1000 Sentences With "lintels" | Random Sentence Generator

Around the sanctum were lintels carved with ornate scenes from Hindu mythology.

Sagging lintels — the support beams above windows — and cracked balconies can plague buildings of all ages.

Walking in her old Cambridge neighborhood recently, I saw, through her eyes, writing all around: carved above lintels, into cornerstones, and onto graves; printed on banners; stamped onto street signs.

There is one such symbol...used on the lintels of cannibal dwellings, the flags of pirates, the insignia of SS divisions and motorcycle gangs: the key is the skull and crossbones.

Faced with bluish-gray bricks and adorned with elaborately carved, oxblood-red lintels, the rowhouses call to mind a radically compacted version of the terraced workers' housing found in northern English cities.

Seeing me back to the laneway — beneath the asphalt lie the original cobblestones — Mr. Ni lit a cigarette and let his gaze run down the row of carved lintels that marked the entrance to each home.

One end of the building's wide facade is built around the kind of narrow window openings that had been required by the Prescott's brick construction; they have elaborate terra-cotta surrounds that pay homage to the Prescott's ornate lintels and sills.

"Castalia" and "Arethusa," two low, horizontally oriented sculptures from 1980, currently sited next to Noguchi's rock garden, are also covered with basic structures — pyramids, basins, tiny post-and-lintels — that could be ruins, notes, or references to pueblos or to Cappadocia rock formations.

I often cycle with my son to his preschool down Handjerystrasse, a long street of half-timbered mansions with rounded galleries and gabled red-tile roofs; palatial villas with marble lintels, gray-shingled cupolas and columned porticos; and English-style country manors marked by handsome brickwork and tidy front gardens.

Decorating its walls, its pillars, lintels and archways are fragments of brightly painted frescoes, as well as remarkably well-preserved and stunningly elaborate geometric designs made of mosaics of small stones set into the stucco around them — an architectural feature unique in all of Mesoamerica, the area encompassing much of Mexico and Central America.

Lintel 25, Lady Xoc at lower right Lady Xoc donated three lintels to hang above the doors of a building in Yaxchilan's plaza. In the lintels, she is depicted performing central roles in ritual life. The fact that a woman appears in the lintels as the central figure is what makes them so unique. Also, the lintels were meant to show the hopes Shield Jaguar had for the kingdom.

At the level of the basement window lintels, a soldier course of bricks topped with a limestone band runs across the entire facade. Another limestone band runs across the wall at the level of the fourth-floor windowsill. Above the fourth-floor window lintels is a projecting header course. Above the basement, all of the window openings have limestone sills and soldier course lintels.

The eastern houses have more elaborate enframements. Their main entrances are enframed with deep lintels on angular brackets. The windows are fully enframed and have more complex lintels. There have been no major changes to any of these houses.

The windows are six- over-six and contain granite lintels and window sills.

The name Dzibanche means "writing on wood" in the Mayan language; taking its name from the sculpted wooden lintels of the Temple of the Lintels. Dzibanche is situated northeast of the contemporary city of Calakmul.Estrada-Belli 2011, p. 16. ITMB 2000.

The building has large openings with concrete lintels and sills, with boarded-up openings.

It has brown granite lintels above its front facade's door and four windows. With .

Syria Central Bureau of Statistics (CBS). Homs Governorate. Inscribed stone lintels discovered at the town helped in studying and dating the Christianization process of Emesa and its surrounding countryside. Lintels from the Palladis household, dated to 449/450 attest to clear pagan traditions.

It was only after the installation of the lintels that the shrine was roofed and the roof comb built.Coe 1967, 1988, p.81. The hieroglyphic inscriptions on the sculpted lintels indicate that the temple was built in 741 AD, and radiocarbon dating of the lintels and wooden beams in the vaulting confirmed this, giving a result of 720±60 AD. Lintel 3 is a wooden panel measuring that is carved in low relief.

Except for this building and a slightly larger and later structure on the south side of the Pamecha Creek, all the structures related to the firm were built after the 1907 fire. This -story brick structure displays some of its early exterior features; brownstone sills and lintels, and two corbelled chimneys. The windows on the west facade were lengthened, the brownstone lintels removed and replaced by segmental-arched brick lintels. The cupola was replaced.

Limestone beltcourses at the level of the second story window sills and lintels unites the sections.

Square columns flanking the entrance remain but porch corner columns have been removed. Three double hung sash windows are set symmetrically on each side. These windows have cement flush lintels and projecting sills. The tops of the lintels are even with the top of the walls.

Windows are of double hung type with flat lintels and generally grouped in pairs.Chivell and Sheedy, 1976.

Coventry, p. 6 These were typically fixed in place, often set into the jambs, sills and lintels.

It has brick and contrasting concrete trim elements, including flat-arched lintels with raised keystones and voussoirs. With .

A modillioned cornice conceals its roof. Windows are square-headed bipartite timber sashes with stone sills and lintels.

Putting up the lintels was a way for Shield Jaguar to pay respect to Lady Xoc, whose lineage made him king. In the art world, the lintels are numbered 24, 25, and 26 and are estimated to have been created in 725. In these lintels Lady Xoc is seen performing a bloodletting ritual in the presence of Shield Jaguar, communicating with a dead ancestor, and preparing the King for battle. By looking at these lintels in order, we can see the role Lady Xoc played in war and in the ancient rituals of the Maya. In Lintel 24 Lady Xoc performs a blood sacrifice (or bloodletting ritual) by threading a thorned-rope through a hole in her tongue.

Bricks are laid in stretcher bond. Stone belt courses provide sills and lintels the narrow one-over-one double-hung sash windows on the first story. Segmental arches of vertical brick, with keystones, spring from the lintels on the flanking projections. The second-story windows are similarly treated but less restrained.

This was a five-storey brick built mill . There were ornamental lintels over the top storey lintels. The water tower at the north west corner and another tower at the northeast, there were corner turrets at the other two corners. The detached engine house survived the demolition of the mill.

On the lintels, in brackets, you can still read clearly an inscription commemorating Archbishop Monroy's commissioning of the work.

It was a brick building with plain stone lintels and a gable roof. Bricks were made from clay on the site. Greek Revival details include its entrance, its cornice end returns, brick pilasters across the facade, and flat stone lintels. Carpentry was by George Hay, and stone work was by Henry Davis.

The temple shrine upon the summit of the pyramid contains three chambers, the doorways of which were spanned by lintels.

The district has a number of contiguous contributing buildings, many with brick facades, bracketed cornices, and decorative arched stone lintels.

The windows were topped with decorative iron lintels. A rear extension was added to the house in the 20th century.

The blocks which can range from can be joined using reinforcing rods and concrete, to form lintels for doors and windows.

Its windows are topped by heavy corniced lintels. The house was listed on the National Register of Historic Places in 1989.

The building is a 2-1/2 story brick structure, with a rear ell and a hose-drying tower. It is covered by a hip roof with large central gabled wall dormer at the front. The station has three equipment bays with segmented-arch granite lintels. Above the outer bays are single sash windows with granite sills and lintels.

The most beautiful Angkorean lintels are thought to be those of the Preah Ko style from the late 9th century.Freeman and Jacques, Ancient Angkor, pp. 32–33. Common motifs in the decoration of lintels include the kala, the nāga and the makara, as well as various forms of vegetation.Glaize, The Monuments of the Angkor Group, p. 40.

Flush jams and lintels of rough concrete surround the doors, the lintels faced with wooden planks. Small four paned ventilation windows near ground level are on either side of the doors on both ends. The main facade door has a smaller door cut into it. The interior is supported by a pole framework covered with wire, straw and dirt.

The elaborately carved wooden Lintel 3 from Temple IV. It celebrates a military victory by Yik'in Chan K'awiil in 743.Miller 1999, p.131. At Tikal, beams of sapodilla wood were placed as lintels spanning the inner doorways of temples. These are the most elaborately carved wooden lintels to have survived anywhere in the Maya region.

This souterrain gallery is about 4.9 m (16 ft) long and 1.3 m (4 ft) wide, with a roof height of up to 1.2 m (4 ft). It is constructed of orthostats roofed with lintels, and ten ogham stones were used as lintels and sidestones (some of them being installed upside-down). One of the roofstones bears cup marks.

The large multi–story mixed residential/commercial use building sits on a foundation of rock faced limestone in an ashlar pattern capped with a smooth plinth course. The main wall treatment is deep red brick with sandstone belt courses that become ornamented lintels. The lintels vary on each floor. String courses run in line with lug sills.

A narrow rectangular fixed glass window is to the north side of this entrance. Lintels and sills are distinguished in rendered cement.

Overall features of the building include slate-clad, Mansard roofs pierced by dormer windows accented by round or miter-arched lintels; broadly projecting eaves supported by elaborate scroll brackets; and generally regular fenestration, with paired and single double-hung sash predominating. Most window openings are rectangular and feature simple iron sills and flat-arched iron lintels; the second story of the front facade is enlivened by a prominent pair of round-arched windows with keystoned iron lintels. Third-story dormer windows are generally rectangular, although a few asymmetrically placed round- arched windows and oculi accentuate the Mansard roof.

The cell windows have lintels and sills cut from local sandstone. The center hall and first floor windows have wood sills and lintels. The first floor and center windows of the second and third floor north sides have 6/6 double hanging windows. The center north side entrance is a four-raised panel door surrounded by a four-light transom.

The pictures are from the Arab tradition and are supplemented by small birds, swastikas, flowers, palmettes and leaves. The wells of the reliefs were originally filled with a red, now darkened mass of wax and mastic. In the same technique, marble inlays are also mounted on the pillar trim, connecting panels and the door lintels. Two icons are also embedded above the lintels.

It has five bays on the front and sides, four chimneys, granite footings and door lintels, sandstone window lintels and sills, and granite steps. There is a two-story narrower extension of the main building with a side entrance. The main building has fret work at the cornices and under the eaves. The main house has eight feet of cellar space beneath it.

External decoration, on the facade only, includes rendered masonry bracket supports to the eaves, rendered string courses, label moulds, and keystones over the arches . The rear and side walls contrast with the street facade. They are brown brick with red-brown brick lintels over the flat-arch openings. Stone lintels are evident on the lower storey windows to the rear of the building.

The Old Furnace began life as a typical blast furnace, but went over to coke in 1709. Abraham Darby I used it to cast pots, kettles and other goods. His grandson Abraham Darby III smelted the iron here for the first Ironbridge, the world's first iron bridge. The lintels of the Old Furnace, with inscriptions The lintels of the furnace bear dated inscriptions.

Windows in those bays are grouped in threes, with transom windows above, with shouldered stone lintels. Windows in the center bays are paired sash, with unshouldered stone lintels. The Lillian Street facade is seven bays long, alternating projecting and recessed sections with similar window arrangements. The interior houses sixteen apartments, which have seen significant alteration and retain few period features.

The front elevation of the building includes a flat-roofed entry porch, wood- framed sash windows with heavy concrete lintels, and original neon signs.

Such features were American colonial architecture doorways and interiors, along with window lintels and cornices. These details were indicative of construction in the distant past.

During this cleaning, clearing and repairs, states Banerjee, many more "sculptures and their fragments, pillar fragments, lintels, jambs with a number of images" were found.

"Frank Lloyd Wright's Robie House," Hoffman, Donald, Dover Publications, Inc., 1984. The planter urns, copings, lintels, sills and other exterior trimwork are of Bedford limestone.

This is in part because the arrangement of standing stones topped with lintels is unique, not just in the British Isles, but in the world.

Sited on a rise, the Hartwig house is a rectangular two-story cream brick Italianate style building with an attached ell and entrance porch. The foundation is made of fieldstone which is substantially exposed. The dwelling is further characterized by a cupola, overhanging eaves, flat window lintels, peaked moulded lintels, a hip roofed dormer and eyebrow windows. The entrance features a sidelighted door with an overlight.

There are distinctions between the western six houses (Nos. 322–332) and the eastern six (334–344), built after the first two, primarily in the door and window enframements. The main entrances of the former group have slab lintels on stylized brackets with the flanking windows having simple lip lintels and sills on corbels similar to the entrance brackets. The upper windows have sills on simpler corbels.

Lintel and pediment at Banteay Srei; the motif on the pediment is Shiva Nataraja. The styles employed by Angkorean artists in the decoration of lintels evolved over time, as a result, the study of lintels has proven a useful guide to the dating of temples. Some scholars have endeavored to develop a periodization of lintel styles.See, for example, Freeman and Jacques, Ancient Angkor, pp. 32–35.

Its first story has narrow French windows with radiating muntins in their round-arched transoms. They have sandstone sills and lintels; the latter with a stringcourse at their springline. Above them in each facet is a gently arched two-over-two double-hung sash window, with similar sills and lintels. The third story has the same sort of rectangular casement windows as the main block.

Drawing by Désiré Charnay (1885)The lintel is done in high relief style with the background deeply recessed. All three were apparently commissioned by Lady Xoc for the doorways of Structure 23. The lintels show the elaborate costumes of the king and queen with remarkable detail and with an uncharacteristic lack of abstraction. These lintels are considered by some to be the pinnacle of Mayan Art.

A large ell extends to the rear. The house has wide cornices with returns and a frieze band below. A porch with Doric columns fronts the wing; a second small porch was formerly located in front of the entry door. The windows are double-hung, six-pane sash units, with iron lintels and sills on the front facade and sandstone lintels and sills on the other facades.

Also, Structure 24, created by King Bird Jaguar, holds the death dates of his most important ancestors: Shield Jaguar, his mother, and Lady Xoc. This structure is located near Structure 23; by recording Lady Xoc's death date, Bird Jaguar pays homage to his father's principal wife. Structure 23 has been identified as Lady Xoc's quarters because of the lintels found adorning the doorway. It has been suggested that the rituals depicted on these lintels may have occurred in Structure 23 – given that Lady Xoc is pictured in the lintels performing ritual sacrifices with her husband, this would mean Shield Jaguar entered the space of women with power.

The second story has square-head windows trimmed with sawn sandstone lintels and sills. The low attic story contains sunken panels located between the window bays.

It features heavy stone sills and lintels and a crenellated parapet. Note: This includes The building was added to the National Register of Historic Places in 1988.

Historic Campus Architecture Project. The Council of Independent Colleges. Retrieved on October 1, 2008. Stone is used for architectural accents of lintels and cornices on the exterior.

It features brownstone sills and lintels and brick piers with brownstone tops. Note: This includes It was added to the National Register of Historic Places in 1988.

The building's windows are flat headed and have stone lintels and sills. The storefronts are still intact but the original windows have been boarded over and painted.

This multi-headed nāga is part of a decorative lintel from the end of the 9th century. Nāgas are frequently depicted in Angkorian lintels. The composition of such lintels characteristically consists in a dominant image at the center of a rectangle, from which issue swirling elements that reach to the far ends of the rectangle. These swirling elements may take shape as either vinelike vegetation or as the bodies of nāgas.

A sandstone retaining wall slopes away from the building to the south. The north facade has dressed and coursed sandstone as lintels, sills and quoins around the window openings and at the building's corners, with roughly squared sandstone rubble infill. All lintels and sills consist of a single large horizontal block of sandstone with smooth margins and a rusticated finish. There are three double-hung sash windows on each level.

It is currently a Chart House seafood restaurant. The Gardiner Building features a slate roof and "six-over- six" windows with shutters. The lintels and sills are granite.

Other media include the aforementioned codices, stucco façades, frescoes, wooden lintels, cave walls, and portable artefacts crafted from a variety of materials, including bone, shell, obsidian, and jade.

The five story Richardsonian Romanesque building was built on a very narrow lot. It is constructed of Longmeadow brownstone and is sparsely detailed with granite lintels and arches.

Structurally, the house is supported by a post and lintel construction, with the exterior courses of stones forming the lintels as well as horizontal bands around the building.

The shrine at the summit of the pyramid has three chambers, each behind the next, with the doorways spanned by wooden lintels fashioned from multiple beams. The outermost lintel is plain but the two inner lintels were carved, some of the beams were removed in the 19th century and their location is unknown, while others were taken to museums in Europe. laser scan collected by nonprofit CyArk Temple II (also known as the Temple of the Mask) it was built around AD 700 and stands high. Like other major temples at Tikal, the summit shrine had three consecutive chambers with the doorways spanned by wooden lintels, only the middle of which was carved.

The upper floor has four one-over-one sash windows with stone sills and lintels. The west side has three small windows set high and towards the front of the first floor, a narrow doorway approximately two-thirds of the way towards the rear, and then paired one-over-one sash windows. The second story has six one-over-one sash units, unevenly spaced. All windows on this side have stone lintels and sills.

There are three marriage lintels at the property although it is believed all of the dates relate to completion of building works as opposed to the date of marital union. The earliest of these lintels bears the date 1641. Though the exact circumstances are unclear the Duke of Atholl granted the property to James Stormonth of Lednathie in 1791. Moir Tod Stormonth Darling, Lord Stormonth Darling lived at Balvarran between 1894 and 1912.

As the tensile strength of stone is much lower, the lintel under heavy loads typically breaks and collapses. Many arches survive from antiquity, but few lintels are still in place.

White marble was used in the lintels, the arches, the inscription plaques, and the cornice of the dome. The tomb is most known for its elaborate vegetal and zoomorphic carvings.

Its front central doorway is flanked by wooden pilasters and has a seven-light transom. Its front windows are 8 over 12 sash windows, with limestone lintels and sills. With .

They face east. The central one is a bit taller than the others. In each of these prasats, once stood a lingam. These and the beautifully carved lintels were looted.

Most notably, Grinshill stone has been used to make the lintels and door surround of Number 10 Downing Street and in the building of Chequers. The village church is All Saints.

It has a large drill hall. The building features a crenelated tower and narrow recessed windows with stone lintels. It was added to the National Register of Historic Places in 1984.

In 1922 a third floor and a second-floor addition were made, adding 10 feet to its depth. The building is made of brick, and has limestone lintels and window sills.

The surviving first and second floor windows were set in rectangular openings with stone sills and lintels, the lintels on the front facade peaked. Windows on the third floor were set in segmented-arch openings. 85 Sigourney Street The house was probably built in about 1865. This type of house was at one time fairly common in the city, although few of them were built in Asylum Hill, an upper- class neighborhood area at the time.

Windows on the ground floor, and the center entrance, are framed by bracketed gabled lintels. Second floor windows have flat bracketed lintels, and third floor windows have simpler entablatures. The central windows on the second and third floor are three-part windows in the Palladian style, with narrow side windows. Mathew St. Clair Clark, clerk of the United States House of Representatives, purchased land for the house in 1834 and began the original brick building in 1836.

Their brownstone sills are matched with pedimented lintels on consoles; the second- story side windows have the same sills but their lintels lack the pediment. The balcony door has a lintel that curves with the arch. Above it there is a pediment in the roofline, where broad wooden eaves are supported by large brackets with leaf carvings. The entrance portico has square paired fluted Composite pilasters on high pedestals with egg-and-dart and rope-turn molding.

Marble stringcourses join the lintels of the first-floor windows, and also the sills and lintels of the second-floor windows. The cornice of the deeply overhanging roof features exposed rafter ends and brick courses painted to resemble fascia boards. The town of Bennington was the third in the state to consolidate its district schools, doing so in 1870. Classes for all grades were originally held in a single school building near downtown (no longer standing).

The window sills and decorative window lintels in the facades are both of stone, with the lintel having bevels etched into them to mimic voussoirs and keystones. A trench, surrounded by a black wrought iron fence and not visible from the street, permits light to enter the basement windows. The basement window sills are wood and the lintels brick. The first and second story windows are 9/9, while the smaller third story windows are 6/3.

Windows are topped by granite lintels, and the cornice has a line of brick dentil work. The building was listed on the National Register of Historic Places in 1982, misspelled as "Waitt".

It features a symmetrical facade, side gable roof, limestone lintels and window sills, and cornice returns on the front. The house was listed on the National Register of Historic Places in 1975.

Architecturally interesting homes abound in the neighborhood. Two houses built in the 1860s in the 900 block of Morrison are the first documented use of decorative steel lintels west of the Mississippi.

It features limestone sills and lintels and a brick parapet. Note: This includes The building was added to the National Register of Historic Places in 1988 as the Kensington High School for Girls.

The front stoop, located half a story above ground level, is in the rightmost bay and leads to a small brownstone portico supported by Ionic columns. The front doorway contains wooden double doors designed in the Italianate style. The windows on the building have metal lintels and sills, which replaced the original stone lintels and sills, and also formerly contained shutters. There are nineteen rooms in the building, many of which contain fireplaces with marble mantels in the Greek Revival style.

The lintel of the exterior doorway was plain but the two interior lintels were intricately carved. These two were removed in 1877 by Gustav Bernoulli and are now found in the Ethnographic Museum in Basel in Switzerland.Coe 1967, 1988, p.80. Pérez de Lara. The lintels were carved elsewhere and then moved to the pyramid, raised to the summit shrine and installed in prepared positions; this was a laborious task given that sapodilla wood weighs 1120 kg/m3 (69.1 lb/cubic foot).

An arch bearing the cemetery's name rises above the center entrance, while lintels span the side entrances; both the arch and the lintels feature ornamental designs. The Illinois Historic Structures Survey described the gates as the best extant example of iron cemetery gate design in the state. A number of prominent past citizens of both Sycamore and nearby DeKalb are buried in the cemetery. The gates have been listed on the National Register of Historic Places since November 28, 1978.

Some lintels serve a structural purpose, serving to support the weight of the superstructure, while others are purely decorative in purpose. The lintels at Banteay Srei are beautifully carved, rivalling those of the 9th century Preah Ko style in quality. Many niches in the temple walls contain carvings of devatas or dvarapalas. Noteworthy decorative motifs include the kala (a toothy monster symbolic of time), the guardian dvarapala (an armed protector of the temple) and devata (demi-goddess), the false door, and the colonette.

The Logan Temple Barn is a by square two-story stone structure with a pyramidal wood single roof. A pigeon-house cupola was added to the top by its first private owner. The front and rear elevations have double doors to the ground floor, and there is an original doorway on the east side. Two more openings on the east and west sides were added in 1919 using concrete lintels in lieu of the original openings' stone arches and lintels.

All are sided in rows of lake-washed medium-sized cobblestones set beads of V-profile lime masonry. All trim — lintels, sills, quoins and water table — is limestone. That material is also used for an unusual decorative feature on the east (front) facade: a semi-elliptical stone arch with keystone that springs from the lintels of the second story windows. Above it the shallow pitched gabled roof is set off by a very deep plain frieze and molded cornice with returns.

These courses run above and below the windows, and a deep band of blue-grey brick runs around the base of the entire building. The windows to the upper level have flat arches with splayed brick voussoirs (excepting to the toilet bay). The ground floor windows have square heads with sandstone lintels and keystones to the 1899 section, and splayed brick lintels to the newer section. All openings to the west are protected with corrugated iron sunshades on timber brackets.

The west facade formerly functioned as the principal front, but the main entrance is located now in the central bay of the east facade. The doorway as well as the windows of the first story are ornamented only by flat arches serving as lintels. The windows of the second story, set quite close to the cornice, are completely plain. The lintels are formed of rowlocks which originally surmounted the south gable windows are still visible, although the windows are now much smaller.

The choir loft connects directly with the body of the former living cells. The connection to the street is done via the front opening in the wall of the Epistle, containing granite block lintels.

Window openings on the primary facades are shuttered double sash with decorative wooden lintels above. A wooden barn/carriage house with a gabled roof and vertical board-and-batten siding sits behind the house.

Dark red brickwork with full-height brick pilasters and decorative light red brick lintels cornices. Sandstone moulding at base of pilasters. ;Classroom Block Two-storey rendered brick building with neo-classical detailing. Terracotta tiles roof.

Inside, the walnut-shaped ceiling rises in tiers which has numerous floral girdles. It is 23 feet high. It is supported by pillars arranged in an octagon. These pillars have stilts that support the lintels.

Several of the lintels on the outer gopuras are unfinished. A small probably contemporaneous with the temple, lay to the east, while a later, larger baray survives further north between Muang Tam and Phanom Rung.

In 1959 the National Coal Board repaired the monument after it was damaged by subsistence caused by mining: its northern, western and southern sides had become cracked, and part of the walkway had detached and overhung the interior. Stone blocks were replaced with concrete slabs with stone facings. Because of further settlement, Penshaw Monument was underpinned in 1978. The next year the western side was taken apart, and damaged lintels were replaced with ones made of reinforced concrete; the new lintels have buff-coloured artificial stone facings.

Furthermore, these ceremonies kept women involved in the social and political aspects of Yaxchilan society. The lintels adorning the doorways of Lady Xoc's house establishes the role of women in Yaxchilan society taking part in political, social, and ritual roles. From lintel 23 which shows Lady Xoc's genealogy and the ceremonies involving her home to the famous lintels (24, 25, and 26) which depict her taking a part of ritual and political aspects of Yaxchilan life, Lady Xoc's monuments depict her power and importance in Yaxchilan society.

The Lincoln House is located on the northwest side of Maine state Route 86, overlooking the Dennys River at the northern fringe of the town's dispersed village center. It is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof, central chimney, clapboard siding, and fieldstone foundation. The central entrance is simply framed, with a triangular pediment above. First-floor windows are topped by small entablatured lintels, while the second-floor windows have plain lintels butted against the cornice.

The main facade has modern storefronts on the ground floor, with a framing of granite pilasters and lintels. Windows on the upper floors have granite sills and lintels, and there are a series of brick stringcourses (part of the original building cornice) between the third and fourth floors. The current cornice has brick dentil relief and a projecting wooden overhang. The block was built in 1848 by Byron Greenough, who made his wealth in hatting and clothier, and ran his business here until 1856.

As demonstrated by Yaxchilan Lintels 24 and 25, and duplicated in Lintels 17 and 15, bloodletting in Maya culture was also a means to a vision quest, where fasting, loss of blood, and perhaps hallucinogenics lead to visions of ancestors or gods. Contemporaneous with the Maya, the south-central panel at the Classic era South Ballcourt at El Tajín shows the rain god piercing his penis, the blood from which flows into and replenishes a vat of the alcoholic ritual drink pulque.Wilkerson, p. 66.

The main entrance is recessed in a round-arch opening that occupies the center four bays. Windows on the other bays have rusticated stone sills and lintels, with the upper-floor lintels joined in a continuous band. The central four windows on the second floor are articulated by slightly projecting pilasters supported by stone brackets. The school was built in 1890, not long after the city adopted a graded schooling plan, and was thus the first school built to specifically support this type of teaching.

Today, the temple is next to a monastery, just as in the 9th century it was next to an ashrama.Freeman and Jacques, p.202. The temple towers are known for their decorative elements, including their false doors, their carved lintels, and their carved devatas and dvarapalas who flank both real and false doors. Some of the motifs represented in the lintels and other sandstone carvings are the sky-god Indra mounted on the elephant Airavata, serpent-like monsters called makaras, and multi-headed nagas.

The second-floor porch has turned posts set on shingled piers, with a latticework frieze between them at the top. The main gable is framed in wood and finished in shingles set in a wavy pattern, with a projecting bay at the center with two round-arch windows in the front. First-floor windows are set in segmented-arch openings capped by brick lintels, while second floor windows are in square openings with stone lintels. A band of decorative brickwork acts as a frieze below the roofline.

The front elevation has 10 symmetrical openings on the first and second floors, five windows on the second story and two windows on each side of the front door. The lintels and sills are all limestone in the masonry structure. The replacement windows are six-over-six double hung units matching identically the original wood window intact in the east side of the masonry ell. This window in the east side of the masonry ell is one of six windows with rough-hewn wood lintels and sills.

The masonry is oversized, with similarly heavy log porch and roof framing. Window lintels are single massive shaped timbers. The bases of the walls step outward in a reverse corbel. The roof is a simple gable.

The building is topped with a cornice and balustrade. Terra cotta lintels and decorations add an Adamesque influence to the building. The building was added to the National Register of Historic Places on June 26, 1987.

It features bracketed eaves and limestone lintels and sills. The house is architecturally similar to the buildings in the nearby Marion Commercial Historic District. It was listed on the National Register of Historic Places in 2013.

The Richard and Deborah Glaister House is a two-story, red brick house. It has both Queen Anne and Italianate details, including tall windows, carved stone window lintels, and highly detailed wood brackets under the eaves.

The gables are wooden with corner returns. There are sixteen double-hing windows with stone lintels and sills. The front door is framed by fluted pilasters and topped with a transom window. Doric columns surround the door.

Traditional masonry buildings had thick Load-bearing walls that supported the weight of the building. Openings in these load bearing walls such as doors and windows were typically small and spanned by steel lintels or masonry arches.

Among them, Yuyum Sanfong is considered the best example of classical Lingnan garden, having utilized features such as lintels with stone carvings, mock mountains made of stone heaps, geometric pool shapes, and massive use of wood carvings.

It is clad in Portland stone and features a decorative corner tower and eclectic 'zig zag' window lintels. The work was completed in 1932. Hartwell, Clare (2001), Manchester, (Pevsner Architectural Guides.) Penguin Books, pp. 11, 253, ; pp.

Light-coloured face brick walls with concrete lintels to windows and terracotta tile roof. Two-storey portico on western facade. Internally, leadlight panel and sidelight to front doors. Painted joinery except for staircase in polished Queensland Maple.

Accessed 2013-03-01. While the farmhouse as originally built was a clear example of the Federal style, the 1832 renovation gave the residence an appearance influenced by the later Greek Revival style. Both styles are still evident in the architecture: the double chimneys on the ends of the house and bull's-eye elements in the original lintels are distinctive Federal details, while the trabeated main entrance, windows, and flat lintels in the addition are more clearly Greek Revival. In 1986, the Gill–Morris Farm was listed on the National Register of Historic Places.

The roof is pierced on three sides by gabled center sections, that on the southern side, over the main entrance, more prominent than the others. The main facade is nine bays wide, the central three (below the gable) slightly recessed. Windows in the outer bays are set in segmented-arch openings, with sandstone sills and brick lintels with slightly projecting keystones. Windows in the central section are set in square openings with stone lintels and sills, except in the gable, where there are three windows set in round-arch openings.

The lintels of the second floor windows are made of stone, while the windows on the third through fifth floors contain brick lintels with keystones made of stone. A brick entablature in the Doric order, and a stone cornice, runs above the stone trim on the fifth floor. The top 1.5 stories consist of a gambrel roof that includes the sixth- floor attic. Three brick-faced dormers protrude from the roof, corresponding to the architectural bays below; the dormers on the sides contain three windows, while the center dormer contains two windows.

The 1849 church is a small, one-and-a- half-story, front-gable building. The main façade (northwestern elevation) has two main entrances, enclosed by white-painted wood, recessed panel doors, and capped by white-painted stone lintels with two stone corner blocks. The church's exterior is brickwork, laid in Flemish bond on the main façade and a five-course American bond on the northeastern, southeastern and southwestern elevations. Two blue-gray stained glass windows (installed in 1905) are symmetrically placed above the main entrances, each capped by stone lintels with two stone corner blocks.

Like the main façade's doorways and windows, the sills, lintels and lintel corner blocks of the stained-glass windows are white-painted stone. Below the windows is an exposed coursed-stone foundation with five tie-rod masonry anchor plates. A small brick chimney is present on this elevation. The church's southwestern elevation also has a coursed-stone foundation, with five tie-rod anchor plates, banked into the ground below three symmetrical stained- glass windows with fixed upper sashes and lower hopper sashes and encased with white-painted stone sills, lintels and lintel corner blocks.

The Old Post Office Block is located in Manchester's downtown business district, on the north side of Hanover Street between two other historic buildings, the Harrington-Smith Block (once home to the Strand Theater) and the Palace Theatre. It is three stories in height, built out of brick with a projecting bracketed cornice at the top of its facade. The facade is fifteen bays wide, divided into groups of five by brick pilasters. The outer groups have second-floor windows with peaked lintels, and third-floor windows with shouldered flat lintels.

A rusticated stone beltcourse separates the basement from the first floor, and similar stone is used for the window sills, and some of the window lintels on the rounded section. Arched windows and openings are highlighted in yellow brick, which is also used for some window lintels, and a frieze band above the second floor. The building was built in 1891 to a design by Boston-based architect William Forbush. Forbush, about whom little is known, is also credited with the design of the Abbott Street School, which is similar to this one.

On the second level, a three-part round-arch window is set above the entrance under a stylized cap. The gable of the projecting section has Stick style bargeboard, and is flanked at the roof level by gabled dormers with a simplified version of the same decoration. Windows on the side elevations have bracketed sills and lintels, with the first-floor lintels capped by gabled cornices, and those on the second floor flat. A two-story polygonal bay projects from the right side, just below a steeply pitched gable.

The eaves are supported by scroll-shaped brackets. Windows are tall, with stone lintels. The front door is framed in a transom and sidelights. The adjoining secondary block is similar to the main block, but 1.5 stories tall.

A boxed cornice marks the roofline. The windows have brick lintels and thin stone sills. The main entrance has a wood surround with two plain pilasters. A limestone cornerstone with "Hawthorne" on it is in the southwest corner.

Gable ends are finished in wood, and are fully pedimented. Windows are set in rectangular openings with granite sills and lintels. A two-story porch, a recreation of the original based on photographs, occupies the front right corner.

Kabáh :: The Mayan Kingdom The site had a number of sculpted panels, lintels, and doorjambs, most of which have been removed to museums elsewhere. Kabah boasts more large monumental structures than any other site in the Puuc region.

The fenestration of the windows on the front of the building are modern vinyl sliding sash windows that have replaced the original wood framed style windows. All the window apertures are topped with coquina stone jack arched lintels.

It leads to the basement. The south, the side facing the street, is similar to the other faces except for having two narrow windows in the westernmost bay. All its windows have rock-faced lintels and smooth sills.

Doors usually have square lintels. They may be set with in an arch or surmounted by a triangular or segmental pediment. Openings that do not have doors are usually arched and frequently have a large or decorative keystone.

The east window is similar to the windows in the south wall, but with two mullions. The north wall has two tiers of five windows; the lower windows have flat lintels, and the upper row consists of lunette windows.

The basement windows have rowlock brick lintels and wood sills. The north facade has three arched, stained-glass transoms identical to those of the front facade. Sashes and frames of all windows are original. The building has three entrances.

The village dated back to the Roman era. Tsafrir et al, 1994, TIR, p. 233; cited in Petersen, 2001, p. 286 Near a spring were two fallen blocks, apparently lintels, which had the appearance of being of Byzantine origin.

All windows and doors have timber lintels and frames. The windows have shutters made of vertical timber slabs, which open onto the interior. They also have vertical iron bars. A window in the north- eastern facade has horizontal and vertical bars.

The rectangular plan structure features three narrow bays, a recessed entrance in the right bay, dressed stone lintels, and a stone storefront. The window openings have been altered. The building was listed on the National Register of Historic Places in 1991.

During its operation, two-story flanking frame buildings served as men's and women's dormitories, but these no longer stand. The thick brick walls with flat-arched lintels over its numerous windows enabled the building to stand through years of neglect.

The foundation is of limestone, carefully dressed. Like the exterior walls, most of the interior walls are brick, while some framing is yellow poplar with occasional pine floorboards in addition to the extensive ash on the floors and in the lintels.

It is topped with a fanlight. Marble piers 9 feet (3 m) high are at either corner of the front. The window on the easternmost bay is smaller than the middle three. All have splayed brick lintels, marble keystones and sills.

Ornamentation on the building is minimal. At the roofline there is a simple cornice and returns. The windows have simple wooden sills and lintels. At the center of the first story, the main entrance is a double door with glass transom.

Circular Columns are constructed of circular bricks. Most of the openings are arched and made of brick that exclude the use of lintels. Wooden staircases supported by crossbeam system. Brick as the main structural material, all are load bearing walls.

The beams also rested on wide plates and the ends were built round with stone, leaving space for ventilation. Tile or slate lintels were used over all openings. The cost of the whole house was 6½d. a cubic foot.

Characteristic to this style was the usage of curved edges and surfaces on the roof. Thus segmentally-arched brick lintels. Band courses surmount the first, second and fifth floors. This factory building is one of the few surviving factories in Queens.

The home is considered more representative of New England architecture than other contemporary Georgetown homes. The house has many architectural details including "a wide limestone stairway", "pink- painted lintels with keystones", "brick voussoirs", "Doric pilasters", and a "semi-elliptical fanlight".

The windowsills, lintels and water table are also of limestone. Atop the building is a hip roof. A balustrade surrounds the cupola, with a rounded roof and overhanging cornice. At the northeast corner a single brick chimney pierces the roof.

The windows contain 4×4 panes, and have stone sills and wedge lintels. The datestone is in the gable. Attached to the right of the chapel is the school. This is in a single storey, and has a gabled porch.

Edinburgh: Edinburgh University Press. 51. This leaves a narrow gap between the top of this block and the passage lintels, thereby allowing light to enter even when the passageway is impassable to people.Ruggles, C. (1999). Astronomy in Prehistoric Britain and Ireland.

The Kirby House is a two-story Greek Revival with a gable roof and single story additions on the side and rear. The house is constructed of fieldstone faced with parallel rows of cobblestones, with cut sandstone quoins, lintels, and sills.

The tallest, near the south end of the L, rises two additional stories above the roof. Windows and doors had brick hood lintels; above the cast iron cornice supported by pendanted brackets were hooded dormer windows in the roof. Inside there was exposed original brick, segmental-arched entryways, walnut and cast iron roof columns and exposed roof framing. The main building had two additions: a one-story machine shop on the north side of the western corner, and a large two-story section with a corrugated iron gabled roof and segmental-arched windows without lintels extending east from the north end.

