank O'Connor International Short Story Award, and Grimshaw won a Qantas media award for her Metro column.
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ACM Digital Library. The Association for Computing Machinery. Web. A syntactic approach to analyzing volition focuses primarily on structural change, and does not rely on either speaker meaning or the information understood by the listener in order to explain the phenomena. In his analysis of the Squamish language, Peter Jacobs examines how transitive predicates are marked differently according to the degree of control an agent has over an event.
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He shares his cell mostly with Hooch, who has the status of "Listener" in the prison. His advice and support to Ben are marred by his own limitations and ties. Finally he makes the sacrifice to open the path to Ben's release and his own absolution. Ben's expensive new barrister persuades him to plead self-defence despite his misgivings, he then takes to the witness box before returning to prison and getting into a brawl.
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He also held office on two Royal Commissions and several Select Committees, He never lost his interest in politics. He was a frequent visitor to the parliamentary library, and until four days before his death, a regular "listener" in the Assembly gallery; he was there on the historic day 2 November? 9 November? 1939 when for the first time in 41 years the House had to rise because a quorum could not be obtained.
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On June 28, 2007, Pope Benedict XVI named Christensen Bishop of Superior, Wisconsin. After receiving a telephone call from Archbishop Pietro Sambi bringing news of his appointment, he "sobbed for about 15 minutes" as he had not sought the episcopal office.Duluth News Tribune. St. Paul priest chosen to take over Superior diocese June 29, 2007 During a press conference, Christensen promised to be a "good listener" in his new role as bishop.
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Little Round Mirrors is an EP by Harvey Danger. It was released on Barsuk Records on October 10, 2006. The title track comes from their album Little by Little.... The song is in the key of G♯ and is centered on piano and French horn. The lyrics describe the love of music by the listener, in the form of little round mirrors of CDs, and ultimately the desire to be equally loved by another.
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The Letterkenny People (formerly the Letterkenny Listener) is a weekly freesheet published in Letterkenny, County Donegal in northwest Ireland. The paper was originally distributed as the Letterkenny Listener in 2000 and took its current title in 2005. It is owned by Iconic Newspapers, which acquired Johnston Press's titles in the Republic of Ireland in 2014. The Letterkenny People is not audited by the ABC but the company estimates its circulation at 5,000.
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We didn't want obvious choices, we wanted > vocalists that engage you straight away. We wanted things to smack the > listener in the head, like being hit by a baseball bat." \- Optamus > "I said in passing to Armee, 'Dude let's try to get him (Guru) on a track.' > So I said 'Let's just get in contact with his tour manager and send him When > the Dust Settles and see what he has to say.
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This album is possibly unique for the orchestral arrangement and stereophonic set-up by Billy May. Due to Capitol's signature "full-spectrum Stereo sound," the audience can distinctly hear the placement of specific orchestral pieces in the studio at the time of the recording, i.e. differences in brass sections from left, to right, to all together in the center. This is most apparent to the apt listener in the album's opening hit, "Day by Day".
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The different dialects of Mortlockese have varying degrees of place deixis. For example, Lukunosh Mortlockese as spoken in Pukin has four levels of diexis (near speaker, near listener, far from speaker and listener, in the minds of speaker and listener) while Kúttú Mortlockese has five levels. In addition to common nouns and proper nouns are relational nouns, which are further divided into three categories: oblique, locational, and partitive. Subject markers help to interpret either anaphoric arguments or grammatical agreements.
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Sound around mode allows for real time overlapping of music and the sounds surrounding the listener in her environment, which are captured by a microphone and mixed into the audio signal. As a result, the user may hear playing music and external sounds of the environment at the same time. This can increase user safety (especially in big cities and busy streets), as a user can hear a mugger following her or hear an oncoming car.
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The power of suggestion is then used to nudge the listener to hear what the presenter wants him to hear. David John Oates, for example, almost always tells the listener in advance what he should expect to hear, thereby planting a suggestion that would make the listener more likely to actually "hear" that phrase. A study has shown that when listening to the same clips without being told in advance what to expect, the results have a higher variation.
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Its instrumentation comes from bass, cello, contrabass, drums, guitar, piano, viola and violin. It starts with a piano opening backed by strings and, as noted by Bill Lamb of About.com, "as the words work their way to a climax accented by percussion then gently fade away again leaving the listener in stunned silence from the beauty of the moment." Lyrically, "Hurt" is an evocation of pain and guilt that accompanies the loss of a loved one.
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Exemplar models of speech perception differ from the four theories mentioned above which suppose that there is no connection between word- and talker-recognition and that the variation across talkers is "noise" to be filtered out. The exemplar-based approaches claim listeners store information for both word- and talker-recognition. According to this theory, particular instances of speech sounds are stored in the memory of a listener. In the process of speech perception, the remembered instances of e.g.
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Scott Juba, writing for website The Trades, praised it as "the real highlight of the two LPs" (Songs For Polarbears and When It's All Over We Still Have To Clear Up). He went on to describe it as "one of the best songs" he'd ever heard, and that it "paints a beautiful picture of love's yearnings and contains enough quiet drama and soothing emotion to completely engross the listener in every word of the eloquently penned lyrics".
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Language perception is the process by which a linguistic signal is decoded and understood by a listener. In order to perceive speech the continuous acoustic signal must be converted into discrete linguistic units such as phonemes, morphemes, and words. In order to correctly identify and categorize sounds, listeners prioritize certain aspects of the signal that can reliably distinguish between linguistic categories. While certain cues are prioritized over others, many aspects of the signal can contribute to perception.
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Yahoo encouraged users to rate songs, artists, and albums throughout their site as well as through their recommendations based on their tastes, though there was currently little benefit to the listener in doing so. In its first incarnation, play-on-demand was not provided, as with rewind, playback, and fast-forward. Many ads could be skipped. However, some cannot and many disable all buttons, forcing the listener to hear the ad before any music is played.
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Listener calls up and Jackie & Kyle play on behalf of the caller. Jackie is placed with the listener in the Cone of Silence first, to which Brooklyn gives the two words. Kyle names the first thing that comes to mind relating to those two words, then he goes into the cone of silence and Jackie comes out with the listener does the same. If both Kyle and Jackie's answers end up matching, then that listener wins $20K.
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This gives the broadcaster time to censor the audio (and video) feed. This can be accomplished by cutting directly to a non- delayed feed, essentially jumping past the undesired moment (something that can be quite jarring to a viewer or listener). In other cases, dedicated hardware units similar to the original digital unit but with improved quality and editing capability can be used. These products can even "build up" delay with difficult program material such as music.
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In October 1990, it was reported that a numbers station had been interfering with communications on 6577 kHz, a frequency used by air traffic in the Caribbean. The interference was such that on at least one monitored transmission, it blocked the channel entirely and forced the air traffic controller to switch the pilot to an alternative frequency. A BBC frequency, 7325 kHz, has also been used. This prompted a letter to the BBC from a listener in Andorra.
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"Ven a bailar conmigo" (English: "Come dance with me", ) was the Norwegian entry in the Eurovision Song Contest 2007, performed in English and Spanish by Guri Schanke. The song is a Latin-inspired number. Schanke sings about how much she loves to dance and urges her unnamed listener (in Spanish) to "Come dance with me". BBC commentary during the Contest explained that Schanke had participated in a reality-television show with a dancing theme, thus explaining the lyrics.
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She played Hannah Simmons in one episode of The Listener. In 2010, she appeared in the direct-to-video film Hardwired as Punk Red. In late 2011, she co-starred in the film adaptation of John Sandford's Certain Prey as Clara Rinker, a contract killer. In 2012, Maslany appeared as lead character Claire in the full-length feature Picture Day, for which she won a Phillip Borsos Award for Best Performance at the 2012 Whistler Film Festival.
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The Allmusic review by Thom Jurek awarded the album 4 stars, stating: > For a recording that unveils itself so gracefully, there is true heft in its > presentation. As hinted at on Tord Gustavsen's earlier ECM dates, Being > There is the fruit of labor meticulously crafted and dutifully harvested. It > is an album of secrets echoed, and questions that are fathomlessly deep; it > invites the listener in cleanly, without seduction, and argues for full > participation in its revelations.
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He recalled his time there as "the greatest experience". Stern wished to be in radio at the age of five. He was an infrequent listener in his youth, but names talk personalities Bob Grant and Brad Crandall as early influences. His father set up a microphone, tape machine and turntable in the basement of his home which Stern used to record his make-believe radio shows, incorporating different characters and pre-recorded prank calls, sketches, and commercials.
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Academy Award for Live Action Short Film 1937 (One-Reel) Skibo Productions – The Private Life of the Gannets. Huxley had given talks on the radio since the 1920s, followed by written versions in The Listener. In later life, he became known to an even wider audience through television. In 1939 the BBC asked him to be a regular panelist on a Home Service general knowledge show, The Brains Trust, in which he and other panelists were asked to discuss questions submitted by listeners.
