158 Sentences With "linocut" | Random Sentence Generator

I was studying at the Instituto Popular de Cultura, making a linocut.

He shows me a new linocut and points out an enigmatic slogan.

It was 24 pages of hand-colored linocut illustrations depicting infamous battles waged throughout history.

The linocut is a fuller-figure image, deftly delineated with an economy of means that rivals Matisse.

This is true of the earliest piece, a modest-sized linocut print by the Kuwaiti artist Thuraya al-Baqsami.

The colorful illustrations look like retro linocut prints, while the hand-drawn text brings to life the atmosphere of panic in Prickly Valley.

At the Phillips sale, for example, Picasso's masterful 1962 linocut "Still Life with Glass Under the Lamp" sold to an online bidder for $250,2100.

The first is a 1981 cast of her iconic bronze head "Glory," the second a linocut of the same subject: the dancer Glory Van Scott.

Installed on the wall opposite Beckmann's paintings, Traeger's suite of 41 linocut prints, Wien 1932 (Vienna 10483, 1932) is a stark portrait of the time.

Artist John Fellows will also exhibit his folk imagery-inspired work, which merges linocut and graphic design with found maps, letters, cut paper, doodles and printing.

Two works depict urban infrastructure: a monoprint of the Verrazano-Narrows Bridge, by Rachel Burgess, and a linocut of a power line, by Ondine Wolfe Crispin.

I visited the Nigerian-born artist Ade Adesina, whose massive linocut prints juxtapose Edenic natural scenes with the heavy footprint of industries like Aberdeen's own offshore oil rigs.

Two distinct highlights of the exhibition, both in the "Society" section, are a suite of four Max Beckmann paintings and a series of linocut prints by Wilhelm Traeger.

This limited-edition linocut print by Ellen Von Wiegand is a particular gem, as it was created exclusively for the Affordable Art Fair NYC fall edition, featuring the fair's signature pink.

Perhaps the most formally ravishing piece in the show is the silhouetted linocut, "African/American" (1998), in which the body of a nearly nude woman is depicted on a diagonal, head down, inexplicably falling.

How nice in any case to imagine such a peaceable kingdom in our midst, especially as depicted in Taeeun Yoo's intimate, warmly rounded and colored mixed-media illustrations — a richly textured meld of drawing and linocut art finished off in the Photoshop blender.

More than half of the works on display are from the 22003st century, but it is intriguing to compare two pieces hanging side-by-side that were made in the latter decades of the 20063th, Romare Bearden's "Mother and Child," a highly stylized collage from 22006, whose nobility is offset by the Rococo playfulness of Nefertiti Goodman's "Getting Fixed to Look Pretty" (268), a large, white-on-black linocut.

Going Home (1957), Linocut, 11 7/8 x 9in. Three Faces, Linocut, 7 × 8 1/4in. Cousins, Linocut, 8 x 10 in. Bourbon Street, New Orleans (1940s), Linocut, 10 × 7 7/8in.

In the 1960s, there was growing interest among Soviet artists in linocut. Linocut is characterised by its brevity and dynamism, speed of execution, and decorative effect. G.A. Ryabokon, V.S. Vezhlivtsev and Lukoshkov, all Arkhangelsk artists, began to work in linocut. The subject of the earlier linocuts by Lukoshkov was associated with his hometown, Shenkursk, and neighborhoods.

Bor's linocut print, California Poppies, is acquired by Library of Congress.

In the West, many artists used the easier technique of linocut instead.

Early in the twentieth century, a group of Dresden artists used easy-to-cut linoleum instead of wood for printmaking, creating the linocut printmaking technique – similar to woodcuts. Prominent artists who created linocut prints included Picasso and Henri Matisse.

Today, linocut is a popular technique among street artists and street art-related fine art.

Angie Lewin is a British printmaker working in linocut, wood engraving, lithography and screen printing.

Foust is a Richmond, Virginia based artist, writer, and cartoonist. She is predominantly a linocut printmaker.

Clare Melinsky (born 1953) is an artist, printmaker, and illustrator who lives in Scotland. She is particularly known for her linocut illustrations.

Brooklyn Bridge, 1983, linocut by John Shaw John Palmer Shaw (April 23, 1948 - January 3, 2019) was an American/Canadian painter and printmaker.

Also, she studied lithography and linocut at the Koninklijke Academie voor Beeldende Kunsten in Rotterdam, Netherlands. After these studies, she dedicated herself to printmaking.

Bot has worked in many mediums: gouache and watercolour, oils and tempura, intaglio, lithography, and relief printing, but mainly linocut. Bot has stated: “Like the unexplored and unmapped Australian landscape, the linocut is an unchartered medium without codified orthodoxies. It can detail a preciousness and intricate fragility like the spikes of a banksia or a vast monotony of tone.” In the 1980s her works were figurative.

Anna R. Findlay (1885-1968) was a British artist and printmaker. She was known for her elegant colour linocut and woodcut prints of mostly topographical scenes.

Margaret Caroline Bruce Wells née Margaret Caroline Bruce (13 June 1909 – 4 December 1998) was a British artist known for her use of woodcut and linocut techniques.

Gail Brodholt is an English artist known primarily for her oil paintings and linocut prints. She lives in Beckenham, Kent and works in Woolwich, South East London.

German designer Walter Dexel (1890–1973) designed all the publicity material for the exhibition with Paul Renner’s Futura font. The poster for the event in Magdeburg was produced using linocut.

Dorothy Mary L. Burroughes (1883-18 July 1963) was a British artist known as a painter, illustrator and linocut artist. She designed posters and wrote and illustrated a series of children's books.

"Our book of the month: Natural Selection by Dan Pearson". Gardens Illustrated, May 9, 2017 Her linocut images are influenced by artists Edward Bawden and Eric Ravilious, as well as Hanga Japanese prints.

Due to ease of use, linocut is widely used in schools to introduce children to the art of printmaking, using it to complete many tasks in the art lesson rather than going straight for the pencil and eraser; similarly, non-professional artists often cut lino rather than wood for printing. Nevertheless, in the contemporary art world the linocut is an established professional print medium, because of its extensive use by the artists of the Grosvenor School, followed by Pablo Picasso and Henri Matisse.

Kit (Christine) Hiller is a Tasmanian artist, now working principally in the mediums of linocut print and oil painting. She is a three-time winner of the Portia Geach Memorial Award, a portraiture prize for Australian women artists, and has been a finalist in the Archibald Prize for Portraiture five times. Hiller is widely known for her vividly coloured linocut prints of nature subjects, particularly flora and birds. She also paints large-scale portraits and landscapes of North-West Tasmania, where she lives.

Here Muafangejo came into contact with different artistic techniques, such as the weaving, woodcarving, painting and pottery. One of his teachers was Azaria Mbatha (b. 1941). He distinguished himself particularly in etching and linocut.

Lill Tschudi was born at Schwanden, Glarus, Switzerland. As a girl she saw an exhibit of linocut prints by Austrian artist Norbertine Bresslern Roth, and decided that she also wanted to be a printmaker.

Green has been the recipient of several awards for her printmaking including the Geelong Print Prize in 2003, Swan Hill Print Acquisitive Award in 2004 and the Silk Cut Award for Linocut Prints Grand Prize in 2006.

Several of her linocut prints, along with an oil painting, were exhibited through the Harmon Foundation beginning in 1961; her work was also included in the Smithsonian Institution Traveling Exhibit of Contemporary African Printmakers from 1966 to 1968.