The center and outer bays of the upper floors project slightly, and the building is crowned by a corbelled brick cornice. The center bay has two windows, topped on the second floor by shouldered brownstone lintels, while the outer bays have single windows with similar lintels; the third-floor windows in these bays have segmented-arch tops. The Swan Block, facing Irving Street, differs in having a more residential treatment of the ground floor, with sash windows flanking a more elaborate entrance. The property on which the blocks were built housed the residence of George Swan, a lawyer.

This side features brick piers with stylized terra-cotta capitals, a decorative wrought-iron fire escape and a bracketed galvanized iron cornice. The Crosby Street side offers cast-iron columns supporting decorative lintels at ground level, with concrete block infill and metal doors.

The windows have cast concrete sills and soldier course brick lintels. The Plum Street facade is thirteen bays long, with red-brown brick like the main facade. The three bays nearest Trumbull contain tripled double-hung windows; the remainder contain steel factory windows.

Its design includes a two- story porch with balustrades on each floor, tall windows with limestone lintels and keystones, and a cornice with ornamental brackets and moldings. The building was added to the National Register of Historic Places on January 21, 1988.

The front windows have stone sills and decorative lintels. A third two-story porch on the west elevation, overlooking the nearby Hudson River, has also been enclosed with aluminum siding. The stone foundation comes up to the second floor here, behind the garage.

The doors and windows feature granite lintels, and the slightly larger front overhang is a typical local feature. In the late 19th century the property belonged to E. M. Torrey. The house was listed on the National Register of Historic Places in 1989.

The first waves of Christianization came in the 460s, when lintels bearing crosses were discovered with increasing numbers alongside pagan ones. The full Christinization of the village is dated to 508/510 at the time when the village's first church was built.

The boomtown facade indicates commercial use of the one-story gable-front building. The upper portion of the facade rests on a stone string course. Lintels and sills are made of smooth cut stone and the facade parapet is capped with tin.

Hough Hole House is constructed in coursed, buff sandstone rubble. It has a concrete tiled roof and two stone chimneys. The house is in two storeys, and has a near-symmetrical three-bay front. The windows are 20th-century casements with stone lintels.

The west walls are 0.5m wide and the north wall is 1.5m wide. The tallest remaining wall is 3.7m high. The north wall is the most intact, with over half of it still standing. Some timber joists and lintels have stayed intact.

Le Couperon Neolithic dolmen and the guardhouse. Le Couperon guardhouse is a historic building in the parish of Saint Martin, Jersey. It stands a few metres from Le Couperon dolmen. The guardhouse was built in 1689 of local stone, with brick lintels.

150x150px The Martin Limbach Hardware Building is a five-story, three-bay building. It was originally built in 1877 for the Martin Limbach Hardware Store. The facade is of brick, with stone lintels. The first floor has been renovated for a deli.

29 North Street is a free-standing sandstock brick cottage. It has sandstone foundations, lintels and sills. Windows are twelve-pane and doors are four- panel. The roof is covered in iron and is hipped to house and bellcast to the timber verandah.

The structure is a high funerary temple measuring at the base.Houston et al. 2007 p.407. In 1989 the Proyecto Nacional Tikal undertook rescue works at the temple, installing replacement lintels, sealing some of the chambers and closing the more dangerous looters' tunnels.

The house was built of brick by 300 German bricklayers. The walls are double thick using a common bond. On the interior, the walls are covered using plaster and lath. The sills, lintels and keystones around the openings are made of Indiana limestone.

Remains consist of a subrectangular stone structure (int. dims. 5.3m NE-SW; 1.7m NW-SE) enclosed by a thick drystone wall. Roof is apparently composed of flat slabs. Entrance feature in NE wall (Wth 0.4m; H 0.6m) capped with three substantial lintels..

The riverstone is mostly used on the east elevation. The house is two stories tall, otherwise constructed with red brick. Windows and doors have stone lintels. The main entrance is on the west, though the door has been replaced with a paneled door.

The portico's frieze is subordinated to the architrave. The mansion's front door is topped by a leaded fanlight in the shape of a segmented arch. Leaded sidelights flank both sides of the main doorway. All of the mansion's windows feature colonial-style lintels.

On either side of the door are two original lamps and two windows with limestone sills and lintels. A wooden dentiled cornice runs around the roofline. Above it is a slate gabled roof. The side elevations have a pair of windows each.

Above their heads are scrolls depicting the names of the Virtues. Two gable shaped lintels act as the entrance into Heaven. In Heaven Abraham is shown holding close the souls of the righteous. A pudgy abbot leads a king, possibly Charlemagne, into heaven.

The attic story contains half- windows framed between the cornice brackets, while the windows on the first two stories are double-hung sash units with white stone lintels. A wide veranda supported by columns runs around the front and side of the house.

It is of brick construction with two corrugated metal hipped roofs over the main structure and the projecting bay presenting an asymmetrical facade with a side verandah featuring hipped awning supported on turned timber posts. Fenestration includes narrow tall sash windows with segmental arch lintels.

The Achille Duquesne House, at 710 W. Midway in Filer, Idaho, was built in 1912. It was listed on the National Register of Historic Places in 1993. It is built of cast concrete blocks with rocklike faces. It has cast stone lintels and window sills.

All of the windows have stone sills and lintels, and the doors are capped with transoms. The house is situated on a sloping lot so the basement on the east elevation is exposed. At one time the east elevation was covered by a double porch.

The main entrance is on the corner, behind a stone column. Decorative elements include a stone balustrade along the roofline, lintels and sills of lighter stone on the second-story windows, stone bands of alternating sizes (8 and 16 inches), and light reddish mortar lines.

The makara is a central motif in the design of the famously beautiful lintels of the Roluos group of temples: Preah Ko, Bakong, and Lolei. At Banteay Srei, carvings of makaras disgorging other monsters may be observed on many of the corners of the buildings.

289 This face also has a stone string course and cornice. The wide central entrance is reached by a flight of steps; it has decorative stone inserts, a semi-circular brick arch above and a fanlight. The windows have undecorated stone lintels and sills.

The two-story brick building features a 1½-story ell, a gable roof, bracketed eaves, and arched stone lintels over the symmetrically arranged windows. The front porch is not the original. The house was listed on the National Register of Historic Places in 1976.

The lintels on the first and second floors are of cut stone, painted white and shaped to match the window and door surrounds. A single story hipped roof wooden front porch, likely constructed in the early 20th century, extends across the front of the house.

Terra cotta medallions top each pier, and scrolled shields on the piers mark the top of the first floor. The windows on each floor feature terra cotta sills and lintels. The building's original terra cotta cornice has been replaced by a white brick pediment.

The house, featuring unique lintels, was built by a local lumberman. Its purpose was to house visitors interested in a nearby mineral spring. It was listed on the National Register of Historic Places in 1986 and on the State Register of Historic Places in 1989.

In ancient architecture, antepagmenta were garnishings in posts or doors, wrought in stone or timber, or lintels of a window. The word comes from Latin and has been borrowed in English to be used for the entire chambranle, i.e. the door case, or window frame.

The building has a brick exterior and features a limestone arched entrance, arched lintels with keystones around the first-floor windows, limestone quoins, and a pediment with an urn. The building was added to the National Register of Historic Places on November 27, 2017.

Windows have decorative wooden lintels and white pine moldings. A porch supported by wooden columns stretches across the west (front) of the first story. The main entrance has a red glass transom and similar sidelights with a frosted grape pattern. Inside many original finishings remain.

The entrance is framed by a sandstone segmental-arch pediment with brackets. Window sills and lintels, as well as corner quoining, are also sandstone. The house was built in 1860. Its first prominent resident was Peter Parker, best known as a medical missionary to China.

Carving on lintels is particularly elegant. Visitors looking out from the upper level today are left to imagine the vast expanses of water that formerly surrounded the temple. Four landing stages at the base give reminder that the temple was once reached by boat.

The one story structure is built in an English motif and served mostly as a waiting shelter. Doors and windows are made of wood with steel lintels. The tile roof has galvanized iron gutters and a brick chimney. The building features a wood cornice.

It features stone lintels and sashes and a projecting center section with gable. Note: This includes It was added to the National Register of Historic Places in 1988. It is currently home to the Northeast Frankford site of the Boys & Girls Clubs of Philadelphia.

In Europe, the British Museum in London exhibits a series of famous Yaxchilan lintels, and the Museum der Kulturen in Basel, Switzerland, a number of wooden lintels from Tikal. The Ethnologisches Museum in Berlin holds a broad selection of Maya artifacts, including an incised vase showing a king lying in state and awaiting his post-mortem destination. The Museo de América in Madrid hosts the Madrid Codex as well as a large selection of artifacts from Palenque. Other notable European museums are the Rijksmuseum voor Volkenkunde in Leiden, Netherlands, home to La Pasadita lintel 2 and the Leyden Plate; the Musées royaux d'art et d'histoire in Brussels;Wagner 2011, p. 450.

Among its most prominent themes are its division into five bays on both the front and the western side, with the three central bays being recessed from the corners. On the top story, the normal lintels give way to an arcade decorated with limestone keystones carven in the shapes of scrolls. Masonry courses divide the building into several vertical components: the second and third stories are separated by a large beltcourse, while lintels are placed throughout the facade. In 1976, much of West 4th Street was designated a historic district, the West Fourth Street Historic District, and added to the National Register of Historic Places.

Two of the lintels have chevron decoration and one of them has lozenge decoration. Two other mounds in the Fourknocks complex were excavated. One of these likely served as the cremation site for the bones found in the main tomb and was used for later interments.

It featured decorative millwork and was capped by an unusual flared roof. The windows and doors were evenly spaced and each one was topped with decorative stone lintels. An ocular window with stone molding was located on the gable end. The corners of the structure were quoined.

The Maya did not employ a functional wheel, so all loads were transported on litters, barges, or rolled on logs. Heavy loads were lifted with rope, but probably without employing pulleys. Wood was used for beams, and for lintels, even in masonry structures.Foster 2002, pp. 238–39.

The slate roof is surrounded by a modillioned cornice. There are projecting two-story bays on the south and east, with a one-story raised balustraded porch on the east at the main entrance. Windows have decorative lintels. A corbeled brick chimney rises on the south end.

The windows are glazed in tall steel casements allowing for ample natural lighting and the doors are made of heavy hardwood panels hung in timber frames, pedimented to the lintels. The floors are finished in parquet to the main areas with terrazzo to the entrance way.

The first floors have two-light casement windows under chamfered ashlar lintels. Gabled dormers to the attics have two-light casements with small panel glazing. Similar two-storey cottages were built without dormers to their attics. All the houses have back yards enclosed by brick walls.

150x150px The building at 616 Woodward Avenue is a three-story wood-framed pitched-roof brick building, originally built by the W. G. Vinton Company in 1880. The first-floor storefront has been substantially renovated, but the upper stories still have original stone lintels and sills.

All built of hard white furnace bricks with contrasting red brick lintels & string courses. Large timber entrance porch and two-storey verandah to east & south fine interiors with cedar joinery, marble fireplaces, painted & stencilled ceilings. Constructed in a vernacular Scottish farmhouse style, the building is asymmetrical.

The Nathan Ayres House is an Italianate structure with a distinctive five- sided bay on the front facade. It has tall one-over-one double hung sash windows topped with carved stone lintels, a broad front porch, and squared brackets underneath the eaves of a hipped roof.

On the second floor are three similar arrangements, except the flanking sidelights have been bricked over. All of the windows are set in slightly recessed brick panels. Third-floor windows are small three-over-three sash, crowned by splayed stone lintels. The main cornice has classical detailing.

It was built in 1938. It is not considered a contributing resource to the Register listing. It is a -story rectangular home with a gabled roof. An asymmetrically placed Dutch door is located in the south (front) facade, with flared stone lintels like the windows nearby.

Achanta consists mostly of agriculturists and small scale traders. Like most villages in Godavari River Delta, farmers manage to cultivate two crops of paddy and one summer crop (usually lintels). Many farm lands are surrounded by Coconut trees and Mango trees. Fridays and Sundays Are market days.

All other quarries, like the Tabataud Quarry in Nontron, the Piégut quarry or the Lacaujamet quarry — the latter produced massive building stones like lintels etc. — have been closed by now. Scattered through the countryside one can see local road side excavations that were mainly used for roadworks.

The building is a two-story free standing brick structure with a brick foundation. It features an overhanging bracketed metal cornice and a centralized broken pediment above. The windows on the second floor have stone lintels with keystones. The two original storefronts are indicated by iron columns.

In 1875 Victor Guérin found here about 100 Metuali inhabitants. He further noted: "All the houses are built of regular stones belonging to ancient buildings, and most of the doors have fine lintels."Guérin, 1880, p. 268, as cited in Conder and Kitchener, 1881, SWP I, p.

Bronze lettering above the entrance identifies it as the Dobbs Ferry post office. The entrance centers the entire main facade. It is arched, with flanking wooden pilasters topped with dosserets and a denticulated (toothed) broken-bed pediment. The windows feature splayed brick lintels and capping keystones.

The souterrain at Donaghmore is a complex of tunnels lined with dry stone walls, floors and ceilings, with corbels and lintels. The ceilings are over in height and the total length of tunnel is . It is largely dug into boulder clay but also into Silurian grit.

The west facade entry porch/gallery has sandstone facing. The north, south and east facades are face brick with sandstone lintels over windows. The entrance lobby has a slate roof, while the main roof is terracotta tile. Aluminium awnings over windows to east and south facades.

The material is used for window sills, lintels, and arches over the two primary entryways as well. The four-story clock tower is the dominant feature of the building. It has a square plan and a hip roof. Roofing of the entire building is sheathed using slate shingles.

The cube-shaped structure features cut coursed stone with blocks of various sizes and shapes, and limestone sills and lintels. There is no indication that this house was ever stuccoed, as several in the vicinity were. The house was listed on the National Register of Historic Places in 1991.

The window sills and lintels are dressed stone. There is a brick chimney on the west elevation, and two entrance doors on the east elevation. Having two entrance doors is unusual for rural Jackson County schools. with A name and date stone is located in the east gable.

The brick structure measures . Its main facade features the suggestion of a pediment formed by the decorative brick frieze and the simple brick coping. Extending below it are four capped brick pilasters. The windows are all rectangular in shape and they each have locally quarried dolomite lintels and sills.

The west side of the building was the original front of the house, though a new entrance was built on the north side along Prairie Street during the remodel. The house is decorated with gray limestone quoins. Windows have high lintels and thick sills, also made of limestone.

Lintels are wooden and are found on all except on three rear windows. The doorways has four sidelights on either side and a five-pane transom overhead. The front porch was added later and is Victorian in style. A small shed-like addition was built on the rear.

The south (long) section may have been built first. This side has the front door, centered in the middle bay facing west toward Illinois 53. Typical of Greek Revival houses, the Fitzpatrick House has flat stone lintels, symmetrical proportions, and a horizontal transom. The property also has a barn.

It features a large corbelled brick cornice, sandstone sills and lintels, and three large brick chimneys with corbelled caps. Note: This includes The school was named after the founder of the D. Landreth Seed Company. The building was added to the National Register of Historic Places in 1986.

John C. Reeves House is a historic home located near Wellsburg, Brooke County, West Virginia. It was built about 1870 and is a two-story, painted brick Italianate style farmhouse. It sits on a foundation of smooth limestone blocks. It features tall and narrow windows, with semi-circular lintels.

The original posts appear to have been replicated in style if not in size or, possibly, timber species. The original doors have been replaced with VJ plank doors, some half- height. Several have rim locks evident. The original timber door lintels are present but severely damaged by termites.

Colonettes were narrow decorative columns that served as supports for the beams and lintels above doorways or windows. Depending on the period, they were round, rectangular, or octagonal in shape. Colonettes were often circled with molded rings and decorated with carved leaves.Glaize, Monuments of the Angkor Group, p. 38.

There is an arched entryway with a fanlight and sidelights. The windows have flat keystone lintels, and functional wood shutters. At the top of the structure is a shallow, molded and unadorned cornice. On top of the roof are narrow gable dormers with arched windows and triangular pediments.

Each door is flanked with two large windows. Both doors and windows are covered with lintels, above which is a relieving arch. An inscription above one of the doors have been removed. The roof is made with iron girders, with reinforced concrete, while the walls are dressed limestone.

Another stringcourse connected its sill to those on the flanking windows, rectangular with flat lintels. All windows were set with one-over-one double-hung sash. At the roof there was a parapet with a small pediment in the center. On either side, and at the corner, were finials.

The exterior to the Smuggler's Bar says, "Through these portals passed smugglers, wreckers, villains and murderers, but rest easy....t'was many years ago". The interior is characterized by sloping floors with many of its original beams. Internal building partitions have been removed. The fireplaces display roughly cut granite lintels.

The main entrance runs the length of the front facade. It consists of slightly recessed triple pairs of wooden doors beneath a tripartite window. The enframements resemble stone and the smaller windows have keystone lintels. Between the doors and windows, six decorative plaques frame a central scroll motif.

The flooring is original pine wood that has been refinished. The northwest and southwest office areas have a plain wood door entrance from the auditorium. These room's have their original walls that are irregularly shaped coquina stone. The window apertures are topped with coquina stone jack arched lintels.

The rectory is located to the south of the church. It is a two-story three-by-four-bay Roman brick structure with wooden trim and granite stringcourses, sills and lintels. Windows are double-hung sash. It is topped with a hipped roof shingled in red Vermont slate.

Windows are six-over-six double-sash types with louvered shutters and wood lintels. A large central Palladian window sheltered by the portico is the dominant feature of the house. Several tenant houses, farm buildings, gambrel-roofed barns, a bank barn, and stables are scattered around the farm.

The north and south wings respectively contain the women's and men's locker rooms and are nearly identical. Both have nine windows separated by eight brick pilasters. The stone capitals of the pilasters line up with the lintels of the windows. Ramps lead from the extreme ends of each wing.

The exterior also features many Latin inscriptions from notable authors, including Cicero, Hippocrates, Juvenal, Seneca the Younger, and Virgil. The first floor windows have exterior ornamental bronze grills, decorated in a Romanesque design. Those windows' lintels have figures of gods and fauna symbolic of medicine and additional Latin inscriptions.

The -story, common bond brick building has a metal-covered gable roof, with a number of skylights. There are stepped parapets on the front and rear elevations. The front windows are six-over-six with concrete lintels and sills. There are eight arched loading bays on the side elevations.

Nikolaus Pevsner praises the "pretty classical doorway".Pevsner & Hubbard, p. 288 The stone doorcase, described as "good" by English Heritage in the listing, has Ionic columns; there is a semicircular fanlight with a pediment above. The sash windows to the front face all have stone lintels with decorative keystones.

These are used for window lintels or tops of walls. Sailor: Units are laid vertically on their shortest ends with their widest edge facing the wall surface. Shiner or rowlock stretcher: Units are laid on the long narrow side with the broad face of the brick exposed.Sovinski, p. 43.

Designed by William R. Walker & Son and constructed by S. Mason & H. A. Smith in 1886, the one story red brick Queen Anne style building is basically rectangular with a low- pitched gable-over-hipped roof. The red bricks are laid in dark red mortar and is contrasted by the granite sill course and the now painted grey brownstone stringcourse, window sills and lintels and the lintels of the doors. The enclosed entry pavilion projects from the main block with two porches oriented to face Fountain Street and Blake Street. Three arched double hung windows with two-over-two sash run along the sides of the building with three smaller windows are in the entry pavilion.

The second-floor windows have simple hoodmolds above them, while the rest of the windows have stone lintels. What differentiates this building from the others is that it is a freestanding commercial structure, capped with a hip roof. The building was listed on the National Register of Historic Places in 1991.

The other three facades are faced in red brick and fenestrated with nine-over-one double-hung sash trimmed with brownstone lintels. There are two bay windows on the north and south faces, toward the west corners. Around the base of the hipped roof is a cornice of corbeled brickwork.

Situated on table land, surrounded by olives and arable land. Water supply from a large masonry birket and many cisterns."Conder and Kitchener, 1881, SWP I, p. 89 They further noted: "Village containing several good lintels and remains of ruins; an ancient road leads from the village to the Birkeh.

The building is constructed of red pressed brick, detailed with locally quarried limestone, and reinforced with steel girders. The building's primary contractor was C.A. Moses. The red brick facade is detailed with significant amounts of limestone, including in its continuous lintels and sills. The entrances are covered with large round arches.

It features a projecting central entrance with floral and heraldic plaques in the spandrel, decorative panels, and a crenellated parapet. Each register contains three openings with limestone sills and lintels. A limestone dripcourse appears over the basement openings. The projecting end registers feature window bands with ornamental panels between the floors.

Two small windows are on either side. Above it is a denticulated triangular limestone pediment. Concrete steps with iron railings lead up to the entrance, with a wheelchair ramp coming in from the north. On the north and south, the center bays have paired windows with segmental arches and brick lintels.

The entrance is recessed in the base of the central section; the doorway features lintels and posts that continue the building's rectilinear emphasis. Leaded glass windows are recessed in the spaces between the central section's piers. The church was added to the National Register of Historic Places on November 17, 1977.

Sash windows fill the remaining bays, with slightly gabled lintels. Behind the house stands a small barn, 1-1/2 stories in height, with a gable roof. The north facade is finished in clapboards, with the gable decorated by vergeboard. Based on architectural analysis, it was built in about 1850.

The Capt. David Vickery House is an historic house at 33 Plain Street in Taunton, Massachusetts. It is a 1-1/2 story brick structure, five bays wide, with a side gambrel roof. It has Federal style framing around its front windows, with granite lintels beneath windows on the side elevation.

It features a number of distinctive Victorian era features such as steeply pitched and intersecting gable roofs; stone elements such as lintels, belt courses, sills, and chimney abutments and caps; and terra cotta wall surfaces and ridge blocks.See also: It was listed on the National Register of Historic Places in 1996.

While the house features the style's typical hipped roof and jack arch lintels above the windows, it is smaller than most Federal houses and is missing characteristic decorations such as a fanlight above the front door. The house was added to the National Register of Historic Places on May 20, 1998.

The exterior is brick with decorative white glazed terra cotta lintels. An archway bearing the building's name marks the entrance into a landscaped courtyard. The leaded glass entry opens into a grand foyer paneled with mahogany wainscoting and underscored with marble flooring. Individual apartments have hardwood floors and original mill work.

Banteay Srei is built largely of a hard red sandstone that can be carved like wood.Glaize, Monuments of the Angkor Group, p.183. Brick and laterite were used only for the enclosure walls and some structural elements. The temple is known for the beauty of its sandstone lintels and pediments.

This is currently the house's main entrance. Fenestration on the portico consists of two long windows on the first floor to either side of the entrance, with sandstone sills and lintels. On the second story the windows are round-arched with radiating muntins. The roof above them has broad overhanging eaves.

They have marble sills and splayed brick lintels with marble keystones. Recessed panels are worked into the brick between the two stories; the corners are quoined. At the roofline is a modillioned, dentilled cornice. The small six- over-six double-hung sash in the five dormers are topped with pedimented gables.

The brick building, which is extant in the 21st century, stands two stories tall with tripartite windows and large Greek-Revival lintels. The building originally had a smaller federal style cupola, but this was later replaced with a late Victorian clock tower in the second Empire style, which remains today.

The central projecting wing is the largest. It was the former operating room and has a five-sided projecting bay with large windows in each section. Timber sash windows with concrete sills and lintels are found throughout the building. The interior of the building contains office accommodation for clinical staff.

Original wooden supports, roof beams and trusses also remain, along with corrugated iron roofing. The majority of the walls are open and the roofed area has dirt floors. Two brick kilns, with chimneys, remain. Located at the base of the kilns are a number of openings with arched brick lintels.

When listed on the National Register, the building was described as one of Worcester's finest Italianate residences, with corner quoining, a modillioned cornice, and a widow's walk. Windows were capped by lintels set on consoles. All of these features have since been lost to exterior alteration. The house was built c.

Late medieval entrances sometimes have straight or stepped lintels and even trefoil arches (e.g. Kronsegg Castle, Lower Austria). The door frames are usually very plain, but sometimes beading is used to decorate the frame. Coats of arms and the year of construction date to no earlier than the Late Middle Ages.

Most of the temples have since been restored. Their complexes retain elaborate sandstone lintels and pediments, intricate black granite carvings, tall gopurams, and stone iconography. Foundational steles remain and contain inscriptions. Bathing ponds and lake tanks constructed by the same Nayanar engineers to cultivate agriculture and irrigation are a typical feature.

It has a three-bay facade with bay windows flanking a center entry covered by an open porch. Its upper-story windows are headed by projecting lintels. Most of the windows are single sash, but some are paired sash windows set in a shared opening. The house was built c.

Fenton Hotel The original section of the Fenton Hotel is a rectangular, three-story brick structure on a rubble foundation with a float roof. It is located directly on the sidewalk line. The windows are simple rectangular units with stone lintels, placed symmetrically. A simple brick corniceline encircles the building.

The original section of the Cushing Hotel is a simple two-story wood-frame building. It measures and is topped with a hip roof. The building was constructed of locally milled white pine and sheathed in clapboard. Decoration is very minimal, primarily consisting of thin lintels over some doors and windows.

It was built in about 1875 and is a three-story, four-bay wide, brick double townhouse designed in the Italianate style. It features round arch windows, cast iron lintels and sills, and brownstone front steps. It was added to the National Register of Historic Places on November 26, 1982.

The former Victoria Inn is a one and a half storey Colonial Georgian sandstock brick cottage with sandstone quoins, lintels and sills. Symmetrical front facade has central panelled door with 4 pane fanlight. Windows are 2 x 6 pane double hung sashes. The roof is hipped and has wide boxed eaves.

This circular hilltop cairn is in diameter and over high, with the remains of a trapezoidal cairn long in the southwest part. Three lintels are in position and the rear part is corbelled. Surrounding this was a court (5.5 × 7 m) and a gallery containing at least two burial chambers.

The Newington Gilbert House is a two-story wood-frame building. The original section has a simple rectangular floorplan. Patterned on ancient Greek temples, it sports as decoration full-height pilasters at the front corners, a wide entablature, and gable returns forming a broken pediment. The double-sash windows have straight wooden lintels.

It features limestone sills and lintels. Another unusual feature of this house is that it was covered in a thick layer of stucco. The other stone houses in the county that were stuccoed were only given a thin layer. The house was listed on the National Register of Historic Places in 1991.

What is unusual about the stone used here is that they are long and narrow, compared to the other buildings. with The stones used at the corners are somewhat larger. The window sills and lintels are dressed stone. The stone used for this building was quarried about a mile north of here.

It is a 2-1/2 story wood frame structure, with a mansard roof. Dormers piercing the roof are topped either by shallow gables or segmented-arch roofs. Modillions line the main roof eave, and windows are topped by over-length projecting lintels. The house has also retained its elaborately decorated porch.

Most of these buildings were one-bay wide, without modern sanitary equipment. The house gates were noted for intricate baroque style lintels. Originally a middle-class neighbourhood, the area became dense slums due to the influx of refugees in the Second Sino-Japanese War. The entire neighbourhood was razed progressively in 2012-2014.

The seven-bay Marina Street facade (the west facade) consists of an ABABA rhythm in which unit A is identical to bays 1 and 5 of the north facade. Unit B consists of ground-storey bays with wider, circular-arch openings and rectangular upper-level openings with quoined surrounds and voussoired lintels.

Locust School is a historic building located north of Decorah, Iowa, United States. Built in 1854, the one-room schoolhouse is composed of rubble ashlar limestone and capped with a gable roof. The lintels and window sills are also stone. A belfry with round-arch openings is located above the main entrance.

The full basement is hinted at by the building's prominent foundation and water table. The window lintels, and sills, as well as the arches and stairs are trimmed with limestone. The roof is sharply angled toward its center, where a wooden cupola tops the building. It was completed after the building, in 1892.

The main entrance of the church is framed by a series of archivolts. The tympanum is profusely carved with vegetal motifs that are reminiscent of Al-Andalus art. The tympanum is supported by two superposed lintels. The one above is decorated with six lions while the one below with a vegetable motif.

Above, all three stories have a similar treatment. The middle two windows are wider than those on the ends. All have molded limestone sills and splayed lintels with prominent keyblocks. They are filled with eight-over-one double-hung sash; the three-part center windows have four-over-one on the sides.

The window lintels are likewise stone. There are also three basement level windows in each bay, save for the entrance bay. The east side of the south elevation is composed of solid brick with no windows. It features a decorative cut stone design that portrays Marycrest's insignia that is embedded in the wall.

The building's design includes wooden decorations and trim around the first-floor doors and windows, two oriel windows on the second floor, stone lintels atop the second floor's remaining windows, a stone cornice, and a brick parapet. The building was added to the National Register of Historic Places on February 5, 2003.

His plan also called for a stepped foundation. As built, the dormers were eliminated completely and the remaining windows, except for those in the towers, were all capped with square lintels. A half-basement with square windows replaced the stepped foundation. The overall effect is much more severe than Tefft had intended.

On the ground level of the south (front) facade, the main entrance is centrally located. It is sheltered by a modern awning. The two side bays have plain window surrounds with projecting lintels. They are set with six-over-six double-hung sash windows and paneled wooden shutters with wrought iron hardware.

Windows have splayed stone lintels, and the roof cornice is modillioned. The main entrance is at the center of the front facade, topped by a semicircular fanlight. The porch has Queen Anne style turned posts, decorative brackets, and latticework skirting. The interior retains many original period features, including woodwork and plaster walls.

The Zalmon Church House is a two-story painted brick Italianate structure. It has a hipped roof with a single-story gabled wing. It has paired eaves brackets and segmental-arched lintels which are typical Italianate details. A front porch and small side porch are of more recent construction, but complement the architecture.

Constructed of brick, timber & slate, approached by original drive of olives & pines. A complimentary coach house, stables & dairy (to the house). All are built of hard white furnace bricks with contrasting red brick lintels & string courses. ;Stables Two storey brick building with timber framed, pitched slate roof, concrete floor and rendered walls.

The two story northern portion of the building is a separate commercial space with large display windows and a door at an angle to the street. This space is also similarly finished. Upstairs windows feature heavy wooden lintels and decorative wooden grates. A large spandrel beam extends the full length of the facade.

All windows have plain stone sills and lintels. On the south (front) facade, they are additionally flanked by paired wooden colonettes. The main entrance, with sidelights, is similarly decorated and topped with a heavy wooden bracketed flat-roofed hood. The small front yard has a wooden fence with wide square recessed-paneled columns.

The Charles Dennis White House, at 115 E. 400 North St. in Beaver, Utah, was built around 1882. It was listed on the National Register of Historic Places in 1980. It was a work of stonemason Thomas Frazer. It is built of black rock (basalt) with gray granite lintels above doors and windows.

The windows have flat stone lintels and sills. There is a wide wooden frieze that runs across the entire front facade and is beaded at the bottom. It is topped by a gable roof whose ridge parallels the front facade. A small, single-story frame addition was added to the east side.

Also in the central precinct is the Castillo, which is tall. The Castillo was built on a previous building that was colonnaded and had a beam and mortar roof. The lintels in the upper rooms have serpent motifs carved into them. The construction of the Castillo appears to have taken place in stages.

After the Second World War, the historic platform canopy was removed and the window lintels on the ground floor were lowered. The trackbed is now higher relative to the building than originally. In 2016, it was returned to its former red paint scheme after the building had been painted green in the 1990s.

The columns and pilasters are placed next to the portals and windows. Tympanums and lintels are the dominant decoration on the facade. The porch on the ground floor and the balcony on the first floor have the baluster fences. The mansard roof with dormers has the wrought-iron railing as the final element.

The Roman tombs excavator here were elaborate and highly representative of Roman burial outside of Cyprus. Tomb 8, detailed my George McFadden had a stepped dromos with oblong ashars along the sides. The tomb had a saddled roof, and two large chambers with doorways. The doorways were accented by decorated posts and lintels.

Its windows are either round-arched or pointed-arched, with sills and lintels of smooth stone. The east end is set with a single round oculus. At the gables a low parapet marks the roofline. On the tower, the buttresses rise two stories to a stone cornice, which separates the two stages.

There is an eighteenth-century fountain in the Place de la Fontaine. The picturesque, narrow village streets, especially in this central part of the village, contain houses dating back to at least the 17th century, as evidenced by dated stone lintels from 1663 (2, Place de l'Eglise) and 1747 (7, Rue de la Fontaine Fraiche).

The stone blocks used in its construction vary somewhat in shape and size, and they were laid in courses. It also features dressed stone lintels. The storefronts were altered in the late 19th and early 20th centuries, but they retain their original limestone piers. What differentiates this building from the others is the gable roof.

A frieze has raised Roman lettering stating "MDCCC PUBLIC LIBRARY 01111". Above this is a full pediment with stone raking cornices. An oculus with stone garland surround is centered in the brick tympanum. The bays flanking the entry projection have paired double hung three over one sash with heavy stone lintels at the basement level.

Formerly the ascending stairs led to upstairs areas which did not connect. There is no ridge pole in the three attic rooms. The interiors of windows and doors on the main entrance side have extremely long wooden lintels. With few exceptions, the interior woodwork is original, including floors, chair rails, mantels and built in cupboards.

In 1881, the PEF's Survey of Western Palestine (SWP) described Burj Alawei as: “A village, built of stone, on high ground, containing 150 Metawileh, surrounded by olives, fig-trees, and arable land. The water supply is from cisterns only."Conder and Kitchener, 1881, SWP I, p. 87 They further noted: "Ancient remains and some lintels.

The third is painted and bagged brickwork with concrete screed on stone flagging and includes original timber window and door frames and timber lintels. Now a kitchen, this room has been suggested to have been a harness room, although evidence of this harness room does not clearly suggest that this is the correct location.

The windows are six-over-six units with wide wood moldings, narrow stone sills and prominent rectangular stone lintels. Above, the roof is low pitched with a simple wood cornice. The wing is of similar construction to the main section of the house. It includes a large wood parch extending across the front facade.

Rough formed concrete lintels cap the windows and doors. The lug window sills are scooped out to emphasize their slope. The coursed rubble stone walls are composed small stones and have tight untooled joints. This modest home, built , is a significant example of rural vernacular architecture and of the work of stonemason Marland Cox.

The clustered window groups have stone sills, frames and mullions. The stone belt courses on each floor double as window lintels. It is a non- contributing building. Nursing Education Building Nursing Education Building The Davenport architectural firm of Charles Richardson Associates designed the building that was built by Priester Construction in 1973 for $1.9 million.

Two storey terraced housing.; Built By: 1880s. The row comprises a group of seven two-storeyed late Victorian terrace houses. Nos. 29-31 were built of stone and reflect the "standard" terrace type pattern commonly found in and , with single span iron lace balcony, arched openings to ground floor and squared lintels to first floor.

Rectangular windows have a stringcourse forming the sills, in line-with the central arch springers. A rock-faced belt course forming the lintels. Decorative brick detailing above the windows forms a foundation for a floriated frieze, with a modillioned cornice. Two-story structure has a pitched roof, interrupted by hipped roofs over projecting bays.

Other elevations are asymmetrical, with varying gables and porches. Windows are generally set in rectangular openings, with rustically cut granite sills and lintels. A wood frame porch extends across the northern facade, which appears to have served as the building's principal entry. Addison Prentiss, the first owner, was a printer, book dealer, and publisher.

The Pardee House is an eclectic Romanesque Revival-inspired building with an elaborately gabled roofline. The facade is of rough-faced poured concrete block with heavy stone lintels and bandcourses. The massive front porch has Ionic columns and a rounded arch entryway. On one corner of the house is a five-sided, three story tower.

Fenestration is all sash windows, with granite sills and lintels in front. A dentillated cornice encircles the building below the roof line. A single-story open porch extends along the south side of the house. Nathaniel Treat was one of the leading businessmen of the Orono-Old Town area, in the mid-19th century.

Their granite bases and capitals complement the granite sills and lintels on the windows. A modern concrete block addition is attached to the south. Inside, it retains much of its original furnishing. Another to the north, also between the road and the tracks, is a corrugated iron storage facility built on the original factory site.

Both properties are also listed on the Register. The building is a one-and-a-half-story rectangular structure on a stone foundation, slightly exposed and faced in smooth limestone. The main exterior walls are done with stone in a rusticated ashlar pattern. Smooth limestone is also used for the keyed lintels, sills, and quoins.

The ground floor was fully rusticated to effect a textured finish. This floor had arched openings with fanlights emphasized by stones forming the arch. The main doors were adorned with lintels resting on consoles. Above the ground floor were six three-storey high, engaged Ionic columns, ending in an entablature topped by a cornice.

Spandrel panels depicting scenes from Florida's history are above the second story's arched windows. The bays adjoining the colonnade feature paired Corinthian pilasters. Bas relief medallions containing classical figures in profile decorate lintels. The central parapet features a carved marble frieze incorporating a large eagle, flanked by a repeating motif of pelicans supporting heraldic shields.

Five bays wide, the facade features windows with shutters surrounding a central main entrance. This door is approached by a wooden porch with a distinctive balustrade under the eaves, and sidelights frame the doorway. Masonry is employed throughout the construction; the foundation mixes brick and stone, while the windows and doorways uniformly feature stone lintels.

There are pairs of round headed openings on each face that open to ventilation shafts leading to either side of the altar. The bell openings have corbelled lintels. To the north east corner of the tower there is a round tower staircase that acts as a buttress. The tower forms a memorial to Priestman's mother.

The Caleb Baldwin House, at 195 S. 400 East in Beaver, Utah, is a historic hall and parlor plan house built around 1885. It was listed on the National Register of Historic Places in 1983. It was built of pink rock, including pink rock lintels above its door and windows. Its walls are thick.

The door was always away from the north and west. It is usually a simple lintel, a flat stone resting on pillars. Others have a two-segment arch, two inclined lintels at an angle on the side pillar, “in the barraca” as they say in Benaguasil. Also found are arches with elongated stones positioned radially.