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Flynn enjoyed writing story songs, and songs that pull the listener in. The song he believed to be his best is "MegaFlight," which discuses how it would be if it where possible to visit lost relatives and friends in heaven. The song tells the story of a man who was married to a woman that died in childbirth. In the song, the unnamed man goes to an airport to inquire about purchasing a jet ticket to heaven for him and his young child.
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The philosopher Paul Grice, working within the ordinary language tradition, understood "meaning" — in his 1957 article — to have two kinds: natural and non-natural. Natural meaning had to do with cause and effect, for example with the expression "these spots mean measles". Non- natural meaning, on the other hand, had to do with the intentions of the speaker in communicating something to the listener. In his essay, Logic and Conversation, Grice went on to explain and defend an explanation of how conversations work.
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The AllMusic review by Ken Dryden stated: "Bob Brookmeyer was in the studio just a few months after Stan Getz and Charlie Byrd helped to launch the bossa nova craze in the United States with their hit LP Jazz Samba, but this extremely enjoyable LP didn't come close to matching the success of the earlier album; it may be because the valve trombone is not envisioned as a lush melodic instrument by the average jazz listener in comparison to the tenor sax".
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Critiques of "Just a Girl" during its release era were positive. Mike Boehm wrote in the Los Angeles Times that Stefani's lyrics of "irony and indirection" make the serious subject matter of "Just a Girl" more appealing to the listener. In addition to several other tracks from Tragic Kingdom, Nick Levine from Noisey praised "Just a Girl" for having a chorus "that will bounce round your brain for days". Contemporary critics described "Just a Girl" as No Doubt's breakthrough single.
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From 2008 to 2009, she had a recurring role in the Canadian teen drama series The Best Years, and later was regular cast member of YTV sitcom, Family Biz. In 2012, she had a recurring role in the CBC Television comedy-drama Republic of Doyle, and also appeared in small roles in films Casino Jack (2010) and Total Recall (2012). Morgan also guest-starred on Supernatural and The Listener. In 2014, Morgan also starred in The CW summer comedy series, Backpackers.
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Peter Yeldham was born in Gladstone, near Smithtown, New South Wales, in 1927. Leaving Knox Grammar School at 16, Yeldham briefly became a jackaroo in Queensland. Then he returned to Sydney to join Radio 2GB, first as a messenger boy and then became junior scriptwriter. He wrote several scripts and a weekly column for the magazine The Listener In before being called up for the army at 18, going to Japan with the Occupation Force, where he served with the radio unit.
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The New Zealand Listener is a weekly New Zealand magazine that covers the political, cultural and literary life of New Zealand by featuring a variety of topics, including current events, politics, social issues, health, technology, arts, food, culture and entertainment. The Bauer Media Group closed The Listener in April 2020 as a result of the COVID-19 pandemic in New Zealand. In June 2020, Mercury Capital acquired the magazine as part of its purchase of Bauer Media's former Australia and New Zealand assets.
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Dictionnaire des mots de la musique (Paris: Outre Mesure): 242. and criticism, and demand focused attention from the listener. In Western practice, art music is considered primarily a written musical tradition,Arnold, Denis: "Art Music, Art Song", in The New Oxford Companion to Music, Volume 1: A-J (Oxford and New York: Oxford University Press, 1983): 111. preserved in some form of music notation rather than being transmitted orally, by rote, or in recordings, as popular and traditional music usually are.
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Generally, the sound reproduction systems using wave field synthesis place the loudspeakers in a line or around the listener in a 2D space. And similar systems are also proposed to reproduce a sound field in a 3D space. However, since these systems are very expensive and the loudspeakers are visible in the listener's field of vision, it is very difficult to construct an audio-visual system using these systems. So papers on how to reduce the number of microphones and loudspeakers have been written.
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Second is the listener in order that the message may be constructed in a way that is compatible with the listener's knowledge and capabilities. As shown above, adults were able to perform the two-person communication game with near-perfect accuracy, while children were unable to communicate effectively. Glucksberg conducted an experiment to test the relation between age and communication skills. In the experiment he had children from kindergarten, first, third, and fifth grade participate in a game that was called "Stack the Blocks".
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After the Milli Vanilli miming scandal, it "...forever embedded skepticism into the minds (and ears) of the listener." In the fallout of this miming controversy, MTV’s Unplugged series was launched, "a showcase for artists wanting to prove they were more than just studio creations". As the show used live performances with singers and acoustic instruments, it required performers to "...display their unembellished voices and ability to perform live." On MTV unplugged, artists could not use lip-syncing, backup tracks, synthesizers, and racks of vocal effects.
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What makes all this coherent is revealed to the listener in the last verse, where El Tri says: Fue en la estación del metro Balderas, ahí fue donde ella se metió al talón. That is, in Mexico City slang: It was there, at Balderas subway, where she entered into prostitution. Argentine band Los Enanitos Verdes made a cover of the El Tri version in 1998 for their Tracción Acústica album. In the 1980s, a Mexican Rock band, "Grupo Dama" recorded a cover of this song.
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He received his B.A. in German from Michigan State University in 1967 and his Ph.D. in Linguistics from Harvard University in 1977. From 1968 to 1972 he served in the United States Air Force, where he learned Chinese and worked as a Chinese radio listener. In 1978 he accepted a position at the University of North Carolina at Chapel Hill, where he became Paul Debreczeny Distinguished Professor of Linguistics. In 2005 he was the Collitz Professor at the Linguistic Society of America Summer Institute.
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According to the sheetmusic published at Musicnotes.com by Universal Music Publishing Group, "Outrageous" is composed in the key of D major, with a tempo of 105 beats per minute. The song's lyrics talk about materialism and amusement, with Spears referencing in the chorus a number of things that give her pleasure, such as "my world tour" and "my sex drive". Vineyard noted, "the cumulative effect seems like it's designed to put the listener in the lover's shoes—taking full advantage of the aural male gaze".
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Program Associated Data (PAD) or Program Service Data (PSD) is the data displayed on many HD Radio and satellite radio receivers. It can describe the program being transmitted and other information such as the name of the song, the artist and the genre of music. The HD radio and satellite systems provides a data path for this programming data to be delivered and read by the listener in near real time. HD radio and satellite radio receivers provide PAD decoders and visual screens for displaying the information.
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The precedence effect can be employed to increase the perception of ambience during the playback of stereo recordings. If two speakers are placed to the left and right of the listener (in addition to the main speakers), and fed with the program material delayed by 10 to 20 milliseconds, the random-phase ambience components of the sound will become sufficiently decorrelated that they cannot be localized. This effectively extracts the recording's existing ambience, while leaving its foreground "direct" sounds still appearing to come from the front.
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After the Milli Vanilli vocal miming scandal, it "...forever embedded skepticism into the minds (and ears) of the listener." In the fallout of this miming controversy, MTV’s Unplugged series was launched, "a showcase for artists wanting to prove they were more than just studio creations". As the show used live performances with singers and acoustic instruments, it required performers to "...display their unembellished voices and ability to perform live." On MTV unplugged, artists could not use lip-syncing, backup tracks, synthesizers, and racks of vocal effects.
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In a review for The Guardian, Sophie Heawood stated that "the album is rough round the edges, that amateurism serves to bring the listener in", noting that it gave the album a more personal touch. NMEs Priya Elan remarked that "with a personality this size, this isn't the last time you'll be hearing from [Allen]". The album generally received positive reviews from international music press. Rob Sheffield wrote for Rolling Stone that Allen's sense of irony was "just more proof that [she's] an original".
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Evan C. Gutierrez of Allmusic says: Magos Herrera joins the groundswell of Latina vocal talent with her 2004 release, País Maravilla (Wonderland). With a wide spectrum of colors in her palette, including dark and evocative harmonies, earthy Brazilian rhythms, bright Afro-Cuban influences, and the smoky tones of jazz, Herrera paints an enchanting picture. The instrumentation is warm and acoustic, with a seductive organic quality, and consistently top-notch. The Mexican songstress herself has a husky, emotive sound that draws the listener in close enough to whisper.
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Thomas was a teenager when many of the poems for which he became famous were published: "And death shall have no dominion", "Before I Knocked" and "The Force That Through the Green Fuse Drives the Flower". "And death shall have no dominion" appeared in the New English Weekly in May 1933. When "Light breaks where no sun shines" appeared in The Listener in 1934, it caught the attention of three senior figures in literary London, T. S. Eliot, Geoffrey Grigson and Stephen Spender.Ferris (1989), p.
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Rule Supreme missed the next two seasons with injury problems returning as a twelve-year-old in the early part of 2008. He finished unpaced behind Hi Cloy in the Grade II Kinloch Brae Chase at Thurles in January and was last of the eight runners behind The Listener in the Hennessy Gold Cup a month later. In 2009 Rule Supreme was bought by Michael Winters and competed in the amateur Point-to-point circuit. He ran ten times, winning races at Dawstown, Ballindenisk and Ballingarry.
