Exhibition views of her latest show at Von Lintel Gallery can be seen here.
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What homey perfection hides behind each cornice and gable, bay window and ornate lintel?
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Inside, a massive carved lintel of Mexican cantera stone faces the library and adjacent vestibule.
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The Mycenaean aesthetic is characterized by large blocks, post-and-lintel doors, corbelled masonry, and frescoes.
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As Above, So Below, continues at Von Lintel Gallery (2685 South La Cienega Boulevard) through August 12.
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Her U.S. solo debut at Los Angeles's Von Lintel Gallery stages a diverse series of these Photoobjects.
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Christiane Feser's Photoobjects are on view at Von Lintel Gallery in Los Angeles until April 30, 2016.
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The facade has brick and red sandstone from Lake Superior, with a carved terra-cotta lintel and fluted iron pilasters.
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Mark Seliger: On Christopher Street continues at Von Lintel Gallery (2685 S La Cienega Blvd, Los Angeles) through February 25.
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Perhaps more unique is the "roofbox" — something like an open window set onto the heavy lintel stone that defines the doorway.
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It features a glyph-inspired drawing in a steel lintel frame set within a composition that includes a ladder and copper pipe.
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The centrally positioned, multipart forms in Ho's paintings inhabit a perceptual domain that evokes ancient Chinese post-and-lintel constructions, simple ideograms, and signs.
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A privileged immigrant, on the lintel of legality, she set out with her husband and their two children for Cochise County, Arizona, near the border with Mexico.
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The Texas (southern) region makes me cringe a bit — ANNEE crossing RONA and LINTEL is less than stellar — but I'm quite satisfied with the rest of it.
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This elegant calligraphy appears on the two 55-gallon steel drums in "Fixtures/Double-Hung Portholes 04696DL" (2004), in which the drums are surrounded by a post-and-lintel frame.
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While the drums refer to the sights of Guyana's busy costal harbor, the arrangement of forms in this work recalls the simple post-and-lintel system used in domestic architecture throughout Guyana.
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I scrambled down to what I presumed was one of these: a simple lime-washed building facing the sea with two blue-trimmed, perfectly round windows like eyes above the weathered lintel.
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The gallerist, Tarrah von Lintel, told me that the picture was taken the day after Mcelroy's lover was discovered at the very spot she is photographed, floating in the Hudson, a suicide.
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Their placement suggests, as indicated in the subtitle, a screen separating the outside world from the quasi-eponymous "untitled: tilt(lintel); 222" (2018), one of the largest of the show's very large works.
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The structure of the torii varies, but the most important parts are the pillars (hashira), the lintel placed on the two pillars (kasagi) and a tie-beam that keeps the structure together (nuki).
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The structure of the torii varies, but the most important parts are the pillars (hashira), the lintel placed on the two pillars (kasagi), and a tie-beam that keeps the structure together (nuki).
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The verticality continues in "Stacked" (acrylic, polymer resin on canvas, wood construction, 89 by 20173 inches, 1991), a pair of squarish black canvases, one over the other and separated by a wooden lintel.
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Known for the architecturally derived paintings she has shown in at such painting-centric, mid-career-supporting venues as Michael Steinberg Fine Art (2006) and Von Lintel Gallery (2010), MacPhee now ventures in a different direction.
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The central screen or scrim (the knit pattern, in black), which rests on what looks like a horizontal base or plinth, flanked by clusters of blackish, post-and-lintel-like stripes, imperfectly veils mysterious passageways that seem perpetually shrouded in shadow.
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Much about the city's building-safety rules have changed since that May day when Grace Gold was killed by a 2000-by-240 foot chunk of concrete lintel that came crashing down from 601 West 115th Street, a university building.
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On a late May evening in 1979, Grace Gold, then a 237-year-old freshman at Barnard College, was walking with a friend on 23th Street when a chunk of masonry fell from the lintel of a Columbia University building and killed her.
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As Above So Below, Johnson's first solo show with Von Lintel Gallery and her first in Los Angeles, consists of 12 colorful ink-on-board works representing cosmic phenomena like nebula, neutron stars, and star clouds, anchored by an installation in the back room.
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Moments later we were bounding after him up a stone staircase, down a hallway with a painted sign on the wall that commanded "SILENCIUM," under a low lintel, and into a room with two cots and an achingly lovely view of the sunset over the valley and town below.
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Advertise on Hyperallergic with Nectar Ads LOS ANGELES — Mark Seliger is a widely known photographer, with over 125 Rolling Stone covers to his name, yet there is something new and revelatory in On Christopher Street, his current exhibit at Von Lintel Gallery showing portraits of trans women and men.
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The earliest documentation of the torii in Japan dates back to the mid-Heian period in 922 A.D. The structure of the torii has variations, but the most important parts are the pillars (hashira), the lintel placed on the two pillars (kasagi), and a tie-beam that keeps the structure together (nuki).
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They couldn't blame him: Petaloti and Trampoukis, who founded their interiors and industrial design firm Objects of Common Interest in 2015, create satisfyingly tactile furniture — a post-and-lintel stool made from glossy opalescent acrylic, a circular dining table of glass balanced on a neon pink steel frame — that invite unexpected interactions.
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They placed bookshelves full of books against the windows in their bedrooms, blocking the glass from sight but allowing light to creep in around the edges, and they leaned Saeed's bed over the tall windows in their sitting room, mattress and all, upright, at an angle, so that the bed's feet rested on the lintel.
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His cloud constructions have made the same imaginative leap that Gehry's built architecture began to make with the design of the Guggenheim Museum in Bilbao and of the Walt Disney Concert Hall in Los Angeles: a spring from the basics of post-and-lintel carpentry to building with abstract planes, each one unique, massed together to create spaces that are never hollow; instead, energy seems to funnel through them like an invisible liquid.
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For Post and Lintel System ICFs, the concrete has a horizontal member, called a lintel, only at the top of the wall (Horizontal concrete at the bottom of the wall is often present in the form of the building's footer or the lintel of the wall below.) and vertical members, called posts, between the lintel and the surface on which the wall is resting.
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Lintel 24 was found in its original context alongside Lintels 25 and 26 in Structure 23 of Yaxchilan. Alfred Maudslay had the lintel cut from the ceiling of a side entrance in 1882 and shipped to Great Britain where it remains today in the British Museum of London. Lintel 25 made the journey in 1883. Lintel 26 was discovered in 1897 by Teobert Maler.
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It has a flat lintel. On the inside over the lintel, two holed stones project out from the wall, possibly for the attachment of a wooden door.
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The two posts are under compression from the weight of the lintel (or beam) above. The lintel will deform by sagging in the middle because the underside is under tension and the topside is under compression.
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The lintel below contains confronted griffins. The date of the sculpture 1122 and the name of the artist Iohannes de Mutiglianus are both recorded on the borders of the lintel. The Pieve once had a baptismal font.
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The entrance contains remains of texts on the lintel and the jambs.
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St. Dairbhile's Church is a gabled single-cell church, now in ruins. The church has a narrow ashlar-lined, deeply-splayed east window with an arcuated lintel, and a narrow west doorway with inclined jambs and arcuated lintel.
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Moscow, Russia 2000 – Unconsciuos Documentaries. Von Lintel & Nusser Gallery. New York. 1999 – Architorture.
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Low House's dated lintel is on its side- gabled stone porch cover's entrance.
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Lintel 26 shows Shield Jaguar as he prepares for battle. Lady Xoc appears in the lintel as well, handing a helmet to the king. As Shield Jaguar was a warrior king, Lady Xoc hands him a jaguar helmet for battle.
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The main gateway through the outer wall is at the southeast and consists of two vertical boulders with a third balanced on them as a lintel. It opens into a passageway 4.3m long with stairs to either side. There is another similarly-sized entrance to the northeast, though its lintel has disappeared. The southwest gateway, which gave access to a nearby spring, also has no lintel, and is less obvious.
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There is a lustration of the goddess Lakshmi in the center of the lintel.
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The lintel and sill is limestone. The window is six-over-six double hung.
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1961 with one specimen from nearby El Zotz. The Tikal wood reliefs, each consisting of several beams, and dating to the 8th century, show a king on his seat with a protector figure looming large behind, in the form of a Teotihuacan-style 'war serpent' (Temple I lintel 2), a jaguar (Temple I lintel 3), or a human impersonator of the jaguar god of terrestrial fire (Temple IV lintel 2). Other Tikal lintels depict an obese king wearing a jaguar dress and standing in front of his seat (Temple III lintel 2); and most famously, a victorious king, dressed as an astral death god, and standing on a palanquin underneath an arching feathered serpent (Temple IV lintel 3). A rare utility object is a tiny lidded box from Tortuguero with hieroglyphic text all around it.
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The confronting lionesses posing on both sides of a pillar above the lintel The Lion Gate is a massive and imposing construction, standing wide and high at the threshold. It narrows as it rises, measuring below the lintel. The opening was closed by a double door mortised to a vertical beam that acted as a pivot around which the door revolved. The gate itself consists of two great monoliths capped with a huge lintel that measures .
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The Institution was formerly owned by the Dukes of Queensberry. A window lintel bears the date '1668'.
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Catnic is a Wales-based building and construction products manufacturer which developed and patented a steel lintel.
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Two princesses are shown in the palace. The princesses are identified as Meritaten and Meketaten. The two royal families as shown on the lintel The Lintel on the North Wall shows a depiction of the two royal families. On the left hand side Akhenaten and Nefertiti are shown seated.
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The lintel of the gigantic temple door has an eagle with spread wings carved on it. This eagle is similar to the one carved on the lintel of the temple of Bacchus in Baalbeck. However, the Niha carving is slightly different, because the eagle holds a floral crown in one of its talons and a palm leaf in the other. To the right side of the lintel, a carved relief represents a winged naked boy holding a palm leaf in his left hand.
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Post and lintel construction is one of four ancient structural methods of building, the others being the corbel, arch-and-vault, and truss.L. Sprague De Camp, Ancient Engineers: Technology & Invention from the Earliest Times to the Renaissance (U.S.A.: Barnes and Noble, 1993 edition), 35. There are two main force vectors acting upon the post and lintel system: weight carrying compression at the joint between lintel and post, and tension induced by deformation of self-weight and the load above between the posts.
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The church incorporates a lintel from its Elizabethan predecessor, which is now located in the bell ringing chamber.
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It was being used as a lintel over a doorway in the church when it was identified in 1880.
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It was followed in 2001 by a Black Scorpion TV series that starred Michelle Lintel in the title role.
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Three galleries. No arcade arches, but a flat timber lintel running through. This was originally plastered. Ribbed coved ceiling.
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On the south wall the bottom of W.15 has been modified, indicating this was originally a door, the lintel is original. The window W.11 has been cut into the wall and the reveals been rendered. The sill shows evidence of modification to the course around it. There is no lintel.
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Close up of decorative lintel inside the temple The Navaranga has friezes showing scenes from the Ramayana and the Mahabharata.
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Over the south doorway is a lintel consisting of a re-used cross shaft dating from the Anglo- Saxon era.
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The lintel twists with numerals, the four walls buckling with crookbacked joists until ghosts hang homeless in the lurching levels.
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The temple was dedicated to the wife of Jasaw Chan K'awil, although no tomb was found. The queen's portrait was carved into the lintel spanning the doorway of the summit shrine. One of the beams from this lintel is now in the American Museum of Natural History in New York City.Kelly 1996, p.134.
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The only other exposed elevation is the eastern facade. The northernmost window remains from the 1889 addition with a limestone lintel.
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The image is said to be made of lakha (a type of wax) and slightly taller than . The sanctum door, with a flight of stairs, leads down to the jagamohana. The lintel has the Gaja Lakshmi figurine in the centre surrounded with apsaras (celestial maidens). The Navagraha (deities of the classical planets) are carved above the lintel.
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A lintel is a horizontal beam connecting two vertical columns between which runs a door or passageway. Because the Angkorean Khmer lacked the ability to construct a true arch, they constructed their passageways using lintels or corbelling. A pediment is a roughly triangular structure above a lintel. A tympanum is the decorated surface of a pediment.
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The stones have rough, uneven margins. Course heights range from 20 to 75 cm with blocks up to 100 cm in length and 80 cm in depth. The lintel at the outlet is carved into a semi-circle, which extends for only half the depth of an otherwise typical rectangular slab lintel. This detailing is decorative, not functional.
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Kelly 1996, p.134. Only the lintel over the middle doorway was carved.Kelly 1996, p.134. The lintel consisted of five wooden beams, one of which is now in the American Museum of Natural History in New York.Kelly 1996, p.134. When excavated the lintels had fallen from their original positions and have been restored.Coe 1867, 1988, p.37.
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The "ukyaver", stems of slim climbing plants form a sort of lintel to hold the roof. The roof of an "Ate-u-Tiv" comprise "ihyange" (paulins) and "ihila" (grass). The ihyange are woven together in a cone-shape with ukyaver holding together the rafters. The completed structure is then hoisted unto the pillars/lintel with the coned-top upright.
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Original windows on the other facades are double-hung, with main panels three by three rectangular panes wide. Each of these also has a stone lintel with circular bas-relief design. Windows added later lack the lintel. The interior floor plan is typical of an Adam Federalist house, with a center hall and two symmetrical rooms on either side.
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Underneath the Lintel is published by Broadway Play Publishing Inc in both the original version and one in which the Librarian is female.
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The temple lacks a lintel, but features a dvarapala (guardian) on each side of the entrance; the door frames are carved with shakhas.
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The Phra Narai Lintel One of the most well-known elements of the temple is a decorative lintel placed above the eastern entrance to the central sanctuary. It depicts a reclining Vishnu or Vishnu Anantasayin, and is known in Thai as Thap Lang Narai Banthomsin (). The lintel is best known for its restitution from the Art Institute of Chicago in 1988. It had been stolen from the temple site in the 1960s and was acquired by the museum in 1967, where it was displayed for over twenty years, described as "the Birth of Brahma with Reclining Vishnu on a Makara".
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"Conder and Kitchener, 1881, SWP I, p. 202 They further noted: "There are two round and two octagonal pillars at this village, remains of old materials, and a lintel measuring 17' long and bearing a Greek inscription. There are also several cisterns and a large birkeh. The inscription on the lintel is probably the common formula, KYPIE BOHΘH ("Help, Lord").
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Ionic pilasters with fluted necks and intricately carved panels with a foliate motif above the middle support a stone lintel. The northernmost pilaster also includes the monogram of the building's original owner. The entrances themselves are topped by arched transoms with fans carved in the spandrels. A cornice with egg and dart molding above the lintel further sets off the upper stories.
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Byzantine lintel, found in Al-Burj in the 1870s A Byzantine lintel was found in the village in the 1870s, with "a Greek cross inscribed in a circle, and having its four arms ornamented with curious facet-work."Clermont-Ganneau, 1896, ARP II, p. 98 Just west of Al-Burj is Kŭlảt et Tantûrah, "the castle of the peak."Palmer, 1881, p.
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The granite lintel above the door reads "MAYNARD." Chiseled above the lintel are the year 1880 and the Greek letters Alpha and Omega entwined with a Fleur-de- lis Cross. Amory Maynard, his wife, Mary, their third son, Harlan, and nineteen other descendants were interred in the crypt. Oldest son Lorenzo Maynard and his family were buried at Mount Auburn Cemetery, Cambridge, Massachusetts.
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Door and window openings were spanned with a lintel, which in a stone building limited the possible width of the opening. The distance between columns was similarly affected by the nature of the lintel, columns on the exterior of buildings and carrying stone lintels being closer together than those on the interior, which carried wooden lintels.Banister Fletcher, p.107Banister Fletcher, p.
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The south shrine entrance has two dvarapalas: Bhadra and Subhadra. The lintel above the entrance shows Venugopala. A 13th century Lakshminarayana carving is shown seated in the Sukhasana yoga pose, with him are chakra, conch, lotus and a gada (mace). Past the Sukhanasi, are Jaya and Vijaya, while the lintel shows a seated Vishnu and the canopy shows a dancing Vishnu.
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Sharer & Traxler 2006, pp. 395, 397. It has a single wooden sculpted lintel that bears the portrait of the queen.Sharer & Traxler 2006, p. 303.
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The church is rectangular in shapewith walls of sandstone, granite and shale blocks. The southern wall holds a granite lintel and round-headed window.
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The main doorway is largely unornamented. It only contains a sculpture of the trimurti on the lintel and Ganga and Yamuna at the base.
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Ah-Ahaual was most likely killed in the same year at Yaxchilan. He is mentioned on Lintel 24 found on Structure 23 in Yaxchilan.
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The lintel of the portal bears an inscription, formerly on the city seal: Sancta Legia Ecclesiae Romanae Filia ("Holy Liège, daughter of the Roman church").
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Andrew O'Connor created a similar work for the space above the main entrance. The lintel above the main entrance, quarried in Maine, weighed and measured .
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Lintel and pediment at Banteay Srei; the motif on the pediment is Shiva Nataraja. The styles employed by Angkorean artists in the decoration of lintels evolved over time, as a result, the study of lintels has proven a useful guide to the dating of temples. Some scholars have endeavored to develop a periodization of lintel styles.See, for example, Freeman and Jacques, Ancient Angkor, pp. 32–35.
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On the lintel of the entrances, friezes of Krishna-leela scenes are carved inside, while the outer side narrate legends from other Hindu texts. Above the lintel is Garuda, the vahana of Vishnu.Gwalior Fort: Gwalior, ASI Bhopal Circle, Government of India The Bahu temple also has a square sanctum with side, with four central pillars. Its maha-mandapa is also a square with side, with twelve pillars.
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The door is surrounded by an architrave of three members, two fasciae carved with creeper pattern, and a cyma recta with leaves. On the lintel is a Ganpati, and outside two weather-worn figures. The lower ruin is a fragment of the shrine of a Surya temple, with Ganpati on tho lintel, and the nine planets on tho frieze. There are no figures outside.
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A marriage stone, nuptial stone or lintel stone is usually a stone, rarely wood, lintel carved with the initials, coat of arms, etc. of a newly married couple, usually displaying the date of the marriage. They were very popular until Victorian times, but fell out of general use in the 20th century. Many survive for aesthetic value, particularly where well carved or of historic value.
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The north shrine entrance too has two dvarapalas: Bhadra and Subhadra. The lintel above the entrance shows Janardana while the canopy again shows Lakshminarayana. Past the Sukhanasi, the lintel shows a seated Lakshmi and the canopy shows a Yoganarayana doing yoga. The garbha griya has a 6 feet high statue, wherein the Garuda pedestal is 1.5 feet, and the image of Janardhana is 4.5 feet high.
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Cousens (1926), p. 80 On the lintel of the doorway is a dedicatory block containing an image of Gaja-Lakshmi with an elephant on either side. In fact, in the Kannada spoken regions, it is common to find the image of Lakshmi in the dedicatory block on the lintel irrespective of the temple's original dedication; whether the principal deity was Shiva, Vishnu or Jaina.Cousens (1926), p.
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The lintel featuring God Vishnu in reclining position is placed on the northern arch. Furthermore, there are carving regarding gods riding different animals over the Rahu.
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The project was able to achieve 96% reconstruction of houses compliant to lintel level with safety standards, through disbursement of a total of PKR 8.73 billion.
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The hospital's synagogue replicated the round arch of the door of the standing ruin and the lintel from the smaller synagogue that is now in the Louvre.
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A portal to the west serves as the only entrance to the interior. Low-relief pairs of decorative columns stand at either side of the exterior of the entry, supporting a semi-circular arched lintel. The lintel has dentil ornamentation lining its outer edge. The interior of the church is unadorned and reminiscent of Kamsarakan S. Astvatsatsin Church found in the nearby village of Talin, within the Talin Cathedral complex.
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The central mask was directly over the outer doorway, while the other two were near the northern and southern extremes of the building's facade. Lintel 3, celebrating a victory in 743 The shrine had three chambers situated one behind the other, each linked by a doorway with a lintel fashioned from sapodilla wood.Coe 1967, 1988, pp.80-81. These three rooms were the only accessible chambers in the entire pyramid temple.
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The entrance itself is flanked by sidelights and pilasters and surmounted by an ornate fanlight and segmented arched lintel. Above it is a detailed tripartite window within an arch partially cut into the frieze and cornice above it. It is flanked by pilasters supported another segmented arch lintel. The identical east and west elevations feature fully pedimented gable fields, rising slightly above the roofline to create a parapet effect.
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The sanctum is empty but has a Gajalakshmi on its lintel. An inscription engraved on the lintel states that the temple has been dedicated to goddess Gauri (an aspect of Parvati). There is evidence that the sanctum, the inside mandapa, and niches on outer walls had carved statues, but these are now empty. Gaudargudi was among the earliest temples when architects included pradakshina patha (circumambulatory path) in Hindu temple design.
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The blocked doorway in the modern north aisle is the oldest surviving part of the church. Its lintel is thick and sits below 11 voussoirs, each about across. Below the lintel, the former opening is high and wide; gradual settling into the ground has masked its original height. The jambs are made up of five stones of equal height, but the uppermost is wider because it served as an impost.
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The west shrine entrance is similar to the southern sanctum in size and included features. The lintel above the entrance shows a standing Kesava while the canopy shows Gajalakshmi. Past the Sukhanasi, the lintel shows a Vaikuntha Narayana seated on Ananta Shesha and the canopy shows a Vishnu in Sukhasana yoga posture. The garbha griya has a Garuda pedestal that is 1.5 feet tall but the image is missing.
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Mullions divide the three panels. Each of these windows has a stone lintel with a circular bas-relief design in the corner, and false shutters. In the mansard roof at the front of the house are three gabled dormers. Each dormer is surrounded by decorative millwork with two dentils below, square Tuscan pillars with indents on either side, a lintel with the circular bas-relief, and a plain triangular pediment.
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After travelling to Fiji and Samoa, he returned to Hawaii and was this time successful in recovering a pair of the birds. While travelling through Central America in 1875, Boddam-Wetham purchased two fragments from a carved wooden lintel in Flores, El Petén. Now in the British Museum, they are known to be from Lintel 3 of Temple I at Tikal. British Museum Collection He returned to London in 1876.
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The interior features two ground floor rooms with fielded panelling with a Tudor arched stone doorway and a stone fireplace with moulded lintel. Gives architectural details of hall.
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Structurally, the house is supported by a post and lintel construction, with the exterior courses of stones forming the lintels as well as horizontal bands around the building.
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The outer posts are vertical and flush with the exterior wall while the two inner posts are angled inward. All four posts support a heavy, square lintel beam.
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The cedar wood corbels and the lower wooden lintel, all richly carved, are original elements from the Saadian era (16th century), while the plaster elements and painted decoration date from the 19th century. The wooden corbels are covered with sculpted motifs of palmettes, pine cones, and leaves, while the lower lintel bears an inscription in Thuluth script, interwoven with images of leaves and plant motifs, which reads (approximate translation): "The most beautiful words that have been said are: praise to God in all circumstances!" This verse is similarly found on the lintels of the Bab Doukkala Mosque fountain and the Shrob ou Shouf Fountain. Inside the fountain, behind the arch, is another lower lintel with decoration.
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Palaces had multiple entrances that used post-and-lintel entrances rather than corbel vaulting. Many sites erected stelae, but Palenque instead developed finely sculpted panelling to decorate its buildings.
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Elements window covers curved lintel cornice. In belfry is placed the bell made by Octave Winter from Broumov. The tower is ended with a copper onion dome with lantern.
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11 in. wide, closed by one lintel. # A medieval earthen ringfort. The 'Archaeological Inventory of County Cavan' (Site No. 855) describes it as- Marked 'Fort' on OS 1836 ed.
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The top of the block is spanned by a stone lintel. The structure is recognised separately by English Heritage, which listed it at Grade II on 23 February 1983.
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Above the doorway was a marble lintel, while on each side of the door were the above-mentioned inscriptions. Opposite, on the south wall, was a deep concave mihrab.
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The house features cut out bargeboards, a protruding water table and lintel course, and a gable roof. It was listed on the National Register of Historic Places in 1987.
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One of the earliest and best constructed of the churches, St. Mary's or Our Lady's Church consists of a nave with a later chancel. Its granite west doorway with an architrave, has inclined jambs and a massive lintel. The underside of the lintel is inscribed with an unusual saltire or x-shaped cross. The East window is round-headed, with a hood moulding and two very worn carved heads on the outside.
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A secondary entrance, located on the east elevation, features a limestone surround with a decorative lintel carved with a foliated motif. An original cast-iron light fixture with replacement globe extends from the lintel. The rear elevation contains an original U-shaped light court. The chimney, clad in brick and topped with a limestone cap, extends from the southeastern corner of the low-pitched hipped roof, which is covered with standing-seam metal.
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As the tensile strength of stone is much lower, the lintel under heavy loads typically breaks and collapses. Many arches survive from antiquity, but few lintels are still in place.
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This portal is adorned by three concentric circles, being surmounted by cartouche with the inscription "DE ANNO 1752". Above this are two windows with sills, lintel, framed by sash frames.
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"Emilie Benes Brzezinski: Lintel (1993)". Grounds for Sculpture. groundsforsculpture.org. Retrieved 2017-06-29. She exhibited in the 2003 Florence Biennale and participated by invitation in the 2005 Vancouver International Sculpture Biennale.
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Under the lintel in the doorjamb is another carved panel of a seated figure surrounded by more glyphs. Inside one of the chambers, near the ceiling, is a painted hand print.
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Under the lintel in the doorjamb is another carved panel of a seated figure surrounded by more glyphs. Inside one of the chambers, near the ceiling, is a painted hand print.
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1776: A door lintel of this date found in the Miller's cottage, with T. FA - 17 ihs 76 O. C.? inscribed. By this time the Franck family owned the Mill outright.
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The entry has decorations around the half-rounded lintel, with high-reliefs of a winged animal to the left, and a bull to the right, above the lintel. The only other decorations may be found around each of the oculi in the hall, which each have a unique design. There are two inscriptions found on the vestibule, one is written in Persian and the other is written in Armenian. The Persian inscription written upon the half-rounded lintel of the entrance has nearly been effaced by vandals, but the Armenian inscription found at the eastern interior wall, just past the entrance to the upper right is legible and reads the following: Dedicatory Armenian inscription The caravanserai is constructed of blocks of basalt.
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The sill and lintel of the windows continuously circle the building; the lintel is topped by the library's low hip roof. The library's entrance leads to a vestibule with three flights of stairs, one heading to the upper-level library and two to the lower-level auditorium. The library was designed as a single open room with bookshelves delineating the different areas within the space. The room is accentuated by decorative light fixtures and stained glass patterns.
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The entrance consists of solid, wood paneled, double doors with limestone threshold and glazed transom capped by an arched, limestone label lintel. The windows have limestone sills and limestone label lintels. Windows, except those in the bays and basement, have wood storm windows with mullion set on limestone sill with top radius set in brick header, arched lintel. The second floor front is a duplication of the first floor but with two side by side windows in the center.
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A two-brick water table runs across the front of the main block at door sill level. Steps that would lead up to the centrally located main entrance are missing. All windows on the east (front) facade have wide stone lintels and sills; the main entrance has a round-arched stone lintel with keystone, filled with a wooden fan. The center lintel on the second floor has "1829", the date of the house's construction, carved into it.
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Doorway with a massive triangular lintel The broch has an external diameter of about 14.5 metres. The walls of Dun Dornaigil generally survive from 2 to 3 metres around the circumference of the broch, but above the doorway they rise to nearly 7 metres. The entrance is on the northeast side but is filled with debris. There is a massive triangular lintel over the entrance which measures 1.4 metres along the base, and 0.9 metres in height.
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The arches used in Romanesque architecture are nearly always semicircular, for openings such as doors and windows, for vaults and for arcades. Wide doorways are usually surmounted by a semi-circular arch, except where a door with a lintel is set into a large arched recess and surmounted by a semi-circular "lunette" with decorative carving. These doors sometimes have a carved central jamb. Narrow doors and small windows might be surmounted by a solid stone lintel.
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It is three bays wide and four bays deep. Its front facade includes two twin Roman arch windows each topped by a rose window, enclosed within a Roman arch lintel with keystone.
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Small caliber artillery or machicolations, probably, supported the balcony and wall. A coat-of-arms is located on the lintel of the door, in the old military square, with the Portuguese heraldry.
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The lintel of the entrance of the sanctum has Nataraja as the lalatabimba (central protective image). The sanctum is deified with a Trimurti-Shiva (triple headed Shiva) or Mahesha-murti, which is defaced.
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Furthermore, Schwabenheim has other things worth seeing, like the Irish-Scottish Church with its Carolingian lintel and Viergötterstein, the former provost's residence from the 17th century and the Town Hall built in 1742.
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The lintel was noteworthy for being the first known representation of Maat with African features. Numerous Sedeinga artifacts were dedicated to high-ranking women, emphasizing the fact that Nubia was a matrilineal society.
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8 stone houses were associated with field systems, 8 cairns and 15 animal shelters. A runic inscription was found used as lintel for a house, and a bone pin and comb were found.
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Rosemerryn Wood, n.d. "Fogou ." Verified 24 August 2006. The fogou at Boleigh is extensive and has a large entranceway that leads to a long passage with classic dry stone wall and lintel construction.
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Great Mosque of Kairouan, also called the Mosque of Uqba, in Tunisia. A discharging arch or relieving arch is an arch built over a lintel or architrave to take off the superincumbent weight.
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121 A construction text, dating to 1897, engraved in the lintel of a door on Municipality Street has been examined, and was found to be a poem in 19th century Christian naskhi script.
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A Souterrain exists close to Kilvaxter, and was discovered in April 2000, when a lintel collapsed, and it became visible at the surface. It was excavated and is now open to the public.
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Today, some of the cells are used as offices. The building also contains a number of boardrooms, lecture rooms, meeting rooms, an auditorium and an Aula Magna. The rear entrance which was opened in 1824 is an example of neoclassical architecture, and it consists of an archway with two Doric columns supporting a lintel, above which is a representation of the Royal coat of arms of the United Kingdom. The lintel bears a Greek inscription meaning "learning is the gateway to distinction".
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A large relieving triangle overlaps the door lintel. It was originally decorated by a colored relief sculpture.. Through the lintel block a small drain is cut in the rock, lined with low rubble walls and roofed with small slabs. Above them two stones are set to take the direct pressure off the covering slabs.. The surface of the tomb was covered with coat of white plaster.. The burial chamber has a diameter of . Most blocks are sawn rather than hammer-dressed.
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The natural cave extends for a further 37 m. There is an ogham inscription on the overhead lintel just inside the entrance to the souterrain which reads ‘VRAICCI...MAQI MEDVVI’. In translation this would read ‘of Fraech, son of Medb’, Fraech being associated with Cruachan and Medb in the Táin Bó Cúailnge. Fraech is also associated with the nearby monument of Carnfee (Carn Fraích). There is a second ogham inscription on another lintel inside the passageway, barely visible, which reads ‘QR G SMU’.
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The rectangular lookout tower is three-storey's tall. The eastern facade over embrasure, that succeed the first and third registers, with the second marked by door with curved lintel, surmounted by an unintelligible inscription. The north face with high bilevel embrasure includes royal coat-of-arms, flanked by armilar spheres and framed by rectangular on the upper floor. On the western facade is a similar embrasure, on the second register and a window with straight lintel without frame on the third.
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According to Tevita Fale, there is a V-shaped mark on top of the lintel that aligns with the rising of the sun during the solstices and equinoxes. Kik Velt disagrees with the findings of King Taufa'ahau Tupou IV and Tevita Fale. Velt argues that the V on top is an arrow directed along the main axis of the lintel (about ESE, 117°5 E of N), only 10 cm long, too short to be a reliable indicator of any direction.
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The interiors of this former booking office are simple with plasterboard wall and ceiling panelling decorated with plain timber rail at lintel height and timber skirting. Floors are tiled. The original ticket window survives.
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Dictionary of Ohio Historic Places. Vol. 2. St. Clair Shores: Somerset, 1999, 760. while post and lintel structures, topped with pediments, are placed on each side of the corner structures., Ohio Historical Society, 2007.
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The stone building has slate roofs. It consists on a nave, chancel and south aisle with a two-stage 15th century west tower with gargoyles. The south porch Norman doorway has a lintel and tympanum.
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In distance, facing the Shiva linga is seated Nandi in the antarala of the temple. On the lintel of the sanctum is Gajalakshmi. The towers of the Maddin temples are all stepped pyramidal concentric squares.
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Pilgrims place coins in it, giving it the name "the copper tree." #The water that doesn’t boil in St Fechin's holy well. #The anchorite in a cell #The lintel-stone raised by St. Fechin’s prayers.
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Miller 1999, pp.130-1. Lintel 3 from Temple IV was taken to Basel in Switzerland in the 19th century. It was in almost perfect condition and depicts Yik'in Chan K'awiil seated on a palanquin.
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An example of the combined, opposed, view with the two crowns, is the lintel of Senusret II, 12th dynasty, 19th century BC. It shows the naos curved roofs of each half of the pavilion hieroglyph.
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The current lintel stone (its second) notes the 1836 rebuild and another by the Merchant's House in 1874. A plaque commemorates its most recent refurbishment by Tennent Caledonian Breweries in 1983. The Ladywell remains capped.
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The latter song was written about the theft of a holy Thai lintel, the Phra Narai, that later appeared in an American museum, and became the subject of Thai protests in order to regain the lintel. The song's chorus translates as "Take back Michael Jackson, give us back the Phra Narai!" During this period, Carabao consolidated their position as Thailand's most popular musical group of all time. In terms of musical style, the band remained extremely eclectic, mixing a wide range of Thai and international styles.
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Zansor Systems, LLC was formed in March 1999 in Atlanta Georgia, as a healthcare software and services company. Formed by Dr. Al Lintel, an urgent care physician, to help him refer patients to specialists. Once he had determined the specialty a patient needed Dr. Lintel then had to identify a specialist on the patient's health plan network then locate the form that the health plan required and request an authorization. At the time he had a drawer full of healthplan referral forms and healthcare physician ID numbers.
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The lintel of the door in the north tower is inscribed I.H (for James Henderson) 25 MCH (March) A.D. 1580. Higher is built in a broken lintel, also inscribed I.H. with I.M. for Henderson's wife, Jean Murray of Tullibardine, dated 1580. There is a heraldic panel above with the arms of Henderson and Murray dated 1567, inscribed with the Henderson motto ‘Sola Vertus Nobilitat’. Considered one of the finest details of the castle is the lead gargoyle at the eaves, seen in the north-east view.
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All the windows on the front of the house date from the twentieth century, with only the main door frame still with a seventeenth century lintel. At the rear, there are two seventeenth century lintels for windows, but one has been blocked up. The house has two rooms with a passage between, each heated by a fireplace with a granite lintel. The wall to the left of the passage is substantial but the partition to the right has been removed and the rear door blocked up.
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Catnic Components had a patent for a steel lintel, used to provide structural support over a door or window opening in a brick wall. The lintel is hollow, being made from sheet steel pressed into a rectangular or trapezoidal shape with a wind to anchor the device to the surrounding brickwork. Part of the specification required a bar to "extend vertically". Hill & Smith created a virtually identical invention that had a bar that extended at an upwards slant, only 6 or 8 degrees from being completely vertical.
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At its apex is a cross over rectangular base. The axial doorway with double lintel and cornice is surmounted by a guillotine window at the level of the high- choir. This window, also with double lintel and cornice, have prolong jambs and is decorated in scrolls over the doorway. Above the window cornice are two pinnacles, and a small rosetta framed by circumference To the left of the facade is located a rectangular bell tower, divided into levels by cornices that encircle the building.
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Most buildings in classical Greece were covered by traditional prop-and-lintel constructions, which often needed to include interior colonnades. In Sicily, truss roofs presumably appeared as early as 550 BC. Their potential was fully realized in the Roman period which saw over 30 m wide trussed roofs spanning the rectangular spaces of monumental public buildings such as temples, basilicas, and later churches. Such spans were thrice as large as the widest prop-and-lintel roofs and only superseded by the largest Roman domes.
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Carved stone at Fourknocks. Southern lintel. Fourknocks has a short passage leading into a wide, pear-shaped chamber with three smaller offset chambers. The original roof was likely a wooden structure supported by a central pole.
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The eastern lintel has a pair of crossed swords on it. The monument was listed on the National Register of Historic Places in 1996. It was included in the El Dorado Commercial Historic District in 2003.
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Balladoole is also the site on an ancient Christian burial ground. Seventeen early Medieval stone lined lintel graves were excavated by Bersu in the 1940s. Several of the graves were disturbed by the later Viking burial.
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Before the restoration, the gateway's lintel was not in place. It was wide and high. It leads into the fort from the east. Slight recesses on either side of the entrance way have been filled in.
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The architectural feature has been richly detailed with sculpture, including the: lintel, window and portal frames, pilaster bases and capitals, cornices, and friezes. Furthermore, some of the blind windows, window niches, sacristy, and scarps are plastered.
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The doorway is still entire. It is 6 feet wide at its upper and narrower part. The stone lintel is 15 feet in length. The vault itself was probably between 30 and 40 feet in diameter.
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Gaja Lakshmi, however, on account of her importance to the Kannada-speaking regions, is found on the lintel of the entrance to the mantapa (pillared hall) in all temples irrespective of faith. The carving on the projecting lintel on the doorway to the sanctum has the image of a linga or sometimes of Ganapati (Ganesha), the son of Shiva in the case of Shaiva temples or of a seated or upright Jain saint (Tirthankar) in the case of Jain temples. The sukanasi or great arched niche at the base of the superstructure (Shikhara or tower) also contains an image indicative of the dedicators' sect or faith. Above the lintel, in a deep and richly wrought architrave can be found images of the Hindu trimurti (the Hindu triad of deities) Brahma, Shiva and Vishnu beneath arched rolls of arabesque.
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The top of the tower is battlemented. Over the priest's door is a lintel from the older church which is dated 1647. In the church is a font dated 1861. The interior of the church is "unadorned".
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Horse gram, Cow pea (which is of African origin), walnuts, oats, lintel, pea, chickpea, ragi, rice (both wild and cultivated variety) were grown at Hulas. Fruits of pipal tree (ficus religiosa) were also recovered from this site.
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Lady Wak Tuun of Motul de San José married Yaxun B'alam IV of Yaxchilán. Here she is depicted performing a bloodletting rite in AD 755. Yaxchilán Lintel 15, now in the British Museum.Trustees of the British Museum.
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This broch has a massive triangular lintel stone over the entrance, which is partly filled with rubble. Drawings by Low in 1774 and Skene in 1805 reveal that the structure survived very well up to those dates.
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The Pawnee County Courthouse is a three-story art deco brick building that is still functioning as a courthouse. Four bas-relief panels on either side of the entrance on the south side depict scenes of Native Americans and pioneers, while the lintel depicts an eagle, a cow's skull, an owl, an open book and two rattlesnakes (numbers 3 and 4 below). The west end has a lintel like the one on the south side. The north side of the courthouse as another four panels, two of Native Americans and two of pioneers.
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Her books Nantucket and the Angel and Lintel were both shortlisted for the T. S. Eliot Prize. She read Philosophy and English at Cambridge, and from 1983 to 1988 she was poetry editor of City Limits magazine. Her collections Nantucket and the Angel and Lintel were both shortlisted for the T.S. Eliot Prize. Poems from these collections are included in her Bloodaxe retrospective How the Bicycle Shone: New & Selected Poems (2007), which draws on six published books plus a new collection, Wolf Light, and was a Poetry Book Society Special Commendation.
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The flanking bays have groups of three sash windows, those on the first floor topped by a rounded granite lintel, those on the second by a rectangular lintel. Stewart Library, 2012 The building was a gift to the community by native son Levi M. Stewart, who had amassed a fortune in business in Minnesota. Stewart retained Minneapolis architect William Harrison Grimshaw to design the building, which was built by a Bangor, Maine contractor between 1895 and 1898. At its completion it was considered to be one of the finest public buildings in the state.
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Like the main façade's doorways and windows, the sills, lintels and lintel corner blocks of the stained-glass windows are white-painted stone. Below the windows is an exposed coursed-stone foundation with five tie-rod masonry anchor plates. A small brick chimney is present on this elevation. The church's southwestern elevation also has a coursed-stone foundation, with five tie-rod anchor plates, banked into the ground below three symmetrical stained- glass windows with fixed upper sashes and lower hopper sashes and encased with white-painted stone sills, lintels and lintel corner blocks.
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The eastern facade faces the waterfront and contains the finest detailing to the stonework, which is formed of regular coursed sandstone with a rusticated finish. Features include a smoothly finished carved sandstone bracket at either edge of the wall on the upper level towards the parapet and a splayed stone coping which extends along this parapet that is ended by much larger coping elements. The east facade has been altered with a horizontal concrete beam placed as a lintel across the top of the upper door. Above this lintel, the stonework has been clearly reconstructed.
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The Ghiyas tomb exhibits peculiar Hindu influences in the form of a kalassa (pinnacle) on top of the white marble dome and a redundant stone lintel installed just below the arch. The kalassa adorns tops of most shikharas of ancient and modern Hindu temples in India. The pinnacle was planted at the apex of the Tughluq dome. The stone lintel was installed either to ensure stability, to fit a rectangular timber door in the arched opening, or purely for aesthetic reasons, to continue the white marble band along the facade.
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Banister Fletcher pp. 125–129 Like the Doric order, the Ionic order retains signs of having its origins in wooden architecture. The horizontal spread of a flat timber plate across the top of a column is a common device in wooden construction, giving a thin upright a wider area on which to bear the lintel, while at the same time reinforcing the load-bearing strength of the lintel itself. Likewise, the columns always have bases, a necessity in wooden architecture to spread the load and protect the base of a comparatively thin upright.