Although linoleum is a floor covering that dates to the 1860s, the linocut printing technique was used first by the artists of Die Brücke in Germany between 1905 and 1913, where it had been similarly used for wallpaper printing.

Sen kalendarzowy (Medyka 1930). Notable were her gouache colour and black and white linocut illustrations for Zofia Kossak-Szczucka's God's Madman - Szaleńcy Boży (Kraków 1929). In London Pawlikowska illustrated over a dozen titles for Veritas, a Polish religious publishing foundation.

Medium = Linocut This is a black-and-white painting that shows two feet facing up with rope around the toes. You can see that the rope is tied around another object as to show how the person was bound to something.

Albee and her family returned to the United States in the 1933 and lived in New York City where she continued to produce prints. Her prints during her time in New York depicted the city's architecture. Her linocut “Contrast-Rockefeller Center” (1934) depicted one of the city's Gothic churches placed dramatically in the foreground of the city's skyscrapers. In 1937, Albee and her family moved to Doylestown, Pennsylvania and her prints switched back to rural subjects, such as stone houses and farms. In 1946 she produced the linocut “The Boyer Place” which pictured the farm scape of Pennsylvania.

Linocut of a tree at a lake Linocut, also known as lino print, lino printing or linoleum art, is a printmaking technique, a variant of woodcut in which a sheet of linoleum (sometimes mounted on a wooden block) is used for a relief surface. A design is cut into the linoleum surface with a sharp knife, V-shaped chisel or gouge, with the raised (uncarved) areas representing a reversal (mirror image) of the parts to show printed. The linoleum sheet is inked with a roller (called a brayer), and then impressed onto paper or fabric. The actual printing can be done by hand or with a printing press.

After earning his doctorate, Mulder became a private art dealer specializing in European printmaking between 1470 and 1970, and in 1972 went to work for the London art dealership, Colnaghi, owned at the time by Jacob Rothschild. In 1988, Mulder met Pablo Picasso's linocut printer, Hidalgo Arnera. Over the years, Mulder formed a professional relationship with Arnera and after Arnera's death in 2006, Mulder purchased some of his private collection and archives, including his archives of Picasso linocuts. He sold part of the linocut collection to Ellen Remai who then donated the collection to the Remai Modern Art Gallery in Saskatoon, Saskatchewan in 2012.

Michael Woolworth's atelier, Paris, France Michael Woolworth (born in 1960) is a master printer of American origin, living and working in Paris. He makes original editions with contemporary artists. His atelier specializes exclusively in printing techniques on hand presses: stone lithography, woodcut, monotype, linocut, etching and multiples.

Gwen Frostic (April 26, 1906 – April 25, 2001) born as Sara Gwendolen Frostic, was an American artist, entrepreneur, author, and Michigan Women's Hall of Fame inductee. A lifelong resident of Michigan, Frostic is known for her naturalist, Linocut block print artwork, created using Original Heidelberg Platten presses.

Clipped forms are also used in compounds. One part of the original compound most often remains intact. Examples are: cablegram (cable telegram), op art (optical art), org-man (organization man), linocut (linoleum cut). Sometimes both halves of a compound are clipped as in navicert (navigation certificate).

Membership in those years included Rockwell Kent, Lynd Ward, Jacob Lawrence and Moses Soyer. He exhibited regularly with ALA, and his linocut, Air Raid Wardens was included in the "Artists for Victory" traveling exhibition at the Metropolitan Museum of Art and 26 other venues in the USA and Canada.

Her earliest works, including book illustrations, were generally in woodcut, but later she worked mostly in multi-layered linocut, often with as many as eight or nine different colours, generally printing on handmade Japanese paper. Most prints were unsigned, but some contained the initials "YD" in a cartouche.

Oliver majored in design and printmaking while studying for a Bachelor of Education degree. She began her career teaching at the Queensland School for the Deaf. Oliver was an educator and a committed environmentalist. As an illustrator, Oliver combined linocut, watercolour, pastels, collage and digitally-enhanced photographs in her work.

However it is his work as a linocut printmaker where his reputation now rests. Inspired by Claude Flight Flight, Claude. ‘Lino-Cuts: A Handbook of Linoleum-Cut Colour Printing’ John Lane, The Bodley Head, London 1927. he produced most of his distinctive linocuts over a four- year period (1930–1934).

They invented the printmaking technique of linocut, although they at first described them as traditional woodcuts, which they also made."Artists by Movement - Die Brücke", artcyclopedia.com. Retrieved 5 September 2007. The group members initially "isolated" themselves in a working-class neighborhood of Dresden, aiming thereby to reject their own bourgeois backgrounds.

Buysile "Billy" Mandindi (1967–2005) was a black South African activist-artist who participated in a landmark protest in Cape Town in 1989, the so-called Purple Rain Protest. Later, still covered with the purple dye that riot police sprayed on protesters, Mandindi created a linocut celebrating the spirit of freedom.

Tom Killion (born 1953) is an American artist, author, African historian and educator. He is internationally known for printmaking linocut, woodcut and letterpress techniques. The subject matter of his artwork is often the landscapes of Northern California. His art studio is in Inverness Ridge, on the Point Reyes Peninsula in Marin County, California.

See also Clark, p.192 Bassarab was a specialist in the linocut technique,Scăiceanu, p.384 also praised for his work in woodcut. He continued to exhibit canvasses at various venues but, as noted at the time by art critic Alexandru D. Broșteanu, these were "timid", far less "rounded" than his woodcuts.

His father was sent to Buchenwald. In July 1944, both parents died in the Riga ghetto. Pins first lived on a kibbutz, which was disbanded in 1941. He moved to Jerusalem and studied woodcut and linocut under woodcut master and painter Jacob Steinhardt, also a German immigrant, at his small private school.

A chessboard made of Masonite. Artists have often used it as a support for painting,Christie's, Louis Valtat, "Child on the Carpet", 1910 and in artistic media such as linocut printing. Masonite's smooth surface makes it a suitable material for table tennis tables and skateboard ramps. Masonite is used by moving companies.

Four of his prints are available at the Metropolitan Museum of Art, gifted by Reba and Dave Williams in 1999. One of Jordan's most famous pieces, Going Home, an 11 7/8 x 9in. linocut from 1957, is in their collection. Jordan is also a part of the Clark Atlanta University Art Galleries' permanent collection.

Mark Tobey's Eskimo Mask, by Helmi Juvonen, linocut with added color, 1954. Helmi Dagmar Juvonen (1903–1985) was an American artist active in Seattle, Washington. Although she worked in a wide variety of media, she is best known for her prints, paintings, and drawings. She is associated with the artists of the Northwest School.

Since 1981 Stepan Veranian has made etchings, aquatints and linocuts. Veranian fully embraced linocuts, during the period spent working in the Graphics Department, National Center of Aesthetics of Armenia. The National Gallery of ArmeniaNational Gallery of ArmeniaNational Gallery of Armenia and MAMY have bought his prints. The thirteen Blue Prints of 1985 were made with linocut and painting.

Today, the National Gallery of Modern Art in Delhi holds 7000 of his works in its collection, including a 1930 black and white linocut of the Dandi March depicting Mahatma Gandhi, and a set of seven posters he later made at the request of Mahatma Gandhi for the 1938 Haripura Session of the Indian National Congress.