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In children, there was no effect of gender on phonemic restoration. In adults, instead of completely replacing the phonemes, researchers masked them with tones that are informative(helped the listeners pick the correct phoneme), uninformative(neither helped or hurt the listener select the correct phoneme), or misinformative (hurt the listener in picking the correct phoneme). The results showed that women were much more affected by informative and misinformative cues than men. This evidence suggests that women are influenced by top-down semantic information more than men.
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In her review for AllMusic, Joslyn Layne states "this is an incredible performance by a stunning group of musicians whose skill and chemistry completely sidestep the fact that this is only the second time that these three great jazz improvisers ever played together." The Down Beat review by Jon Andrews says that Anderson "communicates without the harshness and split tones that alienated many listener in that era" and notes that Crispell "displays a broad range of expression from percussive rage to crystalline delicacy."Andrews, Jon. Destiny review.
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They were then orchestrated and filled out by his meticulous performance instructions, or adjusted from time to time in close collaboration with the performers. Scelsi came to conceive of artistic creation as a means of communicating a higher, transcendent reality to the listener. In this view, the artist is considered a mere intermediary. For this reason, Scelsi never allowed his image to be shown in connection with his music; he preferred instead to identify himself by a line under a circle, as a symbol of Eastern provenance.
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For example, any sound recording, radio, and telephone is a machine of schizophonia, in that they all separate the sound from its original source; in the case of radio, the source of a New York radio show is from New York, but a listener in Los Angeles hears the noises from Los Angeles. Secondly, mimesis describes an imitation or representation of that separated sound into another context. For example, mimesis has occurred if one places a recording of a baby's gurgle into a song.
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1985 p166 She became a journalist and worked for the Bedfordshire Times, the Oxford Mail and Drum Publications (Johannesburg, South Africa). Joseph's best known poem, "Warning", was written in 1961, first published in The Listener in 1962, and later included in her 1974 collection Rose In the Afternoon, in The Oxford Book of Twentieth Century English Verse, and in her Selected Poems (1992). "Warning" was identified as the UK's "most popular post-war poem" in a 1996 poll by the BBC. The second line was the inspiration for the Red Hat Society.Redhatsociety.
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Each week in the Rhod's Rant Club feature, Gilbert tells the listener in his irritable style how some part of the modern world annoys him. Greg's Indecent Proposal sees Davies offer an either/or question to the other presenters. Confessions sees Gilbert read emails and talk to the audience/presenters on the topic of his choice where the aim is to reveal embarrassing anecdotes involving the topic. It's a setup where Gilbert gives Davies and Langford a punchline and they have to suggest a setup to create a working joke against the clock.
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In the early 1960s, amid much publicity, 3DB announced that it had made a deal with the British Broadcasting Corporation to broadcast a wide range of the popular BBC 30-minute comedy programs. Prior to this deal such programs had only been broadcast in Australia through the ABC or its predecessor companies. As part of the BBC/3DB deal, only programs that had already been heard on the ABC, could be replayed commercially.numerous issues of Listener-In, Radioprogram, Radio Times (Melbourne); ABC Weekly, in the collection of Albert Isaacs, Melbourne.
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She has published academic papers about the musical style she has been involved with creating and examining. One paper was "El concepto de "imagen-de-lo-sonoro" en la música acusmática según el compositor François Bayle" which was published in Escritura e imagen in 2013. Another paper she published was "Claves de la Música del Siglo XX" also published in Escritura e imagen in 2005. A third paper she published was "The Listener in François Bayle’s Works: A resonant subject in a living space" published in 2015 in Organised Sound.
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Thus, if rear speakers are fed with the difference between the stereo channels, audience noises and echoes from the auditorium can be heard from behind the listener. In 1977, Hafler founded the David Hafler company in Pennsauken, New Jersey (Philadelphia suburb). His first two products were, first the DH-101 preamplifier then a few months later the DH-200 companion power amplifier. Also notable was the rugged DH-500 stereo amplifier which was rated a 255 watts per channel and saw great success in home, studio, and live environments.
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"Light Me Up" was mostly well received by critics in review for its parent album. Marc Engel of Fox News praised the mainstream appeal of the song, noting that "with chiming guitars plus a sing-a-long chorus it’s easy to understand why “Light Me Up” has become a fan favorite." Matt Bjorke at Roughstock wrote that the song "feel[s] like [a] potential hit" and "gets the listener in a good mood," while complimenting Hayes's use of the song as a concert opener. Robert Silva at About.
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Traditionally, the use of manis have differed by the gender, with women using them at weddings, circumcision ceremonies, visits to the neighbors, and other forms of entertainment, as well as during harvest, while men performed them at weddings, festivals and while drinking in taverns. Manis were learned from elderly mani tellers, who sometimes made subtle criticisms to the listener in the mani. This led to a tradition of "mani atışması", when two sides had a conversation, sometimes in a humorous way, using manis. Manis were also used for delivering advice to young people.
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The book was to make Melville's reputation as a critic. He was appointed art critic of the Birmingham Evening Despatch in 1940 and had a series of articles published in The Listener in 1943 and 1944, before moving to London in 1947 to work first for E. L. T. Mesens' London Gallery and later the Hanover Gallery. While at the Hanover Gallery, Robert met Arthur Jeffress, who co-owned the gallery with Erica Brausen. In 1954 Robert and Arthur decided to leave the Hanover Gallery and open a new gallery – Arthur Jeffress (Pictures).
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Generally is used before native Japanese words and is used before Sino-Japanese words, but there are exceptions. : : : Tea and rice crackers go well (together), don't they? In finer classifications, the above example is classified as word beautification—rather than honorific speech—as the speaker is voicing a general opinion regarding tea and rice crackers and is not intentionally deferential towards the listener. In the following example, the speaker is directly referring to the listener and items received by them and is regarded as honorific language: : : : The sweets you gave me were most delectable.
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For her it fills the void she felt left by her singing voice. She had also learned that her paternal grandmother, whose surname she took when enrolling in the Creek nation, had loved the instrument from her years in Indian Territory before Oklahoma was admitted to the union in 1907. Harjo believes that when reading her poems, she can add music by playing the sax and reach the heart of the listener in a different way. When reading her poems, she speaks with a musical tone in her voice, creating a song in every poem.
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The use of the melody as vocals bestowed a greater emotional depth to the piece, drawing the listener in to a greater extent. Along with the right-hand melody, Chopin continued the use of another nocturne "necessity", that of playing broken chords on the left hand to act as the rhythm under his right-handed "vocal" melody. Another technique used by Field and continued by Chopin was the more extensive use of the pedal. By using the pedal more, the music gains more emotional expression through sustained notes, giving the piece an aura of drama.
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Family Circle followed suit in August 1980, as did Woman's Day with TV Day in November 1981. TV Week hit a peak circulation of 850,000 in the mid-1980s. In 1984, the Federal Publishing Company's tabloid celebrity gossip magazine Star Enquirer was restyled to become TV Star but only ran until 1985. The Victorian publication TV Scene (formerly Listener In- TV) was shutdown after 62 years of publication after it was handed over to Southdown Press, following the media shake-up sparked by Rupert Murdoch's takeover of the Herald and Weekly Times Group Group.
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Frisson can also be a product of emotional contagion. Within the context of music, emotional contagion involves various musical devices, such as tonality, rhythm, and lyrics that imply emotion, triggering similar emotions in the listener. In, "The Emotional Power of Music: Multidisciplinary perspectives on musical arousal, expression, and social control", Stephen Davies suggests that, "music is expressive because we experience it as presenting the kind of carriage, gait, or demeanor that can be symptomatic of states such as happiness, sadness, anger, sassy sexuality, and so on." Stephen Davies, 2013.
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Olo (Orlei) is a non-Austronesian, Torricelli language of Papua New Guinea. The language is spoken in 55 villages, from the Aitape Township (north) to the Sandaun Province (south), and is at risk of going extinct. Olo is believed to be a Goal Oriented Activation language, meaning the speaker chooses their words with an idea of what they are trying to achieve with the listener in mind, this has been labeled as referential theory. Referential theory has been divided into four groupings, all of which come with disadvantages, recency, episodes, prominence, and memorial activation.
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In the book Fairclough developed the concept of synthetic personalisation to account for the linguistic effects providing an appearance of direct concern and contact with the individual listener in mass-crafted discourse phenomena, such as advertising, marketing, and political or media discourse.Talbot, M. (1995) "A synthetic sisterhood: false friends in a teenage magazine" In: K. Hall and M. Bucholtz (eds) Gender Articulated: Language and the Socially Constructed Self. New York: Routledge. pp. 143–65.Talbot, M., K. Atkinson & D. Atkinson (2003) Language and Power in the Modern World.
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Pušča with writer Aleś Dudar Jazep Pušča, born Iosif Paulavich Plaščinski, , ( — 14 September 1964) was a Belarusian poet, writer, critic and translator. Pušča was born in Karališčavičy in Mińsk County. He studied literature at Minsk University from 1918 until 1921. In 1921-22, he was a study listener in Belarusian courses in the Byelorussian SSR. In 1922 he released a collection of short stories, and in 1923 he became one of the founders of the literary groups Maladniak and Uzvyshsha. He published poetry collections from 1925 to 1930.