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Doorjamb and lintel carvings at Kalleshvara temple The plan of the sanctum (garbhagriha) is a square pyramidal one, with a plain exterior with simple pilasters, a vestibule (antarala) separating the sanctum from a closed hall (mantapa) with an exceptionally well sculptured section called the mahamantapa or navaranga. The superstructure over the shrine (shikhara) and vestibule (sukanasi) have been renovated at a later period but the base on which the temple stands (Adhiṣṭhāna) is original in construction.Sarma (1992), p. 90 The doorjamb (sakha) and the lintel above the main door have exceptional art.
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Inside a private house in Qarfa a Greek inscription dedicating a church to Saint Bacchus was discovered. The inscription was dated to 589-590 CE and written on a stone lintel decorated with a cross.Chaniotis, 2003, p. 521.
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The mosque has a capacity of 200 worshipers and spans over an area of 1,600 m2. It was built with orientation facing east and west with an Islamic lintel topped with a crescent moon on top of it.
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For example, a broken lintel was found which had belonged to the tomb of a previously unknown wife of Pepi I named Sebutet. Further fragments were discovered which belonged to the burial chamber of a woman named Behenu.
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Of note is the fact that in the East Wing of the house there is a door lintel which bears the date 1626 and the initials A.S.. The house remained in the possession of the Stoughton family until 1960.
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On the basis of architectural scheme and an inscription in the lintel of Laxmanesvara temple, which is adjacent to it, the temple can be assigned to 6th century AD. The temple is triratha on plan and triangabada in elevation.
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The rear facade is broken by a wall doorway with double arch and staircase to the upper areas, which includes door and rectangular window and lintel, flanked by the municipal coat-of-arms and an identical window opposite it.
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Classic examples of such structures are the Golkonda and the Berar fort. The gates of medieval Indian forts were highly decorated. Two distinct styles are seen. The Hindu style with a lintel and the Mughal style with an arch.
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The lintel suggesting a circular roof has elaborate carvings. The sanctum threshold, Udumbar, has notable carvings and a Ganesha sculpture. There is a kundi southwest of the temple. There is another temple north of it known as Arjuna Chauri.
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The devouring monsters. Snake-shaped lock. The late Gothic church is complete with nave, semicircular apse and lateral chapels. The entrance features a pointed frontispiece with four sloping archivolts supported by fluted columns with original capitals, a lintel and a pediment.
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Fyrish was then divided into four parts, with Keith retaining one quarter. The eastern quarter of Fyrish was given to a nephew of Robert Mor Munro. His grandson John Munro built a house at Fyrish. A lintel stone dated 1672 survives.
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The Mansion is two-story clapboard with a square plan. The front doorway is centered between two windows with three windows on the other three sides. All have an entablature and decorated surrounds. Sawn scrollwork is placed below each lintel.
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The classical period stone bridge. This stone bridge is the only known example of a Classical period bridge in Greece. It uses the standard post and lintel construction of its time, rather than arches as later bridges do. It measured c.
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' And > Brick says to you, 'I like an Arch.' And if you say to Brick, 'Look, arches > are expensive, and I can use a concrete lintel over you. What do you think > of that, Brick?' Brick says, 'I like an Arch.
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The sanctum doorway is of seven sakhas (vertical panels). The central one being decorated with the ten incarnation of Vishnu. The Lintel depicts goddess Lakshmi in the centre flanked by Brahma and Vishnu. The sanctum contains four-armed sculpture of Vishnu.
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Windows are marked by simple classical sill and lintel mouldings. The hipped roofs originally of slate are now sheeted in asbestos cement. A good timber picket fence encloses the property which is in good condition and well maintained.Sheedy, D., 1976.
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Those in the lower zone are completed by an arc, while those in the upper part have a lintel. This underlines that the church belongs to two different construction phases.M. Georges Bošković: Deux Églises de Milutin. Staro Nagoričino et Gračanica.
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The back façade of the building has two doors and a straight lintel window, two columns, and masonry corner wedges. In total the house covers . The interior of the house is simple. None of its original furnishing or decor remains.
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The granite lintel above the door reads "MAYNARD." Chiseled above the lintel are the year 1880 and the Greek letters Alpha and Omega entwined with a Fleur-de-lis Cross. Amory Maynard, his wife, Mary, and twenty-one of their descendants or spouses thereof are interred in the crypt. At one point in time Amory's first son, Lorenzo, along with Lorenzo's wife and their four daughters, were also in the crypt, but in October 1904 Lorenzo's son arranged to have his six family members moved to a newly constructed mausoleum in Mount Auburn Cemetery, Cambridge, Massachusetts.
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The front facde of the Romanesque Church of São Pedro, showing the mixture of medieval and Romanesque elements Detail of the portico, showing the decorated capitals, tympanum and lintel Inscribed on the entrance lintel was the date 1295, and is assumed to be the date of the church's completion. During the 16th century, the nave was extended towards the east reformulating the presbytery and sacristy. It was also at the end of this century that the first fresco was painted in the interior. At the beginning of the following century, another fresco was applied over the pre-existing painting.
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As such, most baserris have a large stone-carved sign built into the front wall called armarriak (crest-stones) and a decorative lintel stone above the entrance called ate-buru or atalburu (door head). The lintel stone usually states who built the house and the year in which it was built. The armarria either states the name of the village or valley or the family's surname and is often in the style of a coat of arms, a sign of the universal gentry enjoyed in Biscay. The latter practice of displaying the surname is mostly found in the Southern Basque Country.
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Work was begun on the Royal Portal with the south lintel around 1136 and with all its sculpture installed up to 1141. Opinions are uncertain as the sizes and styles of the figures vary and some elements, such as the lintel over the right-hand portal, have clearly been cut down to fit the available spaces. The sculpture was originally designed for these portals, but the layouts were changed by successive masters, see careful lithic analysis by John James.John James, "An Examination of Some Anomalies in the Ascension and Incarnation Portals of Chartres Cathedral", Gesta, 25:1 (1986) pp. 101–108.
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The door itself is in oak with iron hinges, and contains two stained glass windows displaying the Tudor Rose and the Poppy. The stone lintel topping the door is inscribed with the words “In Glory Everlasting”, while above the lintel a carved panel depicts two eagles supporting a shield with the old university seal (in use before 1930) and carrying in their claws a ribbon which the words “God, Country, Notre Dame.” Above the door, the words "Our Gallant Dead" are inscribed in the stone facade. Statues of Jean of Arc and St. Michael by Rev.
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On the lintel of the entrance Raweben and his wife and children are shown on one side before Osiris, Isis, Horus, Hathor and Ptah. On the other side of the lintel Raweben's father Piay, his brother Ipuy, his mother Nofretkau and others are shown worshipping Re-Harakhti, Ptah-Sokar, Hathor, and Amenhotep I and his mother Queen Ahmose Nefertari. On the entrance there are balancing scenes on the outer jambs. On one side Raweben and his family are mentioned in a hetep di nesu offering, while his brother Ipuy and his family are mentioned on the other side.
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A lintel from this smaller synagogue is at the Louvre. The Hebrew inscription on the lintel reads, "Peace be upon the place, and on all the places of Israel."Art and Judaism in the Greco-Roman world: toward a new Jewish archaeology, Steven Fine, Cambridge University Press, 2005, Chapter 1, Building an Ancient Synagogue on the Delaware, pp. 12-21 In 1901, publication of photos of the ancient synagogue led the Jewish Hospital of Philadelphia, (now the Albert Einstein Medical Center,) to erect a synagogue, the Henry S. Frank Memorial Synagogue, inspired by Bar'am and other ancient Israeli synagogues.
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Lintel 24 is the designation given by modern archaeologists to an ancient Maya limestone carving from Yaxchilan, in modern Chiapas, Mexico. The lintel dates to about 723-6 AD, placing it within the Maya Late Classic period. The text of Maya hieroglyphics indicates that the scene depicted is a bloodletting ritual that took place on 5 Eb 15 Mak, 709 AD. The ruler, Shield Jaguar, holds a torch while his consort, Lady Xoc, pulls a rope studded with what are now believed to be obsidian shards through her tongue in order to conjure a vision serpent.
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"Hie est sepultus frater Heinricus de Ruchenstein", buried as a member of the ministerially of the House of Rapperswil around 1300 AD, ledger stone made of Bollingen sandstone. On the north side of the choir building, above the vault shell, the 14th century entrance door to the roof of the Gothic era choir was rediscovered in 1941. The older Romanesque period grave plate was in use as the lintel of the door opening, with its inscribed side facing down. The door jambs and the lintel (repurposed grave plate) were installed with other masonry work during the 14th century construction of the choir building.
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Corbels, typically no longer than , were used to expand the intervals between the arches and the walls. This method "gave rise to the distinctive, cantilevered 'slab and lintel' architectural style that is peculiar to the black basalt areas of the Hauran", according to Ball. An example of Hauran architecture's 'slab and lintel' technique used for a ceiling in Umm al-Jamal The fusion of Nabatean, Hellenistic and Roman styles also characterizes the architecture of the region. Hawrani-style architecture is dated to at least the 1st century CE, when the Nabateans moved their capital from Petra to Bosra.
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The tower at the west end has a saddleback roof. Inside, the chancel stood higher than the altar and sanctuary, and was separated from it with a lintel; similarly, a lintel, rather than the more usual chancel arch, separated the chancel from the five-bay nave. To make the altar as clearly visible as possible from all parts of the church, Goodhart-Rendel made the nave wide and the north and south aisles narrow and low. There was also a baptistery at a higher level than the nave, a porch, a side chapel and a vestry.
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Relief of Tomb 1 Lintel, Lambityeco, Oaxaca Lintel of tomb 1, Lambityeco, Oaxaca The site comprises about 197 mounds within a 117 hectares area; most of the mounds are covered by weeds. The site was occupied from 700 BC, and it apogee matches that of Monte Alban. The site was abandoned around 750 AD., and it also matches the Monte Alban abandonment and disintegration of the zapoteco state. This disintegration formed numerous smaller settlements in the Oaxaca Valley during that time; it is believed that the Lambityeco population might have moved to the Yagul site, located a few kilometers west.
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The soclo and cornice encircle the buildings spaces. The door, with triple lintel, has pilasters flanking the framed entranceway with pedestals and capitals. Over the capitals are corbels that frame the upper lintel and support the cornice. Over the cornice is a triangular apex flanked by pinnacles and over this a cartouche inscribed with: :REEDIFICADA / Po-P VIGARIO / FRANCISCO DE FRAGA E ALdo m / ANNO 1763 :Rebuilt /by Father Vicar / Francisco de Fraga e Almeida / Year 1763 The inscription is flanked by scrolls and surmounted by a stone with the sculpted symbols of St. Peter in bas-relief.
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The lintel shows the royal family adoring the deity Aten. We see the same scene on the left and the right but in mirror image. Akhenaten is shown on both sides wearing the khepresh crown. Nefertiti and her daughters were never carved.
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The lintel shows the royal family adoring the Aten. Akhenaten is shown wearing the Khepresh crown. Nefertiti, wearing her blue crown, followed her husband, followed by three princesses, probably Meritaten, Meketaten and Ankhesenpaaten. Behind the princesses the Queen's sister Mutnodjemet is depicted.
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Narrow stone coping runs around the entire building at the roofline. A four-bay rear projection contains the loading dock. The central pavilion has angled corners. Its front facade has a centrally located segmental arch entrance with brick surround, lintel and keystone.
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The porch contains a lintel and there is a storey over it. It opens into a passage. A hall and a service wing are at a lower level. The hall is situated on the right a features a ceiling of panelled plaster.
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Most of the drum and the cupola have since collapsed. Fragments of the geometric decoration may be seen around the premises. There are two portals that lead into the structure. On the semi-circular lintel of one, is carved a cruciform khachkar design.
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The jamb is decorated with a combination of Aleppan-styled moldings and engravings of three-leaves without stems. The later additions of al-Malik al-Salih included a monolithic column re-used as a lintel, and the four corbels above the relieving arch.
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The front side of the building also includes a lintel above the doorway, moldings with decorative capitals around the entrance, and a cornice with the inscription "Sioux County Court House". The courthouse was listed on the National Register of Historic Places in 1990.
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The corner boards are pilastered, and the front entry is flanked by half-length sidelight windows and topped by a pedimented lintel, above which is a round fanlight window. The house was listed on the National Register of Historic Places in 1984.
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In particular they avoided the true arch in temples as long as these were constructed,Wilkinson, John Gardner, The Architecture of Ancient Egypt; ... with Remarks on the Early Progress of Architecture, Etc, 1850, Internet Archive preferring rectangular openings with a straight lintel.
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Originally topped with the figure of a large bronze dog, only the chamber remains, the words "Good Night Gath" inscribed on its marble lintel. The park also hosts Civil War encampments and interactive "living history" weekends that demonstrate life in the 19th century.
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There are many stupas in the precincts of the temple complex of which four have paintings in its interior. Two of the stupas are dated to the 13th century, based on the paintings. A carved wooden lintel was also found in one of the stupas.
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The sandstone pagoda is on a laterite base. Ornate designs adorn the lintel, doorway and windows. It is believed the site was entirely constructed by women who competed with the men who built Phra That Phu Pek. It dates from the 16th-17th Buddhist century.
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The large lintel stone, which was found lying in the chamber, stood upright creating an imposing monumental facade. Hencken, disbelieving the accounts of the local residents, placed the stone flat on the door jambs in its current position in order to excavate the chamber.
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Rubio 1992, p.189. It depicts the Tikal king Yik'in Chan K'awiil seated on a litter underneath the arch of a celestial serpent. The lintel was sculpted to mark his victory over the city of El Perú in 743.Martin and Grube 2000, p.49.
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It was in the ownership of the Edge family from the 1330s until 1710. It was damaged in the English Civil War, and rebuilt by Timothy Edge from 1653; his initials with the date occur on the lintel of the gateway in the garden.
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Evangelical parish church Saint Maurice The Evangelical parish church had its first documentary mention in 1228 and is consecrated to Saint Maurice. Especially valuable is the Carolingian door lintel in the tower. The church houses an organ built in 1855 by Hermann Dreymann (Mainz).
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The pyramid stands high and measures at the base. It still has traces of a wooden lintel supported on thick door jambs. One of the jambs is marked with prehispanic graffiti. The pyramid once contained a royal tomb but it has been completely looted.
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The church holds a number of early examples of Christian crosses, dating back as far as the 7th century. The best preserved of these crosses was only discovered when the doorway was heightened and the slab was found to be in use as the lintel.
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Tie-beam trusses allowed for much larger spans than the older prop-and-lintel system and even concrete vaulting. Nine out of the ten largest rectangular spaces in Roman architecture were bridged this way, the only exception being the groin vaulted Basilica of Maxentius.
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We also see the Vision Serpent rising from the bowl of blood. In the 2-heads of the Vision Serpent, emerging from its mouths, are the bodies of a War God and the founder of Yaxchilan – Yat Balam. From this we can ascertain that King Shield Jaguar is seeking help from the gods and Yaxchilan ancestors as he prepares for battle. Lintel 25 also is reported to have inscriptions on it that indicates that the lintel is placed above the house of Lady Xoc. The phrase is translated by Inomata and Houston as: “Lady Xoc's house is the heart/center of Tan-Haʼ Yaxchilan” (p. 107).
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The corner of a lintel on one of the brick towers at Bakong shows a man riding on the back of a makara that in turn disgorges another monster. A makara is a mythical sea monster with the body of a serpent, the trunk of an elephant, and a head that can have features reminiscent of a lion, a crocodile, or a dragon. In Khmer temple architecture, the motif of the makara is generally part of a decorative carving on a lintel, tympanum, or wall. Often the makara is depicted with some other creature, such as a lion or serpent, emerging from its gaping maw.
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Entablatures at Caesarea Maritima Entablature at the Temple of Venus Genetrix, Rome An entablature (; nativization of Italian , from "in" and "table") is the superstructure of moldings and bands which lies horizontally above columns, resting on their capitals. Entablatures are major elements of classical architecture, and are commonly divided into the architrave (the supporting member immediately above; equivalent to the lintel in post and lintel construction), the frieze (an unmolded strip that may or may not be ornamented), and the cornice (the projecting member below the pediment). The Greek and Roman temples are believed to be based on wooden structures, the design transition from wooden to stone structures being called petrification.
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First of all is the choice of materials, always wood in various forms (planks, straw, tree bark, etc.) for almost all structures. Unlike both Western and some Chinese architecture, the use of stone is avoided except for certain specific uses, for example temple podia and pagoda foundations. The general structure is almost always the same: post and lintel support a large and gently curved roof, while the walls are paper- thin, often movable and in any case non-carrying. The post and lintel structure embodies the Axis Mundi of the an iconic form of the Buddha which is typically represented in Pagodas and Indian Stupas.
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The front (west) façade has lengthy inscriptions on either side of the entry upon the top third of the building, and also on the lintel above the front door there is a short inscription. The name 'Yohan' can be found written within one of the inscriptions, possibly as an earlier style of the name of Hovhannes, but thought not to be of any reference to the Catholicos. A low arched doorway leads into the church from the western wall and is surrounded by an ornamented casing, three-quartered pillars, topped with capitals and lunettes. A vishap stone was used in the interior as the lintel above the main portal.
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The fortified site has been in existence since antiquity. The present castle is of Andalusian origin and almost square in shape, with two parts to its structure. A narrow and low door contains a lintel with two heavy imposts. The upper floor is vaulted and contains windows.
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It is made up of thirteen individual sections. The bottom row is made up of three plates located about above the lintel. It is deep and about high. On the left side of the tympanum, it contains two rows of figures and on the right, three.
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It is located in the northern part of the transept. It has a Plateresque portal by Francisco de Baeza, flat pilasters, on pedestals, with jambs and lintel with carved plant ornaments. It has a large frieze and pediment, with the arms of the bishop Fadrique de Portugal.
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The building's entrance pavilion features a wooden entablature reading "PUBLIC LIBRARY"; the entablature encircles the building. The doorway is topped by a glass transom with a triangular pattern and a limestone lintel. The library was added to the National Register of Historic Places on June 25, 1987.
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The gateway of this temple features a lintel mentioning the high priest "Neterkheperre Meryptah who is called Piupiu". The name "Neterkheperre Meryptah" adopted by Pipi II is based on the prenomen of Pharaoh Siamun.K.A. Kitchen, The Third Intermediate Period in Egypt (1100–650 BC). 3rd ed.
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Parts of a lintel, three doorjambs and a stela were found.R. Morkot: The Black Pharaohs, Egypt's Nubian Rulers, London 2000, 176; Porter and Moss Topographical Bibliography; Volume V Upper Egypt Griffith Institute. p.70 Here she is called king's daughter, king's wife and great king's wife.
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The monument is a simple slab of white marble in a grey marble frame. It is flanked by slim volutes and crowned with a strong architrave. The marble coat-of-arms of the Duglioli family rest on top of the lintel. The monument of Vincenza Danesi 5\.
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The inscription on the lintel dates the temple to after the fall of the Nabataean kingdom. Mampsis A Nabataean site located about 81 km from Petra. Mampsis is an important stop on the Incense trade road. Nabataean style building, caravanserai, and water systems have been discovered here.
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Window bays are tall and topped by rounded arches. The front facade has three entrances, each topped by a stone lintel. The interior has a mid-to-late 19th-century appearance, with slip pews. The church was built in 1825 by James Davis, a local master joiner.
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The house may have had a chapel. Outside there were stables, pig sties and a ruined stone and timber barn. The three-storey building was built of handmade bricks with a timber frame. A timber lintel over an inglenook fireplace has been dated to before 1600.
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Tribute scene Cretans (Keftiu) bringing gifts to Egypt, in the Tomb of Rekhmire, under Pharaoh Thutmosis III (c. 1479-1425) The passage is further decorated with scenes. The numbering follows Porter and Moss. # The lintel and jambs of the doorway are inscribed with texts of the deceased.
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The building has a centrally located porch, on the southern side, with a gable roof. Timber steps, lead to a concrete landing. The central gable is infilled with timber shingles, below which is a rounded lintel with dentils. The central gable and end gables have plain bargeboards.
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In the south and east walls of the transept are small two-light windows. Over the doorway is a lintel consisting of a 6th- century inscribed stone. Internally, the walls are plastered and whitewashed; the roof timbers are also whitewashed. The floor is paved with slate slabs.
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Here are exhibited lamps and glass objects dating from the Roman and Byzantine periods, a gold inlay silver tray found by treasure hunters at Kumluca, incense holders and lamps (6th century AD). To the front of the room are lintel figures from a tomb found opposite Lymira.
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It is barrel-vaulted, and covered with hard cement. On the south is a loophole-window, and a side-door, the latter with a flat lintel. On the west wall is a window with retaining arch, and a small window above. All these arches are pointed.
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The windows in the front of the house are set in wooden frames, while those on the other sides of the house are set directly in the adobe walls with a wooden lintel. An addition was constructed on the north side of the house in the 1980s.
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Over the lintel was cut the name 'BURNS' in bold letters. The circa 1899 OS map however appears to shows the rebuilt Hermitage, now roofed and sitting in an enclosure. The seat and statue on the drive are no longer evident.Dumfriesshire, Sheet 041.09 Publication date: 1900.
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The front facade has a one bay wide entrance porch supported with turned posts with brackets. The window placement is balanced, with rounded arch openings, stone sills, and an arched brick lintel. The house is topped with a corbeled cornice lines and a truncated hip roof.
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188 The "Portara", the lintel of Lygdamis' Temple of Apollo at Naxos Lygdamis contributed a force of mercenaries to aid his ally Polycrates, the powerful tyrant of Samos, in his campaigns against Miletus and Mytilene.Grant, Michael (1987). The Rise of The Greeks. Guild Publishing London. p.
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Lintel 16 from Yaxchilán, depicting king Yaxun Bʼalam in warrior garbMartin and Grube 2000, 128, 132. The atlatl (spear- thrower) was introduced to the Maya region by Teotihuacan in the Early Classic.Foster 2002, p. 146. This was a stick with a notched end to hold a dart or javelin.
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Crawford (2002) p. 113. Sometimes referred to as "aisled roundhouses" their characteristic features include an outer wall within which a circle of stone piers (bearing a resemblance to the spokes of a wheel) form the basis for lintel arches supporting corbelled roofing with a hearth at the hub.
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In 1924, Olowe's art was exhibited overseas for the first time when a door and lintel ensemble from the royal palace at Ikere was selected for the Nigerian Pavilion at the British Empire Exhibition at Wembley, London. This work of art was subsequently acquired by the British Museum.
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Each window has a channelled and cambered stone lintel with a larger central keystone. Above the first floor windows are recessed brick panels. At the top of this frontage, there is a stepped brick cornice. A stone plaque above the main door is carved with the words 'Assembly Rooms'.
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In the kitchen, the fireplace has a wooden lintel, a niche to the right and the remains of the original stone staircase also to the right. The upper storey has wooden partitioning, some of which may be eighteenth century. and the roof is supported by two collar-beam trusses.
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All have simple sills of brick; the central window on the south (front) facade has a similar lintel. The main entrance is located to its east. Above that central window is a commemorative plaque. It is topped by a pair of smaller windows, segmentally arched in splayed brick.
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Protzen, Inca architecture, p. 65. A typical Inca doorway still used in the town: The single stone lintel is a sign of importance. Ollantaytambo dates from the late 15th century and has some of the oldest continuously occupied dwellings in South America.Kubler, The Art and Architecture, pp. 462–463.
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A bunker on the island of Texel, in the Netherlands. The doors must be at least as strong as the walls. The usual design is now starting to incorporate vault doors. To reduce the weight, the door is normally constructed of steel, with a fitted steel lintel and frame.
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Ha'amonga 'a Maui is constructed from three coral limestone slabs. It is 5.2m high, 1.4m wide, and 5.8m long. The weight of the visible part of each upright stone is approximately 30–40 tons. Deep mortises are cut into the top of each upright stone to fit the lintel.
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Wall framing of a Japanese house under construction Japanese timber framing is believed to be descended from Chinese framing (see Ancient Chinese wooden architecture). Asian framing is significantly different from western framing, with its predominant use of post and lintel framing and an almost complete lack of diagonal bracing.
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On the lintel of the main entrance door one may observe, in the centre, a small circle, which formerly enclosed a cross, today completely effaced. Inside, some column shafts are lying on the ground, with their capitals broken.Guérin, 1880, pp. 136- 137; as translated in Pringle, 1998, p.
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In Maya civilization the jaguar was a symbol of power. She also appears to be handing Shield Jaguar a spear. Both the spear and the jaguar helmet appear in other monuments with King Shield Jaguar (Inomata and Houston). In this lintel Lady Xoc is also wearing a headdress that Tate (1992) reports as occasionally being worn by kings on other sites at Yaxchilan. Lintel 23, which appears on the southwest door of Structure 23, was not donated by Lady Xoc but contains genealogies for Lady Xoc. It also has glyphs that further indicate Structure 23 as Lady Xoc's residence as it is inscribed to say “the opening/door of her house” (Insomata and Houston, p.
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Their placement formed a polygonal pattern giving the curtain wall an irregular but imposing appearance. At the top it would have been wide enough for a walkway with a narrow protective parapet on the outer edge and with hoop-like crenellations.. The term Cyclopean was derived by the latter Greeks of the Classical era who believed that only the mythical giants, the Cyclopes, could have constructed such megalithic structures. On the other hand, cut stone masonry is used only in and around gateways. Another typical feature of Mycenaean megalithic construction was the use of a relieving triangle above a lintel block—an opening, often triangular, designed to reduce the weight over the lintel.
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The room was constructed by digging vertically into the hillside, like a well, and then walling and roofing the space with stone from the floor level of the chamber, and finally back-filling the earth above. Tiers of ashlar masonry were laid in rings so that each successive tier projected slightly farther inward, until only a small opening is left at the top. Above the entryway there is an open space in the shape of a triangle. This space, which is known as a relieving triangle, is meant to funnel the weight of the structure off the lintel and into the sides of the structure, preventing the lintel from breaking due to pressure.
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Above the lintel, the masonry courses form a corbelled arch, leaving an opening that lightens the weight carried by the lintel. This relieving triangle is a great limestone slab on which two confronted lionesses or lions carved in high relief stand on either sides of a central pillar. The heads of the animals were fashioned separately and are missing, but their necks are present.. The pillar, specifically, is a Minoan-type column that is placed on top of an altar-like platform upon which the lionesses rest their front feet. It has been suggested that lions were not present in Greece at the time showing some sort of hierarchy in power with them fashioned on this monumental gate.
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The stone building has a slate roof with a bellcote. The nave is supported by buttresses. The nave and chancel have wagon roofs from the 14th century and wall apntings from the same period. Above the doorway is a stone lintel carved with a lion, two headed serpent and griffin.
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Stylistic elements also include recessed facade panels incorporating corbelled brickwork. Decorative elements include contrasting brickwork, repetitive arch motifs and cement rendered lintel plaques within the arches. Two large entrances with roller shutters provide access. The substation is constructed with load-bearing face brick and incorporates brick arches to all facade openings.
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The main portal is highly decorated including with scenes of St George and the Dragon and a centaur fighting a harpy. The tympanum is a later addition, depicting Saints Peter, Andrew and James. The lintel depicts scenes of the life of Saint Peter. The facade has a Gothic rose window.
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Each of the windows has an arched lintel. The church has two bell towers with bulbous domes. The domes are covered with shards of tiles, a feature found in other churches of the region. The church has a monumental pediment with volutes, a stylized oculus at center, and a niche above.
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At the time of its listing, it had last received substantive maintenance in 1938. Two other stone lintel bridges are listed on the National Register in Maine, which date to the late 18th or early 19th century; they are the Grist Mill Bridge in Lebanon and Thompson's Bridge in Industry.
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A medallion with a clock adorns the pediment. Three entry doors, since replaced with modern medal-frame doors, are separated by Corinthian pilasters and topped with a simple lintel. The doors are flanked by semi-domed niches. On the second floor, three sets of three stacked windows sit above the entry.
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The command to apply blood to the lintel and the two door-posts in parallels Babylonian Namburbi rituals in which blood was smeared on doors and keyholes so that "evil [plague] shall not enter the house."Jacob Milgrom, Leviticus 1–16 (New York: Anchor Bible, 1991), volume 3, page 1081.
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The ensemble has four mantapas (hall) in all, three of which are in a line going east-west and open to the shrines. Each of the shrines has a Shiva linga in the sanctum, though the lintel above the entrance has an image of Gajalakshmi, the consort of God Vishnu.
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The Tevis Block is a two-story, U-shaped structure constructed of imported fire brick. The front, south-facing facade has fanlight windows and terra cotta arches. Each floor is articulated differently and treated with a different order and finish. Basement windows are rectangular and bottom- hinged with a flat lintel.
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Two barracks especially have been built in this way. Above the door of one, a block forming the lintel was once ornamented with mouldings, now very much mutilated. Close to the town is a celebrated wely in which lies a colossal sarcophagus, containing, it is said, the body of Noah.
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The lower cell was probably used for storage. The walls inside the shrine are plain and the outer wall is decorated. The doorway has carved figures of seated Surya in panels surrounded by dancers and amorous couples. All figures are mutilated and the images on the door-lintel are completely destroyed.
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The Black Scorpion's real name is Darcy Walker, played by Michelle Lintel. She lives in Angel City (a fictionalized version of Los Angeles), where she works as a police detective. Darcy's father was shot by the city's crooked district attorney. The D.A. was arrested, but the charges were suspiciously dropped.
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Most buildings were built of locally available mud brick and limestone by levied workers. Monumental buildings were built via the post and lintel method of construction. Many buildings were aligned astronomically. Columns were typically adorned with capitals decorated to resemble plants important to Egyptian civilization, such as the papyrus plant.
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Part of the site formerly occupied by the militia barracks was redeveloped for the Kelburne Cinema in 1933. A building on the eastern boundary of the site, which still displays the "Ubique" crest of the Royal Artillery above the lintel, is currently used by Renfrewshire Council to store museum exhibits.
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The tops of the windows are overhung by a concrete lintel. Along the western facade of the pumphouse are five vertical windows centred on the void between the concrete fins.The building was designed in a version of the Inter-War Mediterranean domestic style. The pumping station and drain are substantially intact.
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The dedicatory block on the lintel has an image of Gaja- Lakshmi and her elephants. Above the cornice is a procession of men and animals. These images, which are barely six inches tall, include horsemen and musicians. Above these images are the trinity of Hindu gods: Brahma, Vishnu and Shiva.
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The castle overlooks the mouth of the Bluffy pass and the valley of the Fier, facing the Château d'Alex. A circle of paving stones in the yard of the primary school marks the position of the tower. A lintel recovered from the castle has been used in an oratory at Villard Dessus.
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In 1902 Kotěra designed the Mánes Pavilion for the Rodin exhibition. It was supposed to be only a temporary building, erected in four weeks. The pavilion was functional and flexible. Lit from the top, it had movable walls and Karel Špillar adorned it with a patriotic Slavic wooden lintel and allegorical mosaic.
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Large plant doorways are steel roller shuttered. The transformer bays and outbuildings sit atop sandstone foundations and a distinctive cut sandstone rock-face is prominent at the rear of the site. Repetitive arch motifs and cement rendered lintel plaques are located within the arches. Two large entrances with roller shutters provide access.
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Birkmeyer (1962), 331 Figures to the left of the Virgin. David, standing in the centre, holds a harp. The lintel contains six reliefs from the New Testament of scenes from the Life of the Virgin. The first four, the Annunciation, Visitation, Nativity and Adoration of the Magi, are associated with motherhood and infancy.
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A stone church with a flat-headed trabeate doorway, sloping jambs and single lintel; and a chancel added later. The east window is triangle-headed and formed of two stones. The enclosure covers . The outlines of over 20 structures (mostly house-sites) can be discerned as mounds, and over 16 sub-enclosures.
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The date 1753 was carved into the lintel. The walls still show the Pietra Rasa construction, where the mortar that holds the rough stones together is also used as a plaster to them. After plastering with mortar, lines are incised into the mortar to give the appearance of regular bricks or stones.
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Traditionally, rather than nails, mortis and tenon joints and wooden pegs are used. Natural materials – timber, bamboo, thatch and fibre – make up rumah adat.Dawson (1994), p. 12 The traditional house of Nias has post, beam and lintel construction with flexible nail-less joints, and non-load bearing walls are typical of rumah adat.
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While being restored, a bare-brick lintel was added as well as a small alcove. The hermitage occupied the full length of the houses that now stand and was entered from the side. The entrance is both an historical and artistic element, and is testimony to the old hermitage in this place.
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The library's recessed entrance is a classical pavilion with a brick frieze and supporting Tuscan columns and brick pillars; the doorway is topped with a limestone lintel. The low roof of the library is surrounded by a parapet. The library was added to the National Register of Historic Places on August 18, 1987.
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The mosque measures on each side. At the rear, the corners and sides of the mosque feature tall tapering semi-circular minars. The east, south, and west are decorated, and feature ogee arch openings, which are set into rectangular frames. The architecture combines bracket and lintel beams, blending Islamic and Hindu architectures.
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The linga is a smooth cylinder with Shiva's face carved over the cylindrical length on one side. This face matches the one on the lintel top at the sanctum doorway. The Bhumara Shiva linga wears a jeweled crown, necklace and pearl ornaments. He is shown with matted hair, some locks on his shoulders.
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The Abrams was a five-by-five-bay four-story brick structure with a flat roof. At the street level was the original storefront, with cast iron decorations. On the side elevations some splayed- lintel windows had been bricked in. An additional entrance, to the upper stories, was located on the south facade.
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Detail Hieroglyphic inscription The stele was found on 27 September 1975 near the Citadel of Niğde in the Çelebi Hüsamettin Bey Mosque (now Dışarı Camii), where it was lying carved side down in a doorway as a lintel stone. Today it is displayed in the Niğde Archaeological Museum with inventory number 22.1.75.
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The interior contains a carved wooden lintel of 1654. The walnut baptistery dates to 1570. Baroque decorations were handmade in the second half of the 17th century by the parish priest Peter Garganico. These decorations include the cupboards of the sacristy, the stucco, the confessionals, the organ with the choir and frescoes.
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The Broch of Culswick has an external diameter of around 16 metres with walls preserved up to a height of 3.5 metres. The main entrance is clearly visible but debris nearly fills the passage. The lintel is a massive triangular stone. A "guard cell" was visible to the right of the main entrance.
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It was altered in 1934 and it now has an Art Deco effect, which gives the building a rather odd appearance. with It was originally taller with a pyramid-shaped roof. Stone beltcourses run along the building at the lintel and impost level. The roofline has gabled wall dormers with arched windows.
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Along the sides of the aisles and clerestory are two-light windows, and the east window has five lights. In the south wall of the church is a priest's door that possibly dates from the 13th century. The inner door of the south porch has a lintel partly carved with dog-tooth decoration.
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192 Although these forms are not well defined, they testament to the popularity of public interests at the time of its carving, providing an iconographic representation of the scene rather than a clearly literal interpretation. These sculptural themes are comparable to the churches of Sanfins de Friestas, Longos Vales and Bravães and suggest its completion in the middle of the 13th century. The lintel is inscribed with the presumed date of its construction, while in the tympanum is the figure of Christ surrounded by aureola. The representation of Christ is part of the first revivalist reproduction of the tympanum, while the serpentine lintel which is thin and less profound, is almost graffiti and less to do with the original form.
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There are nine bays in the front, seven on the sides and ten on the rear. The red brick facing on the load-bearing walls is decorated with buff brick coursework at the window lintel and sill levels. Sandstone spandrels are located beneath all third- story windows. Terra cotta is also used as trim.
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It is a large 2-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. Brick chimneys rise through the front roof face. The main facade is five bays wide, with sash windows arranged symmetrically around the center entrance. The entrance is simply framed, with a transom window and slightly flared lintel.
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The castle was a rectangular building, three storeys and a garret high. A wing with crow-stepped gables was added to form the L-plan. The parapet of the original tower was bridged across a recessed lintel as link to the new wing. The first storey is vaulted, while other storeys have been modernised.
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Main portal The Renaissance-style portal likely derives from the prior church of San Salvador. Above the lintel is a niche with a statue of St John (1774-1777) with the coat of arms of King Ferdinand VI. The sacristy is now a museum with a display of Baroque artworks.Catalayud city hall, tourism office.
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The interior uses wainscoting throughout with top projecting molding serving as a dado. Door and window moldings are fluted with lintel sections. Simple crown molding completes a relatively simple but elegant woodwork style. Circa 1891, A. Heywood Mason added porches that extend the full length of the house on both the north and south sides.
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The doorway of Damhouse in Astley. The inscription over the lintel reads, "Erected by Adam Mort and Margret Mort 1650". In 1606 Adam Mort bought the manor house and land in Astley. He was a wealthy man who built the first Astley Chapel as a chapel of ease for the parish church in Leigh.
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Three stones were found in situ, the lintel was added and replaced by the archaeologist GE Lee in 1898. The corridor, oriented east / west, is 3 m long and 1 m wide. It is covered with four slabs of cover. It serves several side rooms, now not visible, and leads to a terminal room.
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The remains of the parish church, consisting of one pointed arch and two piers of an arcade, suggest that its nave had aisles. An octagonal limestone font has been moved to the modern church;it contained carvings in relief. Also present is a crucifixion scene carved in false relief over the lintel of a doorway.
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San Parteo Church or San Perteo Church () is a Pisan-Romanesque church located in Corsica, France. It is a listed historical monument since 1886. Chapelle de San-Perteo Carved lintel The edifice dates to the 11th and 12th century. It takes its name from the fifth century San Parteo, a saint of regional renown.
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A reused Ionic capital could be seen, and above the doorway was a reused Roman lintel (first noticed by Guérin in the 1870s).Petersen, 2001, p. 276 Andrew Petersen, an archaeologist specialising in Islamic architecture, surveyed the mosque in 1994. He found that the present mosque, built in the 1980s, encased the old building.
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The porch contains interesting features: (1) Remains of a holy water stoup can be seen in the north east corner. (2) There is a fireplace in the south west corner with granite lintel and jamb. A few comparable porch fireplaces exist in Devon, but they are rare. The purpose of such fireplace is uncertain.
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The lintel of the portal bears an inscription that once appeared on the seal of the city: Sancta Legia Ecclesiae Romanae Filia (Holy Liège, daughter of the Roman Church). All the red marbles in St. Paul's originate from the Rochefort Abbey, the black marbles of Dinant and the whites of Italy coming from Carrara.
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There are two images at the lintel one above the other which are unidentified as badly wear out. Inside the garbhagriha has an image of Uma- Maheshwar with mount Nandi installed on an altar. The temple is one of the more important temples of the early medieval period where a goddess form is worshipped.
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On National Street, two doors have transoms or capitals with volutes, and one lintel is decorated with carved foliage. In the town, several buildings, mostly dry stone, have been recorded in the inventory of topographic DRAC. One of them, in Rayaup, dates from the eighteenth century (the inscription that says 1586 is very recent).
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From the north-east angle of the cellar a turnpike stair leads to all storeys of the tower. The hall has a wide fireplace and four windows. There are two aumbries in the jambs while a third aumbry has an ogival lintel. The bedroom, on the second floor, has a wall press and a garderobe.
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Those on the second story of the front are regularly spaced, those on the ground floor are not. The two that flank the slightly off-center entrance have brick segmental arches. The windows on the side elevations are asymmetrically placed. The upper rear elevation has a central door with a segmental arched brick lintel.
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The sanctuary doorway is framed by jambs, including those with serpent bodies culminating in a flying Garuda over the lintel, with male and female figures beneath at either side. A linga on a pedestal, perhaps replacing a sculpted icon, is seen within the sanctuary.Michell, George (2014). Temple Architecture and Art of the Early Chalukyas.
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The dates of building and alterations are recorded on a lintel above the door. It is now a Grade II listed building. The Batemans remained at Hartington until the 20th century. In 1934 the property was opened as a youth hostel by the Youth Hostels Association (YHA) and became the property of YHA in 1948.
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It is a rectangular plan building with a single nave, with quadrangular head. The shape is simple and the facade with three bodies separated by pilasters. The central body has an axial port straight lintel stone with triangular pediment topped with a window flanked by two bell towers of square section and coverage gable roof.
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The upper part of the four square pillars are circular. It is connected to an antechamber and the sanctum. The sanctum is dedicated to Shiva linga, while a near life-size Nandi sits facing the sanctum inside the shrine. On the lintel to the sanctum is carved another Gajalakshmi (Lakshmi with two elephants spraying water).
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Windows are metal casement with a > concrete sill and lintel that forms a continuous banding around the > building. Entry has flat roof with concrete coping over metal casement > windows with fan lites and 24 lite metal door. Each brick arch over windows > share concrete springer bases. The building was renovated in 1941 and 1980.
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The images of Ganga and Yamuna are carved next to Chanda and Prachanda. The torana is present in front of the jagamohana. The figure of Lakulisa, seated in bhumispara-mudra and holding a lakuta is present on the lintel of the jagamohana. The figures of Gajalakshmi, Rahu and Ketu are also sculpted in the structure.
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There is only one entrance door with a lintel decorated with vegetal motif. Onto the romanic portal there are two marble relief with the figures of David and St. Vincent Deacon. The façade has a marble square inscription of the Sator Square in Latin. In the 15th century it was abandoned by the monks.
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Derryhiveny Castle is a tower house of four storeys. There are vaults on all four storeys. The upper rooms have two- and three-mullioned windows with fireplaces, including one with a chamfered lintel, curved downwards at each end and covered by a chamfered cornice. There are also remains of a bawn, wall walk and crenellations.
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Each of the windows has an arched lintel. The church has a single bell tower with a bulbous dome. The church has a monumental, rococo-style pediment with volutes, a stylized oculus at center, and tracings in terra-cotta painted yellow. The church has three bronze bells with heavy wooden bell yolks painted green.