Rani Chanda, sister of Mukulchandra Dey, was born in Midnapore. She came to Kala Bhavana in 1928 and studied painting and had the fortune of being supervised by Nandalal Bose and Abanindranath Tagore. She worked in the media of watercolor, tempera, crayon, chalk, woodcut and linocut. She was incarcerated for her involvement in the 'Quit India' movement.

A lot of paintings of these series were dedicated to Nakhchivan. Plough-land, furrow lines leading to the river, and a village stretched across the river were portrayed in one of these landscapes. In other linocut the artist portrayed a new way in the mountains: high-tension transmission line and highway on the background of beautiful rocks.

Gaga (Georgy Vasilyevich) Kovenchuk (; 2 December 1933 — 3 February 2015). Soviet and Russian artist and writer. Gaga was an artist, painter, graphic artist, book artist and poster artist, printmaker (etching, aquatint, lithography, linocut, woodcut, monotype, silkscreen, stencil), engaged in ceramics. Honored artist of Russia, member of the graphics section of the Saint Petersburg Union of Artists, member of the Union of journalists.

An illustration of the species by Harry Titcombe featured on the cover of a 1982 book of British postage stamp, issued from vending machines, at a price of 50p. In January 2005, the breed was featured on a first-class British stamp, one of a set of ten, in a se-tenant block, designed by Rose Design using linocut illustrations by Christopher Wormell.

In 1914 his work was exhibited along with that of other Jewish artists, including Mark Gertler and David Bomberg, in the Whitechapel Gallery. Brodzky became a member of The London Group."Horace Brodzky", London Arts Group website accessed 2 November 2015. During this period he was a pioneer of the technique of linocut, in which medium he has been said to have "excelled".

In 1949, Hermes was elected an associate of the Royal Society of Painter-Etchers and Engravers. She was elected Associate of the Royal Academy in 1963 and a full Royal Academician in 1971. In 1961, she was awarded first prize in the Giles Bequest competition at the Victoria and Albert Museum for her linocut Stonehenge. She was appointed an OBE in 1981.

In July 1982 INXS signed a new deal with WEA Australia for releases in Australia, South East Asia, Japan and New Zealand; with sister label Atco Records (a subsidiary of Atlantic Records) for North America and with Polygram for United Kingdom and the rest of Europe. The cover is an uncredited linocut by British artist Cyril Power titled Folk Dance.

Abani Ranan Ray originally hailed from the Bankura district of West Bengal. Till 1952, he had been associated with the Bombay (now Mumbai) unit of the Indian People's Theatre Association, where he was very close to stalwarts like the linocut artist Chittaprasad Bhattacharya (1915–1978). In 1952 he came to Calcutta. In the 1950s West Bengal was going through a ferment.

She taught courses in drawing, figure drawing, and linocut techniques as a lecturer at the University of Vienna from 1926 to 1939. Eugen Milch went to China in December 1937 with an Austrian medical mission by invitation of the Chinese government. When the Austrian physicians arrived, their contracts were not honored by the Chinese national health administration, but Dr. Milch remained in China.

Robinson has worked as a designer, jeweller, painter, print-maker and sculptor. He is a colourist whose paintings (acrylic) and prints (linocut) are primarily figurative though his prints often focus entirely on words, frequently with punning intent. His paintings tend to be impressionistic, whether they be landscapes and townscapesDignan, J., Memento mori, in Otago Daily Times, 7 December 2006. or portraits.

Margaret Helen Barnard (1898–1992) was a painter and linocut maker. Barnard was born in Bengal, where her father was serving with the Indian Police Force. At the age of seven she returned to Britain for her education, and went to Bath High School, and St. Leonard's Fife. Barnard studied at The Glasgow School of Art from 1917 to 1923.

Although it is widely speculated that the ancient Adena stone tablets were used for printmaking, not much is known about aboriginal American printmaking. 20th-century Native artists have borrowed techniques from Japan and Europe, such as woodcut, linocut, serigraphy, monotyping, and other practices. Printmaking has flourished among Inuit communities in particular. European-Canadian James Houston created a graphic art program in Cape Dorset, Nunavut in 1957.

Tatsuo Okada and Tomoyoshi Murayama edited MAVO magazine, that published seven issues between July 1924 and August 1925. The publication included essays on socio-cultural art, poetry, and theatrical texts. The pages included original linocut prints and photographic reproductions of visual art that often appropriated the work of their own members. Reuse and recycling from one project to another was one of the group's trademark strategies.

The relief family of techniques includes woodcut, metalcut, wood engraving, relief etching, linocut, rubber stamp, foam printing, potato printing, and some types of collagraph. Traditional text printing with movable type is also a relief technique. This meant that woodcuts were much easier to use as book illustrations, as they could be printed together with the text. Intaglio illustrations, such as engravings, had to be printed separately.

His illustrations appeared in publications published by Hamish Hamilton, Longmans, Methuen, Oxford University Press, Penguin Books, etc. He also produced small linocut and pen illustrations for listings in the Radio Times for the BBC. In 1966, Tavener was elected to the Royal Society of Painter-Etchers and Engravers. He was a senior fellow of the society and was also a member of the Society of Sussex Painters.

"Bill Fick at MICA" 2009 Bill Fick is a printmaker living and working in Chapel Hill, North Carolina. Fick is the director of Cockeyed Press, which specializes in the production of satirical linocut prints and book production. He is also a member of the Outlaw Printmakers. Fick, along with Beth Grabowski co-authored the book 'Printmaking: A Complete Guide to Materials & Processes' Grabowski, Beth.

Frances Gearhart (January 4, 1869 – April 4, 1959) was an American printmaker and watercolorist known for her boldly drawn and colored woodcut and linocut prints of American landscapes. Focused especially on California's coasts and mountains, this body of work has been called "a vibrant celebration of the western landscape." She is one of the most important American color block print artists of the early 20th century.

Medium = Linocut A black-and-white painting that is showcased amongst other two similar paintings, Mas allá del estado de sitio, and Operación rastrillo. This painting shows two feet and one hand, you can see that there is rope around at least one ankle but it is in between toes on both feet and it appears that the person's hand might be bound as well.

Medium = Linocut Description: Black-and-white that also looks like other pieces of art of Sonia's. You only see disembodied feet with the big toes wrapped around the rope, against a woven background. Unlike her other pieces, We’ll Keep Saying Homeland and And they lifted me up with a rope , it's not visible whether the person painted is hung or if they have fallen.

As a printmaker, his scope of work includes lithography, serigraphy, wood cut, linocut, and etching. His large size aquatint etchings are particularly complex technically, and many have been exhibited in museums all over the globe, including in May, 2014, at the Bibliothèque nationale de France in Paris. On his graphic work, Sultan was among a small group of influential American artists who frequently collaborated with Picasso's master-printer Aldo Crommelynck.

The works are characterized by their use of red and black linocut silhouettes and leftist messages. In 1931, Ballmer joined the faculty of the Allgemeine Gewerbeschule Basel, where he taught photography and design. Ballmer remained associated with the school until his death in 1965. After 1930, Ballmer additionally worked for a number of corporate clients; among the work he produced in this capacity is the logo for the Basel municipal authority.

Hilda Alexandra Wiseman (1894-1982) was a notable New Zealand bookplate designer, artist and calligrapher. Wiseman was born in Mooroopna, Victoria, Australia on 7 April 1894. She attended Elam School of Art, and Seddon Memorial Technical College Wiseman began her artistic career as a commercial artist at the Chandler and Company advertising firm. In 1925 she created her first linocut bookplate She went on to design over 100 bookplates.