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In the field of recorded music, a hidden track (sometimes called a secret track) is a song that has been placed on a CD, audio cassette, LP record, or other recorded medium, in such a way as to avoid detection by the casual listener. In some cases, the piece of music may simply have been left off the track listing, while in other cases more elaborate methods are used. In rare cases a 'hidden track' is actually the result of an error that occurred during the mastering stage production of the recorded media.
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He was educated at Merchiston Castle School and Corpus Christi College, Cambridge, and spent time in Paris. He worked as assistant editor on the London Mercury, before joining the staff of the British Broadcasting Corporation, where he was assistant editor of The Listener in 1929. McLaren moved back to Scotland in 1930 as a BBC Scottish Region radio executive, acting as deputy to David Cleghorn Thomson, and in his work Return to Scotland of that year laid emphasis on his Roman Catholic background. He announced his interest in Scottish nationalism in 1931 by supporting George Malcolm Thomson's pamphlet The Kingdom of Scotland Restored.
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Over their career the Hoosier Hot Shots recorded hundreds of 78s for such labels as Banner, Conqueror, Decca, Melotone, Oriole, Perfect, Romeo, and Vocalion. Some of these releases have made it to LPs, cassettes, and compact discs. Recordings of songs made by the Hoosier Hot Shots often include the signature spoken (by Ken Trietsch) intro, "Are you ready, Hezzie?" followed by the sound of the bustle of the musicians preparing to play their instruments. However, the tightly-rehearsed skill of the performers lets the listener in on the joke as soon as the song actually begins.
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Milt Plum spoke out against Brown calling all the team's offensive plays, and Jim Brown said on a weekly radio broadcast that the coach's play-calling and handling of Plum were undermining the quarterback's confidence. They found a willing listener in Modell, a bachelor who was closer to their age than the coach's. Further cracks appeared in the "working partnership" between Paul Brown and Modell before the 1962 season. Brown made a trade without informing Modell, giving up star halfback Bobby Mitchell to acquire the rights to Syracuse running back Ernie Davis, the first African-American to win the Heisman Trophy.
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Thanks to this work, taken from the repertoire of the Uzbek "King of Rock", Artist of Uzbekistan, Jasur's uncles – Davron Gaipova, the rock stream was born in Uzbekistan. In 2007 he released a song in Russian, Ya tak hochu k tebe (I want to see you), which is very fond by Uzbek listener. In early 2011, the musical community get to know with another creature of Jasurkhon – "Men yolgizman" (I'm alone). Jasur Shametov, talented Uzbek video maker, shot a video on this song.. In the same year Jasur and Vagif Zakirov recorded the single "Jim jim" (Quiet quiet).
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Sputnikmusic staff member SowingSeason said the tracks "rel[ied] on [McMahon's] lyrics and emotional conviction to draw the listener in." He felt that "a lot of the energy has been sucked out of the room", with ever track being "a ballad, which means if you aren’t digging the lyrics or vibing with the particular emotion he’s putting on the table, you’re most likely bored." Upside Down Flowers charted at number 169 on the Billboard 200. It also charted on three additional component charts: number 18 on Digital Albums, number 26 on Alternative Albums, and number 31 on Top Rock Albums.
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Bryars's music is heard beneath monologues spoken by the Spanish artist Juan Muñoz, who talks about methods of cheating at card games. The ten short works were played on BBC Radio 3 without any introductory announcements, and Bryars has said that he hoped they would appear to the listener in a similar way to the shipping forecast, both mysterious and accepted without question. His cello concerto Farewell to Philosophy was recorded in 1996 by Julian Lloyd Webber. Bryars has written many other works, including five operas, and many instrumental pieces, among them four string quartets and several concertos.
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" However, Hanging Gardens also garnered a fair share of criticism. Both Fitzmaurice and Lester were the least favorable towards Hanging Gardens's instrumentals. Lester opined that the songs with vocals were the album's better tracks, reasoning that they "engage" the listener in terms of emotion, while Fitzmaurice explained that the instrumental tracks "aren't quite distinctive enough to push the five-and-six- minute mark as they frequently do." The Digital Fix called the album a "winning cocktail of contagious, party-inducing dance and more chilled, melodic tunes will prove to be a hot weather soundtrack for many.
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This evidence suggests that the same structures that convey emotions in music can also elicit those same emotions in the listener. In light of this finding, there has been particular controversy about music eliciting negative emotions. Cognitivists argue that choosing to listen to music that elicits negative emotions like sadness would be paradoxical, as listeners would not willingly strive to induce sadness. However, emotivists purport that music does elicit negative emotions, and listeners knowingly choose to listen in order to feel sadness in an impersonal way, similar to a viewer's desire to watch a tragic film.
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In 1973, Peter won the NCAA championship, claiming the title Best college sabreur in the country. Recognizing that his short time with Csaba has advanced his skill significantly, Peter returned to Csaba, who also realized that Peter, unlike other fencers, didn't require abuse in order to focus and learn because he was a very good listener. In 1974 as a college senior, Peter placed first at the Amateur Fencers League of America's (now known as USA Fencing) National Championships, beating world-class fencers like Alex Orban and Paul Apostol and securing the title of America's Best Sabreur.
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Hans Bemmann's literary breakthrough was the fairytale fantasy novel The Stone and the Flute, published in 1983, which tells the adventures of a young man called Listener in an idyllic fairytale world. A magic stone and a magic flute are meant to show him the way to happiness, but because of his lack of knowledge of human nature and his naiveté he abuses his power and makes fateful choices. Fantastic encounters and many hardships give him new perspectives and deep insights into the human condition. The story of Listener's life is interwoven with his love story.
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The singer confessed that the original concept for "Liability" was a rap skit. Lorde said she wanted to find a "fancy sound designer" to put the listener in a party. In there, she wanted to evoke the feeling of her walking away from said party down a hall, find a room, shut the door and then deliver a verse and chorus of the song. She also intended to have dialogue within "Liability", with someone calling her name and Lorde walking out of the room as the listener stays inside waiting for the next song to play.
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Thwaite returned to take up a graduate traineeship at the BBC. He had eight years there, first as a radio producer (sharing at one stage an office with Louis MacNeice), then as Literary Editor of the Listener. In 1965 he took two years unpaid leave to return to North Africa, this time as assistant professor at the University of Libya in Benghazi and with his wife and four daughters. A brief return to the BBC in 1967 ended when Thwaite was invited to be Literary Editor of the New Statesman, where his assistants were successively Claire Tomalin and James Fenton.
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Before becoming a film censor, Mirams worked as a journalist and film reviewer for the Christchurch Sun, the New Zealand Radio Record, the Dominion newspaper, and the New Zealand Listener. In his book Speaking Candidly: films and people in New Zealand published in 1945, Mirams argued that film has an enormous influence on culture. For this reason, he campaigned for more local New Zealand documentary and feature film production. He also argued for the need to show quality films that were generally ignored by commercial film distributors, which led to the formation of the New Zealand Film Institute, a national federation of film societies, which Mirams chaired.
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Until 1971 he lived in Barcelona, where it housed the first studio and enrolled as a listener in anatomy classes at the School of Fine Arts, where he met artists like Martinez Lozano. He returned to Palafrugell in 1972 to devote himself entirely to painting in his studio, where he also taught drawing and painting. During the following years he exhibited his work in several galleries throughout Catalonia and Spain, including Barcelona's Sala Rovira, and was awarded in various competitions, both national and international. The 1975 is considered an "important year" for him both personally (married) as an artistic level (exhibited at many venues and art galleries).Cebollero 2008: p.
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Goyo appeared in his first commercial as an infant, after which he landed various roles in television and animation series. His featured television work includes Disney's JoJo's Circus in 2005, Ultra in 2006, Super Why! in 2008, Murdoch Mysteries in 2008, The Listener in 2009, My Neighbor's Secret in 2009, Happy Town in 2010 and a recurring role as Timmy Tibble on the children's television series Arthur in 2010. Goyo completed a series lead role in the ABC pilot Solving Charlie in 2009, playing Charlie, an orphaned child who has an IQ of 190 and helps his long-lost brother, an aspiring detective, to solve crimes.
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East Anglian Radio was set up in 1990, following Radio Broadland's takeover of Suffolk Group Radio, which was broadcasting at the time as Radio Orwell and Saxon Radio. The Suffolk group had made an unsuccessful offer to take over Broadland the year before. Orwell was one of the early independent radio stations launched in the UK in 1975, followed by Saxon in 1982. Broadland went on air later in 1984, but quickly established itself as market leader in its area, with some of the highest-ever listening figures for an ILR station (50% audience reach and an average of over 17 hours a week per listener in 1989 and 1990).
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Most of the early tuner models were designed and manufactured to receive only the AM broadcast band. As FM became more popular, the limitations of AM became more apparent, and FM became the primary listening focus, especially for stereo and music broadcasting. Few companies even manufacture dedicated FM or AM/FM tuners now, as these bands are most often included in a low cost chip for A/V systems, more as an afterthought, rather than designed for the critical FM listener. In Europe, where a second AM broadcast band is used for longwave broadcasting, tuners may be fitted with both the standard medium wave and the additional longwave band.
