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35 Sentences With "likings"

How to use likings in a sentence? Find typical usage patterns (collocations)/phrases/context for "likings" and check conjugation/comparative form for "likings". Mastering all the usages of "likings" from sentence examples published by news publications.

The bleeding edge can bleed too much for the likings of enterprise customers, said James Ford, an analyst and consultant.
Fire would also lead to inventions like the steel mill and the steam engine, which would allow humans to literally reshape the world to their likings.
Started in 2005 and named for the Detroit Pistons' fledgling big man Darko Milicic, FreeDarko advocated "liberated fandom," or allegiances based not on a fan's geography or personal history but on moment-to-moment likings.
It's still a "learning" thermostat, though they've dropped the "learning" bit from the name — that is, it can learn your temperature preferences over time, eventually cranking the heat or cooling to your predicted likings without you having to touch it.
On one hand the film shines, on the other it goes too far in its portrayal and ultimately comes off too sodden in sugary glutinousness for my likings.
In those five regions, the languages of the people were not > mutually intelligible, and their likings and desires were different. To make > what was in their minds apprehended, and to communicate their likings and > desires, (there were officers) – in the east, called transmitters; in the > south, representationists; in the west, Di-dis; and in the north, > interpreters. (Wang Zhi, tr. Legge 1885: 229–230, changed to Pinyin) The Shujing history uses Siyi in two forged "Old Text" chapters.
In the thought of Imam Khomeini, human learns to Loss of worldly likings and self-giving to God. Imam says: People should not be proud of reaching a high position (scientific, material, political, etc).
As a collection, Filipiniana materials are required for studying the Philippines. The materials are helpful in providing information on the "extent of the intellectual faculties of [persons] born" in the Philippines and the industries, likings, and inclinations of these people, and the like.
To make > what was in their minds apprehended, and to communicate their likings and > desires, (there were officers) – in the east, called transmitters; in the > south, representationists; in the west, [Di-dis]; and in the north, > interpreters.Wangzhi chap., tr. James Legge (1879), The Li Ki, Clarendon > Press, vol.
"return tongue"). The Classic of Rites records four regional words: ji 寄 "send; entrust; rely on" for Dongyi 東夷 "Eastern Yi-barbarians", xiang 象 "be like; resemble; image" for Nanman 南蠻 "Southern Man-barbarians", didi 狄鞮 "Di- barbarian boots" for Xirong 西戎 "Western Rong-barbarians", and yi 譯 "translate; interpret" for Beidi 北狄 "Northern Di-barbarians". > In those five regions, the languages of the people were not mutually > intelligible, and their likings and desires were different. To make what was > in their minds apprehended, and to communicate their likings and desires, > (there were officers), — in the east, called transmitters; in the south, > representationists; in the west, Tî-tîs; and in the north, interpreters.
Quomodo says that Lethe would be a good husband for their daughter because he is rich. Susan says that she likes Rearage much better because he is a gentleman. Quomodo insists that Susan's "likings" are irrelevant. Thomasine argues that Rearage is a much better match because he is a landowner, and collects rent from his lands.
Shuvo targets a girl who just has American Visa and planned to use her as the key of his luck. He starts collecting information about that girl whose name is Nijhum. He managed to know the likings and dislikings of Nijhum with the help of his Uncle. Nijhum is a very ultra modern girl from a huge rich family.
The vals criollo (), or Peruvian waltz (), is an adaptation of the European waltz brought to the Americas during colonial times by Spain. In the Viceroyalty of Peru, the waltz was gradually adapted to the likings of the Criollo people. In the 20th century, the genre became symbolic of the nation's culture as it gained widespread popularity in the country.
In course of time, many other Iyengar families from different parts of the then Madras Province migrated to this village under the patronage of the Raj Guru and the Maharaja of Panchakot. The Maharaja had special likings for this Vedic orthodox south Indian Brahmins. Brahmotter properties were donated to each such family. Migration continued till 19th century, during the tenure of different maharajas.
Individuals can be compelled to act prosocially based on learning and socialization during childhood. Operant conditioning and social learning positively reinforces discrete instances of prosocial behaviors. Cognitive capacities like intelligence for example, are almost always related to prosocial likings. Helping skills and a habitual motivation to help others is therefore socialized, and reinforced as children understand why helping skills should be used to help others around them.
The steering requires only one turn lock to lock and minimal steering movement during racing. The sequential gear lever is close to the steering wheel and the carbon fibre dash displays the necessary instrumentation. The chassis design incorporates simplicity in suspension adjustment to cater for all drivers likings including castor/camber, sway bar, roll centre and ride height etc. Brakes have simple front to rear bias adjustment.
The corners of the doors and the windows are in likings variegated, taken with the careers of Capelle Bonance. In 1329, to facilitate transport of it, the lord of Pomayrols had made build a bridge upon the Lot river which was carried by a rising in 1705. The building of 1446 will preserve its aspect of origin until 1568. After the passage of Huguenots, the ransacked parts all were not rebuilt.