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The antechamber has a straight stone facade and the burial chamber is formed from a number of large stones, with one lintel stone in place. There is an outer kerb of closely spaced boulders (with over 25 stones in place) and the space between the kerb and the burial chamber is filled with cairn material.
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The door was always away from the north and west. It is usually a simple lintel, a flat stone resting on pillars. Others have a two-segment arch, two inclined lintels at an angle on the side pillar, “in the barraca” as they say in Benaguasil. Also found are arches with elongated stones positioned radially.
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The repertoire of decoration for these megalithic structures is not extensive. Vertical and horizontal zigzags, hanging triangles and concentric circles are the most common motifs. One decorative motif that is quite common is found across the top of the porthole slab. It can best be described as a lintel held up by two columns.
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There are stepped battlements. As at Jordan's Castle, the ground floor chamber has a semicircular barrel vault built on wicker centering. On the second floor a 13th-century coffin-lid from a nearby church was reused as a lintel for the fireplace. The two-light window in the east wall is a modern reconstruction based on a surviving fragment.
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The windows are Georgian in style, with sashes and small panes of glass. Inside the chapel are box pews, an octagonal pulpit and a carved reading desk. The chancel is panelled and divided from the nave by rails consisting of turned balusters. Hanging from a lintel at the entrance to the chancel are similar balusters forming an arch.
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The front (south) side of the monument is inscribed "CSA 1861 - 1865 / ERECTED BY THE HENRY G. BUNN CHAPTER / UNITED DAUGHTERS OF THE CONFEDERACY / 1909". The north side is inscribed "'TRUTH CRUSHED TO EARTH SHALL RISE AGAIN.' / 'EVEN DEATH CANNOT SEVER THE CORDS OF MEMORY.'" The western lintel reads "'IN HONOR OF THE CONFEDERATE SOLDIERS / OF UNION COUNTY, ARK.'".
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Interior of Grave B Grave B is also composed of four supporting stones along the sides, but unlike Grave A, there are also four capstones. One is very narrow and placed between them like a lintel (Jochstein). The internal size of the chamber is 7.0 x 2.2 m. Of the entrance in the middle, only the southern pillar remains.
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If they are countered, the forces act to compress the wedges. The compressional strength of stone is very high. The alternative structure to an arch, the lintel, or beam across the top of the opening, as in the many prehistoric henges, must support the load in a different way. Every horizontal beam must sag under a load.
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The building itself is an L-shaped one-story structure on a stone foundation sided in wood shingles. Four narrow wood moldings run around the eave, lintel, sill and water table levels. The high hipped roofs are shingled in asbestos with broad overhanging eaves supported by brackets. Stone chimneys rise from the west side and the east rear.
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Through various excavation efforts throughout the 21st century, the original structure is believed to have been a basic one, consisting of mud and brick walls with simple post and lintel entrances. Archeologists have also unearthed a large plastered iconostasis and a stone sarcophagus at the site, which some believe contained the bones of Mar Elian himself.
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Situated in a grove of trees, this nave-and-chancel church dates from around 1100. Most of the surrounding walls are modern. The name derives from Righ Fearta, the burial place of the kings. The church, built in a simple style, has a granite doorway with sloping jambs and flat lintel and a granite chancel arch.
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Small holes were located in the ground opposite the entrance, forming a semicircle for a porch. The entrance had a top slab functioning as a lintel, and another half buried in the ground which was the threshold. Beneath this slab, it was common to find remains of a small fire from the ritual opening of the housing.
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The building fenestration pattern is regular with triplet sash separating a single sash with a thin brick pier. All of the sash is double hung six over six. Limestone sills give some horizontal emphasis to the regular pattern of the windows. A thick limestone lintel above the third floor sash is a bold contrast to the attenuated detailing above.
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On a lintel Khawy and Taweret are shown adoring Osiris and Meretseger on the left, and Horus and Isis on the right. On the thickness at the south side Khawy is shown adoring Shu-Atum and a solar barque. Atum is called the great god residing in Manu. Khawy is also shown before Amun, Lord of Opet (Luxor).
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A tower house stood on the site in 1510. In the 17th century the tower was replaced by a larger house: a lintel survives dated 1625 and bearing the initials MS for Mungo Stirling. The house was extensively rebuilt in the Scots Baronial style in 1869, though some 17th- century masonry remains. In 1879 a tower was added.
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All other windows are tall 12-over-8 with a lower hopper. Corners are quoined in cast stone. As with the east facade, stone beltcourses serve as the lintel line for the first story windows and the sill for those immediately above. The centers of both gables are set with oculi similar to those on the main section.
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Doron Bar, 'The Christianisation of Rural Palestine during Late Antiquity,' Journal of Ecclesiastical History, Vol. 54, No. 3 July 2003 pp.401-421 p.413. Mader was witness to the villagers of Yatta using the ruins as a source for cut stones for their houses, in one case repurposing half of an inscribed lintel from a Byzantine church.
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Tomb 7 entrance It was built in the central part of building B with engraved stone walls and niches. The roof consists of a monolithic stone. The entrance has a Jaguar figure, the head is engraved in the lintel and the forelegs flank the entrance. This tomb was looted perhaps in prehispanic times, hence it is partially destroyed.
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The most remarkable surviving detail is a limestone lintel bearing two monumental statues of goddesses, seated facing each other. The figures, whose identification is disputed, each wear a long skirt and a cape, reminiscent of the so-called "Lady of Auxerre".Kenneth D. S. Lapatin compares them to the Halos deposit at Delphi. See Kenneth D. S. Lapatin.
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The facade presents the type of Neoclassical architecture one could observe in the streets of Bromberg in the second half of the 19th century. The symmetry and the balance is only offset by an additional building on the right of the tenement. First floor window display nice lintel, topped characteristic small square openings, crowned by a dense corbel table.
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The Church of San Martín de Luiña () is a Baroque-style Roman Catholic parish church located in Escalada in Asturias, Spain. The building, located at the top of the hill, is surrounded by the residential areas of Escalada. The current church, begun in 1718, was completed in 1726, according to the inscription on the lintel of the door.
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It is also trimmed with separate columns along the remainder of the left side, topped with a capital of acanthus leaves. A decorative fascia runs along the lintel, a classical entablature, alternating corrugated eight-petalled rosettes. This fascia also travels outside the transepts and chancel. The vaulted roof, resting on pillars, is topped with fluted fascia capitals.
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A lintel stone long was found with a winged tablet on it. Near the > ruin was a round olive-press, diameter, deep, with a rim thick. It was cut > in a sort of sunken platform of the live rock, with a socket for a pole or > pillar in the centre of the press.Conder and Kitchener, 1883, SWP III, p.
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The entrance door to the sanctum has three panels (tri-sakha). A dancing Maheshvari is carved on the lintel as the Lalatabimba. A carved Parvati image occupies the central niche in the sukanasa (portion of the pinnacle over the portico). These features of the temple support the conjecture that the temple is dedicated to the goddess Durga (Mahishamardini).
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The doors and window are each topped by a slightly peaked lintel. Windows on the sides are also sash, with similar decoration. A two-stage tower rises from the roof ridge, its second stage an open belfry with round-arch openings. Each stage has pinnacles at the corners, and the top is crested by low crenellations.
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The temple is brick-built with projecting buttresses and false doors on the west, north and south. The eastern door has a stone frame with ornamental pillars and an elaborately carved lintel. The inner door jambs are smooth and carry inscriptions. These give a date of 932 CE (Śaka year 854) and thus a date for the building.
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The aforementioned, long–lost lintel of Meresamun was once photographed in an antiquities market at Luxor. A bronze kneeling statuette of a king Necho is housed at the Brooklyn Museum (acc.no. 71.11), but it is impossible to determine if it actually depicts Necho I or rather Necho II instead. He is also mentioned in several demotic stories.
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The outermost band shows blooming lotus one giving rise to the other above it. The middle band on both sides each consists of four niches with human figures. The inner band converges towards the center of the lintel where Shiva is carved. The sculpture has been defaced, but its forehead remains intact where the third eye survives.
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The lintel over the front door, in addition to the date, includes the initials "WL" and "ML", which are those of William and Margaret Littlemore, the original owners. The interior has been much altered. However the main cellar runs for the full length of the building and another cellar runs under the garden at the back.
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It is lit by loopholes, and is covered with immense slabs forming a roof, and supported by vaulted arcades. Within it is a cistern. On the lintel is a cross with equal branches inserted in a circle near four semicircles, which lie in a four-leaved rose. This tower formed part of a larger building, now destroyed.
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Saints Constantine and Helen, (1911) is at the temple of the Metropolitan Church of Karditsa. Saint George adorns the outer northern lintel at his hometown church. The flight into Egypt (1922) is at the Church of St. John in Upper Gatzea of Volos. Adoration of the Magi (1923) is at the Church of Saint Athanasius in Lehonia of Volos.
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Adam Mort died in 1631 and was succeeded by his son Thomas who lived at Peel Hall, Little Hulton. Thomas's son, Adam, inherited Damhouse whilst a minor in 1638. The inscription over the lintel reads, "Erected by Adam Mort and Margret Mort 1650". Adam died in 1658 leaving the property to his son Thomas who was four years old.
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It has had a verandah in length with an unfinished cell at the left. The doorway has a lintel. The side posts are fluted to the ground and moulded about half way down. In the fluting below the moulded part, are, on the left side of the doorway, two figures about 0.431 metres (15 inches) high.
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The central tower has a hipped roof, with paired window openings and situated at the top is a shield bearing the Inguanzo family crest. On the ground floor, a balcony overhangs the door. The lintel of the door is embossed with the date 1898. The two sections on either side of the tower are not symmetrical in appearance.
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Duda Vav is a large and substantial though plain stepwell with a lintel about 17 feet 7 inches long by 2 feet 1 inches square. It was constructed by placing heavy blocks of stones on one another. The stepwell is now partially collapsed and is ruined. There was a dome of Shiva Temple near it in the 1850s.
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Its main facade is five bays wide, with a central entrance framed by simple molding with a dentillated lintel. Windows are generally 12-over-12 sash. The house was built about 1778 for Selah Barnes, a local merchant who shipped cornmeal to the West Indies. Barnes was the son of Asa Barnes, who owned a tavern in the town.
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Traditional Japanese buildings are post-and-lintel structures. They are built around vertical posts, connected by horizontal beams (rafters were traditionally the only structural member that was neither horizontal nor vertical). The rest of the structure is non-load-bearing. The roof completed, all but the cheapest buildings also added a raised plank floor (except in the kitchen).
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Earth domes are inexpensive to build, but waterproofing them is complex or expensive in humid regions. Windows and doors can be formed with a traditional masonry lintel or with corbeling or brick-arch techniques, on temporary forms. Light may also be brought in by skylights, glass-capped pipes, or bottles placed between bag courses during construction.
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The Davenports are known to have extended the old hall at least once, and built the New Hall in the early 17th century. The exact building date is unknown, a lintel is inscribed '1630', but the building may have existed a few years earlier. The hall is the earliest surviving brick building in the area.Arrowsmith, p. 79–80.
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Collecting taxes as depicted in the Hall Using the labeling in Porter and Moss, there are eleven scenes or combinations of scenes inscribed in the hall of TT100. # The lintel and jambs of the entry into the hall show offering scenes. # Rekhmire inspects officials and other individuals. The duties of a vizier are recorded in the text.
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According to Harle, the texts suggest that originally the complex was enclosed within a wall by , with gateways on three sides. The stone temple was made from three types of stone. Chlorite was used for the door lintel and frames as well as some sculptures. Laterite was used for the core of the platform and staircases near the foundation.
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In the middle of the three front bays on the east (front) facade is a door of vertical flushboard in a plain wooden surround, with rusted metal strap hinges; a wooden screen door is behind it. It is the only entrance. A horizontal sign above the lintel says "Fireweed Studio". To its south is an interpretive plaque.
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Another Pictish stone, the Dunachton Stone near Kincraig, was later used as a door lintel in a barn. This was discovered when the building was dismantled in 1870. The stone was re-erected in the field. Recently it fell, after being photographed in 2007, but was re-erected again a few years later by the owner of Dunachton Lodge.
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In return, Stowell would operate the inn free of alcohol. Stowell built the original, central part of the building in the spring of 1840 - a side-gabled saltbox shape; i.e. with two stories exposed in front and one in back. The front door is in Greek Revival style, framed by a heavy molded lintel supported by pilasters.
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Liuji Hall () Liuji Hall was built with the financial support of Liu Zhaogan, the Grand Preceptor of Emperor Jiaqing. The whole building is southwest oriented. It covers an area of 306m2, and appears on the list of Provincial Cultural Relics Protection Units. The lintel of the gate is engraved with "" () as well as various auspicious patterns.
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Shield Jaguar was a central figure in directing the course of Yaxchilan. Shield Jaguar ascended to power in AD 681 and died in AD 742. There are numerous documented references to him on artifacts at the end of Stage V at Yaxchilan. In Lintel 24, he is depicted holding a torch above his first wife, Lady Xoc.
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Ankhefenmut adores the royal name of pharaoh Siamun in this doorway lintel. The highest attested year for Siamun is a Year 17 the first month of Shemu day [lost], mentioned in fragment 3B, lines 3-5 from the Karnak Priestly Annals.K.A. Kitchen, The Third Intermediate Period in Egypt [TIPE] (1100–650 BC) 3rd ed., Warminster: Aris & Phillips Ltd, p.
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The lintel treatments vary by floor; the windows on the fourth floor are round-arched. The fifth level is also organized in mirror-image paired bays, with the central bays each housing a row of four, small round-arch windows, and the outer bays only having two such windows. The building is topped by an elaborate dentillated cornice.
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Ornate lintel and door jamb relief at entrance to inner mantapa in the Harihareshwara temple at Harihar Lathe turned pillars support the bay ceiling of the closed hall leading to the sanctum The temple is constructed in a staggered square mantapa (hall) plan, typical of Hoysala constructions. Therefore, the outer wall of the mantapa shows many projections and recesses.
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Temple III (also known as the Temple of the Jaguar Priest) was the last of the great pyramids to be built at Tikal. It stood tall and contained an elaborately sculpted but damaged roof lintel, possibly showing Dark Sun engaged in a ritual dance around AD 810. The temple shrine possesses two chambers.Kelly 1996, p.136.
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The elaborately carved wooden Lintel 3 from Temple IV. It celebrates a military victory by Yik'in Chan K'awiil in 743.Miller 1999, p.131. At Tikal, beams of sapodilla wood were placed as lintels spanning the inner doorways of temples. These are the most elaborately carved wooden lintels to have survived anywhere in the Maya region.
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To complement the rest of the house it had the same arched windows. The lintel of the Portland stone surround of the portico was inscribed 'Lending Library'. It was opened to the public in April 1902. In 1938–40 the Lending Library block was replaced by a new, slightly larger building, which stands today as Pitzhanger Gallery.
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Justification was found by Dr. Urrutibetehy, the pioneer who traced the paths in the region (it was he who set up the so-called Stele of Gibraltar and made a point of convergence of these paths). He saw in the horseman shown on the lintel of the door of the sacristy, a representation of Saint Jacques Matamoros.
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Pall Bearers is an allusion to the post-and-lintel construction method, with a horizontal member over an opening created by two vertical columns.V. Raynor, "A Sculpture Show With Strong Messages." The New York Times, August 6, 1989. In the sculpture, the two vertical posts are shaped like forearms, which support a sausage-like form covered in bloody bandages.
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Note the famous carvings over the outside lintel. The church houses Prince Smbat Orbelian's mausoleum. The gavit was probably a four-pillar one. In 1321 the building, probably destroyed by an earthquake, was covered with a new roof in the shape of an enormous stone tent with horizontal divisions, imitating the wooden roof of the hazarashen—type peasant home.
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The trackway runs north-south and has been dated by dendrochronology to 135 BCE. It ran across the Wittemoor bog, connecting the more elevated geest at Hude with the River Hunte. An Iron Age settlement near a spring in the Lintel section of Hude was at the southern end. A section of the trackway has been reconstructed.
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The minaret shaft has a rectangular shape that tapers upward to end in a pyramidal form. The four internal floors of the shaft were accessed by a now-collapsed spiral staircase entered from within the mosque. On each side of the minaret, and on each floor, a rectangular window with a stone lintel provides lighting for its interior.
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According to the Hebrew Bible, Siloam was built around the "serpent-stone", Zoheleth, where Adonijah gave his feast in the time of Solomon. An inscription from Siloam, from the lintel of Shebna-yahu's tomb The Siloam inscription was discovered in the water tunnel built during the reign of Hezekiah, in the early 7th century BC. The Siloam inscription is now preserved in the Archeological Museum of Istanbul, Turkey. Another important inscription found at Siloam is the lintel of Shebna-yahu's tomb (known as the Shebna Inscription), which is in the collections of the British Museum. In 2004, archaeologists excavating the site for the Israel Antiquities Authority found biblical-era coins marked with ancient Hebrew writing, pottery shards and a stone bottle cork that confirmed the identification of the site as the biblical Siloam Pool.
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The lintel named the house as Maison du Jouir (i.e. House of Pleasure), while the jambs echoed his earlier 1889 wood-carving Soyez amoureuses vous serez heureuses (i.e. Be in Love, You Will Be Happy). The walls were decorated with, amongst other things, his prized collection of forty-five pornographic photographs he had purchased in Port Said on his way out from France.
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On its north is a recessed tripartite single-paned window with sidelights and transom topped by a lintel of splayed rusticated blocks. Another stringcourse separates the first and second floors. It also serves as the sill for the arched north window, with smaller rectangular panes filling the edge of the arch. It has the same rusticated arch treatment as the main entrance.
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The first makeshift houses may be dated by a sandstone lintel with the date 1760. They would have been converted into more solid houses in the eighteenth century. The anachronistic rock houses were already drawing crowds by the start of the twentieth century. In 1931 the ground floor ceiling of the Weber house collapsed, and the 88-year- old owner died soon after.
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The outer gate has an ornate chamber on top with decorated eaves. The inner gate from the court is highly decorated with the lintel having finely carved motifs, including one of Ganesh. The latter has been placed by the Marathas during their occupation of the fort. There are three Persian inscriptions—one on top and one each on either side.
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The surviving pillars feature a chain-and-bell (ghanti) motif, after which the temple is now known. The door lintel of the mandapa features Adinatha's yakshini attendant Chakreshvari. She is depicted as having eight arms and sitting on a garuda. The architrave on the doorway features carvings of six auspicious symbols said to have been dreamt by Mahavira's pregnant mother.
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During the Bronze Age the corbelled arch came into use such as for beehive tombs. The wheel came into use but was not common until much later. Heavy loads were moved on boats, sledges (a primitive sled) or on rollers. The Egyptians began building stone temples with the post and lintel construction method and the Greeks and Romans followed this style.
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Romanesque tympanum of Vézelay Abbey, Burgundy, France, dating from the 1130s A tympanum (plural, tympana; from Latin and Greek words meaning "drum") is the semi-circular or triangular decorative wall surface over an entrance, door or window, which is bounded by a lintel and an arch. It often contains sculpture or other imagery or ornaments. Most architectural styles include this element.
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The Ukrainian Classroom The Ukrainian Classroom is designed in Baroque style with richly carved wood, colorful ceramics, and intricate metalwork in this adaptation of a nobleman's reception room. The entrance has an archaic trapezoidal form with carved motifs of water (chevron), wheat, and sunflowers. The lintel inscription commemorates Ukraine's millennium of Christianity (988–1988). The stove tiles depict festival practices and daily life.
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A theoretically straight and level bridge would have no vertical resistive force and would collapse immediately. Instead of collapsing it bends downward, creating a component along the bridge and a component vertical to the bridge, which resists the load. It bends until it either breaks or the load is countered. When it does, the length must extend, subjecting the lintel to tensile forces.
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On the door lintel is an inscribed panel relating to the gift and its date. On each side of the door are three five-light windows with moulded stone surrounds and mullions. In the upper storey are three round pitch holes with plain stone surrounds. The rear extension consists of three gabled two-storey wings with single-storey loose boxes between them.
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Below the front entrance hood there are two stone pilasters and a stone lintel, as well as relief work adorning the pediment; leading to the front entrance are seven concrete stairs. The entire entry facade is a gable-front, temple style design and on the library's east wing there are stone-capped modified buttresses. Each of these elements demonstrates the Classical Revival style.
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In Yaxchilan, blood sacrifices were a way for kings to seek help or advice from departed ancestors. Blood sacrifices were seen as a way to get oneself in the favor of the gods – essentially, preparing the king for battle. In Lintel 25 we see the pinnacle of the blood sacrifice; we see that Lady Xoc places her blood beneath her in a bowl.
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The lintel contains hetep di nesu texts mentioning Penamun and his wife Neb(t)nuhet. The offerings from the king invoke Ptah, Hathor and Horus, son of Isis. The doorjambs and thicknesses contain texts mentioning a servant in the Place of Truth named Wennenufer, and Penamun's parents Baki and Taysen. In one text Penamun is said to be the son of Amennakht.
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A one-story, one- room flat-roofed addition is on the west side. The south (front) facade is dominated by its main entrance. It has a portico with a flat roof and deep cornice supported by two fluted columns. Sidelights and a transom frame the entry, which consists of two Doric posts supporting a lintel with a molded top edge and applied dentils.
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Garden alt=A open stone structure with four columns supporting a lintel. Inside the loggia is a wooden seat. The of grounds surrounding the house have been largely restored to include the 18th-century pathways, the stream-glade and the 19th-century rock garden. The foundations exposed in the excavations show the plan of the former church and monastic buildings.
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Gakhwangjeon Hall stands on the same granite base once used by Jangnyukjeon Hall, constructed in the post and lintel style (gagusikgidan) that was emblematic of late Unified Silla architecture. At a height of about ,Survey Report of Gakhwangjeon Hall 2009, pp.152-155 its size is more comparable with Joseon palace architecture than contemporary Buddhist halls.Survey Report of Gakhwangjeon Hall 2009, p.
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It features grapevines representing both Adolphus' birthplace in German wine country, and his favorite beverage. Julius Caesar's words, "Veni, Vidi, Vici," or "I came, I saw, I conquered" are inscribed on the lintel. Lilly died of a heart attack and pneumonia on February 17, 1928 in Pasadena, California. Her body was brought back to St. Louis, and was buried beside her husband.
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There is a stone paved verandah at the rear. The verandah roof has been reconstructed to its original form of a concave profile roof supported by simple posts on plain plinths. It is constructed of a local sandstone, possibly from Woogaroo Quarry with brick walls internally. The form of construction is rare, incorporating timber tie beams at lintel level through the stone work.
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The main entry is from Martin Place and is via a set of trachyte steps to a glass automatic entry doorset. The original timber entry doors of inlaid Queensland maple are in their original positions. The entry opening is surmounted by a cast bronze lintel bearing the inscription "No. 53" and has surface mounted letter to the granite over stating "APA Building".
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The lintel on the North Wall shows a depiction of the two royal families. On the right side Amenhotep III is shown seated opposite Queen Tiye, who is accompanied by the princess Beketaten. Three female attendants are shown behind Tiye. The mummy known as The Younger Lady has been identified as daughter of Amenhotep III and Tiye and the mother of Tutankhamun.
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The owner of the tomb stands before the kings, in worship. Another relief dating to the same period shows a similar scene. It was inscribed on the lintel of the tomb chapel of Mahy buried in Saqqara North. Four deified kings of the Old Kingdom are shown, all of whom built their pyramids at Saqqara: Djoser, Teti, Userkaf and Menkauhor.
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Newbiggin once belonged to Jervaulx Abbey. Newbiggin is home to a number of 18th-century houses, one of the more notable ones is in the north end of the parish. This house in particular has a doorway which is said to have: "a cambered lintel with a quatrefoil in each angle and moulded jambs". Above this door there is an inscription dated 1636.
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A Hebrew inscription above the entrance lintel reads: "How awe-inspiring is this place, the synagogue of the Ari of blessed memory." The Holy Ark was carved from olive wood by a craftsman from Galicia, in the style of the synagogues of Eastern Europe. It includes an anthropomorphic image of a lion, alluding to Rabbi Luria's acronym Ari, which means lion.
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The main church of S. Astvatsatsin is cruciform in plan, with a conical dome supported by a circular tholobate below. Four windows pierce the walls of the tholobate, letting some light into the church interior. A large horse carved in bas-relief adorns the interior basalt lintel of the main portal to the church. A single cupola rests over the southwest entry.
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Constructed between 1489-1517 CE, the Shish Gumbad is constructed in square shape. Combination of bracket and lintel beams, the architecture is a blend of Islamic and Hindu architectures. Although the Gumbad has an external semblance of spanning in two floors, the structure made only in one floor. The western wall of the Gumbad consists of mihrab which also served as a mosque.
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The Albert Palmer House is a five bay, two story L-shaped Italianate house with a hipped roof. It is simple in overall massing and design, but has rich ornamentation around the windows, and more at the corniceline. Trabeated enframements, topped with molded wood lintels, surround windows on the first floor. On the second floor, an elaborate carving is on each lintel.
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When the poet Aed was to be drowned in a lake near Lóegaire's house for adultery with Conchobar's wife Mugain, he cried for help and Lóegaire rushed to the rescue. As he leaped out the door, he knocked the top of his own head off on the lintel. Still, he managed to kill thirty soldiers and save Aed's life before he died.
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The latter Tentamun is mentioned in the Story of Wenamun.Dodson & Hilton, p.194 She is mentioned before her husband's ascendence to the throne on a chalice found in Tanis, on a door lintel and on a relief in the Khonsu temple in the Karnak temple complex. Even here she is mentioned as a queen, with her name written in a cartouche.
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A writing on the lintel of the entrance door states that it was built in 1682 (Samvat 1739) in the time of Kunvar Shri Ravaji by a Bhatia named Vastupal, probably the chiefs manager. There is a newly swaminarayan small temple built. On the bank of the pond are two sati tombstones, one dated 1627 (Samvat 1684), the other 1707 (Samvat 1764).
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The sanctum door consists of a carved lintel, two carved jambs and a sill. To the right is goddess Ganga standing on her vahana - the makara (crocodile-like mythical creature), on the left is Yamuna goddess standing on her vahana - a tortoise. They have attendants standing with them, but their images are too mutilated. Above these goddesses are three parallel bands of carvings.
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The door of the temple is neatly carved. Over the lintel are Navagraha, the nine patrons of the planets, and the jambs are carefully sculptured. In the entrance hall, mandap, are four pillars with a square block sculptured below the bracket, and six pilasters. The shafts support a plinth, on which stands a block carved with colonnettes at the corners.
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The 23-metre church was designed by Jacques Martin. On the left side was a bell tower 45 metres high, but this was demolished on 23 November 2008. It comprised a central door and two side doors opening onto the aisles. Above, a large lintel decorated with bas-reliefs is surmounted by a statue of Saint Thérèse of Lisieux sculpted by Jacques Martin.
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Stone steps lead to an open mandapa, a sabha mandapa (community hall) which connects to the sanctum. The open portico has two square pillars and two pilasters. The lintel on the entrance has Gajalakshmi. The sabha mandapa is square (15.6'x15.6'), itself supported on four square moulded pillars set within the space in a square, while the side walls have twelve pilasters.
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The dome has fallen, hut an upper floor, with rosettes in the middle of the ceiling and a cornice of creeping plants cut in the stone, is entire. Above the lintel are large figures of musicians. The upper part of the shrine has fallen and been rebuilt. Near the temple are some tombstones apparently of later date, but without any writing.
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The blood is being collected in the vessel near Bird Jaguar's feet. The Vision Serpent's mouth is green and, the trickles of blood characteristic of bloodletting are red".Graham & von Euw (1977) Lintel 15 depicts the appearance of this Vision Serpent. "The serpent can be seen rising out of the bowl with trickles of blood along a column of blood scrolls.
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The Tiger-Anderson House is a historic farmhouse located west of Springfield, Illinois on County Road 3 North. The Greek Revival house was built circa 1832. The two-story brick house has an "L"-shaped plan. The front entrance is located in the center of the main wing; it features a transom with engaged piers, sidelights on either side, and a flat lintel.
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Single-door entrances are found on these facades near the ends. A plain yet deep cornice decorates the roofline. Windows and doors have plain lintel blocks and eight interior chimneys protrude from the roof. As the initial design was as a dormitory, the building was originally divided into twenty-four suites with a study room and one or two bedrooms.
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Temple II was built by the king Jasaw Chan K'awiil I in honour of his wife, Lady Kalajuun Une' Mo'.Sharer & Traxler 2006, pp. 395, 397. Temple II had a single wooden sculpted lintel that bears the portrait of a royal woman who may have been the wife of Jasaw Chan K'awiil I, who was entombed beneath Temple I.Sharer & Traxler 2006, p.303.
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A repeating star-in-circle motif surrounds the doors, and a garland pattern stretches across the lintel. Surmounting the center door is an Art Deco-inspired eagle with outstretched wings. A modern white marble figurative sculpture by artist Manuel Neri is located east of the main entrance. Interior public spaces are richly appointed with lavish use of various types of marble.
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The top two courses were rebuilt with red engineering bricks. The dust floor window had a reinforced concrete lintel cast as the tower was weak at this point and had distorted. The windshaft, the curb segments and fantail gearing were given two coats of red lead paint. A new finial for the cap was made from a piece of oak long by diameter.
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The peerage title, barony, and castle eventually went to the Kerrs who were made Earls of Roxburghe, and later Dukes. Holydean Farm stands on the site of the old Holydean Castle. A stone block rescued from the castle now forms the lintel of the farmhouse doorway, and the castle well is still preserved. The castle's alternative name is Hobbie Ker's Well.
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Eventually the workshops closed and families took up residence on the street. Kollel Reisin from White Russia purchased the courtyard at number 35 for occupancy by 18 people. The words חצר כולל רייסן (Courtyard of Kollel Reisin) are engraved on the lintel of the gate to the courtyard. Today the apartments in this courtyard are rented from the kollel by Haredi families.
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The broch is in a ruined state with much fallen debris. The entrance is blocked with stones but the lintel over the inner end is still apparent. There appear to be two guard cells on either side of the entrance passage. Internally four mural cells can be seen, two of which are dumb-bell shaped with short passages between the two halves.
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Tuszyńska argues that these two ladies named at Yaxchilan may not have been wives of Yaxun B'alam IV at all but may have been the wives of subordinate lords. Lady Wak Jalam Chan Ajaw is shown preparing her husband for a battle that took place in 755 on Yaxchilan Lintel 41, now in the British Museum in London.Martin & Grube 2000, p. 129.
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The collapse of the roof, and subsequent destruction of the synagogue, generated widespread concern and criticism among preservationists, who blamed Jacob and Shmuel Spiegel—a charge the family rejected.Goldman (2006). alt=Stones over a doorway arch with the incomplete name "Roumanian-American Cong" in carved capital letters. Beneath, carved into the lintel, are the words "Talmud Torah", also in capital letters.
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Nebmaatre (“The Lord of the Truth is Re”) was an ancient Egyptian prince and High Priest of Re in Heliopolis during the 20th Dynasty. He is likely to have been a son of Ramesses IX since they are mentioned together on a door lintel in a Heliopolis temple. He was a brother to Prince Montuherkhepeshef; another possible brother is Pharaoh Ramesses X.
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The fort also had its own jetty with connecting roads. Steele Point at present consists of a three-gun battery. The passageways, tunnels, magazine store and barrack room are now partially buried. The stone lintel cover of the entry to the rear emplacement was smashed and the tunnel filled with debris, allowing water to seep in causing damage to the interior.
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S. Astvatsatsin is a domed-hall type church with a single drum and a conical umbrella type dome resting above. Two portals lead into the structure from the south and west. An effigy of the Virgin Mary is carved upon the tympanum in high-relief above the lintel of Decorative tympanum above western entry depicting the Virgin Mary and Christ. the west portal.
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Historic Templer house on Emek Refaim Inscription: Eben-Ezer on the Matthaus Frank House Arabic inscription on lintel dated to 1925/1344 A.H Emek Refaim (, English: Valley of Ghosts) is the German Colony, a neighborhood in Jerusalem, as well as its main street. It takes its name from the biblical Valley of Rephaim which began its descent from Jerusalem here.
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The doorway gives access to the main courtyard and Couto de Homiziados (a frontier space that provided sanctuary from justice).Margarida Garcez Ventura (1990), p.603-604 This principal facade is surrounded by porch supported by cylindrical columns with rectangular base. Doors around the house follow the lintel line, while the sash windows have granite frames, which are repeated all around the property.
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Cornerstones to either side of the main facade read "Erected, 1906" and "John J. Hill, Builder", while the word "Library" is centered over the lintel of the front door. The library's collection was donated in memory of George Weeks' brother J.R., whose funeral was reputedly the first in Tonopah. The library was placed on the National Register of Historic Places in 1982.
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There is also a carving of the trinity of Surya, Brahma and Shiva. A figure of Shiva is carved on the lintel at the entrance to the sanctum (garbhagriha). The central icon of the linga in the sanctum is not the original but a duplicate, as the original is untraced. Worship is offered at the temple by the local people.
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The Robert J. Whaley House is a two-story, Queen Anne house with asymmetrical massing and a hipped and dormered roof. The exterior is painted brick. The front facade is three bays wide, with a wraparound front porch covering the entrance in the left-most bay. A tall window with an elaborately carved rounded-arch lintel is above the porch roof.
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On an ancient lintel is carved a double cross in a circle."Guérin, 1880, pp. 387-8; as cited in Conder and Kitchener, 1881, SWP I, p. 114 In 1881, the PEF's Survey of Western Palestine (SWP) described it: "A village, built of stone, situated on a ridge, with olives and arable land around, containing about 100 Metawileh; water from cisterns.
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The farmhouse was built in the eighteenth century, circa 1760. However, the large barn was initially a stone structure from the late medieval period, circa 1450. While a hall and a passage from the medieval period still exist, the associated windows did not survive. In the hall, the post-medieval, circa 1600 ceiling and large fireplace with a stone lintel are still present.
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The original house was a rubble-walled three-storey building built in a L-shape. The second-storey windows rose through the eaves to pedimented dormerheads. A similar pediment surrounds the entrance on the west side. Its lintel bears three weathered heraldic shields, the initials of Graeme and his wife Marjory, and the date 1634, presumably its date of construction.
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This lintel is now in the Cork Public Museum. Occupying the highest point on the western end of the island is a block hut known locally as "Pilots lookout". This which was used in the 19th and early 20th century to spot ships coming into Dingle bay which may have required piloting into Valentia harbour. Beginish Island is currently uninhabited.
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The first floor has a series of twelve-paned timber sash windows. The ground floor north elevation has been changed several times, apparently soon after construction. Large archways on either side of the north elevation were filled in, and the windows added later. Several small doorways at the middle have been filled in and a later opening with a hardwood lintel was inserted.
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A lintel showing Vishnu on Garuda, on the northeast wall of the sanctuary. The path culminates in seven sandstone tiers which rise to the upper terrace and central sanctuary. The sanctuary is in two parts. The front section, of sandstone, is now occupied by four Buddha images, while the brick rear part, which formerly contained the central lingam, is empty.
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The main entrance is in the rightmost bay, framed by sidelight and transom windows, and topped by a peaked lintel stone. The mortar in the walls appears to be original. The interior of the house follows a typical side-hall plan, and retains much original woodwork, which is typically Greek Revival or vernacular. The house was built in 1850 for Henry B. Bissell.
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The facade is separated into bays by pilasters. Each bay contains multi-paned, double-hung windows on each level, framed by two vertical multi- paned sidelights A multi-paned tripartite transom unit surmounts the second floor window, and a paneled spandrel separates the first and second floor units. A concrete lintel and brick attic runs across the top of the building.
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Charles died in 1498, two and a half years after his retreat from Italy, as the result of an accident. While on his way to watch a game of jeu de paume (real tennis) in Amboise he struck his head on the lintel of a door.Heiner Gillmeister, Tennis: A Cultural History (London: Leicester University Press, 1998) p. 21. () At around 2:00 p.m.
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Elaborately decorated doorjamb and lintel of lateral entrance into closed mantapa of the Nagareshvara temple, Bankapura Decorative door jamb and lintel relief at main entrance into closed mantapa of the Nagareshvara temple, Bankapura The Nagareshvara Temple, (also spelt Nagaresvara or Nagareshwara) also called the Aravattarukmbhada Gudi (lit, "Temple with sixty six columns") is a 12th-century Western Chalaukya (also called Later Chalukya or Kalyani Chalukya) construction. Bankapura is located in the Haveri District of Karnataka state, India. According to the Archaeologist Henry Cousens (1854–1933), during medieval times, the Bankapura fort was considered one of the most important fortifications in the Karnataka region. According to Cousens, the temple suffered much damage when Bankapura fell to the armies of Firoz Shah Bahamani in 1406 CE and later again when it was occupied by the Bijapur Sultan Adil Shah.
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The O. J. Daniels House is a historic house located south of Jerome, Idaho. The lava rock house was constructed circa 1928 for farmer O. J. Daniels. While the home's craftsmanship resembles works by stonemason Marland Cox, its builder has not been determined. The home's vernacular design features symmetrical windows topped by flat rock arches, a stone lintel above the front door, and a gable roof.
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Across the road from where the building stood is an outdoor riding ring enclosed by a rough rail fence. To the west of the building's site, standing alone in the tall grass, is a 16th-century post-and- lintel stone element, which was at the center of the stage of a 1,500-seat outdoor Greek amphitheater that was part of the Shepard estate and was since dismantled.
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One facet of the Karamon Gate's Chinese architecture is that it uses the previously mentioned post-and-lintel style. Also, the structure uses the common 3-on-1 bracket complexes in holding up the gate and the gate's roof. The gate has a karahafu, or "Chinese gable" roof. As seen in fig. 5, the gate has a unique roof curvature that is distinctly Chinese in style.
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Also, it uses the traditional post-and- lintel style, as previously explained. It has three-stepped bracket complexes, as previously discussed. It consists of three bays, and a central core that runs the entire height of the structure ending in the finial on top. The central pole is evidence that pagodas are like Indian stupas in that it is a common trait in the architecture.
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It has 4 floors with 6 windows each on the main facade along Via Giulia. On the ground floor the windows are rectangular and equipped with grilles. At the center of the ground floor there is a strongly tapered portal with at the center of the lintel a large bugna surmounted by the inscription cited above. The imposing building is concluded by a large groove cornice.
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Surp Hovhannes has two portals that lead into the building. The main entrance is from the side of the church, and has an inscription upon the lintel above the portal. Indications of the structure's age can be seen in the temple style steps leading up to S. Hovhannes and the Maltese Crosses carved into the façade. Khachkars and other decorative stones may be found around the premises.
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The church is built from roughly coursed sandstone which was sourced within 3 km of the church. Its design contains elements of cyclopean masonry with a deep anta of 0.59 metres. The ashlar walling in the chancel is rare for a pre-Romanesque building. It is similar in form to Clonmacnoise and retains its original doorway, the lintel and architrave of which denote its significance to worshippers.
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Further texts on the lintel and the jambs. The south-west wall contains a scene of relatives at a banquets before the vizier Useramen. On the adjacent western wall Amenemhat is shown offering to his ancestors and in another register to the architect and artisans who crafted the tomb. The north-west wall shows Amenemhat with his wife Baketamun and their son Amenemhet before offerings.
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It is used as the lintel of the doorway. Part of another gravestone, dating from the 9th to the 11th centuries and with a cross in a circle, is set to the right of the door. Inside, three steps lead up from the nave to the chancel through a decorated chancel arch. A further two steps lead up from the chancel to the sanctuary.
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Detail of Lady Xoc on Lintel 24 Most houses in Maya civilization were owned by the supernatural. Inomata and Houston identify only 5 structures owned by humans, and only two of them were owned by women – Structure 11 and Structure 23. Structure 11 is owned by Ix Sak Biya꞉n who is also seen as a "woman of Itzamnaaj Bʼalam II".Inomata, T., & Houston, S. (Eds.). (2001).
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76 Kent Street, a three-story Renaissance Revival building, was built at an unknown date between 1886 and 1904. It contains brick lintels, cornice and parapet, as well a first-floor steel lintel. Sometime in the 1980s it was partially made into a residential building. 59–63 Kent Street, a five-story building built around 1910–1911, is located on the north side of Kent Street.
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The original windows were all double-hung and of modest size, occurring both singly and in pairs while showing a variety of lintel designs. The original front (east) facade appeared much different than it does at present. The front entryway has been completely altered, due to Perry Ellwood's 1911 remodeling. The original entryway featured a one-story stone porch supported with two pilasters and two granite columns.
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14 pt. renfrew. By this point, part of it evidently formed a lintel of a barn door, although by the mid nineteenth century it disappeared.Steele (2014) p. 145; The New Statistical Account of Scotland (1845) p. 14 pt. renfrew. The approximate site of "Queen Blearie's Stone" ()Knock, Queen Blearie's Stone (n.d.). is now part of a housing estate.Glasgow Airport Investment Area Scoping Report (2016) p.
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A round-arched window and lintel flanked either side of the main entrance, while a full height pilaster was located at each corner. One observer in 1873 said that the chapel was a "plain but handsome brick building, without any cupola or belfry." The walls were repainted that year, with decorative elements resembling panels and pilasters. The chapel's bell tower and stained glass date to 1883.
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A similar ornament covers lintel stones, abaci of the columns, individual parts of the archivolt and a hand of eight-pointed stars trimming the portal in a rectangular frame. The carving is so perfect that the overall impression is that of openwork lace. The distinctiveness and richness of the church's decoration evidence the artistic taste and consummate skill of the craftsmen who created it.
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There is only one portal leading into the structure from the northern wall, likely constructed from stones taken from another monument. Above the entry is a tympanum style lintel. Two iron rings positioned at either side of the portal indicate that there was once a wooden hall in front. The rectangular prayer hall, , was once divided into three naves by a pair of arches.