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His best-known cartoon series, Bogor, was written for the Listener Magazine and featured a lone woodsman and the forest animals that were his only companions (especially a hedgehog). An earlier cartoon, OB (written under the pseudonym "Roux"), had as its main characters a bird, a snake, and a rock, and was initially inspired by Silver's time spent in the Australian outback. Bogor first appeared in the Listener in 1973, and was New Zealand's longest-running published cartoon series. He is well known in New Zealand for his spoof Country Calendar television programs like The Radio Controlled Sheep Dog, Rural Music, Non Stress Farming and Rural Fashions.
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Telemedia may have wanted the call letters to be so similar that CITE-FM would get credit in the ratings if a listener in the Montreal market was tuned to CITE-FM-1. To this day, CITE-FM-1 simulcasts some programming from Montreal but has its own commercials and some local DJs. Telemedia originally planned CITE-FM to be on 93.5 MHz, but the Canadian Radio-television and Telecommunications Commission (CRTC) changed that. Telemedia was told to use 107.3 instead, as the Canadian Broadcasting Corporation (CBC) had targeted 93.5 MHz as a reserved frequency and rushed to move CBM-FM from to 93.5 in 1976.
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Al Doyle Hot Chip often record their music in a bedroom. However, the band took a different approach in recording Made in the Dark to make it sound "not quite so homemade". Recording took place in a variety of locations, including in-studio and live venues, to make "different acoustic spaces to be obvious to the listener". In regards to editing, Taylor said that Hot Chip have "never really been too good at bothering to get rid of little imperfections in the music"; he felt they added personality and said that "it's good not to be too dogmatic about it if that's what suits the song".
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It is a form of highly textured, manipulated and layer noise that often creates a sonic painting-like effect. Many of his tape releases had only one or two compositions on them, thus allowing him the time to develop a theme and hypnotically immerse the listener in what were usually very powerful works of art. His challenging, irritating at times, ambient musique concrète recordings were often created by echoing and multi-tracking sounds (like field recordings and short wave transmissions) into deep noisy ambient music. Sometimes he used a constant murmuring voice along with the found sounds or shrieks or staccato guitar bursts or the twitter of a toy mouth organ.
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Apart from the extravagant praise, Hoffmann devoted by far the largest part of his review to a detailed analysis of the symphony, in order to show his readers the devices Beethoven used to arouse particular affects in the listener. In an essay titled "Beethoven's Instrumental Music", compiled from this 1810 review and another one from 1813 on the op. 70 string trios, published in three installments in December 1813, E.T.A. Hoffmann further praised the "indescribably profound, magnificent symphony in C minor": > How this wonderful composition, in a climax that climbs on and on, leads the > listener imperiously forward into the spirit world of the infinite!...
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Stephen Kuusisto Eavesdropping: A Memoir of Blindeness and Listening Donna Seaman of Booklist writes of his memoir: > As Kuusisto recounts further seminal moments and improbable adventures, he > presents exquisitely rendered soundscapes that capture aspects of the world > most of us barely register, from the storm of traffic to the cacophony of > our myriad machines to the songs of trees. As he goes "sight-seeing by ear" > in places as diverse as Iceland and Venice, and celebrates the music and > literature that sustain him, Kuusisto foregrounds the aural realm and > evinces great tenacity and trust in his candid tales of life as an acute and > contemplative listener in a loud and hectic world.
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In 1996, he started to write a different kind of acoustic material, which led to the release of an album Love Beyond Deals on HTD Records. In January 2003, Christmas released an instrumental CD, Acoustica. The opening track was used on the BBC documentary Hidden Gardens. In 2006, he recorded and produced his first ever solo CD called Light of the Dawn. The magazine fRoots reviewed it “…the sound is fantastic and grabs the attention: the confident, gutsy guitar, picked or slide, has immediacy and intimacy in equal measure; and Christmas's urgent, hoarse vocals can't help but involve the listener in the moods and stories of the songs… a fine timeless album”.
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AllMusic reviewer Thom Jurek states "For the most part, it is a spare and lovely beauty of an album, with few surprises save for the elegance that Sakamoto performs these indelible pieces with". PopMatters John Garrett noted "An important selling point for Playing the Piano is how Ryuichi Sakamoto takes the opportunity to "cover himself", so to speak. His soundtrack work is up for grabs as well as a fantastic pre- Yellow Magic Orchestra composition called "Thousand Knives". The advantage of this is that Sakamoto boils these pieces down to their skeletal form, presenting them to the listener in a way that's probably close to how he was writing them all these years ago".
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The second layer focuses on the songs as individual short stories or small vignettes, the subjects of which form various fragments of the author's reality. The album ends as it starts, with the nameless author continuing to type away at his novel that will never be completed. Singer and lyricist Jonathon Newby said his major influences on the album were Nick Cave, Tom Waits, Mark Smith, Captain Beefheart, Bob Dylan, and the poetry of Edward Gorey. Musically, Brazil strove to create a sound as haunting and ethereal as the lyrics and purposefully blurred the edges of the sonics to create an aural tapestry that would envelope the listener in colors and volume.
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The appointed fasting day, in January, included church services, and Cotton preached during the morning, but with Wilson away in England, John Wheelwright was invited to preach during the afternoon. Though his sermon may have seemed benign to the average listener in the congregation, most of the colony's ministers found Wheelwright's words to be objectionable. Instead of bringing peace, the sermon fanned the flames of controversy, and in Winthrop's words, Wheelwright "inveighed against all that walked in a covenant of works, ... and called them antichrists, and stirred up the people against them with much bitterness and vehemency." In contrast, the followers of Hutchinson were encouraged by the sermon, and intensified their crusade against the "legalists" among the clergy.
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After a two-year break which saw Faith No More split, Mr. Bungle reconvened in 1998 to record new material. The band's third album, California, was released on July 13, 1999. Ground and Sky reviews have described California as Mr. Bungle's most accessible and, while the genre shifts are still present, they are less frequent, with succinct song formats resulting in an album that The Associated Press called "surprisingly linear". AllMusic described the record as "their most concise album to date; and while the song structures are far from traditional, they're edging more in that direction, and that greatly helps the listener in making sense of the often random-sounding juxtapositions of musical genres".
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Among American playwrights, screenwriters and novelists who got their start in radio drama are Rod Serling and Irwin Shaw. Radio program written and performed in Phoenix, Arizona by children of Junior Artists Club (Federal Arts Program, 1935). In Britain, however, during the 1930s BBC programming, tended to be more high brow, including the works of Shakespeare, Classical Greek drama, as well as the works of major modern playwrights, such as Chekhov, Ibsen, Strindberg, and so forth. Novels and short stories were also frequently dramatised.See reviews in The Listener In addition the plays of contemporary writers and original plays were produced, with, for example, a broadcast of T. S. Eliot's famous verse play Murder in the Cathedral in 1936.
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He calls the melody "bewitching" and adds: "part of the joy of the piece is the finely judged lyrical ambiguity that, along with the beautiful spaciousness of the arrangement (all flutes, recorders, bass harmonica and whispery brushes on the drums), allows a myriad of implied meanings to float beguilingly into the imagination of the listener." In 2012, "The Fool on the Hill" was ranked the 420th-best classic rock song of all time by New York's Q104.3. In 2006, Mojo ranked it 71st in the magazine's list of "The 101 Greatest Beatles Songs". In 2018, the music staff of Time Out London ranked it at number 34 on their list of the best Beatles songs.
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NME, 15 June 1991. "With the delicious 'Kiss Them for Me' gracing the Gallup Top 40 with a touch of real class, the release of Siouxsie and the Banshees' 10th studio LP could not have come at a better time. 'Superstition' is a giant of a record, casting a sinister shadow over the listener in true Banshee style." the group co- headlined the first Lollapalooza tour, further increasing their American following.Siouxsie at the first Lollapalooza in Irvine, California, 1991 In 1992, film director Tim Burton requested that she write a song for Batman Returns, and the Banshees composed the single "Face to Face". In the mid-1990s, Siouxsie started to do one-off collaborations with other artists.
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Although reminiscing involves recalling past events, it encourages older patients to communicate and interact with a listener in the present. Reminiscence sessions may be formal, informal, one- on-one, or in a group setting (Anon). Reminiscence therapy typically uses aids of tangible prompts such as photographs, household and other familiar items from the past, music and archive sound recordings (NCBI). Dr. Robert Butler (1927–2010) is the accredited psychiatrist who first thought that reminiscing could be therapeutic. Butler, a psychiatrist with a specialty in geriatric medicine, first spoke of the idea of reminiscence and life review when he published an original article “The Life Review: An Interpretation of Reminiscence in the Aged” (Achenbaum, 2018).