The exterior trim materials were limestone. The windows were 1 over 1 light sash with flat arches on both floors. The lintels and sills were made from limestone. In the central pavilion, the windows were separated by ionic pilasters that extended the height of the two main floors, giving a colonnaded effect to the facade.

It is influenced by the Gothic Revival style and features thick chamfered posts. The windows are six over six sashes with flat lintels and sills. Built onto the rear of the house is a single-story kitchen wing. Like the main house block, it is capped with a bracketed hip roof and a wooden cornice.

The building was demolished in early 1990. The building was originally virtually identical to the structure next door at 70-72 Monroe, including the cast iron lintels featuring an urn and scroll. The building was, however, set back four additional feet from Monroe Avenue. The building was four stories tall and constructed of red brick.

Besides the porches, the building featured such details as a cornice with brackets, a symmetrical facade, and pedimented lintels above the windows of the second story. For this reason, a 1978 historic preservation survey found the building distinctive enough for special mention.Columbia-Tusculum Historical Society–Miami Purchase Association. '. National Park Service, 1978-10-27, 11.

It is covered by a red slate hip roof. The front facade is divided into three basic sections, the most prominent a projecting polygonal bay topped by a pyramidal roof. The entrance is set in the center section, under a segmented stone arch. Trim beltcourses extend around the building, acting as both sills and lintels for windows.

Along with James Mosher, he was co-architect and builder of the First Presbyterian Church (1791) at Fayette and Guilford. The three story brick house retains it Flemish bond brick work and splayed brick lintels. One mantel is original to the house. A noteworthy feature is the huge fireplace in the basement which was used for cooking.

It has old style vedibandha (the lowest socle or foundation block) and almost plain mandovara (middle of the outer wall of shrine). The shikhara (spire) and sukhasana (assembly seats) are also in ruins. The mandapa (roof above the assembly hall) is now restored with its Bhadraka style pillars with their lintels are still surviving. The temple once housed Saptamatrikas.

External: A single storey face brick gabled building with a brick screen wall on the south side providing privacy to the men's' toilet entry. The building has a corrugated metal roof and plain bargeboards. The door and window openings have segmental arch lintels with louvers to the windows on east side and slots for ventilation in the gable ends.

The production shut down the same day due to casting problems and set construction delays. One of the problems was the height of the lead actors: Studio carpenters made the set for the average actor's height of , but Price () and Sanders () were too tall. Doorway lintels and ceilings were quickly raised. Shooting resumed on January 3.

But the front of the house is of exposed, apricot-brown brickwork, speckled with crushed coal. And the unusual bay window features a triangular pointed frame unique in Glebe.Smith, 1989 The decorative enframement of windows and doors is expressed with considerable vigour. The sandstone lintels are carved from one block to simulate segmental arches, some with prominent keystones.

Sandstone lintels cap all the windows. The building is set very close to the highway, and upon a slight rise, with a concrete retaining wall supporting the hillock. Opposite the highway, the hill falls away, exposing the basement story of the hotel. Across the highway is the wooden Walker Tavern, now part of the Cambridge Junction Historic State Park.

The roof line is pierced by dormers in the mansard section that have elaborately carved surrounds and round-arch windows, that in the projecting section larger than the others. The latter dormer has a bellcast shape with a peaked hood. The roof the eaves have paired brackets. Windows are set in rectangular openings, with peaked lintels and bracketed sills.

Mixed-use development began to appear, with new houses having commercial space on the first story and living space above. Ornate storefronts survive at 79 South Ferry and 104 Madison. Older houses also saw their facades updated with timely decorations like bracketed cornices, metal lintels and ornate friezes. Third stories were added to some flat-roofed buildings.

The window areas have rough-cut stone lintels. A central window construction on the second floor contains a distinctive arch panel filled with basket weave brick. The building has several additions, including a two-story, thirty-eight by thirty-two-foot rear ell and a single-story fifty-two by one hundred ten foot block addition on the side.

William Buschmann Block, also known as the Buschmann Block, is a historic commercial building located at Indianapolis, Indiana. It was built in 1870–1871, and is a three-story, "L"-shaped, Italianate style brick building. It was enlarged with a four-story wing about 1879. It sits on a rubble foundation and has round arched openings with limestone lintels.

A lintel is a horizontal beam connecting two vertical columns between which runs a door or passageway. Because the Angkorean Khmer lacked the ability to construct a true arch, they constructed their passageways using lintels or corbelling. A pediment is a roughly triangular structure above a lintel. A tympanum is the decorated surface of a pediment.

Most lintels are flush and of long stones except the windows flanking the entry have sloping outset concrete sills. The ten pane door is centered on the facade and flanked by two double hung sashes with six over six panes of glass. The mortar has been treated and painted white. The wooden parts are also painted white.

The library's main entrance is within a projecting pavilion topped by a keystone and two voussoirs; the doorway once had a transom which has since been covered. A limestone entablature encircles the building, and the windows feature brick lintels with limestone keystones. The library was added to the National Register of Historic Places on August 10, 1988.

The original temple had 72 shrines surrounding the central temple which no longer exist. The central temple has a modern long open portico supported by twenty four columns. The temple proper or mandapa and shrine are small and the ceilings and architraves are restored. The mandapa with its beautiful pendentive and the pillars and lintels of the portico.

At ground level, the windows are segmentally arched double-hung, with stone sills level with the springers of the central arch. Above, the double-hung windows have stone sills, and a stone belt course, serving as the lintels. A parapet with rounded "shoulders," on a stone cornice of corbelled brick. Two round towers frame the main facade.

The low hip roof features a cornice with paired brackets along its edge. Cast iron lintels cover the house's tall, narrow arched windows. In 1904, prominent local attorney and financier L. V. Hill purchased the house, which his family owned until 1967. The house was added to the National Register of Historic Places on May 8, 1980.

It chooses to expand at the expense of the lonja, although this entails raise a new façade and modify the dome. In the new façade survives, under a semicircular arch between lintels, the former Doric portal with royal shields. The building had to be adapted to the trapezoidal shape of the plot. The new church was terminated on 1700.

The door has a semicircular arch of radiating stone voussoirs. Central to the facade are a pair of windows topped by horizontal stone lintels. A decorative feature of the facade is the large arch of voussoirs which rises above the windows. In the gable is an ocular ventilation opening framed by voussoirs and set with louvres.

Gerald Mack House is a historic home located at Westfield in Chautauqua County, New York. It is a two-story, brick Greek Revival style dwelling with Italianate features built in about 1850. The home features cast iron embellishments on the entrance, lintels, sills, porches, and balconies. It was listed on the National Register of Historic Places in 1983.

The lintels and blocks are packed above load bearing walls under supervision and design by a structural engineer. This system is extremely versatile in achieving complex designs and using unskilled labour. It is cost efficient as well as easily understood by all contractors. The use of polystyrene blocks to replace concrete hollow blocks are used for lightweight insulated slabs.

The facade this corresponding to the great body that spatially dominates the set, has a wide verticality. A long access staircase, dates back to the high embankment. In this stone podium made of buttress and builds and strengthens the structure of the work. On the podium six windows, open with pictorial simulation of ashlars in lintels and buttresses.

These graves were formerly covered with stone slabs. There were also several lintels, decorated with the rectangular cartouche, on either side of which were triangles, and in the middle a cross. There are four mosques, built with stones and columns belonging to a Christian church. There is also a square tower, measuring 7 paces on each side.

The windows are otherwise symmetrically placed, with cut stone sills and lintels. In the gable end at the attic level is a window exhibiting Gothic tracery. A single-story ell extends the building to the rear. The house was built about 1828 for Captain James Loomis, whose family was locally important, with numerous houses in the immediate area.

The hui-style architecture also widely used brick, wood, stone carving, showing a high level of decorative art. The brick carving inlaid mostly on door covers, window lintels, and side walls. Vivid figures, fish, flowers, birds, and patterns are carved on the big black bricks. Wood carving plays a significant role in ancient residential houses with extensive content.

Above them was a plain wooden entablature beneath a second-story balcony with balustrade. Windows throughout the house were two-over-two double-hung sash with plain sandstone sills and lintels. The balcony window was flanked with wooden inset louvered shutters. Above the third floor windows was a decorative brick frieze and cornice, with another balustrade along the roofline.

Straight tendons are typically used in "linear" precast elements, such as shallow beams, hollow-core planks and slabs; whereas profiled tendons are more commonly found in deeper precast bridge beams and girders. Pre-tensioned concrete is most commonly used for the fabrication of structural beams, floor slabs, hollow-core planks, balconies, lintels, driven piles, water tanks and concrete pipes.

The east tower has a clock face in one dormer and a bell, cast by Jones & Co. of Troy. The bag factory is a two-and-a-half–story 3-by-16-bay gabled building. The windows have flat-arched lintels and hammered limestone sills. The attic windows in the gable ends have been bricked over.

Makaras are usually depicted with another symbolic animal, such as a lion, naga or serpent, emerging from its gaping open mouth. Makara are a central design motif in the beautiful lintels of the Roluos group of temples: Preah Ko, Bakong, and Lolei. At Banteay Srei, carvings of makaras disgorging other monsters were installed on many of the buildings' corners.

When she noticed the window wells filling with water she called Mike. Along with no provision for drainage he noticed that they had not installed proper lintels above the window to support the brick. Once inside he noticed signs of poor workmanship in the basement finishing. Pulling some drywall for further inspection found improper construction, insulation, electrical and plumbing.

The Escanaba Public Library is a one-story Classical Revival building constructed of red brick and Lake Superior Sandstone. It sits on a rough-faced stone foundation. The front facade has a portico entrance with an entablature and pediment supported by four Ionic columns. Windows flanked by pilasters and topped with lintels lighten the mass of the building.

This temple is located at the eastern side of Halsi and enshrines a Śivaliṅga. The spire of the temple is missing, and the large temple hall preserves only the columns and lintels. The style is austere throughout with little sculpture but there are large figures of Nandi and Gaṇeśa. The building belongs to the 12th century.

The Initial Series period is prostrated as the Classic phase in Maya ceramic styles. He grouped them into two halves. The first half 325 A.D. to 625 is characterized by basal flange bowls, and hieroglyphic stelae and lintels in mostly centralized areas. The second half 625 A.D. to 900 is indicative of Z fine orange ware, and slate wares.

Kelly 1996, p.134. Only the lintel over the middle doorway was carved.Kelly 1996, p.134. The lintel consisted of five wooden beams, one of which is now in the American Museum of Natural History in New York.Kelly 1996, p.134. When excavated the lintels had fallen from their original positions and have been restored.Coe 1867, 1988, p.37.

The fort was built using a combination of dry stone walling and mud brick layering with loopholes supported by slate stone lintels, making rifle-fire easier. The site is mostly in ruins today, however it has received Provincial Heritage status, and a new roof has been placed over the site in order to protect the mud construction.

These elevations are linked with cement banding. The corner tower has large openings at the base with deep lintels with dentils and scrolls. The single windows above have pilasters and single scrolled brackets under the sill, and are surmounted by deep arched hood mouldings with cartouches. The tower roof is topped with an idiosyncratic concave peak and finial.

Gardner Hall was designed in the Classical or Colonial Revival mode. Gardner is brick, three stories on a high granite basement, and capped by a parapet balustraded in the center. Corners are articulated with brick quoins. The fenestration is symmetric with double sash windows at regular intervals, trimmed in white, topped with flared brick lintels and a white keystone.

The openings are embellished with molded granite surrounds, pedimented lintels, flat arches, and bracketed sills. The building is richly adorned by a classically inspired cast-iron entablature with frieze, modillions, and molded cornice. Cast-iron columns, girders, and beams form the interior structural system of the U.S. Custom House. Brick arches support the spaces between the girders.

Constructed in 1860, the township hall is a two-story brick building with a stone foundation, a shingled roof, and miscellaneous elements of stone., Ohio Historical Society, 2007. Accessed 2012-11-19. Many small elements combine to give the building a Greek Revival flavor, including its pilasters, the capitals on its columns, and the simple windowsills and lintels.

The two and a half story brick building is an example of Federal architecture. A fieldstone foundation is covered with concrete on the south side, the main facade. This exposure has five bays with a slightly off center (westerly) entry. Above the door is a three light transom and the windows have gauged brick sills and lintels.

Dictionary of Ohio Historic Places. Vol. 1. St. Clair Shores: Somerset, 1999, 96. Some of the gable peaks and roof corners are ornamented by finials, while the eaves are highlighted by large bargeboards. Stone lintels surround many of the windows, and the house is entered primarily through an off-center trabeated door recessed into the facade.

In 1964-65, the clerestory of the Palm Room underwent reconstruction. The columns, lintels, and sills in this area were replaced by pressure-treated redwood. Five hundred lineal feet of the exterior cap molding, which covers the arches, was replaced at this time as well. Between 1978 and 1982, major repairs were performed on deteriorated woodwork.

The Asher Brand Residence was built around 1870 in Dublin, Ohio in the early Victorian style. The brick house is two stories and features a hipped tin roof, sanstone sills and lintels, triangular pediments over the front windows and a dentilled cornice. It was added to the National Register of Historic Places on April 11, 1979.

The original temple had 72 shrines surrounding the central temple which no longer exist. The central temple has a modern long open portico supported by twenty four columns. The temple proper or mandapa and shrine are small and the ceilings and architraves are restored. The mandapa with its beautiful pendentive and the pillars and lintels of the portico.

At the base are two openings on opposite sides with arched brick lintels. On the eastern face is the remains of the lightning conductor. On the inside faces of the stack are recesses in the brickwork which apparently were for housing the scaffolding as the stack was constructed. Beside the stack is an open pan, some in diameter.

The undercroft has three bays of quadrapartite ribbed vaults. The ribs are of simple decoration with excellent dressed infill. Illumination is from wide windows, externally lancet and internally square headed with the original oak lintels still in place. Originally the windows were fitted with iron bars, possibly for security to what was originally, and remained, a cellar.

The door is flanked with marble panels carved with vases, foliage and bellflowers. The windows have a Corinthian column at each side and egg-and-dart molded lintels. The porch is floored in a pale gray mosaic with a darker gray border. The second story of this section has three windows, each separated by Corinthian piers.

The station complex comprises a type 3, second class brick station building, completed in 1869. The original station building was a small well proportioned brick structure with simple stone lintels and hipped roof. It is a rendered brick building with a hipped roof of corrugated, galvanised iron (originally slate). The building is elevated above street level.

Lord Quinn of the 6th Generation is a renowned local resident. The townland contains one Scheduled Historic Monument: Wedge tomb (grid ref: H7065 6850). The stones forming the ante-chamber and burial chamber can be seen, but none of the roof lintels have survived. There is substantial cairn material and the burial chamber is filled with rubble.

The street-facing gable projects and is decorated with a finial and cross pieces. Chimneys with double clay pots rise above the roof line. The verandah has a skillion roof. Externally- exposed walls have been painted, while those sheltered by the verandah are unpainted, and show light-coloured splayed brick lintels, stone sills, and darker face brickwork.

Its doors and windows are trimmed with plain wooden sills and lintels. The only decorative touch are the pillars on the covered porch, which was added sometime after the house was built. A cellar door and shed addition on the rear also seem to have come later. It is unknown exactly when the house was built.

A semi-round turret sits on the corner of the building; it is lacking its original upper story and conical roof. However, the remainder of the second floor retains a high degree of integrity, containing the original double-hung windows with limestone sills and lintels, as well as pressed metalwork with wreaths and garlands near the roofline.

According to an inscription on the mosque's central entrance, bagha Mosque was Built by Sultan Nusrat Shah in 1523. Bagha Mosque is a richly decorated monument originally roofed over with ten domes which collapsed long ago. It is built of bricks with stone plinth, lintels and pillars. Recently this mosque was rebuilt carefully to its original form.

It consisted of 305, 307, 313, 315, and 317 New Hampshire, and 426, 428, 430, 434 Boston. It has "two corner projecting pavilions, matching balconies on the wings, fixed awnings with overhead transoms, arched windows with arched lintels, and elaborate brackets." With It is a member of the Historic Hotels of America. It dates from 1907.

By reflecting the image of the château, the nymphaeum acts as a unifying element between the gardens and château. The vault of the basin is made of segments of alternating color. The exterior as well as the lintels of Level 1, is rusticated. In original plans of Du Cerceau, it is shown surrounded by bleachers forming a small theater.

A cornice similar to the main storefront's caps this one. The upper story's windows are mostly one-over-one double-hung sash with brickwork sills and lintels. The two southernmost on the western facade are less decorative, recessed single-pane windows with plain surrounds between brick pilasters. Above them is a paneled frieze below the cornice.

The front façade of the house has a main entrance door, side entrance door, and sash windows. The windows sit on simple lintels, as does the single window of the service wing. The door has tracings in stucco above and around the main entrance. A gable roof slopes from front to back and covers the balcony.

The lateral pillars are candelabra in nature, sculpted with ropes and vegetal elements, over bases decorated with zoomorphic and vegetal elements, and frieze of foliage. In each jamb is a niche, with vegetal corbels and zoomorphic lintels, with the images of Santo André and São Tiago (on the right) and São Bartolomeu and São Jerónimo (on the left).

The house has two-sash double-hung windows with shaped wood lintels. On the interior, the octagon houses four rooms on each level. In the center of the house is a dramatic spiral staircase, which extends upward from the main floor all the way to the cupola. Triangular alcoves lead off the stair to each of the rooms.

Part of the south elevation has been sided in diagonal wood siding, covering two garage bays. The windows are six- and twelve-light metal units, with some picture windows, with brick sills and lintels. The windows in the gable ends are very narrow. The entry on the south has half-timbering below the window and decorative patterned bricks.

The depot is two stories, with a one-story portion on the western third. The first story's hipped roof wraps around the entire building, and has deep eaves supported by large brackets. All windows are two-over-two sashes with heavy granite sills and lintels. Double-leaf doors with transoms led to the two waiting rooms.

Ousdale Broch has an external diameter of around 16 metres. The main entrance is on the southwest and is 4.3 metres long with nearly all the roofing lintels still in position. The entrance passage is 1.78 metres high and 75 centimetres wide. The entrance passage contains two sets of door-checks, and there is also a guard-cell.

The classroom now features a stage, while the master's residence is now a flat. Window and door lintels are of stone. A skillion weatherboard extension accommodates a meeting room, while much of the verandah to the north has been infilled in the same material. Large multi-pane, double-hung sash windows light the building by day.

At the rear is a detached two storey coach house and dairy, of face brick with stone lintels, gabled roof and decorative timber finials and bargeboards. The rear kitchen has a large original Lasseter's kitchen range. All ceilings were replaced and a bathroom has been enclosed on the rear verandah. The rear verandah was enclosed in 1984.

Dictionary of Ohio Historic Places. Vol. 1. St. Clair Shores: Somerset, 1999, 624. Architecturally, the most distinctive portion of the LuNeack House is the large porch, which is attached to the southward-facing front of the house. Many ornamental elements compose its walls and railings, such as spindles and a balustrade; moreover, the porch-facing windows feature prominent lintels.

This reflects the different stages that the monastery went through since the time of its foundation. The outer walls are of white limestone set in mortar with no bonding. They are sloped 6 degrees from vertical on the outside (original construction). The gargoyles and the door lintels are also of limestone, with the doorjambs being made of red granite.

Dictionary of Ohio Historic Places. Vol. 1. St. Clair Shores: Somerset, 1999, 610. Executed in brick, the design included standard Federal elements such as the chimneys atop the gabled ends of the house and a fanlight at the entrance. Additional exterior components included brick lintels for the windows and a brick archway surrounding the main entrance.

The most remarkable Neolithic structure in Western Europe is the iconic megalith known as Stonehenge, regarded by some archaeologists as displaying methods of timber construction such as at woodhenge translated into stone,Atkinson, Richard, Stonehenge Penguin Books 1956 a process known as petrification. The now ruinous remains are of post and lintel construction and include massive sandstone lintels which were located on supporting uprights by means of mortise and tenon joints; the lintels themselves being end-jointed by the use of tongue and groove joints.A paper showing the joints used at Stonehenge There is also evidence of prefabrication of the stonework; the symmetrical geometric arrays of stone clearly indicate that the builders of Stonehenge had mastered sophisticated surveying methods.Johnson, Anthony, Solving Stonehenge: The New Key to an Ancient Enigma.

Unlike lintels, which are subject to bending stress, jack arches are composed of individual masonry elements cut or formed into a wedge shape that efficiently uses the compressive strength of the masonry in the same manner as a regular arch. Like regular arches, jack arches require a mass of masonry to either side to absorb the considerable lateral thrust created by the jack arch. Jack arches have the advantage of being constructed from relatively small pieces of material that can be handled by individuals, as opposed to lintels which must necessarily be monolithic and which must be oversized unless reinforced by other means. In small-scale brick masonry projects, jack arches are typically sawn from an appropriately sized fired- clay lintel, giving a more precise and consistent joint width than field-sawn shapes.

The men who built cobblestone structures are believed to have been skilled masons who worked on the Erie Canal, from its initial construction (1817-1825) through its periods of enlargement (1832-1862). In fact, the period of cobblestone architecture coincides with the period of Erie Canal construction and reconstruction: the earliest structures built about 1825 and the last erected about 1860. The Charles Bullis House exemplifies the early period of cobblestone architecture (approximately 1825-1845), characterized by rows of rough, rounded field stones of irregular shape and moderate size, and separated by horizontal mortar joints in the shape of a projecting V-shape. While most cobblestone structures had quoins and lintels of limestone or sandstone, the Charles Bullis House is one of only eight cobblestone buildings in Wayne County with brick quoins and lintels. .

The kitchen wing has a sash window similar to those on the main house's attic set in a central shallow-pitched dormer with overhanging eaves and a flat soffit. The ground floor windows on that wing have slightly pedimented lintels. Behind the house is a modern garage at the end of the drive. To its north are the smokehouse and gable-roofed privy.

Patterns in architecture: the Virupaksha temple at Hampi has a fractal-like structure where the parts resemble the whole. In architecture, motifs are repeated in various ways to form patterns. Most simply, structures such as windows can be repeated horizontally and vertically (see leading picture). Architects can use and repeat decorative and structural elements such as columns, pediments, and lintels.

Flat arched windows come in pairs and are placed in pier- defined bays. Centered in the rear facade, a two-story extension measuring 15 by 25 feet is present. Enclosed porches at the entrances of the front and back of the building, along with the northwest corner of the building. Many of the building's elements are symmetrical, including cornices, lintels, and sills.

The lintels and watertable are dressed stone. The second floor is three bays wide with a door in the center bay that opens onto an iron balcony. There is an oriel window on the third floor, and an Italianate metal cornice with brackets caps the main facade. The building was listed on the National Register of Historic Places in 1991.

An addition was built onto the rear of the building sometime between 1902 and 1914. The building features four bays on its main facade, which is capped by a stone cornice with arched metal pediment. The stone blocks used in its construction vary somewhat in shape and size, and they were laid in courses. It also features dressed stone window sills and lintels.

The south side of the building has a single door entry, slightly off-center, flanked by paired double-hung windows on either side. The second story also includes a single door entry, flanked by two unequally sized windows. The door used to lead out onto a wooden porch. As with the west side, all the windows have stone sills and lintels.

It has one storefront, with three display windows and a double- door entrance. The main building entrance, which now serves both buildings is located to its right. The upper level windows are set in rectangular openings with peaked stone lintels. The Orange Street facade has similar upper-floor windows, with mostly blinded window bays and a secondary entrance on the ground floor.

The first-story door, with an architrave featuring colored glass, pilasters, sidelights, and a transom, serves as the house's primary entrance. The lintels of the windows on the south facade have stucco scored to simulate heavy keystones. The sills, original to the house, are made of white Vermont marble.“War, Storms, Fire Fail to Destroy Island Home.” Houston Post; November 10, 1966.

Windows on the second floor are in groups of three, with splayed lintels that have stone keystones. Stone stringcourses run at the top of the first-floor windows and at the bottom of the second-floor windows. A stone panel above the equipment bays is carved with the company identification. The upstairs rooms feature original woodwork, including door and window trim.

The Maine is a historic building located in Des Moines, Iowa, United States. This three-story, brick structure was completed in 1913. It features 18 units, an "H" plan, a series of ribbon windows, stone lintels and decorative stone trimming. At the rear of the property is a two-story brick automobile garage that shares the historic designation with the apartment building.

The entrance portico has Ionic columns supporting an entablature and balustrade. Flanking it are round-arch windows with bracketed brownstone sills and lintels. The second level has three taller windows with similar surrounds, with interior round-arch windows topped by circular pane. The building's construction was funded by a gift of $200,000 from George Peabody, and it was formally dedicated in 1854.

The side facing the Sugar River is uncoursed stone; the other sides are coursed. Heathman built the front door large enough to admit a workhorse for shoeing. The door and some windows have dressed stone sills and lintels. Before 1900 a wooden porch ran across the front of the building, open on the first story and enclosed on the second.

Eunateko Andre Maria . Cloister of Monastery of San Juan de la Peña. The earliest works of Romanesque sculpture in the Hispanic-Christian peninsular kingdoms are two lintels of the Roussillon area which share similar iconography. One can be found in the Saint-Génis-des-Fontaines Abbey (dated in 1020)Ficha en Artehistoria and the other in the monastery of Sant Andreu de Sureda.

Hexagonal in shape, the lowest internal floor of the fort is raised to a height of . The gate and the door posts, and the lintels are finely dressed and arched while underground there is a cellar that was used to store gunpowder. A well provided a source of fresh water. There is an opening to the north which leads to the cellar.

The window on the ground floor has two latticed shutters; all three windows sit on simple, straight lintels. It is covered by a gable roof ending in a small sloop. The ground floor has a trapezoidal plan and consists of a living room, hallway, and two bedrooms. The corridor leads to the stairs and kitchen at the rear of the house.

Austin, Texas: University of Texas Press. Tate, p. 119, 1992 Many see Structure 23 as Lady Xoc's house because of the amount of privacy it provided – the four benches in the house are not located near doors. To claim Structure 23 as her own, Lady Xoc had 3 lintels (24, 25, and 26) placed above the doorway, thus asserting her prominence.

Warren Armory is a historic National Guard armory located at Warren, Warren County, Pennsylvania. It was built in 1909, and is a 2 1/2-story, brick building with a gambrel roof in the Romanesque style. The drill hall is located on the second floor. It has a projecting central entrance bay, stone sills and lintels, brick turrets, and a crenelated parapet.

Miller's Tavern, now known as Brooke County Historical Museum, is a historic inn and tavern located at Wellsburg, Brooke County, West Virginia. It was built in 1797, and is a two-story, rectangular brick building with a hipped roof. It sits on a sandstone foundation and lintels. It is one of the Ohio Valley's oldest surviving examples of Federal architecture.

The single-family dwelling has four major projections, each gabled, extending from the rusticated stone lintels, ornamental porch and bargeboards, polychrome color scheme, and combination of square and slanted bay wings. In good condition and relatively unaltered, the house is architecturally significant, as is the monitor-form carriage house, the lower level bays of which has been filled with windows.

Six-over-six triple-paned rectangular windows punctuate the structural brick exterior walls on the front and side façades, while the rear façade has arched windows. The window sills and lintels are made of brownstone. The detailed brick cornice is corbelled and the building's chimneys have Queen Anne style ornamentation. The school's original hipped slate roof contains hipped dormers also sheathed with slate.

The Michigan Central Railroad Depot is a Richardsonian Romanesque structure built solely of rock-faced masonry. The stones were quarried from Four Mile Lake, located between Chelsea and Dexter. The architectural features of the building, such as arches and lintels are emphasized by changes in color and texture in the stone. The building has a high gable roof with two dormers.

One window has a chevron design, a characteristic feature of later Gothic building in Cyprus (as well old Coptic Cairo). These building were probably put up when the Armenians first took possession of the site. Internally, the buildings are two-storied, with a simple arcade below and a walkway above. The walkway was originally edged by stone posts with wooden lintels.

Small casement windows to northern and southern sides, continuous concrete lintels (left natural). A small brick belltower triangular in shape, is an extension to front wall. A cross fabricated in mild steel stands above the bell tower. A marble plaque at the base of the bell tower commemorates the laying of the foundation stone in 1965 by His Grace the Archbishop of Sydney.

The cottage is a single storey, face brick structure with gabled, iron sheeted roof. The sandstock bricks are laid in English bond and the timber highlight hopper and double hung windows are set on stone sills with rubbed brick arch lintels. The building is divided into three separate rooms. One room is lined with cement render and painted, one has exposed brickwork.

The Ella Sharp House is a two-story brick structure with an attached three-story freestanding Italianate tower topped with a wooden cupola. The house has a tetrastyle two story front porch. The windows are six over six units with stone lintels and sills and shutters. The surrounding yard is enclosed by a solid stone wall, constructed at some point prior to 1865.

The main entrance is sheltered by this porch, and is framed by sidelights and a transom window. Gable sections on the building sides continue the Gothic decorations found on the front facade. Windows are set in groups of one to three in size, with stone sills and lintels. A single-story wood frame well extends to the main block's rear.

Each end has a tall limestone basement level, with window sills that are just above ground level. The brick walls above contain projecting stretcher courses at regular intervals, creating a rusticated look. Every floor has four window openings with limestone lintels below and limestone keystones above. A limestone entablature and a stone balustrade within a limestone frame tops the building.

Another syndicate raised the additional funds needed to complete the hotel. When it finally opened in 1873, advertisements claimed the Grand Central to be "the largest and best hotel between Chicago and San Francisco." The building sat on limestone foundation and architectural details included limestone lintels and sills, and a mansard roof. The interior details included fireplaces, imported chandeliers and mirrors.

The Josiah Scott House in Annis, Idaho was listed on the National Register of Historic Places in 1982. It is a one-and-one-half-story Colonial Revival stone house. It was during 1908-1910 by stonemason Alexander Whitehead using gray tuff stone from Menan Butte, with lighter tone stone used in quoins, sills, lintels, and the foundation. It has two brick chimneys.

Below the main block is a fully excavated basement; while the wing has only crawl space. On the basement ceiling exposed hewn beams run from front to rear. A concrete block wall in the middle supports them and divides the basement into two rooms. On the north wall are the stone supports for the chimneys, consisting of piers with heavy timber lintels.

The lintels were all composed of stone, and were probably influenced by the Italianate style that gained in prominence in Davenport after the Civil War. Another decorative feature that was popular in other Greek revival houses in the city was a narrow molding strip that suggested a frieze. The hood over the west entrance of the house reflected the American Craftsman style.

To the side are rectangular six-pane casement windows with sandstone lintels and sills. The sandstone courses and arched windows continue on the western facade. South of the first bay on the first story, there is a semi-octagonal stone-faced projecting bay window with a wooden balustrade on top. Each facet has one single-pane window with a three-light transom.

The approved design was by Hartwell, Richardson & Driver was Renaissance revival in style. The building's exterior was a distinctive yellow brick called buff brick, accented by limestone lintels and trim. On each of four floors, a wide main corridor ran the length of the building parallel to Talbot Avenue. Two broad sets of ornamental stairs extended from the basement to the fourth floor.

It originally had two chimneys on each end wall, but now each has only one. The main facade is five bays across, with a center entrance topped by a half-round transom window. Windows are set in rectangular openings, with stone sills and lintels of soldier bricks. A single-story ell extends to the rear, and the property includes a 20th-century garage.

The windows have lintels with nearly flat pediments. The newer section was built of frame construction on the back of the older section, and it is also capped with a hipped roof. Its windows are set in flat enframements and are topped with narrow cornices. A single-story porch with pent roof is located in the angle formed by the two sections.

Accessed 2014-02-27. Constructed in 1850, the house is among Washington Township's earlier farm-related buildings. The structure is a simple rectangle divided into five bays, while the two-bay sides rise to gables. Some of the windows are arched rather than rectangular, with their glass divided into six separate panes, while the windows are surrounded by stone windowsills and lintels.

The former Portsmouth Academy building stands on the western fringe of downtown Portsmouth, at the southeast corner of Middle and Islington Streets. It is a two-story brick structure with a hip roof and a cut granite foundation. Its original main facade faces Islington Street, and is seven bays wide. Windows are set in rectangular openings, with marble sills and splayed lintels.

The house is designed in the Italianate style. A verandah wraps around the south and west sides of the house; the verandah features scroll brackets on its cornice and at the top of its supporting posts. Scroll brackets also decorate the cornice of the house's hip roof. The house's exterior windows are tall, narrow, and topped by arched brick lintels.

Some of the smaller squared windows have thick stone lintels and all the window frames have been painted white. There is a first-floor balcony on the symmetrical, truncated corner of the building. The sandstone balustrade has rounded coping, supporting two thick sandstone columns. It has a v-joint boarded soffit, green painted concrete floor and a single pendant light at the centre.

It has two storeys. Over all the windows are wedge lintels. The two windows in the ground floor of the entrance front are sashes with glazing bars; the two windows above them are casements. Between the windows on the ground floor is a doorway containing a six-panel door with flat pilasters and an open pediment, over which is a fanlight.

Hale did his finest and best known works between 1904 and 1908. Hammerton Street Council School is widely regarded as his triumph, as the finest Arts and Crafts school in Sheffield. It opened in October 1904 and cost £14,000. It features windows with elaborate lintels, ornate keystones over the doors and decorative drainpipes, as Hale introduced aspects of Baroque into his work.

It has roof trim moulding, copper flashing and large arched windows that overlook High Street, the main street in Grand Falls. It has concrete lintels over the doors and windows, and the centre portion of the hall features a peaked roof. Harmsworth Hall became a Registered Heritage Structure in 1998. It is one of very few heritage structures in central Newfoundland.

Square wooden pillars rising to a molded cornice support the balustraded balcony level. The main entrance, at the west side, has a paneled wooden door flanked by two sidelights. The windows are all set with six-over-six double- hung sash protected by a layer of storm glass, with minimal wooden sills and lintels. They are smaller on the first floor's north.

The Albert Palmer House is a five bay, two story L-shaped Italianate house with a hipped roof. It is simple in overall massing and design, but has rich ornamentation around the windows, and more at the corniceline. Trabeated enframements, topped with molded wood lintels, surround windows on the first floor. On the second floor, an elaborate carving is on each lintel.

The Julia Farnsworth House, at 180 W. Center St. in Beaver, Utah, was built around 1885. It was listed on the National Register of Historic Places in 1982. It is a brick house, with brick laid in common bond, with dormer windows and eaves trimmed by bargeboards. Its windows are large, 6 panes over 6 panes, and have wooden lintels.

Isaac Bloom built this five-bay two-story clapboard-sided side-gabled Federal style mansion in approximately 1801, at the height of his prosperity. Its front facade facing northeast, allowing a view of the mill property. Exterior decoration includes a Palladian window, door sidelights and leaded glass transom. Windows have splayed block lintels, scored and keyed to look like masonry.

The pedimented gable over the central bay is a distinct characteristic of the Georgian period of architecture. The building's carved limestone lintels above its facade windows and door feature circular bosses on both ends which are characteristic of the Greek Revival period. The interior radiates from a central hallway that traverses three floors. The plan is nearly symmetrical on all floors.

St Thomas' is constructed in stone with a stone slate roof. Its plan consists of a simple rectangular nave in two storeys, a small chancel with canted sides, and a vestry wing. The nave is four bays long by two bays wide, and has quoins at the corners. The west front has two doors over which are lintels inscribed with the date 1765.

It has projecting end bays, with its entrance in a central section that projects only slightly. The entrance is trimmed in terra cotta, while windows have limestone trim, with those on the second floor sporting keystone lintels. The building is capped by a limestone cornice, above which stands a brick parapet. Some of its windows have been filled in with brick.

It is pierced at the center by a square cupola with quoins, Doric pilasters at the corners framing six-over-six sash windows and an ogival cap with weathervane. The rear wing has the cornice but is flat- roofed. It has a parapet with limestone coping. Limestone sills and lintels frame the 12-over-12 double-hung sash windows on all facades.

A six-bay veranda connects to these two, and the doorways have miniature Jinas carved on the lintels. The pillars of these temples are ornately carved, and both are dedicated to the Mahavira. The matha consists of twin basadi with one porch serving both, with each housing 12 Tirthankars. An inscription here records the date of construction as 1120 CE.

The spring is covered by a stone-built well-house. Conservation work in 1994 revealed that it was fed by a channel from an earlier stone-lined spring. One of the lintels of the linking channel bore a lozenge long, and a cross-marked stone was found near the well-house. A neolithic axe was also found near the spring.

The manager's office has an early fireplace with a decorated timber mantelpiece and cast iron grate and side cheeks. The basement accommodates a storage vault where brick piers, brick foundation walls and the sandstone foundations of the vault above are visible. The timber-framed floor above is unlined. Facebrick arched brick lintels are above internal openings which accommodate pairs of timber paneled doors.

The Freeman School. A historic one-room school at Homestead National Monument of America. The Freeman School, built of foot-thick red brick with carved limestone lintels, was the longest continuously used one-room school in Nebraska (1872–1967). The school also served as a Lutheran church, a polling place for Blakely Township, and a community center for debates, clubs, and box socials.

Upper-story windows have terra-cotta molding above the lintels and windows. The north façade shows the original, three-story section on the east with two wings flanking a center section. There are entrances in each wing and nine windows on each floor of the center section. The two upper stories of the original building have windows set in three terra-cotta panels.

It has four doors, two at each end. This mosque is built of pretty large stones, most accurately jointed, and all the roofs are of flat slabs. The doors have drips over them, and the two into the front apartment have semi-circular arches, the others lintels. The architraves are carved with neat veli or creeper patterns and with large flowers below.

Torana or the decorated cusped arches arise from the lower brackets of the pillars and touch the lintels in middle. There are two types; semicircular and triangular. The semicircular arches have cusped arches with tips while triangular arches have a round apex and wavy sides. Both types have a broad band decorated with figures and tips which are now defaced and damaged.