Using a handheld gouger to cut a design into linoleum for a linocut print Linocut printing; using a design cut into linoleum to make a print on paper Since the material being carved has no directional grain and does not tend to split, it is easier to obtain certain artistic effects with lino than with most woods, although the resultant prints lack the often angular grainy character of woodcuts and engravings. Lino is generally diced, much easier to cut than wood, especially when heated, but the pressure of the printing process degrades the plate faster and it is difficult to create larger works due to the material's fragility. Linocuts can also be achieved by the careful application of arts on the surface of the lino. This creates a surface similar to a soft ground etching and these caustic-lino plates can be printed in either a relief, intaglio or a viscosity printing manner.

The artist's refined personality, as if merging with the translucent watercolours, was expressed in the lyrical landscapes, imbued with gentle crystal fragility. The Three Ships. 1962 Although for the artist the sea was not only primordial beauty imbued with inimitable harmony, but also a dwelling place of the manmade objects- the ships. In depiction of the latter he predominantly employs graphic techniques: coal sketching, graphite pencil, drypoint print, etching and linocut print.

Kazuno Kohara is an author and illustrator of children’s books. She grew up in Japan and now lives in the United Kingdom. Her books feature linocut illustrations in one or two colors.“Children’s Bookshelf”, Julie Just, The New York Times, January 14, 2010. Her book Ghosts in the House was named a Best Illustrated Children’s Book of 2008 by The New York Times.“Best Illustrated Children’s Books 2008”, The New York Times, November 9, 2008.

During the first decade of the 20th century modern art developed simultaneously in several different areas in Europe (France, England, Scandinavia, Russia, Germany, Italy), and in the United States. Artists began to formulate different directions of modern art, seemingly unrelated to one another. In printmaking, the linocut was invented by the artists of Die Brücke in Germany between 1905 and 1913. At first they described their prints as woodcuts, which sounded more respectable.

Some of his notable works are: Goon Tana, The Happy Return, Biral, Nabanna, Gorur Snan etc. All of these paintings highlight the lives of lower-class people which has been the topmost priority of his paintings. Hassan was a versatile artist working in practically all media-oil, gouache, watercolors, pastel, etching, woodcut, linocut, pen and pencil. He also worked with woodcuts, specially after the famine of 1974, works that expressed his rage and anger.

He collaborated with Edith Lawrence with whom he had an interior design business, taught at the Grosvenor School of Modern Art from 1926 and wrote and organized exhibitions on linocuts. His pupils included various now- famous print artists such as Lill Tschudi, Cyril Power, Eileen Mayo and Sybil Andrews. Influenced by Cubism, Futurism and Vorticism, his work expressed dynamic rhythm through bold, simple forms. His linocut prints show his interest in depicting speed and movement.

In addition he used drawing, linocut and etching. Kravchenko also produced notable cycles of non-illustrative prints, for example the lyrical, intimate series Italy (mixed media, 1925–6) and Paris (mixed media, 1926; both in Moscow, State Tretyakov Gallery). His painting is very different in tone and mood. Often lyrical, erotic and unabashedly sensual in its palette, Kravchenko's later works have a wild freedom born of the knowledge that they were an entirely private expression.

Foust has been creating hand-made linocut prints for over 30 years, using the same spoon as the burnisher for the printmaking process. She exhibits in galleries, but mostly she sells her work in about 30 art festivals a year. Why she does art festivals: > Foust started doing art festivals about 11 years ago at the urging of an > artist friend. "I didn't think my work would sell at festivals," she says.

Thomas works in many mediums, including egg tempera painting, glass, cut paper, linocut and woodblock prints, sculpture, and installation. Her work is intended to tell stories. In addition to her personal history and experiences, has described her work as coming from observations of the things where she lives and from the politics that affect her life.Mitchell Museum, Mount Vernon, Illinois: "Talking Back to the Storm: New Figurative Work by Barbara Thomas", 1990.

The idea for the Washington Printmakers Gallery originated with the Washington Women's Art Center and a desire to establish a gallery featuring Washington-area artists who focused on printmaking techniques. Originally located at 1832 Jefferson Place NW, the gallery's first show was in May 1985. The gallery features prints created using traditional printmaking techniques such as lithography, woodcut, monotyping, linocut, and screen printing. In recent years the gallery has also included digital and photographic works.

A similar intention lies behind the style of the coloured linocut of "St. Hubertus" of 1936. The period after the war saw the creation of several important religious works by Pawlikowska. Among them are the 1947 depiction of "Saint Stanisław Szczepanowski, bishop and martyr" for the altar of the Marian Fathers' chapel at Fawley Court in Buckinghamshire England, and two paintings whose fate is unknown, one from 1947 the other dated 1962.

In April 1958 he returned to Germany and began his studies at the Merz Academy in Stuttgart, where he attended a two-year program in applied graphic arts. He learned typesetting, linocut and woodblock printing. Weingart then completed a three-year typesetting apprenticeship in hot metal hand composition at Ruwe Printing. There he came into contact with the company’s consulting designer, Karl-August Hanke, who became his mentor and encouraged him to study in Switzerland.

Seventy-five percent of that money went to the Frederick Mulder Foundation. Mulder also donated half of the $20 million earned from the 2012 sale of Picasso's linocut collection to his Foundation. In 2002, Mulder co-founded The Funding Network, another charitable organization that holds live crowdfunding events for social change projects. He also helped launch international affiliates and the organization now has or is setting up affiliates in over 20 countries.

In subsequent years, M.Rahmanzade worked in the technique of linocut. First works made in this type of arts she dedicated to giant-factories of two young cities – Sumqayit and Rustavi. Each of two series consists of six industrial and urban landscapes and two portraits portraying front-rank workers. In 1960s, the artist visited a lot of remote regions of Azerbaijan. New series of colored linocuts were result of these visits: “My Motherland” and “Azerbaijan”.

First Light (1993) Gouldthorpe wrote and illustrated his first children's book, Jonah and the Manly Ferry, in 1983.National Library of Australia Since then, he has gone on to illustrate or write/illustrate seventeen picture books and innumerable educational books. His work uses a wide variety of mediums including linocut, scraperboard, watercolour, crayon, coloured pencils, acrylic and oil paints. His books have often been shortlisted for The Children's Book Council of Australia's Children's Book of the Year Awards.

G. W. Bot is the signature name for the Australian artist Christine Grishin, nee Christine Falkland, who has been a full-time artist for more than 30 years. She is a printmaker, sculptor, painter and graphic artist who works with her own shapes and glyphs to represent the landscapes she loves. Since 1985 her primary work is linocut printing.G W Bot Garden of Possibilities, exhibition brochure, 7 June – 21 September 2003, Canberra Museum and Gallery, Canberra, ACT, Australia.

The book, Eve (1943), also uses "picture balloons" as He Done Her Wrong does. Inspired by mediaeval religious block books and working in an Art Deco style, American illustrator James Reid (1907–1989) produced one wordless novel, The Life of Christ (1930); due to the book's religious content, the Soviet Union barred its importation under its policies on religion. In 1938, Italian-American Giacomo Patri (1898–1978) produced his only wordless novel, the linocut White Collar.