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"Kyle Quit The Band", from "The Search for Inspirado", is a song which documents the band reuniting after breaking up. "Rock Your Socks" with Tenacious D's desire to prove its classical and rock prowess through giving "a taste" of Bach's Bourrée in E minor from Suite in E minor for Lute, BWV 996, also used in another of Tenacious D song – "Classico". ("That is Bach and it rocks..."), popularized by one of the most famous classical guitarists: Andrés Segovia and prog rock band, Jethro Tull. The song features a shock comedy climax when lead singer Jack Black asks for the listener, in return for their troubles in playing to them, to perform a coprophilic ritual (referred to colloquially as a Cleveland steamer).
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The album received generally strong praise across the board, achieving an average score of 77 on Metacritic.Civilians on Metacritic Thom Jurek of Allmusic praised the album for its straightforward sound, and that Civilians is "the evidence of what pop music can and should be, profound without being self conscious, elegant while wearing its seams in plain view, and full of speech both lyrically and musically that invites the listener in for a real conversation."[ Allmusic review] Dan Ouellette of Billboard was impressed with the anecdotal qualities of the album, especially on the track "Our Song".Billboard review Meanwhile, Joshua Klein of Pitchfork Media criticized the album for its sound, describing the tempo as "dour", and expressed some dissatisfaction for the album's social commentary on American life.
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Weep's music combines elements of ethereal wave, shoegaze, synthpop, gothic rock, post-punk, indie rock and new wave. Gregory Heaney of AllMusic described their sound as "dark and expansive, envelop[ing] the listener in a warm blanket of shimmering guitars and spacy synthesizers, setting them adrift while still maintaining enough drive to feel like substantial rock songs". Hammer's singing is noted for being gravelly and robotic but also relaxing and wistful, providing a counterpoint to the lush song arrangements. The band has drawn comparisons to Echo & the Bunnymen, Kitchens of Distinction, Interpol, Siouxsie and the Banshees, David Bowie, Roxy Music, Air, My Bloody Valentine, the Sisters of Mercy, Cocteau Twins, the Cure, Modern English, the Psychedelic Furs, New Order, the Comsat Angels and Placebo.
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Jon explains: "Wherever I perform, I hear all the time, 'I'm 18, I'm 19, but my mom turned me on to your music when I was 10, and this is the first chance I got to see you.'" After a four-year absence from the recording studio, Lucien returned to debut Endless Is Love for Shanachie. The spiritual warmth and romantic grace that have always been Jon's trademarks are even more powerful and profound permeating the songs and enveloping the listener in a mood best described as peaceful intensity on this release. A few months after his 17-year-old daughter Dalila perished on Flight 800 in July 1996, Jon went into the studio and began recording Endless Is Love.
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She began her professional writing career in 1823 by writing a monthly periodical called the Assistant of Education, Religious and Literary, which she intended for the education of children. In addition to writing church theology, she wrote devotional meditations, prayers, poetry and recounted moral lessons one might learn from the life stories of people she encountered in her travels throughout the English countryside published in two volumes entitled, The Listener. Fry can rightfully be considered a church theologian, a writer, a poet and a Christian educator—someone who wrote from a staunch Reformed perspective on a variety of theological issues. In her book, The Listener in Oxford she describes herself as someone predestined to arrive "at the very birth-time" of conflict.
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The building, which was designed by John Bowden in the Neoclassical style, was fully completed in 1817, though the first hearings were held in 1816. Architectural critic Ian Nairn described it as “Derry’s best Georgian building” in The Listener in December 1961, marking out the white sandstone brought locally from Dungiven to build it. The building was originally used as a facility for dispensing justice but, following the implementation of the Local Government (Ireland) Act 1898, which established county councils in every county, the Bishop Street Courthouse was used to discharge some county council functions. On 19 January 2019 there was a car bomb attack on the Bishop Street Courthouse initiated as part of a Dissident Irish Republican campaign, the first such attack in several years.
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Oxymorons in the narrow sense are a rhetorical device used deliberately by the speaker, and intended to be understood as such by the listener. In a more extended sense, the term "oxymoron" has also been applied to inadvertent or incidental contradictions, as in the case of "dead metaphors" ("barely clothed" or "terribly good"). Lederer (1990), in the spirit of "recreational linguistics", goes as far as to construct "logological oxymorons" such as reading the word nook composed of "no" and "ok" or the surname Noyes as composed of "no" plus "yes", or far-fetched punning such as "divorce court", "U.S. Army Intelligence" or "press release".Richard Lederer, "Oxymoronology" in Word Ways: The Journal of Recreational Linguistics (1990), online version: fun- with-words.com.
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The song has received positive reviews from most critics. Jim Beviglia from American Songwriter gave the song a positive review describing Crow's performance as "inviting", but at the same time stated the song was in her "comfort zone". Billy Dukes from Taste of Country gave the track 3 and a half stars out of 5, commenting: "It’s easy to be seduced by Crow’s carefree warmth and laid-back style. It’s easy to overlook the effective songwriting, and it’s easy to fall into her story again and again." Ben Foster gave the song a "B" rating and wrote for Country Universe that "Crow’s delivery of the chorus conveys a subtle sense of excitement that quietly pulls the listener in, lending an organic feel to the track as a whole".
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According to journalist Mark Beaumont, the Muse EP "sold slowly at first, creeping out of shops as word gradually spread" of the band; Muse: Inside the Muscle Museum author Ben Myers commented that it was met with "relative indifference". Writing in Out of This World: The Story of Muse, Beaumont claimed that "While the vitality and verve of 'The Muse EP' was enough to win over the casual listener, in retrospect it sounds like a band awkwardly finding their way around the recording studio and its techniques". Beaumont also criticised Bellamy's lyrical content on the release, describing "Overdue" as "crude" and "Escape" as "rambling". Upon the EP's release, Exeter's tdb magazine reported that the songs on Muse were "nothing short of awesome and unlike anything you've ever heard from a Westcountry band".
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Courteney Larocca of Insider wrote that it transports one to a "'80s jazzercise class or an underground rave", while Callie Ahlgrim of the same website praised how it hooks the listener in and labelled it "pop perfection". For GQ, David Levesley thought that it "will live longer than any of its inspirations" and concluded by writing it "should open every festival and close every club night". Mariya Zheleva of Soundigest praised its mix of house and disco vibes and labelled it "energy-filled", while Voxs Alex Abad-Santos called it a "starship laser-beam spectacle." In a mixed review from Under the Radar, Conrad Duncan stated "Hallucinate" does a "faithful impression of 2000s disco-house", but criticised it, writing "it might as well have been written as radio fodder for 2004".
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A listener in the Seoul Metropolitan area (Seoul, Incheon, and Gyeonggi Province) or near the DMZ who tunes across the MW band may hear strange signals on several MW frequencies, mixing with North Korean radio broadcasts. These include 657 kHz (PBS Pyongyang), 720 kHz (KCBS Wiwon), 819 kHz (KCBS Pyongyang), 882 kHz and 1080 kHz (KCBS Haeju). The South Korean government broadcasts several bizarre-sounding jamming sounds (usually warbling or chugging) in an attempt to prevent their citizens from hearing radio broadcasts from the North. The medium-wave jamming by the South is sometimes too weak to completely block the North Korean broadcasts (the jamming transmission power seems to be between 20 and 50 kilowatts, while the targeted North Korean transmissions are of much higher transmission power—typically over 500 kilowatts).
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I love that about us.""A Brief History: Everybody Wants to Kill Roger's Trout Farm" - post by Fraser McAlpine on commemorative Roger's Trout Farm blog, 4 March 2010 During this period Paul began to learn how to play guitar, insisting that the songs he wanted to write couldn't be written on the saxophone. Not to be outdone, Steven learned bass guitar and began to develop his own abilities as songwriter and organizer (as well as his talents as "a born entertainer.") In 2011, James Parsons would recall that "in what seemed like no time at all, (Paul) totally eclipsed our song writing abilities, both him and Steve churning out great song after song... Paul has developed the envious skill of being able to place the listener in the song, making them feel connected, like they are being sung to.
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When a Broadway cast album is made, it is (as a rule) recorded in a studio and produced with the home listener in mind (although live recordings of the original cast are not unknown). While it is strictly correct (if misleading) to call a movie soundtrack a "cast recording" since it does record the performances of the film cast, it is even more misleading, not to mention incorrect, to call any recording a "soundtrack" that has no connection with a motion picture or recorded television production. Soundtrack albums fill a very similar function for films with music. Soundtrack and cast albums sometimes have much in common, especially when the film concerned is a motion picture version of an original stage musical, and it often makes sense for record shops to put the two genres in the same section.
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The LA Times described his music as "a flexible sound where Boyce & Hart bubblegum shimmer collides with shadowy- psych-garage menace, and his lyrics – whether delivering messages of loss, insecurity or ardent passion – draws the listener in, conjuring a relatable immediacy, which in turn extrapolates itself within the performer-audience equation to create a singularly intimate atmosphere." He was also noted as "a master of the pop idiom, one who is able to link Bing Crosby to Sky Saxon and Brian Wilson." West notes Paul McCartney, James Jamerson, and Carol Kaye as influential when writing music, in particular the bass part of a track. He also cites Pete Townshend, Lenny Breau, Ted Greene, Syd Barrett, Jimi Hendrix, Edward Van Halen, Wes Montgomery, John Entwistle, Scott LaFaro, Melanie, Jane Weaver, Gil Evans, Billy Strayhdorn, Bill Evans, and Clare Fischer as influential musicians.