At the building's southeast corner is an emergency exit. The north and east facades, facing the street, have a similar treatment. The first storey is faced in rusticated stone set in mortar. All bays are set with double-pane vertical casement windows on the curved sections and large four-pane casement on the straight sections, recessed with plain red sills and lintels.

The Lyman Block is located in downtown Brockton, across Main Street from City Hall, and immediately adjacent to the similar Howard Block. It is a four-story structure, built out of load-bearing brick and covered by a flat roof. It has granite corner quoining, and brownstone window lintels with keystones and shoulders. The main facade is crowned by a bracketed cornice.

The Howard Block is located in downtown Brockton, across Main Street from City Hall, and immediately adjacent to the similar Lyman Block. It is a four-story structure, built out of load- bearing brick and covered by a flat roof. It has granite corner quoining, and brownstone window lintels with keystones and shoulders. The main facade is crowned by a bracketed cornice.

The top level has small rectangular windows separated by cartouches (decorative ovals). A heavy, ornate cornice with a dentil (rectangular block) course and carved anthemion motifs tops the building. Other elevations contain a similar level of detail, although they lack the two-story arched windows. Windows on other elevations are topped with pediments containing cartouches or lintels with medallions or carved keystones.

Willenhall Avenue is named after the house, and a modern block of flats adjoining Willenhall Avenue is known as Willenhall Court. The brick gate posts at the western end of Willenhall Avenue are the only surviving remains of Willenhall and around 1930 still had ornamental arched lintels over each pair. Taylor, Pamela, & Joanna Corden. (1994) Barnet, Edgware, Hadley and Totteridge: A pictorial history.

Metal-clad columns set in the river support the room. The sides and rear of the building feature a simplified design treatment, with a granite base, limestone string course between the second and third stories, and a limestone roof band. The windows are accented by decorative sills and plain stone lintels. Above the rear entrances, granite cladding surrounds the second-story windows.

A significant deviation from that style is the lack of a rounded apse; instead, that section of the church has a flat wall. A Tudor Revival parish house is attached to the rear. It is also built out of local granite, with heavy stone window sills and lintels and steep ridged roof gables. The parish was formally organized in 1704 by Rev.

Casa Bonet was built in 1887 by Jaume Brossa and was known as the Casa Torruella. In 1915, Delfina Bonet commissioned the architect Marcel·lí Coquillat to redesign the facade, remodelling it in an Italianate Neo-Baroque style with a two-storey loggia and neo-baroque ornamental details decorating the upper floor lintels. Today the building is occupied by the Barcelona Perfume Museum.

The entrance to the house features a classical pediment supported by Ionic columns and cast iron pilasters. Two windows with broken scroll pedimented lintels are situated on each side of the door. The house's gable roof features three gabled dormers on the front and back sides. The house was added to the National Register of Historic Places on December 18, 1978.

Tinplate was a type of architectural material consisting of sheet iron or steel coated with tin. “Tin roofs,” a type of tinplate, was originally used for armor but eventually as a roofing material. Tinplate was also used for decoration, such as ornamental windows, door lintels and stamped ceilings. Ornamental stamped metal made from tinplate was an affordable alternative to plasterwork.

The jambs are of large flat stones, at right angles to the wall. The form of the jambs is Roman in origin. An example of this can be seen in the Bath House of Chesters Fort on Hadrian's Wall. Windows at low level on the south are mullioned with baluster shafts and arched lintels, and the window apertures themselves are cross-shaped.

The cupola is octagonal, with windows and paneling in alternating faces. Some of the windows of the main block are framed by gabled wooden lintels and sills with peaked gables at the center. Both the window and main gables have applied Stick style woodwork. The front facade has a projecting bay, in which the eave is adorned by decorative woodwork.

Sills are incorporated into a stone belt course that wraps around the building, while lintels are embellished with prominent keystones. The design is similar to that of the Chester Transportation Center in Pennsylvania. The station building has been listed in the state and federal registers of historic places since 1984 and is part of the Operating Passenger Railroad Stations Thematic Resource.

The existing verandah floor structure abuts the external walls. All openings have brick arch lintels. There are two windows and a pair of doors with a three-paned fanlight above in the south-east (front) wall and one window in the north-west (rear) wall. A second pair of doors with three-paned fanlight above is in the north-east wall.

The Hessel School is the one-story reddish brick Colonial Revival elementary school building with irregular native limestone detail. The limestone is used as quoins at all corners, and as lintels over the windows and doors. The building is symmetrical, with the main spaced forming an I-shaped footprint. Two small wings extend from the rear of the building at the center.

Door and window openings were spanned with a lintel, which in a stone building limited the possible width of the opening. The distance between columns was similarly affected by the nature of the lintel, columns on the exterior of buildings and carrying stone lintels being closer together than those on the interior, which carried wooden lintels.Banister Fletcher, p.107Banister Fletcher, p.

The Mowry-Addison Mansion is a 2 1/2 story vernacular Greek Revival style house with a side-gabled roof. It is constructed from American bond brick set on a raised stone foundation. The front elevation is symmetrical and five bays wide, with a three-bay porch. Most of the windows are 6-over-6 wooden sash windows with stone sills and lintels.

The entrance surround has pilasters rising to a bracketed segmental-arch pediment. First-floor windows are elongated, and topped by headers decorated with swags. Second-floor windows are topped by splayed lintels with keystones, and have shallow wrought iron balconies. The house was built sometime after the War of 1812 in a Federal style, and was later given its present Second Empire treatment.

Cupola detail First brought to Europe by Christopher Columbus from the Caribbean island of Guadeloupe in 1493, pineapples became a rare delicacy in Europe, with associations of power, wealth, and hospitality. Architects, artisans and craftsmen adopted the pineapple as a motif, sculpting it into gateposts, railings, weather vanes and door lintels. The motif also featured prominently in interior decoration, fabrics and furniture.

The main ranch house is an L-shaped stone structure with log lintels and a flat roof. The roof is surrounded by a parapet that functioned as a shelter for sentries watching for Apache raiding parties. There were two main rooms and a kitchen downstairs. A variety of additions were made, and several smaller structures once existed on the site.

The Fairmont Baptist Church is located about six miles southwest of Boones Mill, Virginia, and constructed between 1855 and 1857. It has two front entrances with panel doors. and three windows with heavy wooden lintels on each side. The church is about four miles from Evergreen (Rocky Mount, Virginia), where Benjamin Deyerle owned the farm but did not live there.

The main door and bay window are both flanked with windows on each side. The building was built with blonde brick with red brick highlights on lintels at quoins. The roof is hipped and features a domed, octagonal, wooden cupola, used as a bell tower. A semi-circular stained glass window adorns the east side with brick pilasters below a brick frieze.

Waterman-Grampse House is a historic home located at Nelliston in Montgomery County, New York. It was built about 1865 and is a small, -story stone house of coursed rubble with cut-stone lintels and sills. A frame house built in the 1960s is attached to the north side. See also: It was added to the National Register of Historic Places in 1980.

All the windows have segmented arched brick lintels and shutters. The gabled roofline is distinguished by a modillioned cornice, and is pierced by two brick chimneys on the south and one large one at a cross-gable on the north. A rear wing has been added since the house was built. Local property tax records suggest the house was built in 1868.

Among the features of the first floor are an entrance on the side and tall sash windows. Built around 1880, 204 Second is a two-story brick building that mixes the Italianate and Eastlake styles. Among its details are decorations over the entryway and its stone lintels. The first residents of 209 Second were the family of John B. Allen, a state representative.

The building corners are pilastered, and there are bands of elaborate corbelling below the main roof. Windows are typically set in rectangular openings, with stone sills and keystoned lintels. The rear wing is less architecturally sophisticated, but with sympathetic styling. The building interior retains many original features, including panelled wainscoting, and Palladian carved motifs on arches separating sections of the interior.

The old part of the city comprises 19th-century wooden houses with original balconies, jambs, and lintels. The house of the gold mine's administrator, Simonov, has also been preserved. Lake Turgoyak is located near Miass and is a popular tourist location, with crystal clear water. Miass has a rich mineralogical museum, as it is close to the Ilmensky Mineral conservation area.

The Italianate style residence features a symmetrical facade, flat stone lintels and window sills, a cubical form capped with a hip roof, and a wide frieze with paired brackets. It is believed that the stone for the house's construction was quarried on the north side of the Edwards' farm. The house was listed on the National Register of Historic Places in 2015.

Lewis-Capehart-Roseberry House, also known as "Roseberry," is a historic home located at Point Pleasant, Mason County, West Virginia. It was built about 1820, and is a spacious two story, double-pile, brick residence with a gable roof in the Federal-style. It features sandstone lintels and sills. It was listed on the National Register of Historic Places in 1979.

Powell-Redmond House is a historic home located at Clifton, Mason County, West Virginia. It was built in 1866, and is a 2 1/2 story red brick residence in the Italianate-style. It has a rear ell and features floor-length, doublehung, first story windows with heavy segmental stone lintels. The interior has a ballroom with a variety of intact ornamental plasterwork.

The east face has a shed-roofed bay window with stone brackets below. On the second story the lintels are topped with a wooden course which separates the brick siding from fish-scale wooden shingles above. At the roofline the gables have decorated wooden vergeboards. Brackets support either end of the projecting section, and all gable ends have a small ball finial.

The house was built as a single-family dwelling, but since 1850 it has been listed as a multiple- family dwelling. It was built into a limestone hillside. The brick structure rises three stories and includes an attic. It features side gables with parapets between the chimneys, dentiled brick cornice, limestone lintels and sills, and a two-story frame front porch.

Windows are generally set in rectangular openings, with brownstone sills and lintels. The exception is the front gable window, which is set in a round-arch opening. Two-story sections project from either side, with a corbelled cornice running below the roof line. The house was built about 1845 by Isaac Sweetland, a farmer who lived here with his wife Sophia.

It consisted of an octagonal central pavilion and four radiating wings. Its southern entry used the same Tudor styling as the other buildings on the estate, with a half-timbered gabled entrance, decorative vergeboards and slanted lintels. It grew fresh flowers year-round, offsetting the valley's naturally short growing season. A stone reservoir held water both for the extensive lawns and fire suppression.

For the most part, the windows are the six-over-six variety with wood sashes set in rectangular surrounds. They also feature stone lintels and lug sills. The main entrance is topped with a rectangular transom that is broken by two engaged piers and flanked by sidelights. The house is capped with a hipped roof that is sheathed in seamed tin.

Panton's former district 1 schoolhouse stands at the junction of Lake and Spaulding Roads in the rural western portion of the town. It is a single-story structure, built out of locally quarried limestone. It measures , and is covered by a gabled roof. The window bays have tooled white marble sills and lintels, which contrast with the roughly finished gray stone walls.

The windows are topped by projecting lintels. The east facade has a bank of sash windows in its rear half, an early 20th century alteration to meet state school standards. with The first school was organized in Stannard in 1812, but met in private residences or barns with only small numbers of students. Its first school building was constructed in 1823.

At the foot of the slope were rock fragments, probably the broken lintels of the gatehouse. The fort measures internally about 40 m from north to south and 23 m from west to east. The gate was 3 m above ground level and was probably reached by ladder. The ruins of four round huts and one beehive hut were found on Cashlaungar.

The three front access doors are very impressive. UNESCO declared it Cultural Patrimony of Humankind in 1993. It is considered one of the most important edifications of the 30 Jesuits towns in the region. The stone pulpit, the friezes of angels, the rose-shaped carved stone in the lintels in the doors, and the bell tower stand out in its architecture.

Public School No. 37, also known as Patrick Henry School and Primary School No. 37, is a historic elementary school located at Baltimore, Maryland, United States. It is an elaborately detailed -story Georgian Revival structure. The entrance portico has six freestanding columns, rustication at the base, lintels, and quoins, and a large slate-shingled hip roof. It was built in 1896 for $25,000.

The main house is Federal two- story double-pile brick house with a one-story extension. It features a central passage, twin end chimneys, and side gable roof. Many of its doors are paneled wood with limestone lintels. The house was named in 1992 by the Historic Landmarks Foundation of Indiana among the ten most significant buildings in Clark County.

The walls are granite and were constructed using a dry stone method. The roof consists of flat stone lintels that span between the walls. The current entrance is not in the original location, which is unknown. It is also unknown when the current entrance was created, but it dates to at least 1833 when an iron door was installed by the parish rector.

It has a typical three-bay side-hall plan, with corner pilasters and a main entry surround consisting of long sidelight windows framed by pilasters and topped by an entablature. The windows are topped by shallow pedimented lintels. Charles Manning was a longtime Reading resident and part of its woodworking community, building parlor desks. Reading's Manning Street is named for him.

He preferred plain masonry surfaces He wanted the freestanding column to resume its structural role. Cordemoy’s proposals were at once attacked by the engineer Amédée- François Frézier, well-versed himself in a knowledge of Gothic construction, but contemptuous of the suggestion that the Gothic arrangement might be reflected by columns and lintels – lintels, given the qualities of French stone, were altogether impractical for long spans, arches were to be preferred. Cordemoy, claiming to have been sequestered for years in the Auvergne, did not reply to Frézier’s letter until 1709. An exchange of letters followed, three more, all published between 1709 and 1712 in the distinguished Jesuit review, Mémoires de Trévoux. Cordemoy’s aims emerged more clearly than before, with the argument, involving much scholarly hairsplitting and sarcasm, centred now on the arrangement of early Christian basilicas as a model for church architecture.

The floor of the verandah is now concrete. Twin chimneys pierce the rear slope of the main roof, they have elaborately corbelled tops. Original woodwork remains throughout the interior, including shaped lintels over doors and windows, and a fireplace in the south room. The staircase ascends away from the front door and turns into the north room; it once had a second flight into the kitchen.

It is the only one of the four to not have a flat roof, instead rising to a shallow-pitched gable. Rusticated sandstone also finishes the basement of 750 Broadway, which has the most elaborate decoration of the four. Sandstone is also used for its balustraded steps, leading to a double-doored paneled entrance topped by a transom. Its windowsills are bracketed, with finials on the lintels.

McManus argues that the supposed vandalism of the inscriptions is simply wear and tear, and due to the inscription stones being reused as building material for walls, lintels, etc. (McManus, §4.9). McManus also argues that the MUCOI formula word survived into Christian manuscript usage. There is also the fact the inscriptions were made at a time when Christianity had become firmly established in Ireland.

The Bethune–Ayres House is a historic house located east of Jerome, Idaho. The lava rock house has a vernacular design which features concrete lintels and windowsills and a symmetrical front facade. The house was owned by local shepherd Peter G. Bethune and was likely also owned by a Captain Ayres. The house was added to the National Register of Historic Places on September 8, 1983.

The first floor where the sheriff's office and quarters were have fireplaces. and and one photo, undated, at Virginia DHR It is constructed with interior partitions of brick with stone window sills and lintels at the cells. It is built with a standing seam gable roof. There is a wooden platform on brick piers at the rear door and the metal frame walls are mortared.

The windows on this side are topped by gabled lintels. The interior features relatively restrained Greek Revival styling, the most elaborate of which is found on the central staircase. The house is traditionally given a construction date of 1770, making the Durham's oldest house. However, the Greek Revival styling suggests either a later construction date or a major renovation in the 19th century before 1850.

The Heywood House is set facing south on the north side of Maine Street, overlooking the Penobscot River. It is a 2-1/2 story brick structure, with a side gable roof, four end chimneys, and a dressed granite foundation. The main facade is five bays wide, its windows featuring splayed sills and lintels. The main entrance is flanked by sidelight windows and topped by fanlight window.

Other decorative elements of the building include a classical pediment with a returned cornice and paired brackets, simple brick pilasters on all four sides of the building, and stone window sills and lintels. Even though the interior was altered in the 1960s, it still retains tin ceilings, most of its original woodwork, and a divided- flight stairway with large wooden newel posts and slender spindles.

The Hance House is a two-story brick structure on a stone foundation, with stone lintels over the windows and doorways. The roof is a low-pitched design, supported by carved bracketry. The front entrance is through a double door sheltered by a porch. A side entrance is sheltered by a similar porch, and both porches have bracketry similar to, but smaller than, those supporting the roof.

Five window bays run across the second floor. All windows have plain stone lintels and slipsills. On the side, the gable facade of the main rectangle has three windows and a linteled door on the ground floor and four second story windows, with one smaller window located above under the eaves. A gabled four bay extension, which defines the shorter leg of the L, continues the facade.

They are trimmed with brick lintels, keystones and stone sills, separated by broad pilasters. A large red sign saying "Albany Pump Station" is at the top of the facade, with "Brewpub and Restaurant" in smaller letters beneath. A later northern extension is similar. To the south is a two- story brick building used as stables when originally constructed, with rounded windows in that section.

A 1904 ordinance by the Indianapolis City Council outlawed wood-frame construction within the downtown area. All of these apartment buildings were built of brick, with some use of Indiana limestone used for ornamentation, lintels, and sills. Most of the buildings are three stories high, except for a few that were considered "high-rises". There is not a lot of differentiation between architectural styles.

Gasport Limestone lintels and sills are used on the building's facades. The dressed water table, above the three-foot high ashlar- faced exposed foundation wall, occurs only at the street facade. Large dressed ashlar Gasport Limestone quoins reinforce the house's corners. The house's four-bay, west-facing front facade is made of grey Gasport Limestone laid in quarry-face ashlar with beaded mortar joints.

The stones on the front facade are carefully dressed compared with those on the other elevations. The lintels and window sills are blocks of rock-faced stone, except for those on the front. On the front, carefully dressed stone voussoirs and keystones are used for the round arches for the main entrance and the window above. High school classes were added in the 1920s.

Various cities came to Bautzen to help rebuild the city and Cathedral. Names of many Germanic cities are written on the lintels in the church to commemorate the rebuilding of the cathedral. The church is a mixture of several different architectural styles, the most prominent being Gothic and Baroque. The early church was entirely a Gothic structure, but it has since been heavily modified.

Thus there were no chimney stacks on the terminal walls of the terrace and each terminal wall had a front door adjacent to it. Externally the houses were of hammer-dressed Bradford stone set in black ash mortar with sills and lintels of sawn stone. Brick was used for internal walls and liners to external walls but was nowhere externally visible. House roofs were Welsh slate.

Fenestrations are topped with bracketed hood lintels and retain the original shutters. Siting on the northwest corner of NW 8th Street and Van Buren in a residential neighborhood, the facade faces east toward 8th Street. A front porch has seen non historic modifications and roof ridge cresting is no longer present. The front door and interior doors have top lights and interior wood trim remains intact.

The West Street facade contains a historic fire escape. The building features projecting window sills and lintels, which are both made of brownstone. 39–45 Greenpoint Avenue was also developed by the Valentines and built by John M. Baker in the German Renaissance Revival style around 1901. The five-story building was made of bond brick and measures eleven window bays wide along Greenpoint Avenue.

76 Kent Street, a three-story Renaissance Revival building, was built at an unknown date between 1886 and 1904. It contains brick lintels, cornice and parapet, as well a first-floor steel lintel. Sometime in the 1980s it was partially made into a residential building. 59–63 Kent Street, a five-story building built around 1910–1911, is located on the north side of Kent Street.

The four-story building has a facade of bond brick, with sills and lintels made of cast iron in the Italianate style, as well as pediments with circular motifs. A Renaissance Revival parapet and gable may have been installed in the 1880s, while the fourth story was built around 1901. The building contains nine window bays on Kent Street and six on West Street.

The 2-1/2 story wood frame house was built c. 1865, and his one of the village's finest Italianate houses. It has roughly square proportions, with an off-center entry flanked by a single-story projecting bay window, both of which are topped by cornices with brackets. Above them are three sash windows with projecting lintels, and there is a round-arch window in the gable.

Windows on that level are set in rectangular openings, with stone sills and lintels. The second floor windows are set in round-arch openings with surrounding sandstone arches. The main entrance is at the center of the facade, recessed with stairs under a large round-arch opening, with a Palladian window on the second floor above. The facade is crowned by a metal cornice with scroll modillions.

In the center is a sidelight front entrance with a tripartite window located above. Double hung six over six windows with sandstone lintels and caps are on each side, with the lower windows running to floor length. A wide front porch spans the entire width of the house front. There are three other porches, two on the one side and one on the other.

The Jacob Wentz House is a historic building located in Iowa City, Iowa, United States. Wentz was a German immigrant and a shoemaker by trade. This is one of the few native stone houses in Iowa City, and being two stories, rarer still. with It is a fine example of the Greek Revival style, featuring symmetrical openings, dressed stone lintels, and a bracketed entablature.

The chimney has a decorative brick corbelling at the top. Windows on the second floor have decorative carving in the lintels above them. A single-story ell extends to the left, and a two-story ell extends to the rear. The house was built by the Porter & Hannum company, a leading homebuilder in North Adams, for Thomas Sykes, a supervisor at the North Adams Manufacturing Company.

The Old Rock School in Dodgeville, Wisconsin is a school that was built in 1853 and converted into a private house in 1882. It was listed on the National Register of Historic Places in 1978. It is a two-story building constructed of limestone rubble, with massive blocks of dressed limestone serving as quoins and lintels. It has a central chimney and a gable roof.

An interesting feature of the main facade is the one-story porch which displays brick piers and hollow core concrete blocks. Beneath the eave of the porch are frame spindles and horizontal pendants. Windows on the structure are both two-over- two and one-over-one sash with stone ashlar lintels and rusticated stone sills. The roof has pressed metal shingles and beneath the eaves are brackets.

The exterior and interior walls were plain brick. The mortar in the exterior walls was dyed purple (at a cost of $1 [$ in dollars] per thousand bricks), and the raked joint both deeply incised and wider than usual. The exterior windows facing the street featured sandstone lintels and mullions. Blue and green tiles were applied in geometric patterns to the exterior walls below the eaves.

The anchorage for the lower balcony's beam is less obvious. It appears to float above the main floor because it enters the walls immediately above two sets of exit doors. Actually, it is riveted at both ends into plate girders that span the doors like lintels, and which are in turn attached to the support columns. These plate girders are completely covered over by masonry.

All the windows have sills and lintels of cast stone similar to the foundation material. A tin cornice extends around the building below the roof. The building interior is modern. Built in 1912, this building is one of a relatively small number of apartment blocks built in this area of the city, and replaced one and two-family houses that had previously lined the street.

The first and second stories are set off by heavy brownstone lintels; the third and fourth divided by a checkerboard pattern of small alternating granite and brownstone blocks. The second and third stories also have small terra cotta moldings below. At the fourth story the rounded windows are topped with banded segmental arches. A parapet with two tiers of recessed panels is at the roofline.

Basement window lintels are large rectangular stones. The masonry is dressed throughout and the near flush joints have been tooled and filled with light sand colored mortar about wide. The Greer and Jennie Quay House was listed on the National Register of Historic Places on September 8, 1983 as part of a group of structures in south central Idaho built from local "lava rock".

A brownstone belt-course separates the first floor from those above. Recessed panels of dark brick are set between the windows of the 2nd through 4th floors, and there are vertical dark brick pilasters framing the central bays. Windows are trimmed with brownstone lintels and sills. The building was built in 1914 for a real estate agent, and was designed by Bruno Wozny, a German immigrant.

Bedford stone is used for the belt courses between the floors, the plain coping, the vestibule trim, and the lintels and window sills. A stone cross is located on the center of the parapet above the main entrance vestibule. It is a contributing building. Lawlor Hall Lawlor Hall The first building that did not front the central campus on top of the hill was Lawlor Hall.

The Alvord I. Smith House is a typical example of the simplified Italianate style house with Greek Revival elements built in mid-19th century Davenport. It features a nearly square, boxy form with a shallow hipped roof with wide eaves and a simplified cornice. The house also has cast iron lintels that are in the shape of shallow triangular pediments. A small porch frames the main entrance.

The roof level features crenallated brick with a stone coping. The windows are organized in groups of two, they have decorative stone lintels and they are connected to a stone belt-course. The 1953 addition was built using the same brick and stone belt-course as the original building. The library, gymnasium, auditorium, science, art, and vocal music rooms are located in the center of the building.

The front facade is three bays wide, with the main entrance in the rightmost bay. It is sheltered by flat-roof portico, and has sidelight and transom windows, with flanking pilasters. The ground floor windows are elongated, and the second-floor windows are of a more typical sash size, with sills and lintels of brownstone. On the side elevations there are small windows in the attic level.

The First Baptist Society of Bath, also known as Bath Baptist Church, is a historic Baptist church located at Bath, Steuben County, New York. The church was built in 1887–1888, and is a cruciform plan, Romanesque Revival style brick and stone church. It has a steep cross-gable roof and square corner bell tower with a tall octagonal spire. The church features rounded windows and lintels.

The under- construction platforms and bridge were not significantly harmed, but Amtrak briefly stopped service to the station before resuming with a speed restriction. On December 29, state investigators ruled that the station remains were too damaged to repair. Instead, historically significant items like radiators and stone lintels were salvaged and the station remains demolished. The demolition was delayed due to insurance concerns in January 2017.

Elden's Store is set at the western corner of Long Plains Road and Haines Meadow Road. It is a 2-1/2 story rectangular brick building, with a wood-frame gable roof, oriented toward Long Plains Road, and a granite foundation. The brick is laid in English bond and is painted red. The building's doors and windows are set in openings with simple granite sills and lintels.

Structure 4B1 has a central doorway with two carved columns supporting carved capitals and three sculptured lintels. Puuc-style columns are a recurring motif at the site. Another palace group stands on a hilltop to the north of the causeway system, overlooking the site core. Domestic architecture at the site consisted of over 300 perishable structures built upon underlying masonry foundations, some of which have been excavated.

Above the lintels, there are rough brick relieving arches. Ornamental ironwork balustrades with granite copings is retained from an arched verandah, which is now enclosed with windows. Doors of the building which are cross braced and battened, are also made of wood. Cast-iron rainwater pipes, hopper heads and gutters along the wall of the building also have executional level of significance to the building.

The village houses are built in a double horseshoe around a village green. Two- storey cottages with attics were built in terraces of eight in red brick with a decorative first floor band and saw tooth eaves cornices. Their Welsh slate roofs have decorative ridge cresting. Each house has three-light casement windows in ashlar surrounds and a doorway with ashlar lintels and an overlight.

The Columbus Hatchett House is a historic house at the northern corner of Main and Hazel Streets in Leslie, Arkansas. It is a large two-story structure, fashioned out of rusticated concrete blocks. It has vernacular Colonial Revival details, including egg-and-dart moldings above the window lintels, concrete quoining, Tuscan columns supporting the porch, and ornate Palladian windows. it was built in c.

Another entrance, set in a brick surround, is located in the stone rear facade, offset slightly into the second-westerly of the rear facade's four bays. The windows all have shutters, paneled on the first floor but louvered on the upper stories. Stone was used for the lintels there as well. A bracketed cornice, added later, marks the line of a gabled asphalt-shingled roof.

The Bigelow School is an historic school at 350 West 4th Street in South Boston, Massachusetts. The three-story Classical Revival brick building was designed by Charles J. Bateman and built in 1901. Features include corner quoining, cast concrete window lintels and sills. It was named for John P. Bigelow, mayor of Boston when the first school was built on the site in 1850.

The Ozias Goodwin House is a historic house at 7 Jackson Avenue in the North End of Boston, Massachusetts. It is a two-story brick rowhouse, three bays wide, with brownstone window sills and lintels. The second floor windows are set just below the eave, a typical Federal period detail. The house was built in 1795, and is one of Boston's rare surviving Federal period houses.

The present awning is cantilevered, replacing an earlier posted version, and supports some timber farm relics. Above the awning is a row of small clerestory-like windows with arched brick lintels, which light the ground floor. The shopfront has large panes of plate glass divided by cast iron column mullions with simple moulded bases and capitals. Behind are circular metal columns supporting the brick facade above.

It was one of the first "permanent" houses in Beaver, and was probably built for James Atkins. The second is a pink rock one-and-a-half-story addition built around 1890 on the north side of the original cottage, with jerkinheads and a broad cornice. Its windows and doors have pink rock lintels. It was built for John A. Smith, then the new owner.

The Wisner House is a two-story red brick Greek Revival structure with a single story hip-roofed wing fronted with a colonnade of fluted Doric columns. The main entrance is covered by a flat-roofed portico. Windows are six over six units with sliding sashes, stone sills and stone lintels. The house still contains many objects which belonged to Moses Wisner and his immediate family.

It is a two-story brick structure with a single-story wing. The two story section is original, while the single-story section is an addition, built shortly afterward. The house features narrow window openings with simple stone lintels and sills. It is built on a stone foundation covered with concrete and capped with a low-pitched gable roof whose ridge is parallel to the street.

The brick is laid in Flemish bond. Each unit is four bays wide, with the entrances at ground level in the innermost bays, set in arched openings with flanking sidelights and fanlights above. Windows are set in rectangular openings with brownstone sills and splayed lintels. The two rowhouses were built in 1809 and 1810 by Moses Brown, a Newburyport landowner, shipbuilder, and shipping merchant.

The windows on each elevation are symmetrically arranged with six-over-six wooden sash windows and sandstone lintels. The hipped roof is covered with slate shingles and is pierced by four interior corbeled brick chimney stacks. The cornice is boxed with frieze and brackets. There are two brick dependencies, a carriage house and cookhouse; both are two-story structures with hipped, slate roofs and voussoir-arched windows.

Multiple balconies and window lintels as well as overlapping pairs of columns in various styles including Tuscan, Corinthian, and Solomonic add to the ornate style. The central focus of the southern façade is the family coat of arms on the middle balcony on the upper floor. During the eighteenth century, several repairs and modifications were completed. In 1723, Mauritius Haedo was hired for some minor repairs.

The pillars are square at the base, octagonal in the middle and circular above having bracket capitals above to support lintels which are 9 feet long. In the front of the mehrab are two rows of pillars in good condition followed by two rows of pillars with disturbed condition. It followed by a wall and four more rows of pillars and some other pillars, probably of porch.

The panels on the Gudhamandapa is decorated with Surya centrally which indicates that the temple is dedicated to Surya. These images wears peculiar West Asian (Persian) boots and belt. The other corners and niches are decorated with figures of Shiva and Vishnu in various forms, Brahma, Nāga and goddesses. The depicted scenes on small flat ceilings and lintels of sabhamandapa are from epics like Ramayana.

The traditional buildings of Labourd have a low roof, half-timbered features, stone lintels and painted in red, white and green. The house of Edmond Rostand, Villa Arnaga at Cambo-les-Bains, is such a house and is now a museum dedicated to the author of Cyrano de Bergerac and to Basque traditions. Lapurdian (Lapurtera) is a dialect of the Basque language spoken in the region.

The building consists of a two-storey sandstock brick terrace of three houses, with a hipped iron roof and boxed eaves. The ground floor verandah is continuous along the street facade, and supported on elegant turned timber Doric columns. It features double-hung windows with six pane sashes and six-panel doors with rectangular fanlights. There are flat brick lintels to openings and sandstone sills.

Train bay doors are spanned with cast iron lintels. A later addition from 1902 increased the circumferential span of the building by 55 degrees, adding five train bays. In 1907, three additions were made: a small shed and drying house, and a by machine shop. The machine shop was roofed by a low gable, and the eaves and construction matched that of the original structure.

A centrally located metal staircase dominates this elevation of the building. Narrow casement windows with concrete sills and lintels are found on all elevations. Kelsey House, 2001 Gladstone House, Jenner House and Kelsey House (all 1936) are located to the east of Fleming House and are nearly identical in form, scale and detail. Like Fleming House, these buildings are situated to overlook the cricket oval.

The movie shown at the opening on 3 April 1942 was a Roy Rogers film, Heart of the Rio Grande. The facade presents elements of Pueblo Revival architecture with its stucco exterior, faux vigas and heavy wooden lintels. Stucco covers the entire front of the building wrapping around each side. Vigas are evenly spaced across the facade three feet below the roofline and above the portico.

These windows and the door have arched keystone lintels with stone keystones and caps. Brick pilasters divide each side of the building into four bays the rear three have windows which duplicate the windows on the facade. The Hughes School is an example of 19th century one–room schoolhouse architecture. The land for the school was given to School District No. 4 by Nicholas Curtis in 1832.

According to the authors, the ruined houses in these villages show evidence of earthquake-related destruction, such as "collapsed roofs, fallen joists, lintels and pillars". Such extensive destruction cannot be attributed to "the normal processes of weathering and erosion". The authors further state that their theory is supported by "the evidence of recent tectonic activities and the observed ground movements along several major faults in the region".

Havelock Mills were two interlinked L-shaped multi-storey mills. They were notable in that the mill built in 1820 was a silk-mill and the second, built in 1840 was a fire-proof cotton mill. The silk mill was of six storeys over a basement and had 18 bays facing Great Bridgewater Street (Nos 72 and 74). The windows had raised sills and wedge lintels.

The entrance is in the center bay, set in a Romanesque round-arch openings with stone voussoirs. The bays above the entrance have paired narrow windows set on shared stone lintels. The building name appears in a panel between the second and third floors. Pilasters rise flanking the central three bays, beyond the top of the building to form a parapet, with corbelled brickwork between.

Paser is well attested in Deir el-Medina. About ten stelae are known often showing Paser with King Ramesses II before different deities. Two of the stelae show Paser with the tomb-scribe Ramose who was the main scribe in Deir el-Medina. Further items from Deir el-Medina include statuary, lintels, cornice fragments, (statue?) bases and finally letters between Paser and the scribes.

Lintel 24 was found in its original context alongside Lintels 25 and 26 in Structure 23 of Yaxchilan. Alfred Maudslay had the lintel cut from the ceiling of a side entrance in 1882 and shipped to Great Britain where it remains today in the British Museum of London. Lintel 25 made the journey in 1883. Lintel 26 was discovered in 1897 by Teobert Maler.

Miller, p. 18, cites Sylvanus G. Morley, who in his Ancient Maya (1946) considered this to be "the most beautiful example of sculptured stone door lintel." We are able to study the detail of Mayan weaving as depicted in these carvings, and see the pearls woven into the fabric. Subtle differences in the three lintels suggest that the compositions were completed by two or three different artists.

It was once probably a three-unit, lateral chimney, hall-house, later converted into a storeyed house. It has undergone much alteration over the years, and little remains of the original except the fireplaces, one of which is in poor condition. The fireplace lintels of carved stone are notable. The hall fireplace has two shields, one bearing a reversed lion rampant and the other a trefoil.

Other windows on the house have granite sills and lintels. The interior is well preserved, with stained glass windows depicting Henry Wadsworth Longfellow and Wolfgang Amadeus Mozart. A wood-frame ell extends to the rear, continuing the Italianate exterior features, and joining the house to carriage house. The house was built in 1854 for Daniel Holland, then one of Lewiston's leading lumbermen and real estate developers.

A two-story rectangular wing connects to the north end, and a screened porch runs the length of the west (rear) elevation. On both front and rear the windows have sandstone sills and lintels. The main entrance is a paneled, glazed wood door with molded surround and sidelights. It is flanked by plain pilasters that support a molded entablature that reaches to the second story.

The Foster Building's height is unusual for Schenectady's downtown. Its terra cotta facade is unique in the city. Most of Schenectady's commercial buildings date to the mid- or late 19th century and are faced in brick, rarely more than three stories tall. McCarthy Building in Troy Throughout most of the 19th century, architectural terracotta had been confined to decorative touches like windowsills and lintels.

Stone hoods that sit flush with the exterior wall with drip lintels decorate the tops of the rectangular windows. The dark red brick structure rests on a stone foundation that has subsequently been covered with cement. The main entryway may have been altered and its porch may have been removed. The house has been listed on the National Register of Historic Places since 1984.

From the exterior we see by 4 ft 6 in (1·36m) windows on each floor in each bay with camber arch lintels and sandstone cills. The roof truss system is particularly interesting. It is made up of a series of six-segment, bolted, cast-iron, two- centred arches of radius, with an offset of . These support, and are bolted to, the four longitudinal principal rafters.

Its symmetrical stylings and dormer windows suggest a strong Georgian influence, and masons' marks on the bluestone window lintels bear dates in the 1790s. The upper floor was remodeled in the 1920s with contemporary interior decorations such as wainscoting. Up until that time, descendants of the Wynkoops had continued to live in the house and preserve it. Later owners also kept it in its original form.

Possible mirror bearer; 6th century (Metropolitan Museum of Art) It is believed that carvings in wood were once extremely common, but only a few examples have survived. Most 16th-century wood carvings, considered objects of idolatry, were destroyed by the Spanish colonial authorities. The most important Classic examples consist of intricately worked lintels, mostly from the main Tikal pyramid sanctuaries,W.R. Coe et al.

The main block is three bays wide, with the main entrance set in a recessed opening in the right bay, flanked by sidelight windows. The door and windows are set in rectangular openings with stone sills and lintels. There are two sash windows on the attic level, with a diamond-shaped brickwork pattern nearer the gable. The cornice edge of the gable consists of corbelled brickwork.

Walls, friezes and tombs are decorated with mosaic fretwork. In some cases, such as in lintels, these stone “tiles” are embedded directly into the stone beam. The elaborate mosaics are considered to be a type of “Baroque” design, as the designs are elaborate and intricate, and in some cases cover entire walls. None of the fretwork designs is repeated exactly anywhere in the complex.

The Lovell Village Church is a 1-1/2 story brick structure, with a gable roof topped by a wooden tower. The doors and windows have granite lintels and wooden sills. The main facade is three bays in width, with a slightly-recessed centered entrance flanked by sash windows. The corners of the building are marked by brick piers, which rise to a flat entablature.

One small kiva was built for roughly every 29 rooms. Nine complexes each hosted an oversized Great Kiva, each up to in diameter. T-shaped doorways and stone lintels marked all Chacoan kivas. Though simple and compound walls were often used, great houses were primarily constructed of core-and-veneer walls: two parallel load- bearing walls comprising dressed, flat sandstone blocks bound in clay mortar were erected.