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There are fixed 12-pane windows in the two left (western) bays and in the bay on the right. Between them, in the third bay, are three steps leading up to a rectangular doorway. The lintel over the door is inscribed with the date 1760. The left and right sides are plain with gables and in the back wall is a 16-pane sash window.
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It has a molded cornice at the roofline. On the north elevation the frieze and cornice at the top of the stone wall continue around the corner and terminate in returns. The basement window on that side shows the signs of having once been an entrance. The west (rear) has a centrally located door and three windows, with the southernmost having an unusually large lintel.
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Sheinkman's artwork has been written about and reproduced in Art in America, Artnews, The New York Times, The New Yorker, TimeOut New York, The Boston Globe, The Los Angeles Times, The Philadelphia Inquirer, El Pais, Il Mattino, Die Welt and many other publications His artworks are currently handled by Von Lintel Gallery in Los Angeles, Steven Zevitas Gallery in Boston and Pace Prints in New York.
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The inscription on the lintel of the doorway reads: :Crimina dimittat, qui liminis alta subintrat. Templum, si poscat, / sub Petro principe noscat, quod cum fundasti, Rotberte comes, decorasi. :Let him cast off his sins who crosses this lofty threshold. If he ask, let him know that when under the protection of Peter, prince [of the Apostles], you, Count Robert, founded the church, you adorned it.
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On the left, below this lintel, Khnumhotep stands on a papyrus boat, spearing fish in the water that floods the bases of papyrus stalks he drifts among. He is accompanied by his wife Khenut, sons and a daughter. On the right, Niankhkhnum is depicted in a similar manner, aiming his throw stick at the waterfowl although the active arm is now missing from this piece.
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A pediment is the roughly triangular space above a rectangular doorway or openings. At Banteay Srei, pediments are relatively large in comparison to the openings below, and take a sweeping gabled shape. For the first time in the history of Khmer architecture, whole scenes of mythological subject-matter are depicted on the pediments. A lintel is a horizontal beam spanning the gap between two posts.
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The lookout tower is implanted in the northeast, a rectangular plan, without ceiling. The southern elevation's first floor includes a large rhombus of great dimensions. The second floor includes a rounded doorway with rectangular lintel and tympanum with a sculpted cross of the Order of the Temple. On one of the undulations is the mark of the sculpture, in the form of a horizontal "S".
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The feature which most distinctly makes the iwan a landmark development in the history of Ancient Near Eastern architecture is the incorporation of a vaulted ceiling. A vault is defined as a ceiling made from arches, known as arcuated, usually constructed with stone, concrete, or bricks.Doulas Harper, "Vault", last modified 2010, www.dictionary.com. Earlier buildings would normally be covered in a trabeated manner, with post and lintel beams.
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Between the floor and the door a concrete lip has been built. Two small timber framed windows with a wrought iron lintel are visible on the southern wall of the southern shop. The sill appears to be constructed of rendered brick and is consistent with other places constructed pre-1900 around Cairns. Metal bars cover the window, which are not considered part of the original structure.
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The house, which consists of several bays, has white painted walls and slate roofs. Outside are several agricultural buildings which have been adapted to provide accommodation. The interior includes a fireplace with a chamfered lintel which dates from 1654, panelling and a 17th-century overmantel with a painted coat of arms which was brought from Weare Giffard Hall, near Bideford, a secondary seat of the Earls Fortescue.
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The front façade follows the covered stairway, under which is a doorway. The original door was a post and lintel, stone-faced doorway. Brick designs include flat gauged apertures between each column, indented square brick patterns, and a brick, dentilled cornice along the stepped and gabled rooflines. A series of small round head arches form a pattern across the gabled portion of the roof.
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An Iron Age settlement near a spring in the Lintel section of Hude was at the southern end. A section of the trackway has been reconstructed. Built somewhat later, the Wittmoor Bog Trackways are two historic trackways discovered in Wittmoor in northern Hamburg. The trackways date to the 4th and 7th century AD, both linked the eastern and western shores of the formerly inaccessible, swampy bog.
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The frontage of the house carries a date of 1742 but this indicates the date of the house's remodelling. Its origins are earlier, dating from the late 17th century. A door lintel in the kitchen is dated 1684. The mid-18th century alterations gave the house a "Renaissance" façade, with a forecourt and a decorative gate and railings of ironwork, which are included in the house's listing.
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68 Connections of this type were common in post and lintel construction, such as that found over corridors. Aside from nails, blacksmiths fashioned iron gates, crosses, tools, kitchen utensils, cannons for mission defense, and other objects needed by the mission community. Settlements had to rely on cargo ships and trade for their iron supplies as they did not have the capability to mine and process iron ore.
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Number 15 has a modern shop front in the lower storey, and a six-light mullioned and transomed casement window above. Beneath and to the sides of the windows are square panels. Over the window is a hipped roof with a gable containing pargeting. In the ground floor of number 17 is a doorway over which is a stone lintel inscribed with the date 1874.
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The lobby is located inside the rotunda and is composed of three parts: the foyer leading east to the entrance, the central cylinder, and the foyer leading west to the pool. The foyers are one story high while the center cylinder is one and a half stories. The curved outer wall is topped by a lintel made of concrete. Light fixtures hang from the white-plaster ceiling.
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His hair is tied up into a bun at top, where there is a thin crescent moon. His forehead has a third eye. His nose is broken, likely intentionally damaged. According to Banerjee, the Shiva face on the lingam is well proportioned but it is not as "beautiful as the face on sanctum door lintel" or the ancient ekamukha linga found in Khoh, Madhya Pradesh.
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The broch has an external diameter of around 16.5 metres and an internal diameter of around 9.6 metres. The broch was built on uneven ground, so the natural floor of the broch has a slope. The entrance passage is on the northeast side and has a massive triangular lintel over the doorway. There is an elongated guard cell on the left side of the entrance passage.
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Fifth, an angel came and lifted up the lintel so that Phinheas could exit holding the spear. And sixth, an angel came and sowed destruction among the people, distracting the Simeonites from killing Phinheas.Babylonian Talmud Sanhedrin 82b. The interpreters of Scripture by symbol taught that the deeds of Phinehas explained why directed that the priests were to receive the foreleg, cheeks, and stomach of sacrifices.
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The Frederic M. Sibley Lumber Company Office Building was constructed in a Neo- Classical style in 1925.Sibley Lumber Co. Office Building from the city of Detroit The two-story building is red brick, trimmed with limestone, and the legend "F. M. Sibley Lumber Co." is carved in the limestone lintel above the entrance. The façade is divided into eleven bays, each separated by a brick pillar.
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Underneath the Lintel is a play by Glen Berger that premièred in 2001. The sole character—the Librarian—embarks on a quest to find out who anonymously returned a library book that is 113 years overdue. A clue scribbled in the margin of the book and an unclaimed dry-cleaning ticket then take him on a mysterious adventure that spans the globe and the ages.
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Front of Lara House Left-Side of Lara House The Lara House is a Post and Lintel Type of construction. Wood posts were located at the ground floor - reaching up to the second floor. It reflects Second Transition Post-1860s Bahay na Bato Quadrant Style. With its predecessor, the First Transition Pre-1860s (which uses clay roofing tiles), the said style integrated galvanized (G.
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The American Museum in Bath, England bought up everything having to do with Conkey's Tavern. The museum faithfully and superbly recreated the interior main room, using the original massive stone fireplace lintel, with the neatly chiseled inscription "William Conkey June Ye 21st AD 1776". Scores of tourists tramp through the simulated tavern daily, sampling gingerbread and pausing for warmth at the well-maintained fire.
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Fifth, an angel came and lifted up the lintel so that Phinehas could exit holding the spear. And sixth, an angel came and sowed destruction among the people, distracting the Simeonites from killing Phinheas.Babylonian Talmud Sanhedrin 82b (Babylonia, 6th century), in, e.g., Talmud Bavli, elucidated by Michoel Weiner and Asher Dicker, edited by Yisroel Simcha Schorr and Chaim Malinowitz (Brooklyn: Mesorah Publications, 1994), volume 48, page 82b1.
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Hangars Two and Three at Moffett Field are long, wide and high, with an extruded parabolic form that reflected the profile of the airship vessels to be accommodated. A total of 51 Douglas Fir heavy-timber trusses resting on concrete bent frames contain the two-story shop and office areas. Two concrete and wood post and lintel structures support high multi-track rolling doors at either end.
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Jones, The temple of Apis in Memphis, pp. 145–147. Ankhefenmut kneels before the royal cartouche of Siamun, on a lintel from the Temple of Amun in Memphis. The majority of known Apis statues come from the burial chambers known as Serapeum, located to the northwest at Saqqara. The most ancient burials found at this site date back to the reign of Amenhotep III.
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At the front, and on the rear extension, the roofline is marked by overhanging eaves with a dentilled soffit. On the side elevations a parapet with the chimneys rises above the roofline. The six-over-six double-hung sash windows have just the sill and lintel. Above them, in the gable field, is a wide fanlight and "SEYMOUR PLACE" in metal lettering on the west side.
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Two concrete and wood post and lintel structures support multi- track rolling doors, 121 ft. tall, at either end. These hangars have a monumental presence set within a paved expanse of airfield, and are a familiar landmark in the San Francisco Bay Area. Goodyear's assembly program at NAS Moffett Field ended after delivering thirty-nine (39) G-class blimps, L-class blimps, and K-class blimps.
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Archaeological remains include two churches that lie just east of the settlement, olive presses, and various dwellings. Of the two eastern churches, the southwest basilica dates to the mid-5th century. Its west wall and north side of the apse are preserved. The west façade is relatively simple, with only arched windows, a gable roof, and a doorway lintel with a medallion (my observation from Kidner).
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Along with vaults, they gradually replaced the traditional post and lintel construction which makes use of the column and architrave. The construction of domes was greatly facilitated by the invention of concrete, a process which has been termed the Roman Architectural Revolution. Their enormous dimensions remained unsurpassed until the introduction of structural steel frames in the late 19th century (see List of the world's largest domes).
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In her 1983 exhibition at Susan Caldwell, she introduced an architectonic element to her work with a freestanding, screen- like painting and rectangular canvasses arranged in tau, lintel-like and other relationships, which related to the multiple panels in Greek and Russian icons, friezes, and early Italian narrative painting.Leib, Vered. "Joanna Pousette-Dart: Exploring the Possibilities of Dialogue," Arts, April 1988, p.74.Silverthorne, Jeanne.
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Drawing by Désiré Charnay (1885)The lintel is done in high relief style with the background deeply recessed. All three were apparently commissioned by Lady Xoc for the doorways of Structure 23. The lintels show the elaborate costumes of the king and queen with remarkable detail and with an uncharacteristic lack of abstraction. These lintels are considered by some to be the pinnacle of Mayan Art.
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Miller, p. 18, cites Sylvanus G. Morley, who in his Ancient Maya (1946) considered this to be "the most beautiful example of sculptured stone door lintel." We are able to study the detail of Mayan weaving as depicted in these carvings, and see the pearls woven into the fabric. Subtle differences in the three lintels suggest that the compositions were completed by two or three different artists.
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Lintel 24 at Yaxchilan, depicting Lady Xoc drawing a barbed rope through her tongue. Ritualized bloodletting was typically performed by elites, settlement leaders, and religious figures (e.g., shamans) within contexts visible to the public. The rituals were enacted on the summits of pyramids or on elevated platforms that were usually associated with broad and open plazas or courtyards (where the masses could congregate and view the bloodletting).
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They also managed to tow the lintel up a steel ramp. They were unable to determine this was the final answer but they demonstrated that this was a possible method. At times they were forced to use modern technology for safety reasons. Josh Bernstein and Julian Richards organized an experiment to pull a 2-ton stone on wooden tracks with a group of about 16 men.
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It is an early example of a vernacular limestone farmhouse. This two- story structure has a two-story addition composed of locally quarried ashlar and rubble stone. It features a lintel course, a protruding water table, the main entryway has an elaborate transom and sidelights, and stone chimneys on both gable ends. The house was listed on the National Register of Historic Places in 1987.
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The main entrance at street level, behind a long awning, is flanked by two Doric pilasters supporting a horizontal lintel, set in rusticated stone. Above that story is a full-width balustrade. On the upper stories the stone is laid in an ashlar pattern with quoins at the corners. The second story windows are double glass doors topped with carved bracketed pediments (rounded in the center).
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The doorways are flanked on each side by a dvarapala, each leading to a sukanasi (vestibule chamber). There is intricate carving above the lintel between the dvarapalas, presenting Shiva with Parvati, along with other devas and devis, as well as two large makaras (mythical syncretic sea creatures). On the makaras are Varuna and his wife Varuni riding. The doorjambs are decorated with purnaghatas (vessels of abundance).
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115-118 (online) This mastaba is a simple rectangular block with just a small inner chapel. The only decorated part that survived is a door lintel showing Medunefer sitting. There is also a short inscription listing Medunefer's titles. According to the text, he was king's acquaintance, master of the secrets of the palace, leader of the eye physicians of the palace and physician of the palace.
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In the chapel there are other dates, some of which, thanks to the restoration work (Haas 1997) have been able to be correctly attributed: the retable dates to the year 1705, and the date of 1905 above the door lintel indicates the restoration measures of that time. The date of 1460 that was painted on the retable until the 1995-97 restoration was classified as incorrect.
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The Braastad–Gossard Building is a four-story painted red sandstone-trimmed brick building. The building has a 150-foot long main facade facing Cleveland Street, which is divided into six three-window wide bays by raised piers. The piers terminate at a brick frieze spanning the building's width. Rock-face sandstone beltcourses also span the building at the second and third-story window-lintel levels.
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Most of the building is covered in elongated rectangular windows with rounded lintel. The central register includes three large rounded door, surmounted on the second floor by three rounded windows on the second and third floors, but extending along the entire third floor. The remainder of the ground floor includes rounded windows and doors, while the second register, on the lateral wings, include smaller rounded windows.
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At upper level, the architrave of these windows takes the form of mini-pilasters supporting a moulded lintel. The front elevation is finished in chamferboards. Pilasters are located at the corners, separated by a protruding string course at first floor level. The upper level pilasters support an entablature and pediment with simple timber mouldings and the symbols of Freemasonry are located within the tympanum.
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In the lintel is a band of exaggerated dentils. In the stone surround; the school name, WILLIAM R. BELKNAP SCHOOL, is located above the doors, flanked by applied decorative terra cotta motifs. On the second floor is a pair of windows with vertical mullions in both sash, and crosshatch mullions in the upper portion of the upper sash. Flanking the windows are applied, terra cotta torch motifs.
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The workers marked, in tar, the undisturbed portions of the cashel and used the collapsed stone to build on this foundation. They supplemented these with other stones from the area to replace those 'removed by King Murdoch O'Brien in 1101'. The internal diameters of the cashel are 23.6 metres north to south and east to west. The lintel-covered entrance is long, wide and metres high.
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The roofs are crowned by small finials in form of kalasha. The well is 5.3 metres in diameter. At the top of the round well-shaft, there are six double- bent struts in the last storey; four in back wall covered with stone lintel for drawing up water, in leathern bags for irrigation purposes. There are stone screens on each side of first kuta forming its walls.
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Surviving early door hardware includes brass, ceramic and timber knobs and keyhole covers. Some doors may have been relocated from their original positions. In the entrance vestibule, a moulded plaster archway, with capitals and keystone, ornaments the opening to the central hall. The main reception room has a large rectangular doorway opening with holes in the timber lintel surviving as evidence of previous folding timber doors.
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The roof is a replica of the building's original, which was at one time replaced by a shallow-pitch pyramidal roof. The main facade is symmetrical, with a center double-door entrance topped by a lintel with bracketed molding. Flanking the entrance are doubled sash windows, taller versions of which rise on the second floor. The central second floor windows have round-arch tops.
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Publication date:1897. Revised: 1895 The surviving remains of the hall consist of a rectangular structure on a north-west to south-east axis with a central division that suggest two phases of construction as one half has walls that are narrower than the other. A dominant feature in the northern section is a fireplace with a substantial lintel, the remnants of window locations are discernible.Alexander, p.
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Its hip roof is supported by Tuscan columns, and it has shingled skirts topped by low metal balustrades. Its two entrances are in the two center bays, each doorway flanked by sidelight windows; they share a molded lintel. Windows are topped by slightly projecting moulded cornices. The interior is divided into roughly symmetrical side-by-side units, each retaining some original 19th- century woodwork.
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Thompson's Bridge is a historic stone bridge in rural Franklin County, Maine. Built c. 1808, it is one of a very small number of surviving stone lintel bridges in the state, a type that were once quite common. It carries a local dirt road across Josiah Creek in the Allen's Mills section of Industry, and is located near (and possibly on) the border with neighboring Somerset County.
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The Ralph W. Shattuck House is a historic duplex house at 274-276 Broadway in Arlington, Massachusetts. The 2-1/2 story wood frame double house was built c. 1875, and is one of the best-preserved Italianate houses in the town. It has a heavily bracketed cornice line, a bracketed hood sheltering the two entrances, and decorative window surrounds with small brackets at the lintel.
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The east wall bears dvarapalas and devatas. Entrances to the south and north have inner and outer lintels, including one to the south of Krishna ripping Kamsa apart. A lintel showing Krishna killing Kamsa, on the south wall of the sanctuary. Other features of the area are a library, in poor condition, south of the sanctuary, and a relief of the Trimurti to the northwest.
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Grace-Hampden Methodist Episcopal Church is a historic Methodist Episcopal church located at Baltimore, Maryland, United States. It is a large stone building constructed in 1899. The Romanesque Revival-style church features multiple gables and a square bell tower and masonry construction utilizing local granite with round-arched openings and decorative sill and lintel courses. It was the first ecclesiastical commission of local architect George Clifton Haskell.
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An Umbral or lintel was added for support of the Viga along with vertical posts in these spaces. The portal’s roof treatment was the same as interiors and the space provided for different uses. Vigas were usually installed with the smaller ends to one side of the roof to facilitate good drainage. Also, Vigas usually sat directly on the adobe or stone walls and strapped.
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The George and Martha Hitchcock House is a two-story asymmetrical wood-framed Queen Anne structure clad with clapboards. The front facade spans four bays, with the rightmost bay recessed, transitioning into a bay window corner. The porch was altered in the 1950s by extending it across the front facade. The attic has a pedimented gable over the three left bays with an elaborate molded lintel.
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The 36-meter-long coatepantli of Tula depicts, in bas relief, serpents appearing to devour skeletal figures. Some sources describe the figures as leaving the mouths of the snakes, and others describe them as being carried by the snakes. Lintel stone from Yaxchilan depicting a man emerging from the mouth of a vision serpent. Originally the background and flesh of the skeletal figures was painted red.
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He suggested replacing the vaulting, which he found to be too flat and too weak, with a wooden ceiling and improvements to the roof frame. These things were done by the following year, and the churchtower was also built higher. The church that stands today is from 1766, as shown on the lintel above the lefthand entrance door. The church's dimensions are some 25 ×11 m.
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In 1965 Sykes co-operated with the architect Gerard Goalen on the re-ordering of Grade II St Gregory the Great in South Ruislip, for which he produced a lintel sculpture. Robert Proctor, Senior Lecturer in Architecture and Civil Engineering, University of Bath says: "Goalen commissioned Sykes to make a bold sculptural lintel in bronze over the entrance." Proctor goes on to comment that Patrick Reyntiens, who made the stained glass at St Gregory, and Ralph Beyer who carved inscriptions had both worked with Sykes at Coventry. In its listing of this church, Historic England says: "reflective of a culture of sacred art within the Catholic Church, and Goalen’s interest in the use of contemporary art in combination with architecture, St Gregory’s contains several notable works of art by a number of highly regarded C20 artists, including Patrick Reyntiens, Stephen Sykes, Dom Charles Norris and Willi Soukup".
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A fire is contained in a firebox or firepit; a chimney or other flue allows exhaust to escape. A fireplace may have the following: a foundation, a hearth, a firebox, a mantelpiece; a chimney crane (used in kitchen and laundry fireplaces), a grate, a lintel, a lintel bar, home overmantel, a damper, a smoke chamber, a throat, a flue, and a chimney filter or afterburner.Chimney filters can save billions On the exterior there is often a corbelled brick crown, in which the projecting courses of brick act as a drip course to keep rainwater from running down the exterior walls. A cap, hood, or shroud serves to keep rainwater out of the exterior of the chimney; rain in the chimney is a much greater problem in chimneys lined with impervious flue tiles or metal liners than with the traditional masonry chimney, which soaks up all but the most violent rain.
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The front facade has two symmetrically placed entrances on either side of a tall window. All three elements are capped by a shallow peaked lintel. The building's corner boards are paneled, with an entablature extending along the sides. The church was built in 1859 for a congregation established in 1798; it was that organization's third edifice, built on the site of the second, which was destroyed by fire in 1857.
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Morson's Row, also known as James Morson's Row, is a set of three historic rowhouses located in Richmond, Virginia. They were built in 1853, and are three-story, three bay brick structures with flat roofs. They feature Italianate style heavy bracketed cornices, arched door enframements, and elaborately molded consoled lintel over the windows. The distinctive feature of the row is the off-center, two-bay bow on each house.
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The tympanum above the door, which may have once held an inscription, fresco, or other form of decoration, is now worn beyond recognition. Although, some of the original white plaster is still preserved around the lintel. Beyond the gavit is the main hall of the church; a large vaulted chamber that is relatively unadorned. Capitals of the six columns in high-relief are of interest since each contains a unique design.
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The additions are a rare example of a blend of post war international and regional style residential architecture. The strongly vertical tower contrasts with the log cabin. It is a severe stone block structure (with small projecting sandstone lintel hoods over the windows) cut into the bedrock from which it emerges and from which the sandstone blocks were quarried. The cabin dates from 1929 and the adjoining tower from 1934.
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The facade is made of granite at the base, while the other stories are faced with limestone. The building contains 2,180 windows, most of them plate glass panes. Most of the windows are one-over-one sash windows with one of four lintel types, though the 34th floor contains single-pane windows that replaced the louvered or empty openings on that level. The windows originally all contained bronze frames.
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Dividing the signal spectrum by the light intensity spectrum can give a relative percent absorption spectrum, which can be calibrated to yield absolute values. This is very useful to detect very small concentrations of various materials.Harren, F. J. M.; Cotti, G.; Oomens, J. and te Lintel Hekkert, S. (2000) "Environment: Trace Gas Monitoring", pp. 2203–2226 in Encyclopedia of Analytical Chemistry, M. W. Sigrist and R. A. Meyers (eds.) Vol.
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On the south and west sides of the tower are round-headed windows. The louvred bell openings are in pairs and are round-headed. On the side of the south aisle is a gabled porch, with two two-light square-headed windows to the east of it. The east window of the aisle has three lights, under a lintel consisting of a re-used grave slab carved with a wheelcross.
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A basalt lintel decorated with a menorah bas-relief, dated to the 5th-6th century[Rachel Hachlili, The Menorah, the Ancient Seven-armed Candelabrum, Brill 2001] and discovered at Kafr Danna, is possibly the only remaining element of a Byzantine synagogue once standing there.Dr. Chaim Ben David, The Jewish Settlements in the Districts of Scythopolis, Hippos and Gadara, p. 314 note 34. In ARAM, 23 (2011) 309-323.
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The belfry consists of sixteen equally spaced columns with an equal amount of smaller arches that support the weight of the cupola above. A main portal leads into the church decorated by an intricately carved arched lintel and door frame. Another smaller doorway is located on the façade to the right of the front of the church. It is almost as intricately carved as the main entry door.
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These sixty-foot-long sections would be located on the new platform between Tracks 1 and 4. Finally, a display case or plaque describing the history of the station will be installed underneath the replicated Knickerbocker lintel. The construction contract for the project was originally scheduled to be awarded in June 2018. However, this was delayed by several months because of changes to the project schedule and cost.
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The five-bay front facade features a three-bay projection about the central entrance. The main doorway features a Classical surround and is topped by an entablature and cornice. The windows above this entrance, which are offset and open to a staircase, have transoms and brick spandrels. Continuous concrete sills encircle the building below the first- and third-story windows, and a continuous lintel runs above the third story.
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Its east (front) facade has a centrally located segmental arch entrance with brick surround, lintel and keystone. A carved metal eagle surmounts the door. "UNITED STATES POST OFFICE" is written in bronze letters across the top of the facade, with "MIDDLEPORT NEW YORK" in smaller letters below. Three granite steps lead up to the entrance from the sidewalk; a wheelchair ramp runs from the top to the north along the facade.
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North view Balla Round Tower was built with red and brown coursed sandstone, and the lower three stories survive. There are two doorways: one in the east up, and an arched north-facing lower down doorway – probably a later insertion. There is only one window, in the south of the tower. The lintel of the east door reused an old cross slab, and two bullaun stones are built into the base.
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The Churchill Bridge is a historic bridge carrying Mountain Road over Bicknell Brook, in a rural corner of Buckfield, Maine. It is one of three documented stone lintel bridges in the state. It is a dry laid rubble stone structure which carries the road over the stream at a height of about . The total length of the bridge is about , and the clear span over the brook is .
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Lintel 25, Lady Xoc at lower right Lady Xoc donated three lintels to hang above the doors of a building in Yaxchilan's plaza. In the lintels, she is depicted performing central roles in ritual life. The fact that a woman appears in the lintels as the central figure is what makes them so unique. Also, the lintels were meant to show the hopes Shield Jaguar had for the kingdom.
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Structure 23 was the subject of two och-kʼakʼ ceremonies. These ceremonies involved modifications of the southwest doorways of the building as well as dedications of the carvings in Structure 23 (Inomata and Houston, 2001). Lintel 23 also shows that the ceremonies were attended mostly by women closely related to Lady Xoc. The fact that ceremonies were dedicated to Lady Xoc's house further shows her stature in Yaxchilan.
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The lintel above the door to the lighthouse is dated 1901. Within the compound of the lighthouse there was also a sundial and a flagpole. The stone proved resilient during the Second World War, when the lighthouse was machine-gunned yet sustained no damage. The lighthouse was manned by two lighthouse-keepers until 1966 when it was electrified, with a backup generator and emergency battery (used if the generator failed).
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On the lintel beam a fresco is made by Henri Sicking. It’s a symbolical representation of a prosperous future in an urban society of culture and economy. Expressed by a woman, flanked by a man and a woman, writing on a banner which has been draped over a book support with the Latin words: 'CVLTVRA' and 'OECONOMIA' on it. The latter is derived from the Ancient Greek οἰκονομία.
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The lintel over this second- floor balcony is monolithic. Its cornice, which is exceptionally recessed, and crowned by a balustrade consisting of six flaming sculptures, while four blazing amphorae on its flanks over an Ionic pilasters frame. The main floor is embellished by frames of carved granite, and the outline of the wrought iron balconies. Apart from the main entrance, are two lateral doorways (all which are painted in complementary blue).
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The Jacob Hoffstetter House is a large two-story, red brick, gabled Late Victorian structure sitting on a coursed ashlar foundation. The windows are narrow, single-light-sash, double-hung units with stone sills and segmental-arch heads. At the lintel level in each story, a two-brick high belt course of yellow brick encircles the building. Bay windows and the two side porches are topped with cornices.
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Building walls may also be used, and in some cases so may a natural wall such as a river bank or steep hill. Walls may include doors and windows. As such, the wall may even consist of a series of "doorframes" with almost no wall between them. Poles in the ground form the "doorposts" of the doorframe, and rope or wire between the poles forms the "lintel" of the doorframe.
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Near this barbican is a guard's room with three arched openings towards the north. The barbican has a narrow court with entrances towards the west and north-east, the gates of which are built in the pillar-and-lintel style. In the covered passage of this gateway, there are guards’ rooms on both sides. The massive bastion above referred to has a gun with a Kannada inscription near the muzzle.
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This multi-headed nāga is part of a decorative lintel from the end of the 9th century. Nāgas are frequently depicted in Angkorian lintels. The composition of such lintels characteristically consists in a dominant image at the center of a rectangle, from which issue swirling elements that reach to the far ends of the rectangle. These swirling elements may take shape as either vinelike vegetation or as the bodies of nāgas.
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Broad dormers with round-arch windows are set in the roofs. A central square-plan, pyramid-roof tower tops the entire depot. Exterior details include accent bands of darker-color brick at window-sill and -lintel level and above doorways, brick panel friezes with terra cotta work, and sawtooth brickwork panels above some windows. A single-story shed-roof canopy supported by large iron brackets surrounds the building.
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This gateway was, until the school's dissolution, barred by double doors. The main door to the scuola was added in 1512 and features a lintel with kneeling figures. Opposite the buildings of the scuola stands the scuola's small church also dedicated to St. John the Evangelist. The atrium building is two stories high while behind this is the much larger three-story building which contains the large halls.
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The two-story Vermont granite-clad structure features paired, fluted Ionic columns flanking the front door, with segmented arch windows over the doorway. The entrance is in a pediment portico. The stone lintel over the door has the engraving "Incorporated 1902." The original four-riser granite stairs to the entrance are in good condition as is the contemporary wrought iron railing, which is not original to the building.
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The brick arch is obviously a replacement, but the wooden door trim consisting of two vertical frames surmounted by a horizontal board bearing a chamfer and lamb's tongue molding may be of colonial age. The vertical frame members extend beyond the lintel to the bottom of the brick arch. The space between the arch and the top board is filled with flat plaster. The sill is a simple wooden one.
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Ima Hartmann-Rochelle: Bernd Hartmann sculpture in Rheda-Wiedenbrück Bernd Hartmann (11 October 1905 in Wiedenbrück – 28 October 1972 in Rheda- Wiedenbrück), aliases Bernd Hartmann-Wiedenbrück and Bernd Hartmann-Lintel, was an academic sculptor and sacral artist. He belonged to the Wiedenbrücker Schule school of arts. Hartmann came from a family of artists. His father Heinrich Hartmann (1868–1937) and his brother Hubert Hartmann (1915–2006) were also sculptors.
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The main entrance of the connector section, at the east porch, has sidelights. It opens onto a hallway that leads from the front to the rear of the house. An old doorway (now closed) between the hyphen and the original house in the rear has an old board-and-batten door with a carved Greek key lintel. The oldest rooms here have the original hearth and bake oven.
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The chapel is a plain structure, built of gritstone with quoins at the corners and a slate roof. It has a small, hexagonal bellcote on the west gable. The side walls have two cross-windows with rectangular panes of glass and the gable walls have windows with small diamond-latticed panes of glass. On the south side are two doorways with chamfered surrounds; over one door is a lintel dated 1703.
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The complex, which already existed in the sixteenth century, retains typical characteristics of rural architecture. The entrance to the farm is located west on Via Guzzina and features a turret on top. The small church of Santa Maria degli Angeli can be found a few feet to the south, its profile standing along the complex's perimeter wall. The lintel of the front door bears a commemorative inscription about the Virgin Mary.
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The frontage has two bays with half-hipped gable roofs. The entrance doorway is centrally placed between the bays and still has its original rustication at the quoins, although the door itself is modern. The lintel of the doorway has "1676" carved into it, and some of the quoin blocks also have 17th-century dates and initials. There is another (off- centre) doorway on the rear face of the building.
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A millstone now serves as the doorstep for the main entrance, an eight-paneled door in a paneled reveal. It has sidelights, glazed on top and paneled below, flanked by pilasters topped with block capitals. It opens into the central hallway through an entryway framed by post and lintel boxed beams. Along with the center hall, the interior mostly retains its original four-on-four floor plan and many original finishes.
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On the south (front) facade all windows have louvered shutters. A boxed cornice marks the roofline. A columned portico, similar to the one on the Dr. Abram Jordan House one mile (1.6 km) west on Route 23, shelters the main entrance, itself in a molded frame flanked by shuttered sidelights and topped with a stone round-arched lintel. The east and west sides both have one window apiece on each story.
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Kidal temple Kala and Makaras carved on lintel of Kidal temple portal Kidal () is a Hindu temple built under the Singhasari dynasty.Nedi Putra AW, 'Seeking purity, reviving a tradition at Kidal temple', The Jakarta Post, 31 July 2013. It is situated in the Rejokidal village in the Tumpang district of East Java, approximately 20 km east of Malang. The temple was built around 1248 and restored in the 1990s.
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Beam and block is also referred to as Rib and block and lintel and block is some countries. Certain countries incorporate the use of temporary propping for 21 days while other rib and block systems use propless systems. Systems where props are used incorporate lighter beams while the prop line allows for structural cross support. Propless systems used heavier inverted T beams to compensate for the exclusion of props.
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Only the pedestal, and the jeweled right foot of a female placed on a lotus stalk, remains. This detail is traditionally associated with the goddess Tara or Mateswari. The placement of a miniature, sixteen-armed image of a goddess on the central lintel of the entrance further supports the conjecture that the temple is dedicated to a goddess. Erotic sculptures, akin to those at Khajuraho, also grace the Jarai-ka-Math.
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The temple inside is lit with natural sunlight coming in from lattice windows of the north Indian style. The temple roof stones include log-shaped stone strips suggestive of an attempt to mimic more ancient timber temple construction. The Ladkhan temple includes iconography from the Shaivism, Vaishnavism and Shaktism traditions of Hinduism. On the lintel of the sanctum with Shiva Linga, for example, is a Garuda image who carries Vishnu.
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This Lintel originally came from the house in Saint Mihiel in which Richier had at one time lived. The carving from two pieces of stone, recreates across the top of the fireplace, a rich damask curtain complete with folds and decorations. It is a masterpiece and made a great impression on dom Calmet when he saw it. The work is 2 metres in length and 50 centimetres high.
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In the lintel of St. Nikolas' (Agios Nikolaos) old church, there is an embossed crown of the 15th century. Also in the church dedicated to the Dormition of the Virgin, there is a Venetian funerary monument (sarcophagus) dating back to the 16th century, in which there are unknown embossed blazons. One of those depicts a lion with a sword which probably illustrates "St. Mark’s lion", the symbol of Venice.
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The temple is located on the east hill of the site. Items of several Second Intermediate Period rulers include a stele of Dedumose II, a block of Djedankhre Montemsaf, and a stela of a ruler named Sekhemtawy. Hyksos rulers mentioned are Apophis (on a lintel) and Khyan (on a black granite block). Later period finds include a brick naming the High Priest of Amun Menkheperre and his wife Isetemkheb.
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In 1633 the Lamont North Aisle was added. It was the work of Sir Coll Lamont, whose initials "S/CL" are carved in the east and west cavetto skewputts of the crowstepped north gable. The date 1633 also appears. Within a cusped frame on the lintel of the west doorway, the same date and initials are carved in relief, together with "D/BS" for Lamont's wife Dame Barbara Semple.
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Maya hieroglyphic inscriptions, taken from his 1915 publication. This illustrates the text appearing on a lintel in the Chichen Itza building commonly known as the "Temple of the Initial Series", as it is the only inscription for the site known to show a Maya Long Count Calendar date. The date shown here (starting row 2, ending at A5) is 10.2.9.1.9 9 Muluk 7 Sak (equivalent to July 30, 878 CE).
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Significant advances in ancient Egypt included astronomy, mathematics and medicine.Homer's Odyssey stated that "the Egyptians were skilled in medicine more than any other art". Their geometry was a necessary outgrowth of surveying to preserve the layout and ownership of farmland, which was flooded annually by the Nile river. The 3-4-5 right triangle and other rules of thumb served to represent rectilinear structures including their post and lintel architecture.
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The southeastern courtyard includes garrison hearth and, opposite it, former military buildings. Near the entrance to the second enclosure is the large cistern. This large entrance door provides access to small area through an arched door; the gate provides access to a staircase with a rectangular lintel, supported by concave posts. The medieval castle post-dates the year 1299, and features numerous characteristic features of a crusader-era castle.
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The windows at the sides of the pavilion have a Federal style carved garland lintel, recessed panel above and rusticated piers on the sides. The south and west facades follow a similar pattern. On the east is a wing with a loading dock. Granite steps and a wheelchair ramp lead up to the main entrance, modern aluminum doors between two Doric pilasters supporting an entablature with swan's-neck pediment.
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Above the lintel of each cell door are further openings which seem designed to let light and air into the chamber behind. The cells all have recesses, or large cupboards, set into the thickness of the wall. Above the solid base of the broch are six galleries. They are formed by the space between the two concentric walls of the upper part of the broch, and are partly lit by voids.
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Facing the road is an opening about wide, formed by roughly squared granite blocks. The opening is topped at a height of about by a shaped granite lintel that is about long and thick. There are three iron bolts mounted in the stones on the west side, which originally would have held a sturdy wooden gate. Remnants of lower walls extend from the opening toward the road, at a widening angle.
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There are two public houses, The Crown on Henley Street (the Crown Public House supports all sports clubs which in return provide an important additional revenue stream.) and the Red Lion on Station Road, ¼ mile west of the church. It may be one of the oldest buildings in the village, it has some closeset studding of the 16th century and a wide fireplace with a moulded lintel. The roof is tiled.
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In the grounds to the north of the house is an octagonal dovecote built in brick on a stone base with stone dressings. The entrance has flush quoins and a plain lintel inscribed with the date 1663 and the initials "EG" (for Edward Glegg). There are two vertical bull's eye openings, one above the doorway, and the other at the rear. Inside there are nesting boxes for 1,000 birds.
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Kamath (2001), p135Foekema (1996), p25 The sanctum has an image of Narayana (another name for Vishnu). The decorative features in the temple are notable. At the entrance to the sanctum, the doorjamb and lintel are ornate, and the lathe turned pillars in the spacious hall support a ceiling that is decorated with floral designs. Mallikarjuna temple at Mudukuthore and Sri Arkeshwaraswamy Temple are located little far form the main Talakadu village.
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He does not speak to the children or their minder when he leaves the hospital. In the end, Frank is seen as "just a great ape on a football field", vulnerable to the ravages of time and injury. In the penultimate scene he returns to Margaret's house and breaks in by the back door. He calls her name and briefly hangs from a lintel by one arm, like an ape might.
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Windows are marked by simple classical sill and lintel mouldings. The hipped roofs originally of slate are now sheeted in asbestos cement. A good timber picket fence encloses the property which is in good condition and well maintained. After coming onto the real estate market for the first time, the two-bedroom Cottage One of the Signal Station has been leased on the first inspection, by a young family.
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Little alteration to the church has occurred over time. Around 2009, the sanctuary plinth was extended into the nave to form a larger sanctuary area. Externally, the projecting bricks on all elevations were sheared flat from ground level up to the level of the lintel of ground floor windows and these areas were rendered and painted. The pulpit had its original timber canopy removed and stored in the choir loft.
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A wood-framed, pointed-arch door with marble lintel provided entrance to the building in the center of the north façade, facing Powder Springs Road. A lancet-arch vent with wooden louvers was centered above the door. The doorway was covered by a wooden porch, with shingled, shed roof, supported by slender wood posts and brackets. The stoop, approached by two steps, consisted of stone topped with wood planks.
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On the lintel of the false door appears the underworld god Osiris in the offering formula. Osiris is otherwise not well attested in the Fifth Dynasty and there is a scholarly debate going on, about the first mentioning of Osiris in Ancient Egyptian sources. Depending on the life time of Ptahshepses, his inscriptions might be the earliest evidence for this deity. However, it is also possible that Ptahshepses died after Niuserre.
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This boy is likely Prince Amenemhat, whose canopic jars were found in the tomb. Canopic jars of a Princess Tentamun were also found, indicating that she was once interred in her father's tomb. No trace of blocking or sealing was found at the entrances of these chambers so they were likely closed with wooden doors, long since looted, as evidenced by sockets, and a wooden lintel on Chamber Ja.
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The main entrance is at the center, flanked by sidelight windows and topped by an entablature and granite lintel. Windows are set in rectangular openings, with granite sills, and granite lintels on the first floor windows. The street-facing east facade has a pedimented brick gable with a deep recess at the center and ogee crown moulding along the rake edge. The house was built by Charles Graham about 1836.
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Initially, a late medieval lintel stone internal portal had been walled to the pergola internal wall with the owner's family signs and the year 1596. That stone has since been moved to Tallinn City Museum. During the Soviet Period, the building was used as communal style shared living quarters. From 2000 to 2011 the building was used as the office of the Estonian political party Patriotic League Isamaalitt.
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Of the Huldah Gates, the left set is a double- arched gate, known as the Double Gate (). It is partially blocked from vision by a crusader tower and only part of the right gate can be seen. The only original part of the gate still visible is the lintel and even this is no longer in its original position. When first laid it was 11 metres above the doorstep.
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Windows on the upper floors are set in rectangular openings with cast iron sills and lintel caps. The ground floor storefronts have largely been modernized, although some period details remain. with The block was built in 1867, during a post-Civil War building boom in the city. It was designed by Warren Thayer, an architect based in Burlington, for three merchants whose retail establishments occupied its ground floor.
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The main facade is symmetrical, with a pair of entrances, each flanked by pilasters and topped by a corniced entablature. Above each doorway is a sash window, topped by a corniced lintel. The gable end is fully pedimented, with a half-oval window at the center of the gable. The interior has a vestibule with stairs leading to a choir loft, and features original box pews in the main sanctuary.
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The bays on either side of the door each contain a large window with decorated panels below and a transom topped with a stone lintel above. The second story has four sash windows with stone windowsills and decorative brick arches highlighted by a string course. The windows of the third floor have stone sills like the second floor but flat brick lintels. Above this are panels and pilasters of corbelled brick.
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The Rambo House is a two-story, three bay, transitional Greek Revival/Italianate frame house. It is also two bays deep and has cornerboards that terminate in molding under the broad eaves and large brackets of the hipped roof. The main entrance is located in the center bay and it features a triangular pedimented lintel. The windows on both floors are tall with straight, molded lintels and flat enframements.