Abraham is a custodian of the Whadjuk Noongar people descended from the Beeliar Whudjuk Noongar tribe. She traces her family back many generations, and is directly related to Calyute, one of the few survivors of the Pinjarra massacre. Her grandfather is Reverend Sealin Garlett. In 1997 Abraham, along with a number of other indigenous artists of the Djidij Djidji Arts Group, created a piece of artwork using linocut print, which is part of the City of Melville's art collection.

Angelo's favoured medium was the linocut, and his prints depicting urban nocturnes and desert scenes of the American Southwest are particularly coveted by collectors and dealers. In 1926, Angelo made his first book illustrations for the well-known, San Francisco-based Grabhorn Press. In a period of 34 years, Angelo decorated and illustrated roughly 250 books. Among these were folio editions of Walt Whitman's Leaves of Grass, The Travels of Sir John Mandeville, and numerous books of the Bible.

Gearhart also took part in exhibitions held by the PMSC, the Chicago Society of Etchers, the Pacific Art Association, and the Society of American Etchers. In the late 1920s, Gearhart and her two sisters collaborated on a children's book of original verse illustrated with their linocut prints. Entitled Let's Play, it was not published until 2009, when it was brought out by the Book Club of California. The original manuscript is in the Cotsen Children's Library at Princeton University.

Dams’ first solo exhibition PunkMe (1986), Jordaenshuis, Antwerp, featured linocut portraits evocative of his life in the underground Punk scene. Inspired by British post-punk ballet dancer Michael Clark, Dams started exploring movement as a subject matter for his work. A series of drawings and linocuts, featuring Clark, was exhibited in MOve (1987) an exhibition at Harrods, London. He went on to explore movement in series with dancers. In 1988, Dams’ artwork moved towards drawings, murals and installations.

During this period he created a series of remarkable portraits: Hemingway, Blok, Mayakovsky, Bagritsky et al., mentioned not only in professional community but also the general public. For example, the portraits of Mayakovsky (1963) and Bagritsky (1963) were awarded the prize of Moscow Union of Artists as the best works of the year, and a portrait of Hemingway (1962) hung almost in every Soviet flat. V.Savosin introduced into artistic practice three-or four-colored portrait in linocut.

The Life Saver is a limited edition (of 25) original linocut measuring 16"x12" signed in pencil by William Kermode. It is recorded in the National Gallery of Australia, alongside some of his other work, although no copy of it exists there. It is also recorded at being exhibited at the 7th International Print Makers Exhibition 2 March- 4 April at the Los Angeles Museum in 1926.National Gallery of Australia A copy is known to be owned privately.

Part of London Views, the album artwork created by Stanley Donwood. The Eraser cover art was created by longtime Radiohead artist Stanley Donwood. The artwork, a linocut titled London Views, depicts a figure standing before London destroyed by flood in imitation of King Canute failing to command the ocean. It was inspired by the 2004 Boscastle flood and an article by environmentalist Jonathan Porritt comparing the British government's attitude to climate change to the Canute legend.

Lares & Penates, Boston, 1950 (linocut), by Janet Doub EricksonProfiled and photographed by Gjon Mili in the now defunct newsweekly Life in 1951,Life Magazine, July 9th, 1951, Gjon Mili she was nicknamed “Jumping Janet” for her practice of jumping on her linoleum and wood blocks to make the ink stick deeper into the textiles she was printing. She was also the subject of profiles in the art magazines Craft HorizonsCraft Horizons, Feature Article, 1957 and American ArtistAmerican Artist, April 1957, and won a first prize in textile design from the American Craftsmen's Council in 1954. In 1961, summarizing her textile-printing and design practices and popularizing them in the face of burgeoning public interest and a crafts revival, Erickson wrote Blockprinting on TextilesWatson-Guptill, 1961 (which went into two editions and a number of printings). A 1966 book she co-wrote with Adelaide Sproul, Printmaking Without A PressVan Norstrand Reinhold, Boston, 1966 popularized both traditional and her own more innovative linoleum (linocut) and wood-cut printing techniques at a time when block printing was on the verge of extinction in the United States.

Editions of Hoyle's prints were produced by, amongst others, Christie's Contemporary Art, Neve International and Editions Alecto (who published his Cambridge Series of linocuts in 1965/66). His later prints combined figuration and an architectural sense of design with experimentation in printmaking processes including linocut, etching and aquatint. In addition to paintings and prints sold through galleries (including the Leicester Galleries, London), Hoyle produced commissioned illustrative work for organisations such as Shell-Mex,Mason, ‘Walter Hoyle'. p140 the Folio Society and the BBC.

Upon the recommendation of a German woman in Kullavik he gained admittance in 1931 to The Industrial Arts School in Gothenburg, with Hjalmar Eldh as a teacher. Billman studied book illustration at the school. A good example of woodcut making from this period is A Fiddlers Burial (1931), inspired by a poem from collection of verse Black Ballades by the Swedish poet Dan Andersson. He also made five linoleum cuts (linocut) with which he illustrated Upton Sinclair's novel Jimmie Higgins (unpublished illustrations).

A scholarship in her honor at her alma mater, today the University of Mary Hardin-Baylor, was established by former pupil Marjorie Hamilton Gillies. Three of Lacy's prints, the linocut First Monday of c. 1935–1940 and the lithographs Left Side of Tracks, of 1940, and the undated Summer Blankness, are in the collection of the National Gallery of Art; they are part of the donation made to the museum by Reba and Dave Williams of the Print Research Foundation in 2009.

After a successful exhibition at the Wiener Secession in 1916, she returned to Graz to establish herself as a freelance artist. With the first "Norbertine Roth Special Exhibition" (1918), coinciding with the end of World War I, she enjoyed great success in her home town, Graz. Already in the 1920s, she was one of the first women to become intensively involved with the new printing process of linocut. From 1921 to 1952 she created numerous animal depictions in this technique.

Kokolia's work has been included in a number of high+profile exhibitions. Between 1990 and 1991, he exhibited alongside Ivan Kafka and Tomas Ruller at the Museum of Modern Art in New York City. In 1990, he was the first recipient of the Jindřich Chalupecký Award for young artists. Two of his works, Bez názvu (Untitled - 1990) (a colour linoprint and mixed media) and Barevny (Colourful - 1993) (a colour linocut), can also be found in the US National Gallery of Art collection.

At the Taller de Gráfica Popular in Mexico, Jones learned how to make woodcut and linocut prints and mingled with visiting artists like Diego Rivera and José Orozco. Jones left Mexico in 1941 to teach at Fort Valley State College in Georgia. One of the students he taught was Benny Andrews, who would go on to become an accomplished African-American artist. In 1942, during WWII, Jones was drafted into the American army and stationed at Fort McClellan in Alabama.

Giacomo Patri (1898–1978) was an Italian-born American artist and teacher. Based in San Francisco, Patri taught at the California Labor School following World War II. Due to its pro-labor agenda, the school was closed in the 1950s under the pressures of McCarthyism. In 1938, after three years of work, Patri produced the wordless novel White Collar using linocut printing. It chronicled the aftermath of the 1929 stock market crash, and was intended to motivate white-collar workers to unionize.

Proctor taught Adrian Feint the techniques of woodblock-engraving 1926–28, and they both produced covers for the Ure Smith magazine The Home. Later she taught linocut printing at Julian Ashton's Sydney Art School and drawing at the Society of Arts and Crafts of New South Wales. Late in life she promoted the neglected work of her cousin John Russell. Proctor remained unmarried but was briefly engaged to Sidney Long in 1898, whom she had met and studied with in London.