The walls of the northern palace's corridor are laterite, while those of the southern palace are sandstone. The northern building is now in better condition. The palaces are notable chiefly for their pediments and lintels, which are in the early Angkor Wat style. Buddha statue Carving of a crocodile on the upper level, possibly the site of an annual human sacrifice in pre-Angkorian times.

The east wall bears dvarapalas and devatas. Entrances to the south and north have inner and outer lintels, including one to the south of Krishna ripping Kamsa apart. A lintel showing Krishna killing Kamsa, on the south wall of the sanctuary. Other features of the area are a library, in poor condition, south of the sanctuary, and a relief of the Trimurti to the northwest.

Bonnyrigg House The house is a Colonial Georgian residence, of sandstock brick, two storeys with cellars. Hipped iron roof overlies timber shingles and windows are double hung sash with sandstone lintels. A number of blind windows are centrally located on the upper floors, possibly linked to the use of the building by visiting magistrates. Inside it contains painted cedar joinery and a cedar staircase.

Building entrances are located at the outer ends of the facade. The upper floor windows are set in panels with rounded upper corners, and have granite lintels and sills. The building has a deep cornice with decorative brackets and modillions. The block was built in 1870 by John Y. Scranton (alternatively "Scruton"), a prominent local clothing retailer who had been in business in Lewiston since 1857.

The two-story brick building is seven bays square on a raised basement of randomly coursed stone. The facade is trimmed in terra cotta and stone. The former is used for the window lintels and sills as well as an intermediate cornice; the latter for the water table. It is topped with a shallow hipped roof that has some of its original metal sheathing.

Glenfields is a two- story structure with clapboard siding, a partially exposed granite basement and a gabled roof with boxed cornice. Two granite chimneys, slightly offset, rise from the center. Windows on the east (front) facade are double-hung sash with an unusual 6-over-2 design, framed by molded lintels and plain sills. The central porch is supported by Doric columns, with a pedimented entablature.

Built circa 1870, the house was designed in a combination of the Italianate and Classical Revival styles. The two-story house features a low-pitched hip roof with an extensively ornamented bracketed cornice and frieze. The home's front entrance is elaborately decorated, and the house's tall, narrow arched windows are topped with stone lintels. The Classical Revival front porch is supported by Tuscan columns.

"Portal dolmens" have an angled stone slab supported by uprights that define a chamber, often with an entrance. "Gallery" graves are elongated dolmens consisting of two rows of upright stones (orthostats) supporting a series of flat roof stones (lintels). "Wedge" tombs are wider at the mouth, and narrower as they recede inward. "Passage tombs" have a long boulder-built passage that leads to a buried chamber.

The House at 42 Salem Street in Reading, Massachusetts is a transitional Greek Revival-Italianate house. Built sometime before 1854, its gable end faces the street, with the door on the left bay of three, a typical Greek Revival side hall layout. The doorway is topped by a heavy Italianate hood. The windows have shallow pedimented lintels, and the left facade has a projecting square bay.

Limestone is also used for the windowsills, lintels, quoins and steps to the main entrance. A datestone set in the gable field on the east elevation of the main block gives 1849 as the construction date. At the rooflines are a molded wooden cornice with wide frieze on the north and south sides of the main block. The basement windows are all screened with vertical bars.

A country house in red brick with bands and a tile roof with coped gables and parapets. There are three storeys and a symmetrical front of six bays, a double-depth plan, and a rear parallel extension. In the centre is a projecting porch with Greek Doric columns and an open pediment, and above the doorway is a fanlight. The windows are sashes with gauged brick lintels.

Measuring two-and-a-half stories tall, the house features a wide range of architectural styles. Although the dominant theme is a general Late Victorian style, the house additionally includes Italianate elements such as the detailed lintels and the elaborate belvedere. Similarly, the Queen Anne style appears in such components as the elevated ashlar foundation, ornamental dormers, and multiple stone courses on the walls.Owen, Lorrie K., ed.

The Brooks House is a two and ½-story brick temple-style Greek Revival house sitting on a stone foundation. The cellar of this home was finished as a traditional German-style rathskeller. The windows, door sills, and lintels are made of stone. The main wing measures 51 feet long and 39 feet wide, with a service wing which is at the rear measuring 26 by 25 feet.

Classroom interior of Block B, 2015 Block B contains an open plan classroom space (formerly five classrooms). The lintels and bulkheads of the four original classroom partitions remain, with a modern concertina door inserted into one opening. An early hat room enclosure (1946) is retained on the southwestern corner of the verandah, along with a connecting stair to the northwest. The northern verandah is accessed via two sets of external stairs.

The interior is a maze of rooms set at different levels with low ceilings and a wealth of architectural detail. It retains its 17th century ambience, though many changes were made during refurbishment between 1984 and 1997. The Dining Room is to the right and the Sitting Room to the left of the hall. Both feature beams across the ceiling, flagstone floors, and fireplaces with chamfered stone lintels.

John B. and Elizabeth Ruthven House, also known as the Wehmeyer House and Ruthven-Wehmeyer House, is a historic home located at Jefferson City, Cole County, Missouri. It was built about 1879, and is a one-story, five bay, Missouri-German Vernacular brick dwelling. It has a hipped roof, arched brick lintels, and an original rear ell. It was listed on the National Register of Historic Places in 2000.

Woodlea is constructed of buff-colored pressed Italian brick with pale limestone trim. It is three stories tall, seven bays wide, and more than fourteen bays deep. The south and west facades are both symmetrical, although the house has an asymmetrical overall plan. The house has pedimented pavilions and entrance porticos on the west, south, and east; window trim consisting of stone surrounds, pediments, lintels, and sills; classical balusters and quoins.

The Peabody Court Apartments are a historic apartment building at 41-43 Linnaean Street in Cambridge, Massachusetts. The four story Colonial Revival brick building was built in 1922. The H-shaped building has deep courtyards, and is trimmed with limestone elements, including corner quoins, window sills, and keystone lintels. It is a well-preserved example of a courtyard apartment block, a style popularized in 1898 by Ralph Adams Cram.

There was some difficulty identifying the original owner. with Over the years the building has also housed a harness shop, a hardware store, and a feed and farm supply store, before becoming a bank in 1982. The stone blocks that were used in the construction of this rectangular structure vary somewhat in shape and size, and they were laid in courses. The window sills and lintels are dressed stone.

On either flank of the entrance, the first floor features French windows and iron balconies, except for the smaller windows next to the door, trimmed with marble lintels and sills. A similar pattern is found on the larger windows of the third story. Above them is a dentilled cornice and architrave; two large chimneys rise from the hipped roof. The rear elevation features two porches with Doric columns.

The entry is recessed, with sidelight windows immediately flanking the door, and pilasters with peaked lintels outside the recess. The building corners also have pilasters, which rise to an entablature which spans the front. A smaller single-story ell extends to the left at a recess to the main block. The house was built about 1860, most likely by John Chandler, a prolific local builder of plank-frame houses.

Excavation failed to provide evidence to prove either suggestion, leaving the issue "ambiguous". Lambrick noted there was a possibility that some of the stratigraphic layers "may represent the base of some sort of cairn" around the Whispering Knights. Lambrick believed that raising the capstone on the Whispering Knights would have been the hardest task of the Rollrights' construction. He said it was "analogous" to the raising of the lintels on Stonehenge.

Sash windows are set in rectangular openings, with splayed stone lintels. The interior retains numerous period features, including fireplaces of brick and locally quarried soapstone, and two baking ovens. The tavern was built in 1816-18 for Jacob Fox by Amasa Dutton, Jr., a prominent local builder. It was built to serve traffic on the White River Turnpike, opened in 1800, and as a social center for the community.

Sion Hill is a brick three-part house with a five-bay 2-1/2 story central bock flaked by one-bay shed-roofed wings. The main facade faces south toward Chesapeake Bay. This side features a pedimented porch at the entrance door, a three-part second floor window above, and a lunette in the attic gable. Typical windows are nine-over-nine sashes under flared stone lintels with projecting keystones.

Architectural elements included shingled intersecting gabled roofs with gabled ends and fish-scaled shingles painted in various colors. Assorted other details included a scalloped archway, chamfered posts, decorative wheel and quatrefoil brackets, and an entrance gable with a carved bridgeboard. Diamonds and rectangles were also incorporated into the structure via ornamental lintels and balustrades. A trapezoid cinder block structure approximately by stood next to the building to the east.

Yaxchilan is known for the large quantity of excellent sculpture at the site, such as the monolithic carved stelae and the narrative stone reliefs carved on lintels spanning the temple doorways. Over 120 inscriptions have been identified on the various monuments from the site. The major groups are the Central Acropolis, the West Acropolis and the South Acropolis. The South Acropolis occupies the highest part of the site.

The Levi Willits House is a historic house located at 202 Main Street in New Boston, Illinois. Levi Willits, a prominent local businessman who ran the city's general store, built the house in 1856. The house has a Greek Revival design, a popular style when it was built. The house's design includes six- over-six windows with flat sills and lintels and a low hip roof, both typical Greek Revival features.

The arches sit on lintels that span the space between the outer wall and the columns supporting the roof. There were six niches against the walls that were reserved for the placement of statues and in the center of them was the main space, the adyton, used to hold the main statue of the pagan cult. The adyton was topped by a conch-shaped falf-dome.Kaizer, 2008, p.

Whilst some original materials such as slates and pavings were salvaged from the old village, most of the new building is in concrete. The entire load bearing superstructure of the new houses is of concrete blocks faced externally with a painted sand and cement roughcast rendering. Floor units, lintels and sills are of precast concrete.Allerdale 32-5 Once completed the radical development became the subject of considerable media attention.

Measuring nine bays wide, it contains a central pediment upon which the company's motif was placed. It contains projecting greystone window sills, lintels above the windows, and a brick corbel. Two fire escapes are located on the building's facade, one shared with its eastern neighbor, 76 Kent Street. this space is partially occupied by the New York University School of Medicine as a physical therapy and imaging center.

Harris Hall is 2-1/2-story, red brick gable-roofed structure, measuring fifty feet by eighty-eight feet. It sits on a random-ashlar foundation, and has yellow-gray stone trim as string courses, doorway and window sills and lintels, and drip moldings. It has wooden Queen Anne-style eavesboards with supporting brackets. Above the entry and first floor windows are recessed, arch-topped, spandrel panels containing red terra cotta.

The doors and windows were built with round arches. The upper floors were made of brick, with the lintels and cornices built of sandstone as a contrast. Since 1873, it had been clear that a branch line from the Murr Railway to the Northern Railway was necessary to relieve the railway junction at Stuttgart. This project was realised when the State Railway opened the Backnang–Bietigheim railway on 8 December 1879.

The registry is a small brick single-story structure, two bays wide, resting on a granite foundation. It has a gable roof, with a simple corbelled cornice giving it a Greek Revival flavor. The windows have granite sills and lintels, as does the main entrance, which is in the right bay of the facade. The eastern (right) facade has two sash windows, while the western side has only one.

Fox Theatre at night with new LED lights in Downtown Detroit The Fox Office Building, which forms the Woodward façade of the theatre, is 10 stories in height. The front and sides of the office tower are faced with a cream-colored terra cotta. There are decorative lintels above the windows on the second and tenth floor. The building wraps around the theatre lobby creating a u-shaped floor plan.

Windows are set in rectangular openings with keystoned lintels. The interior lobby space retains original finishes, including marble flooring and service windows with metal grillwork. The Neo- Classical single story building was built in 1933 for a cost (of land and construction) of about $75,000. The architect is unknown, but the building design resembles the work of Knox Taylor, who designed a number of post offices earlier in the 20th century.

It was a medieval world. Lamas of all ages gossiped and giggled, lounging on the steps in front of heavy wooden doors with iron studs. In the evening sun the angles of the roof and squared lintels cast black-and-white shadows in geometrical patterns. Mastiffs still sheltering from the day's heat stretched out in shady corners squalid with gompa debris - old bones, pieces of cloth, and the odd tattered boot.

The building's front corners are pilasters, and the dentillated eave is continued around its sides. Windows (some bricked over) are set in openings with granite lintels and sills. The house was built circa 1832 for Bella Tiffany, a business partner of mill owner Samuel Slater who cofounded the first cotton mill in nearby Webster. He also served as president of the local bank, and in the state legislature.

The 2000–2003 renovation of the Tower Press Building was designed by architect Julie Kotapish of Sandvick Architects, a Cleveland firm. The renovation retained the structure's Mission Revival architectural style. Much of the building's historic elements were retained, including all existing exterior and interior brick, columns, decorative tiles, lintels, mullions, and sills. Although the red tile roof collapsed during the renovation, it was replaced with nearly identical red clay tile.

The lintels have an unusual ogee curve on their lower edge. All upper-story windows are one-over-one sash with stained glass border panes in the upper section. The fourth story's round-arched windows have an otherwise similar treatment with some differences in detailing. The panels below are more detailed than their third story counterparts, with a spiral foliate decoration at the center and owls at the sides.

The second floor windows are 12-over-12 double-hung sash with limestone balustrades in front on the main block. On the pavilion they are additionally topped with stone pediments; segmental arched with supporting brackets in the center and triangular in the middle. On the main block and the wing they have projecting stone lintels. Above them, the third floor windows are four-over-eight sash with simple stone surrounds.

The large attached park (Risskov Park) Bindesbøll created a solution for an institutional complex in the form of a 4-winged rectangular estate with 4 parallel wings. The buildings were constructed in yellow brick with horizontal red bands. The buildings have many details; semicircular brick connectors above white painted glass doors with cast lintels and olive green windows and shutters. Later additions have on the whole respected the original vision.

The entrance itself is a double door with a large transom above and it is capped with decorative stone. Wrought iron balconies project from the second story above the entrance. The windows are organized in groups of two, they have decorative stone lintels and they are connected to a stone belt-course. The 1952 addition was built using the same brick as the original building, but the window patterns are different.

The portico is supported by smooth Ionic brick columns with granite bases and capitals, and it supports an entablature and fully pedimented gable. The entablature is continued around the sides of the building, with pilastered corners. Windows have simple stone sills, and arched stone lintels. The mansion was built in 1839 to a design by Charles B. Cluskey, and is considered to be one of his finest works.

It is covered by a gabled roof with unusually deep eaves () supported by decorative rafter ends. Windows are mainly double-hung sash, set in rectangular openings with granite sills and lintels. The window above the main entrance (facing the Depot Square oval) is a Palladian-style three-part window. The gable above the front facade is decorated with Stick style woodwork, as is that on the rear (track-facing) side.

The two windows flanking the main entrance have paneled wooden shutters; all and the doorway are topped with splayed brick lintels. On the sides the stonework reverts to a more random pattern. The north has two windows on either story; the south one on the first floor, with shutters, and two on top. The main entrance is a recessed paneled wooden door with a radiating-muntin rectangular transom on top.

The Dudley Block is located on the south side of Water Street, between Pierson Lane and Sullivan Street, opposite Mechanics Park, and just south Biddeford's Main Street. It is 3-1/2 stories in height, with a ground floor of commercial storefronts, divided by granite piers. The upper two levels are brick, with rows of twelve sash windows topped by granite lintels. The roof is gabled, with two small gabled dormers.

The board-and-batten exterior of the Lentz Hotel is supported by a timber frame of chestnut. The building reflects the "bracketed mode" of construction, made popular by American architect Andrew Jackson Downing (1815-1852). This "Carpenter Gothic" style includes brackets under especially wide eaves, vertical board-and-batten sheathing, and heavy lintels over the windows. The seven mantels and the staircase are of the Greek Revival tradition.

The depot was built in the Romanesque style popular at the end of the 19th century. It features red brick with dark stone trim for the base, water table, lintels and trim around the doors. A solid round tower with conical roof marks the southern end of the building. The building's original layout incorporated a ticket office, baggage room, and separate waiting areas for men and for women and children.

The Second Empire building features a mansard roof with a terra cotta balustrade, three dormers with terra cotta frames, a partial cornice, and large second-story windows with arched lintels. Like most Motor Row buildings, its architectural ornaments are primarily located near the top of the building. B.F. Goodrich used the showroom until 1929. The showroom was added to the National Register of Historic Places on May 28, 2009.

The wood forms, sometimes even the wood grain, > are visible in the horizontal bands across the exterior of the school. The > window sills and lintels are also poured concrete. The exterior is > distinguished by an enclosed entrance porch topped by a gable-roofed > balcony. The steeply pitched side-gable roof features exposed rafter ends, > interior end chimneys, and dormers across the front and rear (photos 5 and > 11).

The building does not consist of much decoration, there are only some decorative brickwork features and ironwork balustrading. There are not much structural alteration to the building. The pitched roof is finished with double layer Chinese clay tiles, with a single chimney stack and flue openings projects above the ridge. The windows of the building consist of wooden casements incorporated in window openings with granite cills and lintels.

He designed the Chapter House at Southwark Cathedral and the interior of St Mary's in Putney which had been completely gutted by fire. He similarly transformed Heslington Church near the University of York, although the exposed breeze blocks and concrete lintels are not to everyone's taste. His work was recognised in 1999 when the Archbishop of Canterbury (then George Carey) awarded him a Lambeth Degree for his contribution to Church building.

The windows are multi- paned timber sliding sash windows, and have textured sandstone lintels, quoins and sills; the doors also have textured sandstone surrounds. The eastern attic window is flanked by two timber rails which may have been a lifting device. The rear wing has a hipped corrugated iron roof which adjoins that of its neighbour. A small brick and corrugated iron outhouse sits to the west of the kitchen.

The center section has regular sash windows set in rectangular openings with flat keystoned lintels. The main entrance is a recessed double door, the opening flanked by pilasters and topped by a broken segmented pediment. The main room of the interior features high quality woodwork. The building was designed by Portland architect John Pickering Thomas and was completed in 1936 with funding support from the Works Progress Administration.

The old synagogue was built in "broadhouse" style without columns and measured by . Entry was by any of three doors along its eastern side and one of the three niches recessed into the northern wall functioned as the Torah Ark. The building housed a mosaic floor and displayed external ornamental carvings. Four seven-branched menorahs were discovered carved onto door lintels and one of them is displayed in Jerusalem's Rockefeller Museum.

The remnants of the Bahu temple at Gwalior suggest that it may have been a smaller version of the Saas temple. The Sas temple has a square sanctum attached to a rectangular two storey antarala and a closed three storey mandapa with three entrances. The temple main entrance porch has four carved Ruchaka ghatapallava-style pillars that are load-bearing. The walls and lintels are intricately carved, though much defaced.

The house has five bays on each floor. The windows on the house are all double-hung sash except for the third floor which has small lozenge windows of three vertical lights in the frieze section. With pine sills and brick lintels, the first floor windows are 6/9 sash and reach to the floor in the front two rooms. The second floor windows are 6/6 sash.

The only floor that receives natural light is the top floor because the synagogue was built in a neighborhood where the houses butted against each other. Three of the upper walls have windows for illumination, five windows for each of three windowed walls. The windows were wide and high. The lintels of the windows are classic arch shapes and may have been decorated with latticework at one time.

Akhenaten, Nefertiti, and Meritaten (obscured) worshipping the Aten The cult centre of Aten was at the new city Akhetaten; some other cult cities include Thebes and Heliopolis. The principles of Aten's cult were recorded on the rock walls of tombs of Amarna. Significantly different from other ancient Egyptian temples, temples of Aten were open-roofed to allow the rays of the sun. Doorways had broken lintels and raised thresholds.

The original Claremont Cottage was a Colonial Georgian cottage built of stuccoed brick with wide verandahs all contained under a low pitched hipped roof. It had double French doors opening onto the verandah, other windows being twelve pane type with louvered shutters and flat stone lintels. It retained some original joinery. The front rooms were connected to the older rear kitchen section by a covered breezeway, typical of an early homestead.

The Hotze House is a historic house at 1619 Louisiana Street in Little Rock, Arkansas. It is a 2-1/2 story brick structure, with a combination of Georgian Revival and Beaux Arts styling. Its main facade has an ornate half-round two- story portico sheltering the main entrance, with fluted Ionic columns and a modillioned cornice topped by a balustrade. Windows are topped by cut stone lintels.

Windows on the upper floors are grouped in threes, with stone lintels and sills. Decorative brick panelwork is found between the second and third floors, and there are half-round terra cotta panels above the three windows in the center section third floor. A band of corbelled brickwork runs below the roofline, and the central section has a parapet flanked by square posts with urns at the ends.

Windows are set in recessed panels with splayed keystone lintels and a half-round blind arch above. The Kingston Public Library's organizational history dates to 1871, when the Kingston Library Association was founded. Its collection was held in a local retail establishment, and in 1890 fundraising began for the construction of a dedicated facility. Frederic C. Adams was a native of Kingston, who owned a local stockyard and slaughterhouse.

The front facade is three bays wide, with an early 20th-century Colonial Revival portico sheltering its main entrance. First-floor windows are capped by bracketed and dentillated lintels. The central second-floor bay houses a pair of round-arch windows, while the flanking bays house segmented-arch sash windows. The house was built in 1865 for John P. Nichols, one of Searsport's most successful ship captains of the period.

Madre de Deus Chapel. In the 16th century, single storey houses dominated the town's landscape, but there are indications of multiple floored habitations, with curved lintels and sculpted exterior facades. This more advanced architecture is associated with rich gentlemen who had made their fortunes through seafaring. These included Amador Alvares, explorer of the route to India, and navigators Pedro Fernandes, Diogo Pyz de São Pedro, Lourenço Dias and others.

Prasat Bei (Khmer: ប្រាសាទបី, "three temples") is a temple with three brick towers in a north-south row, facing to the east, and standing on a laterite platform. The central tower contained a linga; the flanking towers reach no higher than the doorways. Only the lintels of the central and south towers were carved, both showing Indra on the elephant Airavata.Ancient Angkor, Michael Freeman and Claude Jacques, p.

Belt courses of brickwork delineate the bases of the windows and the top of the rectangular portion of the windows. Second-floor windows are rectangular, with a belt course joining the granite lintels, and a corbelled cornice between the window tops and the roof. Gable ends have half-round windows at their centers. The school was designed by Lawrence architect George G. Adams, and was completed in 1890.

Fenestration consists of rectangular windows with granite sills and lintels along the north and south profiles, with an oculus in the gable apex. Stone steps lead to the paneled wooden and glass doors, sheltered by a curved canopy supported by large brackets at the sides. Inside the remaining original features include intricately molded woodwork and ceiling medallions, door hardware and a vault with a stone floor and brick walls.

The Thomas Alva Edison Birthplace is in a residential area north of downtown Milan, on the west side of North Edison Drive. It is a small 1-1/2 story brick building, with a gabled roof and two end chimneys. The main facade is five bays wide, with the entrance at the center, topped by a four-light transom window. The door and window openings are all headed by stone lintels.

Columns: Three types of columns; Neo-Corinthian, circular, squares columns. Arch: Serve as lintels made of bricks over the doors, windows, and also on the circulation passages. Beams: Steel I beam. For wide span double steel beams are used. Steel I beam of Size- 3”x6”, 4”x8” and 6”x12. Wooden beams: Size 3”x3” Floor: 11” thick layered floor of Red oxide, Brick masonry Tiles, Lime Concrete.

Windows to the ground floor are nine over six pane double hung sashes to the original part of the building. The skillion has windows with six over six pane double-hung sashes. Windows to the first floor are six over six pane double-hung sashes and are unusual in having a deep timber frame at the head. All the windows in the main part of the building have timber lintels.

Although the 'footprint' of a bungalow is often a simple rectangle, any foundation is theoretically possible. For bungalows with brick walls, the windows are often positioned high, and are close to the roof. This architectural technique avoids the need for special arches or lintels to support the brick wall above the windows. However, in two-story houses, there is no choice but to continue the brick wall above the window.

The first story has simple rectangular fenestration; the windows of the second through seventh stories have flat-arched lintels with triple keystones (some have end voussoirs), except for the second-story corner windows above the entrance porticoes which have molded surrounds with cartouche keystones. The top story has round-arched windows with keystones and is capped by a copper cornice with egg-and-dart and patterned motif moldings.

Usually planks were used, staggered to form a plaster key (fastening). They are spiked or pegged together at the corners, windows, doors and other spaces. At the corners of the south (front) facade, wooden Doric pilasters, their capitals starting at the architrave line created by the simple wooden lintels on the second-story windows, frame the building. Above the windows is a wide frieze where paired brackets support overhanging eaves.

Heart Shaped Coquina Stone. The interior of the building features a large centrally located primary room, the auditorium, with secondary rooms flanking it and adjacent to the rear of the building. The auditorium's walls are irregularly shaped coquina stone and the window apertures are topped with coquina stone jack arched lintels. WPA workers created two interesting sculptured coquina stones as one is a heart and the other a dog head shape.

Over the window, there is an attribute of Apollo - a bas-relief in the shape of a lire braided with a twig. The building is covered by a high mansard roof with dormers and a turret. The vestibule is entered by three semi-circular portals over which windows were located and decorated by lintels of windowsills and dripstones. Over the central portal leading to the theatre a metal marquise is placed.

The upper floors are three bays wide, with rounded-arch openings housing sash windows on the second floor, and rectangular openings on the third. The third-floor windows have bracketed sills joined by brickwork, and also have joined decorative lintels. It shares a simple modillioned projecting cornice with the building to the south. with All four of these buildings were built beginning in 1865, after a fire devastated Augusta's downtown.

Courthouse, 1905 The Chippewa County Courthouse is a three-story Second Empire built of cut stone. The original courthouse was a rectangular plan; the 1904 addition made the whole structure into a T-plan. The Second Empire architectural style is consistent between the original courthouse and the later additions. The stone walls are thick, and the building features a contrasting, red-colored stone in beltcourses, quoins, lintels, and entryways.

The house itself is a clapboard-sided stricture with five sections. Its main block is a two-story rectangular structure with a gently pitched hipped roof pierced by a square central cupola. Both it and the house itself have wide overhanging eaves supported by paired brackets. The four-over-four double-hung sash windows are flanked by louvered wooden shutters and topped by wooden lintels with miniature brackets.

The porch is also decorated with a spindled frieze and brackets. Its sash windows are framed by bracketed sills and lintels. The house was built about 1894, during a westward push of triple-decker development in the city which began to penetrate into the more fashionable and upper-class western residential parts of the city. Early residents were typically Irish, and either white-collar or skilled blue-collar laborers.

The gabled roof is clad with corrugated iron over a frame of poles and pit-sawn beams although the battens have been renewed. The walls are higher inside than outside and are formed around the roof beams and door lintels. The end wall to the rear contains a chimney that has been repaired with brick at the top. The interior of the structure has been limewashed and has a timber floor.

The depiction in the Weltchronik also shows material being carried up a wooden ladder. Normally the entrances were so narrow and the lintels so low that only one person at a time could enter the interior of the building or tower. The elevated entrance of Tirol Castle is, however, about 1.25 metres wide and over three metres high. The gateways are generally designed as round arches, more rarely as Gothic arches.

The stones are of various sizes and shapes and laid in courses. The double end chimneys are found on only two other stone houses in the county, and the Slye and DeFries houses have them constructed in brick. with Also similar to the DeFries House is the use of jack arches instead on lintels above the windows and doors. It is possible that both houses were constructed by the same stonemason.

Above it is a molded stone cornice and frieze, carved in foliage and flowers, which extends around the towers. The windows are complemented by two dormers similar to, but larger than, the tower dormers. The next three bays have a single window on the first and second story with cartouches at the lintels. Above the second story is a wide frieze with cornucopia, shells, torches, flowers and other foliage.

The main building was constructed between 1854 and 1856 in the Greek Revival style. The three-story building has a rectangular plan that includes a square bell tower (belfry) centered above a gable-fronted main entrance. The gable roof includes a triangular-shaped wood pediment above the third-floor windows. The building's windowsills, lintels, and corner quoins are finished limestone, which contrasts to the rough-hewn stone walls.

The bays are divided by brick piers, and each contain banks of four double-hung windows on each floor. The piers are finished in brick with stone trim at the second/third story level. The windows have limestone sills and cast-stone lintels. The corner of the building is open at the first floor, with a drive for cars to enter the parking ramp behind the main facade.

Windows on the second floor are topped by peaked lintels. The northern section has a more elaborate facade fronting F Street, which serves as the main hotel entrance. At its center is a five-bay entrance pavilion, with an arcaded recess above the entrances framed by Corinthian pillars and pilasters. The building's public interior spaces on the south side exhibit characteristics of Robert Mills' design, including barrel-vaulted passageways.

Since 2000 the gallery has been housed in the Pyrsinella Mansion at 1 Korai Street & 28 October Street in Ioannina. This is a neoclassical building dating to around 1890. Neoclassical elements include the lintels, balcony corbels and window frames. It was built by the engineer Vergoti for the bibliophile and art lover Basil Pyrsinella, who was mayor of the town for many years in the 1920s and 1930s.

The windows have granite lintels and sills, and the cornice is studded with Italianate brackets. The sides of the building have six bays of windows on each level. The interior of the building as built housed four units, two on each floor. Much of the original woodwork from the building's construction has been preserved, despite a variety of uses and the addition of indoor plumbing to the building.

Stylistic details include common bond masonry, small two-over-two sash and sandstone lintels and sills. Theodore Hamilton, former mayor of Augusta, conveyed lots 4 and 5 in Square 19 to Lewis B. Wells In 1858. Wells paid $575 for the property and sold it to Anderson D. Keith for $900 in 1864. Keith, a native of Virginia, was listed in the 1850 census as one of four Augusta physicians.

In the front, along Avenida da Boavista is a similar granite wall, but of smaller dimensions, surmounted by iron grate. The rectangular building with basement, is two-storeys with mansard roof. A simple plan, the principal facade (oriented to the Avenida da Boavista) includes porch fronted by staircase and defined by balustrade in granite. Flanking this portico are windows on the ground and second floors framed in granite and curved lintels.

Windows on the second story's central projection are one-over-one double-hung sash windows with transoms and sandstone sills and lintels. In the middle two the words "Hotel" and "Jerome" are carved. They are recessed slightly between brick pilasters with sandstone bases and capitals with decorative carvings. On the flanks the windows are set in round segmental arches laid with several rows of splayed brick and topped with brick voussoirs.

The Elwood Adams Store building is located on the west side of Main Street in the northern part of Worcester's downtown area. It is a four-story masonry structure, its facade crowned by an Italianate wooden cornice. The ground floor consists of two storefronts separate by a brick pier, although these have for many years functioned as a single establishment. Windows are set in rectangular openings with stone sills and lintels.

The Victorian eclectic style house is located on a bluff overlooking the Mississippi River. Its exterior ornamentation incorporates multiple stylistic elements, and is composed of Baltimore pressed brick that was laid in a running bond. It features red granite columns with limestone capitals that flank the main entrance, limestone window sills and lintels, a tin and limestone cornice, and a slate hip roof. Towers project from the east and west corners.

A single-story porch extends across the front. The first two levels of the tower have bay windows in front, while the third level has smaller sash windows on all four faces. The building's roof line is decorated with Italianate brackets, and windows are capped by carved lintels with entablature. The property also includes a period carriage house, which is joined to the house by a single-story ell.

All the wings would have high windows, set apart with deep reveals. Pilasters high topped by non-load bearing lintels would help screen the bays created by the wings. The entire two-building structure would have a uniform cornice line, be five stories tall, have a limestone facade, and have of internal space (of which the railroad building had ). A two-story penthouse contained mechanical and HVAC systems.

The David B. Colwell House is a two-and-one- half story square brick Italianate house with a small, one-story addition constructed some time in the twentieth century. The front facade has a Classical gabled portico over an entry door with sidelights and an entablature. The windows on the first and second floor are four-over-four double hung sash units, placed symmetrically. Windows have stone lug sills and lintels.

1Capon, Alan R. and Haylock, Margaret E. (1982) More Stories of Prince Edward County Picton:Mika Publishing Co. p.33 French, Orland (2013) ‘’Wind, Water, Barley & Wine: The Nature of Prince Edward County’’ Belleville: Wallbridge House Publishing. p.109 The corners of the building are set with large tooled limestone quoins. The front of the building features wide Venetian windows with splayed stone lintels above a stone band course separating the storeys.

The main entrance is at the center, flanked by sidelight windows and topped by an entablature and granite lintel. Windows are set in rectangular openings, with granite sills, and granite lintels on the first floor windows. The street-facing east facade has a pedimented brick gable with a deep recess at the center and ogee crown moulding along the rake edge. The house was built by Charles Graham about 1836.

The south entryway, originally the building's main entrance, showing restored granite lintels in 2009. The vintage barbershop is to the left. Contemporary Chicago critics considered the building too radical a departure from Burnham & Root's previous designs and too extreme in its stark simplicity and disregard for prevailing aesthetic norms, calling it an "engineer's house" and a "thoroughly puritanical" example of commercial style. European critics were even less approving.

The windows and the doors feature curved wooden lintels and flat enframements. The house is capped by a low hipped roof with a plain, unbracketed, wooden cornice. The south side of the house features a two-story polygonal bay that has a bracketed cornice above the main floor bay. The single-story screened porch on the south side and the chimney of rock on the rear are later additions.

At the edge of the frontispiece, is a diamond frame, at the level of the high-choir, while at the belfry there are three faces with rounded archways. The bell tower is also decorated by cornice and surmounted by a bulbous cupola. Access to the belltower and upper body is made from an exterior staircase. The lateral doorways have cornices are loose from the lintels, while overhead there are complementary windows.

Arched brick lintels are used over the windows and doors. The sashes, doors, sills, shutters and frames are original, made of cypress wood.Smith, Philip H. General History of Dutchess County from 1609 to 1876 inclusive, self, Pawling, NY 1877 alt=A room with wooden benches and paneled wood and plaster walls with an iron stove in the middle. An exhaust pipe leads out from the stove to the left.

The bays on either side of the door each contain a large window with decorated panels below and a transom topped with a stone lintel above. The second story has four sash windows with stone windowsills and decorative brick arches highlighted by a string course. The windows of the third floor have stone sills like the second floor but flat brick lintels. Above this are panels and pilasters of corbelled brick.

The Rambo House is a two-story, three bay, transitional Greek Revival/Italianate frame house. It is also two bays deep and has cornerboards that terminate in molding under the broad eaves and large brackets of the hipped roof. The main entrance is located in the center bay and it features a triangular pedimented lintel. The windows on both floors are tall with straight, molded lintels and flat enframements.

The house's main block has a five- bay front facade, articulated by brick pilasters with granite capitals. Windows are rectangular sash, set in openings with granite sills and lintels. The window above the entrance is a three-section window, with narrow side windows in the Palladian style. The entrance is recessed in a rectangular granite-lined openings, with flanking sidelight windows and round columns, and a large transom window above.

Amado: Heavy wooden storm doors on the exterior of the house that slide away during day time to allow light and air into the interior Fusuma: Heavier sliding doors made from opaque paper on a wooden frame. - used as room separators often decorated with seasonal scenes. Nageshi: Wooden runners in which sliding doors run. Ranma: Fretwork panels which sit above the door lintels and allow air to circulate through the house.

The brickwork has been repointed in recent times in a poor fashion. Mortar has been left on many bricks. Steel lintels are also corroding and sagging above window and door openings and require urgent attention. Some intrusive and ugly items have been added to the western side of the Kiosk, including a sign, the deteriorating lattice screen across the porch, a storage tank, electrical meter board and electrical conduits.

The second-floor windows have stone lintels. The building's primary façade is the southwest corner, which is angled at 45 degrees. The main entrance is set into a stone entryway featuring a segmental arch topped by a parapet and flanked by a pair of tall piers each sporting a bronze lantern. Large windows on the second floor are topped by a series of stone lancet arches supported by stone corbels.

The Hill Mansion stands at the southwest corner of State and Green Streets, between Augusta's downtown area and the state capitol complex. It is a large three-story masonry building, built out of yellow brick with granite trim and a granite foundation. Its roof has a projecting cornice with modillions, and its corners have granite quoins. Windows are generally sash set in rectangular openings, with granite sills and keystoned lintels.

Windows on the upper levels are sash, set in rectangular openings with granite lintels and sills. There is a modest brickwork cornice, laid to resemble dentil moulding, below the roofline. The block was built in 1853 by Samuel Rankin, a descendant of one of the area's first European settlers. Its location was near the center of the city's shipbuilding industries, and replaced an earlier commercial building destroyed by fire.

The Michigan Central Railroad depot is a single story Richardsonian Romanesque structure constructed from fieldstone on a fieldstone foundation. Stone slabs are used for the window sills and lintels. The steep roof has a gable at one end and a hip roof at the other. The front facade has a central entrance reached from a broad porch, flanked by building extensions of the freight room and waiting room.

The Peter Smyth House is a historic house at 1629 Crossover Street in Fayetteville, Arkansas. Built in 1886, it is a regionally rare example of a small stone cottage built in a traditional central hall plan. The house is built out of coursed sandstone, and has finely-chiseled lintels and sills for the openings. The front facade is five bays wide, with a center entry flanked by four sash windows.

Watson, A. and Scott, R. (2016). "Materialising Light, Making Worlds: Optical Image Projection within the Megalithic Passage Tombs of Britain and Ireland." In The Oxford Handbook of Light in Archaeology (Papadopoulos, C. and Moyes, H., eds.) Oxford: Oxford University Press. While the majority of passage tombs may have lost their lintels and roofs it is possible to consider the views that may originally have been projected into their chambers.

Dundee Methodist Church is a historic Methodist church located at Dundee in Yates County, New York. It is a Gothic Revival style brick and frame structure built in 1899. The entrance features a paneled double door surmounted by a large, stained glass, Gothic arched transom light trimmed with splayed brick lintels. Note: This includes and Accompanying two photographs It was listed on the National Register of Historic Places in 2004.