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The right section has the main building entrance, while that on the left has a three-part window with stone lintel. The center section of the building has three window bays on each level. There are courses of corbelled brickwork above and below the third floor, and the building is crowned by a brick parapet. The Gardner News was founded in 1869 by A.G. Bushnell, a native of nearby Templeton.
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To the south of the foyer, the rooms are similar to those situated to the north, comprising simplicity in design and detail. The one exception is the largest meeting room on the ground floor, which is the original council chambers. The ornate plastered ceiling is decorated with moulded panels and a ceiling rose. The timber fireplace, with timber panels in the lintel, has a tiled register grate and decorative timber consoles.
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Jamb statues at Chartres Cathedral A jamb statue is a figure carved on the jambs of a doorway or window. These statues are often human figures, either religious figures or secular or ecclesiastical leaders. Jambs are usually a part of a portal, accompanied by lintel and trumeau. Two commonly known examples of jamb statues are the ones in Chartres Cathedral and those in Reims Cathedral; both locations are in France.
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The building is a typical Roman or Early Byzantine building. But there is a symbol of the Hellenistic Olba Kingdom carved on the lintel of one of the auxiliary buildings. The first description and a plan of Sinekkale were prepared in the early 1970s by Turkish art historian Semavi Eyice. Friedrich Hild, Hansgerd Hellenkemper, Gilbert Dagron and Olivier Callot also visited the site and recently Ina Eichner made the most accurate description of the house.
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The two west towers date to the 13th century. The porch originally had a triple arcade with a central column showing Christ, but that column was destroyed in the 19th century and never rebuilt due to difficulties finding matching stone of high enough quality - part of the lintel is also missing. The first sculptures were carved in 1245 and many on the porch survive in good condition, including two angels, four prophets and eight virgins.
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Another door, the only one on that side, was constructed in the middle of the western facade; its lintel is lying on the ground. On the east was an apse, whose interior are in place. Within this ancient church are several monolithic columns half hidden by the bushes; they measure 2.50 metres in length, by thirty-five centimetres in diameter. The capitals and the base are wanting, or at all events no longer visible.
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In one version of the tale, she is raped by a local farmhand. In another version, she finds romance with the farmer's son. Either way, she becomes pregnant which results in her being thrown out of the farm and left with a reputation. Such is her shame and despair that she hangs herself in a barn, or perhaps from the great kitchen fireplace lintel, or else she drowns herself in a shallow pool.
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In the figure, the axeman imparts a momentum to the blade which, impacting the wood, generates a force acting at P along the length of the blade. The force does not leave in that direction because there is no bearing surface there. Instead, the force departs at right angles to the bearing surfaces at Q, forcing the wood apart and imparting momentum to any chips that fly off. 2nd century AD Roman lintel.
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Alex Harvey is an American filmmaker, theater director, writer, producer, and musician based in Cortlandt, New York. He has directed several films, including Walden: Life in the Woods which screened at numerous festivals in 2017 and 2018 and was released on digital platforms in October 2019. He has also directed numerous regional theater productions including Underneath the Lintel and I Am My Own Wife. Harvey also played mandolin in GEICO's nationwide "Happier than" ad campaign.
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The end bays project as does the entry bay, the former with five windows in the same 2 over 3 pattern. A massive cast stone lintel spans the windows of each outer bay. The classroom block (the head of the T) is identical on the east and west elevations. Each has a central set of doorways framed with monumental brick and a window bay with five windows to north of the doors.
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Clonamery is a nave-and-chancel church with a sacristy built of roughly dressed stones not laid in regular courses with a slight batter. There is a flat-headed west doorway with a cross pattée above the lintel and antae in the west gable. The bell-cote had room for two bells: a sanctus bell and a bell for calling the people to prayer. A pillar-stone of early date was found at Clonamery.
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In this tower stands a window lintel with original Gothic tracery, and wants to represent the eternal bond, one of the symbols of Charles III the Noble. so named because of its square structure looming three balconies, each facing a cardinal point. From these balconies kings could watch the shows that were held at the foot of the castle. Adjoining the tower has a small tower with a square base and higher.
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This was 20 bays long and built to house eight pairs of spinning mules on the third and fourth storey. It was of hammer-dressed sandstone with green and Welsh slate roof. Another 15-bay spinning mill was added in 1854, with a door lintel inscribed "BROOKS SWINDELLS 1854". This mill was 16 m wide, allowing it to house state-of-the- art self acting mules with the maximum number of spindles.
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Holmshurst Manor was originally built by Goddard Hepden (Hebden) in 1610 and bears his initials "GH" carved in a coat-of-arms on the lintel. Hepden is thought to have been born in Burwash in about 1550, the son of John Hepden and Joan Wenham. He married Anne Frye, thought to have been born about 1552 in Ringmer, the daughter of Nicholas and Elizabeth Frye. The couple married around 1580 and raised twelve children.
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Several small tributaries of the Ems are located in the municipality. Other notable waters are the Buxelssee northeast of the motorway, the Bänischsee northeast of Rheda and Lintel lake east of Wiedenbrück. One characteristic of the two combined cities is a green strip several kilometers long along the Ems, starting at Emssee in downtown Wiedenbrück and ending near the water castle in Rheda. The overall flat terrain falls from south to north.
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George Victor Du Noyer described the fort as it was when he visited in 1858. The fort divided the point of a headland from the main shore with a dry stone wall between in width and about long from one side of the headland to the other. A passage near the midpoint leads through the wall, which was then high, wide at the top and wide at the base. The lintel is long.
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The inscription on the frieze of the principal facade, decorated in phytomorphic elements in bronze, is the title TEATRO CIRCO. The flanking sections of the principal entranceway, also in granite stone, include three arched doorways surmounted by three rectangular windows and sill, with decorative motifs on the lintels. The south facade, is marked by three arched doors, similarly topped by wrought iron balcony, with rectangular windows and sills with decorative lintel motifs.
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It was only after the installation of the lintels that the shrine was roofed and the roof comb built.Coe 1967, 1988, p.81. The hieroglyphic inscriptions on the sculpted lintels indicate that the temple was built in 741 AD, and radiocarbon dating of the lintels and wooden beams in the vaulting confirmed this, giving a result of 720±60 AD. Lintel 3 is a wooden panel measuring that is carved in low relief.
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The Goodspeed House is set on the west side of River Road, just north of its junction with River Ridge Road. It is a 1-1/2 story wood frame structure, five asymmetrical bays in width, with a side gable roof and central chimney. Exterior trim is minimal, with simple surrounds around the windows, and a lintel shelf above the main entry. An ell extends to the rear of the house toward a barn.
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Linton Satterthwaite also served as the project’s epigrapher at Tikal, Guatemala. His heavy interest in Maya chronology and monuments can also be seen in the article entitled, "New Radiocarbon Dates and the Maya Correlation Problem," which he co-authored with radiocarbon-dating specialist Elizabeth K. Ralph, and in which they discuss dates of lintel and vault beams from Tikal.Satterthwaite, Linton and Elizabeth K. Ralph 1960. New Radiocarbon Dates and the Maya Correlation Problem.
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Significant advances in ancient Egypt during the dynastic period include astronomy, mathematics, and medicine. Their geometry was a necessary outgrowth of surveying to preserve the layout and ownership of fertile farmland, which was flooded annually by the Nile River. The 3,4,5 right triangle and other rules of thumb served to represent rectilinear structures, and the post and lintel architecture of Egypt. Egypt also was a center of alchemy research for much of the western world.
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Also frequently depicted are the Hindu gods associated with the four cardinal directions, with the identity of the god depicted on a given lintel or pediment depending on the direction faced by that element. Indra, the god of the sky, is associated with East; Yama, the god of judgment and Hell, with South; Varuna, the god of the ocean, with West; and Kubera, god of wealth, with North.Freeman and Jacques, Ancient Angkor, p. 20.
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The Castle of Fiddes is a 16th-century tower house in Aberdeenshire, Scotland, located around south-west of Stonehaven. It is dated 1592 on a window lintel, with a later date of 1673 on the east wall suggesting a renovation at this time. It was the property of the Arbuthnott family, who sold it in the later 17th century to the Thomson family of Arduthie. It was modernised around 1930 and remains occupied.
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Prior to restoration, the basic shape of the facade had still been largely intact but the other three sides had lost nearly all form. Extant diagrams from the period indicate that the lintel stones were shattered while many of the walls had crumbled to pieces.Lee 1997, p.106 Most of the square blocks presently covering the surface were also laid during this period, although they are known to have been part of the original design.
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Detail of the lintel of the original doorway of Robert's foundation of San Mennato in Sant'Agata. Robert (died 1116) was a south Italian nobleman who ruled the counties of Airola, Alife, Caiazzo, Sant'Agata and Telese from 1088 until his death. He was the regent of Capua in 1090–93, and was effectively independent of any lord after 1105. He was a major patron of churches and abbeys, and also commissioned several books.
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Some of the most prominent components of the house's design were the pairs of brackets placed above the hooded windows to support the large cornice; these Italianate elements were supplemented by Greek pieces such as the glass around the main entrance, which featured a lintel, sidelights, and a transom light. Together, the Greek and Italianate elements served to distinguish Burnett's residence from the typical I-house, which was a thoroughly vernacular structure.
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Joan Severance was replaced by the former Miss Kansas, Michelle Lintel, a then virtual-unknown in entertainment. The series also featured Adam West, television's original "Batman," as Black Scorpion's asthmatic arch enemy the Breathtaker.Black Scorpion , Screenscene Nevius also wrote the part of Clockwise, another supervillain, for Frank Gorshin (TV's "Riddler") to play. The series was notable for also casting several Playboy Playmates and models as "Bad Girls" including Victoria Silvstedt, Patricia Ford and Julie McCullough.
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The 1901 excavations revealed that the broch wall survived to over a metre in height in parts, with an entrance passage facing to the south-east. The passage contained a broken lintel and architectural features including a guard cell. The interior of the broch contained radial partitions using vertical slabs of stone, and a lintelled well. The broch itself was almost eighteen metres in external diameter, with walls almost five metres thick in places.
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The John Weir House is a historic house located at 715 N. Main St. in Edwardsville, Illinois. Built in 1836, the house is the second-oldest in Edwardsville after the Benjamin Stephenson House. The two-and-one-half story brick house is designed in the Federal style. The front facade of the house has five bays with a central entrance; the entrance is surrounded by a fan light and an arched lintel.
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The Weston Observatory is located near the center of Derryfield Park, at the summit of Oak Hill, a prominence that affords fine views of the city to the west. It is an octagonal granite tower standing tall. Its base consists of several large pieces of cut granite, with the entrance at the west side, surmounted by a lintel engraved with Weston's name. A heavy cornice encircles the tower at the top of the first level.
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There is clear evidence that these two cottages were built in separate stages due to the way the stone has been toothed at the party wall. Each cottage has a centrally placed entrance door of a simple, four panelled design with a brass door knob. It is flanked on either side by one six panel sash window with shutters, surmounted by a flat stone lintel. There are identical windows on the first floor above.
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There are carved diagonal crosses as well as a cross carved above the arch into the sanctuary. The ceiling holds longitudinal beams that form a continuous lintel, which is similar to traditional Tigrayan workmanship. The church is at risk of collapse and hence access is not permitted. The Kidane Mihret rock church of Addi Nefas () in Adigrat Sandstone is a rather primitive rock church, protected from the weather by a pronaos that surrounds the entrance.
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No moulded or carved details relieve the severe simplicity of this characteristic Turkish monument. The current structure dates from 1845. On the site of the Arab Ahmet Mosque stood a church of which a few mutilated fragments still survive scattered about the mosque enclosure, and in neighbouring houses. A lintel from a door on which a shield is carved with the bearing of two lions affronted, may be seen stuck in the ground.
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This temple is one of the first temples constructed of durable material such as bricks and laterite and with decoration in sandstone. A brick enclosure originally surrounded the pyramid with a stone gopura on the east side is now almost completely disappeared. Much of the stucco on the surface of the temple has vanished. The main sandstone lintel is decorated with a fine carving of Indra standing on his three-headed elephant Airavata.
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Also like the Batman TV series of the 1960s, Black Scorpion is a work of camp, using deliberately exaggerated and unrealistic characters and events to comic effect. Black Scorpion was followed by a 1997 sequel, Black Scorpion II: Aftershock. In 2001, the Sci-Fi Channel aired a Black Scorpion TV series that starred Michelle Lintel in the title role. Black Scorpion was turned into a comic-book series, published digitally by Devil's Due Digital.
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Features of Hindu influences on Tughlaq architecture include the flat lintel instead of pointed arch, pillars, windows with balconies and eaves and railings.Sir John Marshall, Cambridge History of India (Cambridge, 1928), III, 573 Tughlaqs built three main types of tombs: square, octagonal and pavilion. The last type was the simplest, consisting of a pavilion or a chhatri. The simple tombs are most likely to be those of nobles and family members of the sultans.
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The 7-story commercial office building was designed by David C. Dent and constructed for Mary Judge in 1907.An earlier Judge Building was constructed on Main Street in Salt Lake City by 1900 and was home to the R.K. Thomas Dry Goods Company. See The facade features masonry piers capped by terracotta floral designs and canine heads segmenting a sixth floor lintel. Circles with inverted triangles decorate the parapet below a copper, denticulated cornice.
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The main entrance to the house is located in the main part, in the middle lower part of the front facade. The main part has the majority of original parts from the 1840 house. It has the original four-panel wood door, a four-light transom, a smooth stone sill plate and a lintel. The windows are double hung and have 12 plates in each section, as well as sills and lintels.
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At the top of the lintel was a limestone statue of a bird of 60 cm by 60 cm which has been called a goose, but is now thought more likely to be a raptor. # A dualfaced, androgynous sculpture of limestone (0.2 m high and 30 cm long). # Two statues of a figure in a seated Buddha-like position (0.62 m high). The first interpretations of archaeologists was that this was a secluded sanctuary.
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The Nuraghe Biriài is located, between two rocky spurs, in a position that makes it able to dominate the whole Cedrino valley. The passage, leading to a suspension door to the north, forms a trapezoidal span surmounted by a powerful architrave with a window lintel. The Nuraghe Luduruju is located on the border of the Gollei Ospène Plateau. It follows the single-tower typology, with one room, built with slab- shaped blocks of local basalt.
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The Valentine Wightman House stood in western Southington, on the west side of Mount Vernon Road at its junction with Whitman Road. It was a 2-1/2 story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. Its front facade was five bays wide, with a central entrance flanked by sidelight windows and narrow moulding, and topped by a peaked lintel. The gable ends slightly overhung the sidewalls.
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Church of San Francesco. The church, dating from 1234, is the pivot around which Cagli was rebuilt in 1289. The marble portal with its inlaid lintel and spiral columns (with the stylized owl on the lower left-hand side) dates from 1348. In the interior, the recent dismantling of the 19th century vaulting above the apse has brought to light medieval vaulting above with a cycle of frescoes dating to the 1340s.
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In Jewish mythology it was the word emet that was carved into the head of the golem which ultimately gave it life. But when the letter aleph was erased from the golem's forehead, what was left was "met"—dead. And so the golem died. Ezekiel 9:4 depicts a vision in which the tav plays a Passover role similar to the blood on the lintel and doorposts of a Hebrew home in Egypt.
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Parking lot where the Ponchartrain Apartments once stood The Ponchartrain Apartment building was a four-story red brick structure sitting atop a limestone foundation. Window sills, coping, and a belt course between the first and second stories were also constructed of limestone. The entrance sat in an arched opening flanked by ornamental pilasters supporting the lintel. Swags and urns decorate the entablature, and urns also graced the stone relief panels beneath the end windows.
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The porch, which is reached on three open tread timber steps on the southern facade comprises a gabled awning projecting from the extended roof overhang. This is supported on timber columns with a timber lintel spanning the distance between the columns, carved with "VICTORIA 1901 CHAPEL". A bell hangs within the gable of the porch. The porch provides access to the double timber boarded door which is braced with slender iron hinged brackets.
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In the corresponding position inside the tower is a re-set Norman lintel, decorated with stars, beast heads and foliage. These were placed here in the 1876 restoration. The dates of the windows around the church spread from the 12th to the 19th century. Inside the church are two 13th-century three-bay arcades between the nave and the aisles, and a two-bay arcade between the chancel and the north chapel.
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Detail of Lady Xoc Lady Xoc is one of the most prominent and probably politically powerful women in the Maya civilization. Lady Xoc is shown here performing an important royal rite of blood letting. By pulling the rope studded with obsidian shards through her tongue, she causes blood to drip onto paper strips held in a woven basket to be burned as depicted on Lintel 25. Blood scrolls can be seen on her face.
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Ethnicities of the soldiers of the Empire, on the tomb of Artaxerxes II. On the lintel over each figure appears a trilingual inscription describing each ethnicity. These are known collectively as "Inscription A2Pa". Much of Artaxerxes' wealth was spent on building projects. He restored the Palace of Darius I at Susa, and also the fortifications; including a strong redoubt at the south-east corner of the enclosure and gave Ecbatana a new apadana and sculptures.
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On the front facade, the entranceway's segmented and hooded openings are flanked by two windows with arched heads and corbeled brick hoods. A marble datestone with "1875" on it is set into the gable side above the entrance, and a louvered oculus is near the apex. Both sides have four tall and narrow window openings, now filled with louvers. All are topped with a corbeled and segmented brick lintel and have a stone sill beneath.
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An "eye goddess" may have existed as shown by many other examples of carved oculi. The Folkton "drums" are made of chalk and are elaborately carved, with distinct oculi or eyes. Petrospheres or carved stone balls from Scotland, especially the Aberdeen area, often have concentric carved lines, some of which appear to be stylised oculi. Pecked carvings of "eyebrows" are found on a lintel inside Holm of Papa Westray south chambered cairn, Orkney.
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A pink granite lintel over the well now reads 'Wallace's Well'. The well was listed in 1970; however, the listing was removed in 2001 as the association with William Wallace is held by some to be of quite recent origin. The well site came under threat from a housing development of more than 800 houses. Restoration of the site was undertaken in June 2011 with re-turfing of the Wallace Well area.
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During the renovations the sacristy was given its own entrance on the church's northern side. alt= The clergy house is northwest of the church and was built in 1952 after a considerably older clergy house burned down. South of the clergy house lies a memorial stone for Vilhelm Beck (1829-1901), who was a priest at the church from 1866 until 1874. The stone was the old lintel above the church's south door.
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There are 161 marked graves scattered around the property, in no regular pattern. Most headstones are of marble or granite; some are unadorned and others show common 19th-century funerary art such as urn-and-willow motifs. On a rise in the north central portion is the Putnam family plot, surrounded by a fieldstone wall with smooth stone coping. Access to it is provided by a wrought iron gate with stone lintel.
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Inside the house is a full-height entrance hall with a hammerbeam roof. Under the staircase in the hall is a large fireplace with pairs of granite colonnettes, with a lintel bearing the inscription BE JUST AND FEAR NOT. The ground floor rooms contain elaborate decorative plasterwork. The architectural style of the house is Gothic Revival; it is the last time that Paley and Austin used Gothic features in a design for a domestic property.
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It has a two-story extension of its own on its west of modern construction. The front door has a denticulated lintel and eared surrounds. Its three sets of doors lead into a vestibule, where staircases lead up to the balcony level and more doors lead into the sanctuary. That room has a high flat ceiling and original wainscoting to the bottom of the windows, which have their original eared surrounds and louvered interior shutters.
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On every outside corner of the building at the parapet level is a band of exaggerated dentils with projecting ends. On the right side of the building is an entrance for the boys and on the left side is an entrance for the girls. The entrance is within a stone surround with the tapestry-like applied motifs on each side of the entrance. The name BOYS and GIRLS is located in the lintel.
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Chong is the founder of Portcullis Group services. In 2013, Chong's Portcullis TrustNet firm came under the spotlight as the International Consortium of Investigative Journalists (ICIJ) singled out the company as a wealth management firm that uses that offshore loopholes for wealthy individuals to evade tax The allegations surfaced as an independent contractor leaked its clients' data to the ICIJ. David Chong also owns Lintel Securities and the Fusang Group of companies.
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The Tower The nuraghe presides over an area of several square kilometers, with its prominent role confirmed by the size and the complexity of the architectural structure itself. The nuraghe is a complex nuraghe, of tholos (beehive tomb) typology, rather unusual in Gallura. The monument has a central tower (the keep) and 2 side towers, forming a bastion. The keep has an entrance defined by a massive lintel of 3.20 m length.
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It is preceded by a vestibule that is under the narthex and whose vaulted covering supports the belfry. The walls of the nave have, on either side, a door that connects it to the exterior and three high windows. Opposite the epistole, to the right of the door, is a pulpit with large stone corbel and balustrade guardrail in wood. The door to the pulpit is the only one with double lintel surmounted by cornice.
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A curlicue, or alternatively curlycue, in the visual arts, is a fancy twist, or curl, composed usually from a series of concentric circles. It is a recurring motif in architecture (as decoration to the lintel/architrave above a door), in calligraphy and in general scrollwork. The word can also refer to a specific kind of origami , made out of a single stripe of paper that can be transformed in many geometric shapes.
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It has two large columns that are decorated with grotesques and figures in relief at their base, while they appear grooved on the top. On the lintel that frames the main door, the niche between columns contains the image of Saint Catherine of Alexandria, flanked by two coats of arms of Bishop Acosta. A triangular pediment crowns this second body. Above this is the imperial coat of arms of Philip II, from the later period.
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Doorjamb and lintel mouldings on southern door of Kasivisvesvara temple This is a double shrined temple (dvikuta). The shrine facing east is dedicated to Kasivisvesvara (Hindu god Shiva) whose universal symbol, a linga, stands three feet tall in the sanctum. The other shrine, which faces the main shrine is dedicated to the sun god Surya and is called Suryanarayana. The Surya shrine faces west, an unusual occurrence among Surya temples, which normally face east.
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It is composed of two parallel columns of 31 floors and 4 more floors at the top joined by a lintel. It is colloquially known as El Pantalón ("The Trousers"). As of now, it is the second-tallest building in the Santa Fe area, which was surpassed by the Torre Altus in 1998. It is also currently the sixth-tallest building in Mexico City, as well as the tenth-tallest in the entire country.
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Ancient Egypt made significant advances in astronomy, mathematics and medicine. Their development of geometry was a necessary outgrowth of surveying to preserve the layout and ownership of farmland, which was flooded annually by the Nile river. The 3-4-5 right triangle and other rules of geometry were used to build rectilinear structures, and the post and lintel architecture of Egypt. Egypt was also a center of alchemy research for much of the Mediterranean.
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A two-storey building with a symmetrical front addressing Avenue Road. It has walls of narrow-coursed squared sandstone rubble with more substantial quoin stones, some window dressings and lintels, and basework. There is evidence in the hen-pecked sandstone block finish of former lime-wash finish. The lintel over the wide main doorway appears to be concrete and there is a metal-barred toplight above the transom of the timber double doors.
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It was forbidden to obstruct the race or the sluice. On the first Sunday of each January, April, July and October all the sluices must be open all day. In September the mill-race and canal must be thoroughly cleaned. 1824: The land register names the Widow of Michel Franck as owner. 1876: A new mill building was built (the door lintel was dated and initialled MP 1881 ML) with a turbine underneath.
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The portal is the work of the sculptor Nicholaus, a pupil of Wiligelmus. The lunette shows Saint George, patron saint of Ferrara, slaying the dragon; scenes from the Life of Christ appear on the lintel. The jambs framing the entrance are embellished with figures depicting the Annunciation and the four prophets who foretold the coming of Christ.Daniel, Ezekiel, Isaiah, Jeremiah According to a now-destroyed inscription, Nicholaus was responsible for the design of the original building.
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Phra That Narai Cheng Weng or Phra That Narai Jengveng (Thai:พระธาตุนารายณ์เจงเวง) - is located at Mueang Sakon Nakhon District, Sakon Nakhon Province, the stupa is built from sandstone on a laterite base and carved beautifully. Its lintel features Lord Krisna killing Lion in Bapuan Khmer art. The art appearing on this stupa is quite similar to many other Khmer ruins found in Isan. This khmer sanctuary is 5 kilometres from town on the way to Sakon Nakhon.
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The holes for the anchor plate and the door hinges are visible. It was bolted on the inside with a beam and two bars and by a single beam on the outside. On the inside walls of the tower, there are beam holes for the floorbeams of the four levels - the lowest are directly above the door lintel. On the first, third and fourth floors, the beams ran north–south, on the second floor they ran east–west.
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The John B. Robarge Duplex stands on the east side of North Champlain Street in Burlington's Old North End neighborhood, a short way south of its junction with North Street. It is a 2-1/2 story wood frame structure, with a gabled roof and clapboarded exterior. Its front is symmetrical, with two window bays on each story, and a round-arch window set in the gable. Most windows are rectangular sash, topped by a low-pitch gabled lintel.
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This impressive metal relief was found in a parlous state and had to be heavily restored by conservators afters its discovery. The central figure in the restored lintel shows the lion-headed eagle Imdugud who is the symbol of the god Ningirsu. Flanking either side of the god are two stags, one of whose heads has been restored. The relief was beaten out of a very large piece of copper and almost seems to stand apart from the background.
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Their production may have continued into the Iron Age.J. Neil, G. Ritchie and A. Ritchie, Scotland, Archaeology and Early History (Edinburgh: Edinburgh University Press, 2nd end., 1991), , p. 46. The complex carved circles and spirals on these balls can be seen mirrored in the carving on what was probably a lintel from a chambered cairn at Pierowall on Westray, Orkney, which seem to be part of the same culture that produced carvings at Newgrange in Ireland.
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These constructions are ascribed to the Western Chalukya rule. In all, there are eight small shrines built around the main shrine. Of the fifty pillars, twenty four pillars are located over the platform (jagati) provided with a balcony seating (kakshasana). The door ways (doorjamb and lintel) of the eastern doorway that faces the Nandi (bull, a companion of the Hindu god Shiva), and the southern doorway that forms an entry into the close hall are intricately decorated.
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Above the red lacquered door, Chinese characters are carved into the stone lintel that proclaim that "Humility of mind goes with loftiness of character." Stone lions flank the entrance before carvings of the plum blossom, the national flower of China. The ceiling contains a coiling golden five-clawed imperial dragon surrounded by clouds denoting nature's energy and freedom. Painted squares portray dragons guarding the pearl of wisdom and the phoenix with the motan flower, a symbol of cultural wealth.
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The portico gives access to the front door, a double door under a large rectangular transom. The transom features tracery in the form of a fan with radiating ribs connected by two rows of swags and a three-petal flower in each of the upper corner quadrants. Over the transom is a lintel with corner blocks that extend beyond the door frame. This combination of elements is typical of buildings that bridge the Roman Revival and Greek Revival styles.
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The rest of the plants are structured in three vertical axes. The most important is the central one, where an elaborate rostrum occupies three of the plants and it is made of slabs on the roof terrace and the base of the tower that crowns the building. The tribunes, made of cast iron, glass enclosure and wood finishes, are finished off by a semicircular pediment carved. The lateral axes feature balconies with stone slabs, carved lintel and iron closure.
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The other bays (1, 2, 4, and 5) on the northern facade consist of simpler, narrow, arch openings capped by hood-moulds and keystones. At the upper level of the same facade, the three central bays are articulated as wide, square openings with Tuscan half-columns within, supporting the lintel at either extreme. Bays 1 and 5 are each articulated by a quoined surround and an angular pediment, supported by brackets and decorated with an ornamental relief tympanum.
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Into the lintel of the Renaissance part, the year 1556 has been chiselled. Investigations of this part of the building have also brought to light that there are mediaeval wall remnants underneath the Renaissance walls. Said to be Bad Münster's oldest property is the "Hahnenhof", first mentioned in 1560, a former Rhinegravial manor. The narrow so-called Zehntscheune ("tithe barn") with a timber-frame upper floor was in its time the financial office for tithes paid in kind.
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Most original windows have been replaced with modern aluminium frames. Windows on the eastern and southern elevations are generally casements with two-light fanlights, positioned between brick pilasters; however the central bay windows have arched fanlights, with arched sandstone lintel cappings. Timber-framed, double-hung sashed windows survive in the rear verandah and balcony. The rear verandah has square timber posts, timber floor boards, a timber battened valance and a decorative timber balustrade of crossed members.
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The tomb of Iunmin is known as G 8080 (= LG 92), located in the Central Field which is part of the Giza Necropolis. The name of his wife Khamerernebti is recorded in the tomb. The lintel at the entrance of the tomb contains offering texts and the name and titles of Iunmin.Porter, Bertha and Moss, Rosalind, Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Reliefs and Paintings Volume III: Memphis, Part I Abu Rawash to Abusir.
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Outside of the ruin, but within the fenced enclosure, there are several stones which may be assigned to the 14th and 15th centuries. Some of them are so defaced that only the faintest indications of carving are visible. The one which is perhaps the most notable of these owes its better condition to the deeper cutting. It is now lying flat like a grave-stone, but it probably originally served another purpose, perhaps an altar frontal or door lintel.
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The Spanish House, with design commemorating the massacre of 1572 The Spanish House (Spaanse Huis), situated at Turfpoortstraat 27, was originally a church building converted to house migrants. In 1572 Spanish troops conducted a massacre of some 700 inhabitants who had gathered to hear a peace proposal. The Spanish then fired on the assembled citizens, and went on to set fire to the town. A plaque above the lintel of the door and below the eaves commemorates the massacre.
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Tuun Kʼab Hix reigned from the year 520 to 546. He is known only from foreign references. A lintel at Yaxchilan describing the military successes of Kʼinich Tatbu Skull II records a captive from Kaan in AD 537 (the captive vassal of the Kaan ruler may have been a woman).Martin and Grube 2008:104, 121 Stela 25 from Naranjo records the accession of Aj Wosal Chan Kʼinich in 546 under the auspices of Tuun Kʼabʼ Hix.
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The Belmont Library is located near the center of the town's village center, at the corner of Main and Mill streets. It is a modest single-story masonry structure, built out of red brick and covered by a gabled slate roof. It has a three-bay front facade, with windows occupying the outer bays and the main entrance the center. The windows are rectangular sash, topped by a keystoned lintel and fronted by a shallow wrought iron balcony.
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25 The porch consists of an awning supported by half pillars and parapets on either side. The decor on the parapet walls, ceiling, lintel over the entrance and the pillars is noteworthy.Foekema (1996), p.24 The inner walls of the shrine is square and plain where as the outer walls (also square) have numerous recesses and projections that is used for decorative relief which includes Kirtimukha, Aedicula (miniature decorative towers), deities in relief and half pilasters.
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25 The porch consists of an awning supported by lathe turned half pillars and parapets on either side. The decor on the parapet outer wall, the domical ceiling, the lintel over the entrance and the pillars shows the good taste of the Hoysala artisans.Foekema (1996), p.24 The inner wall of the shrine is square and plain where as the outer wall is stellate (star shaped) with numerous recesses and projections that are used for decorative relief.
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Lintel 24 at Yaxchilan, depicting Lady Xoc drawing a barbed rope through her tongue. The Mayas engaged in a large number of festivals and rituals on fixed days of the year, many of which involved animal sacrifices and all of which seem to have involved blood letting. The ubiquity of this practice is a unique aspect of pre-Columbian Mesoamerican culture, and is now believed to have originated with the Olmecs,Joyce et al 1991. the region's first civilization.
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The Captain Oliver Bearse House stood south of Main Street in downtown Hyannis, on the west side of Pearl Street. It was a 2-1/2 story wood frame structure, with corner pilasters and an entablature that wrapped around the main block. Its entry was flanked by sidelight windows and pilasters, and topped by a heavy lintel and entablature. A five-bay two-story ell extended to the left, with a separate entrance at its center.
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The stone disk at the southern Andranomatsatso gateway is also in good condition. This gateway, as well as Antsolatra and Ampitsaharana, were primarily used as lookout points. In the late 18th century Andrianampoinimerina replaced the Ambavahadiantandranomasina gate with another made of wood instead of stone and renamed it Ambavahadimasina. He and his successors shaved a small piece of wood from this lintel to light the sacred hearth fire that played a ritual role in the traditional circumcision ceremony.
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The school is set in a wild landscape of greasewood overlooking the Shell Creek Valley, six miles east of Greybull and eight miles west of Shell on US 14. The one story building measures approximately by . The facade is executed in coursed ashlar sandstone, while the secondary elevations are in rock-faced sandstone in random coursing. The building is entered through double doors with a fixed transom above, and a "1903" datestone above the rock-faced stone lintel.
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A course of rusticated stone extends between the window bays and acts as a lintel for the entrance. To the right of the main block is a projecting hyphen that ends in a small circular brick structure, also capped by a conical roof. The interior originally housed a boiler in one chamber and steam-powered pump engine in another. The town established a water board in 1893, which in September of that year approved construction of this building.
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They take up three bays each, with original bronze lampposts on either side. Each bay has a bronze double door flanked by engaged fluted pilasters and topped with a ten-light transom. Above it is a lintel with geometric designs and a foliate relief carving. In the first bay of the north facade and the second-to-last bay of the east facade is an additional single-bay entrance with similar treatment; the former is no longer in use.
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This had been blocked off when the south aisle and arches were constructed in the early 14th century and was restored in 1896. On the south side, on what was originally the exterior wall, it has an arched lintel and jambs of two very wide blocks each and no sill. The aperture is about wide and high. The north face is widely splayed, with a round head of three long voussoirs; the window is about high to the springing.
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The north wall has a 14th-century square- headed two-light window. In the south wall is a similar window, a 13th-century doorway with bracketed lintel, a square-headed low-side window, a 13th-century piscina with trefoiled head, and a plain square recess. The arch is of early 16th-century date, of two orders, the inner carried on engaged shafts with moulded capitals and bases. The roof appears to be of late 15th-century date.
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In front of the left-hand gallery is a gabled lintel-stone. To the left of the entrance, built into the fabric of the (restored) cairn is a subsidiary chamber, with its roofstone propped up against its front. To the right of the entrance is a second chamber with its roofstone almost in place. Next to each of these chambers is a stone with engravings in passage-tomb style – a unique occurrence at a court-tomb.
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Claude-Joseph Désiré Charnay (2 May 182824 October 1915) was a French traveller and archaeologist notable both for his explorations of Mexico and Central America, and for the pioneering use of photography to document his discoveries. Lintel 24, Structure 23, Yaxchilan, as drawn by Désiré Charnay. The sculpture depicts a sacred bloodletting ritual which occurred 28 October 709. Yaxchilan ruler Shield Jaguar is shown holding a torch, while his wife Lady Xoc draws a rope through her pierced tongue.
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The original L-shaped tower dates from 1617. The wide staircase added at the re- entrant angle of the tower in 1634 was an unusual feature in towers of this period. The large doorway, created on the north side of the tower at the same time, is now internal as a result of later additions. The lintel carries the date 1617, the motto "Blessed be God" above the initials James Winram (IW) and his wife Jean Swinton (JS).
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Access from land was made via a wooden walkway and steps through a doorway on the upper level, above which the Grimaldi crest carved in the stone lintel is still visible. After Menton seceded from Monaco in 1848, the fort was used as a salt storehouse. When the harbor was built in the late 19th century, the Bastion was integrated into the mole and converted into a lighthouse. It later served as a jail during World War II.
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Carefully executed in relief, it represents one of the most beautiful epigraphic bands of Islamic art. The library is near located, accessible by a door which the jambs and the lintel are carved in marble, adorned with a frieze of floral decoration. The library window is marked by an elegant setting that has two columns flanking the opening, which is a horseshoe arch topped by six blind arches and crowned by a series of berms sawtooth.Néji Djelloul, op. cit.
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Photo by John Borchard The original West Newton Branch Library at 25 Chestnut Street is a Tudor Revival structure built in 1926 with funds raised by community subscription. Over the front door carved in the stone lintel are the words "Memorial Library". The building has now been re-purposed as an annex to the city police headquarters on Washington Street. One church remains in the village center, that of the First Unitarian Universalist Society in Newton.
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The Chapel of Our Lady of the Conception of Engenho Poxim is built in a simple Brazilian Baroque style typical of rural churches in the region in the 18th century. The chapel has a single door of wood in a worked stone doorway with phytomorphic motifs. It is topped by a straight stone lintel with simple entablature. Two false windows sit on either side of the doorway; a historical survey states they had true windows in the past.
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Stone with a carved cross located near the well in the Chapel Lane's boundary wall. The well or spring is set into the wall of Chapel Lane that runs down from the Kirk Vennel and ends at the bank of the River Irvine. The well has a carved stone plaque above the stone lintel that states 'St Inan's Well AD839.' The well is shallow and set in a semi-circular alcove with a slanting stone roof and base.
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On the exposed portion of the basement, the two windows are eight-over-eight in plain surrounds. Above, on the first story, they are 12-over-12 in recessed surrounds topped by a slight decorative recessed arch over the lintel. The east section is set with two six-over-six modern storm windows in plain surrounds. A small single-pane casement window is located just below the roofline between the center bay and the first one to its west.
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They are set within a wide wood surround with a peaked lintel containing a federal-style eagle motif in the center. The doors lead into a corridor that continues the length of the building, with offices located off of either side of it. Within the foyer are symmetrically placed matching staircases that lead to the second floor. Each is made of turned wood newels and balusters, makes two quarter turns, and has winders at beginning and end.
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The bank has three storeys, plus attics. The lowest storey is constructed in red sandstone and the upper storeys in brick with stone dressings; it has a roof of Westmorland green slate. In the lintel over the doorway in the entrance bay is a carving of the portcullis from the Grosvenor coat of arms. Above the door is a three- storey canted oriel window carried on corbels; between the corbels are two more coats of arms.
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Brick nogging is in between the gable studs and the rafters, where they meet the floor. Below the first floor, double bulkhead doors of paneled wood sheathed in metal under a segmental arched brick lintel lead to the basement. Inside, the basement has a concrete floor, round wooden supports and a wooden staircase to the kitchen. The garage addition's first floor has been extensively renovated for residential purposes and does not have much of its original finish.
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Supporting the saints are angels and surrounding them are the symbols of the Four Evangelists: Ss Matthew (a winged man), Mark (a lion), Luke (an ox) and John (an eagle).Moss p.26 On the lintel below are the Twelve Apostles and on the shafts supporting it King Soloman and the Queen of Sheba. Within the Great West Door there is a glass porch which allows the doors themselves to be kept open throughout the day.
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The first time he visited he estimated that the village contained about one thousand inhabitants. He further noted that the houses were crudely built, one of them, which was assigned to the reception of foreigners, the al-Medhafeh, was a square tower. Above the entrance of the al-Medhafeh was a large block for lintel, featuring elegant mouldings, Guérin assumed it came from an ancient destroyed monument. Many other ancient stones were embedded here and there in private homes.
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The Church of the Virgin Mary, Panayia in Greek, which was rebuilt in 1887, forms the centre of the Neighbourhood and Parish of Panayia. It contains an icon of Christ dated to 1693 and the Iconostasis screen of the old church. In the churchyard lies part of a door lintel with two defaced coats of arms and part of the tracery of Gothic window. This is all that remains of the important medieval church that stood here.
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Domes were introduced in a number of Roman building types such as temples, thermae, palaces, mausolea and later also churches. Semi-domes also became a favoured architectural element and were adopted as apses in Christian church architecture. Monumental domes began to appear in the 1st century BC in Rome and the provinces around the Mediterranean Sea. Along with vaults and trusses, they gradually replaced the traditional post and lintel construction which makes use of the column and architrave.
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15th-century Persian depiction of the siege of Smyrna Íñigo was born into a noble family of Logroño. During the rule of Grand Master Juan Fernández de Heredia, a fellow Aragonese, he spent time at the Hospitaller headquarters in Rhodes. One of three coats of arms carved into the lintel above the doorway to the chapel of Saint George on Rhodes has been tentatively identified as Íñigo's. The other two belonged to Heredia and his lieutenant, Pierre Culant.
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Only the sills are stone on its windows; flat brick arches top the windows. The south elevation of that wing has one centrally located window on each story. The larger one on the first story has a similar treatment to the eastern first-story windows on the main block; the one above it has a stone sill and flat brick lintel. The west wing's foundation is coursed ashlar on the south elevation, and coursed rubble on the other two.
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A single window, also with a leaded glass window atop a stationary pane, is set in the north end of the east elevation; another stationary leaded glass window is set on the south wall facing the porch. Two tall sidelights are set adjacent to the front door, which has a large glass pane set into it; a leaded glass transom sits atop the door surrounds. All of the casing is oak. A large stone lintel tops the arrangement.
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It was designed after Hudson River houses including Ever Rest and Lyndhurst. David Linley designed furniture in the building. The building also has commissioned sculptures and religious statues, including a replica of an inscribed lintel, with a message from King Abgar of Edessa to Jesus Christ. The building holds a research library of Hudson River School art and painters, which the organization aims to make the most complete resource for artists of the school within Westchester County.
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Stone walls to the left and to the right of the stairs formed a terrace, probably one of several which had originally belonged to the complex. # On the platform was what is variously called a portal, or door frame, or portico with pillars, of limestone. Its columns had cavities in which human stone masks, as well as human skulls, had been placed. Its lintel was carved with the heads of four horses, and additional decoration in paint.
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By the early 1970s, Uno Prii began to use more rectilinear forms. He adapted ancient imagery for decorative motifs, creating post and lintel allusions with concrete slabs, and stylized faces inspired by Moai and rectilinear human figures. In this period, he transitioned from glazed white brick to more organic hues like brown and natural terracotta, and from smooth white concrete to textured, grey concrete surfaces. In the early 1980s, Prii retired and closed his design firm.