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In Aspects, Chomsky lays down the abstract, idealized context in which a linguistic theorist is supposed to perform his research: "Linguistic theory is concerned primarily with an ideal speaker-listener, in a completely homogeneous speech-community, who knows its language perfectly and is unaffected by such grammatically irrelevant conditions as memory limitations, distractions, shifts of attention and interest, and errors (random or characteristic) in applying his knowledge of the language in actual performance." He makes a "fundamental distinction between competence (the speaker-hearer's knowledge of his language) and performance (the actual use of language in concrete situation)." A "grammar of a language" is "a description of the ideal speaker-hearer's intrinsic competence", and this "underlying competence" is a "system of generative processes." An "adequate grammar" should capture the basic regularities and the productive nature of a language.
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As late as the 1950s, it was common for British New Zealanders to refer to themselves as British, such as when Prime Minister Keith Holyoake described Sir Edmund Hillary's successful ascent of Mount Everest as putting "the British race and New Zealand on top of the world". New Zealand passports described nationals as "British Subject: Citizen of New Zealand" until 1974, when this was changed to "New Zealand citizen". In an interview with the New Zealand Listener in 2006, Don Brash, the then Leader of the Opposition, said: The politics of New Zealand are strongly influenced by British political culture. Although significant modifications have been made, New Zealand is governed by a democratic parliamentary framework comparable to the Westminster system, and retains Elizabeth II as the head of the monarchy of New Zealand.. English is the dominant official language used in New Zealand.
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Third, Craddock emphasizes that the form or genre of the biblical passage to be preached should shape in some way the form taken by the sermon (a claim also made by Tom Long). While Craddock does not require that a sermon slavishly adhere to the biblical form—a psalm need not be preached entirely as a poetic sermon—he argues that various biblical forms seek to accomplish a variety of rhetorical aims; as such, the sermon should attempt to "do what the text does" in both the "what" (content) and the "how" (rhetorical strategies) of the text. :Craddock offers an inductive approach to preaching with an aim of active participation by the listener in the movement of the sermon as well as in the discerning of the message. His grounding principle is that good preaching is a socializing force that creates community.
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Initially, despite its less-than-flattering treatment of the Aboriginals, Australian record-buyers apparently had no problem with the original "black in the face" version; musicologist David Kent has calculated it reached #1 there in December 1962 (a copy of the record has been archived by Music Australia). By 2015, however, times had changed, and the Australian Broadcasting Corporation banned the song, after a listener complained that it was racist. The ABC apologized after its Hobart-based radio program Weekends played the song by request from a listener in September 2015. The broadcaster said it has removed the track completely from its system and taken steps to ensure “this would not happen again”. The ABC's Audience and Consumer Affairs Department released a statement that the error was due to staff "not being familiar with the track’s lyrics".
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Young Death / Nightmarket maintains the signature sound of Burial that was on albums like Untrue (2007), which consists of vinyl crackle sounds, rain-filled atmospheres, and vocal samples, and is less dance-based than previous works by the producer. The songs have what the journalist Paul Carr described as non- traditional "ambiguous, obscure and intangible" structures that excite the listener in having "no idea which thread [Burial] is going to drop and which one he is going to pick up". As Ray Philp of Resident Advisor wrote, Young Death / Nightmarket has an optimistic tone while "resisting the euphoric surges" of Burial's previous EPs Kindred (2012) and Rival Dealer (2013). A sound effect of a lighter spark opens "Young Death", before it transitions into what Philp of Resident Advisor analogized as "sunrise", a time of day usually not associated with Burial.
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He would later meet with the members of The Grateful Dead on their 1972 European tour; band members Phil Lesh and Jerry Garcia expressed an interest in Michell's Earth Mysteries ideas. Michell's impact on the hippie subculture was recognised by mainstream media, and he was invited to submit an article titled "Flying saucers" to The Listener in May 1968, which was accompanied by a critical piece by editor Karl Miller, in which Michell was described as "less a hippy, perhaps, than a hippy's counsellor, one of their junior Merlins." Hale noted that Michell promoted the idea of "England as a site of spiritual redemption in the New Age", bringing together "popular ideas about sacred geometry, Druids, sacred landscapes, earth energies, Atlantis, and UFOs". In 1972 Michell published a sequel to The View Over Atlantis as City of Revelation.
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While, as Malcolm MacDonald states in his 1990 sleeve note for Unicorn- Kanchana, "it is one of three compositions (with Symphony no 2 and the Variations for Orchestra) to display...the internal logic...[of] Schoenbergian serial techniques," the Second Quartet's language is neither neo-Expressionist or serialist; rather, it uses Schoenberg's fierce logic to create the impression of a seamlessly unfolding tonal song that, creating its own haunting, individual sound world, draws the listener in with its emotional power. The Cello Concerto (1952) attracted the distinguished artist Alexander Baillie as its soloist (accompanied by the BBC Philharmonic under Edward Downes), while the Symphony no.1 (1945), a cry of "Liberation" after Nazism, could seem gestural with its looser structure. However, what strikes the listener is the Symphony's imaginative playfulness, a stylistic approach that could be described as the logic of the unexpected.
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In 2014, British quality daily The Guardian picked the Top 10 music festivals for winter breaks and Tallinn Music Week was among them. “Tallinn is known for its art-nouveau architecture, free public transport – and its ability to attract stag and hen parties. It's also becoming increasingly relevant for the music it serves up, especially at this developing annual event." the paper said. In 2014, Experty.by’s Źmicier Biezkaravajny via Belorusy i rynok said, “The Tallinn one is attractive primarily because it is one of the highest-rated but at the same time affordable events in terms of opportunities for a little-known artist to demonstrate its work to a foreign listener.” In 2016, Tom Hawking on Flavorwire pointed out that "/.../ the Estonian national government clearly has no problem providing state funding for such an endeavor, as well as getting involved in other, more hands-on ways.
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The album received mixed to positive reviews on its release. Scott Alisoglu, writing for Blabbermouth, gave it 7 out of 10, saying, "[It] offers a range of variations on that classic Scandinavian theme, not least of which includes a good amount of black 'n roll, straight-up grooves, some gothic shading and creative oddities, making for an album that stands apart from the pack, if not always in a way that will pull the listener in for the long term." Metal Reviews was more critical of the album, giving it 73 out of 100 and calling it a "fun album at best, not a brilliant one. Big Boss is on decent form, his malevolent deep growl as hair-raising as ever, yet the songwriting is somewhat lacking, being adequate rather than full of the spinechilling anthems that we've come to expect from the band".
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Because the 42 – 50 MHz FM signals were originally intended to only cover a relatively confined service area, the sporadic long-distance signal propagation was seen as a nuisance, especially by station management. In February 1942, the first known published long-distance FM broadcast station reception report was reported by FM magazine. The report provided details of 45.1 MHz W51C Chicago, Illinois, received in Monterrey, Mexico: "Zenith Radio Corporation, operating W51C, has received a letter from a listener in Monterrey, Mexico, telling of daily reception of this station between 3:00 P.M. and 6:00 P.M. This is the greatest distance, 1,100 miles, from which consistent reception of the 50 [kW] transmitter has been reported." In June 1945, the FCC decided that FM would have to move from the established 42 – 50 MHz pre-war band to a new band at 88 – 108 MHz.
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The term native speaker was defined in the following way by Leonard Bloomfield: "The first language a human being learns to speak is his native language; he is a native speaker of this language". Later on, theoretical linguistics placed the native speaker construct into an idealized position and assumed that a native speaker was the only reliable source of linguistic data by formulating the construct that of an "ideal speaker- listener, in a completely homogenous speech community," as defined by Noam Chomsky. Since then, the construct has been critically discussed in the field of English language teaching. Some of the researchers argued that second language acquisition research under the dominance of idealized native speaker model creates a "monolingual bias in second language acquisition (SLA) theory", and "elevates an idealized native speaker above a stereotypical 'nonnative' while viewing the latter as a defective communicator, limited by an underdeveloped communicative competence".
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Earthsearch eventually reveals itself as an inverted creation myth, providing a possible "factual" story which could lie behind various Earth legends. The story deliberately misleads the listener in order to gradually reveal that the planet Paradise is in fact the Earth of human history as we know it (with the original "Earth" being a previous forgotten homeworld for the human race) and that the legends of authoritative and fear-inducing "angels" refer to the domineering computers. Various clues are presented in that "Earth" and its sister planet Kyros and Zelda (the latter two clearly analogous to Mars and Jupiter) are the second, third and fourth planets of their solar system rather than the third, fourth and fifth, while Paradise is the third planet of its own solar system (as is "our" Earth), although the different planetary names are at one point attributed to an administrative change of nomenclature.