The minaret is at the southwestern corner of the prayer hall bridging over a street. The mosque is entered through a door situated in the qibla wall, near the minaret. The prayer hall is formed by three rows of stone pillars, running parallel to the qibla wall. The pillars are all by wooden lintels, which in turn support layers of stone that are roofed by mud- plastered acacia and palm trunks.

Windows may be paired and set within a semi-circular arch. They may have square lintels and triangular or segmental pediments, which are often used alternately. Emblematic in this respect is the Palazzo Farnese in Rome, begun in 1517. Courtyard of Palazzo Strozzi, Florence In the Mannerist period the Palladian arch was employed, using a motif of a high semi-circular topped opening flanked with two lower square-topped openings.

The main entrance is set under a broad modillioned pediment, which is supported by four pilasters, with wide sidelight windows between the outer pairs. First-floor windows are framed by pedimented lintels and bracketed sills, while the second-floor windows have flatter cornices. The main roof line is modillioned, as is the gable above, which has a round window at its center. The interior follows a plan known in Charleston as a "double house".

The second and third floors each have five windows, each with granite sills and lintels. Three gabled dormers project from the roof, and chimneys rise from the side walls. 2013 photo The block was built in 1845 by William Taylor Glidden, a prominent local ship's captain and merchant. Soon after building it, Glidden took on as a partner in the building Algernon S. Austin, a blacksmith who was involved in the locally prominent shipbuilding industry.

The Erastus Bolles House is a one-and-a-half-story wood-frame building on an L-shaped floorplan. Its design is extremely simple. The low-pitch gables lack the pediment returns of high Greek Revival, but the style is manifest in the overall massing, the six-pane double-sash windows with straight sills and lintels, and the narrow clapboard siding. The main entrance is offset to the right edge of the front façade.

The older, lower, part is constructed from simply dressed limestone and pink marble and has eight pillars with capitals of interlacing plant design. There are no arches in the lower level, the pillars merely supporting simple stone lintels. There are three simple slit windows in this lower section. The upper portion of the apse dates from the latter half of the 16th century and has nine square columns with arches above resting on simple capitals.

All windows on the façade have recessed lintels filled with stucco. A denticulated cornice with ogee modillions is repeated on the rear of the house, an unusual feature for an early 19th-century country house. The main portion of the house has two rooms on either side of a central hall on both floors. The house originally had a detached kitchen; it was rebuilt in 1873 to be closer to the house and later joined.

To one side was a recessed entrance to the staircase leading to the upper floors. The store entrance was through wooden double doors with transom lights above. The second and third floors contained rock-faced window facings, lintels, and sills, above which were bands of sawtooth brickwork extending across the facade. On the fourth floor, more galvanized Iron trim surrounded the windows, as well as "bat-wing" and keystone trim between the windows.

Since then, an attic was also added, and the "new wing" was added, changing the building from L-shaped to the shape of a lop-sided U. The building is slightly raised from street level. The windows on the ground floor are arched, on the upper floors straight capped with lintels. The ceilings in the ground floor are vaulted; in the upper floors flat. The stairwell inside the "old wing" contains a cast iron handrail.

The farmhouse is set on the east side of the road facing west, and is a 2-1/2 story brick I-house with Greek Revival features. Doors and windows are set in openings with marble sills and lintels. The main entrance is flanked by sidelight windows and topped by a transom window with X-shaped dividers. A wood-frame ell, like the main block topped by a gable roof, extends to the rear.

A water table of granite extends around the main floor, its slabs serving as lintels for the partially exposed basement level openings. The building corners have granite quoin blocks, and the main roof line features a two-stage cornice with returns at the gable ends. The interior has wooden floors and plastered walls. The school was built in 1841-42, its stonework executed by William and Robert Channel, local farmers and stonemasons.

The armory's entrance On May 30, 1893. a three- ton Berea sandstone foundation block was put in place by Colonel John Frazee. The main portion of the building is four stories high, and the most notable feature is the five-story tower on the northeast corner of the building. The tower has '3 x 5' foundation blocks, the main entrance corners and the front window lintels are all of solid rough-hewn sandstone.

The Spinden Correlation would shift the Long Count dates back by 260 years; it also accords with the documentary evidence, and is better suited to the archaeology of the Yucatán Peninsula, but presents problems with the rest of the Maya region. The George Vaillant Correlation would shift all Maya dates 260 years later, and would greatly shorten the Postclassic period. Radiocarbon dating of dated wooden lintels at Tikal supports the GMT correlation.

The high-ceilinged Warwick Building was used as a depository for Whiteleys-sourced furnishings (grand pianos, chaise longues, oriental room dividers, mahogany wardrobes) for the use of customers who were resident in the colonies. Kensington Village now consists of a blend of modernised Victorian buildings, such as the Warwick Building, and modern additions such as the Pembroke Building, built in a similar style with London stock brick and red lintels and full-height glazing.

Wat Ek Phnom is an angkorian temple located on the left side of the Sangkae River at the small creek of Prek Daun Taev northwest the G Peam Aek spot approximately 9 km north of the city of Battambang in north western Cambodia. It is a Hindu temple built in the 11th century under the rule of king Suryavarman I. Although partly collapsed and looted it is famous for its well- carved lintels and pediments.

The pit is lined with rectangular blocks of sandstone with stone lintels above. This method of construction suggests a trench was dug from the pit to the bank, lined and capped with stone and backfilled. It has been suggested that the Privy pit was originally designed to be washed out with each high tide. This is now difficult to interpret due to the changes in the shore line contours that have taken place over time.

The three upper windows to the Lhakhang incorporate standard Tibetan details creating the lintels to the openings and painted black. The Lhakhang doors have embossed knobs and are decorated with Tibetan inscriptions. A pair of carved images fixed to the Lhakhang's inner doorjambs are said to be Dvarapala or guardians to the temple. The Head Lama's Quarters and Kitchen Structures housing the Head Lama's quarters and the gompa's original kitchen enclose the courtyard.

The building's decorations includes an arched entrance and stone window sills and lintels; its relative lack of ornamentation signifies the shift away from the elaborate features widely used earlier in the Victorian period. The first floor of the building was used for the bank, while the second held private professional offices, a common configuration at the time. The bank was added to the National Register of Historic Places on February 16, 1996.

The inscription on the frieze of the principal facade, decorated in phytomorphic elements in bronze, is the title TEATRO CIRCO. The flanking sections of the principal entranceway, also in granite stone, include three arched doorways surmounted by three rectangular windows and sill, with decorative motifs on the lintels. The south facade, is marked by three arched doors, similarly topped by wrought iron balcony, with rectangular windows and sills with decorative lintel motifs.

A. J. Hazeltine House, also known as the Honorable Charles Warren Stone Museum, is a historic home located at Warren, Warren County, Pennsylvania. It was built in 1905-1907, and is a three-story, buff brick dwelling in the Jacobean style. It features marble lintels and capstones and wide terraces on two sides of the house. Its builder, A. J. Hazeltine, was a business associate of Congressman Charles Warren Stone (1843-1912).

The F. F. Odenweller-James P. and Nettie Morey House is a historic building located in Des Moines, Iowa, United States. It is a 1½-story frame cottage that follows an irregular plan. It features chamfered corners, Stick Style strips, moulded lintels, beaded corner boards, decorative shinglework, and a small front porch with a shed roof. The property on which it stands is one of ten plats that were owned by Drake University.

The brick was imported from Racine, Wisconsin and sits on a foundation of Batavia stone. The northeast corner featured an octagonal tower, while a round tower adorns the southeast corner. The center of the main (eastern) exposure features a gable with three arched windows. Each of the main floors on the east has three pairs of windows with decorative lintels, although the main entrance takes the place of the central pair on the first floor.

There is an ancient Khmer temple, Prasat Phnom Chisor () (or Phnom Chisor Temple, sometimes referred to just Phnom Chisor) located on top of the hill. The temple was built in the 11th century of laterite and bricks with carved sandstone lintels cambodia-travel.com Phnom Chisor by the Khmer Empire king Suryavarman I,Higham, C., 2001, The Civilization of Angkor, London: Weidenfeld & Nicolson, who practiced Brahmanism. It was dedicated to the Hindu divinities Shiva and Vishnu.

Elizabeth Stubbs House is a historic home located at Little Creek, Kent County, Delaware. It was built about 1866, and is a two-story, three bay, frame and weatherboard dwelling with rear wings. It has a grey slate, concave, mansard roof with gable dormers. It features oversized dentil moldings on the roof cornice and on the door and window lintels, cut out scrolls on the dormers, and patterned square and hexagonal slate roof tiles.

Hancock Town Hall is located in central Hancock, in a rural setting on the east side of Massachusetts Route 43, just south of the town cemetery. It is a two-story wood frame structure, with a gabled roof and clapboarded exterior. The main facade is three bays wide, with a center entrance topped by a corniced entablature. The flanking bays have sash windows, with those on the first floor topped by slightly peaked lintels.

Compression members are also considered as columns, struts, or posts. They are vertical members or web and chord members in trusses and joists that are in compression or being squished. Bending members are also known as beams, girders, joists, spandrels, purlins, lintels, and girts. Each of these members have their own structural application, but typically bending members will carry bending moments and shear forces as primary loads and axial forces and torsion as secondary loads.

The kitchen was renovated as a study in the 1920s but retained an interior balcony. The main block features a projecting bay containing the recessed entry door with fanlight, pilasters and pediment, and a large Palladian window on the second story. The facade's other windows have stone sills and flat arch lintels. The rear, or garden elevation is similarly composed, but lacks the projecting bay, and the door is less elaborately detailed.

The John Glover Noble House is located on the west side of Danbury Road, a short way north of New Milford's border with Brookfield. It is a 2-1/2 story brick building, with a side gable roof and four end chimneys. It is oriented facing east on a rise above the road. It has a five-bay front facade, with sash windows set in rectangular openings topped by splayed stone lintels.

The stone foundation for the canal-operated general store building is to the west of the house and downhill, at the northwest corner of the property. It is , made of stone walls two feet (61 cm) thick. Two window openings face the canal, with bluestone sills still in place. There are remains of sand mold bricks and brick walls along two sides along with some of the original lintels in the debris.

Moses Newell shuttled the building materials including mantels, inside shutters, windows, panelling, doors, and lintels from Boston after he sent loads of butchered meat from the farm to the Charlestown Navy Yard. Bricks were made in a local brickyard in West Newbury, close to where Pentucket Regional High School now stands. The brick walls are three layers thick with no insulation. The main body of the three story house is square with a peaked roof.

117 The walls measure along the face and on the sides, their surfaces interrupted at regular intervals by post stones. Lintels are laid over top, forming nearly symmetrical eaves with the edges of the square slab stones the base rests on. The rectangular surface is covered in square inlaid blocks with a total area of . There are forty round column bases set on square pedestals, each about across and carved from single pieces of granite.

The former Haynes Hotel is located in downtown Springfield, on the south side of Main Street at its junction with Pynchon Street (now a pedestrian zone). It is a five-story masonry structure, built out of load- bearing brick walls with stone trim. The building corners have stone quoining, and the windows are set in segmented-arch openings with bracketed lintels and shouldered and keystoned hoods. The building is capped by a projecting decorative cornice.

Both have since been modified but retain their original metal cornices and segmental- arched lintels. Further east, another Renaissance Revival building, 127 Main Street, was completed in 1885. Its elaborate detail includes two-story brick pilasters supporting a metal roof cornice, and an intermediate cornice supported by cast iron pillars. That same year the Methodists, who had previously held services in a building on Spring Street, outside the district, finished their new church.

The front facade is five bays wide, with the three central bays fronted by a tetrastyle portico featuring four monumental Doric columns. The front doorways on both levels are trimmed with radiating brick voussoirs, with carved marble impost blocks and keystones. The openings are each filled by two sidelights with decorative muntins, and a fanlight around a central door. All of the window openings are enhanced with carved marble sills and lintels.

111 Maple Street stands on the south side of the street, a residential street extending west from downtown Windsor, between Welch Avenue and Preston Street. It is now surrounded by more recent construction. It is a two-story L-shaped brick structure, with a flat roof whose eaves extend well beyond the walls. Its front facade is two bays wide, with sash windows set in rectangular openings with sandstone sills and lintels.

The roof's peak is truncated, the flat top section ringed by a low balustrade. The front face of the roof has two dormers, topped by gabled roofs and covering round-arch windows. The main facade is five bays wide, with sash windows set in rectangular openings, with stone sills and splayed stone lintels. The main entrance is at the center, with flanking sidelight windows and pilasters, and a large half-round transom window above.

The flanking windows, as well as that in the gable above are topped by segmented-arch lintels. The front gable and both side gables have pent roof sections. The principal rafters supporting the roof are bent, a unique adaptation of a medieval Welsh construction technique to the building. The property also includes a burial ground, estimated to have more than 2,000 burials (many of which are unmarked in accordance with early Quaker custom).

This converted the former castellum into a typical convent-type castle. Local stone was primarily used for construction although the walls and certain architectural elements were made of dolomite and limestone. The three-story high, south-west section of the convent building survives to this day. The chapel, which was ten meters wide and had Gothic window lintels and a lancet arch, was located at the southern end of the second floor.

Windows are set in rectangular openings with brownstone lintels and sills. The gable above is fully pedimented, with a Federal style semi-oval window at its center. The house was built about 1825 by Giles Barber, using bricks made from brickyards the operated on the other side of Windsor Avenue. The L-shaped plan is typical of the early Greek Revival, but its simpler styling and pediment window are more typical of the Federal period.

On the second floor are rounded windows, with the central and lateral windows much larger and with lintels. On the final floor includes a triangular pediment dominated by a clock. Similarly, the central and lateral vains include rounded windows, interlaced by square windows. The main part of the building is dominated by a great nave, approximately long, wide and tall, consisting of a lattice of wrought iron and glass, typical of the 19th century.

The 1½-story brick structure was designed in the Romanesque Revival style. It rests on a base composed of rubble-squared stone blocks over a partially raised, full basement. A hipped, cross gabled roof caps the building. Its exterior ornamentation is found in the round-arch doorway with stained glass sidelights and transom; lintels and bands created from carved stone; and gables trimmed in stone containing round-arch windows; and brick corbelling near the roofline.

The Martin and Kibby Blocks are a pair of historic buildings in downtown Lima, Ohio, United States. Erected in 1884, they are brick structures built in the Victorian Gothic style of architecture. Both buildings are rectangular structures, three-stories tall, and topped with sloped roofs of asphalt. Among the decorative elements present on these buildings are brick pilasters next to the main entrances, stone lintels around the windows, and decorative corbelling between the structural brackets.

The main facade is three bays wide, and its first floor is sheltered by a porch with tapered and fluted round columns separated by iron balustrades. Windows are set in rectangular openings that have pink granite lintels and sills. To the rear of the property there is a multi-seat outhouse, built with stylistically similar materials. With The house was built in 1866 for Franklin Johnson, a local man active in real estate.

The women are dressed in typical shepherdess costume. Other traditions are the massacre and the "Judas" celebrated on Easter Sunday in which young people destroy stick figures representing Judas Iscariot made by the locals who hang them from their balconies. Typically houses of Villaralto are characterized by functionality over aesthetics, with granite lintels, and stables and pigsties to store animals. An example of preservation is the splendid Pastor's Museum, opened a few years ago.

The five-bay principal facade faces southeast. The centered, double- leafed entrance door, with transom and sidelights, has a simple Greek Revival- style wood enframement. The proportions and simplicity of a one-story porch with shallow pedimented roof and square posts sheltering the entrance suggest a Greek Revival influence. The four windows on the first floor and five on the second frame 6/6 sash and have plain wood sills and flat wood lintels.

It is at the head of a valley opening south to the sea, surrounded by a ditch over 8m wide and at present 1.8m deep. The fort's walls are up to 5.5 m (18 ft) high in places, 4 m (13 ft) thick at the bottom and 27.4 m (90 ft) in diameter. The inside is reached through a 1.8m passage roofed with double lintels. Staigue represents a considerable feat in engineering and building.

The first floor and basement are finished in granite, with retail storefronts. The second and third floors are identical, with sash windows set between stone sills and lintels, with projecting brick piers at the corners and ends of the section. A broad bracketed cornice tops the structure. The four-story section continues the same styling, the only notable difference being a second-floor loading bay facing Church Street, set under a projecting cornice.

It is a 2½-story structure designed by Chicago architect John C. Cochrane, formerly of Davenport, that features asymmetrical massing and an entrance tower. The house was constructed of red brick, with a hipped roof covered in slate, ornamented eve brackets, decorative gabled dormers, and different window shapes.Svendsen, 10.1. The dormers and gable ends feature round arch windows while the windows on the first floor have wide, nearly flush stone lintels of irregular shapes.

The Alexander Wade House is located south of downtown Morgantown in the city's Chancery Hill area, just east of the junction of Prairie Avenue and Wagner Road. It is a 2-1/2 story brick building, with a dormered mansard roof. Its main facade is three bays wide, with a single-story porch extending across the front, supported by paneled square columns. Windows are set in rectangular openings, with stone sills and lintels.

That bay is sheltered by a Victorian-era porch that extends far beyond the building to the south, with turned posts and a gable with a lattice and fan motif. Windows are set in rectangular openings, with stone sills and lintels. The main gable is fully pedimented, with a Federal style fanlight at the center. A single-story brick ell extends to the rear of the building, with a gabled porch over a secondary entrance.

In 1808 Rattoon sold the property to Richard M. Woodhull of New York City who converted it into a hotel called The Brighton. In addition to building a three-story wing, Woodhull added two stories to the main block. The smaller lintels of the third floor windows indicate the change. During the 1986 restoration, the attic chimneys revealed that the original roof had been only about eight feet lower than the present one.

The sills and lintels of the windows are also of stone. The interior of the first floor has a barrel- vaulted brick ceiling, and has a hallway down the center, separating the jailer's living quarters on one side from debtor's cells on the other. The doors are made of heavy wooden planking with three-foot hinges. A stairway leads to the second floor, which has a series of barred cages at its center.

The recovered portions of this broken doorway show that it also had three bands of carvings above the head of the goddess. This doorway likely was a part of the mandapa. Portions of broken lintels found lying around the site show figures of erotes, in the same style as one finds in the ancient Khoh temples. The recovered fragments in the ruins when put together show that they are incomplete and parts have been lost.

The museum is located on the south side of Main Street in Springvale, opposite Merrill Street. It is a single-story wood frame structure, with a front-facing gable roof, clapboard siding, and granite foundation. Its front (north-facing) facade is symmetrically arranged, with a center entrance sheltered by a bracketed Italianate hood, and sash windows to either side and above in the gable. The windows are topped by heavy modillioned lintels.

The bays are each flanked by pilasters, and are topped by decorative wood panels separated by brackets. A dentillated cornice separates the first and second floors. The second floor has paneled pilasters at the corners, and two windows with carved bracketed lintels, while the attic level has a single window with similar treatment. The building was erected in 1865 by Frank Patten, who was engaged in the manufacture and sale of boots and shoes.

It is a two-and-a-half-story building, three bays wide, of pressed brick, also in Flemish bond, with marble trim. On top is a roof similarly divided between a sloped front pierced by dormers and a flat rear. All windows were six-over-six double-hung sash with brick lintels and stone sills. Its front door also had an elliptical arch atop, but was trimmed in marble and topped with a triangular pediment.

Window surrounds have lintels with entablature and miniature brackets. The house was built about 1857, by Thomas Hamilton, a local businessman. Hamilton had apparently met with some success in his business endeavours, for he was able to build this house, acquire fancy dress, and purchased expensive horses and carriages. These costs apparently overextended him financially, for the house was soon mortgaged and lost, and Hamilton is reported to have died in the poor house.

The Loerzel Beer Hall, also known as "The Brewery" was built in 1873 at 213 Partition Street in Saugerties, Ulster County, New York. It was built about 1873, and is a large three-story, brick building. It measures 45 feet wide and 65 feet deep, and features broad brick gables with lancet openings, a heavy cornice, and decorative cast-iron lintels. Note: This includes and Accompanying photographs It was rehabilitated in 1985.

The Hamilton Millwright–Agent's House is set on the south side of Main Street (Massachusetts Route 131), just near its junction with Hamilton Street in Southbridge's Globe Village. The house stands on a rise overlooking the former Hamilton Woolen Company mill. It has typical Greek Revival characteristics, and is stylistically similar to the Judson–Litchfield House on South Street. It has a doorway with sidelights and transom, and window openings with granite sills and lintels.

Aiken house at Varina, 1861–1869. The two-story residence, built in 1853, is a common-bond brick structure, which has a kitchen at the east side of the dwelling, separated by a long hyphen. It faces the James River, and the river- side of the house has French doors that open to the outdoors. There are five bays and the second floor has six-over-six sash and wooden sills and lintels.

All windows have black shutters, and are topped by lintels with a keystone. The main entrance is sheltered by an elliptical portico supported by four Corinthian columns. The doorway is framed by sidelight windows and an elliptical fanlight, with pilasters rising to the base of the portico top. The house interior features lavishly-carved woodwork in the public spaces on the first floor, including fireplace mantels, cornices, internal window shutters, and the stairway balustrades.

Each section is covered by a hip roof. The main facade is three bays wide, with a shallow project central gabled section supported by paired Doric columns. Ground floor windows are set in segmented-arch openings with limestone keystones, and second-floor windows are set in rectangular openings with splayed lintels and keystones. The entrance is a double-leaf door with flanking sidelight windows and a large semi-oval transom window above.

The smaller exposed basement windows have brick lintels and concrete sills. Stone is used for the water table, except on the chimneys where it is replaced by stacked brick, and the sills on the upper windows. A cornerstone at the northeast reads "1916". The window strips themselves, trimmed in wood, are units of five tall four-over-four double-hing sash windows on the upper two stories and shorter two-over-two at the basement.

Above the main entrance is the marquee. Its flat top has another iron railing; illuminated lettering on it spells out "Music Hall" on all three sides. Two terra cotta belt courses with paneling between set off the second story, with large corbels on the corner towers. The upper one forms the sill of the one- over-one double-hung sash windows with painted wood surrounds and glass transoms topped by terra cotta lintels.

Terra-cotta panels on the second include a lyre, laurel leaves, and violins in bas relief. Terra-cotta panels above the third-floor windows contain the words "Attucks High School" inscribed in Old English typeface. Windows along the main façade are grouped in threes (a pair of smaller windows on either side of a double window). A belt-course runs across the entire main façade above the first-floor lintels and windows.

Many of its impressive Italianate architectural elements, such as the ornamental cornice and carven stone lintels, can be distinguished from far away, especially as the house is surrounded by farmland rather than woods. Porches are located on both sides of the house's front of the house, with a two-story bay window placed in the middle of the facade. Chimneys stand at the tops of both side walls., Ohio Historical Society, 2007.

This barn was built by one of them, but it is unknown by which one. with It was built with locally quarried limestone. It is attributed to David Harris because the following elements of his work are found here: a rectangle plan that is asymmetrical massed, two-against-one broken bond, and textured surfaces on the quoins, jambs and lintels. The barn was listed together on the National Register of Historic Places in 1993.

A similar red stringcourse above the windows separates the stone facing from smooth light tan stucco. It in turn is separated by another red stringcourse from a section with light brown panels and the same window treatments as the first storey. The course doubles as the sill line for the windows; another one serves as their lintels and marks off a division the same as the one below. The third storey has the same treatment.

The main entrance to the house is located in the main part, in the middle lower part of the front facade. The main part has the majority of original parts from the 1840 house. It has the original four-panel wood door, a four-light transom, a smooth stone sill plate and a lintel. The windows are double hung and have 12 plates in each section, as well as sills and lintels.

37-39 North Street is a two-storey building constructed from sandstock bricks with sandstone lintels, sills and verandah flagging. There is a cellar beneath the house. It has a number of out-buildings. Along with the North Street residences, the facades of the nineteenth century buildings are in a similar alignment along North Street and are sited close to the present street separated from it only by a narrow grassed footpath.

In the southerly two of the three bays on the west (front) facade, the windows are set off by plain stone sills and lintels with black wooden louvered shutters. The wide frieze is topped with a dentil molding topped by bead and reel molding. Above the windows are grilles in the shape of Greek keys with hinged windows behind them. The north bay has a small projecting portico sheltering the main entrance.

Davenport Paper Box Co. building The second Sieg Iron Company building The buildings in the district include multi-story wholesale and transfer warehouses, large and small-scale multi-story factories, and small- scale mixed-use buildings. Some of Davenport's most prominent architectural firms contributed buildings. Most of the buildings were built in the Vernacular commercial style. These structures feature segmental brick window arches, stone lintels, and brick corbelling along the cornice line.

Opened in 1940, the red brick depot replaced an 1874 structure. Its Colonial Revival style, popular in the early 20th century, includes stylized quoins, brick cornice and grey stone trim used to highlight the coping, keystones and lintels. In early 2013, the city broke ground on a $2.2 million project to transform the depot into a multimodal transportation center. During the renovation, workers installed new dormers and the open-air waiting room was recreated.

Piers of clustered narrow round columns support arches and an entablature. Windows on the upper levels are set in segmented-arch openings, with bracketed lintels and eared hoods that are joined by a stone stringcourse. The windows in the center of the Middle Street facade are more ornately decorated, and the building has a cornice with paired brackets, and bands of freestone hexagons and quatrefoils between. The Church Street facade has similar but simpler styling.

The brick church has a steep gabled roof and is laid in English garden wall brick bond. The structure, two bays wide and three bays deep, faces east with twin entrance doors in the north and south bays. Each bay is rectangular, surmounted by a Federal-style transom and reached by two stone steps. The nave windows are rectangular, holding twelve-over-twelve lites and, decorated with splayed brick flat arched lintels.

The Davenport House is a Second Empire mansion, located by itself on a city block at the entrance to Saline, surrounded by mature trees. The house is a two-and-a-half-story frame structure with a slate-covered mansard roof and corner tower. It sits on a cut stone foundation, and the exterior contains ornate bracketry, corbels, lintels, and dormers. Two original carriage barns with slate mansard roofs stand behind the house.

The first floor windows are set in openings with slightly arched lintels, and the second-floor windows are set near the eave in the Federal style. The facade details are repeated on the south (ocean-facing) facade, and there are single-story extensions to the sides. The stone for the veneer was all locally gathered. The barn, built in 1954, is a story wood frame structure with a hip roof and a cupola on top.

Finally, the greater amount of mortar using rounds is actually a plus because the mortared portion of the wall performs better, thermally, than the wooden portion. If constructing a house with corners, each course of cordwood should be cross hatched for strength. Near the end, small filler slats of wood may be required to finish the joining or tops of walls. Windows and doors are framed with standard window boxes and wooden lintels.

His building includes many features of the Gothic Revival II style, which was used for many public buildings in the early 20th century ... the projecting central bay, roof castellation, stone lintels with drip molding and arches, the stone course between the two lower floors and a mock stone basement at ground level. A private ambulance company moved into the lower floor after the fire department left the building. They left its features intact.

Clondalkin Round Tower is built on the site of a monastery founded by Saint Mochua/Cronan in the 7th century. It is one of only four remaining in County Dublin, the others being located in Swords, Lusk and Rathmichael. It stands over high and is thought to be an early example as the granite on the lintels is flat. The Viking King Olaf the White built a fort here in AD 852.

18 George Street is a three-storey (split level) Victorian Filigree style gentleman's town house with an attic and additions to the rear. Constructed in 1874 the building has a spacious interior on the ground floor and large bedrooms upstairs. The exterior walls are rendered brick with sandstone lintels, the main roof and the verandah roof have been clad in textured metal tiles. The roof over the rear wing is clad with terracotta tiles.

The stonework on the house is coursed-cut stone that is believed to have been quarried just west of the house. The windows have dressed stone sills and lintels. It also features "high style" elements such as the denticulated wooden cornice. The house is L-shaped with a single story stone section on the back, which is original to the house, capped by a wood frame second floor that was added later.

The building was named for Rev. Samuel M. Irvin, a missionary at the Sac and Fox Presbyterian Mission and a founder of Highland University, which was established to serve the Native American population of Kansas. The two story red brick building is described as an excellent example of the Plains Vernacular style. The facade uses flat stone lintels over the windows and doors, with pilasters and a brickwork pattern on two side.

The style of the house is suggestive of the Late Victorian period when it was reconstructed. The windows are double-hung, wood, six-over-six sash units with stone lintels and sills. The upright section contains a formal double-door entry framed by a slightly projecting square- plan columns and a projecting gable. A second entry is in the wing section, sheltered by a single-story shed-roofed porch with square columns.

The Cleveland Abbe House stands northwest of the White House, on the north side of "I" Street across from James Monroe Park and near its junction with Pennsylvania Avenue. It is a three-story brick row house, built out of red brick and topped by a dormered gable roof. It is four bays wide, with the entrance in the leftmost bay. Windows are rectangular sash, with stone sills and splayed keystone lintels.

Davenport, Iowa architect E.S. Hammatt designed the house. He was also the architect for Lincoln School in Rock Island, as well as Kemper Hall and several additions made to St. Katherine's Hall in Davenport. In addition to the Queen Anne style, the house also exhibits elements of the Italianate style as well. It features a three- story conical tower, stylized shingles, symmetrical fenestrations, window bays, four varied porches, and stone window sills and lintels.

The Taft Brothers Block is an historic commercial building at 2-8 South Main Street, in Uxbridge, Massachusetts. Prominently located in the town center at the corner of Mendon and Main Streets, it is a three-story brick structure, with modest Late Victorian stylistic embellishments. Its first floor has commercial retail storefronts, while the upper-floor windows are set in openings with granite sills and lintels. Brick corbelling marks the cornice below the flat roof.

252-4, fig. 194. and this roof may still be in place. Cyclopean doorways have been studied by Peter Smith,P Smith, Houses of the Welsh Countryside, HMSO, (1988), Map 35 pp 485–6 who shows that they are distributed mainly in Denbighshire and Merionethshire. These massive arched stone door lintels were introduced at a time, probably around 1600, when stone walling was replacing timber framing and may encase an earlier timber structure.

Internally, the building has an unusual exposed timber roof structure made of trusses spanning double beams on timber columns with triangular brackets. The timber boarded ceiling is partially raked, and has pressed metal rosettes. The five-storeyed 1912 brick building occupies the corner of Brunswick and Wickham Streets. Its facade has continuous piers and arched openings to the first and fourth floors, and is trimmed with rendered concrete sills, lintels and insets.

All the rooms have wooden floors, but the entry hall floor is covered with the six-angled bricks. The façade is simple which is common for the architectural style of the age in the Austrian provinces. It exhibits the characteristics of simplified neo-classicist style flat lintels with the imitation of the arches, simple cornice and parapet plates. The front façade has two sections, the central one slightly projecting before the two lateral ones.

The windows are set in rounded-arch openings, with keystoned molded hoods, and bracketed lintels that are joined together within each group. with The block was designed by Francis H. Fassett, then Maine's leading architect. It was built for Reuel Williams, then one of Augusta's leading businessmen and politicians. Although Fassett designed many buildings in Augusta, many of the commercial ones were destroyed in the 1865 fire, and this is the only one to survive.

All joists, cross bracing, lintels, doors, architraves and the staircase are of local red cedar. On the northern side of the ground floor hall is a large living room. The wide timber (hoop pine) floor boards are exposed and polished, the walls rendered and painted dark red and the ceiling is lined with decorative pressed metal of the 1920s era. There are two doors accessing the hall at either end of the room.

The main block is three bays deep, with the main entrance in the rightmost bay on the north side, slightly askew from a symmetrical placement. It is topped by a half-round transom window with a granite keystone at the top. Ground-floor windows are set in rectangular openings with stone lintels, while the upper-floor windows are butted against the roof eave at the top. The structure was built in 1816 by Ira Goodall.

The front (east) facade is built from rock-face sandstone in regular courses, the three remaining walls feature rough-cut stone in irregular courses. Each side wall (north and south) has four windows with round, stone, arched lintels, keystones and stone sills. Each window features a full round arch and a nine over nine sash. Each of the building's four corners is adorned with stone quoins as are all of the windows.

The main mass is rectangular with a gable end facade, a smaller longer wing is attached on the south side has a porch on the west (front). The entry is set to the south of the facade of the main section. The door is flanked by sidelights and has a transom. Simple stone lintels and sills surround the door and six-over-six double-hung sashes of the facade of this section.

Accessed 2010-09-16. the house is built in a mixed architectural style: its structure is the post and beam characteristic of period Greek Revival structures, but the overall shape is that of early Italianate houses. Among its Italianate elements are its cubical shape, a shallow hip roof, and large eaves supported by double brackets. Greek Revival elements include the entrance portico, a large entablature with frieze windows, and sandstone window sills and lintels.

They sit atop a platform reached by staircases of seven steps. The south tower is dedicated to Brahma, the central to Shiva, and the north to Vishnu. Its layout is identical to Phnom Bok which must have been built at the same time. They were built of sandstone; much of their carving and detail has been lost to erosion including the lintels, in very poor condition, that feature garlands and inward-facing makaras.

The former Providence Street firehouse stands on the west side of Providence Street, in a predominantly residential area southeast of the city's downtown. It is a 2-1/2 story brick building, rectangular in plan, with a hip roof and a square tower on the north side. The tower is topped by a pyramidal roof. It has two garage bays set in rectangular openings, topped by sandstone lintels, with a pedestrian entrance to their right.

Second story windows are set in rectangular openings with granite sills and lintels, while third floor windows are in segmented-arch openings with granite keystones and sills. Fourth story windows are also set in segmented-arch openings, but are topped by keystoned granite caps. The facade is capped by a broad cornice and decorative stamped metal entablature. with The block was built in 1902 for Dr. William Mayo, a prominent local politician and businessman.

Above the top floor windows is a modillion cornice, and a coped brick parapet. The entrance door in the central bay has a Gibbs surround with a pulvinated frieze and a pediment. In the other bays on the ground floor and all the bays in the middle floor contain twelve-pane sash windows, and in the top floor the sash windows have nine panes. All the windows have rusticated wedge lintels with projecting keystones.

The two-over-two windows have stone sills and lintels. Small, slightly arched windows are centered in the gable ends. The front porch features turned posts, turned brackets and spindles along the porch frieze and is topped by a metal railing; it extends across the west side of the north ell.Britta Bloomberg, Minnesota Historic Properties Inventory Form, February 1981; copy accessed from Bonde, Totsen, Farmhouse file, State Historic Preservation Office in the Minnesota History Center.

The only later addition to the building is the narthex; otherwise the church, albeit damaged, still retains its original form. The presence of huge lintels finished off using a highly professional technique hints to a usage as an imperial or burial chapel. Pilgrims traversing Anatolia on the way to Jerusalem along an ancient route could readily reach the church. Gertrude Bell (1868–1926), the British archaeologist and writer, photographed and measured Kizil Kilise in 1907.

The Pillot Building, located at 1006 Congress Avenue in Downtown Houston, Texas, was listed on the National Register of Historic Places on June 13, 1974. However, the structure suffered severe damage in the 1980s and collapsed during reconstruction in 1988. A replica of the original building, incorporating some of the original cast iron columns, sills, and lintels, was completed in 1990. The replica was removed from the National Register of Historic Places in 1994.

Corona and Hygeia are an attached pair of large semi-detached mansions designed in the late Victorian Italianate style. Stucco finished with heavily decorated balustered roof parapets and classically derived pediments over the bowed section of the front façade and as decoration over the window lintels. Deep string course mouldings extend around the side elevations. The verandahs at the front and back retain richly decorative iron lace valances and cast iron columns.

All the houses share some identical decoration, painted white on the western three and black or unpainted on 163–65. A brownstone belt course runs across all five between the basement and first story, unpainted on 163–65. The plain lintels, also brownstone, are similarly decorated. The pressed metal cornice at the roofline is the same on all five, supported by rounded consoles faced in acanthus leaves and decorated with round modillions.

Fenestration of the building is regular. There are arched and squared sash windows to the ground floor, with a fixed multi-pane window over the post boxes to the southern facade. There are tan painted, flat arched lintels over the southern facade windows and rendered voussoirs to the western facade. Doors to the building are non-original; however, there are some earlier doors with decorative fanlights located to the western porch side walls.

Repairs were carried out in 2012 by HMDW Architects and PAYE Stonework, due to unsafe, falling brickwork, particularly due to Freeze- thaw erosion in the cold winter of 2009. The scope of work included terracotta replacement across the south elevation and tower, areas of repointing in lime mortar, replacement of steel lintels in the south elevation and the installation of a lightning conductor. The conservation project received the King of Prussia Gold Medal in 2012.

There is photographic evidence that a more elaborate porch once sheltered the entry. The building corners have paneled pilasters, and fenestration generally consist of paired narrow sash windows; there are several projecting single- story bay windows. The octagonal cupola features small windows with segmented- arch lintels. The interior has had some alteration, principally the removal of several walls to create larger spaces, and the closing off of an entry into the kitchen space.

Berrima House is a two-storey random coursed stone building (rendered under verandah on ground floor and marked out in stone work joints). It has a single storey verandah to front elevation with timber posts, scalloped valance and flagged sandstone floor. The ground floor contains three rooms, along with a non-original kitchen extension, while the upper floor has four rooms accessed by the original timber staircase. The windows have stone lintels and sills.

Both portals were provided with ante-rooms between 15th and 16th century. The ante-room in the southern part of the church has a pentagonal floor-plan with a pinnacle on the corner, decorated with an effigy on the bottom (probably the self-portrait of the builder Hans Spiess). The visitor enters the ante room through two pointed portals with linings shaped into torus and cavettos. Above the square door openings there are lintels.

The front facade is five bays wide, with elongated first-floor windows in the Greek Revival style. Windows on the front and side are topped by shallow projecting peaked lintels. The house was built about 1865, a period in which Winchester was early in a transition from more agricultural to suburban residential use. It was first owned by Albert Ayer, a prominent local politician who served for many years in a variety of civic roles.