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The roof eave is adorned with modillion blocks. The main facade is three bays wide, with sash windows arranged around the center entrance. The ground floor windows are flanked by slender pilasters and have bracketed sills and a gabled and bracketed lintel; the second floor windows are more simply framed, with a projecting sill and projecting bracketed cornice. The entrance is sheltered by a portico with round-arch openings and a roof with modillioned cornice and balustrade.
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The doors that Homer mentions appear to have been cased in silver or brass. Besides olive wood, elm, cedar, oak and cypress were used. A 5,000-year-old door has been found by archaeologists in Switzerland.Swiss archaeologists find 5000-year-old door Ancient doors were hung by pivots at the top and bottom of the hanging stile, which worked in sockets in the lintel and sill, the latter in some hard stone such as basalt or granite.
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What remains in Ksejbe include a large and small church, on the east and west edges of town, respectively, as well as olive presses and unidentified buildings. The large church is located at the top of the village’s eastern slope. The church’s south façade still stands, including its two ornate entrances, but the north, east, and west ends have fallen. It was constructed in 414 CE, as inscribed on the lintel above the church’s southeastern entrance.
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The main entrance is framed by small columns and has a curved entablature over the lintel. A leadlight window sits over the door, which is now a modern one of glazed aluminium. On each side of the corner section, a colonnade runs along the street elevation with a narrow arcade behind this, with a matching verandah on the first floor level. Pilasters 2 storeys high with Corinthian capitals, having round arches between at each level, form the colonnade.
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Another lintel inscription, presumably from the southern entrance to the church, bears the date 401 CE and mentions Markianos as the architect. An inscription on a doorway at the entrance to the atrium refers to Moses presbyter completing the façade in 480 CE. Markianos Church (East Church), Babisqa (بابسقا), Syria - East facade of room adjacent to basilica, view from atrium - PHBZ024 2016 4871 - Dumbarton Oaks The church has two entrances on the south wall that open upon an atrium.
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Simonsbath House in the valley of the River Barle Simonsbath House was built in 1654 As evidenced by carved date 1654 on oak lintel of fireplace in old kitchen by the merchant, lawyer and philosopher James Boevey (1622–1696), the warden of the Royal forest of Exmoor, and for 150 years his was the only house in the forest, which consists largely of moorland. The Grade II listed building is now the Simonsbath House Hotel and outdoor activity centre.
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John McLean, his wife Ann, his parents, Hugh and Agnes McLean, and her brother/trustee, Francis, are buried in a tomb at the Milton Cemetery in Milton, Massachusetts. The tomb was deconstructed by the cemetery for safety reasons and the graves are now marked by the lintel which reads "F. Amory, A.D. 1842" and the original tombstone: THE TOMB OF JOHN MCLEAN HUGH McLEAN, died December, 1799, aged 75 years. AGNES McLEAN, died March, 1821, aged 82 years.
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The door's lintel contains coats of arms of Cyprus, Jerusalem, and the Lusignans. The refectory is Gothic in design and is the finest room in the Abbey. It includes a pulpit that projects from the north wall, six windows on the north wall that illuminate the space, and a rose window on the eastern wall. The room is 30m long and 10m wide, with seven columns that extend from the side walls to support the roof.
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The front facade consists of a single projecting bay, two stories in height, with a narrow gable-roof dormer projecting from the roof. The dormer is decorated with Stick style woodwork, a detail repeated in the larger projecting side gable section. A single-story porch stands in the corner made by that section, supported by turned posts and balustrade. String courses of trim band the building at the lintel and sill levels of the windows on both levels.
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Based on the church information board. The western porch of the church was built in the 19th century and the side altar, is of late Renaissance period around 1630, originally in the Franciscan church from Dobrzyń on the Vistula. The lintel at the sacristy has a foundation inscription "IR MK PP", probably referring to Mateusz Krzemiński, and 1740. On the rood beam there is a late-Gothic sculpture of Crucified Christ from the first half of the 16th century.
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Most ornamentation is made of brick, though the friezes, window frames, and doorways are made of bronze. On the Hudson Street side, the facade forms a two-story "screen", behind which rise the upper stories. The main entrance archway is in the center of this "screen", near the intersection with Jay Street. It consists of five bronze doors beneath a bronze lintel, as well as a glazed window above the doors, which is subdivided by diagonal muntins.
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The other archways on Hudson Street include storefronts on the ground level, and curtain-shaped windows with vertical muntins on the second story. A smaller doorway faces the corner of Hudson and Worth Streets, on the northwest side of the plot. The facade on West Broadway is designed similarly to the "screen" on the Hudson Street side. There is a centrally positioned entrance with five doors, a bronze lintel, and a glazed window with diagonal muntins.
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Planks run the entire building to serve as lintel for the doors and windows. The fireplace is situated in the wall facing the courtyard because the room-separating walls at this level incorporate the chimneys of the fireplace of the rooms at the ground floor. On the left side of the fireplace, a closet is present. The room over the main entrance with niches is larger than the others, and it has also a bigger window than the others.
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Above them a cornice forms the base for fluted pilasters with Tower of the Winds capitals that divide the windows on the upper two stories. The second story windows are also sash, set in rectangular openings with sills and cornice caps on consoles topped with rosettes or oval patera. The middle bays of the wings are six-over-six in a slightly recessed arch with pedimented lintel on consoles. They have a small balcony with iron guardrails.
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They, too have sandstone sills and a sandstone course runs around the building at the arches' springline. At the third story the four-pane center windows, also recessed, have a similar round-arched treatment as the flanking second-story windows. On the sides are four one-over-one sash windows with sandstone sills and small decorations between them. At the lintel is a dentilled, fluted wooden frieze that continues around the entire building save the front portico.
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Its southwest facade includes two doors with rectangular lintels on the first floor and simple window on the second register. In the northwest, the doorway is surmounted by a small decorated gable flanked by four gaps. On the superior register, corresponding to the clerestory of the central nave, with seven-arched openings. On the southeast, is a window with straight lintel and two slits, integrating an apparatus and Roman inscription, while on the second register there are five arches.
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Their brownstone sills are matched with pedimented lintels on consoles; the second- story side windows have the same sills but their lintels lack the pediment. The balcony door has a lintel that curves with the arch. Above it there is a pediment in the roofline, where broad wooden eaves are supported by large brackets with leaf carvings. The entrance portico has square paired fluted Composite pilasters on high pedestals with egg-and-dart and rope-turn molding.
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According to the late-6th-century writer Gregory of Tours, the Roman Church sheltered the remains of the martyr Nazarius in a local basilica. According to legend, the Breton chief Waroch II sent an emissary to seize these relics. The plot was foiled when the emissary fractured his skull upon the lintel of the church door. Waroch, interpreting this as a miracle, was deterred and the village thenceforth took the name of Sanctus Nazarius de Sinuario.
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A business name on a lintel Anhaux is located some 2 km west of Saint-Jean-Pied-de-Port and some 10 km south of Ossès. Access to the commune is solely by country roads branching from the D15 road passing to the north of the commune. The commune consists of farmland in the north with the southern part more rugged and hilly. The commune is drained by several left tributaries of the Nive (Adour drainage basin).
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The window sills and decorative window lintels in the facades are both of stone, with the lintel having bevels etched into them to mimic voussoirs and keystones. A trench, surrounded by a black wrought iron fence and not visible from the street, permits light to enter the basement windows. The basement window sills are wood and the lintels brick. The first and second story windows are 9/9, while the smaller third story windows are 6/3.
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J. Neil, G. Ritchie and A. Ritchie, Scotland, Archaeology and Early History, (Edinburgh: Edinburgh University Press, 2nd end., 1991), , p. 46. The complex carved circles and spirals on these balls can be seen mirrored in the carving on what was probably a lintel from a chambered cairn at Pierowall on Westray, Orkney, which seem to be part of the same culture that produced carvings at Newgrange in Ireland.M. MacDonald, Scottish Art (London: Thames and Hudson, 2000), , pp. 10–11.
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It is topped by a gabled roof, from which a two-stage square wood-frame tower rises to a cross-gabled roof. Stained glass windows are set in rectangular openings with stone sills and lintels. The main entrance is at the center of the front facade, capped by a stone lintel which bears the building's construction date. with Isle La Motte's Methodist congregation met in private homes and other spaces prior to the construction of this edifice.
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This circular building (6.75m in diameter) has a sunken floor 1.5 m below the surface with walls of dry masonry. It was originally covered with a thatched roof, the beams of which were held by holes in the wall. The 1.85 m long, 0.45 m wide and 0.1 m thick lintel is made of sandstone. A small cross and a rune inscription are carved into its surface, which says: "Verr erected this stone and Munulfr carved the runes".
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The walls are up to 9 feet thick and 9 feet high, with two faces of large, well-fitted blocks with rubble filled in between. The lintel and building remains inside the fort are considered late medieval features. Next to the entryway are guard chambers, which could indicate that the former inhabitants were of high status. The national monument number 648 actually consists of two separate forts: the stone fort of Cahermore and the nearby earthen Ballyallaban ringfort.
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In particular, a lintel from Medamud and now in the Egyptian Museum, JE 44944, bears almost-erased signs corresponding to Seth Meribre's nomen. Jürgen von Beckerath believes that Seth Meribre can be identified with a king mentioned on Genealogy of Ankhefensekhmet of the much later 22nd Dynasty. This king bears the name "Aaqen", literally The donkey is strong. Von Beckerath proposes that this refers to Seth Meribre and that the name originally was "Sethqen", that is, Seth is strong.
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The original style was of the Federalist period and featured wide ash floors with reeded doors and window treatments. The only room retaining these original features in the downstairs bedroom. In the 1840s, during the Greek Revival Period the house was remodeled to reflect the tastes of the era and many of the mouldings were changed. The doors and windows featured crossest, or double-mitered ears, at the top of the lintel which was supported by side columns.
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Windows are set in pairs in segmented-arch openings or singly in round-arch openings, with stone keystones and lintel end stones. The interior is framed in wood. The school was built in 1888, and originally served as a community school for the village, housing all grade levels. It was doubled in size in 1903, with a near duplicate of the original construction placed to the rear and joined to it via a connecting hall and stairwell.
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The stone was cut on the property, and signs of the quarrying may still be seen at the back of the house. A stone lintel over the front door says 1821. The timber used was cedar, obtained from a small stand on a nearby ridge. The dormer windows do not appear in an early photograph of the home, while the line of the original veranda which extended across the eastern facade only may be seen under the current veranda.
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The Lawrence Light Guard Armory is a historic armory building at 92 High Street in Medford, Massachusetts. The three-story granite and brick building was built in 1891 to a design by Shepley, Rutan and Coolidge. The Romanesque Revival building has massive granite quoins on the corners, a granite course between the first and second floors, and granite lintel sections above its windows. The entrance, centered on the north facade, is flanked by round turrets with crenellated tops.
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However, many lintel carvings have been discovered, as well as actual stone carvings used as a facade. Commonly, these would continue uninterrupted around an entire structure and contain a variety of artwork pertaining to the inhabitants or purpose of a building. Though not the case in all Maya locations, broad use of painted stucco has been discovered as well. Though the Maya did not use a specific measuring unit, their buildings were still proportioned according to the golden mean.
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He was Treasurer of Edinburgh Town Council 1612 to 1615. He also served as Depute Provost (at that time confusingly termed "Old Provost"). In 1615 he built Coates Hall, later called Easter Coates, then west of the city (now lying between Palmerston Place and Manor Place). The building contains carved stone lintels brought from his house on Byers Close, plus a marriage lintel bearing his initials JB (written as IB in old script) and MB for his wife.
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The gavit is located west of and adjacent to the church and was added in the 12th century. A main portal leads into the structure from the western wall, and has an arched tympanum with a worn inscription located above the lintel. Another portal leads into the gavit from the southern wall. Two thick columns situated at the western half of the building and two semi-columns at the eastern wall support large arches and a cupola above.
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The Hutchins House is 2-1/2 story wood frame structure, five bays wide, with a gable roof and two substantial brick chimneys placed symmetrical on the roof gable. The main facade, facing southwest, is symmetrical, with a center entry flanked by pilasters and topped by a transom window and lintel entablature. A 1-1/2 story ell extends from the northeast corner of the house. A secondary entry, capped by a gable pediment, is located on the southeast facade.
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The grounds around the lodge consisted of a deer park. The identity of the architect is unknown: the author Michael Fewer has suggested it may have been Edward Lovett Pearce (1699–1733) who was employed by Conolly to carry out works at Castletown in 1724. There was a prehistoric burial site at the summit of Mount Pelier Hill and stones from it were used in the construction of the lodge. A nearby standing stone was also used for the lintel over the fireplace.
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At the west end is a doorway over which is a lintel, and a fanlight whose architrave contains Perpendicular tracery and whose keystone is carved with the head of a putto. Each of the upper stages contains two- light windows with mullions. Those in the second stage have leaded lights, those in the third stage are blind, and the top stage has louvred bell openings. At the summit of the tower is a balustrade and there are crocketted pinnacles at the corners.
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The Cheney Read House is an historic house at 135 Western Avenue in Cambridge, Massachusetts, USA. The 2.5 story wood frame house was built in 1846 by William Hyde, and is the only house in Cambridge's Cambridgeport neighborhood with a two-story Greek portico. It has four full-height Doric columns, with a gable end that is steeper than the usual Greek Revival style. It has a side- entry plan, with the entrance flanked by pilasters and topped by a pedimented lintel.
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Another upstairs room has a flat ribbed plaster ceiling and the staircase has linenfold wainscoting panelling. In "The Grange", there are more elaborately decorated plaster ceilings, linenfold panelling in the rear passageway and a plastered archway with the heads of satyrs. There are other important features including a wide fireplace with an arched lintel on the ground floor. The large complex of buildings is separated from the road by a high stone boundary wall, running for with gate piers and gates.
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The Sproul Homestead stands on the west side of SR 129, near the northern end of the South Bristol peninsula. It is recessed from the road, accessed via a tree-lined lane. The main portion of the house is a two-story hip-roofed frame structure, with interior brick chimneys, clapboard siding, and granite foundation. It has a five-bay front facade, with a center entrance framed by Doric pilasters and topped by a four-light transom window and entablatured lintel.
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The Vahramashen Church (), also commonly referred to as Vahramashen Surp Astvatsatsin or the Church of Amberd) was built for Prince Vahram Pahlavuni of the Pahlavuni family. An inscription on the inside lintel of the north portal to the church dates its completion to the year 1026. It sits along the slopes of Mount Aragats in the Aragatsotn province of Armenia, between the fortress of Amberd and near a wall along the promontory with the Arkashian River in the canyon below.
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A small inset portal sits in the middle of the front façade, with the remnants of exterior stone steps that once led to the second floor. The first floor has a single large portal at the front façade with a semi-circular lintel and decorative columns, while the left, right, and rear façades each have a small window. The left and right are surrounded by a large intricately carved cross in high-relief. Exceptionally rich decorations cover a large portion of the church.
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The receipt for which is still preserved in the Teaninich Charter Chest. Two worn lintel stones dated 1734 and 1770 built into the rear of the present castle cum mansion suggest an earlier building of some size and style. Part of the old Teaninich Castle was pulled down by Hugh Munro of Teaninich, 78th Highlanders, who lost the sight in both of his eyes in Nijmegen, the Netherlands in 1794. However, later, he occupied himself with improving his farmlands and rebuilding Teaninich Castle.
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The façade is a Renaissance design by inspired by a plan proposed by Ventura Rodríguez for the Cathedral of Pamplona. Its construction was finished in the late 19th century, with the completion of the two side towers. The northern entrance's narthex is in Gothic style, dating to 1510-1530. Internally showing a starred vault, it is formed by three archivolts with a lintel showing Christ Pantocrator and with a pinjante (glove-shaped decorative pendant) that features a depiction of the Last Supper.
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These still remain. Building 2 features two > rounded bell towers with battered walls on either side of the entry, giving > the structure a resemblance to a pueblo church. Buildings 1, 2, 3, 4, and > the quarters have pueblo and Spanish details such as timber framed porches, > decorated corbels and lintel beams, vigas, patio gardens and pueblo style > arcades, often randomly placed at the upper levels (in the case of buildings > 3 & 4). Straight headed windows are set deep into the walls.
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The front entrance is topped by a pediment; the main door has a large decorative glass transon and is topped by a limestone lintel. and The library was added to the National Register of Historic Places on June 25, 1987. The building is no longer a working library, as it was vacated after the opening of the Burlington branch of the Coffey County Library in 1994. It was later restored, and now serves as the home of Merry Investments LLC.
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Lord Hamilton came to Edinburgh to discuss the fate of his prisoners with James VI, who was lodged in John Laing's house at the Netherbow. The house, now Tweeddale Court on the Royal Mile, was heavily guarded by soldiers with "hagbuts" or muskets who shot a volley on Hamilton's arrival, accidentally killing James Sinclair of Earlston, injuring another man in the leg, and chipping a door lintel close to Hamilton's head.Robert Chambers, Domestic Annals of Scotland, vol. 1 (Edinburgh, 1858), pp.
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Traditional house in Nias; its post, beam and lintel construction with flexible nail-less joints, and non-load bearing walls are typical of rumah adat Rumah adat are traditional houses built in any of the vernacular architecture styles of Indonesia. The traditional houses and settlements of the several hundreds ethnic groups of Indonesia are extremely varied and all have their own specific history. Ethnic groups in Indonesia are often associated with their own distinctive form of rumah adat.Dawson (1994), p.
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Variations on the communal longhouse principle are found among the Dayak people of Borneo, as well as the Mentawai people. A fishing village of pile houses in the Riau archipelago The norm is for a post, beam and lintel structural system that take load straight to the ground with either wooden or bamboo walls that are non-load bearing. Traditionally, rather than nails, mortis and tenon joints and wooden pegs are used. Natural materials - timber, bamboo, thatch and fibre - make up rumah adat.
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The oldest structure, Temple I, is exposed on the west side of the structure, at the pyramid's base. This section dates from approximately the 6th century AD, deduced from a date inscribed on the door lintel and radiocarbon dating. The façade of this structure is heavily decorated with masks of the rain god, Chaac, a characteristic of the Chenes style of architecture, though the masks may have been added at a later date. The rest of the structure is covered by subsequent construction.
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The Chee Kung Tong Society Hall was a former Chinese society hall located on 2151 Vineyard Street in Wailuku, Maui. Built to provide services to single immigrant Chinese males, mostly working for the sugarcane plantations, it provided religious and political help, in addition to mutual aid. Converted to a dormitory in the 1920s, it suffered neglect until finally collapsing in 1996. The site now contains remnants of the foundation, assorted cement structures, and a distinct lintel gate and wall facing the street.
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Today, the site consists of only a few cement structures and several trees obscuring the front of the property. The gate and adjoining walls, stairs, sidewalks, foundation pillars, and the cinderblock addition lie in decrepit condition. The phrase Everyone is equal is barely discernible behind the lintel on the gate. As of 2010, a property listing sale noted additional details, including the lack of a water meter and possible building restrictions due to it being under the jurisdiction of a redevelopment authority.
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Some historians discuss Structure 23 as Lady Xoc's queen's quarters, and it is often described as a place of great activity. Inscriptions on Lintel 25 have a term carved on it that mean "bee's house". Inomata and Houston believe that this sets up Structure 23 as a place for a woman - the Queen's space. Also, Inomata and Houston report that many of the inscriptions on the lintels refer to it as Lady Xoc's "oto꞉t" which translates from Maya to "her space".
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Both shafts have rectangular cross-sections, and are decoratively carved on all sides, but the fallen shaft was used as a threshold for the church door for a long time and is badly worn on one face. The standing shaft was found in the churchyard in 1825, and then used as a lintel. It was moved into its present position and reunited with its socle, which was also found in the churchyard, between 1884 and 1889. The standing shaft is a scheduled monument.
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The lintel of the exterior doorway was plain but the two interior lintels were intricately carved. These two were removed in 1877 by Gustav Bernoulli and are now found in the Ethnographic Museum in Basel in Switzerland.Coe 1967, 1988, p.80. Pérez de Lara. The lintels were carved elsewhere and then moved to the pyramid, raised to the summit shrine and installed in prepared positions; this was a laborious task given that sapodilla wood weighs 1120 kg/m3 (69.1 lb/cubic foot).
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At the lintel level is a cast stone beltcourse, with a wider one above serving as the sill line for similar windows, also found above. Topping those windows is a cast stone frieze that ends below the applied metal at the roofline. Engaged cast stone piers divide the facade at regular intervals. Within them the first and second stories are set with rectangular windows similar to those in the central pavilion's dormers without the sidelights; the third story has an elliptical oculus.
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Entrance portal Exterior view The entrance portal is Gothic in style with a peaked arch flanked by standing sculptures of St Peter and Paul, while the lintel has some awkwardly seated Christ (center), the Virgin and St John, all sheltered by a ledge with architecture. Inside the main gilded Retablo at the high altar has Baroque Solomonic columns, and was completed in 1654. Other chapels include a retablo with Renaissance style panels. The various chapels include a virgin in a grotto.
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The Farmers and Merchants Union Bank is located in downtown Columbus, at the southern corner of West James Street and South Dickason Boulevard. It is a tall single-story in height, its exterior finished in tapestry brick with marble and terra cotta trim. The main facade is two bays wide, with the building entrance in the right bay. Above these bays is an elaborately carved tall marble lintel, above which a half-round stained glass window is framed by a stone garland.
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This façade consists of a closed, round arch framed by two very ornate columns; the linteled door is open. Covarrubias carved a bust of Saint John the Baptist on the tympanum (the space between the arch and the lintel), inside of a medallion or tondoWord used in this period. It is Italian, meaning "round". supported by tenantes, or standing figures, one on each side, sculpted as angels in human form; John the Baptist was the patron saint of Cardinal Tavera.
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250px One of the most distinctive elements of the courthouse is an inscription carven into the stone lintel over the main entrance: "Let Justice be done. If the Heavens should fall". This unusual text has received widespread attention and provoked speculation regarding both its meaning and its origin. Legend suggests that the phrase was originally intended to read "Let Justice be done though the Heavens fall" but was changed by the stonemason, who ran out of room for the longer word.
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The name tablet of Gakhwangjeon Hall surrounded by the faded rafters and bracketing of the roof. The name tablet of Gakhwangjeon Hall is affixed between the lintel and the rafters of the central bay on the second floor. Measuring across and tall, the tablet is composed of vertical planks of wood attached side by side and encased in a frame. Although the gold leaf that once adorned the background has faded completely bare, the writing itself still retains its white coloring.
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A stone apron is set in the pavement in front of the doors. On the east facade a single four- paned casement window with sandstone lintel is set in the center of the first story. A sandstone stringcourse runs around the building just below the exposed rafters of the broad overhanging eaves; the central gable of the north facade is set with two narrow arched one-over-one double-hung sash topped by sandstone lintels. The east dormer has a similar window.
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A variety of specialized shapes exist to allow special construction features. U-shaped blocks or knockout blocks with notches to allow the construction of bond beams or lintel assemblies, using horizontal reinforcing grouted into place in the cavity. Blocks with a channel on the end, known as "jamb blocks", allow doors to be secured to wall assemblies. Blocks with grooved ends permit the construction of control joints, allowing a filler material to be anchored between the un-mortared block ends.
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The entablature has a wide cornice formed by a projecting eave which aligns with the remainder of the building, and the pediment has the name CAIRNS CITY COUNCIL and is surmounted by an acroteria at the apex. The pronaos has three doorways opening to the foyer. Each doorway has expressed architraves, the lintel of which projects from the wall face and is supported by scrolled brackets. The original doors have been replaced with aluminium framed glazed doors, however the leadlight fanlights survive intact.
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The early Old Kingdom labels, for example Pharaoh Den, portrayed him in a side view in his naos shrine. An example of the combined, opposed, view with the two crowns, is the lintel of Senusret II, 12th Dynasty, 19th century BC. It shows the naos curved roofs of each half of the pavilion hieroglyph. A naophoros ("temple-bearer") is a type of statue holding the naos symbol. An example is the Ramesside-era statue of Panehsy, overseer of the treasury.
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The Greeley House is located on the north side of New Hampshire Route 108, just a few feet from the roadway, at a point where it bends, mainly to avoid the house. It is a 2½-story wood frame structure, with a gabled roof, central chimney, and clapboarded exterior. Its main facade is five bays wide on the first floor and three on the second. The entrance is at the center, framed by a modest surround with a peaked lintel.
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The interior of the broch has much rubble grassed over. A mural gallery is visible on the southwest side and a lintel stone remains in position over the doorway there. Six steps of the intra-mural stairway were found when the broch was examined in 1921 but are not now apparent. The broch is additionally defended by an outer stone wall which runs round the edge of the rocky knoll and which is still about 6 metres high to the south.
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The mausoleum is constructed in ashlar in a neo-classical style with Egyptian details. The corners of the building feature striped Greaco-Egyptian pylon-like structures, which may have been influenced by Heathcote Tatum's time in Paris, where the style was particularly popular in the late 18th century. The entrance doorway is relatively small with doors decorated in highly ornate wrought-iron work and a heavy stone lintel. The mausoleum is surmounted by a small tower, with louvred windows and a pyramidal roof.
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The scene has been reconstructed. In the temple complex there was also another relief, which shows a god, probably Arsu, on a camel. Several inscriptions found in the sanctuary make it possible to follow the history of the sanctuary in detail. It can be divided into two construction phases. Three inscriptions dating to AD 152, 152/152, and 157/158 mark the first phase. The oldest inscription (July or August 152) was located on the lintel of the door to the pronaos.
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In April 2018, archeologists announced the discovery of a large number of stone funerary inscriptions in the Sedeinga necropolis. The stone inscriptions constitute the largest collection of texts ever discovered written in Meroitic, which is the oldest known written sub- Saharan African language. Many of the artifacts unearthed at the Sedeinga site are in remarkably good condition, with some steles conserving their blue pigment. One particularly notable find was a chapel lintel with a representation of the Egyptian goddess Maat.
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Following the deaths of several partners, the firm became Jonathan Kendall & Co. They also built Argyll Furnace (also called Craleckan or Goatfield) in 1755.Date on furnace lintel: the date of 1775 given at Fell, 266, and copied by others is probably the result of a misprint. The ironworks was managed by William Latham, who between 1772 and 1775 was shipping pig iron to Warren Sayes of Chepstow, but the sales were managed by Jonathan Kendall.Accounts, Lancs RO, DDX 192.
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The outside of the frame has stone quoining, and each bay is topped by a shouldered stone moulding. A stone cornice separates the entrance from the second floor, where a central window repeats the stone quoining, and is topped by a keystoned lintel. The school was built in 1925 at a cost of $20,000, and was the town's first purpose-built high school, housing grades 5 through 12. It was enlarged significantly in 1949, adding a wing with additional classrooms, gymnasium, and auditorium.
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The Double Gate was blocked by the construction of a medieval tower in front of it, probably during Fatimid era. Today a small library is established with in the remains of this medieval era fortification tower. Of what we see today, which is part of the right (eastern) gate, the lintel and the relieving arch above it are Herodian, while the intricately carved cornice is Umayyad. Only the eastern portal of the twin, now blocked, gate is partially visible today.
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The porch supports an open balcony above, with a window overlooking the porch has an exaggerated rounded surround, and above that a gabled roof dormer. Belt courses beneath each line of the tower windows are constructed of stone, as are steps and the lintel above the central window in the first floor of the tower. Three windows are located on the basement, first, and second floor levels of the tower. Six small square windows are located on the third floor.
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The lintels on the upper stories, clad with terracotta, consist of four parallel wrought-iron beams with a width of between flanges. The lintel beams sit atop iron plates embedded within the masonry of each pier and anchored with a twisted iron strap. Because of the presence of elevator lobbies at the northern end of the building, the northernmost bays on Park Row and Nassau Street are wider. At Park Row and Beekman Street, a 270-degree-wide column rounds out the corner.
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With a more openly cubic form, and post and lintel construction openly recalling classical Greek architecture, it establishes itself firmly in the emerging Greek Revival. The two-and-a-half-story size is unusual in rural applications of the style; it is emphasized with the frieze windows. At the same time, its minimal decoration overall echoes the simplicity of the Georgian style that prevailed during the 18th century. In between are 24 and 30 Bedford, both buildings where the Federal influence is stronger.
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These were arranged as two trilithons, next to each other, so that the two lintel stones formed the roof of the chamber. The chamber was trapezoidal in shape, measuring about in length, in width, and probably in height. It was oriented almost east to west, and as with four other Medway Megaliths, it appears to have been facing toward either the Medway Valley or the North Downs. It is probable that the chamber's entrance was almost entirely blocked by a large stone.
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There is a large lintel over the entrance to the chamber (2m high and 1.60m wide) and a relieving triangle, open to the chamber and covered with a slab on the front. The stone threshold bears two sockets for the reception of pivots of a wooden gate. The chamber was finally blocked with a stone walling. The burial chamber, very carefully built with large porous stones, square in ground plan (4.36m x 4.46m), should have ended in a pyramidal roof.
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Above the fort there are small waterponds named Narayantake, and Chambar Take. At the highest point of the fort there is a temple of the Goddess "Hastamata" and below it there is the temple of "Mukaai". The hill has some other ruins, especially a stone doorway bearing on its lintel a figure of Ganpati and two attendant tigers. The Giant Meterwave Radio Telescope GMRT project, that is located 10 km away has in the recent times popularised the fort amongst trekkers.
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Although these structures are usually associated with the storage of food this site is reminiscent of the Neolithic chambered tombs and excavations revealed 18 human skeletons.Armit (2006) pp. 127-28. Wheelhouses are stone buildings from the later Iron Age whose characteristic features include an outer wall within which a circle of stone piers (bearing a resemblance to the spokes of a wheel) form the basis for lintel arches supporting corbelled roofing with a hearth at the hub.Turner (1998) p. 81.
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According to the date on the lintel over the front door, the Bear's Paw was constructed in 1632. It was built on land owned by the Savages of Rocksavage, who were lords of the manor. The original name was the 'Lyon's Paw', this being based on an animal's paw on the arms of the Savage family. In 1697 Earl Rivers of the Savage family reverted to Roman Catholicism and, following the outcry resulting from this, the name was changed to the 'Bear's Paw'.
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Bottiau also carried out work in the Meuse-Argonne American Cemetery and Memorial.. Detailed description of the Meuse-Argonne American Cemetery and Memorial. The cemetery stands on ground taken from the Germans in 1918 by the 32nd Infantry Division. There is a chapel in the cemetery and Bottiau carved the bas-relief in the tympanum above the chapel's entrance. The composition shows two kneeling figures representing "Grief" and "Remembrance" and on the lintel underneath are the words "IN SACRED SLEEP THEY REST".
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The connecting nodes were fabricated by welders for Scotland's oil industry. Such a structure enables the debating chamber to span over 30 metres (100 ft) without any supporting columns. In entering the chamber, MSPs pass under a stone lintel—the Arniston Stone—that was once part of the pre-1707 Parliament building, Parliament House. The use of the Arniston Stone in the structure of the debating chamber symbolises the connection between the historical Parliament of Scotland and the present day Scottish Parliament.
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Structure I is located in the Central Group. Excavations of an earlier substructure (Sub I-A) have uncovered a stucco frieze stylistically dated to between the 4th century BC and the middle of the 6th century AD, although radiocarbon dating of the lintel of the structure returned a date of 631 AD ± 30 years. The frieze was first uncovered by looters and was fully excavated under the direction of INAH. The complete frieze measured long when excavated and stood high.
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A Vision Serpent, detail of Lintel 15 at the Classical Maya site of Yaxchilan The Vision Serpent is an important creature in Pre-Columbian Maya mythology, although the term itself is now slowly becoming outdated. The serpent was a very important social and religious symbol, revered by the Maya. Maya mythology describes serpents as being the vehicles by which celestial bodies, such as the sun and stars, cross the heavens. The shedding of their skin made them a symbol of rebirth and renewal.
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The sandstone window bay is made up of full sections of stone in the lintel and architraves with a finely detailed dentilled cornice. The brickwork is laid in red bricks in Flemish bond and tuckpointed with fine white joints. The northern side of the station was the principal entrance in the original design. It features the central breakfront, with the fine sandstone bay window, and originally a pair of symmetrical verandahs that protected visitors entering the station via the general waiting room.
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Cathedral interior The crypt Stylistically, this is an important example of Apulian Romanesque. The simple façade has three portals of the 11th century below a rose window, over which is a lintel carved with monsters and fantastic beasts. The campanile is new, rebuilt from stone similar to that of the original, with an elaborate lantern tower and beneath, the dome of the cupola with clear Moorish motifs. Internally the cathedral is divided into three aisles of sixteen columns with arcades.
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Constructions older than 16th century have an arched main entrance while those built after the 18th century usually have lintel entrances. Masies were typically constructed with wooden beams placed perpendicular to the facade and covered by tiles. In the Pyrenees and other mountainous areas, the roofing would often be made of slate. They tended to be at least two-story buildings, with the ground floor reserved for farming tasks and even housing livestock, with the upper floor reserved for the family's living quarters.
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These types of stairs decorations can be observed in Borobudur and Prambanan temples. Makara's trunks are often describes as handling gold ornaments or spouting jewels, while in its mouth often projected Gana dwarf figures or animals such as lions or parrots. Makaras are also a characteristic motif of the religious Khmer architecture of the Angkor region of Cambodia which was the capital of the Khmer Empire. Makaras are usually part of the decorative carving on a lintel, tympanum, or wall.
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In his Brooklyn Rail review of Vu’s solo show at Von Lintel Gallery in New York, Gandalf Gavan proposes that Vu's works references Michel Foucault's concepts of order and disorder, of an > 'incongruous space,' a place where traditional knowledge, as established > through the process of identification, is replaced by a state of > simultaneity and non-definition. Elisa Decker writes in her Art in America review, > each picture possesses its own disquieting beauty and is a world unto itself > that one penetrates only slowly.
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Most sources, e.g. Dobie state that "Barbara's Gilmours cheese press can still be seen today at The Hill", however the cheese press here is dated 1760 and she died in 1732. The design of the press, with a heavy lintel stone having a screwed shaft passing through it attached to a frame, allowed the dead weight of the stone to be lowered onto the cheese progressively, improving the overall drainage of the whey and the firming up of the curd.Smith, John.
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The Tikal Project's Programa de Arqueología Regional (Regional Archaeology Programme) sunk some test pits at the site in 2000 but the results had still not been published as of 2006.Laport 2006, p.951. A further survey was undertaken during two weeks of January 2006 by the Departamento de Monumentos Prehispanicos in conjunction with Archaeologist Stephen D. Houston and Brown University. The Denver Art Museum has returned a carved wooden lintel stolen from the site, one of the few such artifacts in existence.
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The architecture is eclectic, drawing heavily on Dutch Revival. It was the work of well-known Pittsburgh architect Edward Stotz, whose other notable designs include Schenley High School, Fifth Avenue High School, and the Church of the Epiphany. The principal facade consists of a narrow, one-story entrance bay alongside a larger two-story bay. On the ground floor, the entirety of the main bay is occupied by the former fire truck entrance, which has wooden slat garage doors and a stone lintel.
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The eastern facade has only four doorways, broken by a large staircase that leads to the roof. This apparently was the front of the structure, and looks out over what is today a steep, but dry, cenote. The southern end of the building has one entrance. The door opens into a small chamber and on the opposite wall is another doorway, above which on the lintel are intricately carved glyphs—the “mysterious” or “obscure” writing that gives the building its name today.
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The eastern façade has only four doorways, broken by a large staircase that leads to the roof. This apparently was the front of the structure, and looks out over what is today a steep, dry, cenote. The southern end of the building has one entrance. The door opens into a small chamber and on the opposite wall is another doorway, above which on the lintel are intricately carved glyphs—the "mysterious" or "obscure" writing that gives the building its name today.
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The original location of the living accommodation in part of the Deele explains the very unusual layout of the Low German house. Whilst other 'all-in-one' farmhouses have their living quarters at the front, the Low German house across most of its native region has its main gateway at the front. The large gateway gable (colloquially: Grotdörgiebel) was very carefully made. The frame and especially the lintel of the Grote Dör (great door) were adorned with inscriptions and decorations.
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The surviving old blast furnace contains a cast- iron lintel bearing a date, which is currently painted as 1638, but an archive photograph has been found showing it as 1658. What ironworks existed at Coalbrookdale and from precisely what dates thus remains obscure. By 1688, the ironworks were operated by Lawrence Wellington, but a few years after the furnace was occupied by Shadrach Fox. He renewed the lease in 1696, letting the Great Forge and Plate Forge to Wellington.Baugh (1985), p.
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Glyph from Yaxchilan Lintel 15 meaning "Lady of Ik"FAMSI. Maya cities and kingdoms in the Classic Period were identified in hieroglyphic texts by a distinctive emblem glyph; they are essentially royal titles composed of three distinct parts – the glyphs representing k'uhul and ajau (meaning "divine" and "lord") followed by the name of the polity this person ruled over.Martin and Grube 2000, p.17. The decipherment of emblem glyphs was crucial to the interpreting the political makeup of Classic Period Maya civilization.
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There is late medieval work incorporated into the vault itself. In 2015 and 2016, while restoration work was undertaken, the Ancient Stones were removed from the Lamont Vault. The earth floor was lowered and more medieval bones were revealed; at this time two 17th-century lead coffins were also discovered. It has been suggested that the coffins contain the remains of Sir Coll Lamont 1634 and his wife Dame Barbara Semple, whose initials appear on a lintel above the vault entrance.
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The frontage is divided into three parts by tall grey pilasters. The left and right bays are further forward than the wider central bay, and have matching entrance: each has a lintel featuring a triglyph and metope pattern, smaller white pilasters and a pediment. Above the left (west) entrance is Mackintosh's crown monogram; above the right is a monogram of an eagle, the symbol of John the Evangelist. A large grey entablature, with prominent triglyph and metope work, sits above the three bays.
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The Old House is a two-story timber frame structure measuring about , with a clapboarded exterior and gabled roof. Its main facade is on the south side, with a center entrance framed by a simple trim with a segmented-arch lintel. On either side of the door there are three-part casement windows on both the first and second floors. Three similar windows appear on the north (back) side of the house which are careful replicas of the original windows.
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9 m wide with a span of c. 8 m that consisted of four rows of lintel blocks resting on five rows of posts (the two end points and three intermediate supports). Wheel ruts are cut into the stones of the bridge at an oblique angle toward a simple entrance on the west side of the stoa; these cuttings do not go toward the elaborate propylon (monumental entranceway) of the structure north of the stoa as might seem more likely.
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Recent excavations have unearthed what is thought to be the tombs of Shield Jaguar and Lady Xoc within Structure 23. Discovered in association with the female burial attributed to Lady Xoc were 146 prismatic obsidian blades, each with two lateral notches on the edges. These were located in what is known as Element 21 in Room 1 of Structure 23 at Yaxchilan. Due to the association with Lady Xoc’s burial in Room 2, these have been interpreted as being depicted on Lintel 24.
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In 2004, a pyramid belonging to an individual named Reherichefnakht was discovered in the complex of Pepi I's pyramid. The pyramid likely dates to the end of the Eleventh Dynasty, and is thus the oldest known pyramid not built for a member of the royal family. It has a base length of made from limestone blocks presumably scavenged from nearby structures. Remnants of stelae, offering tables, door stops and lintel, many of which bear names were found in the core of the pyramid.
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The Stone The Crowle Stone is the remains of an Anglo-Saxon cross at the back of the Church of England parish church of St Oswald at Crowle, Lincolnshire. This was originally carved as a cross shaft and until 1919 it was used as a lintel over the west door. The preservation of the stone is almost certainly as a result of the Norman masons reusing it when the church was built in 1150. The stone measures in height thick and wide.
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Mention must be made of the central domed ceiling in the large hall which rises in concentric ornamental circles. The doorjamb and lintel decoration is worthy of mention, especially at the entrance to the closed hall from the south. The sanctum is now empty but would have at one time housed a linga, the universal image of the god Shiva. Though this temple has been called a Jain temple, according to Cousens, there is no trace of any images directly related to Jainism.
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Central Arch with tympanum and columns. The Portico of Glory () of Santiago de Compostela Cathedral is a Romanesque portico and the cathedral's main gate created by Master Mateo and his workshop, on the orders of King Ferdinand II of León. The king donated to Mateo one hundred maravedís annually between 1168 and 1188. To commemorate its completion in 1188, the date was carved on a stone set in the cathedral and on the lintel that supports the richly ornamental tympanum.
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The mosque built with bricks and stucco plaster within a compound wall faces north. The corners of the mosque have towers of octagonal shape on the northwest and south west directions. Its entry gate built with bricks and red sandstone has an enclosed "bracket type lintel" opening of which is shaped like a large arch; its spandrels have ornamentation, enclosed in rectangular panels provided with arched recesses. The prayer hall is large and measures , and is covered by a large dome.
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The original 1912 building was demolished in 2003, but the lintel from the building's main entryway has been preserved. East Bank's town hall now occupies a separate building, which originally housed the high school & junior high's music and art classrooms. A Dollar General store occupies an adjacent portion of the property. Pioneer Park, administered by Kanawha County Parks and Recreation, is adjacent to East Bank Middle School, and offers an outdoor swimming pool, miniature golf, a snack bar, and picnic shelters.
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The oldest part of the building is the Romanesque tower. (A lintel of an earlier, pre-Romanesque church incorporated in it may date from the 8th century.) The tower dates from the early 13th century. The choir, in part likewise from the 13th century, is a mixture of Romanesque and Gothic elements, and features two side chapels. To the left of the choir is the vestry, above which there is a room that must once have served as a chapel.
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Each screen has 16 squares, four in each of four rows. The pattern of these screens are identical to Vimal Vasahi temple of Dilwara Temples on Mount Abu and Queens' Mosque, Sarangpur, Ahmedabad. The door-frame has small sculptures of seated gods in compartments of vertical parts of frame and scenes of daily life in horizontal lintel. In the walls, upon either side, at intervals in the descend, are sculptured niches holding groups of images which are very much mutilated.