During the course of her studies, Tirumalmba had the habit of jotting down notes of her likings as a habit. Using the thoughts that came to her from her notes, Tirumalamba extended the range of ideas to drama, fiction, stories, and songs. Her “Mathru Mandira” always provided an endearing audience for her writings. In this direction, Tirumalmba started writing more and more to deliver the much awaited audience.
In 1994 Nikolai Noskov was at crossroads. Starting a solo career from level ground again was a deliberated decision. Noskov gradually underwent some major changes of inner vision. Throughout his solo career his hard rock likings slowly but steadily transformed into deeper music closer to ethnic ballad art rock; and though in his most recent albums hard rhythms are discernible, they may be more precisely characterized as funk.
He was devastated when his close friend and mentor, Tony Andruzzi, died in tragic circumstances. Charles and Tony shared many likings – Famous Grouse whisky, smoking, and a deep interest in the bizarre to name a few. Always interested in the weird, supernatural and mysterious, and a keen student of the occult, he had a regular slot on Radio Forth doing daily predictions and ghost stories. His home in Haddington housed his great collection of unusual artefacts and books.
There are four channels by which social media resources can transform into business performance capabilities: # Social capital represents the extent to which social media affects firms' and organizations' relationships with society and the degree to which the organizations' use of social media increases corporate social-performance capabilities. # Revealed preferences represent the extent to which social media exposes customers' likings (e.g., "likes" and followers) and increase a firm's financial capabilities (e.g., stock price, revenue, profit), or for non-profits, increases their donations, volunteerism rate, etc.
The woman's imagination also changes Tony's face to one of her likings; Tony dances elegantly with her, and they notice a motel run by Mr. Nick, but Tony convinces the woman instead to take a gondola ride that wins the first soul for Parnassus. Tony falls back out of the Imaginarium, returning his face to normal. The woman exits shortly after and gives the troupe a vast sum of money as thanks for her marvelous experience. When three other women enter, each re- emerges elated; and thus Parnassus has won a total of four souls.
Female (left) and male (right) at Eastern Creek, New South Wales, Australia Red rumps are bred easily in captivity if provided with necessary flight space and a large nesting box. Breeders usually use peat and wood shavings as bedding for the nests, birds like to arrange the beds to their likings. As soon as mating has occurred the hen will deposit 4 to 7 eggs which she will brood for about 20 days. Red rump hens will not go out of the nest box whilst on eggs and not even human checking will make them leave their eggs alone.
For example, the traditional opening phrase Sagardo Deia, meaning the Cider Call, is frequently used and easily identifiable with only slight differences from some txalapartaris to others. A pre-established whole composition may be arranged as well, while that kind of playings are rare on bare performances with no accompanying instruments. Much of the success of the performance relies on the collusion between both players, so the more they are acquainted with each other's ways, tricks and likings (the flaws too!) the smoother the performance will go and the easier will be for the txalapartaris to show their aptitudes and excel in their playing.
Amasidia then goes to talk to the woman about buying the bull, yet the old lady still refuses. The lady says you are welcome to see the bull and feed him to your likings but he is never to leave the watch of the other animals and the old lady. They argue and Amasidia asks if he were to escape she would not be able to restrain him, but the old lady says that if he were to do that, the magical serpent might give the bull a venomous bite. As the day turns to night Amasidia knows that she has to return home and leave the bull.
Although adjustments may be made to customize them to celebrities' likings, the majority of costumes turn out identical to her sketches. A maximum of two fittings are conducted with each celebrity at either the costume shop or Toybina's studio in which a "limited number of people"—including Toybina, a tailor, and a vocal coach—are present. Before filming occurs, Toybina has creative meetings with "every single department" of the show to discuss how to perfect the look of the costumes on camera. While deactivated during performances to prevent sound issues, celebrities with full-body costumes or LEDs on their masks have built- in fans to prevent them from overheating.
Jhunku is not allowed to join them by his lawyer father who wants him to study in England. Apart from fearing his father, Jhunku is also torn between his admiration and respect for the magistrate, Wilkinson Barry John and his wife, who show great likings for him and his fascination for the charismatic figure of Masterda, who is followed and revered by most of his friends. Jhunku, due to his faith in Wilkinson who is personally against torturing revolutionaries, has great belief in British justice and believes that by getting an English education he might better equip himself to free his country. This causes arguments between him and his friends, especially Aparna.
Brad counters that by saying what about personal likings and individual freedom? In This Side of Paradise (1979), Ryan responds to the same query by saying if two people are of the same mind, then one becomes superfluous, Gina's tentative answer to which is that one can agree to disagree. Men, as sexual drivers, are the quickest to recognize the significance of sexual compatibility so to use it like a mantra over and over in Kay Thorpe's stories that as long as the couple is sexually compatible it is a foundation from which they can build on. For example, in The Man From Tripoli (1979), Bryn expresses this sentiment to bolster up a simple marriage of convenience.