He bordered a multi-floor, central courtyard using the roof's original, industrial trusses, and hung the courtyard's window façades off of repurposed trusses. Around the building's entrance, Sondresen kept the historic lintels, bollards, and arches. Separately, another architect worked to preserve the mismatched, dilapidated façade. For the externally sourced building materials, Sondresen chose sustainable options to reduce the construction's carbon footprint: reclaimed wood, recycled denim for insulation, and recycled fly ash in the building's concrete.

A two-storey building with a symmetrical front addressing Avenue Road. It has walls of narrow-coursed squared sandstone rubble with more substantial quoin stones, some window dressings and lintels, and basework. There is evidence in the hen-pecked sandstone block finish of former lime-wash finish. The lintel over the wide main doorway appears to be concrete and there is a metal-barred toplight above the transom of the timber double doors.

The Ficke Block is a four-story, brick structure built on a stone foundation. It features many details found in late Victorian architecture: rusticated, semi-circular window arches on the third floor, and flat stone lintels over the paired windows on the fourth floor recall the Romanesque style. A pair of two-story bay windows with embossed garland swags, wrought iron balconies, and ornate cornices reflect the Queen Anne style. The storefronts, however, have been significantly altered.

The John Aborn House stands in a residential area northwest of Porter Square, on the northeast side of Orchard Street between Blake and Beech Streets. It is a 2-1/2 story wood frame structure, with a side gable roof and clapboarded exterior. A two-story porch extends across the front, supported by square posts. The gable eaves have decorative brackets, and the ground floor windows on the front are topped by lintels adorned with small brackets.

This temple was rebuilt between 1814 and 1824. Amba Mata's shrine and the monastery close by are built of fragments of older temples. Over the enclosure gateway is a door of hard reddish stone, carved all round, which from the repetition of Devi on the jambs and lintels may have belonged to a Vaishnav Shakta temple ; sculptured slabs also lie about, and are built into the walls. The adjoining monastery belongs to the Atits of Ajepal.

The Joshua Twing Gristmill is located north of downtown Barre, in an industrial area on the west side of North Main Street (United States Route 302) south of its junction with Berlin Street. It is set between the road and railroad tracks that parallel it and the Stevens Branch of the Winooski River. It is a 2-3/4 story brick building with a gabled roof. Windows are set in rectangular openings, with stone sills and lintels.

The two-story Italianate house is built from cream-colored brick which Brown imported from Milwaukee. The front facade features a central entrance and tall windows with stone lintels. A long front porch originally extended along the facade; while it had been replaced by a smaller porch by the time of the house's National Register nomination, another long porch has since been constructed. The house's hip roof is surrounded by a bracketed cornice and topped by a small cupola.

The flanking sections each have single sash windows set on large expanses of brick, in deep rectangular openings with splayed soldier brick lintels. The third level is separated from the lower levels by a stone stringcourse, and has two deeply recessed square windows in each section. The interior of the house is a marked contrast to its relatively plain exterior. It has high-quality woodwork throughout, with builtin bookcases featuring doors with glass of varying shapes and sizes.

The Frederick Billings House stands in a residential area northwest of Porter Square, on the northeast side of Orchard Street between Blake and Beech Streets. It is a 2-1/2 story wood frame structure, with a side gable roof and clapboarded exterior. A single-story porch extends across the front, supported by tapered round columns. The gable eaves have decorative brackets, and the ground floor windows on the front are topped by lintels adorned with small brackets.

The facade, although it has undergone transformations, conserves the tower-lookout, so usual in the typology of the Toledan house. The basements, of enormous dimensions, maintain their vaults. In the interior has a square courtyard, with four columns on each side and two floors, both of Ionic order, which are lintelled with zapatas and stones lintels. The lower floor has the zapatas decorated with a pinkish tone, and the entablature alternates this decoration with the family's shields.

Formstone is only waterproof as long as it does not deteriorate and separate from the wall. Another preservation issue stems from the application of the Formstone. When it was applied to the exterior façade of a building, historically significant architectural features were often covered up or removed. Features such as cornices, belt courses, lintels, and sills were not only decorative, they were necessary for diverting water away from the building, leading to even more damage from moisture intrusion.

The former Jackson County Jail, also known as the Andrew Jail, is a historic building located in Andrew, Iowa, United States. Built in 1871 by local contractors Strasser and Schlecht, this building is the only reminder that Andrew was at one time the county seat for Jackson County. with The stone blocks were quarried locally and vary somewhat in shape and size. They were laid in courses, and the window sills and lintels are composed of flat stones.

The National Trust hired the civil engineer Professor John Knapton to carry out a third, more comprehensive survey of the monument to assess whether movement had occurred. In 1996 the National Trust said it was spending over £100,000 () to restore the monument. Its columns and lintels had deteriorated and were repaired. Its cast iron cramps had rusted, causing them to expand and stress the monument's stonework—these were replaced with stainless steel cramps bedded in lead.

The William Pinto House is located a short way east of the New Haven Green in central New Haven, on the east side of Orange Street between Elm and Wall Streets. It is a 2-1/2 story wood rame structure, with a gabled roof and clapboarded exterior. Its street-facing facade is three bays wide, with the main entrance in the rightmost bay. Sash windows occupy the other bays, and are topped by corniced lintels.

The elevators are set back in the marble and the original elevator doors are decorative bronze with cast bronze panels featuring an urn motif in the center. The decorative lintels feature egg and dart, dentil and scroll patterns with a modified keystone directly over the elevator doors. The southeast oval-shaped entry lobby contains the main staircase of the building. The finishes of this lobby are the same as the southwest with a couple of exceptions.

The wings each have a circular hole in the first floor; in the middle wing this leads to a pigeon loft, while the others are pitch holes. Internally are 13 stalls with wooden terminating posts in the form of carved Tuscan style columns standing on octagonal pedestals. The upper parts of the columns have semicircular arches leading to carved lintels, the whole structure forming an elaborate screen. At the rear of the stalls are square posts with arched braces.

The windows on the facade have similarly peaked lintels. A secondary entrance is set in an ell projecting to the right side from the rear of the main block; it is sheltered by a gabled hood. The house was built in 1853 by Jabez Townsend, whose family had long owned property in the area. It was part of a once-flourishing community known as Eastview, and Lewis Farwell, the last postmaster of the village, lived here.

The Wyman Tavern is located south of downtown Keene, on the west side of Main Street nearly adjacent to the campus of Keene State College. It is a 2-1/2 story wood frame structure, with a gabled roof, clapboarded exterior, and central brick chimney. Its main facade is five bays wide, with sash windows arranged symmetrically around the center entrance. Second-story windows butt against the eave, while those on the ground floor are topped by peaked lintels.

The David M. Anthony House stands north of downtown Fall River, on the west side of North Main Street between Walnut and Locust Streets. It is a 2-1/2 story brick structure, three bays wide, with a mansard roof, stone corner quoining, and a bracketed cornice. Paired windows are set in rectangular openings, with peaked gable lintels and bracketed sills. The main entrance is sheltered by a porch with clustered columns mounted on square paneled blocks.

Ground floor windows and doorways are topped by splayed brownstone lintels, while the second-floor windows are set close to the eave. The brick is laid mainly in Flemish bond, with a belt course projecting slightly between the floors. The interior has been repeatedly altered over time and little original finish survives. and The academy was built in 1803 by Abraham Jaggars, and is one of only a few surviving early 19th-century school buildings in Connecticut.

The North Wisconsin Lumber Company Office is a historic building in Hayward, Wisconsin. The office was built in 1889 by the North Wisconsin Lumber Company, a prominent logging company in Wisconsin's Namekagon region which was founded by A.J. Hayward and R.L. McCormick. The building's design includes cast iron columns in its storefront, tall windows with arched lintels, and brick corbels and dentils. The office was added to the National Register of Historic Places on May 7, 1980.

It has a steeply-pitched roof clad with galvanised iron, probably replacing earlier shingles, with the end north and south brick walls each culminating in a gable. Almost all the exterior walls have been painted, but a small uncovered section on the east wall shows the dark reddish-brown facebricks and early tuckpointing. The brickwork is a variation of English bond. All the window openings, with their arched lintels, survive, as do the early sash windows.

The easternmost is 66–70 Kent Street, erected in the Romanesque Revival style, with jutting brick header arches above the windows, cast iron lintels above the doors, and iron shutter hinges. The pediments above the latter two sections show the company motif. In the 2010s, the building was renovated into the Kickstarter headquarters, but the architecture remained mostly intact. 72–74 Kent Street, a three-story brick factory in the Renaissance Revival style, was erected around 1904–1908.

Windows are set in rectangular openings, with splayed keystone lintels. The ground-floor windows have paneled shutters, while those on the second floor have louvered shutters; this is a traditional Delaware pattern. The interior has a central hallway with rich decorative woodwork, and there is fine original woodwork in the parlor and dining room, with original paneling surrounding the fireplaces in a number of rooms. William Corbit, a prominent local tanner, built the house in 1774.

The Jesus Marie Convent is a historic former convent located at 138 St. Joseph's Street in Fall River, Massachusetts. It was built in 1887 and designed by local architect and parish member Louis G. Destremps, who also designed the nearby orphanage, school and church. The four story Second Empire brick convent was built as part of Notre Dame Parish. The west facing central tower with its Italianate window lintels is blocked forward and dentils adorn the cornice line.

The house was built, in 1846 for owner Stacy Applegate by mason William Brown. The house was designed in a central passage plan with Greek Revival detailing is the window lintels and door surround. Applegate was a merchant in West Point and operated a large lumber yard which supplied wood to the river steamboats. In 1861, the house was used as the headquarters for Union General William T. Sherman during his troops' occupation of the town.

The former Hall's Tavern is located in the village center of Cheshire, on the west side of North Street (Massachusetts Route 8) north of its junction with West Mountain Road and directly opposite the First Baptist Church. It is a 2-1/2 story wood frame structure, five bays wide, with a large central chimney. Its centered doorway is flanked by pilasters and topped by a triangular pediment. Windows are set in rectangular openings, with splayed wooden lintels.

Several mature trees shelter the house; there are shrubs planted in the front. On the front is a double two-over-two double-hung sash window with battened wooden shutters in the north bay and a single one next to the front door. Wood pillars from benches along either side support the porch's gabled roof. Above the window lintels a pair of wooden courses creates a frieze effect, with arched openings above the windows and the porch support posts.

The building is , located at the corner of East Eighth and Heisel Avenue. It is three stories high, faced in brick laid in common bond, resting on a stone foundation and topped with a flat asphalt roof. Bands of stone run along the slightly skewed south (front) facade at the tops of all six windows on the upper stories, forming lintels to complement the similar sills. The roofline is marked with stepped brick corbels on the south and east.

In the ancient religion of the Vedas, Indra the sky-god reigned supreme. In the medieval Hinduism of Angkor, however, he had no religious status, and served only as a decorative motif in architecture. Indra is associated with the East; since Angkorian temples typically open to the East, his image is sometimes encountered on lintels and pediments facing that direction. Typically, he is mounted on the three-headed elephant Airavata and holds his trusty weapon, the thunderbolt or vajra.

Fabiani's modernist building, based on local architectural tradition, features a white façade with a number of red brick elements. It is adorned with stucco floral motifs and owls, symbolizing wisdom. The building's windows are decorated with steel lintels. The main entrance is surmounted by a clock turret and decorated with a relief of four girls bearing coats-of-arms of the Duchy of Carniola, of the town of Ljubljana and of the businessman Gorup who financed the construction.

The latter additions are completed in stretcher bond and also use continuous lintels. The gable roof of the 1935 structure is clad in metal sheeting, falling to a parapet wall along the south-eastern side and to a central gutter on its north-western side, which also serves the skillion roof of the 1953 extension. The north-western side of this extension has a parapet. The original chimney pierces the gable roof of the 1935 core.

The water table is considered to be of note, as it combines concave and convex styles. White freestone was used for various fittings on the building, and the window arches are of rubbed brick. The windows of the first floor have flat lintels, those on the second story have arches. The exterior stonework has been described as "especially fine"; the rusticated surround of each of the western entries is framed by Ionic pilasters and topped with a pedimented frieze.

The windows in the towers have transoms and stone lintels, and the highest window in each tower features an elaborate stone hood- moulding. A wall dormer on the second story contains three rectangular windows with a circular window above, outlined in stone, framing a Maltese Cross. The garage has a full tower on the western corner which is identical to the two on the main building. The main door is a double door with a semi-circular arch.

The outer bays are taken up by retail storefronts. The second through fourth floors have twelve bays of windows, set in rectangular openings with stone sills and lintels. The fifth floor, separated from the lower floors by a stone stringcourse, has doubled windows in each bay, and is crowned by a parapet. The oldest portions of this large brick building were built in 1851, on the site of the Eagle Coffee House, which had burned down the year before.

The side facades consist of a water table made of granite. The windows on the ground floor contain elaborate entablatures on their frames, while those on the second floor are rectangular with ornate metal railings. On the third through eighth stories, the windows are rectangular and contain voussoirs, wedge-shaped elements, on the lintels at the top of the frames. A colonnade runs along the facade of the ninth and tenth floors, and the eleventh floor contains square windows.

On the north (front) façade the gray and red paneled Dutch door that serves as the main entrance is located in the second bay from the west. It is sheltered by a replica stoop, with a set of small stone steps leading up to it. The windows all have splayed wood lintels, painted red, and paneled shutters in gray and red, matching the door. Between the bays are a set of metal anchors forming the numbers "1767".

A two-story ell extends to the left, with a single-story hip-roof addition in front of it. The tavern was built about 1780, in what was known at the time as Stevens Corner. Its interior retains a number of important period features, including paneled fireplace surrounds, chair rails and wainscoting, and splayed window lintels; the latter is a particularly rare feature in early Rehoboth architecture. The ell was added to the left side in the 19th century.

Both stories above it have nine-over-one double-hung sash between granite sills and lintels in all four bays. In the center of the third story is a three-part semicircular window set in a splayed-brick arch, its middle section two-over- two sash. The restrained facade is countered by a decorative peaked parapet above the semicircular window. It starts with a band of terra cotta panels in alternating circular and foliate motifs between sawtooth brick courses.

Three of the four store fronts have recessed entrances flanked by display windows on both sides, while the storefront left of the entrance is flanked by a window on just one side. A cornice separates the ground floor from the upper floors, which have eight bays of windows. Piers of decorative stonework separate the window bays, which are capped by ornamented brownstone lintels. The roof is slate, with single- window dormers flanking a central projecting pavilion.

The walls are thick and are constructed from terrones (sod bricks) set on a stone foundation. The house has Territorial-style details including wooden door and window trim with pedimented, dentil-patterned lintels. The east wing contains seven rooms with ceilings supported by milled beams, an adaptation of the traditional viga and latilla roof using more modern construction methods. A second zaguan through the center of the east wing has been closed off to form a hallway.

The building was an example of the Romanesque Revival style made popular by Henry Hobson Richardson. Completed in 1902, it featured smooth brick walls, round-arched windows on the second floor and a decorative cornice in brick above. The lower level had large rectangular windows with sills and lintels of roughly-worked sandstone that contrasted with the smooth brick. The corner of the building at Sixth and Main Streets was angled and contained the main entrance into the building.

Other new construction continued in previously established styles. In 1911 and 1913 respectively, new brick commercial buildings went up at 189 and 205 Main in the Renaissance Revival style. Their application differed from those that had gone before. On 189 was a belt course and stone quoins; on the other building all the decoration, including the flat-arched lintels and corbeled cornice, was brick. In 1914, the bank buildings were complemented by the village's own new municipal building.

The mausoleum of president Ahmed Abdallah Abderemane, who was assassinated in 1989 by a presidential guard, is white in colour and includes four tall minarets. The town is known for its palaces and mansions of the 16th and 18th centuries, with a maze of houses with richly carved Swahili carved wooden doors. The doors in mansions have lintels in stone relief work. The stone buildings in the town often have a thatched roof over their terraces.

The five bay front elevation, which is 52 feet in width, has six over six sash windows, one on each level of each bay, surmounted by paneled wood lintels and flanked by white wooden shutters. The length of the home's ell is 87 feet. A one-story porch measuring 65 feet runs along the outer ell. A two- story, enclosed porch at the home's rear was an early 20th-century addition and has been removed by the present owners.

While it does not conform to any one style, it is primarily a combination of the Italianate and the Gothic Revival styles. The Italianate influence is found in the bracketed cornice, segmentally arched lintels, wooden cutout designs over the windows, a front bay window, and the hipped roof. The influences of the Gothic Revival style are found in the bargeboard and the roof line. The house was listed on the National Register of Historic Places in 1990.

The entrance consists of solid, wood paneled, double doors with limestone threshold and glazed transom capped by an arched, limestone label lintel. The windows have limestone sills and limestone label lintels. Windows, except those in the bays and basement, have wood storm windows with mullion set on limestone sill with top radius set in brick header, arched lintel. The second floor front is a duplication of the first floor but with two side by side windows in the center.

Upper floor windows are butted against the eave, with a narrow band of dentil moulding, while ground floor windows and the entrance are topped by slightly projecting and splayed lintels. The entrance flanked by narrow moulding and has a transom window with five panes in the shape of a tombstone. Above the entrance is a three-part window with narrow side windows. The interior is architecturally distinguished, and there is a later ell extending to the rear.

The hotel in the evening The hotel is a rectangle, 36 feet in width by 123 feet in depth, facing east on Cortez Street. The exterior walls are triple wythe red brick masonry, with two entrances, the main to the east and rear entrance facing to the west. Both entrances are centered on their walls. The front of the building has two large picture windows flanking the main double doors, and feature cast-in-place concrete lintels.

WIndows are generally set in segmented-arch openings, either singly or pairwise, with arched stone lintels. The main roof cornice has decorative brick corbelling. and 325px Fisk University was founded in 1865 through the efforts of the antislavery American Missionary Association, and was named for Clinton B. Fiske. The school was qualitatively different from other schools, in that it was designed from the outset to provide a full liberal arts education to its African-American students.

However, it is established that the temple is a contemporary of the Angkor Wat as many similarities have been identified between the two, and also with Phimai temple in Thailand. It is reported to be the first temple built by Jayavarman VII in 1181 AD, opposite to the Srah Srang reservoir. In the 13th century, most of the temples built by Jayavarman were vandalised. However, some of the Mahayana Buddhist frontons and lintels are still seen in good condition.

Five openings through the 18th-century raised path allow the stream through, with flat stone lintels. Further downstream, the roads east from St Brides Major village crosses the Alun at Pontalun, and the road from Ogmore crosses it at the confluence with the River Ewenny, both by inconspicuous modern bridges. The railway, built in 1885, has two bridges over minor roads, and four times crosses the Afon Alun over impressive brick arches in its journey along the Alun valley.

The Atkins and Smith House, at 390 N. 400 West in Beaver, Utah, was built in 1873. It was listed on the National Register of Historic Places in 1983. It was built in two parts, probably both by Thomas Frazer, the Scottish-born local stonemason. The first part was a one-room black rock cottage, with a symmetric window-door-window front facade, with ashlar stonework, and with wood lintels and a Greek Revival style cornice.

Openings on the front facade are rectangular, and topped by splayed brownstone lintels. The front cornice is adorned with dentil moulding, a detail repeated in gabled dormers projecting from the roof. On the exposed side elevation there is a small sash window in a peaked-gable opening in the gable area, with a smaller half-round window above it just below the roof ridge. The interior only retains a few traces of its 18th-century origin.

The college motto is souvent me souvient, supplied by Lady Margaret Beaufort, and written in Mediaeval French. It is inscribed over gates, lintels and within tympana throughout the college, functioning as a triple pun. It means 'often I remember', 'think of me often' and, when spoken (exploiting the homonym souvent me sous vient), 'I often pass beneath it' (referring to the inscriptions). The college shares its motto with Christ's College, Cambridge and Lady Margaret Hall, Oxford.

The S. P. Kerr Building is a historic building on the northwest corner of North Main Street and West Broadway in Winchester, Kentucky. The building is listed in the National Register of Historic Places as a contributing property in the Winchester Downtown Commercial District. Built in 1889, it is a three- story brick building with stone sills and lintels and a rounded corner entrance flanked by rough-hewn stone columns. The building contains about of space.

The block's architecture is an example of a commercial variant of the Victorian style. Among its most prominent exterior details are ornate lintels and stone trim, while the interior features iron posts on the first floor and a staircase of cast iron. Each bay features a cluster of windows, most of which are composed of two or three windows. In 1982, the Union Block was listed on the National Register of Historic Places because of its well-preserved architecture.

The dormer windows have the shape of Gothic lancet points, a detail repeated in a window on the short facade. The ground floor of the building has modern store windows, while the second floor has sash windows with carved lintels above. Photo c. 1878 The building was designed by Portland based architect George M. Harding and built in 1878-79 by Israel Wood Parker of Belfast, when the city was at its height as a shipping and shipbuilding center.

A two-brick water table runs across the front of the main block at door sill level. Steps that would lead up to the centrally located main entrance are missing. All windows on the east (front) facade have wide stone lintels and sills; the main entrance has a round-arched stone lintel with keystone, filled with a wooden fan. The center lintel on the second floor has "1829", the date of the house's construction, carved into it.

The Willard Richmond Apartment Block stands on the southeast corner of Austin and Irving Streets, a short way southwest of Worcester's central downtown area. It is a four-story brick structure, with granite trim. It is basically a mostly rectangular L shape, with a corner missing at the southeast of the building. The street- facing facades have a stringcourse of granite between the partially-exposed basement and the first floor, with another above the first floor window lintels.

The right bay has a clapboarded entrance, which was once an open porch, with an oriel window above. The truck bay openings are topped by granite lintels, and there is a granite beltcourse around the building just below their level. The north facade has a rounded bay section, affording views down the hill. The firehouse was designed by John Ashton, a local architect, who deliberately embellished the building's design with details taken from the neighboring Rollins School.

The old Wadena Fire and City Hall is a rectangular, two-story building of red brick with concrete details. The center of the ground floor façade is dominated by a large, semicircular arch with a raised concrete keystone. This is flanked by symmetrical doors with corbeled concrete lintels topped by smaller arched windows. The second floor is topped by a dentillated false cornice, a decorative panel of bricks in a herringbone pattern, and a crenelated parapet.

The upper floors of the street-facing facades are divided into pairs of bays, separated by brick pilasters. Sash windows are set in rectangular openings, with stone lintels, and stringcourses serving as sills beneath them on the third floor. The building is topped by a decorative parapet surrounding a flat roof. The block was built for Frank Howard, owner of a successful hardware and agricultural implements business, after Howard lost the lease on his existing storefront on North Street.

This 2½-story structure is composed of locally quarried limestone. Its construction is attributed to Caleb Clark, and it is the first mansion built in Madison County. with It features a main entry with a protruding arched, hood mold and a fan-shaped transom, large windows on the south elevation, lintels with cornices, two stone chimneys, a louvred attic window, and icicle-shaped bargeboards. The house was listed on the National Register of Historic Places in 1987.

First floor windows have round-arch tops with keystoned round-arch lintels; second floor windows hae segmented-arch tops. The school was built in 1871–72, and was designed by Portland architect George M. Harding, a leading regional architect of the period. The school is similar to others Harding designed in the years before, and was one of his last public school commissions. The building underwent certified rehabilitation in 1984, and now houses nine residential units.

A two-storey timber verandah at the rear overlooks the yard to the river and is not of cultural heritage significance. The building elevations are face brick in English bond, with the upper level finished in stucco with face brick quoining to the corners and around windows. The bricks are deep red with contrasting pale grey tuck pointing. Windows are large and rectangular with brick lintels and timber-framed, double-hung sashes with slender, moulded- timber glazing bars.

The postal lobby, which is nearly unchanged since building construction, is one of the most significant interior spaces. Two original postal service windows are cased in stained oak with simple scroll brackets and carved lintels. The floor is covered in polished, dark red, terra-cotta tile with a coved base molding. Stained oak, tongue-in-groove wainscot reaches a height of three feet around the perimeter of the postal lobby and is capped by a stained oak rail.

The real grave is in an underground chamber and the false grave in the tomb chamber. The Quranic texts in Arabic are carved, inside tomb chamber, on lintels, arches and also above Jali work on eastern side walls. The extant parapet wall on the roof terrace is embellished with Merlon designs in brick red color evident from the traces. The lower portion of cylindrical dome surrounding the tomb was covered with thick plaster of brick red color.

All three entrance ways are topped with coquina stone jack arch lintels. Affixed signage in black lettering that reads “Bunnell City Hall” is centrally located above the three bay arched colonnades. A shield-shaped date stone plaque is recessed into the coquina stone and it reads “WPA 1937”. The address of the building “200 S. Church” is displayed with affixed signage in black lettering and located at the northern section of the front of the building.

Each are topped by stone lintels, with brickwork filling the rounded arch above. The interior retains virtually all of its original finishes, including woodwork, plaster, and flooring; the original bank vault is also still present. The Mystic Bank was founded in 1833 by a consortium of local businessmen as a service to the local shipbuilding community and the surrounding rural areas. The bank flourished, and was able to build this building in 1856 to accommodate its expanded business.

The Laws-Jarvis House is a historic house at 409 North Main Street in Beebe, Arkansas. It is a single-story wood frame structure, with a weatherboard exterior and brick foundation. Its original form, as built about 1880, featured an L-shaped layout, with central entrance gabled porch supported by slender columns with plain capitals, and windows with pedimented lintels. It has since been altered by an addition to the rear, giving its roof an overall hip shape.

The Ballantine House stands on the west side of Washington Street in Newark, facing Washington Park near its southern edge. It is a three-story masonry structure, built out of salmon-colored Philadelphia pressed brick with sandstone trim and a truncated hip roof. It has an asymmetrical five-bay facade, with a projecting central bay topped by a gable. The left bays have sash windows under shared lintels, while the upper-level right-side windows are set independently.

The tomb has four massive octagonal chhatris on its four corners, and four oblong chhaparkhats in the centre of the four sides. Each chhatri is made out of red sandstone with a white dome and stands on a square platform. The domes are crowned with an inverted lotus or 'padma kosha'. Brackets have been used to support the internal lintels and external chhajja, five on each pillar, making a total of 40 brackets in one chhatri.

The base of the pyramid measures only 13.1 m x 13.1 m and is thus clearly smaller than the surrounding royal pyramids. The building material was mainly limestone rubble, which had originally been used in other nearby buildings and was recycled for this pyramid. Among this material some older offering tables, stele, chapel doorposts and lintels were found. Several of the blocks are inscribed and contain the names and titles of hitherto unknown individuals from the late Old Kingdom.

The Sawyer Building forms the left half of the building. It has a stylistically more complex five-bay facade, with a single storefront on the ground floor, and an entrance to the upper floors to its right, near the center of the combined buildings. Above the storefront, windows are grouped in pairs with tall stone lintels and thinner sills. The fourth-floor windows have segmented-arch openings headed by bricks, and there is a band of corbelling above.

The arches are not connected to the carrying wall, instead placed on bearing arms. The overall weight of the structure keeps these elements together. Some newer building materials, such as wooden lintels, were used, allowing the building to be more flexible and resist earthquakes. Islamic concepts of public and private were satisfied through the narrow slits offering views to (and from) the outside, larger windows on the inside and the north terrace separating the two apartments.

The Substation has a rectangular plan and is constructed in load bearing face brick with rusticated sandstone lintels, arches and base coursing, and is dressed with sandstone top coursing, window sills, and window heads. Brickwork string coursing and corbels are featured near the parapet, which steps up towards the southern end. The parapet features a bullnose course, projecting course and brick end capping. The external brickwork reveals the former outline of the 1904 sandstone buttresses and freestone copings.

Remnant walls have been retained as lintels to allow original plaster ceilings, cornices and ceiling roses to survive. A marble fireplace is located on the northern wall of the main bar and the floors are of timber covered with later linings. The bar area to the east of the hall has been heavily refurbished and little of its early interior is evident. A kitchen, secondary stair and recently refurbished toilet facilities are housed at the rear of the building.

The original section of Lake City City Hall is a two- story brick building with a four-story bell tower. It stands on a limestone foundation, a material also used for the water table, window lintels, and archways. It exhibits an eclectic mix of Queen Anne and Romanesque Revival architecture. Queen Anne elements include the assymmetrical massing, flat brick façade, windows grouped in twos and threes with transom lights, fluted chimneys, and detailing with brackets, dentils, and finials.

What appears to be the main entrance to the barrow, with intricate dry-stone walling and large limestone jambs and lintels is, in fact, a false one. This may have been to deter robbers, although little in the way of value has been found in undisturbed tomb chambers. Alternatively, it could have been a ‘spirit door’, intended to allow the dead to come and go and partake of offerings brought to the tomb by their descendants.

The GFWC headquarters is located southeast of Dupont Circle, on the south side of N Street between St. Matthew's Court and 17th Street. It is a four-story masonry structure, built out of ashlar stone in a Renaissance Revival style. The entrance is in a slightly raised basement level, sheltered by a splayed glass and iron marquee with supporting ironwork brackets. The main floor windows are elongated, with paired casement windows topped by transoms, and keystoned lintels.

The Chick House originally has an "L" shape but additions during the 1890s, 1900s and in 1932 partially filled in the rear of the building, which faces toward an alley. The utilitarian design of the Chick House is accented by simple decorative touches in the Greek Revival style. The style is most overt in the building's symmetry which is particularly emphasized by certain elements. Those include the steeped parapet, its windows, horizontal stone sills and lintels, and dentil moldings.

The columns of a temple support a structure that rises in two main stages, the entablature and the pediment. The entablature is the major horizontal structural element supporting the roof and encircling the entire building. It is composed of three parts. Resting on the columns is the architrave made of a series of stone "lintels" that spanned the space between the columns, and meet each other at a joint directly above the centre of each column.

Cal Jan was built in the 15th century, as were all the other buildings on the same street, and became an important house of Verdú. The lintels of the first floor balconies are an example of early 17th century architecture. In fact, there is an inscription on the façade dating from 1695, which is the year the house was reconstructed. In 1999, the building's conversion to a museum was started, and it was extended and extensively remodelled.

Between the first and second bays from the left is a pedestrian entrance topped by a panel identifying the building. The second floor is relatively unmodified, with groups of windows (2-3-1-2) set under segmented brick arch panels, with granite sills and lintels. The cornice is lined with wooden brackets. The first station in this area was a private company established in 1849, when it was known as Lewiston Falls and was still part of adjacent Lewiston.

A single-story porch extends across the full width of the front; it has square posts rising to arched openings, with low balustrades between. Windows have granite sills and lintels, and there are paired brackets in the corners of the eaves. A period carriage house, also built of brick, stands behind the house. The house was built in 1885 to a design by Jefferson Coburn, a local architect from whom only a few designs are known.

Upper floor and side facade windows are sash windows set in rectangular openings, with granite sills and lintels. The north-facing gable is finished in decorative cut shingles, and has two window bays. The building was constructed in 1865 for James C. and Rufus Lord, dealers in "provisions", and was probably one of the first commercial businesses on the southern stretch of Lisbon Street, near the mills. Its deed restrictions limited its height, and required masonry construction.

Temple IV is the tallest temple- pyramid at Tikal, measuring from the plaza floor level to the top of its roof comb.Coe 1999, p.123. Temple IV marks the reign of Yik’in Chan Kawil (Ruler B, the son of Ruler A or Jasaw Chan K'awiil I) and two carved wooden lintels over the doorway that leads into the temple on the pyramid's summit record a long count date (9.15.10.0.0) that corresponds to CE 741 (Sharer 1994:169).

The building corners are quoined, and the main eaves are studded with heavy brackets and lined by dentil moulding. A two-story gabled section projects at the center of the front facade, housing the main entrance in a slight recess, flanked by sidelights and topped by an eyebrow transom window. The doorway surround matches that of the paired round-arch windows above, with a bracketed segmented-arch top. Windows are rectangular sash, with bracketed cornices and lintels.

He is progressing with his plan to construct a simulated Stonehenge with eight uprights and two lintels. Alexander Thom was of the opinion that the site was laid out with the necessary precision using his megalithic yard. The engraved weapons on the sarsens are unique in megalithic art in the British Isles, where more abstract designs were invariably favoured. Similarly, the horseshoe arrangements of stones are unusual in a culture that otherwise arranged stones in circles.

The Appleton- Hannaford House is located in a rural setting in eastern Dublin, set in a small clearing on the north side of Hancock Road (New Hampshire Route 137) east of Greenwood Road. It is a 2-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. The main facade is five bays wide, with sash windows arranged symmetrically around the main entrance. The first-floor windows have moulded surrounds with slightly projecting lintels.

The Jacob Pledger House is located in northern Middletown, on the west side of Newfield Street at its junction with La Rosa Lane. It is a 2-1/2 story masonry structure, built out of red brick and covered by a gabled roof with end chimneys. Its main facade is five bays wide, with symmetrically arranged windows and a center entrance. Ground floor windows are topped by brownstone lintels, and the entrance has a half-round transom window.

It also reduced the possibility of structural failure. Aside from structural considerations, some veneers are the result of highly skilled masons working within well-developed craft traditions. Recurring veneer patterns may indicate a widespread style used during a particular period, or they may suggest the work of a specific social group or line of builders. Doors and vents often had sills of carefully ground flat stone slabs and lintels constructed from a row of thin wood beams.

However, from the eighth century, more sophisticated buildings emerged. Early Romanesque ashlar masonry produced block-built stone buildings, like the eleventh century round tower at Brechin Cathedral and the square towers of Dunblane Cathedral and The Church of St Rule. After the eleventh century, as masonry techniques advanced, ashlar blocks became more rectangular, resulting in structurally more stable walls that could incorporate more refined architectural moulding and detailing that can be seen in corbelling, buttressing, lintels and arching.

The central section, where the main entrance is located, has a projecting triple-arched single story portico sheltering stairs to the entry doors. The portico is topped by a low parapet, above which are the second story round-arch windows. Three hip-roof dormers project from the central section's roof. Windows are set in rectangular openings on the ground floor, topped by splayed lintels, while those on the second floor are set in round-arch openings.

Two similar glass windows are found in the central bay. Windows in the second floor are topped by eared granite lintels. The city built this firehouse in 1873-74 on land purchased from Daniel Waldo Lincoln, a prominent local landowner. Its architect is unknown; although the city paid the local firm of Earle and Fuller for design services related to fire stations in 1873, the building is stylistically different from the other firehouses built at the time.

Harold Severson, "West Concord House Once Magnet for Region's Movers and Shakers", Post-Bulletin, September 26, 1979; photocopy accessed from Perry Nelson House file, State Historic Preservation Office in the Minnesota History Center. The three finished facades have bracketed eaves extending around them, and plain eaves on the north facade. The building's fenestration consists of six-over-six double-hung sash windows in rectangular openings with heavy lintels. A long wood and stone wing extends to the north.

Unlike both Western and some Chinese architecture, the use of stone is avoided except for certain specific uses, for example temple podia and pagoda foundations. The general structure is almost always the same: posts and lintels support a large and gently curved roof, while the walls are paper-thin, often movable and never load-bearing. Arches and barrel roofs are completely absent. Gable and eave curves are gentler than in China and columnar entasis (convexity at the center) limited.

The United States border station is located at the south end of the Ferry Point Bridge, and just west of Calais's central business district. The main building is a 2-1/2 story brick structure with Colonial Revival style, from which a two-lane metal porte-cochere extends. The building has a side gable roof and corbelled brick chimneys. The building corners have brick quoining, and many of its windows have angled brick-and- marble lintels with keystones.

Its southwest facade includes two doors with rectangular lintels on the first floor and simple window on the second register. In the northwest, the doorway is surmounted by a small decorated gable flanked by four gaps. On the superior register, corresponding to the clerestory of the central nave, with seven-arched openings. On the southeast, is a window with straight lintel and two slits, integrating an apparatus and Roman inscription, while on the second register there are five arches.

By the end of the 19th century, critics pointed out that the bridge was an obstacle to the development and permeability of the city. In 1952–1954, three bridge arches were demolished in the area of Křižíkova Street to improve the throughput of motor vehicles. The newly created gap was bridged over by beamed lintels made of pre-stressed concrete. In 1981 a similar intervention was carried out on the Holesovice side, above the Bubenske embankment.

The archaeological findings testifies the existence of two Jain temples and stupas. Numerous Jain sculptures, Ayagapattas (tablet of homage), pillars, crossbeams and lintels were found during archaeological excavations. Some of the sculptures are provided with inscriptions that report on the contemporary society and organization of the Jain community. Most sculptures could be dated from the 2nd century BC to the 12th century CE, thus representing a continuous period of about 14 centuries during which Jainism flourished at Mathura.

Upper level windows are set in rectangular openings with sandstone sills and lintels, and panels of brickwork between the second, third and fourth levels; a sandstone stringcourse separates the fourth and fifth floors. The building is crowned by a band of brick corbelling and a parapet with a central gable. The building was designed by Stephen Earle and built in 1885. It originally housed stores on the ground floor and a boarding house on the upper floors.

Building constructed of Kapla blocks Kapla is a construction set for children and adults. The sets consists only of identical wood planks measuring 11.7 cm x 2.34 cm x 0.78 cm. This 15:3:1 ratio of length:width:thickness is different than the dimensions used for traditionally proportioned building blocks (such as unit blocks), and are used for building features such as lintels, roofs and floors. They are known for their stability in the absence of fastening devices.

The Keene State President's House is located on the east side of the college campus, on the west side of Main Street at its junction with Appian Way. It is a two story brick structure, with a low-pitch hip roof. Its exterior is Italianate in style, with a symmetrical five-bay facade adorned with elaborate window lintels and a cornice with paired brackets. An Italianate porch shelters the main entrance, supported by clustered square columns.