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97, 1948) and reused as a headstone, may have originally functioned as the lintel of a doorway. In 1739 Dean John Richardson (the rector of Annagh Parish, County Cavan 1709-1747) stated- On the lands of Kildallan adjoyning to Carn Dallan, there is a cemetery with large stones in which some of the Irish do still bury their dead, though the church and churchyard are not 150 yards distant from it.The Relig graveyard, Kildallan townland, County Cavan drawn in 1880. # Kildallan Parish School.
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Wide stone steps flanked by Greek-inspired torchere lamps resting on stone wing walls lead to the central entry which contains modern doors. On either side of the entry are windows with eight- over-eight double-hung metal sash. The single bays which flank the central section contain similar windows, each with a limestone lintel and eight-over- eight double-hung sash above a stone panel. "UNITED STATES POST OFFICE COOPERSTOWN NEW YORK" is affixed in bronze letters above the entrance.
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The grown Jack Monroe became a teacher at Vandemeer University in Pittsburgh, Pennsylvania. A number of his fellow students from Stanford University held prominent positions. To rationalize killing three of them, he considered them threats to getting tenure at Vandemeer. Taking on the costumed identity of Weasel, displaying great agility, expertise at hand-to- hand combat, and a costume with sharp claws, he stalked the campus grounds and brutally murdered Arnold Lintel, Linda Walters, and a night guard named Chuck Gherkin.
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The main door is carved in wood with geometric patterns; about it, the lintel is decorated with palm leaves and a sun with wings of an eagle, symbol of the deity Horus. The building stands on an estereóbato. The Masonic Temple of Santa Cruz de Tenerife is located at the same latitude (28º north) of the Saint Catherine's Monastery of Mount Sinai (Egypt). This monastery was built in the place where according to the Old Testament, Moses received the Tables of the Law.
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Melgund Castle in 2006, the restored battlements in new stone The castle was built "in imitation of a 15th century keep with 16th century additions", although it may have incorporated earlier structures. It comprised a four-storey keep with an attic and a stair tower that appears to have been raised to act as a watchtower. Its two-storey domestic range on the east had a round tower at the north-east corner. One lintel has a carved shield with the initials D.B.
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Just beyond the door leading outside is a small porch with stone steps that lead up to the ground level. Some exterior bas relief decoration of hunting scenes may still be faintly seen around the portal upon the half-rounded lintel and columns. Most of the carvings have been obliterated over the years. At the time that it was constructed, the structure was two stories tall (the lower chamber having been built below ground) but now only the lower chamber remains.
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As an artist, Davis' work is an exploration of racial, social, and psychological identity, and through the development of her painting lexicon she expresses her personal experience as an African-American woman in the 21st Century, and, by extension, that of an individual in modern society. "Group Show: Lisa Corinne Davis" (exhibition website). Von Lintel Gallery., Retrieved 3 August 2015 She is currently a Professor of Painting and Combined Media at Hunter College.“Lisa Corinne Davis”, Hunter College, Retrieved 25 March 2015.
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Interior of Finnis souterrain showing the dry stone walls and flat stone roof.The site is made up of a long main passage that runs east to west, with two long side passages on the right hand side that open into small chambers. All three passages are approximately wide. The first of the main passage is approximately 1 meter high, there is then a low lintel structure after which the passage continues at approximately in height in a slight downward curve.
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Japanese traditional architecture was based on the post and lintel system, which is intrinsically not very strong. To strengthen it, therefore, an extra row of pillars and relative lintels are added, supporting the moya's walls. The hisashi can be present on just one or all four walls, and is counted with the suffix . A building can for example be said to be a 3 x 3 ken, 4 men butsuden if it is surrounded by a hisashi on all sides.
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Dating to the Aragonese period, the church is linked to the Archfraternity of the Holy Virgin of Santo Monte. The only feature distinguishing the façade from a secular building is its oculus and moulded, arched lintel. The interior is a small hall and nave, divided into two bays by a pointed arch. At the centre of the presbytery, a stone table is decorated with a relief of the Last Supper; behind it is a niche with a statue of Saint Michael.
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The Williams House is set on the north side of High Street, a short, predominantly residential, side street near Bangor's central business district. The house is a 2-1/2 story brick structure, five bays wide and three deep, with a side gable roof and four side chimneys. The centered entry is recessed in a wide opening with a granite lintel, with paneled sides, sidelight windows, and a fan above. Windows are plain sash windows with granite sills and lintels, and with shutters on the front facade.
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Little has been done to restore the temple with the exception of reinforcing or replacing several stones, including the lintel, in the 1950s. Shelters have been constructed by Ħeritage Malta in an attempt to shield the temples from further erosion. A visitors' centre has been built near the temple, over what was originally a small restaurant. The visitors’ centre includes an auditorium for an audio- visual introduction and an exhibition space, displaying related artifacts and reproductions from the Museum of Archaeology as well as interactive exhibits.
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Opposite the old South Millburn farm is a ruined cottage with unusual architectural features. The gable ends both held rectangular windows with an unusually elongated vertical axis, not set centrally, but offset towards the back of the building which itself faces South Millburn. These slit windows would have given a clear view to anyone within the building of any activity to the sides of the building. The side facing South Millburn had one similar windows to the gable inserts as shown by a surviving lintel.
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The main entrance is the house's most elaborate Greek Revival feature, with full-length sidelight windows and a peaked lintel. The ell has a secondary entrance, sheltered by a shed-roof porch, and a second single-story ell extends further to the right. The house was built in 1845 by John Needham, and is locally significant for its unusual entry styling. The house has been owned by a number of locally prominent families, including that of Prentiss Greenwood, a postmaster of the village of Pottersville.
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Traditional Chinese timber frames do not use trusses but rely only on post and lintel construction. An important architectural element are the dougong bracket sets. The Songyue Pagoda is the oldest brick pagoda dating to 523 AD. It was built with yellow fired bricks laid in clay mortar, with twelve sides and fifteen levels of roofs. The Anji Bridge is the world's oldest "open-spandrel stone segmental arch bridge" built in 595-605 AD. The bridge is built with sandstone joined with dovetail, iron joints.
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The lintel of the main gate also became increasingly elaborate, decorated with semicircular archivolts, triangular pediments or rectangular architraves. Late period old type shikumen are far better preserved than early period examples. Representative examples include the west and east Siwen Li (in the process of being demolished), north Shude Li, and Daqing Li, built in 1915. One of the few old type shikumen developments to be preserved largely intact is Bugao Li, or Cité Bourgogne (built in the 1930s), in the former French Concession.
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On the night of 1 August, at 1:00 in the morning, Marie Antoinette was transferred from the Temple to an isolated cell in the Conciergerie as 'Prisoner n° 280'. Leaving the tower she bumped her head against the lintel of a door, which prompted one of her guards to ask her if she was hurt, to which she answered, "No! Nothing now can hurt me."Funck- Brentano, Frantz: Les Derniers jours de Marie-Antoinette, Flammarion, Paris, 1933 This was the most difficult period of her captivity.
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The capital on the left features a floral pattern while the right, two devouring monsters, a type of winged lion that swallow a person whole. The lintel at the center features a small rhomboid emblem in bas-relief depicting tools of the trade of the master of the house. In the leaf of the door the lock is in the shape of a snake, found in many churches in the country. The shape, rooted in the Romanesque period, lasted well until into the Baroque period.
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Emilie Beneš was born in Geneva, Switzerland. She earned a fine arts degree at Wellesley College in Massachusetts, United States. After marrying, she sculpted for 25 years while raising a family, then had her first solo show in 1981 in Washington, D.C. Since the 1980s, most of her works have been in wood. Her monumental 1993 work Lintel, constructed from cut cherry trees and then cast in bronze, is in the collection of Grounds for Sculpture, a sculpture park and museum in New Jersey.
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Two architectural styles predominate the rectangular building: Late Baroque, especially the ornamental decorations around the various doors, and Neoclassicism in the upper sections of the towers topping the facade. Four bells which bear the names of the four Evangelists are situated in its two towers. The facade includes a flat bay with slightly arched lintel. The central nave is flanked by two aisles and there is a transept and a vestry which is at a slightly higher level than the rest of the church.
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The faithful will often keep a lamp burning perpetually in their icon corner. In the Russian Orthodox Church, it is customary to try to preserve the flame from the service of the 12 Passion Gospels and bring it home to bless their house: there is a custom of using the flame from this candle to mark a cross on the lintel of one's doorway before entering after the service, and of then using the flame to re-kindle the lamp in the icon corner.
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The inscription 大好河山 ("Magnificent Rivers and Mountains") found over the lintel was mounted in traditional Han-Style in 1927 on the initiative of Gao Weiyue (), the ruler of the former province of Chahar (now Inner Mongolia). Just to the west of the gate, on the plane in which the city lies, there is an approximately 100 meter long part of the wall faced in brick; then further west, a very well-preserved Great Wall, built of hard rock, follows the mountainous terrain.
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Furthermore, these ceremonies kept women involved in the social and political aspects of Yaxchilan society. The lintels adorning the doorways of Lady Xoc's house establishes the role of women in Yaxchilan society taking part in political, social, and ritual roles. From lintel 23 which shows Lady Xoc's genealogy and the ceremonies involving her home to the famous lintels (24, 25, and 26) which depict her taking a part of ritual and political aspects of Yaxchilan life, Lady Xoc's monuments depict her power and importance in Yaxchilan society.
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Bronze statue of King George VI At the southern entrance to the gardens, at Upper Albert Road, is a memorial arch dedicated to the Chinese who died assisting the Allies during the two world wars. The inscription on the lintel reads: "In Memory of the Chinese who died loyal to the Allied cause in the Wars of 1914-1918 and 1939-1945". The granite arch in the shape of a paifang was erected in 1928. Reference to the Second World War was added later.
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Main facade facing east, of five panels, those at the extreme ends indented, at the level of the upper register. Its centre is marked, by panel stone, with three arched doors, surmounted by balcony topped by lintel, on large corbels, with wrought iron guard. Three doors open at the level of the balcony, each between Ionic columns with wreaths, supporting a cornice, limited by two figureheads with frieze decorated with phytomorphic elements. In turn, the friezes crown a cornice topped sculpted urns, limited by step pyramids.
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The Townsend Farm is located in a rural setting in eastern Dublin, on the east side of East Harrisville Road a short way north of its junction with Cobb Meadow Road. The house is a rambling multi-section wood frame structure, oriented roughly perpendicular to the road. Nearest the road is a -story gable-roofed section with Greek Revival features. It has the main building entrance in the rightmost bay of the south facade, flanked by sidelight windows and topped by a corniced lintel.
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There is no dedicatory block upon the lintel to indicate to which deity the initial dedication was for. The Shiva linga in the shrine appears to be a later addition after the original deity in the sanctum was removed. The temple is unfinished and at the base of the superstructure (Shikhara), are vestiges of Jain architecture. The image niches on the wall of the shrine and the hall are now empty though some decorative elements like makharas (mythical beast) with long tails still remain.
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During 1937–1939, the Mausoleum was further studied and major restorations works took place under the leadership of B. N. Zasipkin. Graves of three male bodies have been discovered. One of these is identified as Nasr II from the inscription on the lintel; the identity of the other two is not known. During the Soviet era, some time after World War II, the cemetery that surrounded the Mausoleum was paved over, and an amusement park (still in operation) was built next to and around the building.
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Lintel with Arabic inscription from 1925 The colorful history of the German Colony is illustrated by the mix of architectural styles found within a relatively small area. One finds Swabian-style homes, examples of late provincial Ottoman architecture and British Art Deco from the Mandatory period, within close proximity. An example of British architecture is the Scottish Hospice and St Andrew's Church, built in 1927, decorated with local Armenian tilework. Some of the Templer homes have biblical inscriptions in German on their lintels, in Fraktur script.
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To the left of the altar is the rectangular pulpit on two cantilevers, decorated with a diamond anthemion surrounded by lanceolate, with access to the straight door lintel. The pulpit is surmounted by carved canopy to the level of the roof cornice, decorated with the dove of the Holy Spirit inserted in a circular cartouche. The presbytery is delineated by a lattice balustrade. The triumphal arch is decorated in red painted leaf, surmounted by a crown and flanked by two lateral retables in gold-leaf at angles.
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The present castle consists of a very robust square keep, lit by mullioned windows. This keep from the early 15th century dates the construction, or reconstruction, of the castle.Ministry of Culture Of the surrounding walls, the only remains are a round tower and stretch of wall and part of a moat still filled with water. Also from the same era are a round staircase tower with small square windows and, in the south east, a doorway opening into the courtyard whose lintel is decorated with an escutcheon.
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A common palette of materials including reinforced concrete, steel and exposed brickwork was used. The steel work was all prefabricated at the Northgate workshops. Graceville Station was the first of these station fit-outs to be completed within the quadruplication project between Corinda and Roma Street. The main building at Graceville had a butterfly roof formed with a reinforced concrete slab lined with bituminous felt and supported on ten pre-cast, reinforced concrete beams that cantilevered off a continuous lintel resting on ten brick piers.
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The pilasters support a granite lintel, above which the brick portion of the building rises. The upper floors are five bays wide, with brick quoining at the corners and flanking the central bay. Second and third floor windows are set in segmented-arch openings, with Italianate brick hoods and bracketed stone sills. The fourth floor is separated from the others by a brick stringcourse, and has tripled round-arch Romanesque windows in the outer two bays, and a single round-arch window in the center bay.
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The Sears' Block, built in 1848, is a rare surviving instance of granite post- and-lintel construction. Both buildings were developed by David Sears, a leading mid-19th-century developer of Boston who was responsible for the filling of Back Bay. They are the only buildings that remain on the original route of Cornhill, one of Boston's oldest streets, most of whose route has been lost or obscured by urban renewal. The buildings were added to the National Register of Historic Places in 1986.
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Several small brick chimneys, no longer functional, pierce the flat top of the roof near the northwest corner. Sitting room and library, as photographed by alt=A black and white photograph of a well-decorated room with a globed hanging light fixture. On the left is an entryway to a neighboring room, similarly decorated On the facades, sandstone courses run along the lintel and sill lines. The first story windows are topped with ornate lintels; small rosettes are in the stonework above the second story's sandstone course.
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Jackson—along with architects Robert Venturi and Michael Graves—helped to define the new style with works that referenced traditional architectural features such as classical proportions, columns, and arches. The collection included a dining table, buffet, armoire, coffee table, and desk, each in a post and lintel design that was easier to reproduce than Jackson's other more sculptural works. To help market New Classics to architects and designers serving the residential market, Jackson opened a showroom in Manhattan at the Interior Design Building in 1984.
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Because of the clustering of the monuments, certain morphological features presented by the tombs, and the assemblage of material found within some of the monuments, Carrowmore – like Newgrange, Loughcrew and Carrowkeel – is classified by archaeologists as being part of the Irish Passage Tomb Tradition. However, in some respects the Carrowmore sites are atypical passage tombs. For example, none of the tombs have lintel-covered, tunnel-like, passages that are a feature of most Irish passage tombs, and only one site (Tomb 51, Listoghil) possesses a cairn.
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The three central windows to the postal hall were framed by four quasi-pilasters, using face brick shafts and stucco-rendered Tuscan capitals. These complement the six timber posts that flank the recessed balcony immediately above and support the entablature. The window-heads and balcony lintel are all surmounted by two moulded stucco friezes running across each storey, with the lower forming a plate for the Post Office label. The windows are all double-hung sashes with multipaned upper lights and tilted brick sills.
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The first church was built in the 11th century. The church was transformed and rebuilt in 1761 following the plans of the architect Pietro Antonio Santo Bartolomeo, a master Italian mason born in Lugano, Switzerland.Dominique Foussard, Georges Barbier, Baroque niçois et monégasque, p. 287, Picard éditeur, Paris, 1988 There remains from the previous building a lintel of a door engraved with the date 1550 and two lateral chapels covered by ogive arches, which were parts of the old nave whose central element disappeared during the transformation.
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The Blackstone Restaurant & Brewery The 30 bbl Brewhouse at the Blackstone Production Brewery On December 31, 1994, Blackstone Restaurant and Brewery opened to the public as a joint venture between Kent Taylor and Stephanie Weins. Weins ran the day-to-day operations of the restaurant while Taylor, a CPA, handled the finances. The restaurant was known for serving wood-fired pizzas, fish and chips, burgers, and other high-end pub food. The entrance had a lintel engraved with "Licensed to Brew Ales, Porters & Stouts".
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In the centre of the north wall is a large rectangular opening with a concrete lintel that was created in the 20th century, which was likely to have been used as the garage entrance, and there is a further rectangular opening to the right. The east wall has been largely rebuilt but contains some original stonework. Part of the gabled west wall has been built upon with modern bricks. The south wall no longer exists above ground level as its remains were demolished in the 20th century.
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Entrance into the souterain Oweynagcat - the cave of Cruachan. The inside of the lintel stone has the ogham inscription The mound of Carnfree (Irish Carn Fraoich, Fráech's Cairn) near Tulsk in County Roscommon, which was used for the inauguration of the O'Connor kings of Connacht, preserves his name. The cave of Cruachan (Oweynagat meaning "cave of the cats") nearby contains an ogham inscription in primitive Irish reading VRACCI MAQI MEDVVI, (the cave) of Fráech son of Medb. Fraoch is also the Celtic name of heather.
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Beam and block is a construction method to support flooring, especially for ground floors as well as multi storey buildings. It is made of cast concrete, one piece of which is a prestressed concrete Beam which can be inverted T-shape beam, or lintel, the other piece being a simple rectangular block. The blocks are placed at regular intervals and the beams placed between them to form a connection between each block section. They form a support for the next layer of flooring materials.
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Above the main door there was a window that provided light to the central nave. The aisles were divided by three arches supported by twin doric columns of stone with a wide intercolumniation covered by a lintel, the columns being leaned on the side of the presbytery and the facade, above four pilasters. There were also paintings found inside, including one depicting the Martydom of saint Margaret, belonging to the seventeenth century. This report from De Petri established drastic changes compared to the Borromeo brothers' description.
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The lintel has a Gajalakshmi. The hall consists of two fused squares (6.5'x13'). The door frame to the sanctum has tiny carvings, and the temple has some of the most miniature carvings of themes in Aihole. The Veniyar temples are dated to between the 9th and the 11th century, and represented a breakthrough in experiments by Aihole medieval artists to balance stone weight that the foundation and pillars could support while arranging a functional form, space and light within the temple consistent with the theological ideas.
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With rooster's bloody head and neck the stable's jamb and lintel were smeared, and drew a cross on the floor. [..]" (1832)"Latvian folk beliefs" (1940-1941) No. 19479 "On Mārtiņvakarā, they took a loaf of bread and went to the horse stable. There they slaughtered a rooster and with its blood tarnished the left hind leg of each horse. After that a loaf of bread with the rooster were carried around horses, then the horses would not be smitten with evil spirits and their random incubus.
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The inscription was found on a house in the village of Silwan (see the "x" mark). This map is from the Ordnance Survey of Jerusalem, published just a few years prior to the inscription's discovery. The inscribed lintel was found by French archaeologist, Charles Simon Clermont-Ganneau in 1870 above the entrance to a home in Silwan, a historical Palestinian village south of Jerusalem. Clermont-Ganneau arranged for the inscription to be purchased and removed by the British Museum one year after its discovery.
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The name Oweynagat may come from the magical wildcats featured in "Bricriu's Feast" that emerge from the cave to attack the three Ulster warriors before being tamed by Cúchulainn. A tale from the eighteenth century tells of a woman who on trying to catch a runaway cow, follows it into the cave and emerges miles away in Keshcorran, County Sligo. On the inner lintel is an ogham inscription. The full phrasing is unclear but the words FRAECH and SON OF MEDB have been translated.
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A 1.5-story kitchen wing is attached to the rear of the house to create an "L" shape. Square doric columns grace the house's portico. The Benjamin Brabson house, built in 1856, was originally a Federal-style house similar to the Thomas Brabson house, although a Victorian porch and Queen Anne-style gable were added to the front of the house in the 1890s. Both houses contain most of their original design elements, including large post- and-lintel mantels and open "dog-leg" staircases.
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Some of its stones can still be found in Winchcombe; for example the lintel over the abbey gate now rests over the gate of what was once the George Inn. Fragments of the abbey can still be seen in various places in Winchcombe, notably the Corner Cupboard Inn on the Cheltenham road. A stone cross was erected in the 19th century to mark the centre of the abbey tower. Very little now remains of the Abbey; more remains of its great nearby rival, Hailes Abbey.
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The main entrance portals are framed with a decorative limestone lintel depicting a bird and human figures. The limestone friezes above each set of doors depict a bell flanked by a Mongolian and a Native American, which respectively symbolize the Eastern world and the Western world. On the West Street facade, the main entrance portal is flanked on either side by two single-width double- height bays, a triple-width double-height bay, and another single-width double-height bay. These double-height bays contain storefronts.
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Old Town The stones were placed where they would be easily and frequently seen by visitors, usually on the lintel above the front door of a house, above a fireplace or in a prominent position facing the entrance or in the gardens, such as above a doorway in wall. Many are no longer visible having been covered over in some way such as when older buildings have been extended, porches built, etc. Often the husband's initials were on the left and the wife's were on the right.
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The Nandi ishapam (statue of Nandi) found with the lingam dates from the Pallava era. Other discoveries include statues of the Hindu god Ganesh and a goddess said to be Pattini/Kannagi. The garland decorated gateway to the original shrine, dating from the 10th century, is well preserved at the site. One of two styles of Thoranam to typical Kerala style temples, (lion-sea dragon or peacock crowned), the Makara Thoranam's (gateway's) frame and lintel include small guardians, dancers, musicians, ganas, and yali-riders.
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A large gutter, made of stone hollowed on the surface, formed the junction between each turret and the main roof. Inscriptions Various inscriptions are carved into the fabric of Barr Castle. These include IW and MH on the pediment above the main entrance, IH and IC 1680 above the lintel at the head of the stair, and WO 1699 on the battlements. The carvings are the initials of various Hamilton Lairds of Barr, John Wallace and his wife Margaret Hamilton, John Hamilton and Jean Cochrane.
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In fact, the alliance with Yaxchilan may date further back to the early 8th century since Yaxchilan Lintel 25 (dedicated in AD 723) used the so-called X-ray style of imagery that is closely associated with the Motul de San José polity.Velásqeez García 2007, p.19. However, relations with Yaxchilan were not always peaceful and Hieroglyphic Stairway 5 at Yaxchilan records that Itzamnaaj B'alam III of Yaxchilan defeated the lord of Motul some time in the latter part of the 8th century.Martin & Grube 2000, p. 135.
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Rodin's The Thinker (1879–1889) is among the most recognized works in all of sculpture. The Thinker (originally titled The Poet, after Dante) was to become one of the most well-known sculptures in the world. The original was a high bronze piece created between 1879 and 1889, designed for the Gates' lintel, from which the figure would gaze down upon Hell. While The Thinker most obviously characterizes Dante, aspects of the Biblical Adam, the mythological Prometheus, and Rodin himself have been ascribed to him.
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In 1979, the Perth Fire Brigade vacated the building, which was subsequently restored between 1983 and 1985. The external work involved re-roofing with terracotta tiles to match existing, reconstruction of a limestone arch that had been replaced with a concrete lintel to suit larger and higher engines, and replacement of columns, mouldings and original doors which had been removed. Internal work included new timber stairs, toilets and a theatrette. New ceiling cornices and ceiling roses were installed to match the period and the existing.
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The long walls are divided into sixteen bays by projecting brick piers; each bay contains a single window or door. The windows are narrow, tall six-over-six sash units with a three-light transom above, placed in an arched head opening with a five-piece segmental sandstone lintel above and a sandstone sill below. The building's ends each contain a double doorway and a coupled window on the second story above. The flanking sections of the two-story blocks contain single second-floor windows.
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Upper temple panoramic Low temple panoramic Mnajdra is made of coralline limestone, which is much harder than the soft globigerina limestone of Ħaġar Qim. The main structural systems used in the temples are corbelling with smaller stones, and post and lintel construction using large slabs of limestone. The cloverleaf plan of Mnajdra appears more regular than that of Ħagar Qim, and seems reminiscent of the earlier complex at Ggantija. The prehistoric structure consists of three temples, conjoined, but not connected: the upper, middle, and lower.
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In the main mantapa (hall) there are three images, one of the "five headed" Brahma and his vehicle (vahana), the goose, and two images are of Surya, the Sun God. The temple has two doorways each with a porch, one facing south and the other facing east. The east facing door has on either side the remains of what must have been elegant lintel decoration, and an open hall type of pillared extension containing a large recumbent image of Nandi (bull) which faces the shrine.
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This carving and many others that may be found on the church are considered to be masterpieces of artwork done by Momik Vardpet, who according to inscriptions was also the architect for the church. He is best known for his high-relief carvings at the monastery of Noravank, located approximately 6 kilometers southeast from Areni. Upon the tympanum above the lintel of the southern portal are the carvings of crosses. In the center of the church interior, arched pendentives support the drum and dome above.
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It was in this time that a new castle, the Naumburg, was built near Bärenbach, within whose domain lay Schmidthachenbach. In 1172, Emich VII transferred ownership of the Naumburg to his brother Gerlach. In 1323, Raugrave Conrad sold Archbishop of Trier Baldwin the Naumburg for 1200 Heller, whereupon Baldwin enfeoffed Conrad with the very castle that he had just sold. The year 1361 is important in Schmidthachenbach's history, for this date was to be found on the lintel over the old town hall's door.
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The Dream Stele is a rectangular stele made of granite, tall and weighing 15 tons. It originally formed the back wall of a small open-air chapel built by Thutmose IV between the paws of the Sphinx. It was rediscovered in 1818 during Giovanni Battista Caviglia's clearance of the Sphinx. The stele itself is a reused door lintel from the entry to the mortuary temple of Khafre as pivot sockets on the back of the stele match those at the threshold of the temple.
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The Wilkeson Arch is located on Washington State Route 165, standing across the road. The arch comprises two squared pillars of local sandstone with simple stone bases and capitals, topped by log cribbing supporting a single fir (originally cedar) log spanning the road between the pillars. The lintel supports a sign that from the entrance side reads "WILKESON COAL MINES - WILKESON SANDSTONE" and "GATEWAY TO THE CARBON GLACIER." The exit side of the sign reads "TACOMA 30 MILES - SEATTLE 50 MILES and "REMEMBER WILKESON.
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This couple inherited the house, and it has since remained in the hands of their descendants. The main block of the house is a 2-1/2 story wood frame structure, five bays wide, with a side gable roof and four side chimneys in the brick end walls. The main entrance, centered on the east-facing facade, is topped by a fanlight window and flanked by pilasters of Doric order, which support a lintel with entablature. There are secondary entrances on the side walls.
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Heavily carved stone brackets support a lintel over the main doors on the building's front facades. The four columns dominating the front extend two stories and blend Ionic and Corinthian elements as they ascend from the second floor to the cornice level of the courthouse. Stone balustrades accent the small balcony on the second floor and the windows on the same floor, in the east and west wings, have a row of six balustrades below their sills, which form a continuous stringcourse around the building.Bigolin, Steve.
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The Gregg House is a historic house at 412 Pine Street in Newport, Arkansas. It is a two-story brick-faced structure, three bays wide, with a side gable roof, twin interior chimneys, and a two-story addition projecting to the right. The front facade bays are filled with paired sash windows, except for the entrance at the center, which is sheltered by a gable-roofed portico supported by box columns. The entrance is flanked by sidelight windows and topped by a lintel decorated with rosettes.
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The principal facade, oriented to the west, include two-storeys separated by granite friese, mezzanine and tile, that encircles by staggered granite base and topped by cornice, overlaid with frieze and protruding eaves. The first register includes 17 guilhotine-style windows with arched lintel, framed in granite centered by principal door with granite arch. The second floor has 8 rectangular windows, dual-door and flag, that includes framing surmounted by frieze and cornice, protected by ironwork. Over the windows are smaller two-leaf windows, framed with granite.
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According to art historian Lajos Kelemen, its donator was Leonard Barlabássy. Art historian Jolán Balogh emphasized the country-house of Héderfája is the earliest surviving Renaissance-style building in the province of Transylvania, excluding the reconstructions of some royal castles. Barlabássy's stepbrother, John Lászai erected a Renaissance-style chapel in Gyulafehérvár around the same time. A stone lintel at Héderfája preserved the date of the construction of the country-house (1508) and Barlabássy's coat-of-arms and its subscription, which depicts Italian calligraphic style.
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Jaina image in sanctum, doorpost and lintel decoration at the Jain Temple, Lakkundi The Western Chalukyan kings Shaivas (worshippers of the Hindu god Shiva) dedicated most of their temples to that God. They were however tolerant of the Vaishnava or Jain faiths and dedicated some temples to Vishnu and the Jain tirthankaras respectively. There are some cases where temples originally dedicated to one deity were converted to suit another faith. In such cases, the original presiding deity can sometimes still be identified by salient clues.
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Manikgad was built by the last Mana Naga King - Gahilu. The Mana Nagas settled in this area around 9 CE. Initially, the fort was named Manikagad after the patron deity of the Mana Nagas - Manikadevi - but later on this was shortened to Manikgad. Local legend holds that the fort was built by a Gond king named Mankyal (hence the name Manikgad). However, the lintel of the entrance gate has a Naga image carved in relief and not the Gond emblem of a lion and an elephant.
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The windows on the front facade have panels and triple lintels, meanwhile the intermediary cornice, the lintel and upper cornice are integrated with a pronounced relief. Above the windows, the frontispiece includes a circular oculus in the tympanum, surmounted by cross. On the left is the bell tower which is divided into two levels by a cornice that circles it. The upper portion of the lower level includes a frieze surmounted by cross, while on the lower section is a lateral doorway with arch.
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Robert Burns Country Retrieved : 2011-01-06 Burns is said to have roofed the barn himself and upon its demolition an engraved lintel from it was incorporated into the new farmhouse that replaced it. In 1879 the poet's home had become a barn.Adamson, Page 106 William Burnes had a verbal agreement in the early 1780s to pay rent on the mill dam, referring to the land covered by the loch. David McClure had not yet drained this land and therefore William disputed the payment.
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153 Lygdamis had an ambitious building program and in 530 BC he began work on a huge Temple of Apollo which was never completed. The Portara, the lintel of the temple, stands today as one of the chief landmarks of Naxos. In 524 BC Lygdamis' rule over Naxos was ended when he was overthrown by the intervention of a Spartan army.Plutarch, On the Malice of Herodotus 21; Scholia in Aeschines 2.77 Naxos continued to prosper in the years immediately after Lygdamis' rule under a new oligarchy.
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The Frieze below reads: ALFONSVS REX HISPANVS SICULVS ITALICUS PIVS CLEMENS INVICTUS Above it reads: ALFONSVS REGUM PRINCEPS HANC CONDIDIT ARCEM The second upper arch is surmounted by Lions and four niches with statues depicting the virtues of Alfonso. Above this is a rounded lintel with two genii with horns of plenty surmounted by Alfonso in attire of a warrior. Real Museo Borbonico, Volume 13, By Raffaele Liberatore, Stamperia Reale (1843), Antonio Niccolini, Editor , page 1-35. This cornice was meant for an equestrian statue.
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San Francesco of Lodi, Lombardy A mullion is a vertical element that forms a division between units of a window or screen, or is used decoratively. When dividing adjacent window units its primary purpose is a rigid support to the glazing of the window. Its secondary purpose is to provide structural support to an arch or lintel above the window opening. Horizontal elements separating the head of a door from a window above are both a head jamb and horizontal mullion and are called "transoms".
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80 Doorjamb and lintel mouldings on shrine door of Kasivisvesvara temple The architects in the Karnataka region seem to have been inspired by architectural developments in northern India. This is evidenced by the fact that they incorporated decorative miniature towers (multi-aedicular towers depicting superstructures) of the Sekhari and Bhumija types, supported on pilasters, almost simultaneously with these developments in the temples in northern India. The miniature towers represented shrines, which in turn represented deities. Sculptural depictions of deities were generally discreet although not uncommon.
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Re-gilding the sign at 25 Market Place, Singer's workplace and home; Camilla Rose, traditional sign writer & gilder, top; new sign completed, belowThe work of the foundry can be seen in several different locations. The Frome Museum has window balustrades and metal banister supports on the interior cantilever or torsion staircase of 1865-9. His house at 25 Market Place has window balustrades on the first floor. In 2019 the original sign above the door lintel was re-gilded, funded by the Frome Society for Local Study.
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The upper ashlar of each pillar has a "U" -shaped recess that would serve to support the lintel that would hold the channel -or pipe- that would transport the water and about 90 cm from the crowning of each pillar a horizontal perforation appears from side to side that would allow there to be a system of propping for the support of the lintel in the center of the span between each two pillars.VIARTOLA, L.M.: "El acueducto romano de Los Bañales: propuesta de recreación estructural", CAESARAVGVSTA, 82, 2011, pp. 169-198. The elevated section of this aqueduct was complemented by sections of specimens carved into the rock itself - some meters of this system have been found-, taking advantage of the slope of some hills, maintaining the necessary level and with the appropriate slope for the continuity of the water transit. Taking into account the dimensions to which the different elements of the route are located, it has been calculated that the entire aqueduct maintained a constant slope of less than 0.1% -a meter of difference for each kilometer of travel-, which makes a difference of height between pillars of a few millimeters.
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Heqanakht was Viceroy of Kush during the reign of Ramesses II. His titles include: King's son of Kush, overseer of the Southern Lands, Fan-bearer on the Right Side of the King, Messenger to every land, Hereditary prince, royal sealbearer.Kitchen, K.A., Ramesside Inscriptions, Translated & Annotated, Translations, Volume III, Blackwell Publishers, 1996 Heqanakht is attested in several locations: # Graffiti in Aswan – Heqanakht is shown adoring a cartouche of Ramesses II # A squatting statue from Quban – The base is inscribed with hetep di nesu offerings from the King to Atum and Osiris. # A reused block from Quban is inscribed with Heqanakht's name # In the temple at Amada Heqanakht is shown praising Re-Harakhti # In a rock stela from Abu Simbel Heqanakht is shown adoring Queen Nefertari before offerings. The stela also depicts Ramesses II with the King's Daughter Meritamen # In Aksha the name of Heqanakht appears on a lintel from a building # In a stela from Serra Peniuy, chief of Tehkhet mentions a gift from Heqanakht # In Amarah Heqanakht is shown adoring Ramesses II # In Abri Heqanakht is shown giving praise to the Pharaoh on a lintel.
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It was finished in 204 AD and is tall and the passage (between two thick pillars supporting a flat lintel) is wide. It is built of white marble, except for the base which is of travertine. The dedicatory inscription is framed by two bas- reliefs representing Hercules and a genius. The panels lining the passage present two sacrificial scenes — on the right (east), Septimius Severus, Julia Domna and Geta, and on the left (west) side Caracalla with his wife Fulvia Plautilla and father-in-law Gaius Fulvius Plautianus.
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The Jabron valley is dominated by the ruins of the 17th century Chateau Graves. On the Aouche la Garde ridge stand a tower and curtain wall, now in ruins, which survey the Jabron and Chateauneuf valleys. In Lange, the principal section of the commune, one home is inscribed with the date 1620 on its lintel. The church of Saint Mari (also Saint Mary) in Lange is considered exceptional by French historian Raymond Collier, who gives the building considerable attention in his book La Haute-Provence monumentale et artistique.
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In 1958, the home was moved, without a later ell that had been added, to its current location on the grounds of the Turner-Ingersoll mansion, which Hawthorne had made famous in his novel The House of the Seven Gables (1851). It reflects typical architecture for the period: a central chimney, gambrel roof, front and back stairways, and a post-and-lintel doorway. The ground floor is laid out with kitchen to the right and main room to the left. The second floor has front and back rooms on each side.
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The 1797 (dated on the lintel) barn, category B listed, would have been thatched or slated originally, with a lime harl that has entirely disintegrated. An arched opening, now blocked up, suggests that originally this building was used as a cart shed. Ventilation slits survive on all sides.British Listed Buildings Retrieved : 2011-01-27 The small wing to the 1767 cottage could have been used as storage or for cattle; the surviving doocot shows that pigeons were kept in the loft above as an additional source of food.
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The El Dorado Confederate Monument is located on the grounds of the Union County Courthouse in El Dorado, Arkansas, near the corner of North Main and South Washington Streets. It consists of a statue of a Confederate Army soldier in mid-stride, mounted on top of a temple-like structure supported by four cannon-shaped Ionic columns. The columns support a lintel structure bearing inscriptions on three sides, above which is a tiered roof with cannonballs at the corners. The temple structure is high, and square; the statue measures by by .
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The stones used to construct the monument are a hard local sandstone with a bluish tint. The cairn encloses an oval-shaped full court 15 by 10 meters with an entrance passage through the cairn on the east side. The entrance to the main chamber is located at the centre of an imposing megalithic facade on the west side of the court. The chamber is made up of two large compartments divided by a pair of jambs which presumably supported an inner lintel like those at Shawley and Croaghbeg in County Donegal.
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The front entrance is covered by a small Greek Revival portico measuring about , topped with a pediment supported by wooden Doric columns and engaged columns at the wall. The front porch is flanked by modest wooden handrails and balusters on its left and right sides. The front entrance is post and lintel (trabeated) construction, with a six-pane transom and two three-pane sidelight windows around the doorway. Zimmerman suggests that "Big Jim" Parsons embellished his home's front entrance to assert his "wealth and status" and provide "an honored welcome to visitors".
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The 2-1/2 story wood frame house was built in 1868, and is one of the only bracketed Italianate houses to survive in East Cambridge. It has a front-facing gable whose cornice includes dentil moulding and brackets, and whose fully pedimented gable end has a round-arch window in the tympanum area. The main roof cornice also has dentil moulding and paired brackets, and the front windows have slightly projecting lintel caps. The house was listed on the National Register of Historic Places on April 13, 1982.
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Three short steps lead up to the main entrance, with paneled wooden double doors flanked by decorative lanterns and topped with an 18-light transom set in a lintel with keystone. On either side are triple-hung eight-light sash windows with a similar treatment. The windows on the wings are six-over-six double-hung sash, also with gently keystoned lintels, except for the third bay from the south end, set with a four-pane casement window. At the south end is a covered platform with elevated loading dock.
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The ground floor functions as a raised basement, with wide segmented-arch housing multipart windows flanking a deeply recessed entrance. A narrow trim string course runs at the base of the windows, with a wider one separating the first and second levels. The second through fourth levels each have paired sash windows in the center, sharing a common lintel, while the side bays have rectangular windows in an inverted Palladian form. Another string course separates the fourth and fifth floors, with three-part windows flanking central paired windows.
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On the eastern side, and placed across these, there are two more naves that follow the same modernist aesthetic, although the furthest nave, the substation's building, doesn't have a gable roof. The relatively low facades stand out due to their large vertical windows finished with semi-circular arches. Above these, a kind of pediment with an accented trim and a lintel closes the space. Under all this, a flat base where the brick is hidden, decorated with low arch frames simulating openings (some of them really are bays), “supports” the rest of the entire facade.
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The pylon, a doorway feature with spreading jambs which support a lintel, also started to be used and became popular with architects. As a result of the Napoleonic conquest of Egypt in 1798, more accurate records became available to architects and Egyptian Revival became a recognised architectural style. As the 19th century progressed Egyptian features were, on occasions, used for industrial buildings and particularly for suspension bridges, and after 1830 the Egyptian Revival style was often used for cemetery buildings and monuments in cemeteries. Some examples of churches and synagogues exist in this style.
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On New Year's Eve 1900, Stone 22 of the Sarsen Circle fell over, taking with it a lintel. Following public pressure and a letter to The Times by William Flinders Petrie, the then owner of Stonehenge, Edmund Antrobus, agreed to some remedial engineering work to be undertaken with archaeological supervision so that records could be made of the below ground archaeology. Antrobus appointed a mining engineer named William Gowland to manage the work. Despite having no archaeological training, Gowland produced some of the finest, most detailed excavation records ever made at the monument.
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Near this tower a few old houses served as an asylum to four families of Metawileh. On the lintel of the door of one of these houses a square cross inscribed in a circle can still be traced. The terraces of another house are supported in the interior by arched arcades in good cut stone of Roman, or at least Byzantine, date. There are also the remains of numerous houses which have been destroyed, a dozen cisterns cut in the rock, a column lying on the ground, and the fragment of a sarcophagus.
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It is chaired by the coat of the Counts of Altamira with royal crown, patron of the convent, and in it are references to the work of the Art and Architecture of use Fray Lorenzo de San Nicolás . It is of small proportions, divided into three parts, horizontally and vertically. The cover consists of two beams Tuscan pilasters decorated with typical fruit Andrade's work, supporting a curved pediment framing the door lintel party, chaired by the image of Santo Domingo. On both sides of the rectangular openings open door.
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A chimney pierces the roofline at either end, while the façade features openings in each bay of each story; all are windows except the center of the first story, in which the main entrance is placed. The building is exceedingly simple, with virtually no ornamentation; the sole exception is slight decoration above the main entrance on the lintel. Assorted farm-related outbuildings surround the house, which predates all of the outbuildings. In early 1980, the Harper House was listed on the National Register of Historic Places, qualifying because of its historically significant architecture.
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Jan Na bojišti) stood the fourth gate, the Pig Gate (Svinská brána) or St. John's Gate. While the other gates consisted of a passage and two flanking towers, St John's Gate was built as a fortress. It consisted of a central courtyard with barrel-curved arched rooms on both sides, over it was an overhanging lintel with eight corner towers and a further higher tower standing over the gate entrance. The gate also protected the entrance of a brook into the New Town, whose water also fed the fish pond of the former settlement, Rybníček.