He used his influences and interests to create a personal style characterised by expressiveness, simplicity, synthesis and distortion of forms. He was involved in the formation of the Expressionists' Group in 1919 and then the Riga Artists' Group as its theoretician and first chairman. Several of his major works portray the everyday life of refugees, he also painted portraits and self-portraits. His medium was conditional colour pattern in oil and water colour which he augmented with various graphic techniques (Indian ink, drawing, linocut, woodcut).

Leonard Beaumont (1891–1986) was an English printmaker, graphic designer, illustrator and publisher. He was one of the earliest exponents of the new art of linocut printmaking in Britain during the early 1930s. He was one of a small group of progressive and highly regarded printmakers who exhibited at the Redfern and Ward Galleries in central London. Whilst working in relative isolation in Yorkshire, most of his contemporaries were linked in some way to the Grosvenor School of Modern Art, located in Pimlico, London.

Also in 1917 Lawrence began teaching art at Runston Hill School. In 1922 Lawrence met the painter and linocut artist Claude Flight and the two became lifelong companions. After living at his studio in St John's Wood for a time, the couple set up a new studio in 1927 off Baker Street from where they run an interior decoration business and produced murals, textiles and decorative household objects. Lawrence also exhibited on a regular basis throughout the 1930s at both the Ward and Redfern galleries.

To mark the 1930 occasion of Mahatma Gandhi's arrest for protesting the British tax on salt, Bose created a black on white linocut print of Gandhi walking with a staff. It became the iconic image for the non-violence movement. His genius and original style were recognised by famous artists and art critics like Gaganendranath Tagore, Ananda Coomaraswamy and O. C. Ganguli. These lovers of art felt that objective criticism was necessary for the development of painting and founded the Indian Society of Oriental Art.

From the Pintupi/Luritja language group, Daisy Jugadai was one of a range of artists who came to painting through the Ikuntji Women's Centre in the early 1990s. She is credited with a significant role in the centre's establishment. She began with screen printing and linocut printmaking, but quickly shifted to acrylic painting, producing many of her best works during the mid-1990s. Western Desert artists such as Daisy Jugadai will frequently paint particular 'dreamings' or Tjukurrpa for which they have personal responsibility or rights.

SFCB offers four to five book arts-related exhibitions each year, focused on artist's books, design bindings, fine press books, artist retrospectives, and private collections among other topics. Its workshop program presents 325 letterpress printing, bookbinding, and related arts workshops to nearly 2,000 students annually. SFCB is also home to the annual Roadworks Steamroller Printing Festival, a local artist/vendor street festival that celebrates printing by using the road surface as a printing bed and antique steamrollers as presses for large-scale linocut prints.

Sprague was born in Bournemouth, to a father who was a train driver and a mother who worked in a cardboard box factory. His first work of art, in 1937, in response to the Guernica air raid in the Spanish Civil War, was a linocut made from linoleum torn from the kitchen floor. Printed on his mother's mangle, it was used on collecting sheets for Spain. He was educated at Alma Road Elementary School — until it was bombed during World War II — and Porchester Road Secondary Modern School.

Alexandru Bassarab, or Basarab (August 7, 1907 – July 8, 1941), was a Romanian painter, engraver, and fascist politician. Earning his reputation for his pioneering work in linocut and woodcut, he explored neotraditionalism, Romanian nationalism, and Romanian folklore, and was ultimately drawn into politics with the Iron Guard. He helped steer several art groups associated or integrated with the Guard, contributed to its fascist propaganda, and briefly served in the Assembly of Deputies. He survived the clampdown of the late 1930s, returning to apolitical work with Grupul Grafic, and exploring the legacy of Byzantine art.

Charles James Martin (September 1886 – August 9, 1955) was an American modernist artist and arts instructor. He worked in a variety of media including etching, lithography, water color, monotype, linocut, woodcut, oil, photography, mezzotint and silversmithing. Born in Mansfield, England in 1886, Martin emigrated to the US as a boy and lived out the remainder of his life as an American. He studied art under Arthur Wesley Dow at Dow's Ipswich Summer School of Art as well as at Columbia University Teachers College, where he became an instructor himself in 1914.

Richard Mock (1944 – July 28, 2006) was a printmaker, painter, sculptor, and editorial cartoonist. Mock was best known for his linocut illustrations that appeared on the Op-Ed page of The New York Times from 1980 through 1996.[1] Born in 1944 in Long Beach, California, Mock earned his bachelor's degree, studying lithography and block printing, at the University of Michigan. Settling in New York City in 1968, Mock had exhibitions at 112 Greene Street, The Whitney (in 1973), Exit Art, and his most recent show at the Sideshow Gallery in Brooklyn.

He suffered a heart attack in 1979 while visiting Belgium and later that year he had bypass surgery in South Africa. After the operation Claerhout's art underwent a colour evolution from the initial Flemish inspired earthy palette to one of brightness. His artistic legacy includes other media such as sculpture, wall-paintings, monotype and linocut, stained glass drawings and crayon. Claerhout donated much of the earnings from his versatile artwork to fund the building of housing and schools and support the people of his mission in and around Bloemfontein and Thaba Nchu.2016\.

Born in Cape Town on 24 February 1967, Billy Mandindi was educated in King William’s Town, in the Ciskei region of the Eastern Province. Mandindi mostly taught himself art, although he did take classes at the Community Arts Project (1985–1986), and at the Michaelis School of Fine Art of the University of Cape Town for one year (1987-1988). He also regularly attended the Visual Arts Group workshops between 1988 and 1989. Mandindi was associated with Hardground Printmakers for 4 years, which produced his prints and portfolios of linocut.

A fact of Kermode's work, as yet undocumented and largely ignored, is the variety of birding covers and dust wrappers which he designed, some from linocut and many bearing the simple initial "K". Sybil Andrews attended a lecture and demonstration by William Kermode on wood-block printing at Heatherley's School of Art, London in the 20s.Cutting Edge of Modernity, Gordon Samuel, Lund Humphries Publishers, 2002, A short obituary following his death and written by Owen Rowley appeared on page 12 of The Times on Thursday 5 February 1959.

Kana Wrestling the Turtle by Juliette May Fraser, fresco on canec (a sugar- cane fiber-base insulation board manufactured by Hawaiian Cane Products, Inc.), 1954, Hawaii State Art Museum Huakai-po, linocut by Juliette May Fraser, c. 1952, private collection Detail of charcoal and sanguine mural, 1939 Juliette May Fraser (1887 in Honolulu – 1983 in Honolulu) was an American painter, muralist and printmaker. She was born in Honolulu, which was then the capital city of the Kingdom of Hawaii. After graduating from Wellesley College with a degree in art, she returned to Hawaii for several years.

In the early 1950s several more artists (including George Chapman, Stanley Clifford-Smith, Audrey Cruddas and Marianne Straub) moved to the village making it one of the most artistically creative spots in Britain. Rothenstein took an important role in organising the Great Bardfield Artists exhibitions during the 1950s. Thanks to his contacts in the art world (his older brother, Sir John Rothenstein, was the current head of the Tate Gallery) these exhibitions became nationally known and attracted thousands of visitors. From the mid-1950s Rothenstein almost abandoned painting in preference to printmaking which included linocut as well as etchings.