Elliot Hall is located on the east side of the Keene State College campus, set well back from Main Street north of Wyman Street. It is a three-story brick structure covered by a low- pitch roof, and trimmed in granite. The main facade is symmetrical, with sash windows set in rectangular openings featuring stone sills and lintels. A stone beltcourse separates the first and second stories, and a course of brick corbelling separates the second and third floors.

Windows are rectangular sash, with slightly capped lintels above. The land on which the house stands has a long association with the locally prominent Taft family. As early as 1708 it was the farm of Joseph Taft, who helped oversee construction of Uxbridge's first meetinghouse in 1728-30. It is unclear from the documentary record whether the present house is a surviving element of Joseph Taft's farm, or if it was built by a later 18th-century generation.

The Gloucester Waterways Museum is part of Llanthony Warehouse, Gloucester, built in 1873. Designed by Capel N Tripp, for local corn merchants, Wait, James & Co. It is a six storey red brick building, with a slate roof and stone lintels and sills. The warehouse would have been used for storing timber, grain and alcohol. The building was designated Grade II listed status on 14 December 1971 and was converted to become the National Waterways Museum in 1987.

The entrance opening is flanked by stone pilasters and topped by a stone segmented arch. The first floor windows have stone sills joined by a stringcourse of stone, and a second stringcourse connects the windows just below the stone lintels. The upper floors have six windows, divided into groups of two by brick pilasters. A corbelled brick stringcourse joins the second-floor windows, and the center pair of windows on the third floor have segmented-arch tops.

It is topped by a gabled roof, from which a two-stage square wood-frame tower rises to a cross-gabled roof. Stained glass windows are set in rectangular openings with stone sills and lintels. The main entrance is at the center of the front facade, capped by a stone lintel which bears the building's construction date. with Isle La Motte's Methodist congregation met in private homes and other spaces prior to the construction of this edifice.

The front facade is three bays wide, with the entrance in the rightmost bay, topped by a transom window. Windows are plain sash, set in rectangular openings with stone lintels. The house is all that is left of a larger manufacturing complex built about 1853 for the business of John Parker, which originally included a machine shop, blacksmithy, and foundry. Most of these facilities were damaged or destroyed by a fire in 1889, and were not rebuilt by Parker.

In parallel, the progressive expansion of the beach meant that the fort could be used to support Praia da Rocha, including a restaurant and esplanade. In 1969 an earthquake provoked damages and repairs to the building; in addition to the construction of reinforced concrete lintels, the braces and pillars were consolidated, repairs were made to the wall panels, grouting of cracks and plaster reconstruction were completed and the roofing was repaired, while the doors and frames were all painted.

The Emery Houses are a pair of brick Second Empire-inspired double houses on a high stone foundation. They have slightly different dimensions, with 326-328 measuring roughly 44 feet wide by 40 feet deep, and 320-322 measuring roughly 48 feet wide and 45 feet deep. The apparent mansard roofs are decorative, with the actual roofs being low-pitched slopes draining toward the rear of the house. The houses have stone drip courses, decorative bands, and lintels.

The center bay has a projecting wood-frame oriel window, with a gable in the roof line above. The flanking windows are narrower, with segmented-arch openings that have shoulders and lintels of stone, and arches of soldier bricks. The fire station was built in 1884, and originally housed a school on the second floor, which moved out in 1890. It also had a small lockup in the basement, which was later converted to a boiler room.

The 2½-story brick house features a main entrance with sidelights and other windows that reaches the attic level. It features a blend of wood carvings in foliate and rope designs, and Bedford stone lintels and blocks that are carved with reliefs that reflect an Italian Renaissance influence. The brick color, chimneys and roof style reflect the Tudor Revival style. The house also has large windows with transom and casements that reflect the Colonial Revival style.

It is a 2-1/2 story brick house, with a complex roofline typical of the Queen Anne period. The walls are made of polychromatic (principally red and black) brick, with some sandstone trim elements. Gable ends are decorated with vergeboard, and window lintels are sandstone carved with floral motifs on the first floor, and with sawtooth motif on the second. Eastlake-style posts demarcate windows in the gables, and support the small entry porch on the west side.

The Urban Rowhouse is an historic rowhouse located at 30-38 Pearl Street in Cambridge, Massachusetts. Built in 1874, this was one of the earliest masonry rowhouses to be built in Cambridge. Stylistically, the three story brick buildings are in a Ruskinian Gothic style, with horizontal bands of colored brick, hooded window lintels, a corbelled cornice, and a steeply-pitched mansard roof with gabled dormers. The rowhouse was listed on the National Register of Historic Places in 1982.

A two-storey, stuccoed brick Victorian Italianate post office with a corner clock tower/campanile, and a corrugated iron clad roof. The building is located in a visually prominent position, near a major intersection. The main facade to High Street has a round arched loggia at street level surmounted by a balcony with cast iron column supports. Openings to the windows and doors have heavily moulded arched lintels and quoins are expressed by grooved mock ashlar jointing.

Generally, brochs have a single entrance with bar-holes, door- checks and lintels. There are mural cells and there is a scarcement (ledge), perhaps for timber-framed lean-to dwellings lining the inner face of the wall. Also there is a spiral staircase winding upwards between the inner and outer wall and connecting the galleries.Prehistoric Scotland (R.W. Feachem, 1992) Brochs vary from 5 to 15 metres (16–50 ft) in internal diameter, with 3 metre (10 ft) thick walls.

Most brochs have scarcements (ledges) which may have allowed the construction of a very sturdy wooden first floor (first spotted by the antiquary George Low in Shetland in 1774), and excavations at Loch na Berie on the Isle of Lewis show signs of a further, second floor (e.g. stairs on the first floor, which head upwards). Some brochs such as Dun Dornaigil and Culswick in Shetland have unusual triangular lintels above the entrance door."Dun Dornaigil" The Megalithic Portal.

The Thomas Ayer House stands in a residential area of southeastern Winchester, on the east side of Grove Street, a feeder road through the neighborhood. It is a 2-1/2 story wood frame structure, with a side gable roof, two interior chimneys, and a clapboarded exterior. It has pilastered corner boards, bracketed eaves, and tall windows with projecting sills and lintels. The main facade is five bays wide, with the entrance at the center, sheltered by a portico.

The Church of Porto Covo () is Baroque and Neoclassic church in the civil parish, municipality of Sines, in the Atlantic coast of the Portuguese Alentejo. The church's austere lines is a morphological hybridization of the styles employed during the reign of Queen Maria I. In the widespread typology of regional architecture, the Baroque elements are evident in the lintels and trim curves, framed in a composition that is, generally, more rigid then in the gable design.

The Henry Bissell House stands in a rural- residential area of northwestern Litchfield, north of the borough of Bantam on the east side of Maple Street. It is a 2-1/2 story gable-roofed stone structure, with a rear wood-frame ell. It is built from locally quarried granite, with lighter stones chosen for corner quoining and window sills and lintels. Darker stones were used mainly as narrow horizontal elements, giving the house a distinctive appearance.

The Colburn School is located on the east side of Lawrence Street, between it and the Concord River, in a densely-built residential area south of Lowell's downtown and industrial area. It is a large two story brick structure, rectangular in footprint, with a gable roof with the end facing the street. The gable end is fully pedimented, with modillions in the gable and main cornice. Windows are uniformly spaced, with simple granite sills and lintels.

The windows in the outer bays are set in recessed panels, with marble sills and lintels. The interior lobby space features terrazzo marble flooring, marble wainscoting, and dark woodwork. The service area, located to the right is topped by a mural depicting the city's historic shipbuilding and rum industries. The building's principal designing architect was Arthur Blakeslee, and it was built in 1937 with funding from the Public Works Administration (PWA), following that body's guidelines for design and construction.

He was Treasurer of Edinburgh Town Council 1612 to 1615. He also served as Depute Provost (at that time confusingly termed "Old Provost"). In 1615 he built Coates Hall, later called Easter Coates, then west of the city (now lying between Palmerston Place and Manor Place). The building contains carved stone lintels brought from his house on Byers Close, plus a marriage lintel bearing his initials JB (written as IB in old script) and MB for his wife.

Between the window openings in each bay, there are granite panels, as well as foliated bosses at each corner of the window openings. The outermost bays contain one window each and are framed by more elaborate surrounds, while all the other bays contain two windows each. There are marble panels below the cornice, and single-story engaged columns at each corner of the building. Some of the granite lintels are spalled because they had been burned in the September 11 attacks.

The windows in the bays on either side of the entrance have round-arch tops, while the remaining windows have flat lintels with keystones. The window above the door is a larger window with sidelights, and the gable above has a large fanlight lunette in it. The property includes two outbuildings, each of which have Gothic Revival features. and The house was built by William Blacklock who, on September 24, 1794, purchased two lots in the newly laid out Harleston Village.

The second floor features a single three-part window, with narrow sidelights flanking a larger central sash, separated by Ionic columns; a half-round terra cotta panel above the center window gives the grouping the feel of a Palladian window. The third floor has a central sash window, separated from side narrow windows by brickwork. First and third-floor window bays all feature splayed lintels of terra cotta. This house is where Will Marion Cook lived from 1918 to 1944.

The midsection on the axis is five storeys high with a sixth floor over the entrance used as an observatorium. The entrance porch accessed by wide steps is indicated with colossal columns and high arches. On the upper veranda a distinctive balance and decorative accent pattern is achieved with the lintels of pairs of flat arched dwarf. The classicist fiction of the 'losenge' patterned colonnades in the entrances allow the magnificence of the building to be sensed on a human scale.

The front façade of the house faces a hill to the southwest. It is five bays wide, with the front entrance at the first floor's center bay. Wide double-hung sash windows are uniformly placed on the house's front façade, with four nine-over-six double- hung wooden sashes on the first story and five six-over-six double-hung wooden sash windows on the second. Each window is surrounded by green-painted wooden shutters and white-painted wooden lintels and sills.

It is one of over 217 limestone structures in Jackson County from the mid-19th century, of which 101 are houses. What differentiates this Gothic Revival style structure from most of the others is the "high style" decorative elements such as the vergeboards, and the brackets. with Built in 1871, the 1½-story house follows an L-shaped plan. It features rather small coursed cut stone block with only a slight variation in size and shape, and dressed stone sills, lintels, and watertable.

Recent immigrant Daniel Dayton, seeing a business opportunity in the trail's arrival, built a single-story log building in 1855 in the village of Big Spring, northwest of Harmony. He first provided food and drinks to weary travelers but soon offered overnight accommodations. In 1857, Dayton built a two-and-a-half-story limestone addition to the structure with walls that were thick. Its windows, arranged in a six-over-six pattern, had double-hung sashes, limestone sills, and detailed lintels.

The main distillery building, comprising a brick and timber still house and attached brick spirit stores is the oldest building on site. The spirit store is composed of two joined English bond brick buildings on concrete footings and with modern concrete floors. They have separate hipped roofs clad with corrugated metal sheeting and the interior of the roof of the smaller building has battens suitable for shingles. Both sections have high square windows fitted with iron bars and timber lintels.

The Insane Asylum at the County Poor Farm is a historic building located north of Andrew, Iowa, United States. It is one of over 217 limestone structures in Jackson County from the mid-19th century. Built in 1872, this 2½-story structure is composed of stone blocks that vary somewhat in shape and size, and they were laid in courses. Because of its late date compared with the other historic stone buildings in the county, it features segmental arches instead of lintels.

The Adam C. Arnold Block was a four-story Late Victorian red brick commercial block with a flat roof. It measured thirty feet wide and fifty-one feet deep on one side, and sixty-five deep on the other. The building had a facade with extensive ornamentation, including an iron cornice and iron storefront elements, stone window surrounds, and decorative tile. On the first floor, the storefront held a plate glass windows framed by galvanized iron architectural piers and lintels .

The north (front) facade is centered around the round-arched main entrance, with modern aluminum and glass doors framed by a carved wooden fanlight surmounted by a vertical brick archivolt and keystone. "BALLSTON SPA N.Y. 12020-9998" is written in black lettering above the door. The windows on the front and lobby sections (the front three bays) on the sides have splayed brick lintels, keystones and stone sills. A stone course goes around the building above the top of the entrance archivolt.

The front windows are typical 20th-century windows with six-over-one sash and have splayed wooden lintels and those on the first floor have raised center keystones. Projecting out from the hipped roof are two dormers with shingled sides. The front facade has a one-story porch that runs the length of the face with a half-hipped roof. The porch is supported by six Doric columns that frame the bays and has a wooden frieze with a triglyph above each column.

The walls are approximately thick. It is thought that it had a turf-covered wooden roof. All doors and windows are constructed using lintels, except for one window in the eastern gable, which had an arch.Abandoned Colony in Greenland: Archaeologists Find Clues to Viking Mystery Der Spiegel, 13 January 2009 The window openings are wider on the inside; a detail not found in Icelandic churches, but well known in early churches in Britain which may have been the source of this building type.

Above each doorway is a sash window. Similar sash windows line the sides, with lintels that have slightly projecting cornices. The front of its lower hall has been divided to provide office space for the town and a kitchen, but has retained its original pine flooring, and there are builtin benches lining the side walls. The upper hall floor has been resurfaced in hardwood, and it has a stage with proscenium arch at the rear, which are of uncertain date.

The mostly ruined Black Pyramid dating from the reign of Amenemhat III once had a polished granite pyramidion or capstone, which is now on display in the main hall of the Egyptian Museum in Cairo (see Dahshur). Other uses in Ancient Egypt include columns, door lintels, sills, jambs, and wall and floor veneer. How the Egyptians worked the solid granite is still a matter of debate. Patrick Hunt has postulated that the Egyptians used emery, which has greater hardness on the Mohs scale.

It is also reported that the urge to create these carved sculptures with deep expressions of "vigour and vitality" was inspired from the expressions depicted in the rock cut temples at Ellora and Elephanta in Maharashtra, and Mahabalipuram temples in Tamil Nadu. Such carvings on entrance gates or central part of regular temple lintels have been noted in the Rajeevlochana temple at Rajim and the Lakshmana temple in Sirpur, which were forerunners for to its adoption under the Bhaumakara kingdom.

The main bank entrance led to a lobby wide and deep. The lobby had a barrel vault ceiling of leaded came glasswork, which provided extensive natural light. The lobby walls and pilasters were clad in Italian marble. The pilasters, architraves, door lintels, and pier above the door featured inlays and designs of colored glass, gold, and mother- of-pearl by Tiffany & Co. On the left (east) side of the lobby, a door led to the foyer entrance for the upper floors.

Some historians discuss Structure 23 as Lady Xoc's queen's quarters, and it is often described as a place of great activity. Inscriptions on Lintel 25 have a term carved on it that mean "bee's house". Inomata and Houston believe that this sets up Structure 23 as a place for a woman - the Queen's space. Also, Inomata and Houston report that many of the inscriptions on the lintels refer to it as Lady Xoc's "oto꞉t" which translates from Maya to "her space".

Villa Messina near St. Luke's Hospital, Malta At Gwardamanġa one may find the Villa Guardamangia, a large two-storey building, best known for its elaborate porch which is reached by a flight of steps from each side. The first has a convex configuration over which is a wide elliptical arch. Scroll corbels support the lintels of the sides, while a square-headed doorway is set in an elliptical arched recess. On top of the porch are a series of segmentally arched, louvred windows.

The two six- over-six double-hung sash windows on either side of the main entrance have louvered shutters with stone sills and splayed lintels. Recessed panels top each window on the upper story. On either side of the pediment small gabled dormer windows with eight-over-eight double-hung sash pierce the roof. Side fenestration consists of two windows similar to the front windows at ground level, two small windows on the second floor and a fanlight at the gable apex.

The remains of the 'black balls' mast. The 'Pilot House' was updated with electric lights, adjustments and re-calibration being made to compensate for the silting up of the riverside tank. The system, however fell into disuse in the early 1970s and the building gradually deteriorated to the extent that rain water was penetrating the structure, leading to rot of the upper landing and structure timbers. Settlement of the building resulted in cracks appearing around the window lintels and sills.

The Jenks House is a one-and-a-half-story brick structure with a two-and-a-half-story tower. Its distinctive appearance derives from a combination of three architectural styles. The bracketed square entry bay and cruciform roofline are elements of Italianate architecture while the platform porches, oval stained glass window, and mansard roof on the tower come from Second Empire architecture. The steep gables, finials, stone window sills and lintels, and detail on the eaves all signal Gothic Revival architecture.

The Spaulding House is set on the north side of Main Street, near Norridgewock's town center. It is a 1-1/2 story brick building, with a front-facing gable roof and a rear wood-frame ell, all set on a granite foundation. The south- facing front facade is three bays wide, with the entrance recessed in the right bay. Windows on the first floor are triple-hung sashes, with granite sills and lintels; there are also two windows at the attic level.

In the southern part of the Vriokastro peninsula at a distance of 800 m from the coast and east of the shoal Vina, ruins of a sunken ancient city were found, examined by professor Moutsopoulos in 1969. He spotted a block of buildings with walls up to 2 meters, monolith lintels and stone paved roads. The complex is similar to the prehistoric settlement Poliochne. The ruins were first described in 1785 by Choiseul-Gouffier, who identified with the homeric island of Chryse.

This presumably aided the construction of other fire stations and community infrastructure across the state during the 1930s. The Dalby Fire Station was formally opened on Saturday 16 November 1935 by the Home Secretary Ned Hanlon. It was long and wide and built on concrete foundations and footings with concrete floors on a base of broken stone to the appliance rooms and timber flooring elsewhere on the ground floor. The structure comprised some rolled steel and reinforced concrete components, including continuous wall lintels.

Each storefront has three plateglass windows, with entrance gained via the main building entrance. The upper floors have eleven window bays, those on the second floor set in segmented-arch openings with stone shoulders and keystones. The windows in the outer bays on the third floor are set in rectangular openings with peaked lintels, while two of the center three bays have narrow paired round-arch windows. The last bay, above the main entrance, matches those on the second floor.

The Cochran House is set back from the north side of Burnham Road, just east of its crossing of some railroad tracks. It is a rectangular brick structure, 2-1/2 stories high, with a side gable roof and twin interior chimneys. A large modern addition has been built to the right of the original structure that rivals it in size. The windows are six-over-six sash, with granite lintels, and the center entry is flanked by sidelight windows.

A two-story wing extends further east along the main block, with an angled section joining it to the main block. The exterior is finished in red brick, with limestone trim elements that include corner quoining and window sills and lintels. In several places, dormers pierce the main roof sections, either with a hip roof or truncated hip roof. The estate house was designed by Stephen Codman of Boston, a close friend of George Kunhardt, owner of a textile mill complex in Lawrence.

At the roofline the cornice is machicolated between a corbeled string course. The two-story southwest tower has narrow windows with stone sills, flared brick lintels and a conical roof. The taller northwest tower has similar windows that get much shorter on the third and attic stories, topped by a crenelated parapet and machicolated cornice. On the north and south facades of the drill shed, brick pilasters separate the windows, given a similar treatment to those on the first story.

The tomb, a square chamber, is made of local quartzite rubble with a surface plaster finish that sparkled in white colour when completed. The door, pillars and lintels were made of grey quartzites while red sandstone was used for carvings of the battlements. The door way depicts a blend of Indian and Islamic architecture. Another new feature not seen at any other monument in Delhi, built at the entrance to the tomb from the south, is the stone railings (see picture).

The Joseph Dewey House is located south of downtown Westfield, on the west side of South Maple Street (United States Route 202). It is a wood frame structure, 2-1/2 stories in height, with a gable roof, central chimney, and clapboarded exterior. Its main facade is three bays wide, with a center entrance flanked by pilasters set on tall paneled blocks, and topped by a frieze and gabled pediment. The flanking first-floor windows are also topped by gabled lintels.

The Springfield Fire & Marine Insurance Company building occupies the northeast corner of State and Maple Streets in downtown Springfield, a prominent location opposite Merrick Park the Quadrangle. It is a large three-story masonry structure, faced in limestone. The ground floor is set in wide courses of large blocks, with windows set in keystoned segmented-arch openings. The bays of the upper levels are demarcated by two-story pilasters, with hooded windows on the second level and keystoned lintels on the third.

The Italianate style single family house was built in about 1850 for Charles R. Atwood, treasurer and agent for the Phoenix Manufacturing Co. The house remained in the Atwood family until the 1930s. It is a 2-1/2 story L-shaped, wood-framed structure, with the entry porch at the crook of the L, and a second porch against the left side. The eaves are bracketed, and windows are capped by bracketed lintels. The exterior of the house has clapboard siding.

The building is located near the southern end of the built-up commercial downtown area of Springfield. It is on the north side of Main Street, between the Bangs Block to the east and the Colonial Block located across Crossett Lane. It is a five-story masonry structure, built out of pale brick with red and white stone trim. The ground floor facing Main Street has a modern storefront, while the second floor has sash windows topped by splayed lintels.

It is now used as a venue for concerts, exhibitions and conferences. The building is constructed of red brick, with an iron and glass roof, and stone piers, lintels and corbels. Its entrance is under a high clock tower, while inside lie three large multi-storey halls formerly used as trading floors, with offices and communal facilities grouped around them. The aim of the architect was to modify the styles of the past by emphasizing sweeping planes and open plan interiors.

The Penniman Castle is a two-story, flat-roofed, castle style house with a balloon frame and cobblestone exterior. The house has distinctive octagonal towers at each front corner, a wrap-around porch extending around three sides of the house, a cobblestone porte-cochère, and two second-floor balconies. The windows are one-over-one units with stone lintels and arched stone hoods, many with leaded glass in the upper portion. A single-story garage is attached to the rear of the house.

A stone apron is set in the pavement in front of the doors. On the east facade a single four- paned casement window with sandstone lintel is set in the center of the first story. A sandstone stringcourse runs around the building just below the exposed rafters of the broad overhanging eaves; the central gable of the north facade is set with two narrow arched one-over-one double-hung sash topped by sandstone lintels. The east dormer has a similar window.

A cornice runs around the entire gabled roof, shingled in wood with a brick chimney at the north. The windows have brownstone sills and lintels in front and brick surrounds on the north elevation, consistent with a brick addition on that side. On the south is a flat-roofed porch supported by five wooden columns, running the entire length of that side. A portico, with ten square wood columns, Tuscan capitals, a pent roof and slate-tiled floor shelters the main entrance.

The Palladian window or "Palladio motif" is Palladio's elaboration of this, normally used in a series. It places a larger or giant order in between each window, and doubles the small columns supporting the side lintels, placing the second column behind rather than beside the first. This is introduced in the Basilica Palladiana in Vicenza,Summerson, 129-130 where it is used on both storeys; this feature was less often copied. Here the openings are not strictly windows, as they enclose a loggia.

The Dondy Building is a historic commercial building at 154 South 3rd Street in Batesville, Arkansas. It is a two-story masonry structure, built out of rusticated sandstone in a typical regional style. A portion of the second story is faced in red brick, providing contrast to the lighter sandstone trim elements at the corners and window surrounds. The windows have quoined sides and smooth stone lintels, and there is a band of smooth stone just below the flat roof.

A Dutch-style paneled door almost four feet (120 cm) wide with a six-light transom is located in the center of the ground story. It is sheltered by a small wooden portico with three stone steps leading down to a short walk to the driveway. The first-story windows are topped with splayed wooden lintels painted dark red and incised to resemble flat brick arches. At the roofline the gambrel flares outward slightly, opening up space for a block modillioned cornice.

Original window openings were rectangular, with granite sills and lintels, but several have been altered to accommodate doors, and some bays now have large garage-style doors on the ground floor. The building was built in 1860, with an addition on the north side added in 1868. Its original function was to provide a workshop for prisoners in the adjacent correctional facility. It served in this capacity until the entire prison complex was closed and sold by the state in 1880.

The Colonel James Loomis House is located in the village center of Windsor, on the west side of the Broad Street Green, between Poquonock Avenue and Maple Avenue. It is a 2-1/2 story brick building, with a gabled roof. Its street- facing main facade is three bays wide, with the main entrance in the left bay, topped by a half-oval fanlight window. Windows in the other bays are set in rectangular openings, with stone sills and splayed stone lintels.

150x150px The building at 234 West Larned is a four-story commercial building faced with terra cotta and stone trim, constructed in 1882. The upper three floors are finished with reddish brick, and have three bays of windows with stone lintels separated by pier capitals. The first floor has been renovated with modern tile. From the 1930s through the 1980s, the ground floor building housed the Pontchartrain Wine Cellars where the sparkling wine Cold Duck is purported to have been created.

The internal millworkings are enclosed in a heavy oak frameThe gristmill is a Colonial Revival-style stone building that was constructed in 1933 based on archaeological and documentary evidence. Its rectangular footprint measures by . Its foundation is built into a hillside, with two and one half stories above ground on the north side and three and one half stories on the south side. It is a masonry structure built with sandstone arranged in a random pattern with stone lintels and sills.

Pelhamdale, also known as The Old Stone House of Philip Pell II, is a historic home located in Pelham Manor, Westchester County, New York. It was built about 1750 as a single story dwelling and expanded after 1823. It is a two-story, five bay, stone residence faced in coursed, rock-faced stone ranging in color from muted orange and red, to gray. It has white native sandstone Doric order columns on the front porch, lintels and sills, and a plain brick entablature.

The lintels on the upper stories, clad with terracotta, consist of four parallel wrought-iron beams with a width of between flanges. The lintel beams sit atop iron plates embedded within the masonry of each pier and anchored with a twisted iron strap. Because of the presence of elevator lobbies at the northern end of the building, the northernmost bays on Park Row and Nassau Street are wider. At Park Row and Beekman Street, a 270-degree-wide column rounds out the corner.

Substation No. 15 is an impressively detailed face brick and sandstone double height building designed in the Federation Freestyle. Decorative and stylistic features include a rusticated and moulded sandstone arch surrounding the central doorway, an unusual moulded sandstone gable parapet, contrasting banded brickwork, a patterned brick infil panel, and sandstone intels above doorways, windows and vents. The substation is constructed in contrasting banded brickwork with sandstone banding, gable-parapet and lintels. A rusticated sandstone arch surrounds the main roller-shutter steel doorway.

The structure is noteworthy for containing all original window frames and lintels (except in the dormers)Landmarks Preservation Commission LP-0212 At least until 1971, when the property was nominated to the National Register of Historic Places, the trim was white and many original interior features of the house remained. Some minor exterior changes were made during the Victorian period. The house was added to the National Register of Historic Places in 1972. It is determined to be significant for its architecture.

The Lawrence Memorial Library is a one story, flat-roofed, wood-frame structure with a fieldstone exterior. The original building measures 28 feet by 30 feet. It has decorative lintels formed with small stones set vertically; the front also features a decorative crenelation effect across the top. Two additions are attached to the building: a 1975, 24-foot by 24-foot, "English Tudor" style room on one side, and a 1990, 1300-square-feet Neo-Greek Revival style room at the rear.

Dibnah spent years restoring the property, including building an extension. The house was a listed building and so he had to source appropriately aged bricks for the extension. A vicar offered him some of the old gravestones from the church graveyard, which Dibnah then used to create the stone lintels and mullions, though he later expressed his fear that his property would now be haunted. The couple later purchased the house for £5,000, although it required major repairs to stabilize the rear wall.

The timber shingled roof remains under the corrugated iron sheeting. The former bar has built-in cupboards with small paned glass doors while other door fanlights are rectangular small panes. The kitchen wing forms a separate brick wing and comprises a large centre kitchen with ovens, fireplace, dining room and laundry, linked to the main house by a single verandah. The stables are in the form of a large rectangular building constructed of rubble sandstone and dressed quoins and lintels.

The Judson–Litchfield House is located on Southbridge's south side, on a rise on the south side of South Street. It is a 2-1/2 story brick structure, with a front-facing gable roof. Its front (north-facing facade) is three bays wide, with the entrance set in the right bay recessed in a segmented-arched opening, and windows set in openings with granite lintels and sills. The main gable is fully pedimented, with a louvered half-oval opening at its center.

Eaton Hall circa 1920 Eaton from the Oregon State Capital Four stories tall, the hall is constructed of stone and bricks with a composite shingle roof. Architectural details contain elements of Victorian, Gothic Revival, and Beaux-Arts styles. Gothic elements include a pointed arches on the entrances, embedded towers or turrets, a foundation of rusticated stone, and decorative stone lintels. Located on the north end of campus, it is adjacent to Waller Hall to the west and Smullin Hall to the east.

The Windsor Court House is one of the earliest surviving court house buildings in Australia. Designed in the Colonial Georgian style, it uses an adapted Palladian form with an enclosing front verandah entrance, a climatic adaptation. The building consists of one courtroom with front and back verandahs, ancillary rooms at each corner of the building and a late 19th century extension by Colonial Architect, James Barnet, in a garden setting. Classically inspired details include multi-panelled windows with flat sandstone lintels over.

Windows are generally rectangular, and set in openings with stone sills and splayed brick lintels. The main entrance is set in a round-arch opening, and has a window in a rounded segmental-arch opening above it on the second floor.Driemeyer, Laura, et al (2014). NRHP nomination for George E. Burgess School-Notre Dame High School; available by request from the New Hampshire SHPO The original main block has matching wings extending to the east and west, with less elaborate brickwork.

The church is made of brick, masonry and stonework, with a modern belfry tower at the foot made of plastered brick. It replaced the old masonry and brick tower with a hipped roof and two loopholes in the mid-20th century, as it threatened ruin. There's a gate with a brick semicircular arch on the Epistle side. This is preceded by a portico with an access door with lowered arch flanked on the left and right with openings, lintels to sardinel.

The Port of Latakia, Syria's main harbour. Wadi al-Kandel beach, near Latakia The Port of Latakia (Arabic: ميناء اللاذقية) is the main seaport in Syria. It was established on the 12th of February, 1950, and has boosted the city's importance ever since. The port's imported cargo include clothing, construction materials, vehicles, furniture, minerals, tobacco, cotton, and food supplies such as lintels, onions, wheat, barley, dates, grains and figs, and in 2008, the port handled about 8 million tons of cargo.

The Irish name for this site is Uaimh na gCat which translates as ‘Cave of the Cats’. This is a natural narrow limestone cave with a man-made souterrain at the entrance. Originally the entrance to the souterrain was contained within an earthen mound, which was disturbed by the construction of a road in the 1930s. The souterrain is constructed of drystone walling, orthostats and lintels, and measures a total of approximately 10.5 m from the entrance to the natural cave.

Aitchison College in Lahore with domed chhatris, jalis, chhajja below the balcony, and other features, reflective of Rajasthani architecture. Confluence of different architectural styles had been attempted before during the mainly Turkic, Delhi Sultanate and Mughal periods. Turkic and Mughal incursions in the Indian subcontinent, introduced new concepts in the much more advanced high architecture of India. The prevailing style of architecture was trabeate, employing pillars, beams and lintels, with less emphasis on arches and domes used during earlier Buddhist periods.

The Ishpeming City Hall is a two-story, rectangular structure built of Portage Entry sandstone and brick on a concrete-and-rubble foundation. The main facade has a rounded entry arch, decorative sandstone sills and lintels above and below the windows, and a decorative beltcourse between the floors. The roof consists of two intersecting gables. A square tower topped with a pyramidal roof sits at the corner of the structure and a one-story addition housing the jail has a hipped roof.

The building itself is a two-story L-shaped structure seven bays on the long leg, paralleling Oak Orchard River Road, and four on the short. It is faced in cobblestones, five rows per Medina sandstone quoin, with a hipped roof pierced by a single central brick chimney with stepped parapet walls at the north and west ends. There is a wide plain frieze below the overhanging eaves. Besides the quoins, the sills, lintels, and water table are all sandstone as well.

The windows of the flanking bays are set in rectangular openings, with stone beltcourses serving as sills, and stone lintels above. The roof is studded with dormers, some with round-arch openings and windows, others with center-gable caps and pointed-arch windows. The house was built in 1867 to a design by E. Boyden & Son, and is a little-altered example of the Second Empire style in the city. It was built for Jerome Marble, a dealer in pharmaceuticals and chemicals.

The Russell stands on the southwest corner of Austin and Irving Streets, a short way southwest of Worcester's central downtown area. It is a four-story masonry structure, built out of red brick with brownstone trim. The main facade faces north toward Austin Street, and is five bays wide, with stone beltcourses below and above the first floor. Windows are set in rectangular openings at the first floor, and in segmented-arch openings above, with stone sills and lintels of soldier bricks.

The Union Tavern is located in the center of the rural community of Milton, on the south side of Broad Street (North Carolina Highway 57), between Palmer's Alley and Ler's Alley. It is a 2-1/2 story brick structure, set close to the road, with a gabled roof. Its front facade is six bays wide, with three entrances, each set in a round-arch opening with a fanlight above. Windows are rectangular sash, with stone sills and brick lintels.

The Florida Brothers Building is a historic commercial building at 319 West Hale Street in Osceola, Arkansas. It is a single-story structure, built of cut stone, with a flat roof. Built in 1936 by Thomas P. Florida to house a real estate business, it is a good example of restrained Art Deco styling. Its main facade has a center entry flanked by plate glass windows, which are topped by stone lintels cut to give the appearance of dentil molding.

The main entrance is set in the east-facing short side, frame by pilasters and Tuscan columns which support an entablature and modillioned gable. On either side are two sash windows, which have shared concrete lintels and sills. The building corners are articulated by brick piers, which rise to a band of corbelling and a stringcourse of projecting brick. The building interior is dominated by a central auditorium, with stage at the far end and balcony at the near end.

108–112 The Doric entablature is in three parts, the architrave, the frieze and the cornice. The architrave is composed of the stone lintels which span the space between the columns, with a joint occurring above the centre of each abacus. On this rests the frieze, one of the major areas of sculptural decoration. The frieze is divided into triglyphs and metopes, the triglyphs, as stated elsewhere in this article, are a reminder of the timber history of the architectural style.

CPL Industries with a site off the A61 in Wingerworth, are the UK's biggest manufacturer of smokeless fuel. AvantiGas (former Shell Gas LPG) is off the A6192 at junction 29A at Duckmanton in Staveley. Sandvik Mining and Construction UK are on the Astron Business Park, Swadlincote, near Brunel Healthcare; Keystone Lintels and Keylite roof windows, part of the Keystone Group, are nearby. DSF Refractories & Minerals are the UK's last main refractory company at Friden at the A515/A5012 (Via Gellia) junction.

The Mitchell House stands in the village center of Yarmouth, on the north side of Main Street (Maine State Route 115) between Center and Mill Streets. It is a two- story wood frame structure, five bays wide, with a hip roof, four brick end chimneys, clapboard siding, and a granite foundation. The main facade is divided into three sections, articulated by full-height Doric pilasters. The outer sections each have two sash windows, those on the first floor topped by entablatured lintels.

The College Block/Lisbon Block stands on the east side of Lisbon Street, the main street in Lisbon's commercial downtown, at the northeast corner with Chestnut Street. It is a long four-story brick building, with seventeen bays facing Lisbon Street. It has eight storefronts on the ground floor, each with recessed entries flanked by display windows, and a modest building entrance to the right of the leftmost storefront. The second and third floor windows are rectangular sash, with stone sills and lintels.

Above the entrances are a three-part window on the second floor, and a three- part Palladian window in the third floor. Windows in the other bays are set in groups of one to three, topped by splayed lintels with keystones. The cornice is dentillated and decorated with egg-and-dart moulding. The building was built in 1917, a time when the Asylum Hill neighborhood had ceased to be the city's fashionable upper-class area, and was becoming more middle class and commercial.

In the completely preserved eastern wall of the gable, there are four windows with curved lintels framed by slight relief at the same height. In contrast, the decorative band at the cornice is defined by a deep groove. As water reservoirs for the dry season served in many places caves in the karstic rocks, which are recognizable only at Schöpföffnungen in the ground. In Barischa, a cistern carved out of the massive limestone subsoil with above- ground vaults has been preserved.

The ceiling above the columns is supported by wooden beam lintels which are carved with arch-like and arabesque motifs as well as Arabic inscriptions. Both levels of the gallery give access to the student accommodations, a total of 23 sleeping rooms plus 3 office rooms. On the ground floor, at the far end of the courtyard and across from the entrance, is a small prayer hall which is undecorated (or has lost its former decoration) and has a simple mihrab.

200px The Governor's House is a 2-1/2 story brick structure, with a mansard roof and a granite foundation. Its main block is three bays wide and three bays deep, with shuttered sash windows set in openings with granite sills and segmented- arch lintels. The main (south-facing) facade, has a single-story enclosed porch across its center half, topped by a shallow-pitch hip roof. A two-story wing extends to the rear of the main block, significantly increasing its size.

160°) than the typical Roman semi-circular arch (180°); the overall height from the riverbed to the apex of the arch is reported as 3.60 m.All data: The vault was made of three parallel, transversal arches standing at intervals of 1.20 m; the arches were built of 60 cm long, 30 cm wide and just as high ashlar, while the spaces in between are covered with longish basalt blocks. This design principle – transversal arches with lintels – seems to be unique among Roman bridges.

The Barnes-Frost House is located on the west side of Marion Avenue, north of its junction with Old Mountain Road (Connecticut Route 322). It is a -story wood-frame structure, five bays wide, with a clapboarded exterior, side gable roof, large central chimney, and a centered entrance. The entrance is flanked by pilasters and topped by a frieze with a band of molded ellipses. This detail is repeated on the window lintels and in a frieze band below the roof line.

The Solomon Goodrich Homestead stands in a rural area of central Georgia, on the west side of US 7 north of its junction with Reynolds Road. The homestead consists of two conjoined structures, one brick and the other framed in timber. The main block is a 2-1/2 story brick structure, with a side gable roof and two end chimneys. The main facade is five bays, with a center entrance and windows that are simply framed and topped by brick lintels.