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In 2016, the slats on the outer walls were replaced by off-white panels, evoking the original design. Entrances to the station were all built as open stairways from the sidewalk, with the panel above the lintel emblazoned with the scales of justice, which referenced the Superior Court of Justice at Osgoode Hall. Subsequent refurbishment resulted in a generic TTC style replacing the unique symbolism. In 2006, a new entrance, with elevator access to the concourse level, was integrated into the construction of the Four Seasons Centre, at the southeast corner of Queen and University.
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The Woolwich Town House stands in the central part of rural Woolwich, at the northwest corner of Old Stage Road and Dana Mills Road. It is a rectangular single-story wood frame structure, with a gable roof, clapboarded exterior, and granite foundation. Its main facade faces south toward Old Stage Road, is five bays wide, with entrances in the outer bays and sash windows in the center three bays. The center window is raised above the others, and the entrances are framed with simple Doric pilasters rising to an entablatured lintel.
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The threshold space between the Queen Street Mall and the entrance hall is single- height, approximately six metres wide and four-and-a-half metres deep. It has a patterned terrazzo floor, marble skirting, a large, classically styled cornice and a central ceiling rose with round light fitting. An alcove on one side features decorative plasterwork in a classical style around its border, as does the lintel forming the opening between it and the entrance hall. Recent features such as signage and television screens are not of cultural heritage significance.
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Houses of the late 15th century show a type of structure closely related to the timbering visible in the Entrance Hall. The fireplace with its heavy oak lintel may have been a later addition to the room, being a common feature of early 17th century rooms. Around 1600, a house was built next door. The Parlour, across the corridor from the Entrance Hall, is the only visible part of this house, to have survived, and even there the character of the room has been greatly altered by subsequent modernisations.
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The property is according to Maui County tax records via the Department of Finance's Real Property Division and the NRHP nomination form. The entrance gate comprises two concrete posts and a lintel with Chinese characters on it. Formerly delineated in red, the front facing the street contains incused Chinese characters spelling out Chee Kung Fui Kon (the name of the society), and the back containing the phrase (translated as) Everyone is equal. The main building was a rectangular, two-story structure approximately by , with covered verandas on both floors.
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A watchtower in the circuit wall Messene was surrounded by a circuit wall long, — high. It was fortified by 30 square or horseshoe-shaped guard towers (and probably barracks) with doors admitting passage to a protected walkway on top of the wall. The wall was pierced by two main gates flanked by protective structures and rectangular in shape with a lintel of a single, massive beam of limestone. Through the Arcadia Gate to the north ran and still runs the main road north (to Arcadia), currently from Mavromati.
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Projections and recesses with niches have been created and used skillfully to accommodate pilasters whose niches contains Hindu deities in relief, depicting the gods Indra, Shiva, his consort Parvati, Lakshmi and others. The doorway to the vestibule has artistic carvings of dvarapalas (door keepers), the goddess of love Rati, and god of love Manmatha. The door lintel (lalata) has an image of Gajalakshmi (Lakshmi flanked by elephants on either side). The eaves over the door has fine images of the Hindu deities Brahma, Keshava (a form of Vishnu) and Shiva.
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The two medieval crosses that once stood in front of the monastery (from the 10th century) are still in existence today, but are now inside the church. One cross is larger but badly weathered (because it stood outside until 1977, in a deer park). It is almost complete except for about 30 centimetres between the top of the shaft and the head. The other cross is smaller, not as weathered but has an arm of the cross cut off because it was used as a lintel for the refectory windows.
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The Crowell–Smith House is set on a small residential lot between Main and South Streets in central Hyannis, a village of Barnstable. It is a two-story wood frame structure, five bays wide, with a hip roof, twin chimneys on the rear wall, and wood shingle siding. A 1-1/2 story gable-roof ell extends to the rear. The main entry has a Greek Revival surround with sidelight and transom windows, and an architrave with lintel above. Fenestration is uniformly 12-over-12 sash with shutters.
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The 1.5 story Greek Revival wood frame house was built c. 1858 by Charles L. Baxter, a local housewright who then lived there until his death. The house has an L-shaped layout, with the front entrance on the front of the main block, and a porch in the crook of the L. The house's corners are decorated with pilasters, as is the front door entry, which is topped by an entablature and lintel shelf. The house was listed on the National Register of Historic Places on March 13, 1987.
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The Oxford Companion to Architecture, Volume 1, p. 462. The earliest Austronesian structures were communal timber longhouses on stilts, with steep sloping roofs and heavy gables, as seen in, for example, the Batak rumah adat and the Torajan Tongkonan. Variations on the communal longhouse principle are found among the Dayak people of Borneo, as well as the Mentawai people. The norm is for a post, beam and lintel structural system that take load straight to the ground with either wooden or bamboo walls that are non-load bearing.
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The northern facade of the door is composed of an entrance palace that is nine degrees below the square, surrounded on three sides, and this palace is wide, approximately 7 meters wide and 13 meters high, and covered with half of the dome of the stone . As for the key, it is black and half dome built on five rows of muqarnas, and the door opening is rectangular, 4 meters high and 2.5 meters wide, and above the door is a straight stone lintel, which is composed of three external pieces .
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The carved lintel above the main entrance in the east facade The Travis County Courthouse is a six-story steel-and- concrete building clad with cream-colored limestone. Its design exemplifies the PWA Moderne architectural style of many Great Depression-era public buildings, with its symmetrical rectangular forms, recessed vertical window bays, and smooth stonework exterior decorated with neoclassical flourishes and geometric detailing. The building was designed by the firm of local architect Charles Henry Page (well known for his work on other Texas courthouses of the period). The construction contractor was H.E. Wattinger.
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On the ground floor, two doors are witness to the alterations carried out in the 16th century: one, fully arched, is installed in a Tuscan bay with fluted pilasters; the other, rectangular, is endowed with a frame, probably altered, consisting of two short pilasters with composite capitals whose shafts are sculpted with scales and which carry an entablature divided into coffers. In one of the first floor rooms is a monumental chimney place whose lintel, decorated with an oval medallion surrounded with hides and rose windows, is supported by four fluted columns with Ionic capitals.
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The history of the manor's estate predates construction of the house to some 4000 years of the neolithic period. After the house's construction in the early 17th century (an inscription of I.L. on a window lintel is dated 1634),Price, p. 2 the manor house witnessed many historical family saga, which finally ended in the 1940s when the three sisters donated it to the National Trust in memory of their parents, Constance and William Keating. Before that, they had refurbished the garden and restored the manor house to its old glory.
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The South Center School House is located on the north side of Washington Mountain Road, roughly midway between the town's Upper and Lower, and just south of the road's crossing of Savery Brook. It is a small rectangular wood frame structure, with a gable roof, clapboard siding, and rubblestone foundation. Its main (southeast facing) facade has an off-center entry with a broad lintel, a small 2-over-2 window just to its right, and a small round window in the gable above. The side facades each have two sash windows.
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Kartikeya is worshipped as Kumar in Nepal both by Hindu and Buddhist Communities. The Newah community celebrates Sithi Nakha: Festival dedicated to Sithi Kumar. Sithi Nakha (Kumar Shashthi) is celebrated on this sixth day of the waxing moon, according to the lunar calendar, in the Lunar month of Jestha. The festival is celebrated by cleaning water sources like wells, ponds and stone spouts and ending it with a grand Newah feast of six different varieties of Newarhi food including Wo or Waa (fried lintel bread) and Chatamari (Newah pizza).
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During the time of the Restoration of Portuguese independence, the castle and its location gained importance in view of its border location. For this reason, the location was used as a support base in the context of Portuguese incursions in Galicia by the military forces of Portugal in September 1641. As the war progressed, the castle received modernization and restoration works, which were completed around 1666 (date inscribed on the lintel of a door). It was only three years after briefly falling into the hands of Spanish troops.
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Terracotta lion from Haining Place. Farms with the name 'mains' were usually associated with mansions as a provider of food, etc for the owners family and servants. The farm is clearly shown on the first OS maps of the 1850s. A lintel over an old door at Haining Mains has the initials 'J W' accompanied by the date '1829' and records show that it was occupied by the Wilson family in the 1870s when David Wilson and his wife Jemima (nee Boyd) lived there with his mother Elizabeth (nee McKerrow).
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The door opening is framed by a round arch that sits on the marble pilasters, as well as a rectangular frame consisting of a pilaster on the sides and a two-step lintel at the top. Three-floored western part of the church was used as a residence but currently is closed. There are two windows on each side of the two rows of windows that illuminate the narthex on the sides of this door. The lower row windows are rectangular near the square, the upper row is narrower and longer.
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In 1607 James Winram (father of George Winram, Lord Liberton) bought the Nether Liberton lands which included the Inch estate. He commissioned the building of Inch House which was originally an L shaped tower, completed in 1617. The doorway with the date 1617 embossed on the lintel is still present, but due to later alterations, is now entirely internal. New features were added in 1634. A large doorway was built in the internal angle of the ‘L’ to form a grand entrance leading to a wide spiral staircase.
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Khuiqer was an ancient Egyptian pharaoh known only for a limestone lintel bearing part of his royal titulary, found in Abydos by Flinders Petrie at the beginning of the 20th century, and now located at the University of Pennsylvania Museum of Archaeology and Anthropology (E 17316 A-B).Jürgen von Beckerath, Untersuchungen zur politischen Geschichte der zweiten Zwischenzeit in Ägypten (=Ägyptologische Forschungen, 23). Augustin, Glückstadt / New York, 1964, p. 70. His datation is extremely uncertain since he was tentatively placed in both the First and the Second Intermediate Period.
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After the finding of the lintel, Petrie believed the royal name to be Uaqerre but was doubtful about his datation, and simply placed him between the Seventh and the Fourteenth Dynasties. Shortly after, Gaston Maspero attributed the mysterious king to the Sixth to the Eleventh Dynasty of Egypt range. Max Pieper more correctly read the name Khuiqer, claiming that this king should have reigned between the Thirteenth and the 18th Dynasties. Ludwig Borchardt came to the same conclusion, while in 1907 Henri Gauthier, following instead Maspero, placed him again in the First Intermediate Period.
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Setting of Simonsbath House in the valley of the River Barle, looking upstream Lintel over fireplace of Old Kitchen, Simonsbath House, into which is carved the date "1654", taken to have been carved by James Boevey on completion of the building of the house Simonsbath House is a historic house in Simonsbath on Exmoor in Somerset, England. The Grade II listed building is now the Simonsbath House Hotel, and outdoor activity centre. It lies in the valley of the River Barle and on the Two Moors Way footpath.
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Other new features include the insertion of decorative elements meant to celebrate Octavian, such as the laurel in the frieze and capitals. The temple also dates from the earliest period in which marble was used in bulk for Roman public buildings, and represents a switch-over period from the traditional technologies of plastered tuff and travertine, with experimentation in ways of working with the new materials. Indeed, marble is only used on the facade, with the architects as yet uncertain of its load-bearing possibilities, as seen in the faced tuff frieze, lintel and capitals.
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12th and 13th-century mosaics in the apse Mosaic of the Annunciation by Pietro Cavallini (1291) The present nave preserves its original (pre-12th century) basilica plan and stands on the earlier foundations. The 22 granite columns with Ionic and Corinthian capitals that separate the nave from the aisles came from the ruins of the Baths of Caracalla, as did the lintel of the entrance door. Inside the church are a number of 12th and late 13th-century mosaics. Below are mosaics on the subject of the Life of the Virgin by Pietro Cavallini (1291).
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A thistle is carved into the stone corbels supporting the lintel over the doors. A large rose window is an important element of this northern elevation. At the southern end of the church an arcaded brick porch links two vestries, which are located either side of the chancel. The church contains a very fine collection of high quality paired lancet stained glass windows, 11 of which are the work of Norman Carter (see images and a detailed description in the book St John's Wahroonga - the first 100 Years 1898-1998 Ed. David Wood).
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Both of the Smallwood Drive groupings of stones on the north side of Main Street have dominant octagonal gatehouses built upon four pairs of stained heavy timber columns supported by quarry-faced random ashlar half-walls on cut stone chamfered bases. The bases flank Smallwood Drive's concrete parallel sidewalks run along through the centerline of the gatehouses. The Main Street sidewalk passes in front of the gatehouses. The columns are braced with heavy timber lintel on open sides supported by pegged heavy timber brackets that form a lancet-head arch.
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The church in Llanfaglan, St Baglan's (Grid reference ) stands alone in the middle of a field and is now owned by the Friends of Friendless Churches. In 2005, it was discovered that the church and the older part of the cemetery were part of a pentagonal enclosure. The period of this enclosure is not known as it is the only one of this type known of in Europe up to now. A 5th or 6th Century gravestone inscribed with Fili Lovernii Anatemori, has been reused as a lintel over the door.
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The pilasters, which are part of the sanctum wall, project from the wallby two-thirds of its width, and have niches encased with sculptures. The mukhamandapa serves as a pillared entrance that leads to the sanctum. Shiva's mount Nandi (the bull) is installed between the mukhamandapa and the sanctum. The niches inside the temple are decorated with elegantly carved images of Andhakantaka (shiva slaying the demon Andhaka), Nataraja (Shiva as the Lord of dance) and the goddess Chamunda; similar images are also carved on the lintel above the entrance door.
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The pavilion has a double serlienne, a group of three bays of which the central bay is the highest with a semicircular arch, while the side bays are covered with a lintel. The pediment, carved by Camille Lefèvre, is an allegory of banking activities: it represents the bank distributing loans, surrounded by Trade and Industry, and the rivers Rhone and the Seine. It is supported by four groups of caryatids around a large clock by sculptor Désiré-Maurice Ferrary. When it opened, the building housed one of the first electrical installations.
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In early 1988, as restoration of the temple neared completion, calls were made by several parties in Thailand for its return. The issue became the subject of intense media attention, with some even accusing the US Government of facilitating the theft. The Thai government entered negotiations with the museum, which was unwilling to consider an unconditional return, since it had acquired the item in good faith. Finally, in October, the museum agreed to repatriate the lintel in exchange for a donation from the Chicago-based Elizabeth F. Cheney Foundation.
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From the Irish Cill Shléibhe for Mountain Church, this site held one of early Christian Ireland's most important early monastic sites. Founded by St Monnina in the 5th century, the site at the foot of Slieve Gullion is largely restricted to two adjacent churches, a graveyard, the reputed grave of St Monnina's grave, and a small holy well still visited by pilgrims on her feast day, 6 July. The West Church dates from the 11th century. It is the smaller and more ancient of the two with an impressive lintel doorway.
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Preah Ko is known for the beauty and intricacy of its carvings. The design on this lintel includes warriors mounted on three-headed nāgas, horsemen, and a deity mounted on a kala. After the Khmer king Jayavarman II founded the Khmer empire in 802 A.D., he finally established his capital at Hariharalaya, where he died. Indravarman I was the nephew of Jayavarman II. When he ascended to the throne, he ordered the construction first of Preah Ko, which was dedicated in 879, and later of the temple-mountain known as the Bakong.
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The Farmington Town Pound is located near the geographic center of the roughly square town, on the northwest side of Pound Road north of its junction with Ten Rod Road. The pound is a stone structure square, consisting of four walls made of dry-laid fieldstone about high and wide at the base. The walls are topped with long granite capstones. There is an opening about wide on the south side, facing Pound Road, which once had a granite lintel stone over the top, but this has fallen.
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The entrance is in the center bay, recessed under an elaborate stone arch, above which is a complex multipart round-arch window assembly. Horizontal stone courses run at the sill and lintel levels of the windows on the first two floors, with the second-floor windows topped by blind round stone arches. This school was built in 1882 to a design by George Clough, who was the first Boston city architect. He entered this role in 1875, by which time the city had grown by annexation nearly to its present size.
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His fight with Sumo wrestlers and meeting Oume are historical facts based on the real-life story of Serizawa. Serizawa's assassination was portrayed in the anime version of Peacemaker Kurogane Serizawa is featured in NHK Shinsengumi portrayed by Kōichi Satō, as a powerful swordsman, with a short temper, yet he had a strong spirit, and a great love for his country. Four Shinsengumi members were sent to assassinate him: Hijikata, Okita, Harada, and Sannan. Okita foolishly swung his Katana and it got stuck on the lintel off a doorway.
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Retrieved on July 24, 2009. Rackham Fountain, Detroit Zoo His sculptures can be found in most major Michigan cities including Ann Arbor, Dearborn, Flint, Grand Rapids, Jackson, Kalamazoo, Marquette, Royal Oak, Saginaw, and Ypsilanti. By the end of his long and productive career, Parducci's efforts adorned about 600 buildings. The last commission Parducci completed was a portrait of architect Henry Hobson Richardson in a Romanesque setting that was carved on a lintel in the Senate chamber of the New York State Capitol in Albany, New York in 1980.
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He designed the National Geographic Society headquarters lintel, West Point's MacArthur Monument, and the reverse of a medal for the National Gallery of Art. He has drawn various photo-typefaces for architectural applications and a titling typeface, called Aardvark, for The Font Bureau in Boston, Alexa, Balzano, and Caliban. In 1993, he left the direction of The John Stevens Shop to his son, Nicholas "Nick" Benson and returned to sculpting full-time. Benson is currently doing portrait and figurative work in clay and bronze at his studio in Newport, Rhode Island.
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The site was first settled in about 1300 BC. The 24 hut circles are surrounded by a massive granite perimeter wall, which may have stood at 1.7 metres in places. The roundhouses, with an average diameter of 3.4 metres, were each built of a double ring of granite slabs with a rubble infill, a technique still used in dry-stone walling. Hut 3 has a surviving porchway, with the two jamb stones still upright, although the lintel has fallen. There is evidence of human activity: artefacts include pottery, scrapers and pot boilers.
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She borrowed a cauldron to boil some rice, but the cauldron would become full with just two go of rice. There wasn't anything unusual about it, but it was said that when she sat to the side of it, the floor would creak. In Hachijō-jima, a "dejji" or "decchi" would perform kamikakushi by making people walk around places that should not exist for an entire night, but if one becomes friendly with her, she would lend you lintel, among other things. Sometimes she would also nurse children who go missing for three days.
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Inside the church, the jambs and arch are visible, but there is no lintel. The wall of the chancel retains a trefoil- arched piscina added during the 14th-century restoration work. The font—a "rather florid circular" example—dates from 1864, and the church possesses Eucharistic objects dating from the 16th and 17th centuries, such as a chalice of 1568 and a paten dating from 1666. The west wall has a wide range of old carved prayer and commandment boards, which are a common feature of Sussex churches.
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The oldest door lintel dated in the commune indicates the year 1709 without knowing whether it is a reconstruction, modification or extension. Until the Revolution, village life was organised around one main activity: vine growing. The professions of the villagers included a majority of wine growers, coopers and distillers. The very structure of the village, which we still know today, is marked by this activity: narrow streets, almost non- existent usoirs, small houses with vaulted cellars often accessible from the street, additional vats placed at the back of the houses.
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The house used to face the other direction as can be seen by a slight asymmetry in the existing frontage and the old front door is now a just a window, but with tell-tale ornamentation on the lintel. The presence of the road as it was then, running past the farm, would have made the transport of her cheeses that much easier in those days of transport by pack animal or sledge. Timothy Pont's map of Cunninghame (1604–1608) marks an "O Hill", emphasising the age of this settlement.Pont, Timothy (1604). Cuninghamia. Pub.
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The oldest substantive part of the present building is the south- east corner, which dates back to the 12th century, although two pieces of a sculptured door lintel dating from around the 9th century are believed to be from the original monastery and church of Raphoe, as founded by St Eunan. The rest of the cathedral is a mixture of successive rebuilding and alterations dating from the 17th to late 19th centuries. The original building was cruciform in shape. A virtual re-building of the medieval cathedral was directed by The Rt. Rev.
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The structure's only entrance is at the center of the east side, formed out of two upright granite posts and a granite lintel about long, which is fastened to the posts by metal pins. One of posts retains the metal pintles from which a gate would have been hung, and the other has an eyebolt where the gate would have been latched. The town of Turner was settled in 1772 and incorporated in 1786. Its first poundkeeper was elected two years later, but it is not known where stray animals were confined.
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Adobe bricks are laid by course. Adobe walls usually never rise above two stories as they are load bearing and adobe has low structural strength. When creating window and door openings, a lintel is placed on top of the opening to support the bricks above. Atop the last courses of brick, bond beams made of heavy wood beams or modern reinforced concrete are laid to provide a horizontal bearing plate for the roof beams and to redistribute lateral earthquake loads to shear walls more able to carry the forces.
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This has been identified as a collection vat for wine, above which once stood a winery, a common feature of Byzantine monasteries. A two story structure to the east of the Monastery may have served as a hospice. Thirty well-preserved rooms were found on its ground floor, as was a red cross painted on a lintel in the building, and large watering pool on the outside. While the building certainly was a monastery, certain finds nevertheless cast doubt on its identification with Theodosius' Monastery of the Virgins.
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The interior of the temple is divided into a nave and a adytum or sanctuary Jessup (1881) p. 458 on a platform raised above it and fronted by 13 steps. The entrance was preserved as late as the 16th century, but the keystone of the lintel had slid following the 1759 earthquakes; a column of rough masonry was erected in the 1860s or '70s to support it. The earthquakes also damaged the area around the soffit's famed inscription of an eagle, which was entirely covered by the keystone's supporting column.
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At the Beauvoir entranceway, above the door and left-side window, dentil molding appears along the lintel of the door and window. The internal construction of the building is also revealed, seen in exposed areas of the structure, such as the basement red-brick pillars, or the wooden wall frames, with wooden latticework backing the external plaster covering. The external shell of Beauvoir was protected by six fireplaces that surround the core of the house. Of those six brick fireplaces reinforcing the outside walls, only one of six rooftop chimneys collapsed during the hurricane.
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The main entrance to the former residence on Hubert St comprises a timber-lined barrel vault supported on delicate metal brackets, over a central door with a coloured glass arched fanlight flanked by single windows. A second entrance is provided around the corner on the south elevation, which also has an arched coloured glass fanlight and an arched brick lintel. The verandah to the south, now partially enclosed, has a timber balustrade with timber posts, and timber battens to the verandah soffit. The brickwork to the south is unrendered, revealing splayed brick lintels.
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After the drugstore was completed, it was modified by the addition of a wooden porch to one of the sides; aside from the porch, it measured four bays on the front, four on the rear, and four on each side. The windows were of plain lintel construction with lugsills on the sides. From its earliest years, the building was used as a drugstore; it is certain that it was used for such a purpose for some time before 1868. In 1928, it was purchased by Arthur Clauder, who also owned Clauder's Pharmacy next door.
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In the wings, most of the windows in the ground floor are pairs of lancets under an arched hoodmould, and most of the windows in the upper storey have two lights under a flat lintel. The windows in the projections and pavilions are more ornate, most of them consisting of a triple lancet under an oculus. The dormers contain cross casement windows, and on the summits of the dormers are finials. In the ground floor of the central block is a porch with three arches carried on red sandstone columns.
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An archway featuring multiple archivolts resting on a boss that is a stylized (see Torah) figure in turn resting on lions (see Lion of Judah). The entire arch is supported by multiple engaged columns in groups set at 90 degrees from each other. Four multiple light doors with the center two paired are topped by wide cross beam bearing the words, "Akron Jewish Center" supporting a fully glazed tympanum. A smaller doorway on the left leading directly to the athletic facilities has a deep transom and ornamented lintel.
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This space, which was open to the sky, connected the tomb to the solar cycle, and was the location for certain rituals at the time of the funeral, such as the opening of the mouth ceremony. The courtyard of TT 69 was sunk into the ground and a mudbrick enclosure wall was built around it. It is accessed today by a modern ramp, but in antiquity it appears to have had mudbrick stairs. Mond also records a decorated doorway and lintel, though today there is a modern doorway made of concrete and metal.
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The Khmer version of Ramayana bears the name Reamker (Ramakerti)-literally means "The Glory of Rama". Indeed, the story of Rama is present in both art and literature throughout the history of Cambodia. Cambodian Ramayana contains some incidents that could not find in Valmiki's Ramayana. For instance, the episode of the destruction of Rama's causeway connecting Lanka by fishes and the reconstruction of this causeway as portrayed in a lintel of a Khmer temple at Phimai is believed to have emerged from a local development or the imagination of narrator.
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Timber framing is a general term for building with wooden posts and beams. The term post is the namesake of other general names for timber framing such as post-and-beam, post-and-girt construction and more specific types of timber framing such as Post and lintel, post-frame, post in ground, and ridge-post construction. In roof construction such as king post, queen post, crown post framing. A round post is often called a pole or mast depending on its diameter thus pole building framing, or a mast church.
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At Christmas in 1525 a Swiss Guard was killed while entering the chapel with the pope when the stone lintel to the doorway split and fell on him.Sistine, 31–33 The site is on sandy soil, draining a large area, and the preceding "Great Chapel" had had similar problems.Sistine, 32–33 The new scheme for the altar wall and other changes necessitated by structural problems led to a loss of symmetry and "continuity of window-rhythms and cornices", as well as some of the most important parts of the previous iconographical schemes.
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The Weston Homestead is set on the east bank of the Kennebec River, on a rural parcel at the end of Weston Road, north of the town center of Madison. It is a large 2-1/2 story wood frame structure, with a gabled tin roof, clapboard siding, and a granite foundation. Its main facade faces west, toward the river, and is symmetrically arrange, with five bays. The central one is occupied by the main entrance, which is flanked by Doric pilasters and is topped by a fanlight and a lintel with dentil moulding.
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This buttress is constructed of a different variety of stone to the main tower, which may suggest it was added later. At present there is a series of steps cut into the buttress in the late 19th century, winding around the buttress leading up to the base of the east facing doorway. Granite stones were used for the jambs, sill and lintel of the doorway. The most unusual feature of this tower is the very pronounced buttress at the base which is constructed with a different type of stone to the tower.
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The Korogho church of the Mother of God () is a Georgian Orthodox church in eastern Georgia, situated in the mountainous Khada gorge in the historical and cultural province of Mtiuleti, now part of the Dusheti Municipality. Korogho is a simple hall church dated to the end of the 10th or beginning of the 11th century. It is known for a lintel with unique sculptures in relief, illustrating various stages of quarrying and construction. The church is inscribed on the list of Georgia's Immovable Cultural Monuments of National Significance.
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The Samuel Gompers House is one of a series of row houses on the west side of 1st Street NW between V and W Streets in the Bloomingdale neighborhood in Northwest Washington. It is a narrow brick building, three stories in height and two bays wide. The left bay has a projecting hexagonal bay, which rises the full height to a polygonal roof capped by a finial. The entrance, in the right bay, is approached by stone steps with a low stone railing, and is topped by a carved stone lintel.
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At this time, he carved the inscription Tigh Mo Chridhe, Tigh Mo Gràidh ("House of My Heart, House of My Love") on the lintel of the main door of Saint Columba Church of Scotland on St. Vincent Street in Glasgow.Ronald Black (1999), An Tuil: Anthology of 20th Century Scottish Gaelic Verse, p. 727. On 3 March 1903, the poet left Southampton on the S.S. Staffordshire on a voyage back to South Africa. He never returned to Scotland and was soon joined in South Africa by his brothers John and Alex.
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Each triglyph has three vertical grooves, similar to the columnar fluting, and below them, seemingly connected, are guttae, small strips that appear to connect the triglyphs to the architrave below. A triglyph is located above the centre of each capital, and above the centre of each lintel. However, at the corners of the building, the triglyphs do not fall over the centre the column. The ancient architects took a pragmatic approach to the apparent "rules", simply extending the width of the last two metopes at each end of the building.
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This elevation also has a number of smaller, faceted bay windows and a central, decorated bay window spanning two floors and housing a large sign inscribed "Cliffside". The large hipped roof is clad in terracotta tiles with a small brick chimney from the former incinerator. Timber casement windows with concrete sills are to be found throughout the building and many have concrete shades supported by concrete corbels projecting from the lintel. The main entrance to the building is from Lower River Terrace and is marked with an iron entry gate.
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Trilith in Stonehenge A trilithon (or trilith) is a structure consisting of two large vertical stones (posts) supporting a third stone set horizontally across the top (lintel). It is commonly used in the context of megalithic monuments. The most famous trilithons are those of Stonehenge in England, those found in the Megalithic temples of Malta—both of which are UNESCO World Heritage Sites—and the Osireion in Egypt. The word trilithon is derived from the Greek "having three stones" (τρι-/tri- 'three' + λίθος/lithos 'stone') and was first used by William Stukeley.
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Sutra Hall Site () Sutra Hall, also known as Fuqing Temple, was the place where natives prayed to Buddha for help. In addition to the statues of Maitreya Buddha, Weituo Bodhisattva, the Four Guardians, Avalokitesvara (or Guanyin), Tathagata, and the Eighteen Disciples of the Buddha, it used to enshrine the Goddess of Birth (whom ancient women frequently visited to pray for a son), Lord Guan, and God of Wealth. Four characters "" () are still faintly discernible above the lintel of the west door. Compared with the past prosperity, now only the ruins remain.
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However, the columns are the objects that provide the most support for the three- or four-tiered roofs, so they are treated with more care than the brackets. Therefore, in essence, the modern approach is more of a post-and-lintel technique rather than the use of brackets. The lack of non-perishable material before French rule over Laos is indicative of their weak government. Some details (that are usually seen in developed countries in Europe and North America) include small, hanging chandeliers as well as fans placed on each column that lines the sim.
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They were uncertain whether this would be the way they would have transported the largest stones 25 miles. To do this would require an enormous amount of track and a lot of coordination for a large number of people. In some cases this would involve towing the stones over rougher terrain. They also conducted an experiment to erect 2 forty ton replicas and put a 9-ton lintel on top. After a lot of experimenting they were able to erect 2 megaliths using a large number of people towing and using levers.
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The Hôtel des Monnaies (the Mint) is a national monument and originates from the eleventh century when the currency of the lords of Narbonne, Béziers and Rodez was minted. On the northern face of this building, one can see a very beautiful lintel and Romanesque windows. This building is listed on the 2010 World Monuments Watch List of Most Endangered Sites and is currently undergoing a restoration scheme. You can also see the ancient ramparts, including the Barbican gate and the Mirande tower (part of the former monastery).
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Heddal Stave Church, Notodden, the largest stave church in Norway A stave church is a medieval wooden Christian church building once common in north- western Europe. The name derives from the building's structure of post and lintel construction, a type of timber framing where the load-bearing ore-pine posts are called stafr in Old Norse (stav in modern Norwegian). Two related church building types also named for their structural elements, the post church and palisade church, are often called 'stave churches'. Originally much more widespread, most of the surviving stave churches are in Norway.
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Most of the church's history is recorded within its mural paintings. From the inscription of the interior north lintel, it was stated that they were completed in December 1192, and were painted by a Constantinopolitan-trained monk named Theodore Apsevdis. Apsevdis's work could have possibly been commissioned by a Byzantine aristocrat named Leontios Authentes, who was seeking refuge at a nearby monastery built by his father. Around the 14th century, the mural paintings were restored due to water damage and the inscription for these restorations were signed by a deacon named Leontios.
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Foekema (1996), p.27 The vestibule also has a short tower which looks like an extension of the main tower over the shrine. Gerard Foekema calls it the "nose" of the main tower.Foekema (1996), p.22 The vestibule contains two free sculptures of the yakshas, Dharnendra and Padmavati. The door lintel and jamb of vestibule and the sanctum are decorative and have perforated screens on either side. The hall ceiling is supported by four centrally placed large lathe turned, bell shaped and polished pillars that divide the ceiling into nine "bays".
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One notable alumna is Gintarė Petronytė, a two-time EuroCup Women champion who started her career with "Lintel-118" in 2005. Telekomas reached unprecedented heights in the 2004-05 and 2005-06 season, when, headed by Algirdas Paulauskas, the team won the LMKL, BWBL tournaments and reached the semifinal in the top-tier EuroLeague Women tournament. WNBA All-Star and Champion Katie Douglas, European Basketball Champion Jurgita Štreimikytė and two-time EuroLeague bronze medalist Sandra Linkevičienė formed this team’s core. In 2010, TEO relocated to Kaunas and was renamed "VIČI-Aistės".
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The Police and Municipal Courts Building is a symmetrical U-shaped red brick -story Colonial Revival structure, designed in 1929 by architect John Kasurin of the firm Fry and Kasurin. The building measures approximately long by deep. The main facade has a central projecting three-bay limestone entrance section clad in limestone, flanked by five-bay wide portions at each end of the building. The center entrance contains a tall double-door entryway with a large glass light and limestone pediment lintel, with a pair of double-hung windows flanking the entry doors.
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After 650, Frankish settlers came to live around Saint George's Chapel. Their descendants expanded the chapel in the late 10th and early 11th century with an apse; at this time the triumphal arch imposts were built in. Further expansions came about 1200 – from this time may stem the consecrational inscription on the lintel of the walled-up door on the south façade: “GEWEIHT AM 23. APRIL”,\+ VIIII KAL MAII DEDIC +. Die Datierung um 1200 bei Krienke (wie Anm. 4) S. 324. Saint George's Day (the first two words mean “consecrated on the”).
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According to S.F. Hannay, the present temple complex was as near as possible square with the doorway to the west. There was a substantial brick wall, about 4.5 feet thick rising to the height of 8 feet, on the foundation of rudely cut blocks of sandstone. The entrance of the complex was on the west face, where there had been a stone enclosure and door. The ruins of the gateway which remains include the lintel carved on the edge in a chain of lotus flowers, some ornamented small pillars and an elephant statue.
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The cathedral lies in a fortified settlement situated on the right margin of the River Ponsul,The river's name was a toponymy derived from the termo Procônsul implanted in the lowlands south of Monsanto. The church is situated within the walls, alongside the gate south of the wall. The cathedral has a rectangular plan with two orthogonal axis, comprising a principal rectangle which juxtapositions a larger rectangular space on its largest side. The principal facade is oriented to the northeast, two stories tall with an arched doorway with rectangular lintel, secondary circular oculus and belfry.
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The Benjamin Rowe House stands at the southern edge of Gilford's town center, on the east side of Belknap Mountain Road. It is located within a loop of the access road for the Gilford Elementary School, and is oriented with its main facade to the south and a side gable to the street. It is a single-story Cape style house built of brick, with a wood-frame ell to the rear. It is five bays wide and four deep, with a central entrance flanked by sidelight windows and topped by a granite lintel.
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1975 Executions were held on a scaffold erected over the stone steps in front of the central doorway, within the small enclosure created by closing the gates of the iron railings. The drop was described as approximately level with the lintel of the door. Three small square stone insets in the steps are, in local legend, the sockets where the "Three-legged Mare" scaffold feet were set, but this design of scaffold was never used at Nottingham and the steps themselves post-date the 1876 fire (see below) and public hangings.
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Three windows on the third floor, two above the bay window and one above the door side, each have a decorative stone arch above a single lintel. The stone cornice has large dentils; the same design is carried down the Eustis side of the building on a pressed metal cornice. The side is faced with stuccoed brick and divided into five bays by protruding pilasters. Each bay has a one-over-one sash window on each floor, with the final bay containing a door surrounded by a stone arch.
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The house was a -story brick building, built in a Colonial Revival style with Classical detailing. The large gable on the front façade was covered in slate, and embellished with console brackets, scalloped trim, a carved oculus encircled by a frame and voussoirs, and a large two-part lattice window. The window was originally contained in an ornate surround, with a sill supported by modillions, colonettes, and a lintel with carved swags topped with a shell motif. Side dormers with a central lunette, also faced with slate, crossed the slate roof.
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A Gosford Heritage Review conducted in 1997 records the two sandstone finials and the circular motif head and vent on the front facade as being unusual details. They could be of future research value. There is a large, single stone lintel and carved stone with date above the door also with research value. The Chapel also contains the archives of the D&LHHSI; which incorporate Wesleyan history as well as tapes and original research of the Lower Hawkesbury area including research into the pioneer families of the region.
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The Lakshmana temple, also spelled Laxman temple, is a 7th-century brick temple, mostly damaged and ruined. The garbhagriya entrance along with the tower and door carvings of the Lakshmana temple at Sirpur are reasonably intact enough to be studied. Above the sanctum door's lintel are carvings show a reclining Vishnu on Sesha (Anantasayana Vishnu) and a panel on Krishna from Bhagavata Purana. Around the door are bands of carvings which show the ten avatars of Vishnu along with daily life and couples in various stages of courtship and mithuna.
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Above this is a lintel, surmounted by two armillary spheres and cross of the Order of Christ. In the tympanum, in low relief is the figure of Nossa Senhora da Misericórdia (Our Lady of the Misericórdia). Lateral windows, framed by segmented columns, complete the facade, with a lot of decoration, including images of the saints. The Manueline elements concentrated on the principal facade are reconstructed from the ruins of the lateral (south) facade of the Church of the Misericórdia, destroyed during the 1755 Lisbon earthquake, and were re-used for this project.
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Some pillars were left unpolished, as evidenced by the presence of fine grooves made by the pointed end of the tool. In other cases, polishing resulted in pillars with fine reflective properties such as the pillars in the temples at Bankapura, Itagi and Hangal. This pillar art reached its zenith in the temples at Gadag, specifically the Sarasvati Temple in Gadag city. Notable in Western Chalukya architecture are the decorative door panels that run along the length of the door and over on top to form a lintel.
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Figural sculpture on friezes and panels changed during the period. The heroes from the Hindu epics Ramayana and Mahabharata, depicted often in early temples, become fewer, limited to only a few narrow friezes; there is a corresponding increase in the depiction of Hindu gods and goddesses in later temples.Cousens (1926), p 26 Depiction of deities above miniature towers in the recesses, with a decorative lintel above, is common in 12th-century temples, but not in later ones. Figures of holy men and dancing girls were normally sculpted for deep niches and recesses.
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From the 11th century, architectural articulation included icons between pilasters, miniature towers supported by pilasters in the recesses of walls, and, on occasion, the use of wall pillars to support these towers. These miniature towers were of the southern dravida and northern bhumija and sekhari types and were mostly used to elaborate dravida types of articulation. The miniatures on single pilasters were decorated with a protective floral lintel on top, a form of decoration normally provided for depiction of gods. These elaborations are observed in the Amrtesvara Temple at Annigeri.
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Here, on the outer walls, the sculptures are not overdone, yet they are articulate and discreetly aesthetic. The Hoysala builders used soapstone almost universally as building material, a trend that started in the middle of the 11th century with Chalukyan temples. Other common artistic features between the two Kanarese dynasties are the ornate Salabhanjika (pillar bracket figures), the lathe-turned pillars and the makara torana (lintel with mythical beastly figure). The tower over the shrine in a Hoysala temple is a closely moulded form of the Chalukya style tower.
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Above the second floor windows, the walls of the bays extend out to the face of the parapet, which is flush with the buttresses. The whole structure rests on a low, masonry pedestal which marks the line of the first floor. The pattern of window repetition on the College Avenue side is broken by the arched, double doorway in the center of the building. Originally decorated by a simple masonry arch like the windows that surround it, the central doorway was remodeled with a Georgian styled frame and lintel in 1939.
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According to S.F. Hannay, the temple complex was as near as possible square with the doorway to the west. There was a substantial brick wall, about 4.5 feet thick rising to the height of 8 feet, on the foundation of rudely cut blocks of sandstone. The entrance of the complex was on the west face, where there had been a stone enclosure and door. The ruins of the gateway which remains include the lintel carved on the edge in a chain of lotus flowers, some ornamented small pillars and an elephant statue.
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The building contains numerous architectural characteristics that have their roots in medieval south-German architecture, such as a steeply pitched roof with two attic levels, small asymmetrical windows, a date stone carved into the door lintel, a central chimney, and a staircase where each step is a single pegged into a diagonal beam. It was listed on the National Register of Historic Places in 1971. The Hans Herr House is open to the public as a museum. The house is located at 1849 Hans Herr Drive in Willow Street, Pennsylvania.
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The Randwick substation is a large and attractively decorated building that presents a street façade with elaborate brick decoration designed in the Interwar Mediterranean style. The façade is composed of two sections: A two- storey block comprising a high entrance door with lintel arch motifs, and three groupings of triple windows: one group with arches, another with balcony and balusters. The second part of the façade is a symmetrical arrangement with a large arched doorway flanked by pilasters and arch headed windows surmounted by an ornate identity panel. The parapets include curved roof tiles.
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On the ground floor, each section has a doorway, that corresponds to the three naves of the church. Framing the doorways are double lintels and cornices, with the doors flanked by large columns on pronounced pedestals. The capitals of the columns integrate into the cornice of the door, with the lateral columns topped by Ionic columns, while the central portico is topped by Corinthian columns. On the first lintel of each door is a rosette in relief, while above each capital is a bulky element that unites the cornice from the other levels.
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Over the sill is a cornice, supported by two half-scrolls that define the skirt, with an incomplete cartouche in their centre. Above this section is the belfry, with an archway on each of the three principal faces, defined by an extension of the stonework that begins at the base. The towers are topped by a cornice and surmounted by a bulbous octagonal cupola over a drum, and surmounted by pinnacle. The doors of the lateral facades are framed by a double lintel and cornice and flanked by pilasters over high, framed pedestals.
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Previous to this portfolio, Hochbaum created shaped images, made up of individual panels printed into aluminum. She has used three distinct shapes - the symmetrical cross, the lintel or doorway and the Bi square, the empty square, or the squaring off of the Bi disc shape. She has also produced a series on the Silver Screen. In this series, Hochbaum takes screenshots of classic movies broadcast on TV, warping images of famous Hollywood starlets (Audrey Hepburn, Greta Garbo and Lillian Gish among them) before printing the image on aluminum panels.
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