In 1947 she and Morgan moved to Canada and settled in Campbell River, British Columbia. Seeking a new life together after the depression of two world wars, Andrews and Morgan moved to a small cottage in the logging community on Vancouver Island where they made ends meet building and repairing boats. Rediscovered in the art world during the 1970s and 1980s, Andrews became a local celebrity and spent the rest of her life working, painting and teaching. Sybil Andrews was elected to the Society of Canadian Painters, Etchers and Engravers in 1951 when her linocut Indian Dance was selected as the presentation print.

A tradition at Sine Qua Non is that each wine has a distinct name, label and often bottle style. Each label is hand made by Manfred, often with linocut art work of his own creation. Sine Qua Non's Syrahs were among the first American Syrahs to create significant interest and trading volume in the worldwide wine auction market. From the second quarter of 1999 to early 2008, the value of SQN wines at auctions appreciated by 163% in contrast to the 128% appreciation rate during the same period of other collectible wines listed on the Wine Spectator Auction Index.

1973), started translating these skills into the more portable forms of printmaking, linocut and etching, as well as larger scale bronze sculptures. Other outstanding artists include Billy Missi (1970-2012), known for his decorated black and white linocuts of the local vegetation and eco-systems, and Alick Tipoti (b.1975). These and other Torres Strait artists have greatly expanded the forms of Indigenous art within Australia, bringing superb Melanesian carving skills as well as new stories and subject matter. The College of Technical and Further Education on Thursday Island was a starting point for young Islanders to pursue studies in art.

From his early student years, his preferred graphics, working in Indian ink and watercolour, as well as prints, mainly etching, lithography, monotype, and occasionally linocut. From the late 1950s he travelled extensively in the USSR, as a special correspondent for the Pravda, Komsomolskaya Pravda and Literaturnaya Gazeta newspapers, and the journals Ogonyok and Yunost, documenting these trips with drawings and prints of the Bratsk and Krasnoyarsk hydropower plants, the industrial Urals, the oil fields of Baku, and the Moskvich car factory in Moscow. He worked in the Far East and Kamchatka, in Pamir, Murmansk, and in Ukraine.

A late work Bather (2009) has a similar subject flexing her triceps. Her linocut series The Black Woman Speaks, is among the first graphic series in Western art to depict the image of the American black woman as a heroic and complex human being. Her work was influenced by the Harlem Renaissance movement and the Chicago Black Renaissance in the 1940s and reinforced in the 1960s and 1970s with the influence of the Black Power, Black Arts Movement and feminism. With artists like Lois Jones, she helped to create what critic Freida High Tesfagiorgis called an "Afrofemcentrist" analytic.

The Stonemason: A History of Building Britain is a book written by Andrew Ziminski, published by John Murray in 2020. The book is divided into four parts, combining a chronological and geological approach, with each part concentrating on a single type of stone and how it is used in a particular architectural style and period. Partly an autobiography, the book features examples that are principally drawn from the author's own work in an area broadly corresponding to Wessex, and chapters are arranged to reflect the passage of a single year, beginning and ending at Samhain. Each chapter is preceded by a linocut print produced by Clare Venables.

In 1986, the exhibition, titled A Response, consisted of large- scale sculptures and linocut prints that depicted threatened or extinct wildlife, such as the fin whale, polar bear, sea eagle, puma, white rhinoceros and the great auk. It embodied extensive research on Benner's part about the meanings of animals and nature symbols to older civilizations. A particular highlight was the surreal installation of White Rhino (1986), a full-scale aluminum-clad sculpture of a rhinoceros. In 1996, in his show titled Tecumseh, at Museum London, Benner also brought to light little known or lost histories of Aboriginal identities in the Canadian narrative, such as Tribute to Nahneebahweequay (1988) and Tecumseh (1993).

Sculpture panel at the former St Martin's School of Art by Ryland Ryland was born in Windsor, where her father was a solicitor and where she would settle later in life. She studied at the Heatherley School of Fine Art from 1920 to 1925 and then at the Grosvenor School of Modern Art where she was taught linocut and woodcut techniques by Iain Macnab and Claude Flight. In 1927 she began exhibiting with the Women's International Art Club, WIAC, which became her main exhibition venue throughout her career. In 1936 Ryland became a member of WIAC and remained so for many years until the late 1950s.

As time passed in her career as a book illustrator, Oille began using scraperboard and linocut as being just as effective for illustration as the more demanding wood engraving. In the 1960s, the couple moved to Virginia for 18 years and then to The Bahamas. It appears that during this time away from Canada, Oille did not continue her art in any way and she was virtually forgotten in Canada despite the continued popularity of The Owl Pen. After Wells' death she returned to Canada in the early 1990s, living in Orillia, Ontario, very near her ancestral roots and the countryside of The Owl Pen.

Persuaded by a friend, the artist Poty Lazzarotto, Katz studied metal engraving with Carlos Oswald at the Rio de Janeiro School of Arts and Crafts. Throughout the 1950s, she continued to work with metal engraving but switched to woodcutting and lithography for most of her career and only returned to engraving in the 1980s. After moving to São Paulo in 1951, Katz taught painting and print making at the São Paulo Museum of Art from 1952 to 1955, and at the Armando Álvares Penteado Foundation from 1953 to 1963. During this period, from the late 1940s to mid 1950s, she mostly dedicated herself to woodcut and linocut working.

Sonia Romero (born 1980 in Los Angeles, California) is a Chicana, American artist known for her printmaking, mixed media linocut prints, murals, and public art based in Los Angeles. She is known for depicting Los Angeles, Latin American imagery, and Chicano themes in her work. Romero has had artwork commissioned by the Los Angeles County Art Commission, and the Los Angeles County Metropolitan Transportation Authority. She is known for straddling the world of both fine art and public art, as her prints are often exhibited in galleries and she collaborates with civic organizations in producing public art, such as the public pool murals created with the Los Angeles Conservation Corp.

Amongst interwar Australian printmakers Waller is particularly unique for her strong art deco compositions and her fantasy, mythological and astrological imagery. Although her work was mostly in linocut, with black and white linework, the complexity of her designs often exceeded that of her contemporaries in works like The Great Breath. She worked closely with Geelong based Henry Tatlock Miller and his Golden Arrow Press, to produce limited edition books, although Hendrik Kohlenberg suggests that Waller undertook most of the physical production of the book in her Fairy Hills studio and only a fraction of the planned 150 book edition for The Great Breath was ever completed. Another similar production of equal rarity is The Gates of Dawn.

Viking Eggeling's drawings for a Generalbass der Malerei ("General Basis of Painting"), 1918 As early as 1917, Marcel Janco began taking his distance from the movement he had helped to generate. His work, in both woodcut and linocut, continued to be used as the illustration to Dada almanacs for another two years,Sandqvist, p.93 but he was more often than not in disagreement with Tzara, while also trying to diversify his style. As noted by critics, he found himself split between the urge to mock traditional art and the belief that something just as elaborate needed to take its place: in the conflict between Tzara's nihilism and Ball's art for art's sake, Janco tended to support the latter.

His music has drawn elements from psychedelic rock, traditional folk music, soundtracks, free jazz, and modern composers, and tends to be contemplative and somewhat mournful. Some of his records feature elaborate packaging, woodcut and linocut prints, and handmade chapbooks. Throughout his career Smith has recorded for a number of independent labels such as Important Records, Soft Abuse, Catsup Plate, Root Strata, Immune Recordings, Last Visible Dog, Jewelled Antler, Darla Records, and Emperor Jones. In addition to his ongoing solo work, Smith has been a member of the instrumental psych-rock group Mirza; the improvisational group Thuja; Hala Strana, a project which focuses on the traditional music of Eastern Europe; and most recently Ulaan Passerine, Ulaan Markhor, and Ulaan Khol.