The Letters of Horace Walpole: Earl of Orford, Horace Walpole, H.G. Bohn, 1861. Internet Archive A number of sources have named Damer as being involved in lesbian relationships, particularly relating to her close friendship with Mary Berry, to whom she had been introduced by Walpole in 1789, and with whom she lived together in her later years. Even during her marriage, her likings for male clothing and demonstrative friendships with other women were publicly noted and satirised by hostile commentators such as Hester Thrale and in the anonymous pamphlet A Sapphick Epistle from Jack Cavendish to the Honourable and most Beautiful, Mrs D— (c.1770).Rictor Norton (Ed.), "A Sapphick Epistle, 1778", Homosexuality in Eighteenth-Century England: A Sourcebook.
However, one of Vitín's trade moves is to ask questions about the guest's personal likings and agree with whatever the guest says, even self- contradicting himself or his values if the guest says something that Vitín has not expected. For example, Vitín might go to the extreme of saying he hates wrestling if his male guest doesn't like the sport. Usually the interview ends with a blatant pass or physical gesture that embarrasses the guest (a typical one is Vitín standing up, turning around and pump up his muscles with his backside to the guest, flaunting his derriere to him). Usually guests play along until they cannot follow the joke any longer.
Due to his rather spartan living conditions and schedule, Culebro longs for female company, to which Vitín vehemently objects. Culebro displayed his talents for singing bachata in an episode, and audience reaction was positive enough to deserve a recording, a CD album named "Culebro Legal". Two minor hits from this album were the reggaeton/plena fusion song "Seaca Bós"(see video) (the stereotypical Cibaeño pronunciation for "Se acabó", or "It's Over") and "Los deítos 'e los pies" ("The toes"), in which Culebro describes his likings for a lover's toes as a fetish. Both were minor Christmas hits in Puerto Rico in 2004, and "Seaca Bós" has been used as a wrestling theme song.
Setup that was used for solo performances NUFH was formed in 2003 when Honoshowky and keyboardist Sean Wegeler got together and performed and recorded as a duo, creating music that was structured compositionally and sonically in a way neither had experienced before. This style was dubbed "experimental electronic math rock". "The music was based on a freewheeling style blending imrpov-centric electronics and ethnic motifs with a complex patchwork of oddly linked themes and shifting time signatures." Their debut self-titled EP was recorded in October 2003 and was often compared to the likings of a Frank Zappa or Mike Patton project, while much of the sound gives it the feel of an obscure Sci-Fi or video game soundtrack.
A review by Hilary Goldstein of IGN shared similar opinions, suggesting that the added mini-games, including the Butt Battle and Tug-of-War are based highly on luck, relying on an arbitrary button press to counteract what one thinks one's opponent is going to do next. It was noted to be too similar to the original DOAX for many reviewers' likings, stating that a large amount of the girls’ animations were taken from the original title and simply tweaked to fit the new game engine. Changes to the volleyball portion, still the main attraction of the game, have apparently made it significantly more difficult. Lastly, certain reviews criticized the new breast physics, causing them to bounce independently when running or moving and continue to jiggle or swing even when the character is still, resulting in awkward sequences.
He carried out a lot of exhibitions since its first exposure in Marseille in 1965. He was inspired by the painters of its area, Cézanne, of course, and Vincent Van Gogh, but especially, he kept his freedom, illustrating magnificently that art is initially freedom to do something and to call it art… with the proviso of doing it with talent, inspiration and genius. Recently it was noticed while exposing in 2004 a series of painting in Aix-en- Provence on the Divine Comedy of Dante (see some examples on fr:Wikipedia) and took part in 2006 in "the Cézanne year" with an exposure to the museum of the tapestries of Aix-en-Provence, where it reinterpreted the work of the Master of Aix, with much of affection, freedom and creative intelligence. The town of Aix en Provence required of him to carry out an earthenware work and high relief in likings with the workshops "Décoramic" and P. Architta, to mark the year Cézanne 2006.
In 1975 too saw the establishment of the longest serving front singers of Zaiko in Nyoka Longo, Bimi Ombale, Lengi Lenga and Likinga Redo who will become for fourteen years the face of Zaiko and impose Zaiko as the ultimate heavy weight of youth music in Zaire. The success of the band was so huge and unprecedented in Zairian music history especially in releasing outstanding songs like Nalali pongi, Zaiko wa wa, Kin Kiesse, Ma, IMA, fololo ya nzembo, omibongisa, Cité d'ambiance, Pacha labaran, Sangela, Nadi, Likamuisi, Diana ya mama, Didina, Vera, Esikebene, Souvenir Djeni, Mangobo, Misolina and many more that all the personnel that have left the band were queuing to return. In 1977, Bozi Boziana rejoined the group, followed by Mashakado Mbuta and Evoloko in 1979. In 1979 with a line up of 10 singers namely Nyoka Longo, Bimi Ombale, Lengi Lenga, Redo Likings, Mbuta Mashakado, Bozi Boziana, Anto Evoloko, Yenga Yenga, Sheikedan and Otis Mbuta Zaiko will be revisited by the demons of division.

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