How to use letterspacing in a sentence? Find typical usage patterns (collocations)/phrases/context for "letterspacing" and check conjugation/comparative form for "letterspacing". Mastering all the usages of "letterspacing" from sentence examples published by news publications.
This practice is known as tracking or letterspacing. Some digital fonts contain alternative spacing metrics for this purpose.
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While an antiqua typeface is usually compound of roman types and italic types since the 16th-century French typographers, the blackletter typefaces never developed a similar distinction. Instead, they use letterspacing (German Sperrung) for emphasis. When using that method, blackletter ligatures like , , or remain together without additional letterspacing ( is dissolved, though). The use of bold text for emphasis is also alien to blackletter typefaces.
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In design, New Wave or Swiss Punk Typography refers to an approach to typography that defies strict grid-based arrangement conventions. Characteristics include inconsistent letterspacing, varying typeweights within single words and type set at non-right angles.
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Letter-spacing may also refer to the insertion of fixed spaces, as was commonly done in hand-set metal type to achieve letter-spacing. This is a more mechanical method which relies less upon spacing and kerning tables resident in each typeface and accessed and used when letterspacing is applied universally. Fixed spaces include a hair space, thin space, wordspace, en-space, and em-space. An en-space is equal to half the current point size, and an em-space is the same width as the current point size.
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Released by Font Bureau, it includes bold and bold italic designs, and a complete feature set across all weights, including bold small caps and swash italic alternates as well as optional shorter descenders and a 'modernist' italic option to turn off swashes on lower-case letters and reduce the slant on the 'A' for a more spare appearance. It is currently used in Boston magazine and by Foreign Affairs. A notable feature of Caslon's structure is its widely splayed 'T', which can space awkwardly with an 'h' afterwards. Accordingly, an emerging tradition among digital releases is to offer a 'Th' ligature, inspired by the tradition of ligatures in calligraphy, though itself not a historical type ligature, to achieve tighter letterspacing.
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In the United States, Akzidenz-Grotesk was imported by Amsterdam Continental Types under the name 'Standard', and became quite popular. According to Paul Shaw, "exactly when Amsterdam Continental began importing Standard is unclear but it appears on several record album covers as early as 1957." In 1957, three notable competitors of Akzidenz-Grotesk appeared intended to compete with its growing popularity: Helvetica from the Haas foundry, with a very high x-height and tight letterspacing, Univers from Deberny & Peignot, with a large range of weights and widths, and Folio from Bauer. Shaw suggests that Helvetica "began to muscle out" Akzidenz-Grotesk in New York from around summer 1965, when Amsterdam Continental's marketing stopped pushing Standard strongly and began to focus on Helvetica instead.
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