The Bridge (1930) by Dorrit Black Dorrit Black was born in the Adelaide suburb of Burnside, the daughter of engineer and architect Alfred Barham Black and Jessie Howard Clark, an amateur artist and daughter of John Howard Clark, editor of the South Australian Register. She attended the South Australian School of Arts and Crafts in about 1909, working in watercolors, and attended the Julian Ashton Art School in Sydney in 1915, concentrating on working in oils. In 1927, Black went by herself to London and attended the Grosvenor School of Modern Art, where she experimented with colour linocut printing while studying under Claude Flight. Black was influenced by Flight to use bold geometrical patterns and harmonious colour schemes.

Iain Macnab of Barachastlain (21 October 1890 – 24 December 1967) was a Scottish wood-engraver and painter. As a prominent teacher he was influential in the development of the British school of wood-engraving.Hal Bishop, ‘Macnab, Iain, of Barachastlain (1890–1967)’, Oxford Dictionary of National Biography, Oxford University Press, 2004 accessed 30 June 2009 His pictures are noted for clarity of form and composition. His concepts of the sense of motion which could be created by the shape of repetitive parallel lines were of profound influence, in particular in relation to the art of linocut – an art form which both he and Claude Flight pioneered at the Grosvenor School of Modern Art where with the teachers included Cyril Power and Sybil Andrews.

Spowers had her first solo exhibit in Melbourne at age 30, showing fairy-tale illustrations as those of Ethel Jackson Morris. Two further solo shows (1925 and 1927) at the New Gallery, Melbourne, confirmed her reputation as an illustrator of fairy tales, though by then she was also producing woodcuts and linocuts inspired by Japanese art and covering a broader range of subjects. \----Her style and artistic focus changed in 1928–29 when she studied linocut printmaking with Claude Flight at the Grosvenor School of Modern Art in London. She was one of several Australian women artists at the Grosvenor School, including Dorrit Black and Eveline Winifred Syme.Stephen Coppel, "Claude Flight and his Australian Pupils," Print Quarterly2(4)(December 1985): 263-283.

The artist liked to experiment especially with the linocut, a great favorite among the German Expressionists and a medium that they imbued with new life. After contributing to Der Sturm journal in the early 1920s he began to work with this printing technique again, in particular in 1936, and produced the 7-series Gastgeschenk in Schwarz-Weiss ("Hospitality gift in black-and-white"), a self-contained series of 210 linocuts - some of them almost miniatures - presenting a fusion of his hitherto art and form vocabulary. The subject matter of his linocuts follows the repertoire of his colored works on paper and sketches as well as paintings, and occasionally they explore paths for developing entirely new genres. Nebel produced linocuts continually alongside his other work.

As the supplies of metal began to dry up due to World War II, Frostic turned to more readily available materials and began printmaking, using the Linocut technique of carving linoleum blocks. Due to her exploration with plastic, she was also commissioned to make a piece for the 1939 New York World's Fair. During World War II, Frostic worked full-time, six days a week, as a tool and die draftsperson in the Willow Run bomber plant of Ford Motor Company where she became skilled in production. After the war, Frostic started her own production printing company in Wyandotte, known as Presscraft Papers, by turning her linoleum block carvings into stationery goods and prints through the use of Heidelberg printing presses.

Three years later, the pair became part of the staff of the Grosvenor School of Modern Art – Power was appointed as one of the founding lecturers, while Andrews became the school's first secretary. Both Power and Andrews were swept up in Britain's linocut craze of the 1920s and 1930s under the tutelage of Claude Flight, instructor and champion of linocutting at the Grosvenor School. Flight, a proponent of the relatively new medium, believed that linocuts were most appropriate for expressing the modern age in which they lived, particularly because artists were able to move forward and stamp their own unique mark on the medium, free from the confines of tradition unlike the woodcuts based in historical Japanese methods. Likewise, Andrews quickly absorbed Flight's enthusiasm for linocutting and made it her life's work.

Throughout his career, Held used woodblock, linocut, bronze, pen, and paint and he painted everything from maps to cartoons, to scenery and accurate animal portraits. Even though his art was so varied in style, there was unity in effect. Arguing that Fitzgerald christened the Jazz Age, Corey Ford described Held as both the recorder and the setter of popular styles and manners of the era: > His angular and scantily clad flapper was accepted by scandalized elders as > the prototype of modern youth, the symbol of our moral revolution ... Week > after week in Life and Judge and College Humor, they danced the Charleston > with ropes of beads swinging and bracelets clanking and legs kicking at > right angles ... So sedulously did we ape his caricatures that they lost > their satiric point and came to be a documentary record of our time.Held, > John. 1972.

His right-hand man was his stepson Ivo Jarosy, who started as the Academy's publicist in 1938 and wrote carefully researched press releases. He worked closely with Peter Strausfield (also interned with Hoellering on the Isle of Man) who created original linocut images for the Academy's distinctive posters since the cinema had a policy of not using any existing publicity material. Apart from European features and avant-garde or experimental films, the Academy programmed a range of documentary films such as The Way We Live by Jill Craigie, and Children On Trial by Jack Lee (shown with Zéro de Conduite by Jean Vigo), and Herbert von Karajan conducting the St. Matthew Passion by J. S. Bach (1949). A film which showed at The Academy after the war could obtain up to 1,000 bookings across the country, although the British commercial film industry had been slow to embrace documentaries.

This sort of creativity put pressure on the facilities of the camp and caused a drastic shortage of art supplies, at least in the early days of the camp. This led to much resourcefulness, such as: mixing brick dust with the oil from sardine cans in order to make paint, digging up clay when out on walks for sculpture, and ripping up the lino floors to make cuttings which they then pressed through the clothes mangle to create linocut prints. In addition to this there was a ravenous use of materials such as brown paper from parcels, government issue toilet paper, wall paper torn from the walls, and also the resultant blank spaces on the walls now ripe for murals. The engraver, Hellmuth Weissenborn, started a craze within the camp by engraving images in the dark blue paint on the windows, which had been put in place to act as air-raid blackouts in the absence of other materials at that stage of the war.

He decided to host Benoit's next exhibition, Three Traces Oscar, in the party's headquarters, designed by Niemeyer himself. This project involved the creation of a new series of paintings inspired by the three buildings projected by Oscar Niemeyer in the Paris metropolitan area: the headquarters of the French Communist Party in the Place du Colonel Fabien, the headquarters of the Bourse du Travail in Bobigny and the headquarters of the daily L'Humanité in Saint-Denis. The Three Traces of OscarNewspaper Espaces Latinos, n° 239, January–February 2007 View on lineThree Traces of Oscar View on line exhibition opened at the Espace NiemeyerDe l'Art à l'Œuvre View on line in November 2006, closing in March 2007.Radio France International View on lineBrasilBrésil View on line It consisted of 28 large format canvases and a series of monotype linocut prints.Paintings of Three Traces of Oscar View on line Among these works, A Painter’s Dream, a four-piece polyptych that imagined an allegorical meeting between Oscar Niemeyer, Stanley Kubrick and Kate Bush, as well as the painting Clouds, another allegorical meeting, this time bringing Oscar Niemeyer and Joni Mitchell together.