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The first series was noted for its unusual concept, out-of-context parodies, "semantic and philosophical jokes", compressed prose and "groundbreaking deployment of sound effects and voice techniques". The programme was a hit with listeners, although a BBC World Service listener in India allegedly "strongly objected to 'Robots taking part in a comedy show'" and another in Sierra Leone thought that "as a source of information it is misleading". One listener complained to the Radio Times that "In just about 50 years of radio and latterly TV listening and watching, this strikes me as the most fatuous, inane, childish, pointless, codswallopping drivel...It is not even remotely funny". BBC Radio 3's Critics Forum thought the show had "the sort of effect that a Monty Python programme actually has, of making everything that appears immediately after it on radio or television or whatever, seem absolutely ludicrous".
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" Cheo H. Choker from Spin magazine found Raekwon to be as vivid a lyricist as Kool G Rap, "so vivid you smell the gunpowder and wipe the blood on your shirt", while crediting RZA for "taking the art form of production to new heights". Los Angeles Times said the songs with other Wu-Tang Clan members are as good as anything on Enter the 36 Chambers and wrote of the music: "RZA's production sensibilities, sometimes minimal, other times symphonic, pull the listener in despite the chaos. In a genre characterized by singles, Cuban Linx is a full-blown album where the big picture is just as moving as the compositional stylistic elements." In Vibe magazine, dream hampton was impressed by Raekwon and Ghostface Killah's use of cultural appropriation (as a type of "sweet vindication") in their lyrics and said they "bring the best in each other.
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Stern began to air on WJFK-AM in Baltimore and KLSX in Los Angeles, owned by Infinity and Greater Media respectively, in 1991. The show aired live on the West Coast from 3:00 am PST followed by a tape delay replay from 6:00 am PST. A complaint was sent to the FCC in February 1992 from Al Westcott, a listener in Torrance, California who supplied 60 hours of recordings and a 19-page single-spaced transcript. Upon review of his letter, Greater Media was issued with a NAL worth $105,000 for the "apparent wilful and repeated violation[s]" of the Section 1464 standard at hours when children may be in the audience. The FCC found comments that were actionable from 12 shows between October 30 and December 6, 1991, including those about masturbating to a picture of Aunt Jemima, rectal bleeding, a sexual fantasy with actress Michelle Pfeiffer, the shaving of pubic hair, paedophilia and the arrest of actor Paul Reubens for indecent exposure.
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Spence then indicated that she would boycott a conference involving other First Nations leaders and the Prime Minister because the Governor General, as a non-partisan figure, declined attendance at a policy meeting. The Globe and Mail supported the idea of the governor general playing a role by listening to grievances from Aboriginal leaders as "listener-in-chief", but called it "wrong" to insist that the governor general attend policy discussions and the idea that First Nations people could relate to the Crown and the government "as if they were two separate entities" ... "a fantasy". The Canadian Privy Council Office insisted the meeting not include the governor general to ensure no impression the governor general had the constitutional authority to change government policy. Spence and several other chiefs held a "ceremonial" meeting with the Governor General on 11 January 2013, while the separate working meeting between Harper and other chiefs took place the same day.
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After sea trials, shaking down, and ten days attached to the 1st Cruiser Squadron in Scapa Flow, she arrived at Plymouth '..on 5 December 1943 to work with HM ships Glasgow and Enterprise under the orders of the Commander-in-Chief, Plymouth.' With these ships she commenced anti-blockade runner patrols in the Bay of Biscay in December, as part of Operation Stonewall. Of particular note was the pursuit of the German blockade-runner Osorno, and the pursuit and destruction of another blockade-runner under Captain William-Powlett's overall command, but without actual involvement: ' 'Under the circumstances,’ wrote ..William-Powlett, ‘Gambia, the senior of the four cruisers, was unable to take part in the successful and exciting operation carried out by Glasgow and Enterprise: she could merely play the part of an exasperated listener-in....’ Gambia served with the British Pacific Fleet, and participated in attacks on Japanese positions throughout the Pacific. In February 1944 she searched for blockade runners in the Cocos Islands area.
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Ambiophonics is a method in the public domain that employs digital signal processing (DSP) and two loudspeakers directly in front of the listener in order to improve reproduction of stereophonic and 5.1 surround sound for music, movies, and games in home theaters, gaming PCs, workstations, or studio monitoring applications. First implemented using mechanical means in 1986,Bock, T.M. and Keele, D.B. Jr., “The Effects of Interaural Crosstalk on Stereo Reproduction. and Minimizing Interaural Crosstalk in Nearfield Monitoring by the Use of a Physical Barrier,” AES Preprints 2420-A and 2420-B November 1986Glasgal, Ralph, “The Domestic Concert Hall,” Stereophile (magazine), July 1988 today a number of hardware and VST plug-in makers offer Ambiophonic DSP.Robert E. (Robin) Miller III, "User Guide to VST plug-in Ambiophonic DSP," www.filmaker.com Ambiophonics eliminates crosstalk inherent in the conventional “stereo triangle” speaker placement, and thereby generates a speaker-binaural soundfield that emulates headphone-binaural sound, and creates for the listener improved perception of “reality” of recorded auditory scenes.
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Palmer's best-known work is the role of Dr. Lauren Lewis, a major character in the Canadian series Lost Girl (2010–2015). Her television work includes made-for-TV movies The Reagans (2003) as Patti Reagan; Out of the Ashes (2003) as Didi Goldstein; and Devil's Perch (2005) as Abby. She had a recurring role in the CTV teen drama/comedy series Instant Star as rock singer Patsy Sewer (2006–2007); and was a co-lead in the Global drama The Guard as Coast Guard rescue specialist Carly Greig (2008–2009) (for which she had to conquer her fear of water). Guest appearances include The CW espionage drama Nikita in the episode "Girl's Best Friend" (2011) as Anya Vimer, a terrorist who tries to sabotage a peace summit; the HBO Canada comedy Call Me Fitz in the episode "Don of the Differently Abled" (2011) as Laura, an unhinged amputee with plans for an escort service for disabled people; the CTV fantasy drama The Listener in the third season finale "The Shooting" (2012) as Staff Sgt.
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" A positive review from NME calls the song "Lover Killer" "entic[ing] with ghostly vocals until a brassy beat snaps the listener in half with its psychedelic stomp," summarizing that This Is My Hand "should see her join [...] the US experimental pop pantheon." For the single "Pressure," Stereogum writes that it is filled "with an army of percussive sounds from big drums to twinkling bells along with shrieking brass and crushing synths, it's a huge production, but it all sounds small compared to Worden's operatic voice." On the album instrumentation, Drowned in Sound describes them as "lush, dense and layered - and the arrangement of it shows how skilled of an arranger Worden must be," adding the "joyful woodwind trills and arpeggios that pepper the album are straight out of Illinoise while the haunting, expressive synthesizer work are reminiscent of [..] The Age of Adz." NPR says the albums finds Worden "wielding instruments like a series of tools, each with a discrete purpose in the construction of an abstract, heterogeneous galaxy.
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A Daily Sketch writer compared him with Blake, an association that stayed with him for a number of years. A painting, Evelyn Laye in Hyde Park was shown in The Listener in that same year and this work is now in the Towner Gallery, Eastbourne, and was last exhibited in a travelling show in 1992. The press, with exceptions like the Times, and later the Daily Worker, generally treated Stockley's work either as simple-minded or as yet another deplorable example of the stupidity of 'modern art'. Stockley was deeply hurt by this hostility, especially by a Sunday Times review of 1932 which failed to find any positive qualities and talks of an "evident lack of technical ability" and "unsophisticated imaginings." In 1938 Stockley's work was shown at the now-famous exhibition of Unprofessional Painting at the Bensham Grove Settlement, Gateshead-On-Tyne alongside the Ashington Group, the so-called Pitmen Painters, which attracted the interest of a number of leading left wing intellectuals of the 1930s [Feaver, 1985:77–79].
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Writing about LeBaron's 1989 Telluris Theoria Sacra (for flute/piccolo, clarinet/bass clarinet, violin, viola, cello, percussion, and piano), musicologist Susan McClary notes that the work "...points to LeBaron's more pervasive interest in music's ability to mold temporality, immersing the listener in a sound world in which time bends, stands still, dances, or conforms to the mechanical measure of the clock" . Theater has played an important role in LeBaron's music, with such scores as Concerto for Active Frogs (1974) for voices, three instruments, and tape, and the harp solos I Am an American ... My Government Will Reward You (1988) and Hsing (2002). She has also composed a series of monodramas for female voice and chamber musicians: Pope Joan (2000), Transfiguration (2003), Sucktion (2008), and Some Things Should Not Move (2013). LeBaron's operas The E & O Line, Croak (The Last Frog) (1996), and Wet (2005) were all collaborative works that led her to develop the genre she terms "hyperopera": "an opera resulting from intensive collaboration across all the disciplines essential for producing opera in the 21st century – in a word, a 'meta-collaborative' undertaking" .
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